50 Award Winning House

50 AWARD WINNING HOUSE 50获奖房子 李婵 何英 译

刘沉地 编

辽宁科学技术出版社

Contents 目录

3

Foreword 前言

5

Lefevre Beach House 勒菲弗海滨别墅

15 Mirindiba House 米伦迪巴别墅

23 Panama House 巴拿马别墅

31 Pentimento House 变形别墅

39 Capece Venanzi House 海角小屋

47 Esker House Rooftop Apartment 埃斯科尔屋顶住宅

55 Harbour me, Celia! 拥抱我吧，西莉亚！

61 House in Carabbia 卡拉贝拉别墅

69 IJburg House 艾哲伯格别墅

77 J2 House J2别墅

107 Villa G G别墅

115 Villa Marstrand Wadt 马斯特兰德·韦德别墅

121 Villa Petersen 彼得森别墅

129 Villa Storingavika 斯多林嘉维卡别墅

135 Barrow House 独轮车别墅

143 Marcus Beach House 马库斯海滨别墅

149 Noosa Hinterland House & Studio 努沙腹地别墅与工作室

155 The Bay House 海湾别墅

161 Tugun Residence 图坤别墅

167 Vader House 韦德别墅

175 Helal “New Moon” Residence 希拉勒“新月亮”公馆

85 Milhundos House

183 Hover House

弥罕德斯别墅

翱翔之家

91 Redondela House 雷多黛拉别墅

101 Steigereiland 斯黛格瑞兰德

191 Shell House 薄壳别墅

197 Symbiosis House in a Forest 伴林居

203 Zen House 禅房

301 Zeidler Residence 德勒住宅

207 Beuth Residence 柏斯住宅

213 Brosmith Residence 布罗史密斯住宅

219 Hamptons Beach House 汉普顿海滨别墅

229 Kelly Residence 凯莉别墅

235 Lago Vista Guesthouse 湖畔远景别墅

241 Point Dume Residence 庞特·杜牧公馆

253 Pool House 泳池别墅

259 Skyline Residence 天际公馆

269 Suntro House 桑特罗别墅

275 Surfhouse 冲浪别墅

281 The Xeros Residence 艾克塞罗斯别墅

287 Torres House 托雷斯别墅

293 Villa NM NM别墅

307 Biscuit Lofts 饼干公寓

313 Collage Paris 拼贴巴黎

319 GreenCity Lofts 绿城公寓

325 Silkwood 修科伍德大厦

331 Strandkanten 斯坦肯住宅区

337 "Miravalle Tower 点式住宅

345 MTN MTN公寓

351 Museum Residences 博物馆住宅

357 Index 索引



Foreword 前言 Habitation is one of the fundamental needs for human beings, and it is just from residence that architecture developed itself. With the unceasing growth of this discipline, designs for public buildings drew more and more attention, as witnessed by numerous memorial edifices built all over the world. However, architects have never moved their eyes from residences. In the early 20th century, great designers contributed to this field with many gorgeous projects, such as Fallingwater, Villa Savoye, and Schroeder Housein Utrecht. Today when we have stepped into a new era for design, grandmasters in architecture are paying an unprecedented effort to our living space with their genius in creativity and innovation. This book covers fifty outstanding houses built recently, from villas to flats, each shining with its own brilliance. Thanks to the delicate designs, the clients could live in their dreamed spaces. Houses are closely related to our life, as some designer once said that the design for a house has nothing to do with style, creativity, or concept; a good house is only designed with your soul attached. Among all types of architecture, house design is the most affectionate. The forms of houses may vary greatly, and there are no fixed rules. Excellent house designs present themselves in various forms. As we could see in this book, the designers brought out their characterised houses, applying different concepts in different contexts, being considerate or showing their peculiarities. For sure, you would find many surprises here. The stunning design for the project Harbour me, Celia! would be a good example. It is a renovation project situated in an old farmhouse, in which the designer tried his best to retain the existing structure. The air of a farmhouse is further kept with simple decoration. Here simplicity is the expression of beauty. So is Pentimento House, in which you wouldn’t find imposing decorations, but subtly and flexibly designed ones which filled the house with pleasure and surprise. Pool House is another example. It is so small that the house even seems subordinate to the pool! For this, the designer made a subtle contrast of the scales, and together with careful details, the house is extremely distinctive. The fast-paced city life makes us feel more and more alien from nature. As the design that most focuses on human souls, house design is sure to take nature as a key element. This is well exemplified by many houses included here, in which the designers implied various ways to help their clients live closer to nature, in tranquility and peace. Symbiosis House in a Forest, for example, is built amongst mountains. The context naturally endowed the house with a strong sense of nature. The landscape is perfectly kept, without cutting a single tree on the site. In this way, the forest becomes the garden for the house, with living space fully integrated into nature. Conversely, IJburg House is a different case. While there is no forest in its surroundings, the designer created a green context inside the limited space of the house, with as much plant as possible. The small house is quite impressive for its intimate atmosphere. Designers are diversified in their designing methods. In a simple form, an extraordinary spatial sense could be achieved through designing with flowing streamlines. In Steigereiland House, for instance, in this “blue box”,



we would have an unexpected spatial experience, seeing surprising construction techniques. In Surfhouse, however, apart from the flexible arrangement of the limited interior spaces, the designer livened up the small house in the form of a square box, by applying a “subtraction” concept. Of course, some designers are good at making novel forms in architecture. The “grey” spaces caused by the irregular forms become, quite surprisingly, the sparkling points of the houses, through certain magic processing of the designers. Villa NM stands out just for its graceful configuration, with its streamlines being focal points for both the outside and the inside. Shell House, similarly, is built with the configuration of a shell, in which the elegant streamlines could be seen everywhere. Moreover, the designer made use of the “shell” configuration in interior design. In the book, you would find careful design schemes as well as excellent design skills, implemented in houses, villas, flats, etc. in various scales, with a diversity of styles. We believe that certain ones of them would wow you when catching your eyes!

居住是人类生存的基本要求之一，建筑最初就是由住宅而起，随着建筑学的不断发展，公共建筑的设计渐渐受到重视，一幢幢出色 的纪念性建筑拔地而起，但是设计师们也从未放弃对居住空间的关注。20世纪初期，建筑大师们留下了“流水别墅”、“ 萨伏伊 别墅”、“什罗德住宅”等经典作品。如今进入了设计的时代，新一代的设计大师们用更多的创意关注着人们的生活环境。 本书收录了50个近年出色的住宅设计，不论是公寓还是别墅，都各有精彩之处，设计师用心的设计，给了业主贴心的住宅。 住宅和生活息息相关，有设计师说，住宅的设计可能与风格无关，与创意无关，与理念无关，只与心灵深处有关。住宅的设计是众 多设计中最富感情的。住宅设计的形式变化多样，没有固定的规则，无论何种形式，都可以做出出色的设计。在本书中，可以看到 设计师用不同的手法，在不同的设计环境中，展示给我们各具特色的住宅设计，不论是面面俱到还是剑走偏锋，相信这些设计都会 带给读者以惊喜。 让人惊叹的“拥抱我吧，西莉亚！”翻修设计，在一个老农舍中展开，设计师尽量保留原状，简单的装饰完美地保护了原来农舍的 气息，用最质朴的语言表达美好。“变形别墅”也是如此，并没有富丽堂皇的装饰，却有灵活而巧妙的设计，让这个小屋充满愉快 和惊喜。“泳池别墅”体量很小，甚至看起来建筑成为了泳池的附属，但设计师通过特殊的体量对比和巧妙的细节设计，让这个住 宅充满了独特的韵味。 快节奏的都市生活让人们越来越需要自然的庇护，最为关注人类心灵空间的住宅设计更将自然作为设计的重要元素。在本书中收录 了很多这样的设计，设计师用各种方式让业主的生活更贴近自然，更舒适宁和。 “伴林居”建于山中，住宅本身就带有浓厚的自然气息，设计师并未进行周围景观的设计，甚至没有砍掉基地的任何一棵树木，而 是自然而然的，让森林变成了这个住宅的花园，让居住环境完全融入到自然中去。不在森林中同样可以营造自然的环境，“艾哲伯 格别墅”体量虽然不大，但是设计师在这个小小的住宅空间内最大限度的栽种了植物，配合完美的比例，让这幢住宅充满亲和力。 设计师们的设计手法多种多样，可能在很简单的形体中，用出色的流线设计营造出非凡的空间感受。如“斯黛格瑞兰德别墅”，这 个蓝色的方盒子里，有让人意想不到的空间，也有让人惊叹的建筑技术。而在占地面积有限的“冲浪别墅”中，设计师在巧妙处理 有限的内部空间的同时，还利用形体上的“减法”让这个建筑的方盒子造型不再呆板。 当然，也有很多设计师擅长设计造型别致的建筑，不规则的形体造成的灰空间经过建筑师的巧妙处理，成为了整个设计的亮点。 “NM别墅”以其优雅的曲线而闻名，曲线同时在建筑造型与室内空间中成为亮点。“薄壳别墅”的整体造型就是蛋壳状，曲线深 入到设计的每个层面，而壳状外形对内部空间的影响也被设计师巧妙的利用。 在本书中，除了感受各种各样贴心的设计，也可以看到很多出色的设计技巧，除了独立的别墅，也有出色的公寓设计，不同体量， 不同风格的住宅设计，相信每一个读者，都可以在这里面找到让你眼前一亮的家。

 勒菲弗海滨别墅 Location: Punta Misterio, Peru Designer: Longhi Architects Photographer: CHOlon Photography Completion date: 2008 项目地点：秘鲁 潘塔密斯蒂尔罗镇 设计师：隆基建筑事务所 摄影师：少龙摄影公司 完成时间：2008年

Lefevre Beach House Conceived as the place where the arid Peruvian desert meets the Pacific Ocean, this beach house located at Punta Misterio 117km south of Lima, is an intervention where the integration of architecture and landscape was an important concern. The base of the project is quite special, thus the designers at the beginning made up their minds to make the house fit the characters of the environment. Therefore the designers have this tensional risingsuspending configuration. The monotonous single-linear design is replaced by corners and obliquely suspending figures, contributing to a sparkling point to the design. The façade of the house is built with local stone material; the white walls are particularly used to achieve a bright atmosphere corresponding to the beach. The design made full use of the landform of the site, particularly the different heights, making the house perfectly suit the landscape. Sand garden roofs act as the extension of the desert; lap and recreation pools connect the ocean with the house, while a glass box hangs from the structure symbolising architecture between sand and water. A waterscape is also realised through an ingenious use of the landform. The interior design is simple, linear and layered. The corners and the different heights are all taken into consideration. In order to offer the client the most comfortable living space and to enjoy a better experience of the outside nature, the designers used window boxes to bring outdoor scenery inside. Stones are used in the interior, matched with a simple and natural interior design style. 勒菲弗海滨别墅位于潘塔密斯蒂尔罗镇，利马以南117公里处。秘鲁沙漠与太平洋在这里交 汇，建筑与风景在这里融合。 基底环境特殊，设计师在设计之初就确定要让建筑适应环境的性格，设计出了富有张力的“上 升-悬挑”造型。平面上改变了一味的直线设计，让转角设计以及斜插的悬挑成为住宅的亮点。 住宅的外立面设计利用了当地的石材，另用白色墙体营造海滨简单明媚的氛围。 设计充分利用当地的地形高差，设计出与海滩山地融为一体的建筑。沙滩花园屋顶延伸至沙 滩，游泳池将海洋与别墅连为一体，玻璃箱式的设计理念使得该建筑与沙滩和海水融合得浑然 一体。巧妙的利用高差创造出窗外的水景。 室内设计流线简单而富有层次，平面的转角以及剖面的高差都得到了巧妙的利用。为了让业主 有最佳的生活环境，能更好地感受周围环境，设计师用玻璃箱的设计将室外的景物引入室内， 在室内设计中同样运用石材，与之搭配的是简约自然的室内设计风格。





 Awarded: 2008 Odors 100 Awards The figure of the house is simple and elegant, perfectly integrating into the site. The interior space is layered according to the difference of the height of the site. The environment is fully considered: the surrounding stones are integrated with the house and the sea is introduced into the house; the configuration, the material and the colour palette are all in good integration with the environment. The outdoor vista is introduced indoors through the big windows; meanwhile, decorative stones adopted indoors remind us of the nature outside. The interior design is simple and delicate, with irregular graphic designs corresponding to each other. Details are fully considered, contributing to the continuity of the whole atmosphere, from inside to outside. 获奖情况: 2008年奥德斯100大奖 建筑造型简约大气，充分结合当地的地形，利用高差的变化创造室内空间的层次。将周围的石 材融入建筑，将海水引入住宅，在建筑造型、材质、色彩上也与基地附近环境良好的融合。利 用玻璃将户外环境引入室内，同时室内的石材装饰也是与外界自然条件的结合。室内空间设计 简单而精巧，打破常规的不规则平面设计也在室内的空间设计与流线设计中得到呼应和巧妙的 应用。细节设计考虑周全，整个设计由内至外由整体到细节浑然一体。



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15 米伦迪巴别墅 Location: São Paulo, Brazil Designer: Marcio Kogan Photographer: Nelson Kon Completion date: January 2006 项目地点：巴西 圣保罗 设计师：马西奥·柯冈 摄影师：尼尔森·康 完成时间：2006年1月

Mirindiba House Immediately to the right, in the entrance of the house, a large livingroom completely opens, using two window-frame moldings that are entirely built into the wall, creating cross-ventilation and an area of continuum space that is totally free. There is no structural interference in this space. The living room opens to a delicate wooden-floored garden with a reflecting pool and minimum vegetation. The perfection of the execution, the surprisingly free and continuous space and the play of volumes invoke a cinematographic atmosphere. The constructive materiality meets with a said imaginary architecture. A small atrium articulates the remaining areas: the way to the dining room and to the kitchen and, vertically, to the other places programmed into the house. On the first story are the intimate areas and, on the second, a more reserved social area. In this room, two large wooden lath doors open to a deck, on one side, a beautiful view of the city and, on the other, a view of the garden which, downstairs, is protracted from the living room. Upstairs, the precision of the drawing and the execution continues to impress and create the cinematographic atmosphere of the house. 紧挨着右面的房间入口，建筑师设计了一个完全开放的巨大起居室。这个起居室的两个窗户全部 嵌在墙壁中，从而创造了一个空气横向流通的、完全自由的连续空间。空间上没有任何的结构干 扰。起居室像一个铺着木制地板的精致花园，有一个碧波荡漾的池塘，还有一点植物。执行力的 完善、空前自由、连续的空间以及各部分的协调发挥，都帮助营造了一种电影艺术的气氛。 一个小门廊连接了其余区域，包括餐厅、厨房，以及在垂直方向上规划的其他地方。一楼是私人 区域，二楼保留了社交区域。在这个房间里，两扇巨大的木门开向一个露天平台。在这个平台的 一侧可以欣赏到城市的景色，另一侧可以看到从楼下起居室延伸出来的花园。楼上，绘图的精确 性和完美的执行力同样给人以深刻的印象，人们继续体验着这座建筑所带来的仿佛电影摄影一般 的艺术氛围。

Awarded: 2008 Short List / D&AD Award 2008 Short List / London International Creative Competition_LICC 2007Short List / International Biennial Barbara Cappochin / Italy 2007 Award Winning / International Design Awards_IDA / USA The Mirindiba House is an impressive example of construction, good drawing and good execution on building the architecture. The details, exhaustively and precisely drawn are fulfilled in a perfect execution. The use of materials, the shape, the intention of the drawing, quietly materialise, as thoughts on a drawing board. This precise drawing glimmers in the architectural detail. Each small re-entering angle of the house was deliberately thought out. 获奖情况: 2008年D&AD大奖候选作品 2008年伦敦国际创意竞赛候选作品 2007年意大利芭芭拉国际双年会候选作品 2007年美国国际设计奖获奖作品 米伦迪巴别墅是良好的建造、构图、执行在建筑上的完美结合。设计的细节在建造执行中都得 以实现。材料的运用、形状、图纸的意图都实施得恰到好处，仿佛建筑构思直接画在制图板 上。这个项目的建筑构图因其细节而生辉。住宅的每处微小的细节都经过深思熟虑。

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01. main entrance 02. terrace 03. deck - solarium 04. kitchen 05. living room 06. homeof fice 07. dinningroom 08. bedroom 09. closet 10. bathroom 11. sauna 12. hall 13. snackroom 14. hometheater 15. water mirror 16. swimmingpool 17. storage

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23 巴拿马别墅 Location: São Paulo, Brazil Designer: Marcio Kogan Photographer: STUDIO MK27 Completion date: January 2008 项目地点：巴西 圣保罗 设计师：马西奥·柯冈 摄影师：MK27工作室 完成时间：2008年1月

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Panama House The Panama House is located in one of the garden neighborhoods, just some blocks from Paulista, the financial centre of the city of São Paulo. The client has an important art collection, above all, modern Brazilian art, and the house was designed to house this collection. The works of art are scattered throughout all the areas of the residence, from the bedrooms to the gardens. The interior house-plant is organised into 3 floors and a sub-solo. Upon entering the lot, a tree-covered patio leads the guest to the door. A social hall distributes part of the program of the house: a library, vertical circulation, the utility rooms and the living room. From within the library you can see, in front of the exterior stone wall, a Maria Martins sculpture, reposing over a reflecting pool. The living room has large spans that open, in their entirety, to the garden, building a spatial continuity between interior and exterior. In the garden, the pool, installed on the side of the lot, mirrors the stones of the wall. On the second floor, a large corridor connecting the bedrooms also works as a gallery exhibiting the paintings and sculptures. Two windows, at the ends of the corridor, bathe this area with light and, in front of one of them a sculpture made by Brazilian Amilcar de Castro constructs the space. An office annexed to the master suite overlooks the garden, as do the other bedrooms. The façades of the rooms have brise-soleils made of sliding vertical wooden lathes. The brise-soleils are important to guarantee greater comfort, protecting from direct sunlight and creating a texture with the light. One of the architectural premises of the house is to organise the space from a wooden box that is placed inside a C-shaped concrete cask. This concrete cask is formed by cement slabs and a wall and, in relation to the wooden box, determines the translucent and transparent areas. On the third story, a game01.room and an academy connect to a wooden deck, the main entrance 02. hall terrace of the house. The utility rooms of the house and the garage are 03. library 04. living room located on the 05. sub-solo. deck 06. swimming pool

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07. garden 巴拿马别墅建在距离圣保罗金融中心保利斯塔仅有几个街区之隔的一个花园地区。客户有一个 08. dinning room 09. courtyard 非常重要的艺术收藏，其中最重要的是巴西艺术，这间别墅的设计将把这个艺术收藏包容在 10. china closet 内。这些艺术品分布在从卧室到花园的所有住宅区域。 11. wine storage 12. lunch room 室内植物分布在三个楼层和一个独立房间中。一进入院子，一个由树木覆盖的平台便把客人们 13. kitchen 引向了房门。社交厅里分布了这栋别墅的部分项目，其中有图书馆、垂直环流、杂物间和起居 14. sentry box 15. service patio 室。从图书馆中你能看到一座玛丽亚·马丁斯的雕塑树立在外部石墙前，静静地站在波光粼粼 16. dog-house 的池塘之上。起居室里有全部开放的巨大空间，一直开放到花园之中，从而形成了一个从内至 17. air-conditioner room 18. gallery 外的宽敞的连接区域。四周墙壁的石头映衬在场地一端的花园池塘之中。 19. bathroom 20. pantry 二楼的一个连接着各个卧室的巨大走廊上陈列着许多画作和雕塑。走廊两端的两扇窗户使这片 21. bedroom 区域沐浴在阳光之中。巴西人阿米尔卡·卡斯特罗的一件雕塑占据了其中一扇窗户前的空间。 22. office 23. hometheater 与其他卧室一样，人们在附属于套房的一间办公室里也可以俯瞰花园全景。各个房间的正面都 24. dressingroom 安有遮阳板，由光滑的直木板制成。这些遮阳板有助于增强房间舒适度、防止阳光直射，以及 25. playroom 26. gym 创造良好的光线质感。房间的建筑前提之一是围绕着摆放在C形混凝土桶中的木盒子来组织空 27. technical area 28. garage 间。这个混凝土桶是由水泥厚板和墙壁形成的，与木制盒子一起决定了透明和半透明的区域。 第三层中有一个游戏房和一个与别墅木制露天平台相连的艺术学会。杂物室和车库安排在分枝 单间中。

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26 Awarded: 2008 Award Winning / International Design Awards_IDA / USA The stone and the wood, materials that refer to traditional Brazilian building, are mixed with modern materials, such as reinforced concrete and plastic and which create an architectural language. Reflecting concern with the precision of the construction, all of the details of the house were elaborated by the office, even some of the furniture that was specifically designed for the house. 获奖情况: 2008年美国国际设计奖获奖作品 体现巴西传统建筑特点的石料和木料与代表着现代建筑特点的钢筋混凝土和塑料相结合，形成 了一种独特的建筑语言。出于对建设过程中精确性的担忧，事务所对这套别墅所有的细节都进 行了详细阐述，甚至包括一些为这套别墅特别设计的家具。

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01. main entrance 02. hall 03. library 04. living room 05. deck 06. swimming pool 07. garden 08. dinning room 09. courtyard 10. china closet 11. wine storage 12. lunch room 13. kitchen 14. sentry box 15. service patio 16. dog-house 17. air-conditioner room 18. gallery 19. bathroom 20. pantry 21. bedroom 22. office 23. hometheater 24. dressingroom 25. playroom 26. gym 27. technical area

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31 变形别墅 Location: Quito, Ecuador Designer: Jose María Sáez, David Barragán Photographer: Raed Gindeya, Jose María Sáez Completion date: 2006 项目地点：厄瓜多尔 基多 设计师：荷西·玛利亚·萨埃，大卫·巴拉甘 摄影师：拉伊德·金德亚，荷 西·玛利亚·萨埃 完成时间：2006年

Pentimento House A concrete platform serves as its foundation and adapts to the topography bypassing the trees or incorporating them. On the platform rises the prefabricated system. The pieces of steel rods are inserted into the concrete, anchored by epoxy glue. These rods and elements of work between pieces generate a tight structure of small columns and lintels especially well suited to the seism of the area. The interstices in the prefabricated structure are left open at some points and closed in others with a transparent or translucent acrylic and wooden strips, becoming vegetation and light filters. Inside, the same cracks help to support some wood pieces, including shelves, seating, tables and steps. The foundation slab melts with black pigment and hardener to become the final floor. The Flowerpot stays in its precast concrete finished as in its interior and exterior. The wood in the interior and vegetation in the exterior are always an important part of the project. On the top floor the lookout becomes the main space and robs its attention for any secondary element, allowing the passage of air and light, aligning the views of the distant mountains. It concentrates on linking the user with the surrounding environment. Economy, simplicity and clarity of the house lead to a simplified constructive process and its low budget. The constructing work is done in a temperate climate and with available materials. 变形别墅构筑的基础是一个水泥平台，根据地形因地制宜，或避开树木，或将树木围入院中。 平台上建起预制结构：钢杆插入平台中，用环氧树脂胶固定。预制构架里面的空隙有的空着， 有的用透明或半透明的丙烯酸或木质板条填满，成为一个外面有植被覆盖的滤光器。这些空隙 有利于 房屋中用到的一些木质建材，如架子、座位、桌子、楼梯等。 水泥平台并不直接作为房屋的地面，而是铺上一层黑色粉状颜料，起到加固作用。内有木质材 料，外有植被覆盖，成为该建筑的一大特点。顶层的瞭望台是住宅最主要的部分，使室内阳光 充足，空气流通顺畅；面向远方的山景，使居住者与周围环境融为一体。 这所住宅的设计要求是经济、简单、清晰。这就简化了施工过程，降低了建造成本，注定了其 预算低廉。白天在当地温和的气候条件下施工，而且所用的都是常见的建筑材料。

Awarded: 2006 National Architectural Design Award 2006 XV Quito Architecture Biennale 2008 Lisbon Best Work by Young Architect VI BIAU (Architecture and Urbanism Iberoamerican Biennale) The appearance of the Pentimento house resembles a flowerpot, converging with nature as a garden and closely connected with its surroundings. It is built with a single piece of prefabricated concrete. Outside is a neutral grid that is camouraged like a fence or hedge. Inside, each wall is different, fitting its own scale need, function, position, etc. 获奖情况: 2006年国家建筑设计奖 2006年第十五届基多建筑设计奖 2008年里斯本第六届建筑与城市规划设计最佳青年设计奖 这栋别墅采取了花钵式的别致造型，清新简朴，与大自然紧密融合。其整体花钵结构用一整块 混凝土水泥板完成建造，一气呵成。外面有围栏，使居住者达到“天人合一”的境界。内部围 墙变化各异，根据所需的规格、功能、地点分别设置。

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39 海角小屋 Location: Naples, Italy Designer: Giovanni Vaccarini Architects Photographer: Giovanni Vaccarini Architects Completion date: 2007 项目地点：意大利 那不勒斯 设计师：杰凡尼设计师事务所 摄影师：杰凡尼设计师事务所 完成时间： 2007年

Capece Venanzi House Capece Venanzi House is a suburban house for a young couple. It’ s situated in the diffuse sprawl of the Adriatic coast, in one of the possible areas of this diffuse city in the segment between Ascoli Piceno and Pescara. The site is tightened between the urban texture of two levels houses for single families and the hill, completely covered with “spontaneous” vegetation. The system is defined from one development in section on three levels: Level buried completely dug is in the land; an inner patio is the element around to which the spaces are organised, constructing a game of goals between the spaces second plan. Gruond floor; it is the collective part of the building: large vetrata a flowing one marks the border between the roof uncovered garden and the covered area day. The space wheels around to a metallic scale lamellare that it connects with the first floor. The first level receives the rooms and the private spaces of the building (bagno/sauna, arena, study) 海角小屋是为一对年轻夫妇打造的郊外别墅，坐落在亚得里亚海海岸上的一片区域，这是位于 阿斯科利皮切诺和佩斯卡拉之间的这个城市里的可用地区之一。别墅位于双层独户住房的城市 结构和小山之间，完全覆盖着自然生长的植被。 海角小屋包括三层： 地下层围绕内院而建，连接着“地下”空间、绿色屋顶、生活空间和第二层。 第一层是别墅的公共空间：一面大光滑玻璃墙标志着屋顶花园和下面生活区之间的分界线。空 间绕金属楼梯旋转，连接着第一层和第二层。 第二层是别墅的私人空间，包括卧室、桑拿室、办公室和卫生间。

Awarded: Winning Academic of National Academy of San Luca, Italy The idea is to construct a building with one “inverse” guideline. Instead of being oriented towards the crowded city, it turns towards the hill, from wiich the house rises from a "green sea". 获奖情况: 意大利圣路卡国家研究院大奖 设计理念是要建造一个方位超常的建筑物：不朝向城市，而是朝向小山。小山成为可供人们眺 望的一片“绿色海洋”。

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47 埃斯科尔屋顶住宅 Location: San Candido, Italy Designer: Plasma Studio Photographer: Cristobal Palma Completion date: November 2006 项目地点：意大利 圣坎迪朵 设计师：帕拉斯马设计工作室 摄影师：克里斯托博·帕尔玛 完成时间： 2006年11月

Esker House Rooftop Apartment Esker House (esker means stratified geological formation) is a selfcontained residential unit placed on top of an existing house from the 1960s. The project is formed by a series of steel and timber frames that deform to recreate the smooth hillsides of the surrounding dolomites. This partly accessible roofscape also determines the spatial character inside- the spaces are enfolded by an angular and dynamic series of planes creating new and ever-changing perspectives and spatial constellations. The unique stratified morphology and construction system started off from projecting each step of the external staircase as a modulor that then was proliferated as frames. These frames enable the subsequent deformation and softening of the overall geometry. The split level organisation leads to the lengthening of parts of the stairs to form a topography for informal occupation. The overall spatial character is that of an echelon with a diffusion of functions and conditions where inside and outside, above and below become gradient zones of varying intensity. These interleave as a loop that transgresses from the most private zone of bedroom and bathroom via kitchen, dining and living rooms towards the more public and exposed territory of the various terraces. 埃斯科尔住宅（“埃斯科尔”的意思是分层地质组成）是从20世纪60年代开始，建在已有房子 上面的、设备齐全的居住单元。住宅是由一系列金属和木支架构成的，这些支架的变形是为了 顺应周围光滑的白云石山坡。触手可及的屋顶景色也决定了内部的空间特点——空间由一个屋 角和几个面所构成，成为一个角度千变万化的新空间。独特的分层形态和建造体系颇具特色： 开始是把每一阶外部楼梯当作模块，然后再延展成框架；这些框架之后的变形可减轻整个几何 体的重量。断开的结构使楼梯一部分得以延长，形成一个供短暂驻足的地形。整体的空间特点 是一个有着分散功能和环境的梯阵，室内室外、上上下下都有着变化多端的步行区。这些交叉 路组成了一个环，这样，从卧室和浴室这样的私人区域可以通过厨房、餐厅和客厅到达更加敞 开、豁朗的阳台。

Awarded: 2006 Italy Competition The architects challenged the standard pitched and overhanging roof and instead developed a rich texture of different occupiable spaces. On the outside these are a podium that leads to the top of the roof, a semi-covered pergola beneath it, a long terrace as extension to the south of the living room. Given that the existing house has two “wings” with different roof levels, the designers started from a simple diagram of two boxes forming a “T”, allowing plenty of external space for terraces to the south. The lower western box became the living zone with the upper eastern box to contain the master bedroom, bathroom, second bedroom and kitchen. 获奖情况: 2006年意大利竞赛 建筑师挑战这个标准的外伸屋顶，将其改造成富有不同结构的可利用的空间。外面，一堵矮墙 可以通向屋顶，下面还有一个半遮的凉棚，和一个客厅南面延伸出来的长阳台。原房屋有两个 “翅膀”，处于不同的屋顶平面上。设计师从构成“T”字形的简单结构开始，使朝南的阳台有 了足够的外部空间。西面是居住区，东面是主卧室、浴室、次卧室和厨房。

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55 拥抱我吧，西莉亚！ Location: Viechtach, Germany Designer: Hai Merlin Studio Photographer: Edward Beierle, Gero Wortmann Completion date: August 2008 项目地点：德国 维希塔赫 设计师：海默尔林建筑设计工作室 摄影师：爱德华·拜尔勒，格罗·沃特曼 完成时间：2008年8月

Harbour me, Celia! Hai Merlin Studio/Peter Haimerl and Jutta Görlich have decided to build the new structures in the old farm house in the Bavarian Forest in foam glass concrete. On the one hand the living spaces should appear as monolithically as possible and should have very good thermal properties. On the other hand, the history of the Bavarian Forest is connected to the production of glass. A very special landscape characteristic that points out this tradition is the “Pfahl” – the pile – an underground quartz ridge, that comes to the surface near Viechtach town. Foam glass concrete is a very light and still very stable material, whose coefficient of thermal conductivity is between 0,12 and 0,38 w/(m k) and therefore can also be used as thermal insulation. Another advantage is that the material has similar characteristics to wood and therefore connects very well to the old house. In order to achieve reasonable heights in the kitchen and eating area the floor had to be sunk 130 centimetres. A downpour of foam glass rubble protects the living spaces against heat loss. 海默尔林建筑设计工作室的皮特・海默尔和尤塔·格里奇决定在巴伐利亚森林的旧农舍里利用 泡沫玻璃混凝土建造新的结构。之所以采用泡沫玻璃混凝土是因为，一方面，生活区应尽可能 成为一个整体，并且具有良好的保温效果；另一方面，巴伐利亚森林的历史与玻璃制造相连。 把人们的视线吸引到制造玻璃这个传统上的是一道特殊的风景：“桩”——一个地下石英山 脉。这座石英山脉坐落在维希塔赫镇附近。 泡沫玻璃混凝土是一种很轻巧却非常坚固的材料。这种材料的导热系数在0.12W/(mk)到 0.38W/(mk)之间，因此也可作为绝热材料。这种材料的另一个优点就是与木材具有相似的 特性，因此可以与老房子很好地连接。为了使厨房和就餐区的高度能够适宜，地板需要下沉 130cm。泡沫玻璃碎石的注入防止了生活区内的热量流失。

Awarded: 2008 Best Architect Award 09 in Gold 2008 Architecture Award for Concrete Buildings / Germany In the latest thirties most of the old farmhouses in Bavarian forest were destroyed, because of ignorance and the lack of appraisal adverse to the “old stuff”, maybe also to erase the contemporary witness of rather poor time. Therefore the architectural concept intends to keep the existence – as ruinous at it might be – and not to intervent into the structure of the old farmhouse “Celia”. The rooms of the old building stay as they are, barely anything of the existence will be removed, that’s imperative to the windows, the old plaster, the floor tiles and the other old fixtures. Other removed material will be recycled to produce furniture. Boxes out of concrete are going to be placed into a few central rooms, for example the old parlor, where the new life is going to take part. The new construction frames the old one, carries and protects it, the old building accomodates the new.

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58 获奖情况: 2008年最佳设计师金奖 2008年德国混凝土建筑奖 在最近的30年间，巴伐利亚森林里的大部分老式农舍都遭到被毁坏，毁坏的原因就是对旧事物 的不重视以及缺乏对旧事物的正面评价。还有一种可能：人们试图改变该地区的贫困面貌。 因此，建筑理念是想保存原有的东西，并且不破坏老农舍“西莉亚”的结构，尽管这将耗资巨 大。让老建筑物中的房间都保持原貌，几乎不移走任何原有事物。这一点对于窗户、旧石膏、 楼梯耐火砖和其他陈旧的固定装置来说尤为重要。 其他移走的材料会回收利用，加工成家具。我们将在一些主要的房间里（比如老会客厅）利用 水泥分隔出新的空间，这些空间用于日常生活。新的建筑给旧建筑加了边框，对旧建筑起到了 支持与保护的作用。旧建筑包容了新建筑。

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61 卡拉贝拉别墅 Location: Carabia, Ticino, Swizerland Designer: Davide Macullo Architetto Photographer: Pino Musi, Enrico Cano Completion date: 2007 项目地点：瑞士 提契诺 卡拉贝拉 设计师：大卫·马库洛建筑事务所 摄影师：皮诺·阿穆，恩尔莫·卡 诺 完成时间：2007年

House in Carabbia Carabbia is a little village of approximatelly 600 inhabitants. The house rises on the western side of Mount San Salvatore slope in a beautiful bowl. Carved in a clear square geometry, the spaces meet the slope and extend in a spiral–fluent movement that constantly changes the perception of the space and its relation with the exterior, offering privileged views towards the beautiful landscape of the region. This small house (13x13m) stands for a sequence of experiences condensed in a continuous space that gives a sense of protection and, at the same time, of being projected into the landscape. The sloped roof that follows the inclination of the land is a reaction of building on the hill side proposing an organic language instead of an urban one! The plot is characterised by a slope of about 30° facing west. The way the new volume adheres to the sloped land optimises the excavation works. No earth has been displaced from the construction site. The three main storeys of the house are set on the plot at shifted levels to match the correspondent level of the site. This offers a direct relation to the outside from all parts of the house at all levels. While entering the house the eyes embrace the whole interior space and the related outdoor space, till the most far diagonals. This enlarged the potential of the perception of bigness of a house that is actually a very small volume: around 1000 cubic metre for a usable area of 150 square metres; while the perception is closer to a house of at least 300 square metres. The dilatation of the perception between the spaces and between outside and inside works in the same way throughout the entire building. From all part of the building the feeling is approximately to live in an open space surrounded by a prosperous natural landscape and the space you are enjoying is related to the others through transparent or translucent filters/layers. The perception transits always from inside to outside to inside again, making the outdoor space part of the indoor one. In this way the living space has been stretched and its size appears bigger. This research on dilatation of the perception of the spaces enhances the idea that a space can be only completely understood by spending time in it and that besides the walls/slabs (material), shape, design, type, typology, etc. a space must be conceived using time as instrument for the planning/creative phase. 卡拉贝拉是一个大约有600名居民的小村庄。这所住宅就像西面圣萨尔瓦托雷坡托起的一个美丽 的碗。内部空间限定在一个明确的几何方形中，满足了倾斜角度的需要，并且增加了一个螺旋 型平滑曲线的运动，不断改变对空间的感觉及其与外部的关系，提供了一个可以远眺优美风景 的特殊地区。 这所小房子（ 13米x13米 ）在一个连续的空间中浓缩地表达出保护意识的同时，也使人能预测 到会出现什么样的景观。倾斜的屋顶以下紧跟着倾斜的土地，这是为了适应在山坡上建设，是 以有机语言代替城市语言！屋顶面向西面，倾斜30 度。挖掘工艺采用新的土方挖掘技术，在施 工现场没有土壤流失。 三个主要楼层与水平方向均成一定的倾斜角度，这样设计的目的是符合基地的通风情况。这也 使房子的形态与基地的外部环境形成一种对话关系。进入住宅内，眼睛可以看遍整个内部空间 以及周围的户外空间，直到最深远的对角线。这就把一个实际上体积非常小的房子变大了：体

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64 积约1000立方米，使用面积为150平方米的房子可以给人至少300平方米的感觉。通过整个建筑 的空间与外部、内部共同作用使人在感观上扩张。 通过透明或半透明的玻璃或涂层，你可以朦胧感觉出这是一个由美好的自然景观环绕的、建立 在一个开放空间中的居住建筑。这种通透的感觉从内向外发散再回到室内，让室外景观变成室 内环境的一部份。这样，居住空间得以扩展，尺寸似乎变得更大。 这个关于扩张空间感觉的尝试更加强化了这样的理念：只有在室内感受一段时间，才能完全理 解一座建筑；除了墙和板（材料）、形状、设计、类型等之外，一个空间在规划、设计时必须 通过时间作为一种工具。

Awarded: 2007 101 of the Most Exciting Young Architects of the World, by Wallpaper UK 25 Shortlist, House of the Year 2007, by WAN–World Architecture News This house is characterised by the creation of clearly identifiable geometric structures that delimit an organised development of the spaces. The underlying theme is the establishment of a spatial relation between interior-interior and interior-exterior that aims at the dilatation of the living dimension. The interesting lesson comes from the succession of Japanese gardens which show a different awareness of the space through a sequence of sceneries and space dilatation. It is as if it were possible to experience a domestic atmosphere and, at the same time, to project one’s own perception on a geographic scale. This building responds to the owner’s wish to live in an intimate space, as if it were a shell. 获奖情况: 2007年英国墙纸公司评选的101个世界上最活跃的年轻建筑师作品 2007年“世界建筑新闻”（WAN）年度25所最佳住宅 这所房子所具有的明确可识别的几何形态结构特点，划定了一个有组织的发展空间。基本设计 思路是建立一个可以扩展生活范围的包括内部与内部、内部与外部的空间关系。这个有趣的灵 感来自日本园艺，可以通过景观变化和扩展空间让你对空间有不同的认识，表现出家庭氛围感 觉的同时也可以给你地理位置的感观。这座住宅仿佛一个保护壳，满足了房主希望生活在一个 私密空间的愿望。

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69 艾哲伯格别墅 HQHUJ\VXIÀFLHQF\ Location: Amsterdam, The Netherlands Designer: Marc Koehler Architects Photographer: Marcel van der Burg Completion date: 2007 项目地点：荷兰 阿姆斯特丹 设计师：马克・克勒建筑事务所 摄影师：马塞尔・万德・伯格 完成时间： 2007年

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The 140-square-meter house is located on a small plot in IJburg; a recently developed suburb of the city of Amsterdam. The house is designed as a vertical garden giving space to flora and fauna to grow in a densely urbanised area. Closed private spaces contrast with open collective spaces that seem to have been “carved out” from the solid volume as a continuous transparent void. In this way the interior space is visually and physically connected to the street, the garden and roof terraces. Outdoor and indoor spaces become one and natural daylight flows into the interior. Three bedrooms, a small bathroom, WC and a “multipurpose hall” are situated on the ground floor whereas the first floor remains completely open for living, cooking and eating, flooded with daylight. The multipurpose hall on the ground floor is much more than an entrance zone. It also functions as an artist studio, work-desk, laundrette and playground. Storage and service spaces are invisibly integrated in thick walls keeping the living spaces as open, transparent and flexible as possible. The façade contains specific brick detailing inspired by techniques from the famous Amsterdam school style from the 1920s, which had become redundant in the second half of the 20th century. By intensive cooperation with brick and mortar suppliers, masonry consultants and brick layers, the architect managed to introduce these traditional texture effects in contemporary building methods. Because brickwork lasts long, is free of maintenance and can be recycled it is an interesting sustainable building material. The ornamental masonry is not only a decorative enhancement of the sculptural character of the design, but also functions as an underlayment for different sorts of climbing plants to grow up the facade, giving birth to the idea of a vertical garden, which was enhanced by integrating flower pot on several levels in the facade. Hedra, Kiwi’s, grapes, apples and roses will over time overgrow the house and create a “natural curtain” around the living spaces and terraces, providing natural shading and privacy. Although the living area is situated on the first floor, the inhabitants will experience their garden as an integral part of their living space, uniting nature and culture in a unique way. 这幢140平方米的房子位于阿姆斯特丹新近开发的郊区艾哲伯格的一小块地上。这座房子就像一 个垂直花园，供动物、植物在这样高度城市化的地区生长。花园和屋顶平台都连接到街道上。 室外和室内空间变成为一体，自然日光流入内部。 三间卧室、一个小的盥洗室、厕所和一个多功能门厅位于首层，二楼则是为生活、做饭和就餐 而设计的充满阳光的敞开式结构。洒满阳光的多功能门厅，不仅仅是一个入口，还起到艺术家 工作室、工作台、洗衣房、游乐场等作用。储存和服务空间集成在厚墙壁里，表面上看不见， 这成全了居住空间的开放、透明和灵活等特点。 房屋的正面细节的部分用了很多20世纪20年代阿姆斯特丹学校风格的砖，正是通过砖和泥浆的 供应商结合建筑师、结构工程师和砌砖工人的意见，这栋建筑才采用这种年代久远的传统质感 工艺。因为砌砖工艺会使建筑屹立的时间更久，并且不需要养护，还可以循环使用；这是一种 有趣的、合理的建筑材料。 石材工艺不仅起到装饰作用，经过设计，可以当雕塑，而且还可作为一个展现功能的不同种类

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爬墙植物的生长面，这就是这个垂直花园构思的过程，也是将攀爬植物的花盆融入到墙壁中的 方法。常春藤、猕猴桃、葡萄、苹果和玫瑰花会在一段时间内长满屋内，并在居住和台阶的附 近形成一个“自然幕帘”，提供一个自然的树荫和私密的空间。尽管居住空间是在建筑的第二 层，但是通过用这种特殊的方式将自然和人文结合在一起，住户也可以把享受花园作为日常生 活的一部分。

Awarded: 2008 World Architecture Festival, Barcelona, Spain The green façade of the house is a “living façade”, changing the image of the building time and giving space to birds and insects, creating a new urban ecosystem. The house uses large windows to capture sunlight to heat up the collective spaces in winter, and uses the “natural curtain” to create shading in summer. Moreover, the house features ÁRRUSODQJURXQGÁRRU ÁRRUSODQÀUVWÁRRU ÁRRUSODQÀUVWÁRRU ÁRRUSODQJURXQGÁRRU a heating earth-pump, solar panels on the top roof and a balanced mechanical system using a heat recovery unit combined with natural ventilation in each space. This house shows that comfort, beauty and sustainability can strengthen each other, promoting eco-effectivity more than eco-efficiency. Because of this, the house also received a special subsidy given to sustainable buildings in The Netherlands and was nominated for the Dutch Façade Design Award 2008. HOHYDWLRQQRUWK 2.5 elevation north

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获奖情况: 2008年西班牙巴塞罗那世界建筑节 这座别墅的一个立面是绿色的，是个“活的立面”，随着时间的变换会改变建筑的形象，为鸟类 和昆虫提供自然和生态的空间，创造一个新的城市生态系统。建筑使用了大窗户，冬天能吸收更 多的阳光热量来提升公共空间的温度；夏季则使用“自然幕帘”遮阴。此外，房间拥有一个地热 泵，屋顶有一个太阳板，另外还有一个与每个自然通风的空间相连的热力转换装置和用来取得平 衡的机械系统。这间屋子向我们展示了舒适、美丽和耐久性，可以提升房间的使用效率。因为对 生态的贡献，这座房子也得到荷兰颁发的特殊奖金和2008年荷兰立面设计奖的提名。

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77 J2别墅 Location: Zagrb, Croatia Designer: 3LHD Photographer: Damir Fabijanic Completion date: 2007 项目地点：克罗地亚 萨格勒布 设计师：3LHD设计公司 摄影师：戴米尔·法比詹尼克 完成时间：2007年

J2 House The type of the project “J2 House” was commission, the site area is 687 square metres, the gross floor area is 396 square metres, its footprint is 159 square metres, and also, the entrance level is 201.5m. On both sides the site is bordered by a street and a high building. These contextual facts determined the concept and the shape of the new project. The “L” layout with closed fronts “protect” the house from the street and the neighboring building. At the same time the garden has been redesigned with all the main rooms in the house oriented towards it. The living room, dining room and kitchen form a unique space and together with a swimming pool are built into the ground. In this way, being at the same level and separated from each other by a glass wall they bring the garden into the house. The house entrance is above, at street level, together with garage, storages, closet-space and studio. The family area is above the entrance space along with the living and dining rooms. The materials used for the façades correspond to the spatial organisation of facilities. The living and dining spaces are separated by glass walls which completely open the living space to the outside; on the other hand, the bedroom walls are alternatively panelled by wooden boards. 该项目是委托建筑，占地面积为687平方米，房屋面积约为396平方米，房屋外面积159平方 米，其入口的水平高度为201.5米。 这个地点四面濒临大街和一栋高耸的建筑，这些因素决定了房屋建造的理念和形状。“L”形的 造型特点使其看起来像是受到了周围建筑和大街的保护一样。另外，重新规划了花园，使得住 宅内的所有房间都能朝向花园。卧室、餐厅、厨房等都形成了一个个独一无二的空间；同时， 在地面上还建造了一个游泳池。通过这种方法，即使身处同一水平面的不同空间，仿佛可以通 过玻璃墙把窗外的花园带到室内一样。房屋的入口很高，与大街处于同一水平面，入口处还有 车库、仓库、储藏间和画室。家庭活动空间、客厅和餐厅则处于入口之上。 房屋表面的结构相当于对各种设施的立体性构建，卧室和餐厅的空间由一面玻璃墙分开，这 样，便使得客厅的空间成为完全开放式的。另一方面，卧室的墙壁也可以由木板方便地搭起。

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Awarded: 2008 Annual Award for Best Realisation On the 15th of April 2008 at 6 p.m., at the Plaster Casts Museum venue in Zagreb, the Yearly Exhibition of Realisations organised by the Croatian Architects’ Association for 24 continuous years, since the Zagreb Architects’ Society has for the first time presented the achievements of Croatian architects in 1984. The family house for a couple with children is located in the green residential part of the city of Zagreb. The family house did fully use all the advantages of the site and did it meet the requirements of contemporary living standards. What is more, the beautiful view to the city and large garden was valued appropriately.

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80 获奖情况: 2008年度最佳建筑奖 2008年4月15日晚6时在石膏模型博物馆，由克罗地亚建筑师学会举办的年度建筑展览给“J2别 墅”颁发了奖项。这个奖项从1984年由萨格勒布市的建筑师协会代表举办，到现在已经有24个 年头了。 这栋为一对有孩子的夫妻设计的别墅位于萨格勒布市的绿色住宅区。设计既充分利用了本地的 地理位置优势，也满足了现代化生活的需要。而且，城市的美丽景色和迷人的天然大花园也得 到了充分珍惜和利用。

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85 弥罕德斯别墅 Location: Penafiel, Portugal Designer: Francisco Portugal e Gomes Arquitecto Photographer: Fernando Gabriel Completion date: 2007 项目地点：葡萄牙 彭拿费尔 设计师：葡萄牙弗朗西斯科 易・戈姆斯设计公司 摄影师：费尔南多・加布 里埃尔 完成时间：2007年

Milhundos House The plot is located in the outskirts of Penafiel, in the valley of the Cavalum River and is inserted in an allotment near the Farm of the Flagstones Park. The proposal modifies the implementation anticipated in the original allotment, and resumes the duplication rule, not observed in the buildings of the adjacent lots, seeking a more articulated solution with the nearest volumes and simultaneously taking the vast ambiguities and disarrangements between the allotment and the lot drawings into account. The slate/dark stone covered volume contains the living and dining/ kitchen areas and the white plastered volume, is for the night’s repose areas. Each one of these volumes has different relations to the exterior space: the white seeks the most distant landscape; the dark has a more direct contact with the surrounding garden. The applied materials condense a domestic duality, which is projected in the public space, in between the intimate and the public, the day and the night, the light and the darkness, that here finds an inverted expression: To the night nucleus it corresponds to a white plaster and to the day nucleus consists a facing, clad with a dark stone. 这座别墅坐落于彭拿费尔市郊外的加洛矾峡谷中，其地理位置靠近石板道公园附近的农田。项 目理念改变了建筑原来的结构，重新制定了规划，设计师并不是单纯从周边建筑中获得灵感， 而是寻求一种与临近建筑建立某种关联的设计方案，同时，他们还将界限模糊的空间分配和复 杂的场地设计图统统考虑在内。 设计师使用了黑色的石块覆盖起居室、餐厅、厨房等空间，而住宅的晚间休息区域则使用了灰 白色的水泥作为外观。空间内的每个区域都与外部空间有着不同的联系：白色与四周淡雅的风 景结合得浑然一体；黑色则与周边花园相得益彰。 设计师选用坚固的建筑材料诠释本住宅，将这些材料应用于公共空间、私人与公共空间过渡的 区域、白天与夜晚过渡的区域、黑白色调过渡的区域等。在这里，设计师将这种设计方式反向 表达出来：选用了灰白色的水泥原料表达夜晚，而那些覆盖在建筑表面的黑色石质建材却用来 表达白天。

Awarded: 2008 World Architecture Community, UIA, WA Awards, 1st Cycle Winner The initial scanty budget creates not only an economic, but above all a conceptual challenge. All the process was thought and felt in a permanent dialectics between the maximum of systematisation and restraint, and the uttermost expressive outcomes. A project is not a good project when it is solely used to satisfy a functional and economical program, it has to satisfy another type of questions, such as substance and nature. And nevertheless, a good project does not necessarily lead to a good work. The author must look for the work’s own character in a process permanently alive and pledged.

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88 获奖情况: 2008年世界建筑协会，UIA，世界建筑奖第一名 项目较低的预算需要一个既经济又充满挑战的设计理念。设计过程中的每一步，设计师都会平 衡选材的需要和预算的制约，力求在有限的预算内，最大限度地呈现出好的作品。如果一个项 目的设计只单纯为了满足其功用和经济的需要，那么这个项目一定不是一个优秀的作品；优秀 的项目应该还要解决其他方面的问题，如项目的适用主体和自然环境。然而，一个好的项目也 不一定会产生优异的作品。设计者应该不断地在设计过程中努力寻求作品本身的特点，不断进 步。

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91 雷多黛拉别墅 Location: Pontevedra, Spain Designer: Jesus Castro Irisarri, Guadeloupe Piñera Manso Photographer: Manuel G. Vincent, Jesus Irisarri Completion date: 2006 项目地点：西班牙 庞特维德拉 设计师：杰西·卡斯特罗·伊瑞萨瑞，瓜德罗普·潘诺拉·曼索 摄影 师：曼纽尔·文森特，杰西·伊瑞萨瑞 完成时间：2006年

Redondela House A sheet of concrete is replicated as a shell since its start as a containment wall, forming a volume that is emptied offers from remote and hidden from the eyes, which makes intermediate sequences penetrate the wilderness, until a final shooting outwards, with the dominant eye on the distant landscape, returning to the owners that look on the river, which made them choose this place to live. The shape of the shell as well as hosting the program resolves the structure, the leading water and the various scales that make up the diversity within the space. A program that receives in turn linked to the land, the vast storage needs of products that provides a continuous floor space in the yard and cutting section formed in the volume, which will place direct links to the nature of the place and that as a lookout and rises from the ground to provide an autonomous and site staff. A parcel deep, narrow and steep that hangs over the river and the distant horizon of the sea, with the city of Vigo to feet and a special client, (all are), which are intensely ancestral rural Galicia and the time of globalisation. 把混凝土浇筑的薄片复制而成的壳状物作为遏制墙，形成一个空旷区域，从而使我们的视线可 以穿越旷野，直至远处的狩猎场，同时也可以俯视远处的风景，这样的外向型设计理念使得业 主们更加愿意选择这个地方作为自己的居住地。 设计师巧妙地利用外壳的形状和托管程序解决了由结构、导水系统和空间内部差异所导致的比 例不同问题。 考虑到业主可能对储藏物品的需求，设计师将院子设计成一个不间断的空间，该空间分成不同 功能的区域，使其与这个地方的自然风光有机结合在一起，形成了一个自治的风景点。 为了迎合比戈城市特色和某些业主的特殊要求，设计师有意设计了一片有着深、窄、陡等特点 的土地，仿佛悬于小河和遥远的地平线之上，传递着既传统又现代的气息。

Awarded: 2008 FAD and ENOR Awards This is a building that qualifies in each space, the look and feel of the surroundings and the distant landscape. In contrast to other cases where we have overlapping architectures that emerge through the actions of the users, preparing stage with a large processing capacity, here is an architecture and is the scene that opens the lives of its residents to the world. 获奖情况: 2008年FAD 和ENOR大奖 这是一个优秀的建筑作品。无论从空间、外观、周边环境以及远景设计上，都属质量上乘的建 筑。与其他错落重叠的建筑物不同，这是一个能够把居民的生活和小区风景同时展现给外界的 建筑。

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101 斯黛格瑞兰德 Location: Amsterdam, The Netherland Designer: Kerkhofs montagebouw Photographer: Jeroen Musch Completion date: February 2007 项目地点：荷兰 阿姆斯特丹 设计师：Kerkhofs montagebouw建筑事务所 摄影师：杰罗恩·幕什 完成 时间：2007年2月

Steigereiland On the Steigereiland, near Amsterdam, Pieter Weijnen built his own experimental wooden home. The house is painted a vibrant blue, referring to the traditional dike houses of nearby Durgerdam. The ground floor consists of a roomy live-in kitchen. Entering the home, the first thing you notice is the lounge hanging from the ceiling like a floating island. The bottom of this contraption is shaped like the belly of a whale and clad in copper. The shape has been interpreted as a boat or a basket, giving the space below a homely atmosphere. Together with the floating lounge, the 7-metre-high space creates a vertical loft. To make the most use of the space, Weijnen wanted to avoid load bearing walls as much as possible. To ensure stability, he used old docking poles as diagonal braces behind the front wall. All the walls and floors are made of massive, laminated Lenotec spruce wood. Sustainable use of energy is a leading principle for the house on steigereiland. The glass façade facing South, lets in plenty of daylight and sun heat. The air-conditioning is based on an ancient Arabian system: the air from the dwelling is pumped through underground tubes. After the air has cooled down, it is led back into the building. A tank under the roof terrace collects rainwater, which is used for the washing machine and the toilets. Plenty of recycled materials were used building this wooden home. The large beams in the front are old docking poles from the IJ, and the furniture in the children’s room is made of used cheese shelves. The copper cladding on the floating lounge, used to be on top of the roof of a church. 在阿姆斯特丹附近的斯黛格瑞兰德，皮耶特·维南建造了他自己实验性的木屋。木屋漆成鲜艳 的蓝色，就像是杜格丹附近的传统房屋一样。房屋的底层是一个宽敞的厨房。走进这间屋子， 首先映入眼帘的是一个悬挂在天花板上的长沙发，就好像是一座漂浮的小岛。底部做成鲸鱼腹 部的样子，并用铜包裹起来。形状类似一个小船或篮子，同时也为下面的空间带来了一种家庭 的氛围。与漂浮的沙发一起，7米高的空间形成了一个垂直的阁楼。为了尽可能地利用空间，维 南想要尽可能地削减承重墙的空间。而为了确保其稳定性，他在前围墙的后面使用旧的船坞支 柱作为对拉角线。所有的墙壁和地板都由厚重的、层积的云杉木制成。 在斯黛格瑞兰德，可循环性能源居于主导地位。房屋的窗户都面向南面，使室内能够接受到充 足的阳光和热量。空调装置基于一种古老的阿拉伯式系统：室内的空气用管道从地下抽取。空 气冷却之后，再输送回建筑物。在屋顶的露台下面有一个收集雨水的水槽，这些雨水可以用来 清洗机器、冲马桶。在木屋之中，可循环材料也大量使用。房屋的前梁是来自于IJ的船坞支柱 杆，儿童房间的家具则是由旧的奶酪架子制成。漂浮的长沙发上覆盖的铜来自于教堂的屋顶。

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104 Awarded: 2008 International Architecture Award The house has won the International Architecture award 2008, issued by The Chicago Athenaeum Museum of Architecture and Design and Metropolitan Arts Press Ltd. and co-presented by The European Centre for Architecture Art Design and Urban Studies. This is an international award, open to designers worldwide. Spaciousness is the keyword in this design. The lounge hanging from the ceiling like a floating island made the house particularly eyecatching. Besides, sustainable use of energy is the leading principle for this house on Steigereiland. 获奖情况: 2008年国际建筑学大奖 这座建筑荣获2008年国际建筑学大奖。这一奖项由芝加哥美术馆和大都会艺术出版公司主办， 欧洲城市建筑设计中心承办。这一奖项是一个国际性大奖，面向全世界的设计师。 内部空间宽敞是这个房屋的主要特点。天花板上悬挂下来的长沙发，像是一座漂浮的小岛，极 具特色，使这座房屋脱颖而出、别具一格。另外，可持续利用能源也是这座房屋的主要原则。

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107 G别墅 Location: Bergen, Norway Designer: Saunders Architecture–Todd Saunders Photographer: Bent Completion date: 2009 项目地点：挪威 卑尔根 设计师：桑德斯建筑事务所：托德·桑德斯 摄影师：本特 完成时间：2008年

Villa G Villa G lies like a white landmark in the soft landscape at Hjellestad, near Bergen. The wooden cladding on the house consists of 3 different size mounted in a random pattern. The house has an over-built outside space and the second floor covers the entrance below helping the house work together with the rough climate on the west coast of Norway. The stair is one solid piece of 1cm thick steel, galvanised with white sand corn making it slip resistant. The stair is produced locally, weighs almost a tonne, and had to be lifted into place by a crane through the window in the roof. The architect and client have an enthusiastic description of the design and building process. Saunders say, "the client is very intelligent and has an acute interest in architecture. He challenged us the whole time, but never can get in the way of out design process. The family has documented their wants and needs. These clear and concise wishes help us come of with simple design principles for the project." When commenting his own experience of the how the design of the house evolved, the owner said: "yes, we had an exact number of how many meters of closets we needed and so on. We have built a few houses before this and have learned from our experiences and mistakes. We knew that we wanted a house with clean lines without any visual noise and clutter." This is one of the reasons that most of the closets and storage spaces are integrated into the so-called thick wall – walls that are at least 60-70cm deep. The kitchen bench is 8 meters long and has plenty of drawers for kitchen equipment and even other things that need to be stored away. None of the electrical outlets are visible and all technology controlled by a main control panel in the kitchen. The client admits that he is a 'gadget freak' and the house reflects this part of his personality." G别墅坐落在卑尔根附近，仿佛一个地标。房子上的木结构层由三种不同大小的随机图形组 成。房子的外部空间有过多的建筑，二层覆盖着入口处，这能够帮助应对挪威西部海岸的糟糕 天气。 楼梯是当地制造的，大约有一吨重，必须用吊车从屋顶的窗户举进屋里。设计师和客户对设计 的布局和建筑过程极感兴趣。桑德斯说：“客户很聪明并对建筑有着极大的兴趣。他一直质疑 我们，但却不妨碍整个的设计过程。别墅记录了他们的所想所要。这些清晰简明的愿望帮助我 们得到项目简单的设计原则。” 房子的设计一点一点形成，屋主自己也参与了这个过程，论及此处，他说：“我们准确了解我 们需要多少米的壁橱等等。在这之前我们已经建了一些房子，并不断从我们的经验和错误中学 习。我们知道，我们想要一幢线条清晰、没有任何的视觉混乱的房子。”这就是大部分壁橱和 存储空间融入“厚墙”的原因之一，墙壁至少有60-70厘米厚。厨房的长椅长8米，有足够的抽 屉来放置厨房设备和其他需要储藏的东西。没有露在外面的电源插座，厨房内的所有设备都由 控制面板控制。客户自认是个“小器械迷”，这座房子反映出他这方面的性格。

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110 Awarded: 2008 Nominated for Wallpaper “Best Housing” Project The house is large yet not dominating, modern but not pretentious. The house has a futuristic form but is built with traditional Nordic materials and architectural elements with a good basis in Norwegian building methods. 获奖情况: 2008年《墙纸》杂志“最佳住宅”提名奖 房子很大却并不因此显得主宰一切，现代却不过分修饰。别墅具有适合未来发展的形式，用的 却是北欧的传统材料，建筑元素也是基于传统挪威建筑方法。

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115 马斯特兰德·韦德别墅 Location: Jyllinge, Denmark Designer: CORNELIUS + VÖGE – Dan Cornelius, Nanna Vöge Photographer: Adam Mørk Completion date: 2007 项目地点：丹麦 于灵厄 设计师：科尼利厄斯 + 沃格设计事务所：丹·科尼利厄斯，南娜·沃格 摄影 师：亚当·摩尔克 完成时间：2007年

Villa Marstrand Wadt The project is a rebuilding of an existing house from the sixties. It enjoys a beautiful view of the protected natural settings of Roskilde Fjord. The site has a unique contrast with the light from the Fjord and the setting sun in the background. The house is L-shaped. It has a very large living room, kitchen, dining and master bedroom facing the view to the west and with access to 3 terraces that all enjoy the view. Each of the terraces has its own quality; either as a panorama terrace, an evening terrace or a windprotected morning terrace, and all of them enjoy different settings of the sunlight during the day. The bathroom and another bedroom are placed in the back of the house opening towards the morning terrace to the east. The house is kept in modernistic white, but a local red colour of traditional wooden fishermen houses is used on the wall and door in the entrance area. The underground garage is a dark colour in order to underline the horizontal line. Eventually some black-painted wooden slats will allow climbing green plants to grow on the dark sidewalls. Visitors to the house take the outside steps to the main entrance on the south side of the house. Big slabs of reused granite are used as steps. Black slate is used in the entrance and at various points throughout for flooring and terraces. 这座别墅是在原来的60年代的房子基础上重建而成的。在这里可以欣赏到罗斯基勒海峡的自然 风光，柔和的光线、身后的落日，罗斯基勒海峡与建筑景观形成了独特的对比。 屋顶有面向东面和西面的微小角边线（排水管）。雨天时，落在屋顶的雨水可以以这种方式汇 聚到建筑边上和入口处的特有的金属排水管内。 房屋的形状呈L形。室内有一个大起居室、厨房、餐厅以及可以观赏到西面风景的主卧室，另 外还有三个阳台，每一个阳台都有着各自的特点和作用：或是用于观赏室外全景，或是休闲锻 炼，或是用于防风。无论站在哪一个阳台上，你都可以欣赏到不同的美景，享受每天不同时刻 的阳光。此外，还有一个浴室和一个位于房屋里处的卧室。 房屋以现代白色为主基调，但入口处的墙和门上却使用传统木质渔夫房屋用的乡土红色。地下 车库使用的深色更加突出了地平线，攀援植物依附在黑色的木制板条上生长。给人的整体感觉 是时尚中透着古韵。 参观房子的客人可以通过室外的台阶到达房屋南边的主入口，台阶采用大理石质地的。为了突 出特色，设计师在入口和某些地面台阶处不同程度地使用了黑色的石板。

Awarded: 2006 3-year Architectural Grant from The Danish Arts Foundation The architectural approach is to create a precise connection with the house and the surrounding landscape. The horizontal line of the landscape and the view is integrated into the residence. A westfacing cantilevering roof rises up to gather in the sunlight to the west in a very dramatic fashion. The horizon is almost penetrating into the interior of the house as light pours in during the day. The structure is clean. The lines of the house control the view from the interior to the landscape. Everything is framed with new openings and lines that radiates out from the interior. Different views and new experiences inside the and outside make the building a more lasting piece of architecture in its new incarnation.

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118 获奖情况: 2006年丹麦艺术基金会颁发的三年建筑大奖 别墅与周边风景完美融为一体。白天，面向西面的悬臂屋顶总是第一时间迎接升起的太阳。阳 光几乎可以照射到房屋的每一个角落。别墅结构也很简洁。房屋的线条控制着内外景观。一切 都用新通道和内部的线条加以装饰。室内外不同的风景和给人的新鲜感受使该建筑别具一格。

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121 彼得森别墅 Location: Jyllinge, Denmark Designer: CORNELIUS + VÖGE – Dan Cornelius, Nanna Vöge Photographer: Adam Mørk Completion date: 2007 项目地点：丹麦 于灵厄 设计师：科尼利厄斯 + 沃格设计事务所：丹·科尼利厄斯，南娜·沃格 摄影 师：亚当·摩尔克 完成时间：2007年

Villa Petersen Situated with a beautiful view over Roskilde Fjord and the sunset, Villa Petersen lies on a sloping site exposed to the sun and wind from the west. The building is based on a squarely plan with rooms organised in a U-shape around a protected raised terrace in the middle of the house. A big roof is following the square form of the plan with sun and weather-protective areas around the entrance and in the front of the house. From almost all interior spaces the beautiful view can be enjoyed as delicate transformations from the outside to the inside. The house is following the sloping landscape allowing different levels to be integrated into the architecture. From all spaces the view to the Fjord can be enjoyed in different ways together with natural light falling into the spaces from all sides and skylights. From an inviting entrance of long sliding stairs, visitors are led to the entrance of the house. Entering with a direct access across the house on the highest level where the kitchen and dining area are located with close contact to a wind protected terrace to the east. From the kitchen it is possible to overlook the living space on a lower level and to walk directly out into the raised terrace in the middle of the house. A master bedroom with integrated bathing area and closets are situated on the other side of the raised terrace. Different levels lead to the bedroom with a full view of the landscape and from the combined shower and bathtub there is contact to the view and raised terrace as well. The building is a wooden construction with vertical oil-treated Larchwood in the covered and more protected areas on the outside. On the more exposed surfaces of the exterior horizontal black-painted wood are being used. The interior is kept in white surfaces allowing the natural sunlight to penetrate through the building from different angles and opening. In this way the interior spaces are always enjoying the changing light during the day and during the different seasons. The floors are made of black slate and white-oiled ash. The fireplace works both as outdoor and indoor fireplace and is made of a local brick stone. 彼得森别墅坐落于一个向阳的、西风向的斜坡上，这里可以欣赏到海湾和日落的美景。这个方 形建筑物的房间呈U形排列，这些房间围绕着别墅中心的一个阳台排列。房前还有一个防雨的 大屋顶。 这座建筑适应斜坡的地形，使许多不同的层面巧妙地融入建筑。从室内的各个角度都能欣赏到 海湾的美景，阳光从四面八方，包括天窗，洒满室内的每个角落。 参观者从长楼梯的入口处进入屋内。厨房和就餐区紧邻东面一个防风的阳台。从厨房可以看到 下面的生活区，还能径直走到房子中间的阳台。室内各个地方都能欣赏到不同的海湾景色，阳 光也能从各个角度照进屋内。 主卧室、洗浴区和厕所位于别墅的另一侧。通往卧室的不同平面可以看到整个风景，同时从组 合淋浴和浴缸之间也能看到外面的风景和阳台。 这栋别墅是木质建筑，垂直屋顶是油浸落叶松制成的，同时外面还有一些保护层。外部暴露的 表面是由黑漆木材制成的。 室内表面呈白色，这样有利于阳光从不同角度穿透建筑物。这样，室内空间就可以在不同季 节，整天享受变化的光照。地板是黑板岩和上了白油的碳酸钠制成。壁炉具有户外和室内双重 功能，由当地的砖石砌成。

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124 Awarded: 2006 3-year Architectural Grant from The Danish Arts Foundation The role of the Foundation is to promote Danish creative arts. The Foundation's area of activity includes visual arts, literature, music, crafts and design, architecture, cinema, and theatre, as well as other comparable forms of creative art that do not have other avenues for state support. Out of 2000 applications CORNELIUS + VÖGE was chosen as one of 3 architectural offices that received the grant in 2006. The grant is considered to be the largest and most prestigious architectural grant in Denmark. 获奖情况: 2006年丹麦艺术基金会颁发的三年建筑大奖 丹麦艺术基金会旨在促进丹麦的艺术创造。该基金会的活动范围包括视觉艺术、文学、音乐、 手工艺、设计、建筑、电影和戏剧，以及其他无法得到国家支持的艺术创造形式。2006年，科 尼利厄斯 + 沃格设计事务所在2000个竞争对手中脱颖而出，成为三家得到建筑领域大奖的事务 所之一。这项大奖被认为是丹麦最重要、最有影响力的建筑奖项。

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129 斯多林嘉维卡别墅 Location: Bergen, Norway Designer: Saunders Architecture–Todd Saunders Photographer: Jan Lilleb, Michael Perlmutter Completion date: 2007 项目地点：挪威 卑尔根 设计师：桑德斯建筑事务所：托德·桑德斯 摄影师：詹·里莱博，迈克尔·波 尔穆特 完成时间：2007年

Villa Storingavika Overlooking breathtaking fjords and a stretch of Norway’s west coast archipelago, Villa Storingavika is a robust yet refined vessel from which to appreciate the delicate coastline and sometimes rugged climate. It is a pale timber volume enrobed in a crisp, ‘pleated’ dark timber exterior. The house is oriented along the contours of the site and concrete stairs link an upper outdoor terrace with a lower lawn, utilising all of the natural terrain. This also minimises the impact of the house on the topography. Built-in concrete furniture is also integrated into the site, increasing the use of the lower terrace as an extension of the interior space. Unlike some of Saunders’ other houses whose plinths lightly hover above the ground, this house is well-grounded in the terrain. On both storeys, the utility and service rooms are located along the northern side of the house, while the living areas open out to the south and the view to the sea. As a consequence, there are very few punctures on the northern side, and large floor-to-ceiling windows face the south. The height of the outdoor room, the tallest section of the house, signifies its importance in the scheme. Notably, the exterior ceiling timber continues into the house in the lounge room where the ceiling is as high as the balcony. The balcony is pierced by three circular steel columns that are 'threaded' from the ground to the roof. As a work of architecture, Villa Storingavika is a textbook example of a regional modernism, combining the modern gesture of wide spanning platforms of space with the traditional forms and materials of Bergen’ s light-framed timber houses. The building’s proportions are also akin to Bergen’s maritime architecture and its long history of two-storey timber buildings. Translating this established building approach to a NORTH ELEVATION restrained, contemporary volume links the house to its context, and ties it indelibly to the site. V8

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斯多林嘉维卡别墅俯瞰壮观的挪威海峡和西海岸群岛，像一艘强大而又精致的船，可以欣赏微 妙的海岸线和变换的天气。建筑整体仿佛苍白的空间穿上整洁的黑色木材外衣。 这栋别墅利用自然景观，楼梯连接着一个户外带草坪的阳台。这也体现了房子对地形最小的影 响。嵌入式的水泥家具也和场地结合在一起，增加了对低地的使用，作为室内空间的一种延 伸。 不同于桑德斯设计的其他房子，这座别墅的底座悬停在地面之上，使房子充分利用地形。两个 楼层中，公共空间和服务室都位于房子的北面，而生活区朝南并能看见海。因而，在北边很少 有哗哗的声音，大型的落地窗朝向南面。室外房间的高度和房子的最高部分在整个计划中体现 出其重要性。值得主意的是，外观的天花板木材沿用到别墅的起居室中，这样它的升限高度和 阳台保持一致。阳台是由三根圆形的钢柱从地面穿到屋顶的。 作为一项建筑成果，斯多林嘉维卡别墅可以作为一个区域现代主义的教学实例，现代元素跨越 空间和传统形式相结合，并采用了卑尔根轻型框架木质材料。这座建筑的比例也类似于卑尔根 的海事建筑和历史悠久的两层木材建筑。这一方针的确立，用现代模式把房屋和环境紧紧联系 在一起。

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132 Awarded: 2007 Architectural Review Award Honorable Mention With honesty in its treatment of materials and integrity of construction, Todd Saunders’ design for the villa at Storingavika succeeds beautifully in blending house and landscape. Though conceived within the framework of an uncompromising contemporary architecture, this house demonstrates that a strict design approach can meld seamlessly with the making of a comfortable and dignified home. The house departs from pure tradition though, and is both experimental and inventive. Interaction with the view and a poetic transition from inside to outside lends richness to the stark interior. The rough-sawn weatherboards catch jagged shadows with their tapered profile. It’s an interlocking of volumes in a simple but exciting spatial experience. Stark yet harmonious contrasts in texture and tone of materials give clarity to the architectural ideas. 获奖情况: 2007年建筑回顾荣誉提名奖 以对材料简洁的处理和建造的完整性，托德·桑德斯的斯多林嘉维卡别墅的设计成功地把别墅 和环境相融合。虽然孕育在现代建筑的框架内，这座别墅严谨的设计方法可以恰到好处地融合 舒适、高贵的房间。 这所房子背离了纯粹的传统，同时是试验性和创造性的。从内到外以相互作用的观点和诗意的 转换给僵硬的内部赋予了内涵。粗糙的护墙板捕捉锯齿型的影像。这个简单的连锁空间却能带 来令人激动的空间体验。手感和材料风格上鲜明而又和谐的对比清晰显示出建筑理念。

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135 独轮车别墅 Location: Melbourne, Victoria, Australia Designer: Andrew Maynard Architects Photographer: Peter Bennetts Completion date: November 2008 项目地点：澳大利亚 维多利亚 墨尔本 设计师：安德鲁·梅纳德建筑事务所 摄影师：彼得·贝内茨 完成 时间：2008年11月

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Barrow House The Barrow extension appears as an arrangement of timber boxes, each independently rotated and subjected to varying amounts of extruding and manipulating forces. These separate actions result in a variety of shapes, which united, create an interior of differing volumes and organisations, providing an interesting double storey addition to this weatherboard house. The extension challenges the traditional nature of timber construction. Normally lightweight and fragile, added wall thickness to different areas results in a structure with a fluctuating sense of mass. The dynamic and varying nature of these environments is further enhanced by differing window arrangements and framing techniques. Frequently the windows are setback within the frame of the wall, sometimes flush and occasionally extruding beyond the timber frame. This unconventional approach to massing and window design subverts the conservative planar nature of a “box”. The movement of the shadows created by these extruding or intruding elements are tracked on the external façade and internal environment, creating varying patterns and giving the extension an undefined geometry. The external timber cladding wraps itself inside and fuses the extension into the original house, where the old living space now is occupied as a bathroom. Here, there is no evidence of conventional bathroom materiality, the room still maintaining its appearance as a living/dining space. The only defining feature is a free standing cast iron bath (re-used from the original demolished bathroom) at the centre of the room, demonstrating the capability of a single element to alter the programme of a space. The strategic placement of a separate living space at the western end of the site, reflects the focus of the site internally, frames the large open area and increases privacy levels. Both this new addition and the extension to the old part of the house, at the western end of the site, openly embrace this central garden space. Definition between indoor and outdoor is blurred by the transparent divisions of bifold doors and large windows; visual interaction is constant. This central outdoor space becomes part of the living circulation space as the diurnal patterns of the occupants see them traverse the yard to the rear living quarters. The brighter, larger extension nurtures the dynamic, more numerous, day time activities, whilst the low key, more relaxed, activities of the afternoon are enjoyed in the sunroom at the western end of the site reflecting back on the outdoor yard and pool, watching the cinematic shadows play across the irregular face of the Barrow’s extension. The extensive openable window and bifold door arrangement accompanied by Barrow’s orientation allows for abundant natural light and ventilation to infiltrate the spaces, decreasing reliance on electrical and heating/cooling systems. The entirety of the design also employs materials reused from the

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138 parts of the previous house as well as recycled or found elements, decreasing the carbon footprint of the design and also adding character to the spaces. 独轮车别墅扩建工程似乎是排列一系列木头盒子，每个木头盒子独立存在，同时又受制于各种 挤压力和操纵力。 这些盒子一个个拼凑起来，就形成了各种形状，共同构成了别墅内部与众不同的室内空间，为 这座有护墙板的别墅增加了一个妙趣横生的两层附加空间。 扩建工程挑战了木质结构的传统本质。跟正常的木质结构一样，这座别墅也是重量轻且不牢 固，于是许多地方加上了增加厚度的覆层，使得整个结构显得厚重而又有动感。这些特征又通 过使窗户的布局和框架技术与众不同进一步得到加强。窗户大多是嵌进墙体的框架内，有时候 跟墙面同高，偶尔也有突出木质结构表面的。 这种构成方式和窗户的设计颠覆了“盒子”保守的平坦本质。这些凹陷或突出的窗子产生的移 动的影子在别墅外墙和室内都留下踪迹，产生变化多端的光影图案，使得扩建拥有了难以定义 的几何图案。 外部的木质包裹层使得扩建部分很好地融入了原别墅的结构，原来的起居空间现在是浴室。这 里，从材料上看没有传统的浴室的外观，而是仍然保留着起居、用餐空间的特点。唯一能看出 这里是浴室的，就是房间中央的一个铁质浴缸（用的是已经拆除的原浴室中的浴缸），充分显 示了一个单一元素就足以改变一个空间的功能。 在别墅所在地的西端，设计师单独安排了一个起居空间；这一策略显示了这个地方内部的焦 点，将宽敞的开放区域加以框架，并且增强了私密程度。 这个新增的部分，还有对别墅原来部分的扩展，都在西端面向一个中心花园。用透明的折叠门 和巨大的窗户作为分隔，室内和室外的界限变得模糊起来。视觉效果不断改变，千变万化。中 央的户外空间成为了生活空间的一部分，居住者穿过这里去到后方的生活区。 新建部分更明亮、更宽敞、更具动感，使得别墅里白天可以有更加丰富的活动，而午后在日光 浴室里则可以有休闲放松的活动，日光浴室位于别墅西侧的尽头，这里可以看到户外庭院和水 池，可以欣赏别墅新增的不规则的外墙表面上投射的流动的影子。 巨大的窗子可以打开，折叠门的安排遵从了别墅的朝向，这些都使得别墅能有充分的自然采光 和良好的通风，降低了对电力系统、供暖和空调的依赖。 整个设计还将原来别墅某些地方拆卸下来的材料进行了重复利用，此外还用了可回收的材料， 降低了设计的碳排放的同时，也给空间增加了一个特色。

Awarded: Award winner at the 2009 Australian Timber Design Awards 获奖情况: 2009年荣获澳大利亚木材建筑设计奖

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143 马库斯海滨别墅 Location: Queensland, Australia Designer: Bark Design Pty Ltd Photographer: Christopher Frederick Jones Completion date: 2009 项目地点：澳大利亚 昆士兰州 设计师：巴克设计有限公司 摄影师：克里斯托弗·弗雷德里克·琼斯 完 成时间：2009年

Marcus Beach House North facing, the beach house celebrates an existing sculptural Moreton Bay Ash tree on its coastal site. Two contemporary timber pavilions, sited to embrace the tree and create a calm landscape courtyard, are lightly connected with a high level glazed bridge. Layers of screening are used to filter light and shadow, whilst giving privacy and filtering sea breezes. The main pavilion accommodates living spaces focused around a double height northeast deck space. The parents retreat spaces above are accessed via the translucent stair tower. The east pavilion provides space for cars and services below, with children and guest bedrooms above and a shared north east deck. The house embodies casual coastal living with a light and embracing relationship to the landscape. On approach from the street, the sloping terrain naturally guides an axial timber boardwalk under a simple timber pergola structure arriving in the courtyard opposite the Moreton Bay Ash. The main pavilion to the west accommodates living spaces focused around a double height deck space overlooking the swimming pool and northern garden. The master bedroom suite is accessed via a polycarbonate clad stair tower that is by day a contemplative space and by night, a lantern. The Moreton Bay Ash casts shadows onto the polycarbonate further animating the edges of the courtyard and bringing the landscape inside the house. The recent additions of a study “pop out”, enclosed passage link below the bridge, laundry and powder room further animate the edges of the courtyard space whilst responding to the needs of its new occupants. The house is open and light and possesses simple sustainable design principles to passively defend the occupants from the elements. Windows and doors are strategically positioned to capture the prevailing breezes whilst roof overhangs are generous protecting the house from direct summer sunlight. Air conditioning has not been installed nor is it desired. Artificial lighting is kept to a minimum due to the generous amount and position of glazing, particularly facing north. The roof over the master bedroom pavilion rises to the north providing a band of high level, operable, clerestory glazing capturing daylight and allowing any warm air to escape, setting up an effective “stack effect” natural cooling process. The connection between the deck and living spaces is dynamic and direct. As the heart of the house, the covered double height outdoor room is actively used all year round as dappled sunlight is filtered through a timber batten screen hung below the roof structure. Indoor and outdoor realms are connected through an interlocking series of alcoves and nooks like a low edge deck seat and reading nook popout located off the stair landing. The courtyard and Moreton Bay Ash are a focal point in which almost all rooms within the dwelling enjoy a connection. 这座海滨别墅朝向北面的摩瑞顿海湾，这里沿海的地方有一棵雕像一般的灰树，灰树旁边是两 个现代的木质小阁楼，这样就创造出一个宁静的景观庭院，两个小阁楼由一架高处的玻璃一般 的小桥连接。 别墅采用了分层纱窗，用来过滤光影，同时又能保护别墅内的隐私并过滤海风。主要的阁楼包 含居住空间，坐落在东北角，是双层楼的高度。楼上是老人居住的空间，可以通过一段明朗的 楼梯上去。东边的阁楼下面有停车的空间，上面是孩子们的房间和客房，共用一个面向东北方

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146 向的平台。在这座别墅里，可以尽情享受海滨的生活，欣赏美丽的风景。 从街道上走向别墅，顺着斜坡就会很自然地来到这里，中间是木板铺成的小道，沿着小道就走 到摩瑞顿海湾对面的庭院里的凉亭。主要的阁楼包含居住空间，有双层楼高，能俯瞰楼下的泳 池和北面的花园。主卧室可以通过一段由聚碳酸酯材料覆盖的楼梯到达，白天这里是沉思的绝 好处所，而夜晚则成为一座灯塔。摩瑞顿海湾会在聚碳酸酯材料上投上光影效果，更加加强了 庭院的动感，仿佛把室外景观引入室内。新增的一个书房从别墅中“突出”出来，下面是桥下 的小径；洗衣房和化妆间又进一步让庭院充满活力，同时又满足了新的居住者的要求。 别墅通透、轻盈，采用简单的符合可持续发展的设计原则，积极地保护居住者免受外界侵袭。 门窗都是特别设计的，以便让海风能吹进屋里，而屋顶又能保护别墅免受夏天的日光照射。马 库斯海滨别墅内没有安装空调，也不想安装。尽量少的采用人工照明，因为这座别墅拥有良好 的地理位置，尤其是又朝北。主卧室上方的屋顶向北边升起，这样能够利用更多的自然光线， 使屋内的热风能出去，这就创造了一种“烟囱效应”，实现了自然的空气调节机制。 平台和居住空间之间直接连接，动感十足。屋外的有棚顶的二层空间作为别墅的中心，常年可 以利用，这里有充足的日光，阳光从挂在屋顶下的木质板条屏风照射进来。室内外的空间通过 一系列连锁的角落连接起来，比如平台上的座位和用来阅读的角落，在楼梯下端不远处。庭院 和摩瑞顿海湾是这里的焦点，几乎别墅内的所有房间都靠它们联系在一起。

Awarded: Noosa “Living Smart” Design Awards Description: An Australia Local Award with different catalogues “Climate & Context” (above $200K category) Awarded Reason: The Marcus Beach House celebrates a natural, coastal setting providing its occupants with an inextricable relationship to the landscape and sensitive surrounding environment. The dwelling explores lightness, filtering natural breezes, layers of transparency and integrating indoor outdoor spaces within dynamic patterns of light and shadow, being a simple frame to enable a contemporary sustainable lifestyle to unfold. 获奖情况: 奖项名称：努沙“优质生活”设计奖 奖项描述：澳大利亚当地的奖项，分设不同奖项类别。“气候&环境”（造价20万以上类别） 获奖原因： 马库斯海滨别墅拥有自然的海滨环境，能够让居住者跟这里的景观融为一体，更好地感受这里的 美景。在这里，居住者可以享受充足的阳光、和暖的微风、层次分明的通透感以及室内外空间通 过巧妙的光影效果相互融合的体验。这里是享受当代支持生态平衡的生活方式的一处胜地。

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149 努沙腹地别墅与工作室 Location: Noosa Hinterland, Tinbeerwah, Australia Designer: Bark Design Pty Ltd Photographer: Christopher Frederick Jones Completion date: 2007 项目地点：澳大利亚 昆士兰州 努沙 Tinbeerwah郊区 设计师：巴克设计有限公司 摄影师：克里斯托 弗·弗雷德里克·琼斯 完成时间：2007年

01. Driveway 02. Entry 03. Library 04. Kitchen 05. Living / Dining 06. Laundry 07. BBQ 08. Deck 09. Pool 10. Studio 11. Toilet 12. Outdoor Shower 13. Bedroom 14. Bathroom 15. Ensuite 16. Walk-in Robe 17. Water Tanks 18. Tandem Carparking 19. Bin Store 20. Double Height Space

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Noosa Hinterland House & Studio Bark’s Hinterland House at Tinbeerwah, in Queensland’s Sunshine Coast Hinterland contains two main interconnected, steel framed volumes for living and sleeping, perched high on the site to take in broad views of the Pacific coastline with the forested hinterland in the foreground. The main spaces step down and run with the natural topography, connecting in section via the double height living and northern pool deck space, whilst a separate “silver shed” art studio projects out across the fall of the slope, creating a south lit, plywood lined space for painting, high in the trees. Taking some cues in architectural language from the adjacent Bark Studio, the house explores “Case Study” ideas of expressing a legibility of construction, with simple clean spaces contained by a series of steel portal frames and glazing, in contrast with economic modules of lightweight sheet and hardwood chamferboard cladding. The house explores lightness, filtering natural breezes, layers of transparency and integrating indoor outdoor spaces within dynamic patterns of light and shadow, being a simple flexible frame to enable a contemporary lifestyle. The house is located as high as possible on the site in order to maximise views, sunlight and natural ventilation. This also provides easy vehicular and pedestrian access, whilst maintaining privacy from both adjoining neighbours. Outdoor spaces are oriented towards north and ample protection from the south-eastern winds is created using louvres and adjustable fenestration, whilst enhancing views to the coast. The building has been designed to maximise passive temperature and ventilation through cross ventilation and stack effect principles. It minimises the need for artificial/mechanical systems for lighting, ventilation, heating and cooling. The building envelope utilises passive (non-mechanical) systems for temperature, lighting and ventilation control through considered fenestration, screens and roof ventilators. 巴克工作室在昆士兰州的Tinbeerwah郊区的阳光海岸腹地设计的腹地别墅包含两个内部连接的 钢制框架的建筑，是生活和休息的处所，高耸在这片土地上，能够俯瞰太平洋海岸线的风景， 而这块腹地就坐落在这里树木丛生的最显眼的地方。别墅主要的空间沿着坡地自然的地形向下 倾斜，通过双层高度的居住空间和北部的水池空间连接在一起，而一个单独的“银色小屋”作 为艺术工作室则从向下的斜坡中突出出来，创造出一个胶合板覆盖的空间，在高高的树木中， 从南面照明，提供了绘画的场所。 这座别墅从旁边的巴克工作室借鉴了建筑语言，用一系列钢制入口框架和窗户构成了简洁明朗 的空间，探索了建筑可行性的“个案研究”的理念，这与经济实用的轻型薄板和硬木覆层形成 了对比。这里，居住者可以享受充足的阳光、和暖的微风、层次分明的通透感以及室内外空间 通过巧妙的光影效果相互融合的体验。这里是享受当代支持生态平衡的生活方式的一处胜地。 为了能让视野更广，让阳光和自然通风效果都达到最好，这座别墅坐落在这块土地上最高的地 方。这样使驾车或者走路来到这里也都更加方便了，同时又保护了别墅两边邻居的隐私。室外 空间朝向北面，有足够的保护使别墅免受东南风侵袭——百叶窗和可调节的开窗，同时也对望 向海岸线的视野有益。 这座建筑通过穿堂风的设计和“烟囱效应”原理，使得“被动温度”和通风效果都实现了最大 化，使人工、机械照明、通风、供暖、空调系统都得到了最小化。建筑外墙采用了经过精心设 计的开窗法、纱窗和屋顶通风机，运用了被动（非机械的）系统，以实现良好的温度、照明、 通风控制。

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layers of transparency and integrating indoor / outdoor spaces within dynamic patterns of light and shadow, being a simple frame to enable a contemporary lifestyle. Awarded:

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Award name: Noosa “Living Smart” Design Awards “Glossies” “Climate & Context” 2007 Awarded Description: An Australia Local Award with different catalogues 获奖情况: 奖项名称：2007年努沙“优质生活”“气候&环境”奖 奖项描述：澳大利亚当地的奖项，有不同的奖项类别。

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155 海湾别墅 Location: Lota, Queensland, Australia Designer: Fairweather Proberts Architects Photographer: Jon Linkins Completion date: April 2005 项目地点：澳大利亚 昆士兰州 洛塔 设计师：Fairweather Proberts建筑事务所 摄影师：乔恩·林金斯 完 成时间：2005年4月

The Bay House The residence is designed for an active, young family and occupies a steeply sloping site facing east over Moreton Bay. The house is derived from simple liveable spaces that tier down the site and are separated to allow maximum views and ventilation. The focus is the large open living spaces where sliding glass panels slide completely away to allow a seamless connection through the living space to the front yard overlooking the bay and to the courtyard behind. Large insulated louvres at the higher level allow the whole façade to open to the east and complete the connection to the bay and the outdoors. The house responds to its context by providing a sense of repose within the streetscape and its landscaped bay edge. The placement of the house close to the street allows space and a varied edge to the landscaped rear. At the street the house is nestled into the hill. The forms are articulated and jumbled down the hill to engage with its context at a domestic scale. The arrangement, and ultimately form, of the house is generated by the movements and activities of the family. Spaces are arranged by the arrival sequence, sleeping, working and activity zones. At arrival the user can access the major zones of the house through a central stair and circulation space. The mid level houses parents and young child sleeping areas along with study spaces. Older children’s sleeping areas are at the upper level and the living and active zones are connected to the landscape at the lower level. The house utilises an honest language in its use of materials that are undisguised with their natural qualities expressed and articulated. The large simple spaces responded to the long term yet casual nature of the relationship that the client has with their location. This approach served to provide relatively simple structural solutions which enabled the clients to achieve a “lot of house” for their large family. 这座别墅是专为充满活力的年轻家庭设计的，地处莫瑞顿湾岸边的一个朝东的陡坡上。房子处 于一个独立的适于居住的自然空间内，这样利于最大程度上欣赏景色和空气流通。住宅的焦点 是巨大的开放式生活区。生活区里的滑动玻璃板能全部打开，让生活区与房子前面的空场和后 面的院子几乎融为一体。高层的巨大绝热百叶窗使面向东部海湾的门脸能完全与自然相联通。 在这样的环境下，这座住宅给人一种宁静的感觉，好像一幅风景画。把住宅安置在靠街道处， 使其能充分发挥空间的优势。从街上看去，住宅好像一个鸟巢筑在山中，其形态巧妙地融入环 境中。 住宅的布置和模式取决于家庭经常举行的活动。空间划分为休息区、工作区和活动区。居住者 可以通过一条中央楼梯到达这几个主要的生活区域。中层是家长和孩子的生活和工作区。大一 点的孩子住在较高的一层，与低层相通。 在选材上，房屋充分利用了材料的自然属性。这个巨大的朴素空间满足了客户对住所长期和临 时的双重需求。这种方法是一个相对简单的结构上的解决办法，使这个人数较多的大家庭有一 种“大房子”的感觉。

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158 Awarded: 2007 RAIA Residential Architecture – Houses Commendation The house has a particular relationship to its environment due to its east – west orientation and bay aspect. In responding to this the house opens to invite the often gentle cooling breezes and light in through its bay/eastern aspect to filter through the levels and spaces of the house. The major volumes are single room width to maximise this effect. Alternatively this aspect can completely close down to protect against strong winds whilst allowing the lee-side to remain open. Large format lourves have been customised to provide solid insulated barrier to the aspect and palpable change to the experience of the space when open. The street side of the house faces west and is an insulated and solid barrier that is sculpted and screened to provide protected light and ventilation. 获奖情况: 2007年澳大利亚皇家建筑学会住宅建筑——房屋荣誉奖 由于房屋的东西走向和海岸的原因，使得房屋和周围的环境有着特殊的关系。为了利用这种特 殊关系，大量引入清凉的微风和光线，使房屋内每层都通风良好。房屋内的大部分房间都是单 间，最大限度达到通风通光的效果。 选择这种方位是因为这样既可以允许下行风进入，又可以保护房屋免受强风的袭击。房子临街 的一面是一个隔热的结实的栅栏，朝西，这个栅栏是经过雕刻和筛选的，目的是保持光线和通 风。

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161 图坤别墅 Location: Gold Coast, Queensland, Australia Designer: Fairweather Proberts Architects Photographer: Christopher Frederick Jones Completion date: January 2004 项目地点：澳大利亚 昆士兰州 黄金海岸 设计师：Fairweather Proberts建筑事务所 摄影师：克里斯托 弗·弗雷德里克·琼斯 完成时间：2004年1月

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Tugun Residence The design approach allows the house to capture northeast to southeast breezes and brings them through the living spaces to the rear of the house. The northern side of the house is dedicated to a circulation spine due to the imminent neighbouring development. Openings at the upper level are sparing and protected for privacy. At the lower level these openings are expansive and protected by the external fence. The design approach also extends the perceived living areas at the lower level. The bedrooms are facetted to the southeast on the upper level where a response over the existing conditions allow privacy and glimpsed views of the ocean. A simple steel structural system provided large open spaces and allowed the use of concrete and glass to create the external fabric of the building and for the concrete to become the robust edge of the major living spaces. Where exposed to the southeast, the concrete is playfully sculpted to create an ambiguous form in the street that responds to its casual beach context. The concrete panels are facetted and varied to achieve the expression. It required a close collaboration of architect, engineer and specialist sub contractor to ensure its shape and balance for lifting along with its resolution at junctions with openings all whilst maintaining the casual and varied form. The glass front is a low maintenance and simple form in deference to the concrete edge. 这种设计能够使房屋有东北到东南的通风，微风通过卧室到达房屋的后面。由于周边的发展， 房屋的北部采用了循环管。上层的通道很少，这样可以提供私人空间。下层通道很宽敞可并由 外部的栏杆保护着。这种方法延伸了下层的居住空间。卧室安置在上层的东南方向，这也是出 于为了能够保护隐私和欣赏到海景的考虑。 简单的钢铁结构系统提供了大的开拓的空间，混凝土的使用和玻璃幕墙让这座别墅具有结实的 结构。为了在户外创造柔和效果，结合沙滩随意的背景，对别墅东南方向墙外的混凝土进行了 巧妙地雕刻。为了达到预期的效果，安置了样式不同的混凝土板。这就需要和建筑师、设计师 和专家、承包商密切协作来确保图形和通道交界处的平衡。同时也确保其随意多样的形式。玻 璃面方便维修，样式简单，这样做的目的是出于对混凝土边缘特点的考虑。

Awarded: 2007 RAIA Residential Architecture – Houses Commendation 2007 RAIA Regional Commendation & House of the Year The Tugun Residence provides a living space on the beach edge that allows the beach environment to inhabit the house. Its ground floor plan is elevated providing protection and privacy from the street and neighbouring property. Its simple lower plan allows the edges to be fully opened when the weather permits to create an “under the house” feel. Robust materials are used in response to its location and these materials are expressed in an honest fashion. 获奖情况 2007年澳大利亚皇家建筑学会住宅建筑——房屋荣誉奖 2007年澳大利亚皇家建筑学会年度地区房屋建筑荣誉奖 图坤别墅为业主提供了在海滩边上居住的环境。建筑地面的提升起到了保护隐私和周边的地产 的作用。简约的低平面设计能够使房屋的边缘完全外露，当天气允许的时候能够产生“在房子 下面”的凉爽感觉。由于地理位置的原因，房屋使用了坚实的材料，这些材料也表现出一种踏 实的风格。

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167 韦德别墅 Location: Fitzroy, Melbourne, Australia Designer: Andrew Maynard Architects Photographer: Peter Bennetts Completion date: 2008 项目地点：澳大利亚 墨尔本 费茨罗伊 设计师：安德鲁·梅纳德建筑事务所 摄影师： 彼得·班尼特 完 成时间：2008年

Vader House The extension is a framed steel skeleton which envelopes the unusually high masonry boundary wall built prior to height restrictions, reclaiming it into the interior. The roof then responds to site setbacks which result in a distorted and subverted answer to regulations. This produces high folded internal planes, allowing double height ceilings, a mezzanine level and spacious interior. The refined material and colorful palette of the extension, wrapped in a heavy roof form distinguishes itself from the dark masonry clad terrace from which it emerges. These two opposing forms are united by a transparent glass corridor along the Northern boundary wall, framing an outdoor courtyard. Strategic planning located the courtyard at the heart of the site, allowing both the terrace and extension to have direct contact with this outside space. It creates a central demilitarised zone that allows activities from the surrounding living spaces to spill into. This courtyard ensures that the entirety of the site is utilised. Definition between these internal and external environments is barely distinguishable. Transparent bifold doors allow for constant physical and visual interaction, between these environs. The extension is at once inside and out. The courtyard’s location also provides abundant natural light and ventilation into both the terrace and extension, importantly decreasing reliance on mechanical heating and cooling systems. The anatomy of Vader House also extends far below the site. The timber deck in the courtyard doubles as a retractable deck, when pulled aside reveals a hidden spa, right at the very heart of Vader. Similarly the timber floor boards in the extension form a trapdoor that when opened exposes a cellar, extending far beneath Vader. When these doors are opened, they alter the nature of their spaces significantly, providing the extension with a dynamic and chameleonlike interior. The lack of formal zoning of the extension reflects a desire to make this space a versatile, and thus economical solution, where multiple programs are able to symbiotically co-exist. This flexible design, accompanied by its carefully composed material and colour palette, results in an extension that will adapt to function, clients desire and most importantly the demands of time. 房屋的扩建部分是一个覆盖于砖石外墙上并向内延伸的钢结构骨架，这些外墙由于修建于高度 限制之前，因此显得异常高大。屋顶的结构也以一种打破常规的方式适应建筑的格局。这一构 造使得内部空间变得更加宽敞，成为了高度介于一层和二层之间的仓库式房屋。 精致材料与华丽色彩的完美搭配，使得新建部分的巨大屋顶在昏暗的砖石围墙的映衬下，显得 别具一格。这两部分分开的建筑用一个沿着北侧围墙修建的玻璃走廊相连接，并一起形成了一 个室外的庭院。把庭院置于建筑中心的设计方案使得露台和扩建部分与外部空间有一个直接的 接触。这样便在周围的居住区中心创建一个可以举行活动的区域。这个庭院的设计确保了这座 建筑的空间都能有效利用。 内部与外部空间之间的界限并不是十分明显。透明的折叠门促进了自然与光线的交换。这样一 来，新建部分既是室内又是室外。庭院的位置为露台和扩建部分提供了充分的光照和通风条 件。尤为重要的是，这一设计降低了对供暖和冷气系统的依赖程度。

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Awarded: 2009 Vision Award Emerging from behind its high boundary wall, the distorted roof form of Vader House interrupts the symmetrical roof line typical of Fitzroy, and breathes new life into this Victorian Terrace. The open and seemingly simple nature of Vader House reveals itself to be one of complexity and ambiguity. Many elements of the design prove to serve multiple functions. The bold stair case becomes part of the kitchen joinery, the louvres act as light control as much as privacy screening, and the boundary external wall doubles as the internal kitchen wall. 获奖情况: 2009年视觉建筑设计奖 在四周高大围墙的掩映之下，韦德别墅扭曲的屋顶在菲茨罗伊地区对称的建筑结构中显得独树 一帜，也为这个维多利亚式的露台带来了勃勃生机。韦德别墅的开放和看似简单的设计其实是 一个复杂而又模糊的设计范例。这一建筑中的许多部分具有多种功能，例如，设计大胆的楼梯 同时也是厨房的一部分；百叶窗在保护个人隐私的同时也起到了调节光照的作用。

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175 希拉勒“新月亮”公馆 Location: Dubai，United Arab Emirates Designer: Ehrlich Architects (Design Architect), Godwin Austen Johnson (Executive Architect) Photographer: Erhard Pfeiffer, Irfan Naqi Completion date: 2007 项目地点：阿拉伯联合酋长国 迪拜 设计师：埃尔利希建筑事务所（方案设计），高德文·奥斯丁·约翰 逊（执行设计） 摄影师：艾哈德·菲佛，伊尔凡·纳奇 完成时间：2007年

Helal “New Moon” Residence The three-part plan separates the reception area (majlis) for male guests at the west from the women’s area behind the central grand hall and the family’s sleeping quarters to the east. In a dance between ancient and modern, massive stone walls are counterpoint to large expanses of glass and taut elements of steel. Shadows of contemporised Islamic patterns from the mashrabiyya are cast onto stone floors and shimmer in the reflecting pools. The main entrance is approached through date palm grove aisles. A reflecting pool, which flows indoors and provides cooling, surrounds the front façade. A mashrabiyya, the traditional lattice sunscreen, filters direct sun. Gardens, fountains, shady courtyards, and terraces surround and penetrate the buildings, making it a desert paradise. The whole structure suggests a giant Bedouin tent, with the footballfield-sized roof, cantilevered 30 feet on each side, casting a giant swathe of shade. 在这个项目中，“三部分计划”使接待区域分离开来：西区是男宾接待区，中央大堂后方是女 宾接待区，东面是家庭接待区。大量的石壁与钢化玻璃形成反差，摇曳在古代与现代之间。镂 空的木制屏风所投掷出的伊斯兰图案的阴影投射到石砖上，同时也使睡莲池波光粼粼。 沿着棕榈树林小路到达正门，就会看到这个睡莲池环绕在建筑正面，水流从屋内流出，可以清 新空气。一个镂空的木制屏风（传统的网格防晒幕）可以过滤直射的日光。花园、喷泉、林荫 院和露台环绕并且渗透到整座建筑中，使公馆成为一个沙漠天堂。 整个结构如同贝都因人使用的巨大的帐篷，足球场般大小的屋顶，两边各伸出30英尺，向下方 投掷了一大片阴影。

Awarded: 2008 Cityscape Architectural Awards; Seal of Distinction Islamic culture is embodied and reinterpreted through modern technology and design in this 35,000-square-foot residence, located in the Persian Gulf. Searing temperatures and ample desalinated water allowed the desert site to be transformed into an oasis with pools and landscaping. Sheathed in shimmering aluminum, a massive curved roof shelters and unites the compound’s series of two-story buildings. In section, the canopy forms a crescent moon, the symbol of new life that tops the minarets of Islam. The canopy is supported by stone-clad columns that function as mechanical exhaust vents; they pierce the roof and project up to the sky, reminiscent of traditional wind-catchers in the age before air conditioning. 获奖情况: 2008年城市建筑荣誉奖 运用现代建筑技术和设计理念，这座占地35000平方英尺的公馆完美展现并诠释了伊斯兰文 化。高温和充足的淡化海水使这片沙漠地带成为拥有池塘和美景的宜人之地。 曲线房顶裹以金光闪闪的铝膜，将所有的两层小楼遮盖并且连接起来。从剖面图上，房顶看似 一轮“新月”，象征着全新的生活。石柱支撑的房顶有机械排烟功能。石柱穿透房顶，直立于 上空，使人回想起空调发明之前所使用的传统捕风器。

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183 翱翔之家 Location: Hiroshima, Japan Designer: Tetsuya NAKAZONO Photographer: Naf Architect & Design Completion date: March 2007 项目地点：日本 广岛 设计师：中原哲也 摄影师：纳夫建筑设计事务所 完成时间：2007年3月

Hover House Rice fields surround the site, with natural sceneries around such as a national park, a pond of water shield – a kind of waterweeds threatened with extinction – and bamboo trees. Stretching out east and west, the site bends like a Japanese character “<” with its corner facing north. Roads are on both northwest and south sides; the former is higher than the latter by 1 to 1.5 metres. Not to mention the natural environment, to take advantage of the height differences is the key to enhance the potential of this building. Depending on where to put equipments, the energy efficiency can be quite inefficient because of the comparatively long shape of the building. This time, the burden to the equipment can be decreased as possible by installing in proper places. In addition, it is easy to maintain and repair those equipments in open-spaced under floor. Indoor, it consists only of structure and furniture, and bulkheadings are simple, wooden custom-ordered flush panel so that they can be easily removed. All rooms are placed to surround the elevated deck terrace facing south. A pool was installed in the deck terrace to effectively utilise the under-floor-space. This building is a two-storey and 50-metre-long bungalow. It is featured in the methods of masonry construction of the foundation, steel beams and the RC materials. Speaking of the foundation, the designers built steel construction on steel pipe-piles not only for the request from the client that demanded the building to be higher than the road by one metre, but also for the ground which used to be a field. The ground is too weak to support direct foundations unless it reaches more than one metre. The steel pipe-piles can be pulled out with inverse rotation so that the site will be remained as a field again. This type of pile foundation requires tailored designing because the maintenance for those varies respectively depending on the environment. 该项目周围环绕着水稻田，看起来好像一个国家公园，还有一池塘的莼菜（一种濒临灭绝的水 草）及竹子。向东和西延伸弯成一个日文字“く” ，字中的角向北。这座建筑西北边和南边都 有路，前面的建筑比后面的高1-1.5米。自然环境就更不用说了，利用高度差异是提升建筑潜能 的重点。 因为房屋的结构较长，所以能源效率就比较低。在这个设计中，设备的负重可以通过合理安置 设备而尽可能减轻。另外，在楼层下方的开放空间中维护和修理也比较容易。在室内只包括室 内结构和家具，防水墙的设计很简单，是摆放整齐的木质平镶板，这样的目的是为了方便移 动。所有的房间都会朝南铺设高架平台，在平台下方安置游泳池，更有效地利用了平台下方的 面积。 这座建筑有一个两层小屋和一个50米长的平层，主要以石工、钢筋、混凝土为地基。建筑师设 计了建在钢管村庄上的钢结构地基, 这种结构的地基并不仅仅基于客户对于房屋高于地面1米的 要求,同时也是考虑到这块地原来是田地。 这种地质太过贫瘠，不能支撑竖直的地基，除非地基 能高于地面1米。钢管桩可以以相反的方向拔出，这样就保持了田地的原貌。 这种管式地基要 求精确的设计，因为要依靠环境来保持各自的不同。

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186 Awarded: 2007 Selected Architectural Designs, JIA The Japan Institute of Architects (JIA) is the most established Japanese professional organisation of free and autonomous architects as well as the Japanese section of the Union Internationale des Architectes (UIA). The institution was founded in 1987 and includes about 4,800 members today. Honours of the JIA include: JIA Award, JIA Grand Prix, JIA Young Architect Award, JIA Sustainable Architecture Award, JIA 25 Years Award (every two years), and JIA Architect of the Year. 获奖情况: 2007年日本建筑师协会（JIA）设计入围奖 日本建筑师协会是日本最权威的自由建筑师组织，也是国际建筑师协会的日本分支。该协会成 立于1987年，如今已经吸收了约4800名建筑师。 JIA颁发的奖项包括：JIA奖、JIA大奖、JIA青年建筑师奖、JIA可持续发展建筑奖、JIA25年奖 （每两年颁发一次）和JIA年度建筑奖。

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191 薄壳别墅 Location: Nagano, Japan Designer: ARTechnic Architects – Kotaro Ide Photographer: ARTechnic Architects Completion date: 2008 项目地点：日本 长野 设计师：艺术手法建筑事务所：井手孝太郎 摄影师：艺术手法建筑事务所 完成时 间：2008年

Shell House A large shell shaped structure finds itself in the middle of the woods. It is hard to determine what exactly the structure is, and unlike the surrounding caves and rocks, it clearly is not a part of nature – nor is it a ruin. A frame, made at a completely different place for a completely different purpose. Within this shell shaped structure will one find floors constructed, wall separating spaces, and rooms furnished. The scenery conjures a film-like image, in which locals inhabit over an abandoned spacecraft. With time, trees start to grow encircling the spacecraft, harmonising it into the landscape. It goes without saying that villas should not only be functional spaces for the weekend. Their greatest goal is to provide owners with good rest, leisure, and picturesque views that never become dull – all in the vicinity of nature. In the style of many modern sculptures, the designers aimed to enhance the surrounding nature by incorporating it within the spatial structure. The plan was to build the villa around the big fir tree as the centre of the site, with a row of pine trees as the main view. Initially, the designers had planned to build a shell structure with three dimensionally curved surfaces, and the C shaped section was to surround the fir tree and the plan of the building resembled the letter J In addition, certain parts were planned to hold double volume space. Yet, going over the budget, construction method and finish, the plan was revised down to a shell structure of two dimensionally curved surfaces. The top of the oval shaped building wall thickens by 330mm and its width continuously increases up to 730mm at both sides to meet the structural requirements. The free-curved lines appear on the edge, and the three dimensionally curved surface with a twist partly appears on the cut surfaces. However the entire structure was composed by two dimensionally curved surfaces. The floor is built 1400mm above the ground, with the lower half of the shell structure protruding greatly towards the outside, supporting the terrace of the same height. All air and exhaust outlets are installed beneath the sash, letting air run outside through the terrace louver. In addition, by devising unfixed windows, the designers tried to maximise natural ventilation (the designers haven’t arranged air conditioning in general parts). While at a glance, the oval shaped cylinder space might appear as wasteful use of space, the functional use of space is maximised by the installation of furniture in the lower half of the oval cylinder. 在一片森林中可以看见这个巨大的薄壳结构建筑。很难定义薄壳别墅是一种什么样的结构：不 同于周围的山洞和岩石，很明显也不是自然环境的一部分，但也并不是一个废弃物。其框架和 外形会因为所在的地点和使用的目的不同而改变。在这个壳状结构里你会发现楼板结构、划分 空间的墙壁还有室内家具。在这种科幻电影般的场景中，当地居民好像住进了一个废弃的航天 器。随着时间的推移，树木开始围绕飞船生长，并且将其融入四周的景观中。 别墅不应该仅为周末休假提供功能的使用；别墅最完美的目标是为我们提供好的休息、放松以 及附近不会变得单调的优美风景，所有这些都来自于自然。就像许多现代风格的雕塑，设计师 的目标是通过空间结构强调周围的自然环境。 设计计划是在一大片杉树周围修建一个别墅作为中心，与一排松树共同形成主要景观。设计师

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194 一开始是计划建一个表面有两个曲面的三维薄壳结构，C形区域围绕冷杉建设，整个建筑的外 形类似于英文字母“J”。此外，某些部分还设计成双层空间。然而，在预算、施工工艺和进度 情况的共同作用下，建设计划完成后是一个拥有两个曲面的三维薄壳结构体。为了满足建筑结 构的需要，椭圆形建筑的顶部用330毫米墙体加厚，两侧的宽度也增加到730毫米。通过三维切 割的曲面上有一条曲线出现。然而，整个结构却是由二维曲面组成。建筑建在离地1400毫米的 地面上，通过让薄壳结构的下半部分向外突出很多，来把台阶托举到相同高度。所有进气口都 安装在窗框下面，通过坡状屋顶进行排气。此外，通过设计活动窗口，最大限度地提高了自然 通风（设计师没有在主体部分安装空调）。乍一看，椭圆形结构会浪费使用空间，然而圆柱体 的下半部使用空间却通过安装家具实现了最大化使用。

Awarded: 2008 Minoru Takeyama Award by the Department of Architecture, Musashino Art University This is an architecture award named after a Japanese professor on architecture – Minoru Takeyama. The Shell House was awarded for its outstanding design concept: Being in sync with nature isn’t about yielding to nature – it’s about coexistence. The existence of the structure depends on its power to endure nature. By isolating living space from the wilderness, and upgrading its quality as a shelter, the house will be protected from nature and will provide a comfortable environment. With this, the house will be taken care of and used frequently and continuously. Specifically in cases of villas, frequent use is what leads it to blend in with its surroundings. 获奖情况: 2008年武藏野艺术大学建筑系颁发的竹山实奖 这个奖项是以日本建筑学教授竹山实命名的建筑大奖。薄壳别墅以其杰出的设计理念中得大 奖：和自然同步并不意味着屈服于自然，而是和自然共存。建筑的结构取决于与自然的融合程 度。从荒漠中孤立出生活空间，把它浓缩成一个庇护所，房子就会避免自然的侵袭，同时还 可以提供舒适的环境。因此，房子会得到养护并且可以频繁、持久地使用。特别在别墅类建筑 中，频繁使用是使其融入周围环境的重要因素。

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197 伴林居 Location: Tokyo, Japan Designer: Naoi Architecture & Design Office – Katsutoshi Naoi, Noriko Naoi Photographer: Hiroshi Ueda Completion date: 2007 项目地点：日本 东京 设计师：直井建筑设计工作室：直井胜，直井法子 摄影师：上田宏 完成时间： 2007年








Symbiosis House in a Forest This is environmental symbiosis type house for echo-life. The designers think nature is equivalent to architecture, and they achieved to decentrally-arrange volume of the house without cutting trees. They formed the three volumes of the house to chair shapes, and tried to make them fit into the surrounding forest. The form assumes a role of stretcher, which bears the amount of the second floor walls structurally. They created the original language (design) for the inevitability of the function and the form. As other parts of the house are half outdoor spaces, people can feel atmosphere of the forest. It is like camping every day, and when people spend time in living and dining area, they might feel as if they were under a tarp, and if they step in, they will find private rooms, which give people enfolding impression like tent. If this architecture becomes as if it had existed here from long time ago like trees in the forest, the distance between resident and nature will be closer. “伴林居”融入了周围环境，并营造了自然生活空间。设计师坚信：自然和建筑同样重要，并 最终成功地在不伐一木的前提下建成了这座别墅。 外形的设计力图与环境达到更好的协调；设计师同时考虑了建筑结构，用创造性的设计语言诠 释了形式与功能的最佳结合。 别墅的其他部分是半开放式空间，在外可以感受林间的新鲜空气，无论起居还是用餐都会有露 营一般的体验；而步入别墅，则可以找寻得到庇护的私密空间。在这森林中，随着别墅与周围 的树木一同生长，生活与自然的距离也越来越小。

Awarded: 2008 The 29th INAX Design Contest, 2nd Prize The INAX Design Contest was initiated in 1977, specialised in the design of residence buildings and improvement in construction. At the beginning, the contest was started for the purpose of an increasing competence in construction technology, to improve every project for a better inhabitation and usability. Through competition, INAX wants to provoke comfort life and more room for thinking, through the improvement of products, for a high-quality life. 获奖情况: 2008年伊奈设计竞赛二等奖 伊奈设计竞赛始于1977年，专注于住宅楼的设计和改进施工工艺。最初，比赛主要为了竞争伊 奈施工技术产品，并改善每个项目和最合适的人居舒适性、易用性，并增加竞争的选拔大赛。 伊奈通过竞争，来体现舒适的生活和思考的空间，致力于提供产品和空间来实现优质的生活。

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203 禅房 Location: Hiroshima, Japan Designer: Ryuichi Furumoto Photographer: Seiichiro Ohtake Completion date: 2004 项目地点：日本 广岛 设计师：古本河村隆一 摄影师：大竹一郎 完成时间：2004年

ject Tit hitec

Zen House

Ryuich Furum oto

Titl

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Zen House 500 1000

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This is the residence of an industrial designer couple in their 20s. The lot is situated in a typical suburban housing development in Japan, among an array of terraced modest sites. The majority of the houses in the development are of prefabricated, two-story construction, seemingly disconnected from their surroundings. The designer chose a differentcreation path from those houses because the designer rather admired the character of the lot with its optimum solar exposure, distant scenic view, and access from the road via pre-existing exterior stairs. By linking those assets closely to the architecture, the designer attempted to generate an ideal living environment for the designer occupants that would maintain their tranquility, yet stir their creativity. The designer calls this home Zen House. The building’ s structure is a mere 11 square meters wide, its onestory height reinforced concrete. The interior finishes, as well as the exterior ones, remain exposed concrete without cladding. As a result of constraining the architectural composition to a minimum, the house has been streamlined to implement an extremely effective design. It draws attention to the beauty of natural elements, highlights scenic charm, and smoothly integrates human creation with the larger environment. In particular, the water court planned for outdoor meditation acts as a significant trigger to enhance the lure of the house. The water court surfaces, that is, the walls, floors, eaves, and even the water itself, reveal delicate impressions of shadow, transforming winds into visible moiré patterns, and reflecting varied indoor and outdoor scenes. The void above the court allows the whole ceiling of the Zen House to expand, giving the impression that the ceiling expands to the sky. Moreover, the architectural plan that positioned the court within the heart of the house frees endless layers of space and location sequences. Such design also creates an efficient and flexible area for living. 这是为一对20多岁的工业设计师夫妇设计的别墅。这座别墅位于日本一个典型的郊区住宅开发 区，在一排短短适中的房屋中间。在这个开发区中，大多数房子是预制构件的二层结构，似乎 和周围环境没有任何关系。这座别墅具有最佳的日照，能看到远处的自然景观，可以借助于原 有的外部台阶从路上直接进入房间，由于设计师相当欣赏这些特征，因此他从这些房子中选择 了一个完全不同的设计途径。通过把这些优点紧密地连接到建筑上，设计师试图给这对设计师 夫妇创造一个理想的居住环境：不但会保持原有的宁静，而且会激起他们的创造灵感。因此设 计师称这座别墅为禅房。 别墅是一个11米宽的一层钢筋混凝土结构。房子内部和外部都保持裸露着的混凝土结构。限制 建筑布局的结果是使这所房子通过改装来保持有效的设计。它引起人们对美丽的天然元素的注 意，强调了自然景色的魅力，在大环境中顺利地融合了人类创造。特别要指出的是，设计的户 外沉思水泉庭院就像一个意义深刻的触发器，加强了房子的吸引力。这个水泉庭院表面，也就 是墙、地面、屋檐甚至是水源本身，显示了虚幻的精美，微风转换为波动的水纹，屋内外的场 景也都映射出来。庭院上方的空间让禅房的整个天棚加以延伸，从而形成一种貌似与天空相接 的景象。此外，整个建筑计划把重心放在了位于房屋中心的庭院中，使空间免受层次和位置的 限制。因此，这样的设计也为生活创造了一个灵活高效的空间。

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Zen House

Ryuich Furumoto

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Awarded: 2007 Architect Institute of Japan Selected Architectural Designs When entering this house, against the backdrop of a striking view and through a front door reminiscent of a nijiri, one’ s expectations increase that such a dramatic architectural experiment diminishes the stress of busy life. Upon stepping into this house, one can indeed discover the ideal place to rest easy. You begin to feel more you. The physical building may be as static as concrete and its other materials, but Zen House also feels active, without limits, on or off the premises, a place that is spiritually free.

ᵩᶇᶒᶁᶆᶃᶌ

ᵵᵿᶒᶃᶐ ᵡᶍᶓᶐᶒ ᵵ ᶄᶍᶐ ᶍᶓᶒᶂᶍᶍᶐ ᶋᶃᶂᶇᶒᵿᶒᶇᶍᶌ ᶄᶍ ᵿᶒ 㧭

ᵰᶍᶍᶋ ᶍᶄ ᶔᶇᶃᶕ

㧭

ᵰᶍᶍᶋ ᶍᶄ ᶑᶆᵿᶂᶃ

ᵣᶌᶒᶐᵿᶌᶁᶃ

获奖情况: 2007年日本建筑学会精选建筑设计 进入这所房子时，首先映入眼帘的是引人入胜的风景背景墙，穿过前门，你会情不自禁地感觉 到，在这样一个引人注目的建筑物中生活,一定会减轻繁忙生活的压力。一踏入这所房子，人们 确实能发现这是一个休息的理想地方，你能感觉到自己存在。物理性的建筑也许和混凝土建筑 及其他材料建筑一样是静止的，但是禅房更能感觉到它的动态，没有限制,不管在不在这所屋子 里,它都是一种精神释放的地方。

ᵱᶊᶍᶎᶃ

ᵲᵿᶒᵿᶋᶇ ᵰᶍᶍᶋ

ᵲᶍᶉᶍ

㧮

ᵣᶖᶒᶃᶐᶇᶍᶐ ᵱᶒᵿᶇᶐᶑ ᴾᴾᵆᴾᶎᶐᶃ ᵆ ὼᶃᶖᶇᶒᶇᶌᶅᴾᵇ

ᵸᶃᶌ ᵦᶍᶓᶑᶃ 

ᵓᵎᵎ ᵏᵎᵎᵎ

ᵓᵎᵎᵎ ᶋᶋ

ᵲᶇᶒᶊᶃ

ᵰᶗᶓᶇᶁᶆᴾᵤᶓᶐᶓᶋᶍᶒᶍ

ᵤᶇᶐᶑᶒᴾᶄᶊᶍᶍᶐᴾᶎᶊᵿᶌ

207 柏斯住宅 Location: West Hollywood, CA, US Designer: Zoltan E. Pali (FAIA) Photographer: John E. Linden, Julius Shulman Completion date: 2006 项目地点：美国 加州 西好莱坞 设计师：佐尔坦・E・巴利（美国建筑师联合会会员） 摄影师：约 翰·E·林登，朱利叶斯·舒曼 完成时间：2006年

Beuth Residence Zoltan Pali put his designing creativity into it, making it a luxurious modern house. Zoltan inserted a lower floor in the 20-foot tall crawlspace that had existed underneath the original home along the steep hillside, successfully enlarged the house according to its surroundings. In this way, the house appears to be a three-floor architecture, which is actually four-floured. The master’s bedroom is located on the top floor. The architect clad the upper residential level of the home in warm, teak plywood panels. A magnificent vista through four-foot high windows is visible from the master bed. Steps from the bedside, a sitting lounge eases the journey to wakefulness with Barcelona chairs. Behind the master bed, a transparent shower “partitions” the bedroom from its luxurious master bath. Apart from that, the house includes three other bedrooms and a Miesian steel-and-glass reading room, perforating the smooth teak style on the top floor. The third floor is the most clean, transparent level of the house, where site the living room, dining room, and kitchen, surrounded by glass. The long, glass plinth cuts horizontally through the building’s mass at the centre, offering the most open view. Main furniture is located centrally and low to the walnut floor so as not to block views to the outside. 柏斯住宅表面上看来是一座三层建筑，实际上却是四层。建筑师佐尔坦・巴利充分发挥设计天 才，在占地面积不变的情况下，通过在沿坡地20英尺高的原住宅后身的空地上插入一层，使建 筑面积增加20%，成为一座现代化的华丽住宅。 主卧室位于顶层。墙面用暖色的柚木胶合板覆盖。透过4英尺高的窗户，在主卧的床上就能享受 窗外的壮丽远景。床边是坐卧休息区，摆放着适宜休憩的巴塞罗那式座椅。主卧床后面，一道 透明隔断从主卧室分隔出豪华的淋浴间。 另外，顶层还有其他三间卧室，一间密斯建筑式样的阅读室，钢与玻璃的构筑打破了这层温暖 的柚木墙板风格。三楼是整个住宅最干净、透明的一层，仿佛一个玻璃长方体水平穿过住宅中 心，使住宅的公共空间——起居室、餐室、厨房——拥有开阔的视野。铺有胡桃木地板的起居 室中间摆放着低矮的主家具，不会妨碍观赏室外风景。

Awarded: 2007 AIA/LA Merit Award 2007 ATD Magazine (S. Korea) 2007 Custom Home Magazine Grand Award 2006 LA Business Council Residential Design Award “One of the most successful aspects of the home is the fact that the client was intensely involved and made good decisions that enhanced the design cache and made modern living both practical and sensual,” summarised architect Zoltan Pali. 获奖情况: 2007年美国建筑师联合会大奖 2007年韩国《ATD》杂志大奖 2007年《居家习惯》杂志大奖 2006年LA商业委员会住宅设计奖 设计师佐尔坦・巴利总结说：“这所住宅设计的成功之处在于委托人为设计提出了许多宝贵意 见，使整个住宅的设计颇具现代感，既实用又感性。”

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213 布罗史密斯住宅 Location: Beverly Hills, CA, US Designer: Zoltan E. Pali (FAIA) Photographer: John E. Linden Completion date: 2006 项目地点：美国 加州 贝弗利山 设计师：佐尔坦・E・巴利（美国建筑师协会会员） 摄影师：约 翰·E·林登 完成时间：2006年

Brosmith Residence The 4,400 square foot Brosmith Residence locates on a ridge line of Mulholland Scenic Parkway, overlooking the San Fernando Valley of southern California. Architect Zoltan Pali designed the residence to fulfill the mission of “indoor/outdoor living available from every area in the home”. Courtyards with disappearing wall segments take advantage of the near-perfect California climate, alternatively welcoming sunshine and cool breezes according to which windows and doors are operating. The house is organised along a central spine, broken into segmented living pods for different uses. Each pod is outfitted with its own version of an indoor-outdoor courtyard space, and each is connected independently to the central spine of the house. The architecture captures exterior space as living space within each of these courtyards. The pods include the master suite, the children’s’ quarters, offices, caretakers quarters, and public living space. The public living space rambles at a slight grade down the hillside, from family room to kitchen, then dining room to formal living room. Furniture is kept low to the ground so as to keep views unobstructed, and the taller kitchen cabinetry suggests division between the home’s public space and its central spine. Entering the public living areas, one is met with breathtaking vistas of the San Fernando Valley climaxing on the main patio, where a glass-like swimming pool disappears entrancingly over the crisp clean horizon of the site’s northern edge. 布罗史密斯住宅占地4400平方英尺，坐落在山脊上优美的穆赫兰公园景观大道上，俯瞰南加利 福尼亚的圣费尔南多峡谷。 设计师佐尔坦・巴利设计这所住宅的目的是想要体现一种在家中就能体验室内外融为一体的感 觉。庭院中围墙的设置充分利用了加利福尼亚近乎完美的气候：既能迎接充足的阳光，又能享 受凉爽的微风，门窗可以根据风和光的改变来调节。 住宅沿中心线布局，根据不同用途分为多个生活区域。每个区域根据其自身特点配置了一个庭 院，分别与住宅的中心线独立相连。这些庭院把外部空间也变为了住宅的居住空间。各个生活 区域包括主人居室、儿童区、办公区、看门人区、公共生活空间。住宅的公共生活空间沿着呈 微小角度的山坡而建，自上而下包括家庭活动室、厨房、餐室、正式客室。整个公共空间从地 面到天花板都是玻璃。家具低矮，不会阻碍观赏室外景致；而厨房里较高的橱柜则区分出住宅 的公共空间和中心线，使两者泾渭分明。

Awarded: 2006 Residential Architect Magazine Grand Prize Award The energy-conserving structure uses passive siting and natural shading to reduce its dependence on mechanical environmental conditioning systems. Courtyards are sited to take advantage of prevailing breezes. Innovative uses of standard materials create much of the custom feel of this residence, where concept and design elevates the feel of every room. A sliding louvered screen in the Master uses an off-the-shelf, affordable aluminum frame (echoed elsewhere in the house) fitted with aluminum louvers, creating a unique seamless integration with the clean lines of the house.

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216 获奖情况: 2006年《住宅建筑师》杂志大奖 住宅虽然是被动选址，但其节能的建筑结构采用了自然荫蔽来减少对空调的依赖；庭院的设计 也便于通风。普通材料的创新使用，使住宅有了不一样的感觉，可以说，设计理念提升了每个 房间的感觉。主卧室内的滑式百叶窗采用价格低廉的常见铝框材料（这种材料在住宅的其他地 方也普遍采用，使其风格保持一致）。铝制天窗的采用，准确地凸显出整个住宅清晰的线条。

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219 汉普顿海滨别墅 Location: New York, US Designer: Alexander Gorlin Architects Photographer: ESTO – Michael Moran Completion date: 2008 项目地点：美国 纽约 设计师：亚历山大·戈林建筑事务所 摄影师：ESTO摄影公司 迈克尔·莫兰 完成 时间：2008年

Hamptons Beach House At the entrance, the second floor cantilevers outward from the principal mass of the building in a bold formal gesture, creating a sheltered patio adjacent the main entry. From here, an open staircase rises through a two-story glass atrium to the main level. Inside, the house is organized around a large, open living area. A central fireplace subtly partitions the space, creating an informal dining room to one side and a sitting area to the other. A light monitor in the ceiling above adds volume to the space and washes the room in a diffuse light. The living room opens onto a terraced patio and pool beyond. Above, a great wing-like canopy extends from the building, shading the house. At the roof, a terrace offers spectacular views of the ocean and the sound. Bold sculptural elements, clad in a pale metal, punctuate the expanse. Their surfaces – gray and flat in the morning light – take on a warmer hue as the sun rises in the sky. At sunset, they are set ablaze with color. 别墅入口处，第二根悬臂以醒目、正式的姿态从主建筑中向外伸出。这样，就在入口旁边搭出 了一个平台。一条开放式的楼梯从平台延伸出来，通过一个双层玻璃门廊，一直通向主层。 别墅内部是一个宽敞的开放式生活区。中央一个壁炉巧妙地把室内空间分隔成了两部分：一边 是非正式的饭厅，另一边是休息厅。屋顶上的光线显示器扩大了室内空间；而且，发散的光线 使整个房间都沐浴在光亮之中。起居室对着天台和天台旁边的水池。从楼房延伸至此的翼状蓬 盖遮盖住了整个房子。 站在屋顶的天台上，可以欣赏到大海那引人入胜的景色和海浪的声音。用浅色金属包衣的雕纹 元素分布在天台上。这些雕纹元素呈现出一种暖色调，就像海上初升的太阳。在晨光的照射 下，显得那么的灰暗与平坦；而到了薄暮时分，又呈现出一种欲燃烧般浓烈的色彩。

Awarded: 2008 AIA New York Chapter Design Excellence in Housing Award This striking, modern summerhouse is set on a narrow spit of land between the ocean and the bay. While simple in form, the house is rich in texture, color and detail, with African teak offsetting pale limestone. 获奖情况: 2008年美国建筑师联合会纽约分支杰出住宅设计奖 这座引人注目的现代凉亭位于大海与海湾之间的一块狭窄的陆地上。虽然房子的样式非常简 单，可是它却很有质感，而且颜色丰富，注重细节。设计师用非洲柚木取代了苍白的石灰砂。

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229 凯莉别墅 Location: Los Angeles, CA, US Designer: Abramson Teiger Architects Photographer: Richard Barnes Photography, David Lena Photography Completion date: 2006 项目地点：美国 加州 洛杉矶 设计师：阿布拉姆森·蒂格建筑事务所 摄影师：理查德·巴恩斯摄影公 司，大卫·丽娜摄影公司（后视图） 完成时间：2006年

Kelly Residence Sustainable design is at the heart of this house without being overtly expressed in the external aesthetic. The house is designed with photovoltaic cells hidden on the roof, grey water reclamation, artificial lawn, and rain-screen façades to help thermal stability, flash hot water heating, bamboo floors and ponds of water to promote evaporative cooling in front of large expanses of glass. Kelly Residence is an exploration of balance: between solid and. void, formal order and. intimate grace, private and. public, and stoic and. playful, all relative to achieving a higher sense of spatial freedom within an architectural home. The residence is articulated as “boxes”, each finished in white plaster, and raised on steel pilotis. Instead of being complete four-sided objects, each “box” has one side which is replaced by high-density wood panels coated with phenolic resin. The panels, manufactured from sustainable products, are installed as a rain-screen and are punctured with stainless steel inserts, further articulating the idea that the cladding is non-load bearing. The architects divided the spaces into public below and private above. The house has a parents’ side and a children’s side, allowing each their privacy, with an umbilical cord given form as a bridge between the two parts. Bedrooms are up in the air, while on the ground floor large expansive openings allow the garden to “run” under the house. The interior spaces are oriented to draw the garden in. 这座别墅的设计中心理念是可持续发展，而这一点在外部美感上并没有过分体现。别墅的设计 上，屋顶中藏有光伏电池，另外还有洗漱污水循环系统、人造草坪、能够保温的防雨外墙、闪 光热水供暖、竹子地板和水池，以便实现在大量使用玻璃的情况下的蒸汽降温。 凯莉别墅的设计是对平衡的一种探索：坚固与空灵之间的平衡、严肃井然与亲切大方之间的平 衡、私密与公开之间的平衡和艰苦与享乐之间的平衡，这些都以在居家建筑中达到更好的空间 自由感为目标。 这座住宅以“盒子”来表现，每个“盒子”以白色塑料建成，建在底层挑空的钢柱结构上。这 些“盒子”不是完整的四面体，而是每个“盒子”都有一面用高密度的木板代替，木板表面覆 以石碳酸合成树脂。木板是用可持续发展产品制作而成，能起到防雨的作用，且有不锈钢穿 孔，进一步表达了非承重覆层的理念。 设计师把空间分为下层的公共空间和上层的私人空间。别墅有为老人和孩子准备的区域，让他 们都能享有自己的私人空间，并且把这两部分联系起来。卧室在上层，而一楼则是开放空间， 外面的花园仿佛“跑”进室内。室内空间的朝向正是面向花园。设计中坚固与空灵、严肃井然 与随意装饰的对比十分强烈。

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232 Awarded: 2008 American Architecture Award – Chicago Athenaeum, Museum of Architecture and Design American Architecture Award, Chicago Athenaeum/Metropolitan Arts Press with the European Centre for Architecture Design and Urban Studies, 2008 “The American Architecture Awards have become the foremost, prestigious awards program for public recognition for Excellence in Architecture, both nationally and internationally. The awards identify the new cutting-edge design direction, urban philosophy, design approach, style and intellectual substance in American Architecture today.” Established over 10 years ago, the awards recognise “the most significant new contemporary architecture, landscape architecture, interiors, and urban planning” by the “most renowned American and international design firms practicing in the U.S.” Winning projects represent many U.S. states, but also Austria, Egypt, France, Kazakhstan, Korea, Kuwait, China and the United Arab Emirates. Only sixty-five awards were given out of hundreds of submissions. 获奖情况: 2008年美国建筑奖——芝加哥建筑与设计雅典娜神庙博物馆 美国建筑奖——芝加哥雅典娜神庙&大都市艺术新闻和欧洲建筑设计与城市研究中心，2008 年。 “美国建筑奖已经成为公众普遍承认的最重要、最有影响力的杰出建筑大奖，无论是在美国国 内，还是在国际上。奖项主要奖励当今美国建筑中最新的前沿设计方向、城市规划哲学、设计 方法、风格和智慧。” 该奖项始于10多年前，奖给由“最知名的美国设计公司和在美国从业的国际设计公司”设计的 “最重要的当代建筑、景观建筑、室内设计和城市规划项目”。获奖建筑涵盖许多美国建筑， 也有奥地利、埃及、法国、哈萨克斯坦、韩国、科威特、中国和阿拉伯联合酋长国的建筑。在 几百个竞争者之中，只有65个获奖。

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235 湖畔远景别墅 Location: Beverly Hills, CA, US Designer: Aleks Istanbullu Photographer: David Lena, Tim Street-Porter Completion date: 2008 项目地点：美国 加州 贝弗利山 设计师：亚力克斯·伊斯坦布鲁 摄影师：大卫·莉娜，提姆·斯特里 特-波特 完成时间：2008年

Lago Vista Guesthouse Dividing the program into two pure volumes, a tall dominant cube that houses the retreat space and low parallel rectangle with the living areas, the balance between proportion and procession creates distinct, comfortable spaces. At the threshold, four granite steppingstones, which seem to float in a pond, mediate the transition between the landscape and the building. The sense of space in the retreat also benefits from the carefully placed windows that open to the sky and the canyon. Here glass is used in unexpected ways including a polished glass void at the corner with a view out to a lily pond and down the hillside. Inside the high-ceilinged retreat, the impression of thickened walls with deep window recesses, floor-to-ceiling bookcases and casework and built-in desk and divan, calms and quiets the space. The peaceful open room with its soft natural light and views of canyon and city is an ideal place for study, repose and connecting with nature. With water conservation a major concern in the region conservation measures include: minimal use of impervious surfaces around the house, water capture in planters, landscaping – succulents and native plants – with low water needs and subsurface irrigation, the irrigation sub-surface with reclaimed water. All plumbing fixtures are low flow. 该建筑包括两个区域：一个高耸的立方体房屋和一个作为生活区的低矮的平行长方形房屋，两 者之间比例平衡，过渡自然，创造了独特、舒适的空间。在入口处，四个花岗岩垫脚石如同漂 浮在一个池塘之上，使景观和建筑物和谐统一。 房屋的空间感也得益于窗户的精心设计，从这里可以仰望天空，俯视峡谷。通过玻璃材料别具 匠心的使用，可以透过拐角处抛光玻璃看到荷花池和小山坡。 高高的天花板、厚重的墙壁、深凹的窗户、落地式书架和嵌入式的书桌和靠椅，让整个空间平 静安宁。静谧的开放式房间，尽享柔和的自然光线，可以欣赏峡谷和都市的独特风景。这里的 确是学习、休息和亲近自然的理想之地。 考虑到对地区水资源的保护，在建筑设计中包括了以下的主要措施：尽量减少使用房屋的周边 不透表面，减少使用吸水量大的盆栽，减少使用为美化景观所用的多汁和本土植物。另外，利 用再生水进行地下滴灌。最后还要求所有管道设备低流量释放。

Awarded: 2008 Merit Winner of Residential Architect Design Award The design of the retreat takes maximum advantage of a tight, highly landscaped site at the top of a steep canyon. The project was designed and built according to sustainable principles. To protect the natural canyon environment, the siting minimised disturbance to the earthworks and balanced cut and fill on the site. The building volumes were massed to minimise the visual impact on the surrounding environment. Both the siting and massing decisions were made to preserve all existing mature trees. Working within strict height and setback requirements on the constrained site, the architecture sets the building comfortably into the landscape and captures the sweeping views.

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238 获奖情况: 2008年住宅建筑设计奖 湖畔远景别墅最大限度地利用了陡坡上有限的地形特点和自然景观。设计和建造遵循可持续的 原则。为保护峡谷自然环境，选址尽量减少对土方工程的干扰和均衡削减，充分利用所占面 积。建筑与周边环境和谐统一。而且无论是选址还是在建筑方案决策上，都保留所有成熟的树 木。在这样特殊的地理位置上建造这样一座高质量的别墅，极具挑战性，设计师将该别墅置于 自然景观之中，美景尽收眼底。

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241 庞特·杜牧公馆 Location: Malibu, CA, US Designer: Griffin Enright Architects – John Enright, Margaret Griffin, Mathew Gillis Photographer: Fotoworks – Benny Chan Completion date: Fall 2007 项目地点：美国 加州 马利布 设计师：格里·恩莱特设计公司 约翰·恩莱特，玛格丽特·格里芬，马 太·吉尔 摄影师：陈班尼 完成时间：2007年秋

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Geometry of Project vs. Coastline Views Diagram

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Point Dume Residence The 60,000 square feet property and 6,350 square feet house is on the top of Point Dume in Malibu and is accessed from below by a driveway, an existing retaining wall bisects the site and moves along the geometry of an existing knoll. Panoramic views of the ocean are availed by the geometric morphologies of the residence. These major views delineated the shifts in geometry apparent in the angled shape of the plan and created the sinuous sequence from the entrance to the landscape and view. Three primary geometries of the main hall and pool, the living room and the master bedroom, relate to the three primary geometries to the coastline below. Movement in the house shifts from one geometry to the other and back again enhancing distant views. The stepped topography allows entry midway between the upper and lower floors. One arrives into the main hall, and descends through a vertical sky lit fluid space that twists around to the horizontal space of the living area where a panoramic view of the Pacific ocean is revealed. From the main hall, curved walls create sweeping paths through the house to the master bedroom above and the living area below. The living area literally extends to the exterior with two large sliding doors that afford an eleven feet by twenty-two feet wide opening. The walls of the house extend out from the internal path to become the edge of a lap pool and a porch. An over scaled system of horizontal louvers extends along the rear of the residence to control light, incorporate library shelving and become the railing system for the master bedroom terrace above. The second floor is peeled away from the louvered plane to simultaneously reorient to distant ocean views and create a private master bedroom terrace. A catwalk extends from the bedroom over the lap pool along the louvered guardrail where it engages the nexus of house, outdoor porch and pool. Three bent lines of clerestory windows lift up from the roof beginning at the entrance and extend through the main hall, the master bedroom and bathroom to provide natural light on the sinuous surfaces revealing fluid slippages as various movement systems converge. This language of light extends between the living and kitchen area through backlit translucent resin panels and extends to the terrace beyond. Sinuous echoes are also extended to the landscape with gravel, concrete, and plant material to enhance paths of fluid movement systems throughout the property. 60000平方英尺的场地和6350平方英尺的房屋位于马利布的庞特·杜牧之顶，下面有一条私人 汽车道可到达这里，一面沿小山的挡土墙把这里一分为二。住处可欣赏到大海的全景。这些风 景描绘了明显的成角度的几何移动，形成从入口到风景间的蜿蜒不平。大厅和水池、客厅，还 有主卧室的主要几何形状，与下面海岸线的三个主要几何形状相呼应。房子中几何体的来回移 动，更加强调了远处的风景。 阶梯地形使上下楼层间有了中间入口。进入大厅后，一个明亮的流动垂直空间和客厅的水平空 间相互交叉，太平洋的全景在这里尽收眼底。大厅和曲形墙之间有通向上面主卧室和下面客厅 的宽广通道。客厅通过两扇大拉门完全延伸到室外，形成一个11英尺到22英尺宽的入口。从室 内通道延伸出来的外墙，成了一个小型健身游泳池的边缘，还形成了一条走廊。一个水平的大

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Ocean View from Living Room

Awarded: 2008 California Council SARA Award of Excellence This house takes the typical paths of domestic movement and manipulates them to weave the exterior landscape and site into the house while enhancing natural airflows and views. An interest in the continuity of landscape, circulation, and the body’s sequential movement through space has lead to an exploration of continuous spatial relationships in this residence. Smooth, sinuous surfaces delineate zones of space while maximising the site’s topography, views, and circulation. Volumes are differentiated through a slicing of surfaces and materials, emphasising the horizontal while allowing a multiplicity of spatial conditions to develop through the interaction of these forms, surfaces and volumes. These spatial intersections accumulate the more static elements of the house, while breaking down edges between inside and outside, allowing a more open and engaging relationship between the land and the house. 获奖情况: 2008年加州理事会SARA杰出建筑奖 这所住宅采用了典型的内部流动线条，并由此将室外景观引入室内，从而加强了自然气流和风 景。在连续风景、流通和主体流动性方面的特色，形成了对这所住宅的连续空间关系的探索。 光滑而弯曲的表面描绘出空间带，把场地的地形、风景和流通最大化。各个部分通过表面和材 料相区分，突出了水平方向，这样更能体现空间条件的多样性，从而实现这些形式、表面和空 间之间的相互作用。这些空间的相互作用积聚了建筑物的更静态的元素，打破了室内和室外的 边缘，使土地和房屋的关系变得更开放、更动人。

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253 泳池别墅 Location: Wilton, Connecticut, US Designer: Hariri & Hariri Architecture Photographer: Paul Warchol Completion date: 2007 项目地点：美国 康涅狄格州 威尔顿 设计师：海瑞瑞·海瑞瑞建筑事务所 摄影师：保罗·瓦霍尔 完成时 间：2007年

Pool House The architecture of the pool house hovers over a 48’x20’ pool like a vessel in the water. On the North there is a spa and an outdoor/indoor shower, and on the south there is a roofed veranda acting as an indoor/outdoor dinning area with a large opening on the wall framing the landscape beyond. The area around the pool becomes a sunken courtyard paved in travertine with steps and walls of stone. The interior of this pool house contains a living/entertainment room, kitchen &bar area, simple bathroom and a variety of terraces and decks. It is enclosed by series of metal and glass sliding panels that would allow the structure to be transparent and open up towards outside. A wall of green mosaic tiles cover the wet areas (both inside and out side showers) and becomes part of the main composition of the façade bringing color and tactility to the place. The main frame and the ceiling of the structure are in Ipe wood (Brazilian Walnut) and make the place warm, nautical and sculptural at the same time. The wood floors stretch out from the interior hovering over the pool and becoming a deck for reflecting and simply sitting around and putting your toes in the water. A fire pit on the south side of the structure creates an intimate space on the end of the terrace for gathering around in the cold, making marshmallows and enjoying the place. 这座带游泳池的别墅占地面积为48英尺x 20英尺，看上去像是水面上的一只小船。别墅北面有 一个温泉和一个室外/室内淋浴。南面是一个有顶的阳台，可以作为室内/室外餐厅。在餐厅的墙 面上有一个巨大的开口，像是给外边的风景加上了边框。游泳池周围是一个下陷的用石灰华铺 设的庭院，庭院里有石墙和石阶。 房子的内部包括一个休闲室、厨房兼吧台、简单的浴室以及多个天台和楼层。别墅装有一系列 金属和滑动玻璃板，使得整个建筑显得透明，并且能充分对外部开放。一面镶有绿色瓷砖的墙 是外墙的主要组成部分之一，作用是遮盖潮湿地区（室内外淋浴），并且给整个房子增添了色 彩和质感。 房子的主要框架和顶棚都是由工业厂房设备木材（巴西胡桃木）制成的，这样使整个房子同时 具备温暖、有海事作用和雕塑价值三种特性。木制楼梯从室内一直延伸到游泳池，可以用作思 考和闲坐的地方，坐在上面可以把脚放进水中，无比惬意。 房子南面的天台尽头有一个火山坑。这个火山坑营造出了一个私密的空间。在寒冷的日子，家 人可以围坐在火山坑旁边，做着蜜饯，尽情享受生活。

Awarded: 2007 Interior Design Magazine Best of Year Award This 1200 square feet structure was designed as a minimalist sculpture in the landscape. It is part of a 3.5 Acre property in Connecticut. The architecture of this pool house is in contrast to the traditional architecture of the existing house yet the design sets up a dialogue between the two. 获奖情况: 2007年《室内设计》杂志年度最佳奖 这座1200平方英尺的建筑是一座极简派音乐家的雕塑，是康涅狄格州一个占地3.5英亩的房地产 的一部分。这座带游泳池的房子与现存的传统住宅形成了鲜明对比，但这种设计同时又使两种 不同风格之间得以相互交流。

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259 天际公馆 Location: Los Angeles, CA, US Designer: Belzberg Architects – Hagy Belzberg Photographer: Fotoworks – Benny Chan Completion date: 2007 项目地点：美国 加州 洛杉矶 设计师：贝尔兹伯格建筑事务所 哈吉·贝尔兹伯格 摄影师：Fotoworks摄 影公司 班尼 完成时间：2007年

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Skyline Residence Perched atop a ridgeline in the Hollywood Hills, the presence of the Skyline Residence represents an economical approach to creating an environmentally sensitive building within a limited budget. The preexisting site presented a challenge in terms of constructability as the client presented the challenge of limited allowable expenses. Beyond incorporating sustainable building product systems, the budgetary limitations imposed on material choice forced the architect to implement strategies for using resources in close proximity to the site. Therefore, the general concept adopted for this project stems from “Carbon Neutral Economics,” or the purchasing of goods which are manufactured locally to save carbon transportation emissions. In a low budget architecture project where high-tech systems such as photovoltaic panels, wind turbines and recycled products are out of economical reach, the Skyline Residence reverted back to purchasing locally, minimised grading and capitalising on natural characteristics of the site. 从好莱坞的群山山脊之上俯瞰，天际公馆的出现代表了一种用有限的预算、以经济的方法来创 造对环境敏感的人居环境。这对从前的建筑是一种挑战，因为客户提供的经费是有限的。 除了混合持久建筑产品系统，有限的材料预算促使设计师使用靠近建筑工地的资源。因此，对 这项工程的定义一般来源于碳中性经济学，或者是购买当地生产的商品以减少运输过程中碳的 排放。对于预算比较少的项目，像光伏板、风力涡轮机、可循环产品这些高科技产品都是不经 济的。天际公馆项目反而转向在当地采购，最大化利用当地现有资源。

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Awarded: 2008 AIA/CC Award (American Institute of Architects California Council) 2008 Los Angeles Architectural Awards (Los Angeles Business Council) The Skyline Residence displayed a sparkling point in architectural design, that is, infinite architecture can be achieved with limited budget. An excellence with low cost itself deserves praising. Meanwhile, a full use of local resources is what we advocate nowadays. The low budget didn’t prevent Skyline Residence from becoming an excellent architecture. The simplicity of modernism is enhanced by an outdoor projecting wall; humanity is showed through indoor decoration and outdoor entertainment section. Besides, the designers paid special attention to the details of interior physical environment, achieving a comfortable and healthy interior. 获奖情况: 2008年美国建筑师联合会加州委员会大奖 2008年洛杉矶商业理事会建筑奖 天际公馆的设计代表了一种设计的精神，用有限的资金做无限的设计，能做出低造价的优秀设计， 本身就是一件值得称赞与敬重的事情。同时，充分利用当地的材料，也是现代设计所倡导的。 资金的问题丝毫没有影响天际公馆成为一个出色的设计。现代主义的设计简约自然，户外电视 投影墙成为亮点，从室内布置到户外休闲区，从细节处体现了人性关怀。另外设计师进行了细 致的室内物理环境设计，让室内空间更舒适健康。

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Two Story Guest House + Car Port Auto Court Main House Adjacent Residences Skyline Drive

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269 桑特罗别墅 Location: Oaxtepec, México Designer: Carlos Rubio Martinez Photographer: Paul Czitrom Completion date: 2007 项目地点：墨西哥 欧克铁派克 设计师：卡洛斯・卢比欧・马丁内斯 摄影师：保罗・奇特洛姆 完成时 间：2007年

Suntro House It is located in the residencial area of Oaxtepec, Mexico among delightful natural surroundings, with the luxuriant slopes of Tepozteco to the north and the highway leading to Haciendas de Yautepec to the south. The lot is oriented to the northeast with a splendid sight of the Tepozteco. The sunlight falling on this white volume creates striking images produced by the whimsical movements of shadows and reflections. The wide open room which unites the dining and living rooms offers a fluid space and a complete openness to the outside. Situated at the same level as the terrace, it extends all the way to the pool; in this way creating more space if weather permits. The uncluttered style of the place is respected by the white furniture which features very refined lines. The organisation takes place in a clear division in the horizontal direction of the house locating in the ground floor the public and recreation areas and in the high floor the dormitories connected with the lower floor by an inner-outer circulation. The different habitable spaces fit in a transparent area that makes its continuity with the exterior by the concrete floor that extends to the open areas, allowing to the users to move in a fluid space without obstacles. The floating volume rising above the living room and dinning room suggests a seductive lightness which simultaneously, depending on one’s perspective, creates the effect of illusionary planes with its interplay between volumes and empty spaces: a rationally controlled formal exercise. In keeping with the simplicity of the outlines, the interior emphasises the sculptural character of the building, making use of fundamental elements such as contemporary design items and various works of art, most notably the Victor Reyes painting and the sculptures of Alfonso Magaña. In the garden, next to the swimming pool, the Gandiablasco Spanish furniture selected from Designet provides the perfect complement, creating a sense of freshness and peace. 桑特罗别墅坐落在墨西哥欧克铁派克一个环境优美的住宅区，北依特普亚特山，南临通向雅乌 特佩庄园的公路。面向东北，坐拥特普亚特山美景。光线投到这幢白色建筑之上，创造出梦幻 般的光影效果。 结合起居和就餐功能的开阔房间提供了流通空间，并对室外开放，相同标高的台地延伸向水 池，在其后适宜时创造出更多的空间。建筑的外观简洁大方，白色的家具也同样优雅。 总体空间划分明确：首层是公共空间，顶层用以居住，并通过室内外交流空间与下层相连。室 内外空间通过探入开放空间的平台联系起来，让居住者可以畅通无阻地来往于私密与开放区之 间。 起居室和餐厅上空的轻盈体块，在远观时，虚实空间的交错创造出奇异的视觉效果。这是一种 理性手段的控制。在构建建筑外部简约造型和内部精妙设计的同时，设计师还运用了现代设计 手法和多种艺术手段，尤其是维克多・雷耶斯的绘画风格和阿方索・马格那的雕塑手法。 在花园里临近泳池的地方，为了设计专门挑选的西班牙根蒂布莱斯克家具为设计添上了圆满的 最后一笔，创造出清新宁静的氛围。

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272 Awarded: July 2007 House of The month for The World Architecture News in London The shape responds to the high local temperatures and the spaces are organised to make the best of the setting and to promote the continuous circulation of air, thus ensuring cool interiors even at the height of the summer. The exposed concrete floor creates a sense of continuity, devoid of obstacles, beyond the glassed-in areas. The topography presents an unevenness that was approached for the pool to stay at streets level letting the rest of the house uprooted midlevel. 获奖情况: 2007年7月伦敦《世界建筑新闻》杂志每月最佳别墅 建筑外形适宜当地的高温天气，并且通过组织内部空间，选择最好的建筑朝向以取得最佳的通 风效果，使建筑内部即使在盛夏也可以保持凉爽。玻璃幕墙围合的空间和裸露的混凝土营造了 无阻隔的通透感。地形的不均衡感用临街的水池巧妙解决，让住宅空间充实而丰满。

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275 冲浪别墅 Location: Manhattan Beach, CA, US Designer: XTEN Architecture – Monika Haefelfinger, Austin Kelly (AIA) Photographer: Art Gray Photography Completion date: 2008 项目地点：美国 加州 曼哈顿海滩 设计师：XTEN建筑事务所：莫妮卡·海菲尔芬格，奥斯汀·凯莉（美 国建筑师联合会） 摄影师：格雷艺术摄影公司 完成时间：2008年

Surfhouse The Surfhouse appears as an abstract block of ebonised cedar a few blocks from the Pacific Ocean in Hermosa Beach. The site is very small. While typical lots in the area measure 120’ x 40’, the allowable building area for the Surfhouse measures just 33’ x 24’. The architects approached the project by subtracting the larger program areas from a solid volumetric form that conformed to the zoning regulations and sought to maximise space, light, and views while also creating a sense of privacy and retreat for the young owners on a busy beachside street. The domestic program is stacked vertically on the lot. Services and bedrooms are on the lower floors, with larger rooms pushed to the corners for light and views in multiple directions. The top floor and decks are completely open as continuous indoor / outdoor living spaces open to the beach and ocean. The façade is made from rough sawn, black stained cedar planks with volumetric openings at primary program spaces and a system of identical 2’ x 5’ casement windows arrayed across the secondary elevations for specific views and ventilation. The interior is all light and air, with bamboo floors and walls of glass that slide away to bring the beachside environment inside. 冲浪别墅看起来像一块抽象的乌木色雪松木块，位于赫摩萨海滩，几个街区之外便是太平洋。 这块地方很小。这个地区典型的建筑面积是120英尺×40英尺，而海滨别墅的可允许建筑面积 仅为33英尺×24英尺。通过从一个立体外形上减去较大的计划面积的方法、并且遵照地区环境 保护条例，建筑师力图最大程度地优化空间、光线和景色这三个方面，同时也致力于在热闹、 繁忙的海滨街为年轻住户提供私密的个人空间。 这个家庭住宅矗立于这一区域。服务设施和卧室位于较低楼层，较大的房间位于角落处，以便 给住户提供多个方向的光照和优美景致。顶楼和平台都是完全开放式的，面朝海滩和大海，兼 具了室内、室外双重居住空间的功能。住宅的正面由粗糙不平的锯木及黑色雪松木板制成，在 第二层上，安置了多个2英尺×5英尺的竖铰链窗，起到了良好的流通空气和欣赏风景的作用。 屋内光线充足，空气清新，竹地板和玻璃墙让住户能够将海滨景色尽收眼底。

Awarded: 2008 American Architect Competition Winner This is a national competition. The design of the Surfhouse is simple and delicate. The volume of the house is restricted by the requirement of local conditions, thus the designers adopted a kind of “subtraction” to achieve a quite unique configuration of the building. Unique but not overdrawn, the figure of the house is perfectly integrated into the surrounding environment. In the limited interior, the designers made maximum use of space and arranged every function appropriately. Meanwhile, the internal physical environment is deliberately designed. The outdoor vista is introduced to the interior, making a connection between the outside and the inside. This didn’t interfere with the privacy of the interior; quite to the contrary, the quiet interior space is separated from the noise of the outside street.

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278 获奖情况: 2008年美国国家建筑师竞赛获奖作品 这是一个全国范围内的建筑竞赛。这座别墅的设计简单精巧，住宅的体量被当地要求所限制， 于是设计师用“减法”设计出了特别的建筑造型。造型设计特别而不夸张，很好地和周边环境 融合到了一起。在有限的内部空间里，设计师最大限度地利用了空间，并对每一种功能都做了 人性化的安排和设计。同时对室内物理环境也有充分的考虑和精心的设计。内外环境联系的设 计将远处的风景引入住宅，同时也有一定的私密性，把室内空间和喧嚣的街区隔离开来。

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281 艾克塞罗斯别墅 Location: Phoenix, Arizona, US Designer: Blank Studio Photographer: Bill Timmerman, Timmerman Photography, Inc. Completion date: January 2006 项目地点：美国 亚利桑那州 凤凰城 设计师：布兰克工作室 摄影师：比尔·蒂莫曼，蒂莫曼摄影公司 完 成时间：2006年1月

The Xeros Residence The Xeros project is sited within a late 1950s’ neighbourhood where the urban grid of Phoenix, Arizona is overtaken by the organic land forms of the north phoenix mountain preserve. Located at the end of two deadend streets, the Xeros Residence is positioned upon the upward slope of a 50’x 250’ double lot facing the mountain preserve to the north and the city centre to the south. The building includes a two-storey lower level design studio that descends down into the earth with a single storey residence that exists above the studio that is accessed solely by an external stair. The path to the studio level requires that the guests pass behind the mesh screen and descend a short flight of stairs into an exterior, meshenclosed forecourt. A stainless steel water feature leads you down the steps and terminates at a reflecting pool. A one metre wide by 6 metres tall steel-framed glass door offers entrance into the studio from the courtyard. To access the residence, the visitor ascends an exterior steel staircase to an upper level balcony before entering the common room (sitting, dining, and kitchen). The visitor continues through a central gallery towards the cantilevered master suite media room. This space is completely glazed on the north façade to enjoy the mountain preserve views. To complete the cycle of movement, a cantilevered yellow-glass framed “Romeo and Juliet” balcony allows views back to the city and across the long axis of the building. The primary building material is exposed steel (as structure, cladding, and shading) that is allowed to weather naturally and meld with the colour of the surrounding hills. Called “Xeros” (from the Greek for “dry”) is as a reminder that all design solutions should be in a direct response to the environment in which the project exists – the building has several environmentally responsible decisions. The form turns an opaque face towards the intense western afternoon sun and the more exposed faces to the south and east are shielded by an external layer of woven metal shade mesh. The long, narrow lot precipitated a very tall form with a petite foot print, allowing the maximum amount of site to be retained for vegetation. The low-water use vegetation is positioned around the residence to add to the shading effect of the screen. The site itself was “recycled” in that new life was injected into a neglected plot in a neglected Phoenix neighbourhood. 艾克塞罗斯别墅坐落在一个20世纪50年代风格的地区。亚利桑那州凤凰城的城市化进程并没有 延伸到那里，该地区仍然保持着凤凰城北部山区保护区的土地形态。艾克塞罗斯别墅就位于两 条古旧的街道的尽头，在一个山坡上（15.24×76.2米），北朝山区保护区，南面是市中心。 这座建筑包含两层：下层是一个设计工作室，连接着地下；上层是住宅，建在工作室上面，只 能通过室外的一段楼梯上去。通向设计工作室的路上，来访者要越过一个网状屏风，下一段楼 梯，来到室外的一个用围网封闭起来的前院。一段不锈钢材质的水景会带领你走下楼梯，来到 尽头处的一个波光粼粼的水池。穿过宽1米、高6米的一扇钢架玻璃门，就从庭院进入了工作 室。而要进入住宅，来访者需要从室外上一段楼梯，先来到一个上层的阳台，然后再进入住宅 的公共空间（起居室、餐室和厨房）。接着，来访者穿过一个中心长廊，来到悬臂式的主卧室 和多媒体室。这个空间北面完全采用玻璃外墙，使人可以尽享自然保护区的美景。绕了一圈之 后，最后来到一个悬臂式、有黄色玻璃框的“罗密欧与朱丽叶”露台，在这里，视线可以穿过 这座建筑长长的轴线望向城市的景色。 这座建筑采用的主要材料是外露的钢材（结构、覆层和荫蔽），能够经受气候的自然侵袭，并 且与周围山脉的颜色融为一体。 之所以命名为“艾克塞罗斯”（这个词在希腊语中是“干燥”的意思），是为了提醒大家注

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284 意，建筑采用的一切建造方式都应该与其周围环境紧密相连——这座建筑就有好几处基于环境 的考虑。西部地区的午后，骄阳似火，所以建筑在形态上将下午面向阳光的一面采用不透明的 外墙；而南面和东面的外层则采用金属织网。因为这块土地是细长形状的，所以建筑采用了高 耸、占地面积小的形态，这样就留出了最大的土地用于种植植被。房屋周围需要低水分的植 被又帮助屏风加强了住宅的荫蔽效果。别墅所在的这块土地本身就体现了“回收利用”的思 想——在凤凰城的这片已经被人们遗忘的土地上，这座别墅为这里注入了生机。

Awarded: Awards: AIA Western Mountain Region, Honour Award (2006); The AIA Western Mountain Region is the regional chapter of the American Institute of Architects that Honour architectural works created in the region or projects by architects based within that region. AIA Arizona – Honour Award (2006); The AIA Arizona is the state chapter of the American Institute of Architects that Honour architectural works created in the state or projects by architects based within that state. Architectural Record – Record House Award (2006); Architectural Record is a professional publication for architects in the United States. Every year they select examples of exemplary residential design from around the world. Residential Architect – Project of the Year Award (2008); Residential Architect is a professional publication for architects in the United States focusing on residential design. Every year they select examples of exemplary residential design from around the country. 获奖情况: 2006年美国建筑师联合会西部山区荣誉奖 2006年美国建筑师联合会亚利桑那州荣誉奖 2008年《住宅建筑师》杂志年度建筑奖 “西部山区荣誉奖”是美国建筑师联合会为位于该地区的建筑或者该地区的建筑师在别处设计 的项目所颁发的奖项。 “亚利桑那州荣誉奖”是美国建筑师联合会为位于该州的建筑或者该州的设计师在别处设计的 项目所颁发的奖项。 《建筑实录》是美国建筑业的一本专业杂志。每年该杂志都会在世界范围内选出杰出的住宅建 筑予以颁奖。 《住宅建筑师》是美国建筑业的一本专业杂志，关注住宅建筑的设计。每年该杂志会在世界范 围内选出优秀的住宅建筑予以颁奖。

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287 托雷斯别墅 Location: Monterrey, Nuevo León, México Designer: GLR arquitectos – Gilberto L. Rodríguez Photographer: Jorge Taboada Completion date: 2008 项目地点：墨西哥 蒙特雷 设计师：GLR建筑事务所 吉尔伯特·L·罗德里格斯 摄影师：乔治·塔伯亚 达 完成时间：2008年

Torres House Up in the eastern Sierra Madre, in the Palmillas’s zone in Garza Garcia, the Torres House seeks to establish a close contact with the natural environment in which it is located. Relatively opened towards the street, the access to the house is experienced by walking across a fountain, from which an amazing tree emerges, both beautiful and huge. Once in the portico, a great door receives you, simulating a mural made with marble, wood and steel. After you have crossed it, the foyer greets you with its marble floors and its volcanic stone walls, while offering a visual continuity towards the rest of the house and the garden, where designers tried to respect as much as possible the existing oak forest. The living room, conceived almost as a crystal box, gives you the visual freedom of seeing both the mountain and the garden, due to its large windows facing north and south, whereas its chimney invites you to enjoy the fire heat in those occasional nights that can be extremely cold due to the altitude of the site. From both the dining room and the TV room it is possible to access the roof's deck, where a large terrace allows you to enjoy the magnificent views of both the Sierra Madre mountain range as well as the whole Monterrey metropolitan area. In this way, the house gradually reveals itself in a sequence of spaces that takes you from the public areas to the most intimate ones, and up into the roof, always in visual contact with the garden, as well as with the existing natural environment. 在加扎加西亚的帕米拉斯地区，有一座马德雷山脉。托雷斯别墅就位于马德雷山脉的东部。托 雷斯别墅追求的是与当地的自然环境紧密联系。 别墅大门相对于大街敞开，走进别墅的过程就仿佛穿过一座喷泉，中间会出现一棵令人惊叹的 大树，美丽壮观。进入门廊，你将置身于一扇巨门之前，仿佛是一个由大理石、木材和钢铁做 成的模拟壁画。 穿过门廊，是一个门厅，用大理石阶梯和火山石墙来迎接你，并在其余房屋和花园里满足了视 觉上的连续性。站在门廊，你会不禁对这里的橡木林肃然起敬。 起居室的设计近似于一个水晶盒子，南北两面都有巨大的窗户。从这里你可以恣意欣赏山脉和 花园的景色。由于海拔原因，有时候这里的夜晚会非常寒冷，室内的烟囱让你可以尽享炉火带 来的温暖。 从餐厅和客厅都可以上到屋顶。屋顶有一个巨大的天台。在天台上，你可以欣赏到马德雷山脉 的美景和蒙特雷的都市风情。 就这样，托雷斯别墅一步步地把每个部分都展现在了你面前。把你从一个公众的环境带到了一 个私密的空间。在屋顶，无论各个角度你都可以看见花园和自然环境。

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290 Awarded: 2008 Crystal Calli, XV Architecture Biennial of Nuevo Leon Different from other residential buildings in cold areas, the Torres House is quite open and transparent, offering more natural and comfortable space. The design of plant is eye-catching, particularly the giant tree at the entrance, and also the plants in the inner courtyard. The decorations are colourful yet not too flamboyant, matching the surrounding plants, to achieve a casual and romantic atmosphere. The connections between different spaces, for example, from the dining room to the roof terrace, continue the same atmosphere. In this way, the designers hope to bring the clients the most comfortable living space. In order to resist coldness in the area, the designers particularly made some warm-keeping design for the house. For example, the indoor chimney and fireplace offer warmth to the house and in the meantime, become interior decorations for the space. 获奖情况: 2008年第15届新里昂“水晶卡丽”建筑双年会作品 不同于其他寒冷地方的住宅设计，这幢住宅开敞通透，营造出更为自然舒适的空间。植物的设 计让人惊叹，尤其入口处的大树，内庭中的植物也有异曲同工之妙。装饰的色彩缤纷而不过分 艳丽，配合周围的植物，让整体环境充满浪漫自由的休闲感觉。住宅空间流线也充满休闲浪漫 的情怀，从餐厅客厅通往屋顶天台的设计就充分体现了这一点，设计师力图带给业主最舒适的 的生活空间。 为了抵御寒冷，设计师为这所住宅做了保暖设计，室内的烟囱和炉火，在保暖功能的同时也成 为室内空间的装饰。

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293 NM别墅 Location: New York, US Designer: UN Studio Photographer: Christian Richters Completion date: May 2007 项目地点：美国 纽约 设计师：UN设计工作室 摄影师：克里斯蒂安·里克特斯 完成时间：2007年5月

Villa NM Set on a hill not far from New York City, UN Studio’s Villa NM is shaped like a living body and appears to have its own soul and eyes. Lots of eyes, like screens looking out at the landscape, reflecting it and inviting it into the innermost parts of the house. The setting of VilLA NM was the summer refuge of well-off Americans in the 1920s and 1930s; in 1969 it became world-famous for the Woodstock festival. In later years the Catskills were less popular, but they have recently seen rehabilitation and new development and have once again become a preferred destination for young New Yorkers escaping the stress of the Big Apple. The house has 250 square metres of floor space and enjoys all-round views of the forest. The slight slope of the land inspired the design and organisation of the built volumes. A single box literally forks into two separate buildings: one of them follows the slope to the north, while the other rises on the hill to create an indoor parking space and gives rise to an internal layout on different levels. The structure of the volumes is generated by five parallel walls revolving around a horizontal axis, so that dividing elements are sometimes floors and sometimes vertical walls. Inside, the home’s different levels are linked by a system of ramps designed as walkways with views over the valley below. The bathroom, kitchen and fireplace are positioned along the home's vertical axis, keeping the exterior walls free. The living room is on the lower levels, with cosier, more intimate, inward-looking bedroom areas on the upper levels. All the other rooms open up to the outdoors with large glass walls. The materials employed are cement, glass and metal. Glass reflects the landscape and reproduces it on the skin of the house; metal picks up the warm hues of the earth and invites them to dialogue with the colours of the home. UN 设计工作室设计的NM别墅位于距纽约市区不远的一座小山上，建成一个生命体的样子，好 像有自己的灵魂和眼睛。像许多的眼睛一样，玻璃屏幕映现出窗外的风景，通过反射，映射到 了屋子的最里面。 20和30年代富裕的美国人把NM别墅当作夏季的别墅。1969年，这座别墅因为伍德斯托克音乐 节而闻名世界。随后的日子里，卡兹其不再流行了，但是最近又复苏起来，并有了新的发展， 再一次成为年轻的纽约人躲避压力的更好的归宿。 这座别墅占地250平方米，对整片森林的视野极佳。建筑整体的设计和布局受到稍微倾斜的地面 的启发，整体外形是一个分叉的盒子，北面的分叉依偎在斜坡上，另一个从小山上开始提升， 向下形成了一个车库的空间。这一设计使内部空间有了丰富的层次感。房间的空间结构包括五 个平行的扭曲面，而把这些扭曲面分隔开的有时是地面，有时是垂直的墙面。 房屋内部的不同层面是由一系列设计成过道的斜坡所连接，从这里可以看到下面的山谷。浴 室、厨房和壁炉位于房屋的垂直方向上，这样也就给外墙带来了自由。客厅位于房屋中较低的 一层，更为舒适；私密的、注重内在感的卧室在客厅上面的一层。而所有其他的房间则用大玻 璃墙与户外隔开。 所使用的材料包括混凝土、玻璃和钢材。玻璃反射周围的风景，并映现在房屋的表面。钢材增 强了地面的暖色调，并使这些色调与房间的颜色和谐统一。

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296 Awarded: 2008 Second Prize Wallpaper*Design Award VilLA NM is a brilliant example of the potential for interaction between prefabrication systems and quality architecture. Use of a standardized prefabricated structure cut the cost of construction without penalizing the aesthetic qualities of the home in any way. 获奖情况: 2008年墙纸设计二等奖 NM别墅是一个预制件系统与建筑质量相结合的完美范例。标准化预制件结构的使用，在降低建 筑成本的同时，丝毫没有破坏房屋的美感。

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301 德勒住宅 Location: Aptos, CA, US Designer: Ehrlich Architects Photographer: Matthew Millman Completion date: 2008 项目地点：美国 加州 阿普托斯 设计师：欧利希建筑事务所 摄影师：马修·米尔曼 完成时间：2008年

Zeidler Residence Designed for a retired couple with grown children, the house sits on a relatively flat corner lot with expansive views of the Pacific and vegetated cliff that leads from the site, down to the beach. The program is divided into two main structures connected by a sheltered courtyard. On the ocean side, the two-and-a-half-storey main house features a double-height living space, with full-height glass doors that open the interior onto the exterior spaces. A mezzanine is oriented towards the view. At the end of the stair tower, a full-sized roof deck accommodates various entertaining configurations and provides strong connections to the landscape and views beyond. The front yard even incorporates a petanque court, a favourite pastime of the client. The rear structure accommodates separate living quarters for friends and family in three oversized bedrooms. The second level studio has a full kitchen and expansive deck with views towards the ocean. The two primary structures frame a landscaped courtyard with lap pool and built-in barbecue. A trellis with overhead panels covers a walkway from the main house to the guest house. A minimal palette ties the entire composition together and includes steel-troweled stucco, exposed concrete block, and Rheinzink. 这座住宅是专门为一对退休夫妇设计的，建在悬崖上相对平稳的角落处，面朝开阔的大海，下 方就是波涛汹涌的海水。建筑分为两部分，中央是一个庭院，把两座楼连接起来。住宅高为2.5 层，卧室是双层高，落地窗面朝大海，使室内外极其通透。阁楼也是面向大海的。超大的屋顶 可以容纳各种娱乐设施，并且能够观赏到独特的景色。前院甚至还有用于法式滚球活动的场 地，这是这对老夫妇最为喜爱的消遣方式。 住宅的后部是为朋友或者家人准备的单独起居室，有三个超大卧室。二楼是设备齐全的厨房和 一个观景平台。两个建筑之间是室外观景庭院，有游泳池和内置的烧烤架，在开放的环境里构 成了一个饱满的结构，形成了多功能的露天平台。 建筑组成用色极少，统一的颜色连接了所有结构，其中包括钢铁粉刷、外露的混凝土墙和肽锌 材料。

Awarded: 2009 Custom Home Award Located on the bluffs overlooking the Pacific Ocean, the 3,500-squarefoot Zeidler Residence arranges interior and exterior living spaces to maximise views, natural light, and ocean breezes within a subtle, sophisticated material palette. 获奖情况: 2009年定制住宅奖 德勒住宅坐落在太平洋海岸的悬崖上，占地3500平方英尺。设计师合理安排了室内外的生活空 间，使视野和光线得到最大化的利用。

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307 饼干公寓 Location: Los Angeles, CA, US Designer: Aleks Istanbullu Photographer: Tom Bonner Completion date: 2007 项目地点：美国 加州 洛杉矶 设计师：亚力克斯・伊斯坦布鲁 摄影师：汤姆・邦纳 完成时间：2007年

Biscuit Lofts The adaptive reuse converts the 104,000 square foot, 7-storey building into 104 new residential lofts, including 17 multi-story lofts, each with their own garden patio, as well as ground floor retail. Nearly all original floor finishes, including bathroom terrazzo, concrete vaults, and maple, have been preserved and restored, to create a seemingly random quilt. Additional materials such as steel-clad columns, exposed brick interior walls, and bronze windows remain vital aesthetic attributes of the lofts. There are 50 different unit plans with distinct shapes and details such as alcoves and high ceilings – from single-story units ranging from 605 to 2115 square feet, to seventeen unique 2- to 4-storey units varying from 1694 to nearly 6000 square feet, each with individual rooftop garden patios. Ceiling heights are 13', 16', 20' and 30'. The largest unit, a 4-story penthouse villa, was converted from the original water tower, and includes a rooftop terrace with sweeping views of Downtown Los Angeles. The 3-bedroom loft has 3500 square feet of living space, plus 2500 square feet of private outdoor terrace. The unit has 30' high ceilings and a private elevator. 这次翻新将占地104，000平方英尺的7层高建筑改造为拥有104间公寓、17层高，并每层设有 独立露天花园；一楼有门市零售的住宅。几乎所有的原始材料都被保留并得以修复，包括浴室 水磨石，混凝土穹窿和枫木，创造了一种看似随性的风格。其余增添艺术感的重要材料还包 括：钢柱、裸露的墙砖和铜窗。 有50种不同的户型设计，每一种都具有独特的形状和细节特点：如凹室和较高的天花板。有棚 高为一层的605-2115平方英尺户型；有棚高为2-4层的1694-6000平方英尺户型（17层），每 间都有独立的露天花园。天花板高度是13英尺、16英尺、20英尺 和30英尺。最大的住宅单元 是一个4层楼高的顶层复式别墅。它原是工厂的水塔；还包括一个屋顶露台，可以360度俯瞰洛 杉矶市区景色。三居室的户型有3500平方英尺，加上2500平方英尺的私人露台。该住宅天花板 高30英尺，并拥有私人升降梯。

Awarded: 2008 Los Angeles Business Council Architectural Award of Excellence The architectural redesign preserves the original spirit and detail of the building, following the natural grain of the building, respecting its parameters at the same time that it exploits the structure, spaces and materials from the standpoint of new use. The process was part discovery and part adaptation – the search for spaces that would feel comfortable to modern urban residents while re-purposing of as much of the original material and detail as possible. This juxtaposition of the clearly industrial historic features with the clean contemporary design of the new spaces and detail achieves an authentic loft feel that maximises the available square footage to give residents as much space and light as possible. 获奖情况: 2008年美国洛杉矶商业理事会卓越建筑奖 建筑的改造方案保留了原建筑的精髓和细节特点，秉承了大楼的自然特质，同时利用了参数 值，从重建的角度开发了结构、空间和材料。重修的过程是半探索、半适应的：探索能够满足 现代城市居民的理想生活空间；同时又极力适应并利用原建筑的细节特点和建材。当代对空 间及细节的要求与原工业建筑设计的特点取长补短，从而打造了一个可以最大化使用的居住面 积，带给住户最大化的空间和充足的采光。

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313 拼贴巴黎 Location: Paris, France Designer: Emmanuel Combarel Dominique Marrec (ECDM) Photographer: Benoit Fougeirol, Philippe Ruault Completion date: July 2008 项目地点：法国 巴黎 设计师：ECDM设计事务所 摄影师：比诺特·菲戈，飞利浦·劳尔特 完成时间： 2008年7月

Collage Paris Located at the intersection of the homogeneous and haussmannian landscape along Gossec Street, and of the disparate architecture made up through time on Picpus Street, the site on which this 63 social housing program is established is an element of a typical collage-city landscape, also characterised by a double movement of the natural soil: the connection, on its front part, to the deep slope of the Picpus Street, and, on its backyard limit, to a landmark garden, 1.50m higher than the average level of the soil. The project is a proposition to link these opposite typologies and soil movements. Two parallelipedic buildings, respectively seven and six levels high aligned in parallel on the front and back limit (north and south) of the plot are set up on stilts above two long ribbons which concentrate all the accommodations of the residence on the street side and keep clear a wide open space way far unto the landmark garden. On Picpus street, West side, the project is connected to the truncated bow of the haussmannian building at the angle of Gossec Street, as if the site was a corner lot. East side, the project is aligned with the roof of the smooth façade of a building from the 70s, also continuing the fixture and the components of the adjacent building, marked by a withdrawal that completes the project. Elevated on two parking levels, the ground floor slab appears like a mineral kaleidoscope, appropriate to dissolve the handicapped requirements in an opportunistic and playful mid-mineral mid-vegetal landscape. One enters the residence through a metallic curtain by a wide porch in the axis of the project, and then each building has its own entrance hall. The common areas are generous, clear, without residual spaces and benefit from natural light. 这座建筑坐落在有着统一的奥斯曼建筑风格的高赛克大街和拥有历史悠久、风格迥异的建筑的 匹克普斯大街的交汇处。这一社会住宅项目是典型的大学城风格，并且在地理位置上具有其双 重特点：前面与匹克普斯大街的陡坡相连，后面尽头处则与一个比平均地面高1.5米的标志性花 园相邻。设计师希望通过这一建筑把不同类型的建筑风格融于一体。 两座高度分别为6层和7层的大楼平行地矗立于这一地区，两条通道经过在大楼的前端与后端 （北面和南面）将两座建筑连接起来。这一建筑中聚集了这条街上的大部分住户，并且与远处 的界标花园之间形成了一片开阔的地区。 从匹克普斯大街向西，这座建筑与高赛克大街角落里的那座被切去尖顶的奥斯曼风格的建筑连 接在了一起，因此，这一位置看上去更像是一个街道的角落。东面，这座建筑与一座有着平坦 外表的大楼的屋顶以70度角相连接。在建成之后，与周围建筑显得和谐一致。 大楼的一层位于地下两层结构的停车场之上，水泥地面看起来像是一个矿物的万花筒，这一设 计有助于在矿石和植物结合的景观当中隐藏为残疾人准备的设施。人们可以通过位于中轴线处 宽阔走廊的金属门帘进入这座建筑，随后便可以看到每座大楼各自的门廊。公共空间显得宽 敞、条理分明，没有多余的空间，且自然光照良好。

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316 Awarded: 2009 Timber Design Award The project presents two colours, four specific façades conceived to respond to very specific solicitations, all characterised by wide windows, opened on large terraces or balconies (depending on their orientation), protected by coloured glass treated like sunglasses. Sustainability requirements were emphasised for the conception of this social housing building. Also, standards for energy use were up to 30 % stricter than legally binding standards in France at the time the building permit was delivered. 获奖情况: 整座建筑呈现出两种色调、四种外观，所有这些都用来表达其独特风格。建筑的最大特点便是 开在大露台和阳台（取决于其方向）的宽大窗户，而且这些窗户上的玻璃也是用和太阳镜一样 的工艺制造的。在这一项目中，建设者尤为重视建筑的持久耐用性。而且，在能源利用方面也 比法国法律规定的标准要高出30%。

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319 绿城公寓 Location: the Oakland / Emeryville, CA, US Designer: Swatt Architects Photographer: Cesar Rubio Completion date: 2006 项目地点：美国 加州 奥克兰埃默里维尔边境 设计师：斯沃特建筑事务所 摄影师：凯撒·卢比奥 完成时 间：2006年

GreenCity Lofts GreenCity lofts is comprised of 62 loft condominiums in five buildings ranging from three to five stories in height over structured parking. The first design decision was to design around the concept of single loaded circulation, allowing for natural daylighting from at least two sides of almost every unit. The 62 residential units have been divided into five buildings, which created 19 units with three exposures (again for daylighting). The five buildings are positioned to create three wellproportioned, yet different and unique, courtyards for the use of all of the residents. Open-air circulation combined with open planning allow for natural ventilation, avoiding the need for air conditioning. Thirteen unit types are included, ranging from 500 square feet to over 2000 square feet, in three basic spatial configurations – flats, townhouses, and lofts. Formally, the project has been designed to project two images – residential and industrial – reflecting the changing character of the neighbourhood. At the base of the building, up to the 30’ height that roughly aligns with neighboring buildings, the image is clearly residential, with reverse bay windows of stucco and inset glass, balconies, stairs and stoops. Above the 30’ datum, however, the design morphs into a tighter skin of fiber cement panels, topped with low slope standing seam roofs, a nod to the industrial history of the site. Bright orange multi-level bay windows or “lanterns” have been designed to make the sidewalk experience lively and exciting, and to highlight the podium entrances and street corner. 绿城公寓由分布在五幢大楼中的共62间公寓组成，这些公寓分别位于三到五层，一二层配有结 构合理的停车场。设计理念就是使用单层循环系统，以确保每户至少有两面朝阳。62户居民分 布在5幢楼房里，其中有19户居民房屋三面见光。这五幢楼房相互错落，力图为居民提供三个风 格迥异的庭院。室外的循环系统以及通风设计确保可以依靠自然通风，避免使用空调。从500平 方英尺到2000平方英尺，共设计了13种不同的户型：单元房、联排别墅和阁楼公寓。 为了利用周围的环境特点，这个项目有两种不同的外形特点：居民型和工业型，反映了该地区 特点的转变。从建筑的低层到30英尺高处，整体风格与周围建筑保持一致，采用明确的居民型 风格，配备反转的凸窗，内置玻璃窗、露台和楼梯。然而，从30英尺起，整个风格就变化成工 业型了：光纤水泥板、有坡度的房顶和橘色多层凸窗使行人道生动活泼，突出了房屋入口和拐 角。

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322 Awarded: 2007 GRAND AWARD: The 27th Annual Bulilder’s Choice Design & Planning Awards, “Green/Sustainable Project” 2007 GOLD NUGGET GRAND AWARD: Pacific Coast Builders Conference, “Best Sustainable Residential Neighborhood” - 95% of the pre-existing paint factory was recycled, contaminated dirt was remediated. - Foundations were designed with high fly-ash content concrete. - The buildings are framed with steel, which has high post-consumer recycled content. - Durable exterior finishes were used – integral coloured stucco, fibercement panels, and metal roofs. - The buildings use healthy interior materials and finishes – formaldehyde free wheat-board cabinets, FSC Certified wood flooring, wool and recycled content carpeting, sheet linoleum flooring, low VOC paints, formaldehyde free insulation and low VOC construction adhesives. - For comfort and sustainability a hydronic radiant in-floor heating system was used. - In order to qualify as an Energy Star Partner, the whole project needed to exceed the requirements of California’s Title 24 by 15%. 获奖情况: 2007年第27届开发商环保项目设计奖 2007年最佳绿色住宅奖 ·回收95％的原有的油漆厂，治理被污染的泥土； ·地基采用高粉煤灰混凝土； ·房屋采用钢结构； ·有色拉毛水泥，纤维水泥板，使用金属屋顶以增加持久性； ·内部使用健康环保材料：不含甲醛的麦色橱柜、FSC认证的木质地板、可循环再生的羊毛地 毯、低挥发性有机物涂料、不含甲醛的绝缘材料和低挥发性有机建筑胶粘剂； ·地热的使用可以确保舒适性和可持续性； ·为确保“能源之星合作伙伴”的地位，绿城公寓比加利福尼亚24项标准多节省了15%的能源。

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325 修科伍德大厦 Location: Sydney, Australia Designer: Turner+As sociate Photographer: TBA Completion date: 2007

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项目地点：澳大利亚 悉尼 设计师：特纳联合事务所 摄影师：TBA摄影公司 完成时间：2007年

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Silkwood Silkwood is located on the fringe of the city centre occupying a disused triangular parcel of land between a robust turn of the century warehouse building and a mock Georgian styled apartment building. The auditorium, which occupies a former laneway adjacent to the warehouse building, emphasises the nature of the lane and provides an appropriate separation between the warehouse building and main building form. The location of the entrance to the internal foyer, the height of internal spaces and clear glazing at either end of the auditorium allow for the continued physical and visual access through the lane. The external nature of the lane is further heightened with the continuation of external materials into the auditorium and the existing warehouse building façade being visible within the foyer area. The use of corten on the external facades strengthens the contrast between the main building forms whilst, as a material, is a sympathetic neighbour to the masonry. The commercial spaces occupy the majority of the lower levels of the building and assist in creating a base to the building. Sculptural skylight elements clad in corten project into the residential courtyard space over and further enhance the amenity gained from a clear span floor plate. The extent of glazing and introduction of playful elements such as the timber tube not only provide an appropriate scale and level of detail but also assist in activating the street frontages. Located over the commercial spaces the apartments take on a courtyard typology. A solid off-form concrete entrance with oversized building address cast into the concrete, cantilevered canopy and bamboo formwork to internal walls provides a clear identity for the residential foyer whilst the metal clad box over assists in holding the street corner and provides a jump in scale between the overall building form and adjoining apartment building. With a mix of single and double storey apartments orientated around a central courtyard the majority of apartments are able to be north facing, cross ventilated and have multiple aspects. Access to apartments is via corridors located on every second or third level to maximise the number of “through” or cross ventilated apartments. Views to the city skyline and surrounding area can be captured through single and double height openings contained within the stitched precast concrete façade. Materials selected have been considered in response to the existing context. At street level tactile materials including timber, stone, masonry, corten and galvanised steel are used maintaining the variety found in the adjoining buildings. On the upper levels a more robust palette is used, predominantly precast concrete with metal cladding to highlight the corner box and top floor mezzanine apartments. 修科伍德大厦坐落在城市中心的外围，利用了世纪商场和仿乔治风格公寓之间一度废弃的三角 形地块。 会所坐落在商场旁的一条小径上，其设计注重小径的自然延伸并适当地区分了商场与建筑自 身。通往会所内大厅的入口位置、厅内空间的高度和会所两端光亮的玻璃窗，使会所与这条小 径物理的和视觉的连接得以延伸。设计师将室外的装饰材料沿用到会所内部，使小径的这种延 伸效果进一步加强，并且在大厅内也能自如地欣赏到商场的外立面。会所外立面上使用的考顿 钢材料强化了建筑主窗口之间的对比，这种材料与石质材料的使用相得益彰。

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328 商务空间占据了建筑低层的绝大部分，并为建筑提供了良好的基础。覆以“科特恩”的透雕天 窗将图案投射到住宅区的庭院中，并进一步强化了整洁的地面营造出的那种优雅氛围。延伸的 玻璃窗和趣味元素——如木制管道——的引入，不仅使细节在适当的比例和水平上得以展现， 而且起到了活跃沿街建筑外立面的作用。 在商务空间上层，是庭院式的公寓。旁边用巨大字体写着建筑地址的立体入口以混凝土整体浇 注而成，内墙上的悬臂天棚和竹制模子清楚地表明了建筑的居住特征，上面覆盖的金属盒状物 则使得建筑与其位于街道转角的位置相称，并借此完成了建筑整体和邻接公寓楼间的过渡衔 接。或单层、或双层的公寓环绕在中央庭院周围，大部分房间朝向北面，通风良好，并且看起 来风格各异。进入这些公寓要通过走廊，位于每套公寓的二层或三层，以使“穿越”的数量最 大化并使通风效果更好。通过混凝土立面上对应的单层或双层的窗口，可以极目远眺城市尽头 和周边区域。 整幢建筑在建材的选择上充分考虑了周边环境。朝向街道的一面使用了触觉各异的建材，如木 材、石材、石艺、考顿钢和电镀钢材，以配合周边建筑的多样性。建筑上层则使用了更具活力 的材料，如覆以金属的预制混凝土，以突出那些棱角分明的盒状物和顶层的跃层公寓。 S

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Awarded: 2007 NSW (New South Wales) RAIA Award for Multiple Housing The building designed by Nicholas Turner, Dan Szwaj, responds to the transition in scale between the warehouse building and the taller apartment building creating a highly modelled and legible form. With a balanced tri-partite approach, the width and size of the openings maintain the rhythm and proportion of the warehouse grid whilst the metal clad box responds to the height and scale of the adjoining apartment building. Sentimentality with previous architectural styles has been avoided. A mixed-use brief with a residential, commercial and auditorium programme has permitted the development of a building with several identities. G2

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获奖情况: 2007年澳大利亚皇家建筑学会新南威尔士州多功能建筑奖 尼古拉斯·特纳和丹·泽瓦设计的该建筑，呼应了旁边的商场和比它更高一些的公寓之间的比 例变化，创造出一种富有特色的、过目难忘的风格。通过均衡的三等分，建筑主窗口的宽度和 尺寸比例与近旁商场的窗户栅格保持一致，同时金属覆面的盒状物也与邻接公寓窗户的高度和 比例相宜，从而避免了效仿以往的建筑风格。该建筑具有包括居住、商务、会所等在内的多种 功能。 31.03.03 06.06.03

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331 斯坦肯住宅区 Location: Tromsø, Norway Designer: 70°N arkitektur Photographer: 70°N arkitektur – Bjørn Jørgensen, Ivan Brodey, Marius Fiskum, Yngve Olsen Sæbbe, Magdalena Haggärde Completion date: 2009 项目地点：挪威 托母 设计师：70°N建筑事务所 摄影师：70°N建筑事务所 完成时间：2009年

Strandkanten Tromsø is a city with 70.000 inhabitants that is situated on a small island in Troms, North-Norway (70°N). The city has a university and several research institutions and it is the commerce centre of the region, as well as a lively cultural centre. Tromsø has a strong historical standing in the high north, and this standing has recently been strengthened because of the national venture of this area and the Barents region. Strandkanten is a new housing area just south of the centre of Tromso, attractively situated on a reclaimed area in the Tromsø strait. This area is an important part of the city’s development strategy, where a concentrated growth from within will strengthen the activity in the centre and reduce the need for transportation. The entire area is expected to be developed with 900 dwellings. In 2003-2007 area III was built with 70°N arkitektur as architect. K9 in area V, also by 70°N arkitektur is to be finished in 2009. In addition to area III, construction has also been started in area II, IV, VII and VIII, with buildings of several different architects as well as 70°N arkitektur. Strandkanten was “discovered” as an area for development in connection with an urban development investigation that was called “The Tromsø Game”. The strategy of the Game has been to point out certain areas in the city and give these areas new roles and value. Certain terms have been introduced to outline the quality of each area. Strandkanten is an area of 8800 square metres where approximately. 45% of the area is public outdoor spaces. Strandkanten is mainly free of cars, and it is of great importance that it is a safe and good environment for children. E.g. there is a special program for playgrounds and outdoor spaces for children. The area has a clear landscape profile, both in the plan and in the transversal sections. The extent of the area consists of several parallel movement lines. There is a main path right through the area, a promenade along the quay front and also a shielded trail between the buildings. The cross section integrates the natural landscape curves from Strandveien of approximately the height of two stories. In addition there will be an artificial landscape on top of the car park building, so that a shielded outdoor area is conceived in between the buildings. The different parts of the cross section have different character and treatment. The sea front is included in a future extended quay promenade between the centre of Tromsø and the outdoor recreation areas on the southern part of the island of Tromsø. 托母是一座有7万居民的城市，位于北挪威。这座城市有一所大学和几个研究所，既是商业中 心，也是活跃的文化中心。托母在历史上有重要地位，随着国家对该地区及巴伦支海的投资， 这种重要性在近年来逐步增强。斯坦肯住宅区计划是与城市发展计划相关的活动，并被称为 “托母计划”。这一计划使城市的某些特定区域扮演起新的角色，并发掘出它们的新价值。 斯坦肯是托母地区中心南部的新住宅区，与托母这一新改造区完美交融。 这个区域是城市发展

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334 战略非常重要的一部分，加强了区域中心的活动，减少了对交通的需要。这个区域计划包括900 套住宅。 2003年至2007年第三区域由70°N设计事务所设计完成。V区的K9住宅区也由该事务所于2009 年完成。除了第三区域，第二、四、七、八区也由包括70°N设计事务所在内的几个不同设计 事务所完成。 斯坦肯占地8800平方米，其中45％为公共户外区，为车辆停放提供了便利条件。更重要的一点 是，它为儿童提供了安全良好的环境，比如在这里专门设有儿童运动场。 无论从平面图还是剖面图来看，住宅区的景观外部轮廓都非常鲜明。而这一区域的延伸部分由 几个平行的线条组成。一条主通道从住宅区中穿过，沿着这条通道可以从楼群中间穿过，抵达 码头。 除此之外，在停车场之上还设计了一处人造景观，这样在建筑群之间就形成了防护区域。不同 建筑区风格各异，设计师也有不同的设计方案。滨海地段延伸出一段码头，这段码头在托母中 心区及其南部户外休闲区之间。

Awarded: 2009 AR Award The development plan is concentrating on ensuring the quality of the outdoor areas as well as maintaining the high density. The contents and quality of the outdoor areas will be a deciding factor for the development of the area. The main structures of the initial plans for the area are maintained. This will show intriguing new architecture and high quality outdoor spaces different from the ones that are given in Tromsø today. 获奖情况: 2009年AR大奖 这个住宅区规划的发展计划旨在保持高密度住宅的基础上提高室外环境的质量。室外环境质量 是这个区域发展的关键因素。这一地区的主要结构和原设计计划仍被保留。这个项目展现出独 具特色的新建筑和高品质的户外空间设计，这与托母地区其他现有建筑有很大区别。

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337 点式住宅 Location: Monterrey, Nuevo León, México Designer: GLR arquitectos – Gilberto L. Rodríguez Photographer: Jorge Taboada, Alejandro Rodríguez Completion date: 2007 项目地点：墨西哥 新莱昂州 蒙特雷市 设计师：GLR建筑师事务所：吉尔伯特·L·罗德里格斯 摄影 师：约格·塔伯亚达，亚历杭德罗·罗德里格斯 完成时间：2007年

Miravalle Tower Miravalle Tower is a multifamily housing project consisting of 84 high level apartments, plus four luxury penthouses. The final solution is a 26 storey tower plus three underground parking levels, solving the building in a four apartment per floor scheme, with an integrating central core for vertical circulation. The standard apartments will be in the range of the 160 square metres, while the penthouses are solved in two levels, having an area of 320 square metres, providing each housing unit with parking for two vehicles, as well as some storage room. As an additional feature, the project has a large swimming pool, as well as a party pavilion, within the existing gardens. The site, with a spectacular vegetation density for the area – with pecan trees up to 25m – suggested a maximum respect for the existing green areas. 点式住宅是一个多户使用的住宅项目，包含84户高档住宅和四户豪华跃层住宅。 最终设计方案为26层塔式住宅和三层地下车库，每层有四套公寓，并设有竖向流通循环的结 构。标准住宅面积约为160平方米，含阁楼的跃层住宅面积320平方米。车库规模按每户两台车 计算，储藏室也做了同样的安排。 点式住宅项目的特色所在是一个大泳池和活动中心。另有浓密的植被覆盖（其中有高达25米的 美国山核桃），葱郁的绿色空间让人赞赏不已。

Awarded: 2008 XVI International Cemex Awards, Second Place Miravalle Tower is quite outstanding for its unique design. In the project, every part has been taken into consideration: the underground garage, the lofts and storerooms are all arranged according to their functions. On the plan, the combination of the four layouts shows the originality of the designers for saving space. In addition, the internal environment of the building is also specially designed to the detail. The configuration and the façade are combined to show simplicity and uniqueness of the design. Further needs mentioning is the general plan, together with the consideration for the surrounding environment; the entertainment facility and the plantation offer inhabitants with ample leisure opportunities. 获奖情况: 2008年第16届国际西迈克斯大奖赛二等奖 这幢点式住宅楼设计出色。在整幢点式住宅中，每一个项目都被充分考虑，地下车库、阁楼、 储藏室都得到了合理的安排。平面布局上四个住户的平面组合别出机杼，节省了空间。另外， 对整个大楼的内环境也有细致的考虑和设计。外形设计与立面设计和平面造型相结合，简约而 有特色。 值得一提的是总平面设计，周围环境的设计也细致入微，休闲设施与绿化设计相结合，给业主 们足够的活动休闲空间和机会。

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345 MTN公寓 Location: Copenhagen, Denmark Designer: BIG – Bjarke Ingels, Jakob Lange Photographer: BIG | Bjarke Ingels Group Completion date: 2008 项目地点：丹麦 哥本哈根 设计师：BIG设计公司：比雅克·英格斯，雅各布·兰格 摄影师：BIG设计公 司 完成时间：2008年

MTN When asked to design a new project next to the just completed VM Houses – for the same client, of the same size and on the same street – BIG decided to conceive it as an evil twin and explore new territory. The brief was to make two separate buildings: a 10.000 square metres condominium next to a 20.000 square metres parking structure. Copenhagen is largely reclaimed land, and as a result flat as a pancake. Rather than erecting a standard apartment slab next to a boring parking block, they decided make to the parking a podium for living. The Parking structure is sloping upwards in a serpentine zigzag from south to north. The housing is schemed in an even layer over the top. Rather than stacking flats on top of each other, the apartments are transformed in to courtyard houses with big gardens and generous views. Like the neighbouring suburb crossing the canal and overflowing the parking block all the way from the ground to the 11th floor. On the north side an open parking structure, on the south side a stepped hillside of private backyards. The terrace houses are based on Jørn Utzons L-shaped courtyard typology, and their large gardens combine all the splendours of a suburban lifestyle in a dense open context. A sloping elevator (Denmarks first) gives access to the houses from underneath. The south façade is a cascade of barbeques and deckchairs, while the north façade, facing the city, is just a parking. The naturally ventilated parking requires a perforated façade, to allow air to pass, while keeping rain and snow out. The perforation factory just got a new machine that can punch holes in 6 different sizes (5 to 30 mm) based on the input of a rasterized image. Since the designers have always referred to the project of a mountain, they choose an image of the Mount Everest massive to become the worlds largest black and white photo. From within an organic pattern, from outside a razorsharp image of the Himalayas. VM房屋落成不久，BIG设计公司应邀为同一客户再设计一个项目，相同的建筑面积并且在同 一条大街上。于是设计师决定开发新地域建造一个相同的建筑，设计宗旨是建造两栋独立的房 子：一栋10000平方米的公寓，旁边是一个20000平方米的停车楼。 哥本哈根主要是填海所得的土地，因此平坦得像“煎饼”。BIG的设计师们决定在停车场上空 搭建一个平台去盖楼。而不是在毫无特色的停车场旁边建造直立的标准公寓。停车楼结构向上 倾斜，由南至北蜿蜒曲折。公寓是呈递增形式，而不是层层堆积起来的。每间公寓都有露天花 园，并且视野开阔。 北部是一个开阔的停车楼，南部是递增式的私人花园。公寓的阳台是根据约翰·伍重的L形庭院 设计的，宽敞的花园融合了郊区的生活方式理念，将公寓设计成为开放结构。倾斜的电梯方便 住户从楼下进入大楼。 南面有一连串的烧烤架和躺椅，而北面则面向室内，是一个停车场。自然通风的停车场需要多 孔墙面，使空气通过，同时阻挡了雨雪。穿孔工厂正好刚有了这样的设备，可以通过光栅图像 的输入，打出6个不同大小的孔（ 5至30毫米）。由于设计师一直有意将项目打造成高山的形 状，于是选择了世界最高峰珠穆朗玛峰作为参考。

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348 Awarded: 2009 The Forum AID Awards Best Nordic Architecture 2008 World Architecture Festival Best Housing Winner 2008 Mies Van der Rohe Award Nominee The World Architecture Festival was launched as an annual event by Emap, a media group that runs other festivals, including the World Retail Congress and Cannes Lions International Advertising Festival, as well as publishing various journals, including within the field of architecture the Architectural Review, and the Architects’ Journal. The first annual World Architecture Festival was held in Barcelona, Spain on 22-24 October 2008. The second festival was held in Barcelona in November 2009. For the 2008 awards, international juries shortlisted what they regarded as the best recently completed buildings into 17 categories. All the shortlisted architects then had to present their work to live juries and audiences at the Festival. On the final day of the festival the 17 category winners had again to present the work, competing against each other to win the first architectural Prix de Barcelona. 获奖情况: 2009年AID论坛最佳北欧建筑奖 2008年世界建筑节最佳房屋奖 2008年密斯凡德罗提名奖 世界建筑节是由Emap媒体集团创办的年度活动，同时Emap还举行其他项目，其中包括世界零 售大会和戛纳狮子国际广告节，以及出版各种刊物，包括在建筑领域的《建筑评论》和《建筑 师杂志》。第一届世界建筑节在2008年10月22-24日西班牙巴塞罗那举行。第二届于2009年11 月在巴塞罗那举行。 2008年的评选，国际评委将他们视为最佳的新落成建筑分成17类。所有入围的建筑师需要向评 委和观众展示他们的杰作。评选最后一天将17个分类项目的赢家再次相互竞争，为了获得巴塞 罗那第一枚建筑大奖。

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351 博物馆住宅 Location: Denver, Colorado, US Designer: Davis Partnership Architects Photographer: Daniel Libeskind Studio Completion date: 2007 项目地点：美国 科罗拉多州 丹佛 设计师：大卫联合建筑事务所 摄影师：丹尼尔·里伯斯金德工作室 完 成时间：2007年

Museum Residences Museums are the carrier of city culture. Opposite to the Museum Residences, the museum with its unique figure represents the culture of this city. This poses requirement on the configuration of the residences to match the museum, which is quite memorial. The Museum Residences make an inspiring contribution to the cultural nexus of the city and complement the neighbouring extension. The designers chose to adopt a kind of “addition” for the design of the figure of the residences. Irregular volumes are used to change the configuration of the building, matching the museum and subtly attributing different functions to the different volumes. However, in the interior of the building, there are regular spaces. On the design of the façade of the building, the soft qualities of the translucent glass skin, combined with the metal-clad geometric forms, provide an elegant partner to the titanium-clad Museum. As a sub-correspondence to the museum, the materials further emphasised the relationship between the residences and the museum. The residences are six storey high, including 16,000square kilometers residential area. The designers planed the space according to the surrounding environment: Out of the seven floors, the top six are residential, with 16,000 square feet of space on the ground floor dedicated to retail, further enhancing the vitality at the street level. Its 56 luxury units range from 800 square feet studios to 5000 square feet penthouse suites. The Museum Residences are a joint venture with Davis Partnership Architects, working with MilenderWhite Construction Company. 博物馆是城市文化的载体。在博物馆住宅对面，一个博物馆以独特的造型代表着城市的文化。 这就要求项目在造型上需要同这个纪念性建筑相协调，而在内涵上，也是城市文化的连接、补 充和延伸。 建筑的造型选择了在简单的造型上面做“加法”，用不规则的体块改变建筑造型，让其与博物 馆相协调，那些添加的体块也被巧妙的赋予不同的功能，而在建筑内部，仍然是规则的空间。 在建筑外表面的设计上，质地柔软的半透明玻璃材质再结合上金属壳的几何形状，对钛层包裹 的博物馆来说是很好的搭配。作为与博物馆呼应的次高潮，不但没有喧宾夺主，反而更加突出 了博物馆。 建筑高六层，包括16000平方英尺的住宅。考虑周边环境，设计师划分空间，在一楼的空间致 力于发展零售业，进一步增强店面活力。56个豪华门市范围从800平方英尺起，工作室最多 5000平方英尺。 博物馆住宅的投资方是大卫联合建筑事务所，并联手米兰德・怀特建筑公司建成。

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354 Awarded: 2007 Merit Award for Multifamily The project won this award in an international architectural competition held in 2007. This project locates by a uniquely-configured post-modernist museum, and the figure of the residences well continues and complements the architectural style of the museum. The artistic yet not too much flamboyant configuration design emphasised the function of the new project, being different from that of the museum, forming an innovative residential style. The choice of materials for the project also corresponds to the museum, contributing to a comfortable space for living. The delicate interior partition is achieved with careful design. With consideration of the environment of the street, the designers made the ground floor a retail space, making a multifunctional residential building possible. 获奖情况: 2007年多户住宅贡献奖 这个项目在2007年举办的一个国际建筑竞赛中获得“多户住宅贡献奖”。项目临近一个造型独 特的后现代风格博物馆，建筑的外形很好地继承和补充了博物馆的建筑风格，同时通过富有艺 术感而不过分夸张的造型设计，突出了住宅不同于博物馆的使用功能，形成了一种适合居住的 新风格。建筑的材质选择也是一样，既成为不远处博物馆的呼应，同时也营造出了独特而舒适 的居住环境。 对建筑内部空间也做了细致的划分，考虑街区环境将一层划分为零售业，打造了一个带有多种 附属功能的多户住宅建筑。

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Index 索引

Lefevre Beach House Longhi Architects

Villa G Saunders Architecture–Todd Saunders

勒菲弗海滨别墅 隆基建筑事务所

G别墅 桑德斯建筑事务所

Mirindiba House Marcio Kogan

Villa Marstrand Wadt CORNELIUS + VÖGE – Dan Cornelius, Nanna Vöge

米伦迪巴别墅 马西奥·柯冈

马斯特兰德·韦德别墅 科尼利厄斯 + 沃格设计事务所：丹·科尼利厄斯，南娜·沃格

Panama House Marcio Kogan

Villa Petersen CORNELIUS + VÖGE – Dan Cornelius, Nanna Vöge

巴拿马别墅 马西奥·柯冈

彼得森别墅 科尼利厄斯 + 沃格设计事务所

Pentimento House Jose María Sáez, David Barragán

Villa Storingavika Saunders Architecture–Todd Saunders

变形别墅 荷西·玛利亚·萨埃，大卫·巴拉甘

斯多林嘉维卡别墅 桑德斯建筑事务所

Capece Venanzi House Giovanni Vaccarini Architects

Barrow House Andrew Maynard Architects

海角小屋 杰凡尼设计师事务所

独轮车别墅 安德鲁·梅纳德建筑事务所

Esker House Rooftop Apartment Plasma Studio

Marcus Beach House Bark Design Pty Ltd

埃斯科尔屋顶住宅 帕拉斯马设计工作室

马库斯海滨别墅 巴克设计有限公司

Harbour me, Celia! Hai Merlin Studio

Noosa Hinterland House & Studio Bark Design Pty Ltd

拥抱我吧，西莉亚！ 海默尔林建筑设计工作室

努沙腹地别墅与工作室 巴克设计有限公司

House in Carabbia Davide Macullo Architetto

The Bay House Fairweather Proberts Architects

卡拉贝拉别墅 大卫·马库洛建筑事务所

海湾别墅 Fairweather Proberts建筑事务所

IJburg House Marc Koehler Architects

Tugun Residence Fairweather Proberts Architects

艾哲伯格别墅 马克·克勒建筑事务所

图坤别墅 Fairweather Proberts建筑事务所

J2 House 3LHD

Vader House Andrew Maynard Architects

J2别墅 3LHD设计公司

韦德别墅 安德鲁·梅纳德建筑事务所

Milhundos House Francisco Portugal e Gomes Arquitecto

Helal “New Moon” Residence Ehrlich Architects

弥罕德斯别墅 葡萄牙弗朗西斯科 易·戈姆斯设计公司

希拉勒“新月亮”公馆 埃尔利希建筑事务所（方案设计）

Redondela House Jesus Castro Irisarri, Guadeloupe Piñera Manso

Hover House Tetsuya NAKAZONO

雷多黛拉别墅 杰西·卡斯特罗·伊瑞萨瑞，瓜德罗普·潘诺拉·曼索

翱翔之家 中原哲也

Steigereiland Kerkhofs montagebouw

Shell House Fairweather Proberts Architects

斯黛格瑞兰德 Kerkhofs montagebouw建筑事务所

薄壳别墅 Fairweather Proberts建筑事务所

358

Symbiosis House in a Forest Naoi Architecture & Design Office

Torres House GLR arquitectos – Gilberto L.Rodríguez

伴林居 直井建筑设计工作室

托雷斯别墅 GLR建筑事务所

Zen House Ryuichi Furumoto

Villa NM UN Studio

禅房 古本河村隆一

NM别墅 UN设计工作室

Beuth Residence Zoltan E. Pali (FAIA)

Zeidler Residence Ehrlich Architects

柏斯住宅 佐尔坦·E·巴利（美国建筑师联合会会员）

德勒住宅 欧利希建筑事务所公寓

Brosmith Residence Zoltan E. Pali (FAIA) 布罗史密斯住宅 佐尔坦·E·巴利（美国建筑师协会会员）

Hamptons Beach House Alexander Gorlin Architects

Biscuit Lofts Aleks Istanbullu

汉普顿海滨别墅 亚历山大·戈林建筑事务所

饼干公寓 亚力克斯·伊斯坦布鲁

Kelly Residence Abramson Teiger Architects

Collage Paris Emmanuel Combarel Dominique Marrec (ECDM)

凯莉别墅 阿布拉姆森·蒂格建筑事务所

拼贴巴黎 ECDM设计事务所

Lago Vista Guesthouse Aleks Istanbullu

GreenCity Lofts Swatt Architects

湖畔远景别墅 亚力克斯·伊斯坦布鲁

绿城公寓 斯沃特建筑事务所

Point Dume Residence Griffin Enright Architects

Silkwood Turner+As sociate

庞特·杜牧公馆 格里·恩莱特设计公司

修科伍德大厦 特纳联合事务所

Pool House Hariri & Hariri Architecture

Strandkanten 70°N arkitektur

泳池别墅 海瑞瑞·海瑞瑞建筑事务所

斯坦肯住宅区 70°N建筑事务所

Skyline Residence Belzberg Architects

Miravalle Tower GLR arquitectos – Gilberto L.Rodríguez

天际公馆 贝尔兹伯格建筑事务所

点式住宅 GLR建筑师事务所

Suntro House Carlos Rubio Martinez

MTN BIG

桑特罗别墅 卡洛斯·卢比欧·马丁内斯

MTN公寓 BIG设计公司

Surfhouse XTEN Architecture

Museum Residences Davis Partnership Architects

冲浪别墅 XTEN建筑事务所

博物馆住宅 大卫联合建筑事务所

The Xeros Residence Blank Studio 艾克塞罗斯别墅 布兰克工作室

50 AWARD WINNING HOUSE 50获奖房子 Author: Zelda Liu Print version (Hardcover) - 2010 ISBN 9787538160666 Published by Liaoning Science & Technology Publishing House Shenyang, Liaoning, China eBook version - 2012 ISBN 9781619870451 Published by Profession Design Press Co., Ltd California, United States of America Distributed by Actrace, United States of America Website: www.actrace.com, www.ArchitecturalBookstore.com Copyright©2011 Liaoning Science & Technology Publishing House License agreement: www.architecturalbookstore.com/auxpage_license Unauthorized copying prohibited.

作者：刘沉地 纸质书（精装）- 2010 书号：9787538160666 出版商：辽宁科学技术出版社 中国辽宁省沈阳市 电子书- 2012 书号：9781619870451 出版商：设计专业出版有限公司 美国加州 经销商：Actrace公司，2011 网址：www.actrace.com, www.ArchitecturalBookstore.com 版权所有：2011辽宁科学技术出版社 版权协议：www.architecturalbookstore.com/auxpage_license 严禁非法复制。