Stuart Y. McDougal (Ed.) - Stanley Kubrick's a Clockwork Orange [Cambridge Film Handbooks]Descripción completa
Descripción completa
Descripción completa
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How does the methyl orange I synthesise compare to an industrially-produced sample of the indicator?
Swords and flintlocks, alchemy and clockwork, fanatics and freedom-fighters… and the occasional ghoul! 1645: England has descended into civil war. Prince Rupert and his alchemist-cavalier…Full description
Cultura Organizationala a Companiei Orange.[Conspecte.md]
CSR a devenit astfel o componentă esenţială a strategiei organizaţiilor de afaceri, o componentă de bază în viaţa economică şi socială la nivel internaţional. În prezent rolul companiilor î…Description complète
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KUBRICK’S ‘A CLOCKWORK ORANGE’
The use of a tunnel setting shows that it is an unglamorous, dimly lit urban location, which is a generic thriller convention. conve ntion. The
There is a sort of ‘mob mentality’ in which the ‘vulnerable’ (drunk) individual individu al is attacked by a group. This helps to build tension as it is obvious that something bad is going to happen,
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KUBRICK’S ‘A CLOCKWORK ORANGE’
The use of light in this shot helps to create contrasts contr asts of black and white, enhancing the binary opposite
The use of chiaroscuro lighting helps to create a surreal, dream-like feel to the shot, continued through aspects of the film.
The use of shadows created by
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KUBRICK’S ‘A CLOCKWORK ORANGE’
The use of nonambient lighting connotes falsity, which could be making a statement about social conformity between Alex and his ‘droogs’‘droogs’as they appear to blindly obey him for the most part of the film. film. This falsity could be
The white costume – costume – and and Alex’ make-up make-up – helps helps to show the devianc deviancee of the group; adding to the build buil d up of tension within
