Cright © 1987 by Antero its reseed. No part of tis ti s bok, in par r in whle, may be reprouced, ti ited, r utiized, in any form r by any means, electronic or mecancal, ing ng photpying, recordin, r by any informaton storage and retrieval sY, without permssion in writing rm the publiser, except fo brief qUti qUtins ns embied in criical aricles and reviews. ISBN: 0-94140481 ibrary of ngress ard atalog Numr: 8750537 opyrigh Regsraion Number: TX 2008582 OTER TITLES B THE ATHOR
EL ECH: A Shaman's Guid to Reli tion E S RECOR PLYER: A Non-Stop Gmantic Romn CHPEL PRLOU: Dming Phas For (stage ly) S HE OR RS: A Pshic Sp Ora (rado ly) STRO*UR: Down-To-Eh Astrol CEY TROT PooMo oo o ccasa A by Chst
ysettin MacIntosh Fnt aser Palaino ver Art ©8 Wn Gersc, MAA MAA SDO 11 32d Street, aklan, A 94608, 62220 yt Desig by Antero
imited Frst Edtion 1986 Secn evised dition 1987 VGILANTERO PRESS P.O. Box 73 Boulder O 80306
First Facn Press Edion 1988 FAON PRESS 3660 N. 3rd St. Pnix, Arizna 85012 (602) 26-356
e te ite States o Amerca
ACWEDEMENTS e seon o RS RVRS n se o rtual theatre emerge s ener person rsponse o rn e prnes nroe Rosnoom rng e Spng o n ree Corn e es o FR CC n ARZAS were presne o n o prpns expermenng w essn spr sors n e o prmr or senowege wsn ' or 's n sp n eere roe s nor o es prnps e rren mm o ere m nr e ome o pss n o werer o re
hughut the hist this meium tual theae, the ke iivuals iiectl an/ ectl shae s e n the ae: JERZY GROOWSK. hs neeing k & billt blue lght ANONN AAUD... bug his tagic as s bghtl WLLA LAK .. s vivil envisiig the achetes e all met CRSOPER S. YA . he iitiatis a u meacg clait CARL C JUNG . his seminal liteaue n alchemcal cess CAER EARE ROUPE . . dillgence, gace,& the etenal JANE ROWN .. . engagig the values elaxat, m ad gavi KE ERGER .. . u eal taiig, a lasting esh & the utue SA WOLF .. . sig he sag, bke balleina it the meium ROER GREENWAY . the ivitati t legtmatize this k NANCY LUNNEY /ESALEN .. . bingig itua theae t Esale JOSE ARGUELLES.. akig a aan temle & lvg t tell t G. GDJE .. . the esence he instile n the s that he ske URSA AJOR (Allega, Jim & Jh .. . u exeimeta egs
ay t ace er my deet rtitde to
CTTS 1 PREFACE
by Robe Anon Wison, Ph.D. AUORS IE
RITUA TEC R SEIITIATIN by Atero Ali 8 E FIRS RIUAL rnples o Rl here 18 RIUAL PREPAO Gelnes Fo nng o 37
RUAL UCIOS An Assoon o ehnqes 44
RITUA DESI
ree Levels of Work 48 Level e nern nspe
Level I DARK RE nrne
Clr o Foms
78 H SND IES Pner Hexng r Men omen
with a Poem y Chis Hoan
8 NDIN CICLSDMIME S
us e Law Comes Fom e Mountain Inteiew with an Aoina Ed of the uin b 92 VCL CIOS A Bss r Son Resonne
e Voice Ast n Intei with Pau Oete ITL CLYS ser o Cemones
Gou Dynamics in te Peomanc Medium Inteiew with Keith Beg DNRS Ps Pers Aong e
2 EFLECINS Pssngougs n e Mem
1 EMCY
6y 1ca fnn 14 MEMY
fn Inw wl Js fu 146 WILDEESS
6y Ju[n Sin 1 2 SLKIN H DNCE
fn Iw wil [a6el Cg6u 1 O CSCIN A MPL
6y vin f. Lew 16 DI YOSL
fn Ineviw wl Cl S tt
1 7 LSSY
Defnng Rtua enoogy y nto 181 SSD INS
FERWORD
ou uo
:o 1ta t test Star in t ft SK &
qo Cti fo r Seve 'evotion
1
By o ton Won
Theate is, ad has aays ee, magi The vey wod tagedy omes fom tagos, goatsog, ad efes to the aiet its i whi te goatgod as saiied s a offeig to te ath ote Satie omes fom saty, the goatmagod Comedy, simiay, deves om omodo, a festiva to ese the fetity of the tibe. Ideed, te diffeee etee dama ad ita depeds amost etiey o hat the adiee is tod o the ay to the see se e of the atio. ve v e a Soem igh ass ito the the the aymoe heate, te eveybody it is a expeimeta, ad they i expeiee it as theate Stage Waitig o Godo i a atheda o ady sday, ad it i ftio as a totay aeptabe saamet ad obody have ay dots abot ho Godot is. i s. Ibse's Dol's ose is aegedy the assi exampe of the "ataisti" lay the soial soial dama, dama, the "slie o lif life", e", fom hih hih al al the ital ital eemets have ee emoved Yet No's aaeig is the same theme as that of the aakeig i the Eesiia steies i aie Athes, ad he she sams the doo the the esoae i the oeive psyhe is idetia ith that expeiee he the ibe ib e is slammed o the ppit ad the ades extigished o ady hsday he ta of aakeig is alas a path though shi death t shi ebith, ad that happes as mh to Noa as to a aate i the moe obviously itaized damas damas of Sophoes he e fom of Rita heate heate deveoped b At eo Ai i the t he past te eas is iqey a podt of o eeti a evotioay age. It is vey, vey od ad vey, vey e As Osiis says i the gyptia ook of the Dead, "I am yesteday, today ad the bothe of tomoo" To ete Ateo Ali's ma ie is to expeiee that kid of tieap yo beome oe ith ith the fist paeoithi shamas daig to the n as yo have eve ko beagod, yo il ko yosef n yosef befoe, ad yo pge ito sieefitio ftes i hih hmaity hmaity is expaded mety ad physiay physiay beyod o widest opes eaie, eaie, evebod evebod i ad ot of te tete ejoy t d se t gt ow ON N WILSON, PhD OBT O INTITUTE INTITUTE FO TE TUDY OF TE UN UN FUTUE
o o COSMIC TIGGE, MSKS TH ILLUMINTI, NEW INQUISITION, SEX & DUGS POMEHEUS ISING, &
3
his b eses he developme ad inal worigs of a riual chnlgy dedicaed he process of Slfniiaon s acula
meium cae abot ove tenea eo oking lone an n conjuncon t mutiue o gous om man alks o le. Fo te most pt, as seve as a ool o seknlege alhug occasnal, it te igt o, i's been eleve perorm n e ri F lack o bette tems, Ive cosen to cll ths meum rual heare Rual heae combnes elements om bo ua an heae, as ee oe n he ome n bacg out nto te lae. s mai on-prformance meium complete no sel e has oven eecve o enhancng an ceemonial tsks, nclung eaain lve heae. iual ad is urpos is rfered o hreafer by hose aciviis iggerig awaeess f r living rlaionshp wih h eniy oi as
this anet. We e, as uman bengs, ngenous o ths lane. Rua seves to enance ou unique acement...ho e ae an h e ae ee. As Global nabans, e ae ee to acate h he lanea entt n cea . At e oo, e ae eeng te Et an is eeng o o us. As e becme me aae hs uneing eal, Plane Inteligence can be sai t be aakenng n us. Ea Reneal Rtes e ose inenona acves sevng he secc uncon o eeing te lne en. uman Reneal Res ae hose ch hel us poe, supot an nsucon om anea eneges. hee is a ecoc eeg occung an ual unes us n s nnae atens. DA, as w is he geeic blepin of life ts comlex, manalc
coe inteconnects all ving oms in lanea commcatons ssem o ic eve membe/ceatue/beng as iect lne o. DNA is also e nve langge o te planeta en. Wen uman beings len o o resonae t n nk lke DNA, ell hae he snc vlege o beng listed n te Planeta Dect. Lke he Aboignies an the Deamme, A.. & T. ll be elace b esnan teleah. a umn esonto" is eveloe is ma ualsc concen. As DNA nstucts NA essenge molecue o manuacue en s sustenance, so oes te lanea ent nuc uman bengs n e ask eeing itsel. To become eceve hs nmain, e have nl t suene to te Et n become cnus s tansmssn. h ovrall uose of riul heae is wih he inal conson o sonor esonnce evelos tug the ccumuln an eg cain essences inne to ones beng. Rtua hete k en o motion n beng o e uose th as
he eveloment o esonance eends on a cetain es to e hose icons, ogmas, an ieations no oge coicidig wi e ae Pesonal oth is excie th tose encones eveg o ad o stuggle beeen wha we have leaed an ay eal f de while relaig o he iae The iction o thi coni a wy of eg e ate beg th us b cultivatg the isonceting aaeess o our ee o rasfom ad muae A man esonato bus isel hough the iectknoege o these o intedeedet cenes/selves/ealities PYSCAL EOONAL CONPTA SOCAL / SPRUAL. n essence, e ae not hm eig havig stual exeence bu stal begs having a hma oe. I is way, e shae siiual esonace ith he laneta entity
fe dvelopig a srog ieal resoao is ssbe ee he rlm of prfoanc riual To the egee e ae i te esoance it
ceain essentia oces, ithin and aon s, is the degee we e moved a aimate b these hateve essence atenticay move , as moes ohers The aticula te o eomance eeed o ee i iuaisic in aue as i seeks to invke an eseve eta pimodi qualies ove the sohiscate theatica esona. Coside it pitive sac heae acng inteesona inteacion eody o nerp o ores hich use the eomes as the mode o expeio his kin o eomance ceemoy ovoke the oii of pefoe an auience to aake in siita commnion o, oie Te d of me eqie to icite his te o miacle is uniqe d eted Fo st a, his/he esonality as become lexible (olaed) eog nate snchonizaion" to occ..oe seving the ose of de t l tansissn s r riualisic creaurs ad inaly kow moe abu hw ork ha one migh suspec eam as to eset thi 1aril a a o aciel enhance hateve ita tecnoogy o ('"monil k s alea egang , the eae, and eas, elp
herto ukn techniques an insights imbedded dee side
YOr insl incts. callenge o iing RITE REERED as 1', i g msel but eting m kowledge deve
ig culve only itten ti book afe 0 1�, �IH bu en eas ist. his is ho ay ind o ea I"I·.oli \,IS t ass, thnk n eseaching tis ook, I \'.I/d 110ns of y esn knolege eal on and so, ivied
VI 1rl W 0 b hei ocess o "eag , desiging Cetai ke ii ee aso .ld " 1 ' lua."
ineriewe sef o he wih heir eie an aule responses. hese ess resie n he in secion o his oo, as i ghered here or a lminig cereon
Ria heae is a LA f esig he simaes gwh f nwledge ad beig; i is a eali chec desadig & ealiy checs eve bce (Rea UNDOING YOUELF C.S. ya;
Falcon ress) . o suppor self-exposre, is ediu is presened as "generic" rial enolo..one sripped of religious ogas and imoed beie syses (The auor confesse e aempt o elinae doga as eng a orine uno isel.) One o te overall ojeies o a geneic riual echnolog is he exiaion of ones own osoogies ino onsios reogniion. e id ouwhat we ae iving fo, what ou ive evove aound and what we ae feeding o of (and what feed o u. O speil ineres is e discoer of wha I cal "e ones of riu or hose riual echniques comon o an raiions. Eah one is s a piee of dancing seeon ... a riual ediu nfeere clurl ias and/or -ne, reli fliion. his e o ri echnolo is open oow o o rec-nowlee o he Ininie nerhing such agi ehodologies is an ongoing researh or hose psyhic acheologiss who he iscoere enogh recs o eep ooing his ia medim is a aicay glams e Quie ly, is
igorous eas n zen-lie sness end o rn soe people rig o hen hees lo o eep wor" o o, he ie loe or personi worship is, or ogh o e, angerosl sli Once hi is oious, hose ache o heir eoional needs or personal reconiion sar coplaiig and/or reaign wih a differen reason or eing tere For hose pricipag, is approc is e up o evoe Source Relaions o encouner nd dilog eween ersonaiy n Essence.. Ego an Se..I11sion an Realiy. he in of onflic and inea pressure ofen resuling can e isconcerig o hoe jus seeking personal graifiaion. owever, or hose willing o rsk selfexposure and disillusioen, e see how coni serves huan evelopmen and he brh o soul A cea sad i his weave is leig perseveace es w sbjecive h ih enoug ommitmen, elfpeneraion occurs an
we are lowe o rai orelve ito te oleie faric wihou losin ou indiiu color. Coming fm ily "teaial" acground, I was e relcn o srener ometey my ubeie expeience for fear o exposing an "inulgen performae" wich ws, o Acors enli, e wore an det How was I o now ha oa omien o he Subjective eveally caalze ore oeie awareness? I erl wen g nd sreing he ls I as
6
ging to le go o s the nel rted srd m ill. rel stges o being utterl lst in the sue m n preneptins d lsg sight o everything beond m nse. Then there s tht gd-ul D Night o t l ere King Cnusin held urt nd my Fish ntellt insisted guring it ll ut. (ee ANGERS: Chpel Peilus). Aer e- yer d d r er ee ' rg eger . n less n thn ever di bere et t k s led me t begin living my lie. One thing is tin s k bk nd tts tis: One ure usherd into Te Mgi Ttre ts g k. As e visiy ilim Ble ne rd "A ersists in his bms se." migt dd tt nt n is Pesistne e. urrender is the 10k...Trnsrtin the dr nd Being the y ut. Ritul thetre tends t be phoherpeui s it brings t light tse reprssed nd iden spets uselves. This is hever pshdrm gestlt nr enunter grup rmt. Herein is mplete medium unto itsel its integrit itine b te unrstnding nd prtie tin guideines lld Rtul Funtins the bbne this tehnlg. k led ALL IES EESE r vrs re e f s rul-desgn r ers y e ve e soide. hen gu meets t r n this meium the pepre lne r s muh s t hurs bere interting. This i devie r utivting the retive tensin nd individul tegrit reuird t ignite spntneus eing retivel unbised b sil bligtins nd inseuities. This rienttin develps m the individul rst bre lletive interpl nd even then slitude is sustined b eh idiviuls ntt ith teir el deendee r Sure. This b is n pndige t tul r Bring it ith u hn entering yur mgi ie. Sh it t peple sufering rm ritul expertise. Use the b until yur n ritul g develps nd then s test give the b . Unt then u hve m hertelt permissin t die and e eo.
in, s an y n...6y ns... Dy Boulder COLOADO UA
S VSD ?!
itual
for Sef-Intn
agiian, epeiall ine the Gnoti and Quaala inuene, have ought higher onioune through th aimilaion and nrol of un iveral oppoi te -- good/evil, poiti veegat ive, male/female, e. But due to te teadfat pompoit of ritualim inherited om the anient mehod of the haman, oltit have een linded to what i prhap the two mot important pair of apparet or earth-plane oppoite ODE/DIODE and EIOU/UOOU. agiian, and heir progen the ietit, have lwa taken themelve and their ujet in orderl and oer manner, there diregadng an eential metaphial balane en agiian learn to approa philoph a a malleale art itead of n iutle rut, nd learn to appreiae the aurdit o man endevor, then the will be ale to purue their art with a ligher hert, d erhp gin lerer undertanding of it, and therefore gai ore eetve agi S S NGY" ece e o PCIPIA DISCODIA Greg Loopcs re
8
TH FIRST RITAL f ia Teare
Oe rig e rd ra ses "roo." As a ulte's aditi aiti it idtit d eitage s d its itual sustain te tditis teseves itil a utue ld develp aund ituals t t big ele tget but t ad eseve hat as saed d l t e ad ie a geati Eatbased vi tus ae gegay red eiies dtied b te tga ti tiul leta lati Tus Tibetia Buddist ultue is idigs ad aatiti te Hila as ae te Yaqui ndia tditis iat t th deets f exi t is t Eat itel i te b its eial itati it te huas ibitig it fe tis sese e Ear evves s ad u ituls t tiulti f vlti rg e GMANC) Ra deves a ree ga reeived r e ivig eary ey (ereaer aed GAA). itul distinguises itsel tie i tt te e seves t ee aeess f el/ld e t tt fti t diii it ius intati it GA aaens Glba t ntegen t us (ee 7 ae G CH b te t) Te uti f Glbal telligee is a t t tfti Ti ge iitiates itl e a idividul be a uible te evlutin f ad tditis Nea te geeis f a ultue igiatig ituals eege as idividal a rese t GAA ad tugh bidgig these t a letive a basis Gu Mind is ed These iginating ist itals tee te bding sible distit utues t vlve t is te siit tis Fist Ritual tat tis text dediates itsel t and hy ts bk is subtitled Ritual Tel elitiatin Fr e greaer ar ra kedge r Wrd Cres as ee reerved ad veed y e fr Cr/SaeOrder as a edgy r sia r Tis is taditia eligis ave l e ad/ a elite s ahbs abbtt d assted exalted lg T this da tee eais l e piest t a greatin lis te authty xeutn t t ntn o santiiatin benedtn nin Et i nvua l a t as te Mtiee T & d a seves as a id t Cgegati ad tei ue Tis dai sets diiisig te Cgegatin' utus ti ti eia that as iet ue ti
9
Let it 6e tlt eve M, Wom Cli reg tle lere6 iciE oi Pe /or gl ests 6 tle glt ut U vi6: ou A fundamea knwedge f hw ua wrk e u fee ae r wn Sure ean, whu avng exey-aed ne f he regu a knd. Expring rua w ying in ipse gas inves a erain wiingness gvern sef Tis ye sei rs te bas r idividal igry u wi rue grp uny uld never eerge A iqe gr yai aivaes wi e uen ea indivuas persna tyle xpressin Tis ype leive eniy niaes a iere qay Being saed equay agst paiatg bers Al are qal by ve a ea eber is respnsble r beg i/er ae wa yu rua en, ere are era r enque mn , and re-dang, a radn whh an grey eae waever eey yre engaged n. Tes a "gr" ra rs and ey beng nby an everybdy Many e are edded eep sde innae insial nar wag b dlgd t nsiusness an pu wrk Ter's a gaga in e er r rans (e "R-Cpex") gverning ese seen rg e bas r severa riua unins, ne being e ask ang a eng t xeue ereny in Reae is insin s ur naura alen r akng a hue a home by Saniying is spae s, iniiaing a Rar ra nive sare aiviy In ain, r abiiy ake d er a ae r speii riua purpses is a ire xpressn r rrtra drives Our eania endeny pre ad ase ag a erse eep & Mages Uvrse s ty e prive pase a very pwer ra eq: C Prjen ... e abiy t inennay eerge an ara tid s y w "arge" us, vang a rua. An ntia fnio of iua i n gvg f e nnae a o ou onat wih piitua ou i he d. In s tu
the omazation o nstinct. Ria prds a e r e ngng arriage bewen Spii and Bdy d r spring e S reny ineenty ativats dvdual, as rad i ainane y is xensin ters T rs w unersd vae otentia r "e zer" ( ayans), were abe inia a ging may wh Te Vd Tis ratr ra riua eqe
enales us t enter transfative proces far more intentinay than ever efre. Pteti, ereafter refere t as O-O is caxe y ur cmrt g ayhg a/ beig aybdy N-Frm that part f us existing cnstantly in a ptential state in that it has nt become anything yet. No-Frm es nt have to be a goal r some kin f "spiritual arrival" (as se regins wul have us eeve) but a gy practical, ul-puse tl fr sslvg our ientcaton wit e frces f e ritual s we ay egin anther, ae en eac ritual is bg a -, its central cntents may evelp authentically witut te psitin f te cntrive intentins that ae s any te ritul tecnlges ut empty, rte rutines. (Rea ZN MND MD y Suuki fr NO-FOR eitatins)
ag ha gee a hlgy, h a a a m Oesel ha Ca Jg a "as a , l-gag y e a al " tu, i t ese, is Teatre f Se s it wr t es te utu uel es nating inteal lase t aspects lie asulieFeiine, Te Fur leents, Orer Cas, CeeettiveNurisg, Te Ania an Te Anius, leep-e-Aweing, Clrs, DeathReirt, a a cast thusans. Each inivual expresses thee universal aspects i hei ay, yet we are l cnnecte t them throug our Sce Relais. By lcating ur ac s wit these living forces witn, we evelp a eoi cciy an the empathy o nceay fo eaing an repning t living signals frm sourc byon ur imaginatin, ke ...other peple an the planet, fr example. Internal resonance, ten, lays the funatin fr Te First Ritual in it gness lk h.
Le he ahelgss ik-ae, eecive is a l f eeig he sae s scal esa f eases mbedded ee h essea a INITIATION process has traitinaly engage ome fo f se-eai A cmplete withrawal f ons energy, atntion an iencatin wit te immeiate envirnment i a necessary quite fr gig witn. As we gater ur frces in this way, we tansitin m el t ieal deeece When wong wit tis me reing yur -essbiliy t them, cily o more internal eeom can be explore an estahe.
eve a yamic elaishi beee a es ersaliy a essece One way of supporting this nr ('in n "ascial climate were participts ypass
11
lizion inse, stai heir ie epenence he relese f cil oligions ses up a in o ar Ara conucie o asocil ties A ind f inerction eenully eelops s ech pricin ule enug peronl power to e seting eaningful o e ource relins cn e clriie y rching for wht is ruly The sced ilies mong oter hings, wht one live for or ne P f Wi POW) clyzing reoluion lies y e iue of r lies reoling oun i Oten ies, e W is unwn n, e, ocure n siing in n ou o ocus e W er t revel isel in our grees exiteents and tes re f werfu siiv nd negativ ena arge. l tnd t uneil thee t sos r e uroe self-nowledge, nl grwth nd i tey are cceted, sef-anscendence. e eeay reneig yes atre enrtes evtinary es in e ig anner Ferile nd eritin, wen ee is td it rut fr te Ert an grow, n ie to tree This tree s nd es fit w en d tn ds to e grond wre s oen rts nd gos to see offering he essenil ecunity or wt f nw te We ig "Wat are t neeary is r nsis an evin As we re ougowhs f we lcked wy in he cellulr eory o our odies ytng w nd nw out rnsrie rocess is tin cn e trgered nd relesd tr te fulfllen f te ' ntl nd O E FELT DEEPLY Tis is wy ll ritie ths cultr ntigte ritual prertion wi e nd o l nd etionl wrup his tie eicte o ning te n intunt s we ght ecome e willng o e lyed y te l f gnng exisenewt rl Jung cined s e ye Only wen inen is tne cn i lay i e ria ei desried and ined eraer tere is a e yia re erein r ediatin ea aiian graday ve rg a eries jetives ringing e a sa. Ater te cl WrU, eotinl flexibilit is clnge troug n ctity ld POLAZON Polriy in this conext, reers o specic inernl ntrries h re cully polr expressins o e se energy les inclue: ey/Dnger, Vicor/Dee, igh/Wrn, d/El Plesure/Pn, etc Tese conres re rwn fr ll b rens Poliicl, Concepual, ocil, Psychic, Etc, or ccng n uniing opposion herein T intent is in iiiaig e i r Canging Wh. O Eotional Ego is lbr
findi o wh 's suk ... which side of a polaity it has idented wih, a he cos of losi och with he othe side. h Fexile go s ne capale of raesin eween pposies wu g eda s while eealin the conesion pints espnsile f the oeal ni (as he aditional hs of emes efect)
A usul npual ak ang a rgd pre...e paula ppss whh prsally aj rssa d/r xn. oh neatiely ad positiely cged plaities e esentl fo eal wo, de o the interlocin fnctins of oth cents. Psie ener is oe eectic and negative, magetic Tgethe, they ake p he electoaneic field o o he enegy o, To ch posiie excies a oyancy tha "ngrds" s, nless it's aanced wit an appopriae leel te sting negtive fce mch negatie collapses ino a nd of "lack he" efect, wheein e eel tapped within oeles and tendin to sck thes to deep, dak pedicaent hohot ital wo, he pces of alancing and megin opposites contines as a nonsp pcede..as the niese is alwys chnin and caling fo o contn djtents
u h pss POLAIZATIONS e vaaly urs uuds das pus ad "sy-d" deas a xp "suld k lk." F exaple, hee ae sces of iages n o psche consittig ideal Feinine and Mascline de. he concepa chlenge is in payn attentin t hw hese ce diect contac wih he nderlyn oces, o Achetypes, f Feinine/Mascine nconein seeypes is ntal to eaking thogh he cs of conditined pesonaity. meties, al we can d s lie hgh ideatins efoe ng ud ad ved y the de, inttie penng of diect cntact ith the gnting c Ohe time, e ae caled t Dp O Acts nd ery tee Fse Icns y ng the eaassent of pgng tem t T jey's destntn is thogh the ey hea of expeience d t the te ide s e peel away the layes of cltal a, e nd n enes an feengs ag h g ur uque d gy. W pa POLAIZATOS er e exeg h aly f uslvs. A wa wthin seve gly epced y a consisten ineplay of conaies, as we len t pemt te piital Once we learn he hait of accepting t es nate, a sef-sppor syse deelops . in gete clege, expansin and rowh. he ideal conitions for han g an enewal see o
13
rive ad paiatins Achecay speaking ou Body is th vss ontaig d mng the ppsites we experience These ppositins are ogancay dissved wit s and enter t biologica crcibe f change r LA (Read UNDOING OURSEL by S Hyatt; acon res) erein they caguate ferment ditil an traf themsee int a w sbstance atgether ne indigens and inclie f both sides f nate The fit of this new qaity i expan concione and te oking knwledge of reativity o tascendnc Though itual, w bcom awa of ou pticipation as alcmical cibls fo th icat pocss of ou psnl finmnt. at of t ason fr Sanctificatin is t prtect an rpect r interna anmtatins onideation i alo n to a o xpimnt om the extranes and accidenta impoitions of Othe eops pinins Useess Dipesin and r wn eronal Medding & atinaiatin f a prcess bet ited for Natre Herself to goern peciay fragie ae thoe phaes whrin noting sms to b appeng ee pepe tend t psh and contrive themseves the most in ode t mak omthn happn It tak a nuiny vnt atttud to not rsit th voi As a genera le when there's nthing happeng n te rface t's al cng dw bew the deepr recesses f or bing r Sef-cmmitment is put t wrk by staying with whatever is appeng espite r impatience fr imediate visible rests
Phap th mot mystiou an fascinting aa of itual wok invov tho tigging mchanims pducing altd stts of onsciounss rm mild trance-dancing to te mo catacyc mysica experiences a spectrm f convsins is awaknd in or os Te pak momnt seem t ccr dring an mlictio f r crrent state of being An acceeratin f What s ften a the prfond effect f ynchrniing ne state f being int a higher ve of that being he ae innmerable frms f cnversin expeience era of wic appear t comn to this appoac t ita-makin n xa nas o itions f contol onto say mi n n a Directing Or Lives and/r Having a im Grip On in n t are aid descriptins f an evtionary pa onto ak spcialy in its initial tages f deveopment
@�0 (
Whn is th bst tim to shp ality nd whn is it ppropit to b shpd by it ? If we're realy in control can we relax control when its appropriate to do o? W shps nd w r th shpd. tal often inite energetic intenificaion In the midt of a greater energy than we are ay acctomed there are a ariety of way to respond 1) Contro or diret it; 2 igt and reit it; 3 Work to ignore it; andor 4) Serve it. Th vrsin pit btwn diecting the ene to seing it mrks th inititi f mj vltin ... Wh i hg f dtining th dirtin of n ngy, ou sr f uthritypwr sts in th ps will of ou go. Ti is n go i The o. f we were to reax the tndency to determine the otcome we might increae or awarene of th ngy itslf and its innate atonomo direction. By reaxing control space is created for energetic expreion whereby we may rely on it to guide and inform us of it ierent diretion his i where Spiit is The ss. These two osses set p an effectie poarity for rital work Suendering control is diffict rky biness as it expo eabty. Or vlneable open self know ow to be toched moed and een broken. Without it however we are a good a dead and or rtal..mecanitic parodies of ha co'e been wy of givig up cntrl is ig t futiity of ou psonl fforts. When confronted with severe limitations and the growing awareness of or imobiization o despair and elpessness sometimes telegaphs or need to surrender. Hitting Bottom initiates a conversion if we don't fight being down whn w' ldy th. Hitting ottom expresses "ego-death" .the colapse of a sef-mage that is and/or was sacred to oneelf It was sacred becase of our identication with tis mage. We were too buy bing it to recognize its lsory status jst another image or creation of thoght. The conersion from egoidentification to Self-embodiment occcrs through isillusionmnt, which is often the price paid for illumiio, ni we become responsible for ating or toghts to coincide more wit the iate. Occaionay e dawn pon te posibility that we don't have to be anything at al oboy ecil, i oher wor n wy of tlling th diffnc btwn gPsonlity and ssncSlf, is tht th fm is image-defined d th ltt, quai-exessive. When an image of a qaity in direct conct with te iing xpion o at qaity an eentia friction i reeaed whereby we are living i. o exaple The cialy-accepted ideain for Pitive nergy i that it goo and that Negatie nergy i 'bad. If we e
15
llg to sacrce tese contione precocetons, we gt esce to te nucleus o ostve Energy oy to t eng a thrt oses ge tan were use to (as wt people lovg us ore tan wee llng to love ourselves). Negative Eergy mgt reveal tsel instctiv d stalng n ts caacty to refer us back to ouelve f, n te lgt o evelatios, we fail to algn new eas wt o es exerece, l coflct s geerted a, less we t t to wok, t s o oe. To cofess wee we are livng a le s ffctiv an brgs reslts. lfexposure a cotua upatig o eftos ae two prerequstes or coscous a evoluto... a prary rtua coce. Cnvrsin s ccrs hrvr rlx th ds t crt crtin, rdtrmind ffct nd instd, opn rslvs p t bing ffctd tal s eaatio fo gace o, turng vlerale to te nuece o e Sel: ts qualites, attutes an asects. itout any guarantees tsoever, we are aske to rener ourselves recete to e sape ke lay the ans o Sel ... to e create an recte in te outcoe o ts ferece. e Sel s te artst/scuptor an te ego/vecle, ts eum exesso. Ts s wy ts necessary for s to know wy we ws to actce a o s n. he see eqe st e ompty n n cnsciu chic t do so eectve rtual prepaes o ts type o overson... oterwse, tey ecoe procts o ego tsel. Avace tual practce nvolves a deepeng servce to the Sel t te elp o efii process engagin te ego-persoalty, it ecoes an struet o Sel-expresson. he Sel, owever, epens upon g go tegty or conveying ts ntet. t s troug te varous prep pases of Sacticaton, arng Up an olarzatons that we ecome llb ngh to bsrb th hck f Slfpntrtin witht bing ltd in th intim Th discipin f intrdcing go t Slf ncssitts crtin mring of the wi s s t minimi th shck f dft s th perinc f Slf is ys dft fr t g Teeace ca e actce troug tose actvtes wc polze te wll. (See Drectonal d Nodrectonal oveet te Tstor Ru of Rtual arato.) A olad ll s cble of sg ealty a eg e y t. t s strog ad ele eoug to dst to ot oretatons ill as t as efed srnh as baanc Ts tpe o wll es to tt reto servg te Greatest Good or te rocess o akng Up to te Self. One seefect o a poed wll s pesoal transparency. e
ou wii o see hrough yoursef?
6
Poaization maks it pssib to aumulat th typ of psn indignous to Whonss with th brth of a"third point" of rfnc his "hir poin" is eonsrae y how polarizations are se up in riua work. he setig iie in hal, wih ne ie o a polariy proece io each hal, i.e., GOOD n t rigt and VL n he e. The cenr, iig line is iat t NOOM. rm NOFOM, one eners one sie an eplr e onqns ng apd inluence y the liing or GOOD (ater ty may be). Ater sicien delmn, n mv t t tr id and rrrnder o te liing res VL ( A tatd earlr, t r rr t te within each o as liing realiti, i., hr 'r t th Gd & Evi) Ater VL, one ret o GOOD. On altrnat btn GOOD and VL unil an awarenes devl dndnt tm t. T "thrd pint" is eyon GOOD an VIL... it is bynd prity t nin tl... a signal ro our erprent bt ardly ralzd contany ... wa he enigmati Dan Matr & Plper G. . Grd alle te "". Th nscndnt functn of rtu vis ts whnvr gvn gimpss of sg bynd usvs Miral k h can nly cur when r lknldg s iint noug t ard the tal giing, or surrender, o l. irst, r, we mus a a "l r we can gie i. The genratin ti kin lnness awakens as we beoe ore aqaintd with he ultiinina eing tha we are. Drawing r a mlttd plaritis, rinti an thr aects o Se, we ay cremnl aroah lnn hrh rial practie. By wrkng intntnaly wit t at, we gradally sar t ard tak rnal intatn... t L Wrk wavg gher ragmntd trand rlv tard a trk ln. Te mr i r zzl gatr, t r bn t rliz wha a zzl rally ar. vn n all t ar plad, it's sti pu myst t b vd nd nt prb t b gurd t
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ITU PEPTIO Guidli Fr Eri Wrk Th followg guidlins fo th bckbon to th dncng sklton of itul tht I ruur rmain nin r ah iual in rnal rdm i und within its fom by ming h warm-up bjiv in ons own wy Te veall puse of itual pepaat s setg up a sld fudat f te evcat f sptaes tuals bai hi undain i h ccum ulio of eece hrgh: ) Fling th body dply 2) motion fxibility d 3) wnss Riua garb uggd b minl nd nut i, wa pan, igh and lard, hai/ara pan, -hir, and whenvr pibl ba Exiv jwlry g in h way a d lng hair ha han bn i r p ba F bviu ran, d n a a larg mal wihin w hur h phyial warm-up Vii h rrm br ing up h RARE AREA ul yu ar irly rain mainaining ard pa wil iing n h il r nw ar lid h warm-up bjiv b m on you own ward digning a mprhniv riual prparan:
I E RARE ARE -- an aial rinain r nrng rial aivi II T
-- phyial lain whr riual wr a plae
III PR YR
-- a pi or iiiaing grup uni and vin
-- live h pae h ig
V
-- pr dig yur pa in h ig
VI LITTL
-- ulivaig l-dnin i yur wr p
VII a 4060 minu prid ddiad digning n w phyia warm-up by ming h biv mdittio, spinl x strtch and swt ccoi o eol yle eeom
VII IX X
-- jggig rm r maing ranin -- riual dvi r xiing mnal xbiliy
nvrgne o pariipa r rlin
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TE RARE AREA A civ s iiis isf wi SDE, giig m ing lowitout wi, u dvlopm is impossi Th ritl tion s sanciond s n Asocil Labortory or tsting or idividl tgriy or, Sl-Commitmnt n his spirt o primntto, A A unctions to hlp us 1) v th Soil bind 2 Prmit int ndnc; and 3 Chllng h cor o or big A AE AA is to pry or o togthr or otr r dsors bo li t nd spac s sid or ploring th crrt shp d dynmic of r prsonliy ords th vntul tsk o ssing its Sorc. Bor rc Rltions cn old, it is cril t b on ith ol Lvl n o riul ork is ith stblishing ogh solitd to prmi l-dcovry. Th ptn o or dmtl lo d th lization orkng fo ousvs hl tbiliz th A AA.
TE SETTI T two pontil sttings, o itul aions INOORS nd TRS o iat this training pross, NDOOR sttings ill b phsizd. (S GEOMACY for Outdoor l) Any idoor sp ill o so long as o ajor disracions ar limntd ) igs (rnitr, irrors, a hngngs, c.) nd 2) Inpio (phons, visitors, t.). A ARE AREA can b s up om anyhing s loclizd as your living room o high school audiorim, jus so ou ar i cg of coolig sting. he sng rqurs nogh SAFETY for pricpans o ak h riss o becong moionall and psychilly vulnrabl. Room pr should b unnoticbl, so srvivl sgls r no citd, i.., too ho or oo cold. Th mor ntrl a sp i, th sir it ill b o on sanciy and ork in Th sggstd lgtig is on th dim id to minimz rnal stimuls (arm-p cycls hv don vry ll i tot darknss). Incns my b l o cilitt sctto d o mk t spac urs. (Frankincns, sg, cdar nd copl r tiv s suggsed rading undr Tmpl Constrion)
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P ft lcting th itual stting, it is possibl to initiat a pay cicl a a point of fcs fo Souc lations and Goup Unity. Evyone shold be n complee aeemen o he payer crce and f hey ae no, t shold b bypassed n anmos afny s ealhed If he rop s ready fo a aye ce hee a can basc pocdes to foow A op crcle s aheed n he cene of he en Membs prosrae hves owads he cces cene Snce paye s a hhly psonal, nrnal condon nscons ae receved by smply en down on yor es ad payn Th physica potu alon magntis th kind of cptivity conduciv to initiating Souc ltion ando finding out wh you at with God ayer ccles ae sed o geneae power for grop sancfcaon of the ral settng The effecveessof prayer depends enely on th quality and intnsity of dotio felt by each mmbe fo hs/her sorce/od/dey whn The Heart ener n the uppe ches and he Soce Cener located aove he head space) can povde focal pons beween whch evoona nenses may scllate Once devoon becomes almos "beaable", one s ready o se fro the paye crce and sancy he space wh he power penetrang oneelf T pay cicl tnd to wok by itsf and dos not d xta pogams, affimations, ando goal byond ons inta spiitua sonanc. The physcal ese of prosaon s powerfl nogh n ts own o evoke Soce elatons and/or ressance o same) goup unity dvlop fom vbodys silnt motional commitmnt to God. Ts s how we fnd our ow wy o he Soce who havg o cnvert others n he nem o ones prvae relgos pocedres Th, a spr of "al aonoy" ncoaed and rop ebers acceed moe for o ty a han fo wha hey beeve n o wohp
P ST rp cifiction mans collctiv sic to t spac of th itua n h paye cce pcan ee he sonng n of istillig sety throughout One way hs occs y o pace sef as an eny, h chrgig i with vlue omns honon he eln of spc islf nas p caon Th ends o nsae a saced appo due o c was th bfo anything l and by honng yo plc vl ue o h oce and orn of hgs The oveall nent
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in making thi pace sa nough fo vybody to b th. he econd
ae of group anctication i owning it whie you are making it afe to ere In thi phae individua are owning the pace fo th goup o ective ritua may occur tere Thee are a number of way to do ti d trial-an-error i the bet. Guideine incude 1 ) Making pace hoy ugh to invite piritua preence thu maing he pace more acred; 2 ding the preence and energeic direction of othe ding you dividua acivity of anctication e accomodaing them by creaing re pace fo thi bing a you are pyicay appoached by them; 3 onating ound/meodie expreing praye and extending the ward nother uefu device i deignaing e center of the ritua ing a an optiona rayer irce o tha paricipant may enter ti a throughout the initia proce of Group Sanctification coming and ng they wih
PW SP Aft coctiv sanctification, individua mmbs bgin thi pocss of nding PW SPTS, that aa in th stting wh fo asons nknown on fls good here an at to ocaing your ower Spot It a to o wth not ooking for it but leting i dscov you and pu you t tsf. here are many way to becomng recepive to it pu One i utting your eye to it o you begin moving through pace SESIG he area whic EELS BEST. noher i ih hifing your point of ention own to your umbiical and/or oar pexu region and then ving through the pace while feeng for any tinging enation in hat one. Stil another method i etting your hand act a natura "radar anner Move through the pace eing your hand do the ening If look for ower Spot too direcy you migt contrive the ta By ncing askanc, your eye find anoher way of eeing Whaver yu d e minimiz ationiztn and t nlytc sctn f th spt e y a window or next to omebody yo ie I caed a owe Spot fo a aon and it tart the preparaion for e Li ic
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Aftr individas ocae hir Powr Spots, h nx rita ask is wih he intrna consrction of h Li Circ Th intnt is in gnting th idl psychic tmsph f itu pptin whil mining in th cnfins f ns Pw Spt. his wi hp cntin h procss of gathrng or fos itt Crc is artcad y dinting th bundis of th Powr spot Physicay, Emotionay and Psychicay Aftr th ondars ar markd, h scond task is with: ) ancg its spa; and 2 Owning i compy Lik anmas caim thir rtory, tak tta dm ov yo spo. Expor thos ways in which yo natray t spac ad ak carg ovr i with mvmns, sonds and gstrs xprssing his procss h "nrgtic inn" hre is sfcndnstin h mor of yor prsnc yo draw down ino yo Ltt Circ, h mor angi h ra matra The overal ocive of t tt Circ s n profrrng he xprinc of ing SF N LONE. This wy, vybdy is spnsibl f gnting thi wn sfty, ngy, nd cncnttin. wo dvics for staiiing h Lit Circ ) Idisynctic Mtin (M; nd 2 Th Fu Cs TFC. M s any movemn and/or gse ndignos o or niq, sinr sf hs moions re idiosyncric cas ony w wod mov in hes ways hn thy cry rth, no on w a to dca thm hey rnder s incompara M convys or "kc signatr" and insis h itt Cic with th dstinc nergy of or prsona frdom. If it isn't fun, it's pbbly nt wing. vic 2 TFC is mor st and invovs owning or sac o a psychic eve t stats y stading in h cnr of th Cice and wih ys cosd, vsaing/ssig h 30 dgr pihria oday Fos on a poin dicty n frot of yo at the priphry, thn shift this poin to th f sds rhry. Nw, sf this pint hid yo to yor "dorsa" day...th, sft to yor rght ondary Evaat whch pon f antst and physiclly g th t vivify its xistnc smhw. Go o ohr pits and physicay staish ach on As yo do his, e stv to otntia ngtic functins of ths for cors Each y av a spfic qaiy or ern enrgy o is Dos i ici cer sos fro yorsef while you'e there ? (See WILDESS by Julia Smon n hs oo xam n ma n h cn x an n an an a m s s o to have peconceptions save fr the possibility of F oss at rgeic nctions sevig to bond the Little Cicle. Te
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niqu o f a bn ud trditionally for aon t create placmnt a T Four Dirction of Eat Wt North and Suth ... eac with thir aiou ttm ali and guidig pirit. For to wihig to vok tir n tradition it i uggtd practic to bypa prconception i general ita crat a pac to rciv nw informaton about th intrinic ang of T Four Dirctin) Whn ou individul plcmnt nd psnc is stbiiz n th ittl Cc, it's tim to nt th PSIC WMUP. re ar four pha o th WAR-UP ach lating betwn 101 minutes depending on ron and group dciion bfor mtg (A clock ho e kept wtn y ditanc or ombody appointed to mark time inteals with a oun wor) Th four pha are call MITIN, SPIN X and Idally they ufold ne t te next as ne ontinual tion towar ee e eee e ee
the
h ntnt hr s mntnng ny postur ffoding utt physic llnss for mnuts T quality of til dtrmin t quality actity traftr Witin t tilln it i poibl to anctify t tation it by ntng O-FOR aor trough ilnt prayr r ky iclu ai olf "Why m I hr?" and "Wh at m I rmng up nd prprng for?" Anotr intal tak i in rlaxing our ir to control andor dtrm an outcom T purpoe f mditation accumulating prnc In mditation w may intgrat concptual tllignc by iply aig ourl to PY TNTIN T NLY AT WIC IS APPENING AN T WT W ING.
SP X From Mdtton, mv nto po ston to strt stt th gdu knng of th Cntrl Nrvous Systm through th gnt flxing of spinl cd Dont gt t aa loat t mall of t back r vrtbra tigtn togtr a t ba of t kull. Baic Foot flxoloy dmontrat ho t a i a foot ar coctd t th al cord whrby th aa clo to t l rlat to th ba of th and th ara clor to t bal of t foot th nck Dirctly aaging t ara lp loon t pin
24
t
Antr mtd f SAL FLEX is laying n yr bac it ns bnt and arms t rndiclar rs By rting against t r lift t bttm vrtbra and lifting t sin vr s gradally vrtbra by vrbra all t ay yr nck Tn js as gradally nfld a vrtbra (nbyn) bac t t flr Rtitin f ts sinal nflding is a gntl ay t lsn sin Brt cotoy. brat vitals t bdy as it circlts ts nrgy frm itin Elr yr n mtds f A LE
SRETC T intnt wit trtcig i wkig t body p. Sca t by fr in rin y itr fl nting r fl nmb Brt d trtch int ts da ns W ar strtcin t rclaim r bdis ad ntrat m it r intn trg brating and fling Aftr ntiting vral in f strtng bin nin yr sa it t ay yr strtin Rcrat yr bndaris f y'v lst t Cnnt srting it braing and tak r dmnin r t sc Strt t nflt rgns f yrslf Py tttio oy to wat yo ar doig f y atmaticlly star "aing t mting imditly t ou o . . .i om awar o h aio i our rih ha. W ar rking trg r ristancs t bn r an t dgr f lfmitnt rir fr tis mnmntal tk is jst srt f racls at tms
ST From Strtcig, w mov ito tho ctiviti grtig og hat t brak wat. Tis is bt a t miim rmatr astn mnts rdin at ar ctd itin t cnfins f t Littl Cirl l making ffrts t coti n at ratr tn r t tr (Hat ccrs n matr trs it irit and irt rli s a is mst sntil as it rakns t itr t rt a bd t Hl Wat f t itlf hi i c lt or phyica nrgy RHYM a rital fntin fr stabilg a cntinity n r t mnt Tr rytm it bms air t bild a t t t itt rmatr in
EG EXECED is othe tu function, o evice, to hep I rocess of wking p the boy t stts wth estbshing specific eve egy, moveent, hythm n son then bening it o tossing ef into n opposite ee f energy, mement, rhythm n soun This s a goo wy to strt intoucing porzo moving between stes fo the ppose of gete fexibiity
HE SCE by the wy yore geneting het Drng the
MUP, ones bounies ten o shift, epn n/o contct e to us eegeic jstments SWAT strts the en of the first mjo -p Cye n it is sggeste to e-che yur bounaies uing this f yo nee to st you bounes to ccomote your nig/contcting resence, this is n rorte me) r AT, r to c tr o L Circ gr your Sn/conese the bunies of the tte Cce t your sin, so our boy o bcom Cc, your cr pc Yo e
repe fo the TRNSTORY R The fwng section presents eros jogging forms Seec one or t t ctice fte the M-UP peio of ech itu sessn RNSTORY RUNS re ·- fo POLARAONS \(
NS N H TT UN vc or mrkig cg cckig ·br Afte the 4phse wrm-p rtiipnts jog ron te
hey of he it setingsstining eething generte we g p T prm t o TH TANS ITOY RUN urrg u lxbty cocrio k rog joggg orm. here re shpes HE TRNSORY RUN tes, soe f hic e te heefte New spes wi invrby eerge once the ver tive is nestoo thogh ct pctce Hee re seies of STORY RUNS:
ft weness to eft hn Right fot ft ebw Rght nee Entire e of boy Rght sie Let the jog b iuece by pints of fos chenges pot o io n the biiy to shift o ize ones onsciosnes to ifferent res
ate atenin a p at e ene ene, aa, nating uent sate eing et te jg e afete tis ente, s its energeti iuene pat ho St t te enters epeat peures nerg evaluain as
3 Project attention point 3 feet aove ea let it inuence jog S point to 3 feet in ont o yo jog influence St point 3 eet elw you jog iluence Shift point 3 feet e you jog influence Sift t let, ten sft it to te right Now, project SI CARDINAL POINTS above, eow, front ack, left an rigt Let te siultaneosly effect te og Draw a le fro eac point onverging te all into a centr body location tat not predetered Jog o this central point Let point expand, lling te ody, so eventually the woe body BECOMES THE PONT Move trog space a e Align wi Body Consousness ove as a nt
4) Project phere of SOURCE ENERGY above hea Draw down a coln of this energy into yor crown an down throgh yor spine n into the earth Jog in te center of this colun Souc Rations vic ) Viuaize a horizontal plane feet above head that tretes out to iinty n a decton Gradualy, comand the plane to decen to the eve of the top of yor hea, o tis body area s awakee Then, gradualy, et it descend down to the level of yor BROW THROAT, STERNUM SOLAR LEUS, NAVEL E VIS TIGH KNEES ANKLES, EET, a nay coincie the plane to THE FLOOR ITSELF
6) Project a spere o SOURC NERY above you ea as in et te enery therein e VIOLET efore rawng t own into te colun ndown throug you oy an into te earth ro VIOLE, let it BLUE then GREEN then YLLOW then ORANGE ten RED let te rd darken to cron burguny, inigo an on into BLACK Let eac color ence the jog even if it immiiz te joggg itse into the BLACK
7 c area of oy that feels vage or nb Let ts aea ecoe y ftng yu cnt of gavity there When tis area is distnguhe t te gravity to another vague area Repeat
I )�H'oV!r preenttme relationship with Th arth an express l jg. rne how uc you wsh to paricpate nd cot 0 JC· op a t yu commitmnt tin th ction an y 0 jon free to resonate souns
7
Expess pesent-time RESISTANCE vi joggig, souns, ec uni you t it ou of your system enough to ove on to or coe
Expn you u to fi the oo jog ro is ceer Corc you
r to few inches outsie of your si beween ric nsion n contction unti you iscover your oin of bnce
Visuize beig insie hoow chber i o botto or op. Let it
pi conta you soitue
ithout chngig nything, et y MBNC coe forh o she
e jog n ointe it to he point of renerig you imobiize he obiition becoe sttue expessig the outcoe of tht ric ibnce. Afte extting the essge of this frozen for, e i oose continue jogg to repet his process thee ties each e eefining yo POT OF ALANCE in igh of pevious ibces scve trengh as baance. 3 Jog a semiNO-FO state, eyes open sit Project you own
nsiosness ou of yo boy bove you he, creting the effect of n pty She of a oy joggg beow you. ch yousef jog from bove boy Then, enter your crow, ownig i Dece into ech chr, nng each as yu go. Rec those chs you ere unbe to ci s ours Consie this infoation s bsis for uure ritu eri 4 Py ttention to ny enegetic n/o soci conrcts ieig the city to be pesent ie. Jog in wy to reee hese obigtions,
egies an geeents so you cn e ih e e Rie ny ergy not innte to yousef rite it ou y
Dont py ttention o nyhing in ricur t n or the hel o it 6) Deigne ech sie, or w, of he orse s crge wih the
rit of one of THE OUR MN so e e you ru og e you re infuence by ht spiri y o o h tritio ween ech eement an the coverio poit threi
17 ee e ms o or fee from he se, o o aeio sfs
om FOOT FLOOR o era foo o se e PP I O hs connecs soosiosess o se ea
28
The las and perhaps mos effecve for of ANIY h pracice of DIRECIONAL and NON-DIRECON MOVEEN hey are dened as suc:
ovemen ha is compleel detered persnal will of the one moving elemens of h og under h oves
corol are coordnates of TENSION SYL P an elfeemie moio i i bolue ee
NON-DIRECIONL ovement iniaed by h mpses of h orgns; se into motio y releasing he i on ones dy "l h anial rn" he degree o abandonmen possible hou hg nself / or othrs. Bot forms of movement ca be reforced trog soc resonnce...tose souns expressg te ntel state of t e oretato commad. To es your capaciy fo oh sar ou n NA
moven and se how much conro you hav ov our d determng is TENION STLE PEED AND Y. hen you poin of peak control le go of he grp yo have on your dy. Abado cono an let te body n. (Ths is a stle process as he no way f really conrolling banonme a his early has . . . n nun suener of control works.) A your poin of pe abanonen foo a radom moto to DIRECONAL movemet ad desg e joggg form ih a oaly diferen se of coorinaes (n ENIN YL
PEED and Y). Tke moe co ol h bee h new form crysallze unil st abou imobilizes you hen rlas our rp and all deeper to abandonmet an bfore. A yo pea adoen fllow a rndo motion io DIRETIONL again wih a new f cooriates aking even MORE CONTROL Repeat his oscillaion 35 t, r when yo've a eogh an then initate a og coining boh oittions twars a in o COTLED ABANDONEN. hen ti ow t a wk Pare away ay excss gesurigposuring o e ral Pstrian Wal (iscreet) yt stil expresive of you ace. The Tr n to r Ru fnctons to mark trnstos. t ca be appled
c rtuas temselves for te purpose of restog baance n oneself trou canges. Overal, te rasto R s c ogizig/iteatig age
A Rit R
29
PS
o tis point in te rit prep, nte empsis s b een somewt wit te eceptions of Snctifction owning te Little Crcle.
ately i has bee a physica warp o feel the boy eeply I ; t phase te ntent is wt emotionl fibility. The priary fos I reae o a ier sore of stils iforatio There is a ary emphasis o otwar expresso o what oe s presse by ·y Before proeeg to POLARIZATO three atioal rtal s ee itrocig They are: 2 C AC tout te integrtion of tese ccl functions, te foowing ritul 's, floor pns nd reference points becom luicrus n te rituls, Ifdes. n POLAIZAS, tey re ctivte n "pme" so we my rit work aleady atalyzed
The mechaics ivolve setig p POARIATIO are as sch retrig from the rasiory R reloate i he Lttle Circle to am a saciy its space Oce oe stp otsie its boares le faig he circle. ere eer NOORM rom NO-ORM we JCT a harge polariy io he irle a he eter tha circe to eer o its iee. e CNAC s tt re in your boy
1or your ur where you fee te most irec, openende influx of te ce pevousy PROECD to the Ltle Ccle. he ie is locaig s CONAC PIN ad dedicaig yor hole sel o absorbg he
e hrogh i. his s he el-commie refere o earlier a i eries he ualiy a eph o yo work.
DWI W PIT rom NO-ORM project oe sie o the polaty yo wish to work wih to he Lile Circle. Eer the irle a gve yorself toally o is ee. Reai uil beoes a eoassig sesatio wherei a ality pereaes every part o yo Uo iersio serve he reio of he uay by is epressio throh yo as o Gesre otio Etc he yo eel oplee wh it, sep bak osie he Litle ircle d re o he NOORM stace Whe yo have eualized he ali hrough iersio i Noorm project its opposite to he circl (some o he mor charge ualtes ay be fficult o release breah e he Eh asor proess it or you (see agers o ial)
Rit R
30
Afer projecing he opposie ualiy ino he circle, ener an surrener o is fluence i becomes an encompssing feeling. When complee, sep ousie he circle an rern o NOORM. rom NOORM, see he circe before you. Visuaize or sense a in own he mie of i, creating wo halves in your whoe circle Projec our whole polrity ino he circle, one sie o each hf Do no ecie wich half o enter irst Inste, stn beween boh hves lt he sie xertng the sronges pull invie you in (If your Noorm is rue enough, you wl be recepive o he pul) Once in, explore each sie horoughy unil he NEED for he oher compes your enry ino h sie. Le your EED OR THE OTHER eermine he iming of yor eties ino each haf. Move beween sies, alernaing your curren n rising your areness o new evels of each sie of he whole. When compee, reurn o NOORM (Afer some pracice, i is possibe o forgo he fi pr an simpy projec boh sies of he polary ino he Lile Cirle a nce) .
P PS The enire riual seing is ivie in hf wih the i-secion esignae as THE CORRIDOR O NO-ORM Here pricipns le up singe file wih he polariy projece o heir ef an righ ses They ener the sie exering he pull eel free o ree o ohers s a way of enforcg he sie youre in Experen wih lernaing your curen an passing hrough he CORRIDOR OF NO-ORM Oscillate, s a group beween boh sies of he seing Reurn o NO-ORM whn you feel complee.
- e FR stance starts wt any stning position upportng relf n afforng alnce Knees are nlocke The e ests on the
which ress on shoulers resing on orso so forh all he way
n to your fee resing on he foor This is a sance suppring tota ternally, wo hngs are happening: 1) ou wihraw yor aenon n ieniaion fr he enronen conn ec these h an . ) Emphasize the �ha so the ihae occrs o its ow or help or awareess. Cose he e yes haf way o to sis tea stmuu. Yor body may eed to go throgh varios 'k" s s ay of adusing. Yo ay wan o shke yorsef, o anyhing ineay o pet notgess. here \ \ resisances o NO-ORM ha ay rg for
Rit R
3
or scrun. f ou ar al and wlng look a hm and hn l hm o ih ac rleas rah dp and xhal. This is h ime o Drop our Act and fa ino h ephs of or grondless eing. TH LOUD he CLOUD OF UNKNOWN medittion sees s ride to OFOR f you re unle nd/or unillin to be nothin Ener he
oForm sanc as descried previousl and iniia our own process of ollowing ou" or coming nohing Then, visaliz/snsproec a od of "pr NO-FO energy 3-5 f aove your had. Le his clo slighly larger hn yor oy. Peri is CLOUD OF UNKNOWING hovr suspnded aov yor had, whil yo mainain our hollow low. n o fel you'v xhased yor resourcs for hollowing , invi h CLOUD OF UNKNOWIG own an le i ener yor own, so us your hea is insi he lou ter a ew oens, all raw h coud own o encompass your enir oy . all h y o h oor. Fl h clod oally ncompassing your od so, you e clou of ue NOFO eergy Now, le his cloud penera yor in vrwhere and egin prmaing our enire oy. Feel h O-FO vwhr. Become the void Discover how comoral o n resing in he voi ...resing in yor re nre. Th momen yor oForm is mos te, yo are rad for chrin h riual hrough onscous projection
SS PJT
Tw cmm impedet t teti Pjecti e: recoceptios/premeditatios nd 2 Judgmt. We re looking o
ect he pre sig o, es sy, e coo ED. I we isis on a tain sha of re or ge e coor as not o voite is s will se wih he poecio en, yo wil ee yo ecoceions gens along wih e pre sigl ees g rong ih his per se This is ensri e eeie or ecions. e will en o eeiee atv e se i Wi econcepions,he elee sise is atvat v e ih gel oecions, the Uneece i eeg t t yo y ve o ork hrough yor stf rst
32
A Rit R
av s pocd efs o s cn n usves. For
amp you projc LVE/ FA no h crc ..you w prenc how you ody rgsrs s currn conac wh hs orces .. or wher you'r now a wh ov an ar I you hav a o o daons ao hese hy w aso nd o surac yor concps do no oncde wth your odys vng raonshp wh hs orcs, you man conc an h drama o your ral ateal Rual work nvolvs movng hrogh ou das and no he uneyng governng orcs, so a w gh ragn our mages o synchronze wh he h nna. Ths s wha has en rd o as h compl ransormaon o h mnd. h process s no easy an reqres total selcoen.decaon o ng ou for onesef h nau o he orces governng our exsnc so w mgh v a deeper hghe e I s he conc ewen Ego and Pesonay an Essence Ida an Qualty whch provdes he ood or h oaon o a New and h awaeness o our neds o transorm
CC P The onac Pon can use h or wthout projecng a uay no a crce as prvosy pesene. n ocaes he conac pon h e's say, ha whch s mos ru whe you a sandng n NFRM. The onac Pon s ha ara n your ody an/or aua provdng drc, nuv asoron h ha whch s mos ue o yousf. n nerna adjusmnt o aplyng the onac Pon coes wh crtng spce tn you for te expresson of t quty eoked Upon s expresson whn hs space, n he os ectv way o ollow an/or sev ts drcon Te ntent of te Contct ont s t senstg us to te innte energec dcton of gen qulty. We are askd o pert te utonoy o he quty evoke so can ve life of it ow
cotext wt Projecto, te otact Pot s te area you feel te qualty eterg you as you eter te area were your prjecto was drected Troug total commtmet to te otact Pot, we are growig true to our source" ad start to recogze te feelg of s kid of tral loyalty Wt practice, ts feelg grows ad Source becomes or essble Source Relatios beg by wt our steady commtmet to tat ot)
33
A Rit R
S
The follown ses of polres cn be us for polrzons n/or bss of mplete ituals ut temselves nderline he polariies ich excie a ig resisance n circle h ones creang defnie ciemen. These are your chre polariies and will do much o
touce you o your ineal material from wich acual riuals can be osuced If you haven' aleady done so, you migh wan o lis itional polaiies more personal o youself The more pesal hey e, e closer you e o nitton.
STE NEGATE GOOD L SOCAL -- THEATRCAL SCULNE -- FEMNE TRACTON EXPANSON PLEASUE - PAN YOUNG -- OLD NOCENCE EXPERENCE TME SPACE SSTANT YELDNG EAEN -- HELL ADANT AGNEC COMMTMENT NDFFERENC Y -- MOST REWARD PUSHET ONG -- WEAK SAFEY DAGEROUS DER CHAOS UMOR DEFENSENESS T COLD GORACE SDO GULAR -- CURACOUS CTOY -- EFEAT XED MUTABLE OM TOP SULPHE -- HOSPHOROUS LACK ABUDANCE ED GREEN BEAUTY UGLNESS ANGE BLUE MERCY SEERY LLOW OLET REASON UON LD SLER HEAD GUT MPRTANT NSGNFCANT RGHT WRONG URSHMENT -- POSON PRESE SLOPPY TABLE OLALE CONCENTRATED -- DSPERSED MNANT -- SUBMSSE NTOCATED SOBER ARS NS EART HEARES UN -- MOON HEALT -- LNS S NTR -- ERHR LO AR R SN SOLATN -- COMMUON RAI ELECTRCTY GULT P ATAED HUGY P - CHLD NOWN UNKOWN EP - SHALLOW ECHACAL -- SPNTUS H - SO ACE -- NETN MUAN COSMC TTY SG FCANT
3
A Rit R
EFFECIVE INEFECIVE SACRED PROANE CREAURE SPIRI PERSONAL IERSONAL JOY SORRO ROOED GROUNDLESS FREEDO SLAVERY AGONY ECSACY OOL AGUS CREAIVE DESRUCIVE EBODIED DISINCARNA RISING FALLING AACHEN DEACHEN EXERNAL INERNA DENSIY CLARI EXEEN RESISANCE ILLUSION REALI OBLIVIOUS OS ERVAN SEEING EELING DIICUL EASY VALUE ORHLES S DIRE INDIREC SURPRISE PLANNED DESIRE APAHY FAILURE SUCCESS ENCHANEN DISILLUSIONE PERECION LA ACCEPANCE DENIAL SUPID EVER DEAD ALIVE PRIIIVE SOHISICAED DECEPION ONESY SILENCE NOISE CRUEL SYPAY SERVICE IDENIY CONROL ABANDONEN SENSIIVI NUBNESS SIPLE COPLE SANI INSA CHANCE PUOSE RELAIVE AB OUE NCERAIN CEI DEENSIVE VNERABLE CA UPSE OPEN CLOSED REPULSION AAION PRESS URE SPACIOUSNES ARRIVAL DEPARE PRESENCE ABSECE DOING BEIN
All Rit R
5
P CC h prpo o h Grop Circ i in proviing bri priod or simiting wht h trnpir o th grop my proc n m to th xt rit. e polazaos o the soo a/o goup k, t's ote
eu to oee i the ete o the settg his has seea utos, pay eig a oue tasto po t tuas e the otioa aup o pzaos, patpats eet i the e to e oets eessay o the to proc with th work. It has e eee to keep hee oets e, iet a to the pot nothr v m to b ncorging pirit o nonjgmnt towr nor oth. I s spy a te to oue Wha Happee o
e pupse o hekig a gestg stoahig the expeee
thr i Rit tyt, thi i goo tim to cn th ovr rgy v o th grop mind n o ch inivi or tining th pproprit crmony to ntr. Wha e'e loking o is hatee pii prnttim ymic a tgges the ext phase o eouto
eeopet his s a ual pot to uestad Othese, the tayst us the sk o iposig hs/he o eals oto the atual goup estat It takes a peepte peso to dstgus etee the peset gog eaty a ou poetios a expetats o sae (See Rtual atalyst seto It's aso a good iea to oe togethe i THE GROU IRCLE afte a patulaly haged o log set o ituals Due o he k epth expeiee itual oten inokes, the eeent o TLKIG is potat to hep issipate the hage ote auulate akg a tegate "ighta" xpri th "etai" criptio o the pupose o psyhoogal assaion Talkg a aughig aso eak up xatos soetes ouig ate tese tua The piay oe o oup Ces s eeeg to stay ose to wht ty hppn athe than spi o to phlosophal souse, pesoal poes o oalzg his ze tees o ag eoute theapy essos (uless that s hat you t Thrs a fi i tw sychoogica itgratio a issig yor owr aay. th grop i dvnc in rit work or miir nogh with thmv, th Grop Cc is ood tim to dtrmin which rit to proc with bs on wht hs npird. it cn b contrct by combinig i otn mri throhot th Wrm-Up or ct om th oowg RUAL DESGN ction.
A Rit R
37
RITUAL CS n iin f Tciqu e eue e uent enin itul inei uee ie ele n eeimen it ne vee e ee iul e undet ei mbine vlue e tel, te et ee t be bbe efe ei tei cu intinal spone, "econd nare!'
I d ud ccntaton and ds p erse vlule ccumuad c oninui o consciousness is essenial or ritual
ne h nes and duraion o your atenio deermines e qa of o or. Disracions can be tegraed in various ways a sous d audo disturbance il enance our ork you a h cssar iernal adusmens o reer to hese as Sudac...a aud bacd f h teri. Dispersions o e Spacin e c be eliminaed y raiing yoursel o ) Register h h hag; ad 2) Fcu o h sato f your nd or f o hr a furher concenraion owards FEEING YUR
BD das h senc back aain. is a entry poin o SA hn ou cach oursel doin he opposie. PAY NY A Y ARE DNG Susaining a co of conscousness ill venuall coec h Eernal and iniiae ma
NT Cam a nti-dipeion device t reqire a stog sese o
personal boudaries ie. e borders o te Litle Cirle a o yor ra isef oudaries do no reer o visualized or imagined wls ese mechaisms or arbiray borders Boundrie r t outr ge of your maa. Discoer ho muc space you ill were yor eergy oins h od a s riphery. Coninmen implis sustining yor atetion and presence th your own ur or nrt fi wy o testing conanme is hrouh radiatng yo ng out to ts outer limits and lei NE K to et yo a t eter (o te ara) Beng afc ons on manatio elps eelo mlariy ith ones own e Subjc urslf to eing under te nfluc of your o maa
38
Rit Rs
ESCE eonnce connect orce wit te eronlty. I s the capacty for
egiteing yo cent eqency or energy leel and matching a sond o gie ocal expresion to that leel. It s n o t creang a ound or deteining t otcoe Intead resonance cots tself o serng he expreson of the orce or contac pont noled. hs acaes the energy center in the ae o the throat and sets p commncaon nes etween Person and Eence. he hroa is a sacred chamer interconnecting The ead wth The Res of he Body. Resonating opens the chaer doo o Spiit may pass down to on Body and tha Body may apire to meet Spiit tcing te energy wth a sound (Als see VOC CREATIONS section)
SNCC SS etnce s ozen eney. I s usay foud n a spec ocatn n
ody and/o an oerall ense of tension. Its frozen energy ecaus sme aspect of Self has een udged as eing WRONG and NO .. he way and so an acclatie inhiton deelops arond . Often mes esistace telf is rss ths generatng moe tension and ody/psychc aror nctifyin ritnce mens not ding it when t comes up, and int reltin to it orce of enery: a contact point Srender to thi oce an lt yor oy/oice ee ts xpessions no ater how tit contot ad galy thy get. Reonating wth reitance helps ak it p or accing a well. Reitance i not dierent than Lfe and at ion alog wih h rt o yorel.
DEVPMEN
ctl work N is eentil for endi nd y les. The eleent o followtroug perms s o stay wth ! ing o the ppoe of deelopment ad ts ariculaton a of metamorphoss. ollow-hrogh s especaly
( dn g oent where Nothing is appening wherey we I unt thing new eeges. Deelopment is a test to , " · ' 11 1 i l lI - a nd vall intery. I encorages us to stay with V h . l n h ' " I ) No M What.. .een if dies and changes on us 1" ' I I t I I' W \ I i. E contac pon contans ts cycls and hese
t
r u r epm uh epm pr pr uf ur . p r-r
S estue s a tua fuct f epessg ad ctag te pe f ea mmets. uring ru veopmen here eerge erain oets
ruh whih we'l "pek." In hese oments, n bvious plifitio ur inreasing ensiy f energy n arity o or estue cystazes the essece f a quality thouh the hole body s orm, pstue and/ statue. Geure frmes pea oent s wy o
nhroizing in (atenion) an boy ino a sigular, ohesive ireion. hen he body give itself otally to gesure, it tus ito ing sybol eoing the ontaine essene ito ts ellular ey ture rell. A series o suh gestures orms the developet o esonl! olletive myhology a living oe or ransittig itesit yth s te anuae of esseces constructed rom n eolution or eelpment, f gestues.
CSI Ces is the trasfmatn poit herei ne distinct quity o tte tus t anthe. This often ours ate oplee oiet t a
rtiulr onition resulting the onvesion o its opposite Aother nutor for onversion an be foun in those rituals where he outoe ais opletely unpreitabe. ur apaity or peittin unceinty i preliinary o transormaio rom one "reli unnel" ito aote ones points be isovered amist any rit where delopmt ollow-hrough are estabishe s constnt les.
SCI e tua fuct f sacfce eeases ret psycic eery iie
eans "to make sre" by n ferig Eetive sariie releses s er our hears n where we re denifed ariil ten oun i those eas where e oe somthin or soo e utgon Sae iplies etting go o attahet Bee erstood expresse, he tthen ust e le
40
A Rit R
riuals exploring ones Poin of Worship, he Deiy Wihin Ec can acivae his awareness of bondage A key o ndersding sacrce is ha wha is usually held sacred is an image or hough out GOD SELF nd/ or REAL d not th vng rsn tsf hese icons are images falsely idenified as he Deiy Wihin and so hey are subjec o sacrifice oher aribue whc s sbjec o offerg is te will itsef and our unwlngne o relax our desie o conrol and redeerine ocomes
PRAR ryer is geste cstlling te essence of our rpport wit te Dei Witin. erain forms and posures are more conducive o aalyzing
living communion and dalogue wih Source han ohers De o he highly esonal naure of hese forms, none e ssed, ye exerimnion is ighly encouged o loc em, nr hose ials se up fo dialoge wih Sorce and ly e l funcion of ERE
ytm is ritul fnction for expressin pts of energ tro oment n sonic rsonnc is slffrence device elping o
sore o lcm w ial aplicion insifies he lse and breah of rhyhm is also a doorway hroug rnce and losing ourselves Ryhm is also a devic for gizig op synchronizaion Eihr wy, hyhm ariclaes he cn parns of moio passin hrough slvs dring iual
LAY
nly is ritl fnctin wen iniils remin cmmit n nt contct point efore rin n fter interction wit n! wih he nterly of force ha riual deelops on it on. s ong as eac acpan rean ru er ca con o hei conac poins) whie reang o he " 1 / . p l a n t mn interactions. If you are thrown off and lose H w h y 0 l S a anyme, sop everyhing and return to N f ' " I 1 ' , / I"·i, aK n.
A Rt R
1
CMY onmy mples any adustment mde t elmnte artrr ment ...expresson unessental to conveyng a partcular qualty s e pleented y focusng on mcromomnts locatng your pont
na expresson durng a rtual It eans ephaszng te Sl,
ypassng tendences towards draatc dslay of feelng sound and re Econoy s especally useful for te purose o contnmnt o es and the re-drecton hrough he esh ise nstead of outward <ton t aes ore awareness to exercse econoy than not
EIG sn s a knetc dece for clrfn te psl fos ol om tment t an ntel contcsource he advanced wor o dgn
ls dsdenfyng oneself enough ro the forces at lay to recognze evolvng fors, saes and patterns esgn s te inteal exe tent o clag and "cleanng u" hyscl drectons tt eg out llng he energetc ntegrty In ths way hgher dance fors lo ro ntl attens exerencd ro he contact pont enga n hese patterns are clared, te desgn eeent s exressed nd eography egun
CAACTIZATI dnced rtul tetre work ere are redonnly ree sages o : ) Experence; 2 Desn; nd 3) Crtrzton and Story. e hase reures eotional surrender and te colete gvng o onese
ou payng attention to effect or outcoe hs s the stage o raw, lgen (sloppy experience so essental or SelfIntaton. e second �ge explores ineic desgns eergng fro te experence of the frs ase fo thei laiaio ad eventual choreogrphy. e thrd stage ome, sto mthoo ite e a vius two ses, so s ene ge an sutura nteg t en nct Charactezaton nles te extenson of n ntl soure nto t d t frm a ALK, a MAK, nd SE. or te sae of eti, these must evolve ro te contct pont and not created or
cted y personal eforts rog te process of ELAY te
4
All Rit Re
character develos an nderstaning of his/her myth, or story This ofte occs t Source Relations rst and en is esed wih oer caracter. The myth claries as the caracter surrers o s/er destiny by rezing is PURPOSE Puose manfests through knowing wa yo ant and how o get t and the are two levels of PURPOSE: 1 Ne; and 2) Far Nar purpose is w e ccr wns mm--mm Far ppose, wat cacter opes to accomplis lg . .t Bg Pcture. As al INERPLAY, partcpans are challenged to susta nernal dependence via the contact point. f a an time we become overy .
nlenced anoer person's orce and/ or ld, is suggesed prac o sop and ret to NO-OR for rsong or contact h Source. SERVIC
Th ta nctn o sice can b at gat ncait establhig placement in a new tetr Onc shered ino a new regon ether t e phsical-emoonal-pschc,her s oen a confuson as w d Ths s case a error s r fmr ad srnge t onesl, there is no preous knoledge of han een here. I s ur b wkwrd, dsrd d Srce s ha ct o m h s th t or ex, o can ge orsel t rclng he qal a orce of hr se o're n wtho havig to undtand ths apct. Or o cn mmc an learn ro
ose her efore ou ho ae een serg hat sae log enog t hae esalshed a sense of her ident tre. s n hs a hat serc preceeds ident and that n order to fnd onsel, a certan amount o t n serice is requred. CONNECTING ESSECE
Connecng essences is an efece echnique or ritals involvn multiple acets, networks and/or ner-relad regions L, e Hous Rtl as presented in te frs leel of or, Intatios. onnecn seces s he process o enterng one zone t's sa DREAM) and eci s snc n or od, then ... mong no anoher area et's sa KWEDGE) bngng the DRAM snc wth u Connecng thes to ssncs n our bod eokes a ne essece o ot combined: DE KOWLDGE. Connectng essences s a good wa to intersect rlms nd loce dersfed areas o mal and cross pollnation (The hg o remer s at or the essnce o emerge srongl
t
UrHt befor rgig it to aothr area and conectng tem toee.}
sse th tiy of t con, e ure ad quen e znes h to rg i yo pioly an eray Bfor . c, xn ac o mlv ft, or wo Take e "Hi ad vor th w iotion of essence ou e m
44
rDIl Thr Lvl k
h ITAL DEIGN secion hreater presens three levs wor INITIATIONS 2) DARK RITS (of the Sol) an 3 ILUMINA TIONS ...roghly paralleling Beginning Inteeiate an Avanc rial practce. Mor avance rital signs ten to ar grate CAGE IGT an IORMAION ts qn p ingriy selresponsiiliy n presence to poee scposy T gete te pesee, ommtme n eegy gnrt in t WARMUP te moe ppopite it is to rw uon rituls okin get intnsities Ts, the test mathes the tegity. p &
Inivia ingrity levels can e etet ing t rtal pparti phass o erin th ritals ost liely to aply prsn ynams. Th or grone w ar, th higer we y ntgity ss challng ..sailiy invies acceleration the qalit of the pepaati detees the ate of the tals to follo
INITITO S eny points or elInitiatin n inerna access; ritas
rqiring eoional srrene an ientcatin it orces evoe tss or xciting selfefeence n efinition DRK
R I T S (of te oul): ceeonial encners ith t
adow . eas sistancs an other locs to seaceptance; itals xposing nevlopd an neglec aspects o onsel toars t rclaiaion; (recognizing n ownig ones nte serjts; rites or tsting enunce mist intniis ritas or release an tanscenene s iic i no possle o gin e itot aving prevos pss hogh Dar tes); ests or liying for u opn of prsonl
& collctie mts spiriu n plnt cronis
LL T OLLO N RTUL B ND ND N NO!O. N RTUL MLT, RTNT RTURN TO NO-RM O DLV DNTTON, O M OR NXT RTUL B R-NRN NO-FORM.
A Rit R
45
SESSON
SALE
foowig series of activities demosats a typica sessio i the m of ritua theatre T Physica War-p priod remais the same l sessios i suggested pracice to eter some fo of Poarizatio r eterig actua itua Deig, primariy for the puose of oa exibii ad sf-catayzatio.
etting is selected and a rare area estalie. } e rital setting is sanctied wer st is discvered and wned. itte circe is cnstrcted. reparatin r Pysical Warm-.) eitatin Spinal lex Stretc Sweat. tranitry rn is selected. et t te Little Circe. larity is selected and exected alne. ransiry n n yr wn.
p circle eedack and rie ttepint cmments.
ita Set DETY APPACHES p (See IITIATINS). Ater mving I g te tree appraces jg arnd te eriery f te wrkspace erating yur insigts. Wen yu are dne meet in te center te m r Grp Ccle.
Circe Tis is a rie 35 minte) cecking in perid fr cmments and etins in a nn-jdgmental atmspere See Grp Circle).
ita Set up lr plan fr THE E ELEMENTS See INTATINS) wit Ihe intent self-discvery ie n grp interactin Ater aving lred ALL IVE ELEMENTS retrn t NORM tside te ritua ena. playing time 3 minte) Pceed t Tranitry un.
A Rt R
46
u Whie ogging expore irectiona an nonirectiona oes ocating your point o baance Vocaize the oes whe you run
itua Each pticpant seects an EEET to serve (oe ELEET ay be paie up an othes ay be acking atogeher I ths expresses the true sate o he group at this tie go with it Te ynaics wi reveal the innate irection an sape o the goup in In other wors there is n nee to ake it perect or syetrica ths is nt innate to the goup at this te) Each paticipant enters OOR outsie tha secion eignate to his/her EEMET When a are in OO participants enter the EEET an absorb its inence wthot oving When the ELEET copes oveent participants serve its expression nto a rytm, son, an dnc hen their ance is strng enough t be chaenge by interaction they o so The pose here is in iscovering ons rltionsip to t Wol throgh e vous eects ne as on others an how one is inuence by others wil rminin tr to t
soc of on s powr in t T cosn
Intrt STUR to rticlt t ssnc of tis rltionsip to t Whol. Expeient with a series o ETURE an pay attenion to the
yth an/or sory eveoping oow everything to its natural concusion Tie up loose ens nd cycls initiate beginnings this way Be sensitive to the natural closure so you don't have to orce yourseves pst it ter the ritual everboy returns otsie othe arena an eners O-OR
Circle Here, a oup circe might be mor manatory for integratig and movig o Keep it on-uental an epry no n to rationalize and try to figure ts out now T ain ntnt i rporting what happeed. (ter the group crce paticn wis noe ritua I so one can be constructe on the basis o te cn nes o te oent In avance ritu theatre work entire rtu sens ae constructe on the basis o iniviua oerings usuay eegng ung the War-Up cyces e certain issues ay eerge whie wng ot physicay ha
Rit
7
ish her exploration Rituals n e odesigned through
ining more than one onta point one_ suggested y eah person) /or from a series of rites evolving along a ertain theme Sessions an nywhere from 2-4 hours, with three hours eing the average The Up yles alone last aout an ho)
S
e mus a eu fe t is not suggsted the final ritual o
sion ad/or whn it eomes oviou that the intea dependene tipants is srong enough to ot e roken. Musiians tae note: to
ve lon te siit of tis o, it is imotant not to imose musial ctions bu ent an eten te eney eesse by tose iciatin in te ituals t may e of great help for musiias to also O-O ad loate the same ontat poits within themselves as itual partiipats have. This onnets evryone to the same soure ad its son ohesion Musia insruments that have wore effetively pas are: PANO, SYTSR,LCTRC UTAR, COAS, CUSSO, LUT, and CRUS) he tet f hs k g a ea s. Musi i introdued o hallenge the rity of his intent and inuse another dimension, while serving to p the psyhi atmospheres preipitated y ritua pariipants
Rit R
48
Initiations THE INTEAL LDSCAP Eve moment s an ntaton for tose ving y te laws of ter nt eng Gaig enry o he inner sanctm o the Sel reins an enigmti
rote unil hrogh pracice one ecomes more miia with is spirli pah nce one has fon heir way ack an orth etween he Worl a he So i is te rdge twn tem which nees srngthening so as to assre or passage rom one imension into noher nititon is ti trdmension sft twn "reaty tnns" o eit one tnnel o aachmen o i ms issoe eore we are shere ino he nex corrio So a certain srrener an/or sacrifice is reqire for each iniition o inerimnsional shi Witho his willingness or intenal srrener t secre passageway is ocke y he ocke oors o or atchmets resisances an ears One of the greatest ntatons humans r pe o s wain up to themsees. ne orm itiation akes is in or ratv rspons to t unknown A creaie response is ale an rel nlke he mechanic
coniione reaction we are also capale o For eample fear is common mechanical reaction o he nknown Excitemnt col poss reer s o a more creatie response o hs sme nknown Ech h wakes up ierenly ome o s pop right p wih riht Is an s tales ther wake p grmpy a if hey wol rther remin in e sleeping niation always reqires a oce to be initiaed, a diection is seected nd path is hosen and... someties, it is the path that chooses us. his may e s stle as the willingness to relax choosing which is choice in isel or as ync s climing he torit o tine t spe o yor re
Bfor an ntaton an complete tsf the initiated mt nrgo lt trnsformation from one stte into anote nding t rsion of bcoming more of wat on aread s Witho a ness to prticpate wih o whole elf initiation ses initiatie an
chanistic To tiat w to leae he realm of he ter e em o/ he ee o os ow to b wat it t "re" Initiation is in or wiines to merge wt t c es lie withot insig the spar o
I l r l 1 l'ignce to its intent his i t irs thig to know aot
1 w i ot which here is only rotine
Rit Rs
49
CRCLE OF N OFR
e aoe or i a op, eer he Noorm sce in he cener of he setig itiate te Cod of kowg Visaize o sese a circe od yoseves (o e oor beow yo so a he Cod(s) of owig is cotaied. he sroges pot of Noorm projec he e o te Eat otside o yor cea cice so at is orce as a e s ow wic s te emaing aea of e ra space. Wen yo are y, om oorm step over the bode o yo cetr circe ad ino e oce o he Eart. iscover how mc yo ca give yor body o he t iscover yor wigess o competey srreder o e Ea ad a vece for ts expessio ...hrogh sod, gestre & motio. Wen pete e to te ceal circe ad reeer e Clod of nowig.
k a cice ad projec Wha Is Most Tre (a this e and space) inside ater eerig NOO step ito te cice. Locate yor po of ve to tis qaity by ceatig space for its expessio TTAL ACCAN
ate Contact Poin wi he qaiy of TOTL CCEPTNCE. fter edeig oesef o i saciy yor spae wit tis qaity so at "a pemitted." TH OD OF YUR HAR
ate Cotac Poi wit he God of or ea servig s expession o a gestre commcatg s essence. Ten, begi a daoge wi he o o easo, moion, ad geste scove a new form of ye s iteato
oom, oate at Pot t ttes moio" eegg assng og o e tese t ee Go trog cyces o ttes, ettig tem e ad e e as ew desgs sover nt s nsnt as a et tg gace edrace
5
A Rit R
SHAPIN
ocate contact point with "shapes" that come and go throughout our bod ie "patterns o motion," shaping goes through cces and challenges our capacit to give our bod over o these shapes Find the shape that resonates closest to o innate sense of who ou e DEI APPROACHES
Project DIT WITIN to a specii area of the ritua setting Projec a pah fom o-Form to where the presence of the IT WITIN resides From N-FRM, traverse this path and simpl e eee Wal bac to N-FRM Approach DIT WTIN again, th a question and be in Its presence h he ue Retu to N-FRM Approach It again s ee Re to N-F
DREAIN ORS
Designate one side o room o N-FRM and he opposite side to FRM, wth and eqa sie spae between them dedited to DRAM From the potentia sate of N-FRM, step into DRA the ream o man possibities, as o et, uncrstied and incessan hanging Pass through DRAM and olow one o hese "pibiiies ou ino FRM, wherein this possibiit immediate crsties into Vd, Sf su complete with its resonating sounds FOR a hgh-s ze h mme ahes s absu eak ss Ater sng ts essage, walk backward into DRA dissolvg the om eeter the ealm of pssltes Ten, back nto -FO Repeat e thee tes and go deepe each tie i a h imio Whe e de take the three gestes and connect them tgethe as a es we lookg for the st/yth it tells SPINAL SLDE NI l F( )RM , whn the Little Crcle, sense the spinal cord as one 1 " ' , t ' l I I d pol' . frm ts base and up to the skl. The top of the pole 1'
' 1 ,." h· " 0 1 qualty accessible " d the spine's base, he d nsst 1 ,I " h- oVr lw ou c slide yo consciousness so it
A Rit R
5
sies. hen slide up o he op o ari awarness. Prae sliding up down his spina elevaor haengig your capaiy for owg Top Boo evels. Le your voice mah heir energy levels resonae. The is h creaing more space ihin yo beig by sechig Top ad om apar hence, deig your desiy an heighenng lariy. I uncion wh he Sal Elvaor, selec ha evel mos appropriae o lore in-deph. Le his vlome iclude he enire body so your ole sef expresses ha oe level of onsciousess.
THE TREE
ocae ona poin wih slf as TREE. Sse Top and Boom energy ures... he sun shig above he earh absorbing below. Deerme hih soure you need energy from o resore poin of baane a gve ourself over o i. scillae beween he roos ad he branches u you aze he whole ree wihi you. EMOTION ESSENCE
and n No-Fo. Proe an MTIN behind you leng i exis here is le and olor. Invie i n hrough he bak o your N-FRM n sars moving your body. hie movng, begin paring away any birary or exess moion o arrve a s essene. Resoae a sound ... GR
One side of he room is designaed he EAVIEST IGT aessible he opposie side, he GS. Te gradaios in beween ariculae he rasiions. Sar from No-Form and eer TE AVST ... moving owards he LIGTST. Pause n he ceer o hek your baance. Move ak and forh uni boh sides grow eual valu:. PLARIZE. BTION
am as AIY/EVTY . . . bu replaed wih he S V ad A N acessible.
CREORETROERNOURIHER
Mark a are range and n s cener an area dedicaed o N-FRM (hs ru works eceedngy we w numbers dvisbe by 3. Proec nsde each corner an aar o serve as a foca pon for e: CREAR DERYE & NURIER Fro N-FRM approach he aar o e deiy you need o devoe yoursef o for overa ance Deveop a prayer, a chan and a dance of devoion o a dey around s aar eurn o N-FRM o disengage your oyay and en approac anoher dey proceedng ke efore Evenuay vsi a hree and hen sar movng drecy from one aar o anoer n a crcur moio passg hrough ech devoional ton as you go Reu o N-FRM THE FOUR ESONS
Mark a arge circe and uarer designaing eac four o a dfferen season Pace AUN & PRING n opposion as we as UMMER & WINER Desgnae e re ousde e Circe o N-F Fro N-FRM ener he Crce and raverse hrough hem un you can acceerae e pace of me wheren you pass rough any yers or seasona cyces n a aer of oens THE CROSS
From o-For vsuae a age CR aove you Draw down d be n s cener were he wo poes ee Le fuence your whoe being hen epand your eng o he cross o e nsde so your sou akes e sape of cross REINCRNTION
eieae e roo no 5 ssocaed areas so e foowng dimensons ae ed in a inear cycc pae: N-FRM BEING BR LIVING DYING... AFERLIFE Parcipans begn n N-FRM and ener G BO From here ey raverse ino LIVING and ono YING Afer DYING, ey ener he space desgnaed o AFERLIFE and ilraf k back o e Wang Roo of N-FRM o e orn agni. Go hrug as many encaaona cyces s necessay ach for olct crrens aong he wa e een fees e open o 'I\� ohs ro whaee sa you
Rit R
5
TE IVE EEMENTS
a large circle with a little circle as its center raw d uarter the le circle esignate elements of FIE & WATE in opposng uarters AI & EAT in opposition, as wll he central little circle is icatd to the underlying, bonding force f AETE esignate the utside the large circle as N-FM From NFM, enter one f e elements at random nce inside, giv yourself completely unt the d emees to ente te ote eements, ten, do so Pass through the TE anytime you feel lie it Freuent the elements eca which more accessible, which were no eturn to N-FM Reenter circe to cuivate a deeper appreciation for he value of al five ens and the energeic cions of each TE AN O OVE AN EAR
at with a standing Group Circle in the cener of setting with everyone ig away rm ceter While touching at the shoulders, everybody rs NF All project a sphere of PU LVE 35 feet above the l f -M 5 eet in nt o grop is the periphery of a larger l nclsing everybdy n the ther sde of this border is projected E FEA ZE The intent is draing don PURE OVE from the ere and bringing it don through he pen cron and into the eart ter here it generates isef When the geration of PE LVE is ng enugh, participants resnate a sod t its power his develps to a tone a meody a son When paticipants are strong enough in ir LVE, they enter HE FEA ZNE binging their VE with them and when they lose touch with their LVE and ae overcome by FEA, y find ter way bac to the center t regenerate their LVE he ctin is wih bringing LVE int TE FEA ZNE and detecting its time to return to LVE again The "EASNG devloped lier is a device for maintaining LVE in TE FEA ZNE
TE PI
a large circle with t ittn p dph it it, as i a rdepeig pit Th, pt Ca t ETH, WATE, FIE AI dwn in there lttg thm , wim, cracle and fly about side In N-M, wal an th pts periphery sensing he ctivities brewing down ad n th pt After a revoluion o -FM, enter the pit and spial dwn to its deep center o choose a
54
A Rit R
creatre to ri ot Choose the creatre yo elieve has the ost t teach yo Bri the creatre ot of the pit and ito a area that yo proceed to sactify Dialog with the creatre to lea ow to gain its alleace, knowledge ad favors fter yo are coplete, rin it ow into te pit aai ad reslve the relatiosip Move ot of the pit ad retrn to NORM BY F IGHT
ro N-ORM, project a sphere of GLD, CRCTERLESS ENRG aove yor head Draw dow a ea ito yor cow, lettig it ill y com bam, so you catayz your "ight body" ad let its esseces mve y arod Resoate a sod to atch its ality fter developet, project this iteal "eing of ght" ouside your body and dialog with it as a autoomous force. When yo are coplete, coad the eig of lit to retrn to its sorce in the GLD SPERE ave Then, ret t N-RM THE THREE TEMPES esignae hree separae regions or rooms as Temples of he: HE, HERT and GUT In a netral zone, se p a grop NM circle while standi rom NO-ORM, jorey throgh each teple to srrender to its Point f Wrship (ead, eart or Gt) ad to for an altar in each as part of this process fter traversin throh all three, retrn to the Teple yo eed to lear ost aot Go tere with the intetion of apprenticing t its God y ecmin a Priest(ess) of that Temple Discover the ritals, sons, prayers a editatios appropriate t that eple ad serve the PW that akes these possile When yo l t e, exit te eple as te riest(ess) riig the power f t eple wit yo ad eter the previos etral zoe t iteract with iests d Priestesses Whenever y lose toch with yor , etr to yor eple ad renew yor PW i oder to retr to tIl' Itectis with yr reigios pwer" restore
t THE
TUAL
ycc psychologist Car C. Jung often interpreted e sbo of hose reams as representative of the e, with each roo eressing speci ea compartments wherein prticur aspects f te sye ose t !e. Within the symbolic angages of both Tarot and Astrolo, the phor of the houe alo come into significant focus. In the Tarot, the of the Magician is related to the secon letter of the ebrew aphabet h meanng. . . house An atrlogical chart i divded into twelve ge referng to pecc area of life activity n thee areas are called uss There are, no out, countle other references to the house as olc of oetg ele. h rief ntroducton will ufce to invite our cpaton in a rtual ntation using a real hose The kind of house best suited for a House tua i one which ha been made into om. t help to have at leat four rooms avaabe and, le, a acyard. Each of thee room wi maintain distint nctons all will e aociate towars the ngular intent of procurring in of itaton rte . .. one wherein the everyday, mundane on of eh room re plfe to archetal tatus. A each hoe is eret, t wil te arefl oervaton n eitivity to detect the racerisic energeic o e ch room so to orm the bai of the m en to that area. or exple, hallway etween roos ight e ge a OOR ZOES. Lving roos could be named TH L WT, en gven to THE SHADOW, edroom to RSHER, the offe .. EMLE. Oe aga, each houe dffers and e namng ought to sycoize with the innate feelg of each room d, extend t to a unveral apect. One room shoul be almost completey cleared out of future whie hers can remain the way they naturally ae Ts w create a ind of olarty the ettng an support overal chi of the ritual Rooms th furnture can be rerrnge and ceran prop can be brought to plfy evoction. However, all fuiture hou be designated symbol referg to a pefc ternal tte or enion, i.e., a couch is ecate to the experee of SAET, o wheneer anyone its on t, they e perete wth th lty er hr l e deignate as TH MOBLZE SEL, pog ooy for thoe who see this et of elf-nowlege.
56
All Rt Rersed
oher ords, eve mudae eem is charged ih symbi sigiicace ad he eire house is rasformed io a muidimesi chamber of magicka proporios fte te ig of l te oo availale o is itual a te llways tsito oits etw oos), we go ito the ckya to ecie o ts ctio If tee ats, gaens, lawns. us thm Tey ca ll e esgte s evolv ses log a sigu foig oey e woef tig o icig ackya is tat its oietio is oosie o te ose it a igs ote olaty ito ly If te is cky vie, ay e ost effective to esignte at lest t of it to ETH, EC o soe for of TNSFORTION o oe s ito aote Tis leve the ouse tself oen fo ritatig os w slf. Oce he house ad backyard have bee reaed accrdig archeypal forces, i is impora o mee as a group i e os o room he oe os minimaly fuished Hee, gou cicle covee fo eiation ssiy a Paye Cicle) te itctio of i ie Te gro te tkes a wlkig to tgh ec oo wie te fciitto exlis thei vios fctios o y ws to c s sigs ove te oowys of ec oo to e ics g t wy.) fte feqetig ll te esgate s, tcts so e outsie .. efely to fot oc wc s esig s O-OR is oit a ief ysicl wa s sggest ytig fo stetcig out on the fo lw to seve ls ggig o te ock i aoiae o, sk ticits to wu efoe vig. The riual, as a he hers, sars i NOFORM ou h fro prc ad iiiaes isef ih h ery hrough e fr dr ad io e firs room Paticis ae ecoge to give tesves ve to ec oo, wy se og te soo of ts Hse Rit ow t east two ous fo eveyoe to coe thei cycles Soeies, eeig o e ose, ts c ke ws f fo s o so Ar comei, aricias shud a NOFORM r rh hre sme kid of igh d d di i sd is s g te o se te ews of o ititio Hos Rl s wit evey , goo ot of tie is eque ftews i NOOR) o vce wok in te House Ritl, se te it fctio of CN ESSENCES
57
All e
SMP P F US ITU
Death
Dream
(grden) No-Form Noulser
Sadw
0
T h e C i d W i th i n
N
Porc
A Rit Rs
Dark Rites
the
59
EUCE fter gaining entr to the inner sanctum o Self via the previos ons section, a new level awaits those who re willing to test thei tent, tegrity and endurance ark ites open up shadoreaed s like persoal fears, hates, resistances, frusrations, ad oterwise ·td ad tus, undeveloped areas within te Soul These areas of !enial are in need of attention, response and integration before any ece of te Soul coes to life i e bdy particula chaenge to ark tes seems to be wit testing our caact for edurace in he f grea iesiy Tese ae tialsyfie hatver the fire does 0t ren, it wll uge away ark Ries are bessings i isguise. especia for hose paricipa ig on he precipice of discoverig heir o Shado. Often we ar
obilized by the seer lac of expressie moes available to release se forces into conscios recogntion ark ts provide riggers and s for accessing and expressing the Shadow They enabl h ortunty to face our fears ad befriend ouseles til we ar read t race the Shadow itself Te bright side of te Shadow umiaes o es wth its enormous viay withot whc, we over-orgaiz ad d rtally If it were not for chaos, evolution would not be ossble at a e truer the chaos, the truer the emergig form ar tes prepar s for unations by helping us cltivate an appreciation for chaos, witho ich, carity of form coud never develop
Our Shad aspecs are but disrios f our rue uaiies; herey, there is no spi beeen our defecs and our uaiies. As we
me to recoize and accept our defects, we can ee them trasfom and nvert into the qualities of our innate beingour particlar "elemen" rk tes are especially healin to indiiduas with out-of-control, oinfting tnencies O tose phases eerydy goes throug, on casion, were we deny anyting bad, wrong, ei" and/or "stupid" out osees In ese ases, we ted to lam others for tose esirable taits we rese to accet i ourseles Tis demonstrates on ay te owerfu psycic pojetion ms oses control The ritual unctin of POECTIO is a method fo eging comman of wa s naely a psycc bilitya capacty for ca an obect (taisman) r sc ( ) w on nrg (aso cald e-s " n n d n conciou or ntr lnns of advanced rtual , proecon s nssy ll
6
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DETH
roec DAH ino desinated are t leas ten ee rom sel. From -F, lk nto is terrory and surrender o its inluence Brin s o gesure communictin its essence and return o orginal re o -F. etrn o EAT again tis time locaing your COACT WH EPONE TO EAT eelop relionsip it AH. eurn o -FORM area. DR DEH N E WRIOR
ul e. c indidual prepres lone in teir Litle Circles ne s Conc Poin i DAT PERSOFE and te oer, AROR e WA deelops a song rhyhm an an in is/er Little Circle, e DAH PSOFD tunes ino ARROR en eac is sron nog er negriy tey leae teir ittle Circles and ener pecied ren o ineraction Ritual intent is or tese to orces to meet nd nterc le remaining true to teir repecie Contact Points. AH crres e poer o touc and can terminate WAIOR it it. WA s only s/er song rytm and dance epressngis/er to iv DAH deermines e end o te ritual by eiter toucin WAR or reng us, grantin lie etension. CHBER OF DEIGODS
From FORM stance project a ertical ube/colmn o neur eerg running rom boe and down rou your body and no e lne belo e top o te camer oens up to AC O nd e bottom EMOC O ngel y up aboe as demons surm and sou rom elow et angel all own trou te camer nd demons bubble up om elow One at a time elect one o eac o E & XPRESS, en sen back to teir source ee are apect o Onesel. E IOIION
Proec Immobilizton My (o and were you are suck, ied and cruciied) into an area least ee away isualize tunnel or lla connecing you to tis circle. From O-OR walk troug its passage o te circle to embody te m, hav i is ie me or
Rit R
opment and then, project ala aea with s cicl ia \ o ISIION Upon appoacng th ala e h h is f so you are left with its essece Resonae a so ith his ali its shape ive yoursef over to full-body ges s a sa ssing your Immobiization Myth MOST EARE THING
ojct MOS ERE IN into an area ten fee in fot of sel m NOFORM, enter the circl while bingig with o h eleen ICE as an ay the ac of sacrificing aspect o self in ode t and espond to the MOS FERE N evelop o a danc song (You may not have to sacrifice anything is he i as o ed o THE LACK OX
esignate a area of he riual setig to RESISNC a oec i i ts region, a BCK BOX containng "ha which is os v Jou o and throughout the RESISNCE searchig o HE BAK BOX pon finding it, ope it up hen,elae o he RESSA ih ha ou fod inside When done, place the "mos valued" bac io h BA OX and return i to its pace in th cicle Ext the cice o -FOR THE ROKEN SEL
Mark a circe (this can be you ittle Circe Proect BROKEN SEF o OKENESS into circe Ente the circe, srrendering o h influenc rin eveop the maerial hrough sounds, gesues, wods phrases nd an eventua monoogue to narate and transmit the Mth of the roken Prson Return to No-om THE ANGEROS WORL
utivate ittle Circle for optimum safty comfort a vleabili anctify its space for maximum ust and permissio o os Stabilize its four corners and develop thir entic funcios Wh ompete, dsignate a the space outside you i icl as h NEROUS WOR hen you fel safe enogh o iss, sep outside and exploe its erritory knowing anyti egeeat safety i he ittle Circle I here ar oh dsi
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HRS DNGRUS WRLD. h wth d si saet mds h ds. NHTMRE
M circe. PRECT eay IGMARE side. In te cces c, vze ad poec a veica beam o GLD ENERGY. Fist, cc pe IHTMARE ...being de s eec, whe pe ce. Ae devepmet o ITMARE, reat to the GLD BE o NIGHTMARE. Daoe wh BEAM. Then, d, p i e GL BEM ...bn ITMARE wi ou. Le GLD B c NGHTMR. R gh NGHMARE ad back N-FRM. EMOTON TRNT
F pc, desgag each coer to one o e oowg SVIUR, PERSUTR, VICTIM. Te cente o te tiage is ddicae N-FR. Fom NO-FRM, move o d poe eac c d rd is luece, etig ose b shaped b the c w dvep a carace wh spes, se ad wa ike VIT, SVIUR PRSEUTR. Make se ad vis a hree p boe e NFOR. THE VNE COMED
ea a ae a iua loo pa esiate each sie o he w ea saes: HELL, PURA TORY, EAVEN . From OFOR, ve each side movg thogh each sae ..as oup o b os. e's a op, pace everbod sde the ae ecep te v. up ctio as Gee Ch, prvidg sounds and movmes o tes h tavee epeience each enso. p he e dedcaed NFRM. W avee ma , vebod ees FR vee to e t.
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6
E]O
ete rge circ th is so spir Designte he otr periphr to ERFCAL- URFAE ELF n the centr re s he DEEP -COR F h nir spir is HE ELF ith th grions beteen the rfce n the Core interce th "blocks"nd resistces tr the FAE re in No-Form n begi spiring orsHE RE th "bocks" ong the ork through roun hem When vig the COR , e is i deermine h oos SUFER, ROP N IE
eec spec o el o is o scrice Fro F, e hs "se n ve ee behn o in o its n coor hn, nvite i in n e F, DRO AND D s moveen insie o ppropre, onc ner or he o e se i hppens, reinte PIECE O RESISTNCE
no h Lit irc, proect REANCE, reering o htever ubconscios resistnce is occring Ener th circe n become the esisnce nti it ors or chrcer Peoi eice Liv i ou possibe, exorcise "the entit o resisnce" rom o bo n ree ith i en it to th Erth o be re-possess Re o NO-FOR HEIN CEREMON
Locte contt point th bo pr in is-ese Give yourse over to the irs or hever i is Then, er eveoping i s chrcerenerg, isengge rom i or the prpose o iogng Fin ou h it ees on I o r re, con i to eve b riting or n nerg NES IN HE
n or Lite irce, proec ANGEL NG "th nr hbi o the ngeic se" Enter Lite Circle nd mke orse home in Heven Designt evething ouside yor Lite irce s ELL then, n some to o o your Circle nd ito HELL Expore HELL
64
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h wh h ANG KNGDOM. h ANG KNGDOM. ONS
NG N ou by vg h DMON AN n f h DMON N HLL. ohow p AVN (th p utsid you L ir) hn p AVN nin DMONIC NTGTY. If ou ar v AVN n you i i n rim DN AN N me. NES N EMONS
Gp . Dv om n hf...n id i AVN h hom f ANG...h h H h hm f DMOS. Priipn ar iv inh h omain. h id im o vp w v dii (s DMONS ANG) hn p vti bn wh hir rsptiv . (ANGLS wh h ANGS DMOS wh oher DMONS.) Whn oh p h pproh ah oher phyiy and pond i hir sr whatev sponse nfod as DMON ANG na n h hers erriori. MMU CC Thi i olo cmony ased i h Jungian psyhoogia mode of th nima & animu) uggesing tat witin eery man there ies an
uon innsey eoti feminine fore responib for inspired rativ nd uy. n womn its ad he a n i u a seforgin rion mauine spii wieding high-foused reaiv an is powr. Beside projting the defs of our Shadow onto others w a nd o proj he anima/animus ono whaeer extea oman/man mos sy repiate the feeing/apperane of our inner oure of reativy r Sou/Spirit. This often ours during the ne ommony nown as Faing n Love (ead n of IOUS in ANEL TEC by te autor; Faon Press. Of slwda cone ere is en igFyng omane eiits e visra rt'po hig ouess & motiony at during te absene of Th Ik-o-. W e Belove ?!?
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65
h i bhid hi ia i pai h- n ovd i oio ogiio a h Aia ogoig appor ad aiohip ih H H a w agiz mb o h ppoi e a aioship ih ha ap in onf a an a aoia ith h Fi Wih a-v iv tc hi ad ar daw o h pibii o in h go o h WoaAim appo (Sic h a iao th ahr i dcidd hro o i a a h xahoosxait o pc o hi d a thr pot is capaciy or aratig mor a i our i via h psychi ogniio i i Ci yl
orew
Th ANIA/ANUS CIRCL i ggd ho i g o mani i h-od i i ao v av ded p i CHAEL RILOUS a a g i d avig an dr h p o nim ck a o ar oed b thi spiv AniaAnim di a h Aia attacks h ma whn h ha gd o xpre hi fi hi own nd hu, uccumb o moodine of ic pporion Ai a h oa h h g o conro e own min n n o onrolli xal in a nonop arn of efdnia hi id o ossio a b dpsd oc h Anima/Anim i a h di sead o indirect by our idtiiaio with i ( had o a o omo he oe oo bs ein him/h) Th ANAANIUS IRC iua ha wo par:
Par One: Aer a horough preparaio, ar a ir ad ai it
pac Sad ousid he cir whi acig i a NOFOR rojct vhing o iat o o b h ANA ANIUS hrat erd to as ANI io h irc (Yo a hav o "a AN a" o hvr s/h was as pojd) Fro NO-FOR h ci ad /ns AI thr t AI n o rom hav pin in b d/o aa he deire N o o /r urredr o ANs nn a v o poss o (Mak a co c o oce or tis to occur so o no a t s i) Giv yours ovr to eom I y ting A hap and dtrmi ach passng ot Creat tim or dvop hn crsaiz h ssce o your voto o AN i a g hi rsoaing a od/e/sog to atch this "cra
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Spe eogh e eaizg whaeve hage AN ise ...he eepe he NO-FO he fee yo' be. Whe eay ee he ie aga a epea a Oe yo ae evoioa ag. he poec AN out of you ody whie i he ie a, sa eaig o hi/he. Etalih appot. he eaioshp ha eses, f o wha NA s/he wshes o be ae an wha /he doe et. o thi y akin diect uetion. Oe yo o hese wo higs, efe o AN by ae a oa AN o o wha s/he oes bes. isove wha io AN pays i yo psyche a wha yo oe o posiio is eaio o his. es yo ewfon owege hogh appie expeeaio. Whe yo ge i o a have ha eough, exi he ie afe esovig wih AN. Re o a eep NOFOR. To: xi he le a e o NOFOR.
%e Lvng �unera£ A ivin uneal i any itual enactment o ceemony fomalizin emotional ando pycoloical eat fo the puo of elfnwal. be as spe as a 10-e soo poaizaio o a 4-ho gop effo h eaboae pepaoy phases. he piay ie ehi a Livig Fea is ceating the pace and peiion to die and e reo. How his is acaize epes o he iivias pese, hei ia owege a gess o be esposibe fo geeag a ssag he powe fe os oive o is foing. e foog i ass ae exepe o pevios exee Lvg Fes fo hose wishng o fo a basis fo osg ew vesios. 1) he gop sis i a age ie h a eas 3 fee of spae bewee ivas. veyboy aes s g abo pesoa exeiees wih ay fo of eah. he eveyoe is ase o ename eah wih ems) coiag he essee of he peso expeiece. ) HIT THE IT... A Chies Gae. Oe peso is ose as he
xecioe a eveyoe ese ae eioa iis. he xecioe sans in he ee of a age e ae p of he ohes. Lou o''o o marching sic Joy ivisio has woe we) sas he ie of Ienional icims oving. Whe oe of he is ea o ie he/she ahs h anon of he xecioe an oicaes his/he faasy ow se/he wishes o ie a/o be ile. he xeioe ecreaes seig a eee he haaes o l hs
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67
tny ring the fantasy enactment, the others stop an watch They also avaiable to the Exectioner if he/she reqres moe payers to plete the scene hen one, the circe conties nti aothe Vicim s forth take thei trnthen al lfil th Exutio s fatasy
] AT I DONT WANT TO E WHEN I GOW nother Chdren's
e Each pacpant tkes ts presenting a characteizion o the of the grop in a spotlight sitation his chacter is the irect eson of the title of th tak Care shod be taken to be as hones sbl and to relate y yecontact with the others rig yor time e the spotlght
EETS a confeional exercise Prtcpants iniviay approach
er members and whspr a pesonal ecret abot themselves to the er This secret ca reat to presenttime fears an/or feeligs we have ads others in the oom or things we havent tol anyone before abot ersona history The inen hee is ih bdg s Livg Fneras uie deeper sanctcation due to the knd of verability necessary for transformation thot a good dea of trst an safety, this rita ns a hgh risk of eing contrived and, neffetive
TE TWO AIS circle of Pied Chairs Each participant has a
ir of chairs and these pairs encircle the setting One chair is deignate e Seat of he EO and the other, The Seat of he SELF From O-FOM, one sts in the EO C firs an gives over to ts erspective Then, when complete, one entes O-FOM an sis te A OF SELF The task is aternatig chars so one becmes acqainte ith each perspective an the manner by wch they CAST JUDGMENT
JUDGEMENT DA Two patcipants sart o siting in wo chars,
one in the SET OF EO and the other in the SEAT OF SELF The rest o he others await abot wenty fee awa cstere together in OFOM h pron in the SET OF EO calls a nae by ranom whie the person the SEAT OF SELF simply beckons tha person forwar from O-FOM The prson called now stands facig the seated two while he EO casts is judnt on that person hen done, the SELF casts its jdgement The person then its in the EO CHA, whie ha person oves o he SELF C nd the pevio SELF oins he othes in the OFOM grop cluster The pocess repeas itse with he EO cing a name at anom (t might be appropriate to have h SEF sa he EO when it i reay to sat the next cyce a e o oca contac pons with EO an SELF
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Partiipants lay down in rows, mu ea pos a arranged. hie lying on their baks, they a ent -F and Prot That Part Of Me Which Is ying or THE YIN SF, ix feet elow Lt it exist down ther in all its fading ife an aa. n yo ar mpty & hollow enough, invite the Y o nt yo body o behind, filing you with its presene. in sonating a sond to math its energy. Throuh deveoment, lt i o o a word whih is the AM of the Y SELF. hil ti s apning, pot th STATE OF A above you and t it vo on it own Chant the nam to send T Y LF up an ou o h ody and io th STATE O ALM OF T AF Can na nil TE YI SELF is gon and absorbed into the ra ov...hn sop hanting Be ih your deah ) INVOKIN TH IN SEF.
oig th prvious ATO and having been with your
, o sounding aa as T AT OOM or LMO na s n TRNSITION BTWEN RMS hen you , is an ov ino tis zon If nontering othes do so as if o wating togh. Yo ae.. 9) oing LIMB (#8, paiipants sarh th area within te
oais of h AITI M/LIMO aea for "void spots" w ing o HSS is strongst nto these aeas, projt a HBE F -FM Entr th hambr an merge wih -F Fo hr, oat yo ontat point with your NEW SEF t SELF ood h hamber and detrie all dietion. esona ods an i vopment, evolv a AM fo th LF. Chant nae.
INVOKIN TH NEW SE. Partiipants take turns laying on te
oor w ohrs stand overhad, quietly hanting the name of T SELF. Chan th nam in as many different intonations as possi Meanwhi, th pson wose nam is hanted lis on is/her bak takn it al in and sponding. Everybody takes tus
ue to tle l egree vunaity require or tl rtua ctuay or it asoute essentia tlat le are ea e eep sancte an voi any oui inteptio oeve e e ince e apes ic scrptue an ole environen nlaces ave ao contra tle atsle intent tl reny
7
A Rit Rers
Illumos CLA OF FOS The primordial phases o riual involve ineal sueder o an allncompaing, enveloping age o seldiscovery It s essenta to
reax the desre to contro ow t w ook and nstead, smpy submerge nto the tota, subjectve sde of persona experence. Ths premnary phase, no matter how ndugent and soppy, s absoutey necesary for catayzng SefIntiation. After beng exposed to te udenabe effects of sefpenetraton, we become ready to advance the work. Advaced
riual involves he digent process of leing ho to isill ro he ra, ulnerable irs sage seed essences, forms and ovemens t te
bubbng mx of emotona surrender there exsts specfc energetc drectons d structures wc emerge aftr thy hav cook ogh. From here, a kd of disideiicaion om te eeres eoked s needed to become more aare o he, whil ot disgagig compltly Tere s a shft from content to form, that we are earnng to extract essences from expresson to see te matera of our creaton In a way, te forms emerg are part of us, as they have passed troug the varous fters d ntea grdworks of our psyche before ter emergent state. On te othr hand, they are aso smpy forms, essences and movements devoped the achemica oven of our tea aboraory
The greaer the sense e have o our bodies durig Source relaios and riual enactmen, he easier ill be o deec he eeen ualiies ad o Our body does not ave to dsppear. If we can fee our body as a
hoow vesse, t can eance the achemca sense of mixig, cotaiig, dissolvig ad distillig te essences to be extracted. Tere s a certan benevoent detacment that comes wth accesng te Source wtout osg yoursef whe seg ts expreon wt mre clari of form. Aer reclaiig our negaive projecios (hrugh ar Ries o he Sou!), spiriual ceremonies begi ailig heseves o us tuas
engagng our drect percepton of te mmedate envronment requre tte or no psychc d/ or psycoogca projecto to work Instead, we draw upon the nerent, geomantc propertes of e settng tsef to determne te rtua desgs. Ts can be aytg from te way adows form an pay an encosed room to the natua boundares and zoes created by a tream or guy outsde. t enou sestty, patcat an te rtuas temseves draw upon forcs an aliis alra prsnt i th sttig to motivat th crmois at ha ee are stua rtuas as they are baed upon ha is sesed rater tan aed rojected or postuated Te atter are toos for accessng onesef ad brdges to cross towards seftrancendenc.
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7
BO EOGPH
From NO-FORM, locate contct point wit Boy A Te or .. .compet wit its iteral ggraphy an cimate: eer jgle mota, valy, wamp, grasand, ocean lakes a river lect that area of te wor yo w to explor an locate yor contac oint hre. i a way to aap so you cn iv hre E EER
Begin BODY GEOGRPHY. Once yo locae a region to live in, take a yo nee to travel togot the rons Give yolf te attribte of cging orm a a way of aaptig to te vario location. PRORESSI ESCPE
Locate contact point wit Wat Is Ral. Entr it tog the iten o Ecapig Into Reity. F it center an pas oug to te oer ie REM CHCERS
eigae a pecic aea to DREAM. From NO-FOR, eter A wt te intention of eveoping a carater from it eence. voe ntil the caractr come o complete friion an ie. Let it ie an e reborn/reincarnate a anoter caact. Follow trog a ay cye a eceary o fel complete. N
Deignate area as hat Part of S Wich Is ASEEP. From NO-FORM enter t aea an rrnr to its inlunce. Work wt DELOMENT ntil th SEP convrs to DREAM . . an the DREAM cone o AWKNG. COOS ie ett ito i relate ara Proect a colo to eac o e olto: ORNGE, YELLO, GREEN BLU V o oe betee tee clo. Loce oo e o te ener to e
7
A Rit R
THE ONE COOR
ro O-ORM, enter an area designated or he proeon o or ost dt oor Let tis area over three phases o shd o h oor, o ts paste to ts medim and its darker hes poe he shde a a o ong to erms t te oor COAK OF COOR
Fro O-FOR, ocate contact point ith one oor Ater epoation nd deveopent, wrap its opposite oor around yo he sstanng the origna tea oor Reate to other(s whie maintnng both oors THE HMAN SSS
o O-O, oae ontat poin th SKA SM hoe and et a oveent orinate ro ere On oher oasons, repae SKLAL SSTEM with te CETAL VOUS S V S, LA SSM, OC , PROUCV SSTM, RSPRAOR SS eporng te LMS o ah and expressing the nnate rhthms HMAN QTERNIT
ve stng nto or inter-reaed areas Poe h esn o LG, HOUGH, UERSAG n W no h or h o dsover the rn sa o o on eri hh o reire ore o o antn vopn n e, ove there SACRE FME
o - oe on o h S veoe R o H AM (et LA oni s o n yr sce whie yo estabs reaon p h H F Ater deveopent o reoshp, G og t frm E UARIA veo H AA
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73
H CO
om NOFO, locae coac poi wih Sel s VAPO Develop ad this codese io COUD Sa wih deeloe eied o dese he sil iceasig oise, desi ad weigh Develop un ou e RAINING Proceed wih whaee ollows CREIE ESRCION
aw a lage ccle, he a cicle half is size i is cee I he smaer, te cicle poec PERPETUA CREATION OF STRUCTUR ad he ter icle, PERPETUA DESTRUCTON O STRUCTURE Moe ee realms il each becomes iolerable b isel ad compels e ed or is opposite GRI
om NOFORM, locae coac poit with GRVY AS SOURCE OF ERGY Give yoself o his source ad develop appor wih TE RTH hogh i e is elaioshi dv a da ad a sog copoae Gese HE GREN
o NOFOR, ocae coac poi wih M FI SI Afe uedeig o is esi, ei a oisreeoe awa o he aboe o e a SD D FM H F H SUN ow io he soi Sa wih SD as a coa pi Ae soe evelope, e i AIN e he SD spo d bea h soi's sac eel ose as he SED AND H SOI e he spo eepe is OOTS whie gowig owads he SU e h pa velop io HAV SIS F FA T IS i eas U e i i a drop o h eg p, oig goi o s
F F Desigae og, aow sip o space wih a sa ie a a d oe ile poe AU ad i he othe, SRT Fo F be b eeig he SI circle Ate sendeig o SI begi b waig io ID OF IF he arow si wee he wo cles) Wi eve sep, SIIT densiies and mes oe o AU
7
Rit R
Feel te gis lg te e sesiive t te dpit. Once eig t CA ile, eer it d sureder t is iuenc e lete, egi te jue c PIRIT og he CORRID� OF LF. ve c rth eee CRETURE nd PIRIT unt etisip is eveped epressed hrou GETUR and ENTEIN THE UNKNOWN r lrge cirle nd divide it i ha Designae ne sde T KNON HATVR CAN B NAED, and the oe side o NAL NKNON. r NOORM, ene te KNOWN. lea up d evelp a pesnal sese ORDER hee eect tems om yo e hat are st Ipran u nd rane em i E KNOWN prperties. (ese ites c e pssessis, ideas, feeigs people, rou e.) e cplee, ve t the oder etwee KNOWN a UO ad std there sesg he KWN fore u. W redy, ene te UKO and e ice by s myse. en ' tie, etu t H KNON ad dscover s reai t T UNON. Are e ites seleced s of poce? D they eed to rearrged? If s, e-orer tem reec e exience of T NKNO. Frti te udies the KOWN, as well The, compee, ene TE UKNOWN aan Rn o K a ree the rerig pocess to relect TH OSITENEVENEUT ivie te setg l, rjectig POITV ne side an NAV t te e Le the dividig line see s he CORIDER NO-O. te te side ich exers he geaest "pu". Trav eeen sies, leting the TRVLLER ecom NUTRL ERG ust eutrlit hile conaig te foces o OITV an NEGTIV ti u as u sit teir respecve regions
ASTRO-DRAMA
ie le it 2 eges esigg eac to derent Huse. F NO-FO, tvel te t Huse cu int te 1t Huse d ree tug t 2t it te st s r, uil u ec e ieve. At e ie, e t GSTR stlliig t ssece evl. ( r st effectivl supeiig sc let ig t t .
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75
#
eat pat #1 ut ret te Paets' paemes it te itua l te Huses an ete m te 11t Huse agai. Reate t te s as speii ORE ih ativae e yve etere te Huse N . te mvig tug te Huses, mve t e eter te ire ese e planeary iis ar y hir eatinsips.
I
#
t a mar aspet. If hees a ppsitin, e p a POLRTION . If tere's a square, ie esisae in e rita. I tere's a nti, ate yur nta pin ith is yhis.
#
ae the paemet an ig TURN is in. miig iai OUE, IGN an TURN ief...eve a ria t ariuae rmize is re in yr ha n yr ife. a yre. TUN tie se. Exeimen.
trat te as te Mar ana i a pie. ee, a ram, ne . m NOORM, lae yur at it it te aetye bze i tis ar. Tug DEVELOPMET isver is myt a y as it evve in a hrate. Irprae th rs the ar r itea evirme. Re a ig NOOM.
76
A Rt
YI/Y CIC o i fo Men & Women A small, centrally located circle sg I N rce and a rger circle (enveloping te small n), N orce sart te ceremony, t wome gath
togeer nsde te inner YI circle and the men position temselv rnd te pripery o the oer Y ccle Everybody ent O-FO imltaneosly The women ben receiving te YI orce an str rsnang sonds to herald ts presence he men emain sie We mninng teir sonic resonance, the women begin givin temsevs to mvemen whle ollowing the drection the YI forc wises rotate he men remain s Once all the women are follon e same direction o rotation, their circle starts trning in that direction men ten begn resonating sounds and iiiaig moveme o h cle n the opposie diecon of he inner cce Th o cices ae oaing in opposie direcions urng the contrary rotons, the YI & Y cicles start relatng wit each ote whi maitaii thir rstiv itgriy va sou movmt an stur eveop tese nteractions so he YI/YAG relationsh
cares and grows more and more obvious Stay wt t regardless o hston, wrin t s suggested tat you adjut yo energetic out o ccmod yo pace Find a natal conclusion PT O: everse procedures or men and women Men move to Y cicl and wmen, to the YA circle epeat the ceremony as beo
and crystlz te conclusion in gestres and/or oup statues or orms t comuct te essence of the relatonship
78
A Ri R
EARTH UD IT Pl Hlixi fr M ad Wom The Eah is a livig, breaig eiy as cose caae as his plae uma bgs nhabtng th sufac of th Eat
ar ngagd in a rciprocal fdng procss wth th lantary ntt Amidst t possbilits nhrnt to human intracto, thr xists crtan knd of mwoman rlatonshp srng to gnrat bopsyc nrgis for fdng h plan ot r man or woan s mant t function in tis capacty Through a srs of synchonid nts plantay llgnc aags for crtan mn and wom to mt for th rtual ncton of its fdng o ths mn and womn a and how th sr th plant s a primary concrn for th unstanng a ractc Eart Surrndr ts Wihin each huma beig, here lives a "geeic codui" or absorb iegraig, ad rasmiig sigals rom e DNA ar s
artculating th gntc blurnt of f s now It h on Eat A s also th nat languag of th platay ntty Th co bay n structur as ts sgnals tras btwn olats to gnrat and matan Itslf umans lopng ntal soanc wth surndr to plantary intlgnc an bcom conuts fr ts absobto tgraton, and transmsson Th manwoman rlatonsp qu f Eath Surndr Rts s o basd on prsonal gratfcatio or th mutua romanc of prsonaltis but th pblty of bcomng nstumntal t planty fdng Though cultatng pofou stas of ctvty, m and womn la to dtct gntc/gnrc pattns of bng thos whc a to h biopsychc structus mantnng our ls
Whe he plaeary eiy coordaes meeigs a erai ma a a cerai oma o feed iself, ere is excied a itity a is emoional i orig ye e emoios may reac o i Ts ntnsty is
lctromagnic n natu and gnrats btwn th gntc conut prously awaknd in a man and a woman Thr is an ancompasng slfnopg qality o this ntnsity It may ha th fct of xctn tnson in th pysical body untl th boy knows what o do with th nrgy Ts qualiy wl rlas th dep-eelig of ifiiy shard btwn th man and woman as tm ssols an sptual rsnc xpans crtain frdom of bng or mutual autoomy tnds t accompany th nsity, as wll
A Rit R
79
om psychic pespecive, humas e ioelectomageic ries nd the plet is geo-electomagnetic ttey. Hums rge teirs by distiguishng and ssmiltig polrity ihin elves. Te purpose of setting up inte polrities is igiting n tion of consciousness betee tem tords the constructon of n getic sorce, or sar. his process of polriation birts a thrd cendent" qulity ic feeds te geetic coduit. Tis tird poit d polariy is pure, or generic, conscousess and ts expasio is ed as te inesity fel betee a man and a woman in Ert der Rites. Wen to eergetc sources, or stars, generate more ousness beee them e ave sellr polrty" formg he r geerator om ich the plnetary food s produced. hen the intensity eee mn d omn eches uele oios, the planey food is cooked d needs to e sent do to he h's coe y the ma. eeticly, m is more of a coier s his r essence is more fee and so, provides oundries for te ritu. It o to me sure te conter does not bre rom excess pressue m te electromagnetic poer. Te learns about timing. ood g appens en bot man and woman are eft t teir integity t. oor timin occrs i one or bot man batteries are ccited and/or over-mped. e omn' itul functio is ith feedig th mn e e ee e n As e directs the poer to te Ear's core, te womn coecs Heart Center to is it a bem o Ert eergy. Te womans iner ce is more mascine, so se sees as the contae by drawig up 1( eer to er body and sending it to the man toug er eat. can be accomplished by conecig the le ith pullig erth rgy up troug he bse of er spine and circulaing this eergy ugout er body o the exhle. The repetition of tis breting ccle s to stabiie te overll electromgetic fux as it lends e eergy a mgeble fee. See RODIN CIRCLES) This desciption of Eah Suende Rite did ot iclude possible hologic nd emotioal eacios to the shaed itesiy u isead seted the undelyig scue of the pocess. Et Surreder Rites, S escrbed ere, re ot cessible to every m d om d so, ht not to be contrived to sut the curiosity of frends d lovers. The u occurs by pletary arrgemen herey mn nd om re gt togeter by te poer of nensy oscltig beteen their geec dts. Sometimes, emotionl d psycologic reactions emrge i
8
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nsity which ftn obscure th t u t has sed human minds wih a t h c nous ocs toards sociay cct n , has th intensit btwen w huma i human ov and the ente th sa cnnto y o is tn d to a mo hoizonta nd hn h uion of he to bateres rathe than thi mutu i nin o th trd ode of te cicut, namy, t n ny In th t of t neniy beteen man nd omn, it i te y ntiy n mtional sychoogcal reaction with th w n wn ntic conduts and tus remain dlu au t i ii that intensity It s quie possib hat a man a ugh t o th ol uos o eeding th ant a y t hy ay met on scia ocasions to wok th cmo h, wy uti th next t Equa possib is hat a man an n in th urnd its may sha th ctiities t, w wv, i a man and woman start ut fin t an thn nt oth aras nrgec fusion tgth ny to hi caacty t th anet diminshin, thn i ces in hat i haning As th ower eavs a ctain cu, it uty tavs towars magnetizig ote man and wma tgth ccomish th task Tis ower s auonomous ightin an a n mmnts notic, sraing into its ost dct rssin
un ie is simply name for on vaaion of many, mn oit th fiel of biopsycic interacions beeen uman bein n th nt ntity T tecnolog, desg ad basic burint or ts
ny was distid om essees expeee by te autho and efe his ias, cnctua awork an Cenral Ns Stem as it wor t intt hi inut
%e n coe n e won ree eUe oo. e mn a cotte 5 tle an a tree 6e a roc�in a 60uere 5n te omn sno, ng !e rsips 6eau 5n an to mK goo tings i Sle te ugter Spoon 'omn !er p agrant st nra Spoon 'mn v orever, rong younger a o{er, oer an younger !e {eing to g a pit, 5pour 6o into it, an eep 'en Spoon 'omn oer !erace {i 6ar� er ir lere tle river eaten i 6an�aay Leavng mtte an tang{e roo 'en poon 'omn younger Se van n a new sle ctton no, Swee n n e un !e te n t ne a s p Jupe 6y te z an eetng te ea n, !e caes stone awe n pcue n e an
stas now S says: Mote, (atle 9e says: ate, (anatle 'len le an an tle wmn ee l k: 'ht sun tl pesn tay £ le e so tle a swaU n se st ain eaving a sl n tle pon nlt 9e te soun a cote paw ing in s, Se tle soun an spout ling tlol e p eatl In ti e e two te sep CuOu eacl ole Yn tht sia nd lro [e wo
c) 986 Cl 9an
CHRIS HOFFAN
p"blished poet seekig eerimeta expressios or his work
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83
GNDING CICLES & D IAS by l he Grounding Circle requies two or more eoe to work. One
an prate ts prearation and benet yet the ciuit cometes 1f th another(s). To arrve at the awareness o being a panetay node
dut" we must rst pass through a onet Fee Zoe and enter the � o Our Senses. The urose o Groundng irces rests in the aion o dvdual and oetive energy elds
ih a r up o hree, sit in a rianle; four, a suare; five, a ram; six, a hexagon (poined sar) Any more or a irce and
ss st aross rom one another Without touhing anyne anywhere our eyes and enter. Sette your awareness to the as o the sine vty olets there and eels ke an ahor. Then oen the base o spne. I your eet are at on the ground oen you hes u. et a o beg a dark, hollo shell with these oenings at the bottom. your breathing and et it be ata so you do not hod you breath. onnet your breath to EATH ENEGY. On the inhae beathe in H ENEGY u through the snes base d/o the hes ad on the le circulae ths EATH ENEGY thoughot you entie ody. {at this ye o onneted enegeti reathng iing youse with TH ENEGY. his tye o negy may start ein dense Ke lating t to dsoer your capaciy fo peiing eniy How dnse j i ou get? (EATH ENEGY may ceate a sense o beig or comat. s s beause t s a natura stabiizer. I you wish to icrease th ow the deeer whle dlatng the oenigs where you a drawig it u o derease the ow mment the reves rocdu. Yu r ng or you oit o aximum Density withot osig onsciousness. No, be sensiive to being a ''bump on the planet. This is caed B onsousness and starts your noda awaeness. F that you e a tberane o the planet itsel. here s no dierene between youse d the anet Be reetive to its vas suort and stregth. Then e re (wth eyes osed) o the other "bums" around you resonating ther sissons o EATH ENEGY. ( youe in a cire snse a ring o ms. et you ody be nuened and moved y the AH Y ow muc can you i your ody over to th A e d ui s natu ic a sonant ha ht cceation o ny y a ghe tn .
8
A Rt Rs
Whn o d to mov on, lc o ms ot o of o o lms fcd (ms cn st on l) Wl o r mn ccl of conctd bth, l xcss EARTH ENERG o o d thogh o hnds nd fngts Tn bgn sontn so that maches he freuency of he ERTH ENERG (It mts o sonds bt tt o mn t to o contct t o soc EARTH ENER) Th's no nd to contol th sond o c lo Inst lt t EARTH ENERG tm t ton, th , so drcton Th onl thing o nd to do s sot so o tc ng tslf Whn o fl stong nogh to lnk th th oh b xtnd o ght hnd (FACED DOWN) to t son on o t o ft hd (FACED to th on on o lft. cclg EAR EEGY though o bod n ot you hans. Th tnt n t ln i o cica EAH EERGY thoghot collctv cotining th ocss of ccling t hogh oslf Th o h ositons fo g u: 1) ih a ga, d ) ihou a g Exmnt to wh ts lk to cclat EAH ENERGY tot scl ochng th hnds o oths bt assg th EARTH ENEG tough t a btn o hd d s hn, clos th g b olg hns what tht is lik Altnt bn th to ostos fo ot ciculaton o EARH ENERGIE iclt EARH ENERGIE nl o l comlt tn t you hds and nw or sng nod connction. If o stt to j o tmb thoghot t GROUNDING CIRE, gv osl msson o cqisc to ths dstmnts o bo s s on o nng hg fqncs nd d bonngs. It ns to xs itsl fl to fl sf nogh to contn. Aft v bo s itdn to t o nvul tgrt codts, sn xcss Eth Eng to t co of th plnt. Th Gon Ccl s ffctv ton fo cmons vong lot of c l nd/o schc . Tht's h 's cll G ou g Cle
A Rit Rs
85
D T en we go to see, we deam ometimes, w nt das as �; ot times, as aticiants It is though am aticiation 1 e come to identiy with ou "dems" and th mensiona deamtime Now osi thi Uon wa o you "!aUS the next moning, you ae being ram into xitanc y this e ate it has gone to see the deaime I be e / the demi bei demed ? Is the ony th actity { as the Budda tes us ? Deaming Rtas ae those ceemonies ng the bidge between the deatime an the wag daydam w • 1 eaity" A deamng ita amies the ntact ots btwen o 1 Pesonaity and th Dee e th o ams o th os o ng tei inteactin. How can we tigge the nc datime 0 onsious ecogniion? By ceatg an ott o th diect essin h ou phyical bodi as movement, sund, gstu and ita ment is is a hihly kinetic nonintepretive oach to deamwk It ves iecing deam emnants togethe to om moent cyces e o exciting deam memoy into eenttime consciousness he nteetie aoach hes minimize he oection ou own boic manings and/o imosed beies in echang econg ti to th inhnt maning of th ra itlf. h intent o this is at east twd: 1 Emotional urrd; 2) Spitul contanc atiiating with the intesecting eams o deate an daytim o tat the proce o to lp ith te intntion of tchin fo /or remeberig a movemet i your dram. This moement shoud out o i nei oet, in ote s ... not because it means \ng t eae e eaon, it ti ot a a oveet e se.
ae not seing ening at . n o awaen e next ning, immei ie e mvent atey as ossibe. owe tis it en uon e eg hi he deam vement can be eo eie, , n te tse motins yu hicay aae o Rn ug i n.uay, wihot ohe intent tn its net ee ou "aing tak" i i pracc movemet throughout th y by toing to intentioally do so rs thre to ix tim bfor ou go to lp agai. his weaves te demie and dayte toth by nscious cution o the demng t Yo obc i t accumat
86
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hr movmns om deams actice them houghot one day o take
hee days to do it They dont have to be om he same deam, o they can The can be movements ou saw somebod ese do in you deam o somehng ese e a ee o a fish One ou have hre spara movemens u e eady to consuct a movement cce Befoe this, howeve,consc a Rae Aea, anctify the pace, and aUp to eady yousef (ee RTUA REARATION) Afte waing up, patie eah movemen sepate thee o fou ties though eah You shoud be be o thouh eah oe ih yes closed The nent hee is buiding a kineic meor f eah oveen, so o bod hs bee fiia wih ech one f e The in movemen #3 to #1 y stithing the fome to he atte soehow ceating one extended motion, ahe han two sepaate ones acie this e es cosed uni you get it Then, stitch this exended movement to #2 in the same manne, eyes cosed Then, move hough o #3, ees se Yo ae now eady to exeue h compl movmn cyc #3 o # to #2 to 3 to #1, etc actice his ye unti is epeiion aicues speci hyhmic pattes Do it with ou ees cosed Estabish a kinei emo of this movement cyce If you havent aead done so, daw a ie on he ground eihe menay o itey, wih a sick o ock Le i be t east ten feet in diamete ep ouside this ice and ente i ih he itent of santifying its spce Then exit the cice and face it Ee a NO-FOR state (ee o-Fom, RITUAL REARATION) and pjet (See Poecion, RTUAL RE) the kinei emo of ou eig veent ce into te ie ih all o is associaions ih he ri i ige ese mveens te fis pe hen u fee ep eepive enug, ene he ice n e he s veens ene stuctue fo b a ben oving it io he phsi f of tt oveen Le s nsii into movemen #2 hen on into he whoe oveen ye Fee fee t move as sowy as ou ike to emain tue to the enegy sttes of these movements s we as the deamtime associaion magistc and motion imeion may emege dam y od cocions ta th th movmnt cy i d i i Spy kp movn s yo coninu og t t cyc, sitive to any toy o mth that my eege t t myt unfo it eage and et its ngtic pna n your ha t it toch y, in
Rit R
87
the wods Kee mon thou the cyc th my is so iid and e een so ston that thees no ace s to o ut to cuinate in a estue cmmunicating the essence o ths moment iey asob the thic intent enetatin you heat/soubody and then, ste outside the rce and e-ente a dee NoFm state t hel nutaiz the chae and rin you back o presen e I its seul, wite you deam down nd/o seak abut te expeience with thes I ossile, a om jectin an meanin into the esuts Instead discoe the heent essae the Hihe elf is eain thouh the Deamtime to you
88
A t s
CMS M T MU
An nterview with Guboo ed homas Chef Aoriginal Elder o the Yuin rbe © n i
was slc m 500 Abrigial I his youth, bal members to iherit th positio of chif elr f th in i Ausralia. Aer outlivig ve youg bries, three ears ag th 78-yar ol Gbo chose to travel arou the worl aching priciples of th Dreamtime... the sacre heart of Aborigial spiriuali. Guboo says Dramig evlps th min fr log-isac lpath an hr pwrs that have become the orm fr Abriginal liig. u b playe a ierioo, (a traitioal Abrigial isrmnt ma frm the truk f a certai tee that ha bee hllwe out b ermies befrehan) before we spoke while he was visitig here i u lr, OORADO, April 28 987 t show color slides of Australia pwer sps. he iteiw follwe a rather pacipato path as Guboo isiste I stp asking him quess so I cou ld read him stories writte by himself. Ive nt inclu these stries as they were cearly meat fr those preset at hat time. u ha to be there, i other wors .. . Ao Ai: T m aou ours. Guboo Td Thoma: nme s Guboo Te Toms Gboo s m rb
nme nd Guboo means good ren So o I am or goo rend As I ook ack n Dremme an see Ausr t s a nd o dremn whee the aw comes rom e monn Here e Aborgn peope ve omed aound the ush o 0,000 ears senng o e brs nms othe ah n She ehes us o sen messges b or mns undeds o mes to ou peope Up n te monn s e pae o k o he Geat Spt who we a Darama An Darm saw tha he Aona eoe wee n ne wh the oe E and esse hem Thee hs been no w on Asn so Ts s wh te Dremme s so mpoant to us it is awas brinng s togehe AA Is h wy o sak ou h Damim Guoo GTT: Yes hee s a wa and en mae no
?
Dremme is a ver mpornt oo o ou peope Demng s e man w we se e mnd ou see It sts oudoors n ve que pe were ere s no nose n whee the wn s bowng Hee ron are Nure Sprs You have hem ron here too Not were o ve eared e n e sprs
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89
go bk to the trees then to the woos nd wit tere n Austrli we tke ou to the outb n sit ou own where I put re ohre on our orehe This ens rspt lie the re bn wer on he when trvl here in Aeri Th woul t to ou n be in the spirit o the ln n brg tht sprit hre (gstres to intervewer's rt) Ater wling in the woos or soe tie ou woul re n spirits woul visit our visio es o woul see these sirts n the tlk with ou People to know tht soethings goig to hppen tht the worl is going to hnge but we've nver hng th t were sti bk where we rst strte Th reing s w to be n the hnge o this worl n Austrli is the lst ln on rth tht hs th reing AA Ar hr ways you hp ohrs nr h rang
?
GTT: We nee spiritl lenout irst Fstng on grpes or two s
wll brg ou ore powr so wll pr n ettg We hve reing Cps whre we tke people to the ountin sotes sll roups othr ts w hunre e thg ou ust know ou oe s hil n lern hw to rwl beore wlk know to ou hve r et bt I t wt o l tht wnt ou to oe the w I wnt ou t oe s ltte hl Te ever step So i ou've ot n to ove sse two or thr sts Lste wht s how o o tuh tre n eel the love o tht tree ? Soetes ou hv to blinol peopl n let the thr w roun th ros to ler The roks there re like nturl hrhes ltrs so we ont nee no rtiiil hurhs u see Just st b te rok irles on the ountin n spek to the Grt Spirit ou will eel vibrtion o wl her r the Cretor or wors ust oe ro the hert or its just blh blh blhthis ou ust lern beore reing AA: Wa kn o oos o you us n yor wrk
?
GTT: We hve stoe ipleents We e our own knives tohws n tht The Aborginl pole were stone sons ong long go 50
ers tepering the stone so the oul ht the hr woo without breking their tools We know how uh power is neee n where to hit the tree to hop it own nte we te soething ro th other Erth we pr to her irst e e iler booergs ro woo hunt knroo eore w ht the nroo we pr to its spirit to the other Erth o w the brl people wr oe ver tll sevn oot tll bi prul e Loo t us to ol ve oot six Sine we've be wht s oo ' gtting sll
0
A Rit R
, y s h dinc ? Th Aigina od was essd and ha iams. I was gd yu I h Aboiga eo were beer o hn, han hy a da... There e n as man rees oa. Te rees aways w ogeher, a male and emale...as ceaion u see. ou saa hm ad wha hapns ? Weve los ove or e rees. "Wapoo" means bautiful bush r . I have ese caping scks wc I've mad m a aye wapo and I sing o wapoo en I la e sicks. I sing nw. I knw i yu r h ee dn sen o me sing he brs a animas and h rees ll ea. (Pausing rs.Guboo sings le ayig his caing scks. Ar s sng, Guboo smies and connues akig) Wa. The Aboriginl Sunrs Ceremonies are ver special o or e. I sars when e sk is ack beaul black. Wen e sns ello circle arrives i us e sk re. Ts s e borinl l s al re al black w ello crcle n e mle. e Snrse Cermon, I meae an ask e Grea Sr or recion. M ans ll wih eeciciy. I uc u an ou eel oo. I eal people s a .. .m Grandmoer a oo. earne al bo a en s oug ellow. Umbarra e ack Dck, is seca oe o or rb e Yun. We earn o respec e eers wo n on e La. Te elers gud aw an he La uards he eopl. Ts s e La coes m he mouain.
a o yo s i h ? G: I emembr, n me ago, a lo o rossors gaere o alk abou
h wd and h bems we're having oa. One bloke go u an he said, "I hink w sd ask he Aboriginl pople a en rong." Te wd n wr hemseves o come an ask an borgnal wa en wng. an dn ake noc wa origal peope sa because eve n h ve 0,000 yars ad wha d yu k a mes ? (ausing) I means hy min he Uanium ou e groun an e green ans ey a. Whn h gen ans av o go, he Deang goes wh em. In Fay 188, I am goig ra where eres an borgina Sacre Si ...a w in cale ers ock. Hre, I'm en ,000 eop gh ink hands and connec wih e res o e worl rough h draming. W can un ino Finorn, Tibe mrca rca e oe w m his ac. Eerne is welcome o coe. verone s elcom ink u en . .. hrver e are in e orl Ts is ho h amm is.
9
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VOCAL REATIONS A Bai for Soi oa
e folog sonic mediaions are designed o enhance he naral voice as a resonaing insmen for exressing he e in ria or Tee voc exercise at meeting tree pecic ojeie 1 FEXY of the voice; 2 EXENSON of ound trouou e oe oy; 3 COUNICAION OF NY from itei tee piy ee
aled: EAD, EAT and
Tree fundamentl tool re no preee ie fo e ullllen of te previou ojectie Tey are 1 REAXATON recogizing one point of trin ile oiig d
dimiihing its force wen ti occu Tee i o reon y e oice need to be contricted when a gradu, gentle deelopmen n effectiely expand pitch, tone, poer and olor elaion exands e oie ) BREATHING sod rides out on te bret d ere to energize te
stument and crease ung capacity Te ret i o fundent tt you soud be abe to breate troug te ole of your fee re suppos te voice
3 INTUITION the souce of ound is ience Cultiating itimcy i
sience i essetia to te motivated ound, oe it a ife of it o From the sience of O-FOM, we are iflueced y force or pec of or nature an tis can be expresd toug oc reonce Intuiion connecs the voice
The folowing ound cycle ca be prcticed loe nd/or in rou If tey re expreed collectiely, it i iportt to eie te nee for elfcommitmet and te iernl cocetrio o olie oe o ource hile ohers are doing he same i prcie i in te dicoery of one o ocl limitio efoe eei te eeie i i ueted practice to rmup pyiclly eoionlly & olly for t e 15 minute prior
leer dually oice i from ereer i emerge your body ow, ocate te loet region in your ody it fm, your belly, puic bone, e of you pie ro e loe {ree te etter Baw
Rit R
9
2 Add the sound "OH" to make the sound "HO" eeat the sound "HO,
startng at your owest oint and raising it as you voie the i, star the H in yo bey and et the brig the HO" u to yo ungs o the "HO" stats in yo bey d ends u in yo ungs eeat
3 Add the sound of MMM" to make HHOMMM" tart the "HHH"
in your bey and raise it to your ungs wih "OH and u into you nasa area with the sound "HHHOHMMM" eeat severa times Now just raie the MMM" sound the nasa region unt it buzzes" or tickes here 4) Add "invisibe E" sound to make he word "HOME" eeat ste #3 and add the "E" after the nasa vibratio stage by sendin it the E) out th to of your head and into sace Wat this "E" disaea into the void tart the whoe rocess over again "HHH" in the beyrasing it to ungs with "HHHOH," then u to nasa area with "HHHOHM" then send that sent "E" out the rown and to sae
The revious soni meditation serves as an ACCELETO and an be used wheneve ou overa energy reuires either breaking u and/o raising After HOMING, you may wat to bend over ettg your head bow and hang) to reease any exess nergy The aeeration may eiit ight-headedness so, re-stabe yoursf # 1 From NO-FOM, oate ontat oint with MACLINE se th
eter H" fooed by ay og vw A HEE HOO HO HI) to voaize MASCLINE Brig a kid f "rimive breath" into ay and mve MASCLINE do ito your bey if ts ot aready there Primitive breath s fiery sudden and shor eea he H" sound with vowe
2 Sed the sound and energy from te gut down through the egs and int
the arh se he "H" sond to do ths Then aterate wth the various ong vowes: HA! HEE! HOO! HI! HO! emhasizing focused breath and diretioa, otroed movement Loate the rythm o ths reatin sounds and foow though Make ths a statement of detemined and controed effot ee Directiona ovement)
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3) n OFO n FEIIE dit dwn om abv yu ad in yu cwn Witu cnlig ts oce, seve its expession as a w eed i sway yu boy, espeally te ams ands and nges St esonatng a sound wc mae s eegetc ecton
4 A w etun t ASCUINE Y, , , I, EE Ten, at wi etun t te FEININE b elaxg te seleeme and g cned ASCUIE grip Atenae bewee bot loatg ou po exibiity between e pmiive beat o otolg ou voice (ASCUE) and etng ou tution ge ou (FEMININE)
Emphasze te tee tools o EAXATN, EATING a IUITIO e is no need to san te voce at all e easy n te ansitin pint between ASCUIE an FEININE, as tee is a naua st and cnvesin te wic equies no ocig eun t OFO
) iscv yu ws pic witut stainiguse a tee os
saiiz yu ws ne same by inng you gest ptc at bt ne at a ime unti y audiby expand yu age
2) w discv w ng yu can sustain bo pitces wtout sain Onc aain us s ain beatig and intuiion
3) a wit yu west pitc ad SIDE up to ou ges itc gaduay and gently SIDE om ou gest to ou oest Wie siding up and dwn between eac ptc, ocae o beakig pint wheby t cntinty o soun s boen eep sling utl you knw xacty whee it is
4 Fcus n t vca ange beoe an ate te beak p back an t btwen em wt te beak sepaating te sou tee Flp back and h wn b sids y beak o ine une exacl wat ptc yu brea sss
e or deeop a soud o ss itc te a s he sod
rdes he ap eax t hs nw sun ide u and own t tst is rs any
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VIC A AIT An Interview wih Paul Oerel By
is eeting with the intenationally-aclaied oice atist, aul Oetel, too place Septembe 5th, 19 in his tudio in Boulde, Coloado Onstage since e was ten yeas od, auls etensie teaical/dance/oice bacound als incooates the study of human aatomy Since 1970, he has co-ceated with his wife, Nancy Spanie, in a seies of Inte-Media eomance pieces feaued thouhout the US and Eupe ANTEO ALLI Speak about the value of elating to silence and how this elationship inuences the qualiy of sound
PAUL OETEL: Te fouaions of my niia wok came fom isi Lkae an acig/oice eace a e YU Scoo o e As Y e boom ine o esabising oca ecniue was fndn a on o no efo We sae w yig on ou backs a obseing beah uni e bea was o being moiaed by y noise asoee Een f e md coniue ceaing noise e acua bea was sien s ceae on oen canne so a no mae ow ense I is cne woud no be nefee by my neuoic abis ysca eoiona ad sycic enson The breah iself l pduce counicaon n sence ihou effor
AA en you ok oneto-one with someone what do you look fo st t nd out the most about them?
PO: Wa usuay apens fis is a ees some sense o e iiiuas gif a ei ee a usua gimmes fo we ey wak i e oom Te afe a is moy a uzze Wa ae e oeays miscoceios eesons a bcks a mae i ifficul fo e erso o access ei gif? Te come e exercises o ceae e exerieces fo beakig u e bocks a cfusios o make cerain o e eo a ose igs are no ecessay AA Touch upon the conesion point betwee ound into movement and dance.
PO: You ca someies use sou o ubok e ssues ad soees oeen and you can ay back for eending on wee eso os oe I e eson s bock i e ysca boy and y ae a y ca c you ca ook in ha way a uuy ind
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mt dfcut in vice i te vue udge aou he resisace AA the esistance of the itance
Autey te peron y tey fee lke ug tubbo stupi
doey then if we egin to de ou ti ugl subbo sup e e diver tht te indiviu witout vlue e s oel ie AA How can one vocaie intn flng who owng pop ay And is thee a wy to conain xpon wthot uing it powr
Tt very impor questio M exeee is s o o
wit te retioip bewee spe fles eol lo xampe if pern i expresing eigtee ger eir fes i caugt in it nd tey re totlly vese n t s if tt is eir ei ter up te ody exhauss ad deiiaes he erso pue kin f thri but it wipe tem out nd te ve to go oe eep t poute te pe d te o ge u isig e experiene ee te ve o perpeive poi of vie Teee wt to do? e oy we foud t if te eoil is vig up e
f te pine bu te perso feels quie peel sfe be e yu n et ytig f it wil ow rig roug n ope el ut te ody Te perso i itg tere g i i eou perpetve tt ti oe peoe oes pe ill e n g int te k ribs so e perso egis feel " ere is spe ak tere" Ad te sepre spe e begi exeiene e emotion i frot of e spe Te e ll sb feel igteed beuse ey re behid he emoio ad o i i AA Let's go bck to th ie of contnng pron ho ing pow .
w pu to e ver well b ig ee e lpi
DeCuous Gee wo i New se si ee s ee tigs ou n o with n eoto You suff i ou i ou or you ca eeriece i i your fesh ourse e "ug e" poues euosi siess Tg i e leves seb devs see wo ges e eeg if e e eeg tu ur fles pour i og le sieve e ise vig e e o te wol i goes rog e musces
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roess, it beoes rened, ltered and tis rodues insight wh reates understanding In te audiene, tis wors bease it lets them handle the eat AA Wa s esonance ad how does hapen?
ntie ou ave a sae losed o or sles that are ight, its like
llin a violin t otton or a roo wit ilows s the muses are feed, tat area ten ill resonate nother ting tat is interesting is that aes in a erson's bod tat il not resonat ave no onsiousness Ofen, aarss is ouh e an point to an area in the body and by beoin ore aare of te sot, its resonane il inrease o, it tus ot tat one an develo a ole voal tenique tat is ased ure on aareness ere te ore aare of or sial eing you eoe, the ore our voie opens u he lsh is rally he baromeer If you look at te fle an it's beoin oen, freer, ovelier ou know soeting is oring If te fes is etting tigter, tenser, ardened, sortening and sae is bei lost o know its not orin ften ties eoe will sariie teir itiion for a ertain effe tat a be ore soiologiall or oitiall aetabe a prson las o rus heir insics, hey arriv a brah rlaaio and iuiio as ll as hir on p ersoal asic iriy ad iividualiy y ca aiv a hir ia i ad aiiy o b o sic ad of us rlaiv o hir role on h pla
AA: How do you hep peope ge beyond he conceps and close to thei own insncs?
has o be by a priece raher han a arumen n exeriene
as to be reated tat is so sensuous, s leasurable .so wonder and uneiab real tat te on't want te oter ting anore The ae te oie I e te exeriene aen If one exeriene doesnt work, ten oters are ae I ave tried to argue eole down nd its tile Te i is ifinite lever Wo a I to tell anbod wat to tink anywas? It's noe of busess AA: ow can the oice become moe eile eiie o coeyi e sueies o he human heas son?
P s a u o rmovi ar te fear is reoved, te ua earts so aear s te tensions, reonetions and notios r reoved its ie a ir i a ae sinig wit all nds of los, ers stf aron i Te oe te te ird singng \
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ersn can hear i and n ne can hear it because its a buffered. Graduay, the ersn sars t hear it and asks, Is that me? Am I at beautifu? . AA Talk about sngng wh the whole body . .
PO: I f a pa of he· body i bocked or denied, i on have aarene As we ske earier, where heres n awareness eres n resnance and exressin. es say a ersn fees a vibrain in te head and then te emin mves dwn te buttck seeking exresin .. te vice wants dr dwn int there. If this ersn has a belt f ensin thrgh eir diahragm, ten the energy drs dwn and is te diaagm and e ersn suddenly fees nauseus ...the exressin desnt aen. , its a questin f makg al he tracks free and a te dams s the water cn w freely everywere. I he removing of e bock o a he hoe hing can ork There nohing o be done or creaed; he creaion i aready here The whe bdy wud wrk insany there was nhing dividing it in framents. AA How d you neutale and dssate the chae that oen accumulates whle efomng? at do you do ae the show? How d you let t g?
ha, curse, s a ver imrtan quesin. A wa w
dissiae t is bein cmetey en s he energy asse hrugh. I dnt ck anywher. Any bck in y bdy catch he w and I ick u he whe thing. I cntinue t exress whats ging n and then, there is a rcess erid. This is where I rcess he whe thing in mvement fr aybe weeks ...nths . . the eerience s realy a shcking ne, may rig u against my issues ...then, thse issues wi be reay ht. Thats ne f te reasns I erfrm. The perormance absouey devasae me and rocks my very core After I ave gne rug that exerience and having been shaken my very su, ten tere are urs and urs f imrvisain were I u bck geer s been esre in new wa. I ge all the normaon I need om he experence self
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TH IT CTYST
Master of Ceremonies by An The ria caays is smene famiiar enugh ih e rk is suggest apprpriae asks fr is canging ingriy and devepen
s ole does not ave to fncton as a drecto teacer gr and/o theapst S/e can operate qte ell s an oereer gaerng prtnt inforation fo ndvda and grop progress Ts nldes te knoledge of ongong prsenie mds resisances energy evs and he overa spirit of eac etng fo te prpo of trodcng rl desgns ampiying curren dynaics T l no v a decton bt trog carf obrvatn reads te nat tenns evovng togot te grop as ole B sevng ts aplfcto pocess partcpants and catalss ale gan depe acces to te forcs at pa and ee te are gong Te effetvs of tal go s to depend on ts nd of percepton During the me aed to riual preparain he caays has e oppouniy o check in on group leves f: Resisance Cmien tenion Spans and Exciement Tese fo efeeces offer gudelines to
scannng and readng te grop nd as el as individual pesence (Sometes i s sefl to ppe n e Ps Pep esell f t geneates greate aaeness f the fo pevios efeens) Sce te catalst s for te ost part expeenced b partcipans as a OICE tee are certan vocal ajstets sevn facltaton It is b vrb sggestion tat te catlst efes partipa to aos aspects of Sl o srrender to In ts a a rater vlerble codon s nvod patcpants Te catlt ears to cobne or an voce t n s condcve to inviting ptpaton devloent nd evntal srrende As a tl catlt e are paig to prtpants as rl Nevos Sstes ad e Bos t nbt and ange
Any individua rained in he edium can uncin as riua caays and is acualy suggesd pracice fr pepe ae us ding s e skl a catalst earns reaxatin If ore te it o p r
voce esstance exctes essance o ts a good dea to expres estace voca befoeand and et t ot of or sste (Parpants ave eno of teir on restae to or tro ot avg o rt trog rs too) Te next ta is learng to bsrve Wat e re oog fr s prsie dynaics A cl tr to reer the moment nil eogh bts and peces e gaeed to spe bout t
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I s qe seless d ee dsrcig o oers o spek befoe obserg ed ls seece gin for key cyss ecqe. Te rds yo se o sse sesios d commds my reqe cos djse o cde e perpe flx of cgg formo e clys eeds be flexble We do elax then, look to see Aoter ski usu to ritua catalyation is an outlook permitti
unceainy. Prps lely prepre rds e rlz f er Sre els fro ere er erco mogs ec er e ls s re of g mospere ere s s pble s pr srs de r e clys brs e rl se lg ojdel olook (leig people be eseles yor presee) e clys ms pos eigeed fcs f te ritual itet I sr e clys s resposble for crgg e spe er xre f oomy d dscple Oe erl djsme fr seg s i moio s plyig i a "lck of selfeme" If e clys s oo exced or egoioled prps ll pk p d ress s/ er sggesos s e rl cls cree spce fr e prcips oleme y occslly rem or o ( mke yor poso Too Impor) Tis dos no impy a diminished efcommitment but a hihe deee than peviousy eaized because a caayst does not euie oin thouh he same chanes as hat which it eects. a ily sesie Rare Area, wods ae manas capable o sapi te boies receivi tem e selecg ords d prses refr fr se reqre e reeer o Tk b yo sd Speak to e oy se sple rs d be clar a irect Te Bdy eds o
ress eref d e pos f srcres o slly d se spell s o mc Experme leg srs be oplee e o le prps clde er o des (Geerll spek the le you ay the bette Yo re ere ree spe fr e dsoery prcess exced by yor l srs I s pr e prps mple me o explre exs r sess Te dy eeds ore e experee e M es e e re Paiece s ls' gde e er d e pe f rl c be qckeed by se EEOPMENT /r GESES elp deec d fre emer erl
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T rol of caaly in h GROUP RE i imply akin aricipan o pak abou ir xperience (Ts is a good plac to pay
attnon to nw oation rgarding proceedig tuals) participants start procting udts onto thmsvs/each othr or spak too asacty aout th xprinc its th catasts resposibit to rer thm back to PE TIE. .. i.. "What are ou feelig righ no How did ou rela to what happnd ETC. Her ou are a mror to th participants ... working to help claf their saemets encourag thm to find er on ords to descbe teir press. The ass and conac oins he caays chooses or e group are mos eecive he hey bud oards a i cuaing u herein roup inerpay is he ocus hs fal riual s orpore previous
tuals a preps o s spe a reae se os be or eag. ue t te ateio give o erg sef s e rs te to excite "pscoave saes" re e Cer Ners Sse is smulate n oasoal "o fre." Tag s serao e inal ritual ca be oe o elp "oo f" prpas g. Bsies te more patipats "r" i s r e ore exse e come ad more proe to resst aeg One ay o suor a gee edig o e i io i y uig ou al he lighs ad suggeig aricias ay o e oor o asimae ha has occured Ts sg far s a "slg pse" ofe
appreciaed after the re itese r ereies. suggesios or isrus resrg a aares prps also orks ell here. Ses a rp C s rr fre edig a oer ties oe s ee a . Le f e ls's sls exiiy o he mome i he e o ub I revie uas evove eaoricay e ls seres s vouo for eeig is iae eees a reis. rg te tsi ire re e r s sss esgs fr aplifig a eiig ese ees frer sl. s s efee riual aalao s a rrr refeg te pers f prpeu eergg submergg grg t e prps express. (See P NMICS IN PMNCE MIM Itere i e erger fr l r rgrg c
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GRUP DYNAMCS N E EFRMANCE MEDUM An Inerview wih Keih Berger
y
Keit Bee as been a pofessional Mime tist in Ne Yo Cit sine 19 ae eeiin etensie ainin wit e meia Mime eate unde te dietion of au l Cutis, its founde Sine ten, e as toued intenationall peomin is One-Man Sos , as ell as itin n peomin in BRON OYS, is Mime Musial, i as podued O-Boad in NYC, 191 Cuentl, Keit appea i featue lms and ideo podutions nationide i inteie to plae in mid-Septembe of 19 oe te telepone ile e spe om is lo sudio in Ne Yo Ci ANTEO ALLI Speak about the ole pesonal eedom plays in elation to you wok with goup dynamis
KEIH BEGE: esona Feedom... the way in which ty to engende persona feedom fom a goup is to stat off wh getting the group in a cice and askg them what thei image of themseves is. hen, buidg on that image and giving them a task becoming moe o that image o ageeg to choose a new image fo hem... and ats usuay in tems of a pesona chaacte, a oe they ay in ie ... who they see themseves as Geneay, it woks out that something new evoves m what they a d not om something that is utsid o them. h them t th task saying things and behavg in this new image. It cant e smethng that they dont agee on o ust ay on them, its something thy aee on with me. Its usuay a vey eciting oposition to a gu o pep, inividuay. It opens an aea o eedom o them bcaus theye seeing themseves they think as utside chaacte, wch aows them to be abe to d cetain things they wu neve ow thmseves t do .. o eame, bing moe ovet with each othe o m tatius mo thoughtu o taking themseves moe seiousy. It ight away eeases the uity o peson eedom.
How do you excite goup moale nd whe i i ecess ? K
To excie goup moae, you have to kno ho to have hem podc things, lile hings, hat ok exemey el en they see these th
its aost e a tle irae that they poduced, not the diecto. Is ticky because you can set it up s we that they have a eeig w we, the dieco. If you ae vey ceve in giing them as itte s
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to go on and leavng t to them. and they won't ke that at rst they don't wnt you to leave them aone.. . let's say the put ogether see or lle pl d you give them ten ues o do qte ofen wht they a get doe n th ltle te tes tes rs s sll esn't l god. Thse litle thgs espeall e begg bos rp rle No here's aoher thg th strts t set n .. he get sed to ht ad he there's a proble. The thng hat hrs gp orle s frsrat wh ften ts to bre. Bedm ad sin e cua ve sigiica saes beig a gup 's ver goo when o reh tht but a nave grop and even professnl grps don't relze t. Yo've gt o soehow ell them and hve e wledge tht they are n an area of boreom or frstrton. Sehow let hs sew and tpate onflt bease i happe The mai hig dm i hm, ad is is e y a g hgh i, is e hem ha mar brd r srad ey csider i as e ms chagig ad bs i Eeb s
gd to work when they're npred ... t's eas t e up wh es and sh. 've fun tha sme very deep sft eas e ot of brem frusr ager Se's beg e p . . sehng's stewg nd f you eep wrkg. b! The hg oes ot the tables toll rn rund. 's a b of a rlleraser re. Te n tg s o r hh t. If you kp on tring to inspir a oup, you'r making a mistake bcause you'r dpnding on inspiration aone an th oup bcomes too dpndnt o th ctayst, or dirctor... their brains kind of turn to mush, ik Kindrgartn i. S. that per of l mrle s generall sgnft of bore r fson. The l g t y eyes s hl he grp t e sre tht people have estng bere ts s AA: Wat ae the ues you set down f any fo the pupose of wokng towads a poduct ?
Fis f ll, he ve begiig he le pcess is vey impn
The pduct shuld sa be elized in he vey beginning even s vgu i o ne nic o ulit h th h l l lie. hey ma not get an mage o at eat t . I te o n at get
ge of exatl t s t ma not e so good as tht es t a te too fne 's pr to mpress pn a group tht n er h gd u h s an be t's gong to u out to be smehg else. n h wht t rns be s beter h anyhg yu ge her rle or rere s he eep log d p e etes n ...
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e observations o eoe they ee thought memoie amd another age or reams they have uring the night another age or ersona goas t sou be e a feboo They shou iit t to doing it oy nues a a Another rue on ths te thing ehersas shou be coned to the sortet tie ossibe n fact one tng I've oun is in giving the not enoug te so it's so concentrate an they have to use their ins Anoter rue is to not betray anyone to anyboy outside o the grou Kee evetng in-house Try an ee the goss between you Another rue is estabshing a receen of coetton indly comtito. There's awa gong to be ont n a goo grou Everyone shou soehow agree tat hi is to be an ensebe that the oany wo be an A Star no-star copany an tn that way I try not to thin in ters o ues AA at o you peronay try an tay away om in orer to remain true to your iion ?
K at I try an sa away ro is uhng too uch o y own rejues on a group have to nd out what the're about I have to he the atuaize a group anima an a "oo" that's theirs I I iose a loo on e te ar epenng on e an tat's not were the be prou is goen AA How i the bet prout gotten ? K The best product is gotten if I ca take them past were they're used to going and have them lok at t. I teir thr ee I can see wen tey stt to ge a oo r when ey go ast whats usua for the This soehow aes beoe rea an angbe I say everyboy o this an oo e ts t's not as goo The best things are goten when somebody has a concet an we a wor together to reate that concet but it' be a whoe new ng t won't oo he way I first saw it or whoever had the concept AA How would you decibe "the miaculou " d the componen t eceay fo it epeio K rst of a you nee (an hate to say ths) taente iniviuas ve they're nave the have to coe ro at east a creative tini orentaton Te have o be wng to wor rea hard an ee wor Tang s aene ou you ave to sart soing the rae soon Somethings miraculus when i t goes beyon te vision ye i
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o th a th owin o or io It taes og Tis macuu
hin is fn aw and i taks writing sis to ake it comet and aiin On as ing u in tem tigs teve nev seen efo theyv had an inking of It takes a great amot of ersoa and gou dom o cat is A ot of it as o o eir ow srrise at wha hy can d f yu can get them o tat sate te ot know tat ty can e acuous e biggest ke I ti is to covie tem tat tey can dissovg a beiefs tha te cant Oe tig about a rofession efme is ha wie teve got obvios sill tere not so qick t tnk they can e muc geate ta wat tere aabe of roetig
How can you ell when someone has rea le K It akes a certa wiigess to be oe A ot of t is i te ees and
qte ofte ve intoverte or s eoe a be o ave to go b o isticts e est test is to real tae a oo a tm a ie tem a tis is an xerience ig You start to eveo a i of itition about a erson and wete tere goig to ri es a certain sare ta comes troug a otetia a tis is e jo of a atast I tik a goo catayst o diecto can ecogize tee sas Wat to oo fo xacty is ver ha fo me to a ger on I's snc really For ore io, we: MME SDO E H
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A t e
DAGER?! Pri & Pia Ao h Way ncuou itua occur dung any diminhment of individu anor colectve integrity, wherein ome form of invaion or vioation take ace. Teres noing rong or b bo s er e ness onnes o
perss Vioion of inegr s sign of beng off e r n e Everybody makes misakes o e o o e negr of is ei n reqre gen re o nn Tese genes ve been eeoe o r e e o n Hig Rs one ere e oe onon of exerenng e Unnon re eere n on Tre e eer knon nger reore fro e r re es n re o poen r n fs of Sore Reon Tese ngers n be ree o oer sses i exore Are on oog n re s e
IITTIO ne o te effect of epoure to ntenity and en ergeic acceleration i over-timuaion. In i exe ere eveo n over sene of rron
trns no nbnes f s no g n e In s exree ere i a n of "short-ir" fro Inforaion Oerose A n te Info and he psc onpion i cases rest fro negetg to permit ssion e for geg e ne exerien ofen borbe in r or Ne orion n be ver exg f one fai to recognize when one a a Enough, timuaton tar is converion to irritation.
Irron cn so or "fore " Ts or n oe oens ere e r n exeon or oon ree fer n s ntr p Ion en en e oee b e rge onen of or on onononos One r e overng of e ineenerree rr eg oe epes o esrbe n negre e experene Soes in r exes e ovon o one er n een oe proe ogeer ISSIPATING IRRITATION
1 Te fno of e PHSICAL WARMUP s fortiication EELING THE EEPL generes e een bne o forf or inegr T bne or ens e orb e sos of Sore Reon Ts forfon ors e non ron n eer
Rt
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cabe te ticker te cabe the more juce you can n ouh i thout te dger of sort-crct A ood AR- nsuate the cabe
2 NR neuralizes carge (or tat eement responsbe for
excitemet ad resstc) Ater a especall cared contact pont ador rta t s sggested pracice to enter a deeper ad loner NR to sspte ts ld o o Te greter te care (postive or gve) te gretr te NR equre for restorn balance
3 We rrtat rslts from oo mc cariy t s sested practice to
xr rts to css densiy as vue. If desty i ressted (as be "rog" or from fr of os carity) costrct te rtua to nclde accessn resisance o densiy olartes ic can facitate t coverson T B EARTHAIR DENSICARITY stCHAA7tCAA SATRNIER BDY SIRI, SEEGEEING 4) To ea te md from ntelectu bow-out, desin a mandaa wit
dferet colored pens a paper to ymboize te eperience trouh color sape ad esg Aoter device s in extracti a mt from te experece ad tg a stor describn and evokn it an
5 Irrtatonsort-crct develops it a hod pattern of becon cd to t inensiy of te experence ften time attacment to te energypoer occurs en e dont beievefee tat we ae ENOUGH te a e are already e resst letn o becase we are inorant o our tre selftat e are a pece of god ad god s enou God i Te alteratve to ts k o attacmet ca be od for ose troug metto slet praer d log aks natre Pracic FRM.
Te rtl ft sancificaion deveops te aares o spce as a
vale ts s elpfl i dsspatg rritato It does so by mzig obsessv tecs ote tmes assocted t not knoig e to stop Des rtals to deepn sctfaton
1 0
A R R
DW-BXIG As we encounter aspects of our Self, t s naural to begn nclung tese nto a more wolesome Sefmage tan before. Ss rg
prla phas f Slftfat (NTATNS) g r slfag rstallzs aspt vr r at s f rprssg s ppst altr-g lrg vls sbss as a Sa fgr tag arpl frs fT vl Dat T Bga a s frt ts Sa s s t v ssl a l t Slfg s ssl prjt t lvg prss s sblg psfa f s r Sa hatvr that may b T S s a rat aspt f slf st lsl i bas t srfas t als t tat rs aspt va plarzas a ga f r gatta rg t t Sa t h r g bls a blv ar ACTUALL NG T pa a sprat arvg t ts s s piall vr agrs spall bg ss a g t llapsg prss g tal tee n t a of a geate tt tan tsef. goeat a espons e to outat S elfconcepts ssolvng from te mpact of S elf t is ft Pri ad Va tat s to tf h
aspet ovr aotr spall f th fal lv i glfs a aggrazs t ego itsf h a go bs h vabl sbjt f ta sa h la how to NX THE SHA XG SDO
1 sg ral fr rg S (S AR RTS f t Sl t al sg S) alg l fl r prs t t bra a b t Sa asp
2 sg a al fr ag aspt r s t a s pps St p a plarza rtl a la r p f bal lrat b bt ss tl av b r Ts ll lp ralz tr lltv arg
A Rt R
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11
CIC GABAG
I or caartic ass of work, ar of subct o o ol our ow oioal discarg but ta of ors. As we move through the
mutpe aers of our ondtoned responses psh exfoaton s nevtae and there omes a tme whn pepe have to ea how to own ther sht or at et ndersand how to press wtout mposng on others. Ths area of Tang Out the Pshi Garage s hgh persona n hat everod has more or ess dfferng terane eves for tox psh asorton The more rened our sensvtes eome the more aute ou mpressons of psh drt. The frst thng t e ware of s he sme of o own st. Detetng the dstnon etwen or garage and that of anothers s premnar to Tang Out Our Own ...and etng others Tae Ot Thers. Ths an e ntated after eah rtua ang a and rclaiig rocios used to harge the settng he rst pae. lcicall spakig, auras collct satic i os aras pro to is cocraio, codsaio aor obsssi. hen one energ ener o
od area s overemphaszed exess energet residue resuts in that prur rgn Anr p grg n u mozng our energ fed. on over-emphasize one ente ove others. If for exampe the Head ente s too psho-ative...put ourse through motona anges. If oure to emotona nvoved tr astratng ousef Into You Head fo awie. Putting oursef through hanges w genera moiize aui foes suffient to mnmize aumuaton of eetra stat n an one rea of our fed. If tat does oet et ou hands at ike magnets and have them san for stat fo the prpose of suing t up nto ur pams. Then fi off the sta. Tang showers an aso eanse awa not on exess stat t oher peopes energ as we. lcrical saic ca collc i cos of a roo. One ritua shoo
onfesses to severa sharp and oud handaps n these oers to rea up the garage. (Ths same shoo inssted t had to e two or four aps for some reason unnown to ths author et t oes arr the effet of ownng the oers if not anthng ese) Inense e sage eda or aninene ae good for reaing up stn eneges. Oenng up windows and doors whe dretng he energes out as f ou were sweeping the room aso seem to rghte the spae.
1
A t s
T plana niy sms o procss negiv energy qui well, s do its canin nd flin mssadors dogs d cs Oce agai, ay relatiosyp wit te livig etity o Eart will xcite all kids o ereto ow services. Eergy expelled rom ourelvs durig ritual is still at our comad and t is up to us to commad it to a place were it will transor. Commandig eergy dow to the core o the plaet or processig s aother way to maitai plaetry elatios wile ceasing your aura ad te space aroud you. I you re too cocered with pollutig te plaet, costruct a spere o eutral eergy above your head ad et t magetize all o your expeded eerg to itsel the, coect tis spere dow to your solr plexus with a bea Program the spere to start sending down te eergy it s neutralzd. Direct this eutral energy ito your solar plexus where it may re-distbute it throughout your entire system agai Anohr way of clening a riual sce nergeiclly is hrough igh-nrgy chning (see h Homing Sonic ediaion in VOCAL C R EA T O S Sonic resoance wi work best we it is ocused o acceleratig te overall eergy i te room, .e, reoatig om te Heart Ceter on up . It helps to also kow wat your ritul itet is .why are you dong tis? Wt a strg tet, its easier to kow what kids o eergies you're ater ad which oes youre lookig to byss Without a itet, you run te risks tat come with the territory o psychic sewer system Ater executig particulrly charged rituals, some eort ougt to be made towards Takig Out te Garbage Due to the hihly persoal ature o veyody's Sit, we are al idividually resposble or ceaing up our mess
EGO-INFLATIO n rlaing o an d idnifying wih Archeyl forces, h prsonal slf is nown o chng sha e y shrinking and/o puffing up, refrd to hraftr as ngaiv and posiiv go-inflion, rspcively. lation is ntal wt sudden ad torou inluxes o new normato and n. n st nton go idnt t BIN T SOC and pus up wt selmortance. Wit egat ination eo egates itsel troug distorted compariso ith Source ad eels uworthy ad deeated oth orms o iltio re ncssary or irst-ad owledge o recogizg oes own eo-tedecies. go
ps p b rng th sothng or or thn ts scrt hpss s n rr to crt th ison o ts onpotnc b
A Rit Rs
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ssocition Ego w shrnk when fees ke mus prosra sef o an omnipoen source ha s consany ou of s reach and c omunn. Bo ypes of infaon reec ways we have been ooking a ourseves. Ter dangers are two-fold:
Boh keep us ou of PRESENTTIME by our preoccupaon wh
feelng signcan and/or dimnished by a previous eperence;
Boh culvae self-doub fear and evenualy paranoa when we dscover he World does no conorm o our disored selfage. On he whoe ego-inaion s a necessary phase in our capacy o denfy become and TO E The deluson ses n when we conuse our ego (Sefmage) wh who we are (Se)and sar akng ourseves oo seriously It s que possible that we are not requed to be anything at l. DEFLTIONARY TCTICS
1 Inflaon becomes an issue when we resist NO-FORM Gve yoursef permsson o be nohng wihou beng meaningfu or meanngess bu a neural refuge from concep expression and/ o fo. Wo are you ? 2 If you are atached to The Meanngful, ncorporae The Meanngess hrough a poarzaon rua uni you ge hem boh ou of your syse. I you are "puffed up" make a fool of you self Expore CAOS. Laug a yoursef hen augh a yourself aughng a yoursef.
When the self is too u o needs o empy. You can ake charge
o hs before Universe aes over by he devce o alenaon Be alone for awhile Enforce a day or wo o compee solaion whou any human conac i possibe f you canno ge away rom ohers go on a Tak
d ud ud d
4 Occasionally iion epresses iself as he overwheming feeling one s par o s omehi C osmclly Proound and one is! Howver imuaneously one is in e ids o Unearable Absurdy as wel. Addona polaries to b explored nclude SNCERE/PHONY TRUT/LIES SIGNC/ COMC/MUNANE COMEDY / TRAGEDY
114
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5 T vau of -RM ca ot b ovr-stimatd for disengagn one identication om one form or another of Slf. For the pupose of the itual itse, it is usefu to BE something bt it is limitig to beieve oe is simply that one apect of th Multidinsional Self. There exiss a convrsion from BEING A ORCE to PLAYING THE FORCE which emrs wih practic. PLAYING A ORC rirs no idntificaion whaovr ye rcas t exprince for refrne. In PLAYNG, he frce movs tru yu wiot i tuk yu r vra via. It i in ti way tat t ae of idnificaion forms te basis for advanced work. O ay of telli tre i a tre developmnt i i the capacity fr PLAY. A liht-hartd aproac lds mobility and ra to ay ritual. Or big is renewd i NO-OR. It ros s y ulivai dacent. NO-ORM is neutral groud permitting rer to deeper living by virue of its perpective. NO-ORM is regeeratig. When we are beig nohig, we are imply beig orlvs
Sit with a partner ad maintai eye contact. One asks the other "WHO
ARE YOU?" as the othr responds. With each respos, the aker repeats the uesion in a variety of intonations, aways doubting th answers given by the other. Follow through util an end is apropriate and/or until you get it. Ten, reverse roles an repeat. The itet here is directknowedge of our endecies to think we no who w are ths, fallig io he hypnotic spell resultant from being convinced that we can refer to our mysterious core by any nam, image or concep at all! ) t fimag as bcom distorted e�h to affect coordiatio an phyica balace, the e must find ways to bcome t sam sz a t pyca body to rgai its footig. One sre way of coordinating these two asects i by putti yorself to work a ard, physical labor, i.e., dii dics, ardei, moving heavy ojc, tc. I is bs if yr work nfits anothr r a roup. Sre ad raiud are wodros atido to xcs inflation. For gativ ifatio, atempt th task of suspendig judgment a
comparison. Thes inellectual functions can be replaced by your ability to PAY ATTENTION and SILENTLY WTNESS the wonder of nity. Gradually and gently bgin including yoelf as a piece of that unity a not as someone o "this" the are outside of it. Set up a polarit SOLATION/U; 3r haa/5t haa; EQULIT /HEIRAR; /COMMU.
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G N IIMN ronicaly eogh, ace is an impedient to some. Grace gets in the way when our techques become so refined nd slick that we create the illusion of our spontaneity and biv it. Ts s lo sopso s
o ol oslf os v o o fll s o spll No or prs of soo o orol r l of sr o opl sl r of r T s of rs r o o f o s, a o s b or ll for s Ts so ls sl rsposl volv prso v of ors W ny trip ovr our grac hn hav too much of it. O d nn xtna adjusns for rl or r o os a lz i , ld s iberators of other I w oro s so sposl, Gr G o Uvrs g ll ra por ps, opos d a vay of sands o an o vabl O ra a sl r of spowrn, ou x sp s porg ors CRCATG GRACE
1) Accept your power yor as lk a n sd o a bl nd Rf "po" by yo p o mpow os a xi avt n r lvs Cicuate the iches
2 Render peasur contagiou B a or of plg spo for
os oud o Roz cav, porssv sd o v s sor o r fs o o ppls M Coplxs
3 Annihilate heirarchy v ss p lio to yo, spcill
os ofs vls o s o s o p o pl or splsp A spl s Assol loog fo soo o slf o To s o "ss" o of "u" " " 4) W vy advnmn ou psa/ conoc/sua vouo, bg sombod s up h sm s ou a utd Lk up.
5) th tuas dcatd t
IINAION, th c
d an out o ga sc o tos wc chmca nau ad a sruct o p dopmn n an Kgo
6
R
6) yo r rd ng ro grc and wh to qckn th dcnt,
plo th tal ntgatng th bblcal pola of ANGELS & DEMONS ( DARK RITES of th SOUL) a n AGELS IN HELL and DEMONS IN EAVEN
Th hav bn th prmay dang cordd hghot a dcad of tal pracc and hopflly, om rlvant antdo to cha th poon down and ot I viw, a dags sm to su t m dimiishmnt of idividua ao oup itity, whi som fom of vioatio occurs. Mot tm th a nnntonal and qt nxpctd, yt thy ar fom th fralty of th hman ntumnt trgln to rv Makr Thoghout th tggl, mtak ar mad and t hopfly ctfd thogh adjtmnt Wthout makng mtak, howv, w can b r thr a not nogh k bng takn no ron nknown It tak corag to ma mak and abolt gn o cnf h Th bca mtak a God La and pont th way, oftn tm, to plac w'd nv vn thnk abot gong
ccon, tr occr tg o peron dorintaton o proond to pproc t pro. Chapl Prlo a nam gvn to
that plac wh ol go whn thy lav th bod alo known a th Dak Nght of th Sol (Rad ANGEL TECH Chapl Prlo cton; alcon P) I'v n th occ n mylf and ohr ftr prolongd and ffctv polazaton work whrn th non of oppot bcom almot nbarabl to t atonal mnd nl h nlct rand to prmt ambgty, uncrtanty, and confon, t ay nd o hort-crct w attmptg to fgr out th trplay of conra occng wthn onlf Th nnat confon thratn ntllct lf-dnng capacty for comprhnon Crtan pha of nrnal dvlopmn ar bt lft alon and not mddld wth ntllctally and, this is on of thm n way 'v ined ntctl pnic durg epc disoenaion by tdyng t cic p o Cr C. Jung as ouind n book,
Psychoogy f thasfc Durng tho momnt wh go and Slf rg, th lad good ont o ig Lk th photon lad ro proton/lcton fon, th llmnao do not lat and t bgtr t , t rr t terd Alcmcaly pakng
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he maage of oppote pecee he fnea of he "eah" phae The geae he no, he geae he eath a evena, he eh Fom an achemca pepecve, the "lacke the death " the "white the cleansing" phase proceeding it n th gh, deah efee to a the a of he "gea o" and eveyhng peceedn , he pepaaton t th "ac eath" eath phae tha mo of he o goe egon nto the Sbconco to geate A ee gemanate on n he a, e e aed o hang ot n "a a place" nt the pot of a ne o be emegng fom o eph See ALCHEMY econ n ANGEL TECH) A new evel of oulconcioune i bo whenever our viion a integrated poarity into it perpective Soul a o o ecbe he
degee hch e eflec the hoene of Spt, Go an/o Soce Sol develop th e ncon of moe apect of o eng an ve een h happen hogh effectve poaaon o Whe he fon of oppote goe negon to coo, he concepa mn eft alone to mae ene of hng The ay lef ove wha fee e o e nde Chape Peo Emoton of aanonmen ae commo, a ae hoe of downing and teo The vae of peeveance an elf-commmen ae paamont ng thee me hee Faith oth t egh n go Fom an nteleca pepecve, tere ae no guarantee ee The fte may fee noetant and poce feeng of ane n a od acctomed o follong decton an nowng hee o go f he ntellec llng o ene t habt of gng Thg O, t ma eve o a ant an aempt o cono th paano fanae, elon of gane an ohe aonalaon fo avong he enconte h t lmed neadng The alteave o concepta convlon the hmblng poce of confeng goace a eang an attte of nelleca evce a a tanato athe han a "ceato" Perhap the mot usef device 've uncovered dug thee Dk
igt i disidentification Fea ma n wy-n an elon hly-ly, e e ae not obige o become any of t Heen, FRM
povde anctm and ege To he deee e ae eay h not havng to e anyody o aythng, he degee e can ceae he nne pace eenta fo the emegng ol to eun and e-ntegae ef Wthot h pace, Da gh hve been kon to tae moe me A ay he ntellec ca eve nted nct el cont n dtnghng elf fom he happenng, agne an othee I ca o h by ong o atclae wh ee n a mnne mo pece, poetc and/o ac Once o entty eced o he conte mpeon and
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mages e have o ourselves, t s possible to become more receptve to somethg gher, or tue (See GEL TEC 7th Grade, ALHEM Portion work to nutr crg. Soetimes, the Dark ight
characterzes tsel by a alltime lo eergy level. This may express itsel as depresson, apathy, lethargy and other sigposts o Hitting Bottom. This ote results rom havig ben previously ideied with the charge o the polarity beig polaried. Oce the charge is eralied ad released,the ego wobbles ailessly searchig or a ew deiio This is where it can get dageros. As a respose to tra, ego autoaially xes itsel to soehing or soeoe o teporarly stabilie isel, thus iiiatig the start o a poenial obsssio. Te oe o osesso is o the cause but is oten seleced radoly as te erest, easies proise o securty. n ntidote to oession i umor f somehing s reay e, then it' lo proably very funny. Another obsessiodisperser is goig e
other ay ad dramatizing the Dark ight through codctig yor very own uera. Ths kd o "liig ueral" e doe aoe, wi a Sigiica Other ador a etire group wlig to parake i te cereony. As wth any ritual, preparatio is everyhg. Gaer a te icrueets like iese, cadles, music, ad weer else you eed to se up a space ot oy o de i bt to be dead i. yo ke, wre eitph or a liturgy articulating he urret sae o yor ersol darkess. hae executed these aloe, with aoher ad in grops wi ch scess. Sometim, when somody stumles in th Chael and fails to rl wr tey are, it i uggted to seek rofessional help. Oe
sideeect o "beigoutohebody" is Accidet roe behavior whch, as we kow, can be haardos to or health. yo kow ayoe who is trippig over thigs ad hurig theselves ososy a ires rate, do what yo can to help gia psyhoerss i eye doe heir hoework will kow all abo te ark o te ol ad s varios treaet procedres. they do, keep se or ose do. Dark ights are o easily diaosed y ro eods uacustoed to the proess o psyh de d reir e es, proessional help ca be bypassed wih he ght nfmatin and seveal iends ose who ca e s o ro or aes ad ot jde s or evi oe "persoi she" ehi or some ore ie o
orseves hese ries re he i priess isie hpe erios ittl e b o ove oes a lo, n way and never deresae e poer o a ew d wods.
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EFEIONS Te following Reflections are my own personal rsponss to rt practice as presented in this book Tey are sipy eant to pro source of feedback a seris of opinions regrng th rs scs this work Having gone through each rta presente an ny o numerous times, I'e noticed certain repeang pttrns hs r no necessarily e for Everybody, as each person ns to coe to thr o obseratons and truths. e, I have incle conry jst n cs several words here or there my be uselT obios p lc for e to sr is .. SF-CMMTMT To giv o yourl completely to whatever yu're ding a he mmen i undenaby th ot valuable trat 'v leaed to develp in this wr
There are also times when Self-commitmen is at an ll-e lw ... a i most obvious during Physical Warm-up Bots encounere at the sr the Warm-up cycle are opporunities in isuie. Thse mes whr it eels poss o mobilie our forces owards bi reset a eeling your boy are obviusly times whre yve reed yr li. T boy doesn want to o o wih it. You i id y y w t... or yawning oen ... or sacing out. All ee a re, re syles resistance Once you reconie the symps, s easer t sancify the resistance by relating to it as a ource o energy n yo 'e hit boto, it's tie to Bottom Ot. Resisace can be eressed vcally, throuh gesture, in he Transitor Run an oher areas o the riual re. Te soone you deect he obsacle and tap into it as a source or exression, the soone you ree up e roen enegy and mobilie your orces. Real Sel-commiment tart when youve reache your liit. Thats when yu nd out what youre made o. or many o us, i means going aais he grain of our lay habits. Sel-comitment can even be isturbing in tis way, like someone tryng o wake you u when all yu wa o do is sle late. DSTURAC Diturbanc i what happens when he shck f new infrmion ge against-the-grain o prviou indctrinain. When the echancl,
condiioned sel has a diicult ime of iesin a ruth, it will do everythig it can o upchuck an resist. isturbe surs evelope when the agiaion is s to wake up Such a iernal ajustment
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irs: Hard work nd 2 A willingess to wake up Growt is rrey ortbe unss, o cours, one is rnin comort in ordr to row. In r, bit ts .wys s. Tr is conict risin, rom icion o distrbnc, wich nrts n ssnti substance r rowt. Sbstnc cn b mutd b ndrsndin rorsi disrbnc how to put the nfict to work Tis onict is sboic o irn rion wre on ct o orss is tetin to rrow nothr Tis is t nrsod sbstnc dr is md o onict, its, dos not nt mony it te conrr. Tr rmn xists ony in rtion to tr cord, s ony tr orm mers rom cos. Cos, in tis wy, ins our initb oriin o structur dirction nd eny, criy
CREATIVE CODITIONS As creation epresses iself differently hrough each indidua, so do the eal conditions for eciting the creatie process. Ec rson must ind
hir own wy o ctin crei stt On indiidu's wy o sttin it u my b in dirct conict wi nothr's. W r rsonsibe or crtin t Rre Are by wic t crti ris bst in, st our nds bein redin our crtie roces s Disstr re On ustion we gt s is: "at is a ceative stat ?" or "hat equies competing before I can tigge a ceative state?". Tr re cerin ttitudes nd "bocs" ch impde te setting p of Rre Are. Uss ese bocs re recoized nd td, ou crtve enery wi tend to in on isef nd impod. It sems that dioscatic activiy, movemet and epessio ae intimatel conected ith igniting and maintaining a ceative state. We cret en e'r one in ouseves, ie., t one ith oursef. This strts by fidig ou ht is most ily prson to onesef then, lining ith tese obects, symbos nd ctivities or nerting personl poer. It's true t too mny oos soi the bro OBSTACL ORITATION o t o strating resposes o resisace is resisting it
're
too involved ith ttcing w' ig s, we usuly los siht of h figtin or in e ce Tr's y to de ith restce tht's ind o lie dtct o You n to no its sme, its ack, its teso .you ire ressc . Onc you'e ble to dtect it,
Rit
a tt Z. t g th g g ' a h g g h a h a t g a a h t a h pa ha t, gag a acred. the ag ehd h tfc f t. You s up communicaion lins wih h enmy y sking ou you e ani s TA OTRAT ow mmmt vt t being v appy on i t? Eveoe av ad d death telf at dvorce. Th
arrage betwee oe ohe ha body ad pt, whoe terpeerato ve bth to the o. he body, wth eeds, fear and wdom pmaly devooal y ature n that passvely obey whateve oder eceve. Th p ha t ntent to mafest. Wthout a od, t ha o wa of materalzg t tet. To the degree prt ad o lac ccal formato about he othe, s the degree they ae cc T vp fm ttng ot twe body a pt xpi f mt ffty. The heart opens oly afte sprt ad ody ge ag th ach othe. he ar pcples om whch t ha bee ay to compehed the Intea Cotact betwen spt ad body fo the vlopt f a ou T t m by w xprice pib at . Th
ologca trmet of he oul h Central Nerous System ...the ntermedar betwee spt and body ...physolcally, etween NA and the muscle bers reured to execute genetc nstructons. A eer nee t kw wt by. The cels, euros and NA contan vast torehouse of aceal ad pastlfe memory, present-tme survval fomato and the dect of uture evluto. The souls journe gte to xpeece verythg we ae capable of knowng Beore the oul ca trave, howeve, crta otracts have to be draw up ad ged Sf-commtmt ta tc btw Spit B tt S. S ' vv t prt d bd o t
f ndrtadg. F ap h Bod ed ea tegth a lt gz h d p t thw h t h g g hg
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23
ncu th Bg Pictu So t bhoov to p t t by It bt al concrn to now t sir a fas a l a t wa Th anma qus wa to stan th gatfcato cay fo bg motvat to v o th pant What ar yor? Oc icov o't prom yousf thm unls you KEEP OUR WORD It' cotr-podctv to bra proms with yorslf an Th Boy ta tim to bild bac th s af hi d of braya pt t t T By vc to mft t tt. If th
prt dosn't unrtan Th Boy t may try and foc t tnt A o w tn to prnc spia ntnt through prpo h boy's cntral pupos BEING FEL Spit' purpos BEING SEEN Wh Th Boy ft t' mo maab an cptv to pt' tnt ut a h pt SEE t bcom o tv to Th Boy' to b ft Th o ba fo tabzg th ta cotract abing th prt to b mataz a t boy to spituaz Wh w a FELT AND SEEN t' a to b LOVE a thu az th Sou' ppo W may to b aff a aa (FE) a pt (SEEN) bfo Sou cocou awa wth ous It ta a tog go o fcoct to bc ou ota th uma w a o uto hoo ama a tou comao to fo b f ut of h both o ytou at o t t toth a mirace is bo
pt yt. ffctv wam-up ta fo ffctv
tua O qusto I to a ha a w amg up to? o What a w ppag fo? a of cou hy a w h? Th contmpato of th quto ca actfy a twamup cyc I om way w a wamg up to Go to th Uow to off ouv to th Souc Th ctfcato poc pcay mportant a that' how th rtal bg h moto sou an gtu d o bg a afty to th ac alo d to ccooat th of oth t oo o o to mt bng, our and ha ohr If the spt of anctication is sog nuh, t can be ned ht nt th dttn ph the w-up, tun th ta nto paye tslf. Th t fo th wat t ht o Sotm th a t o o wll
1
A it esed
are apped up i their frustraios, resisaces ad iertias. Whe tis happes, it s a urget sigal to deec te ocks a the egi sactifyig the resistace y givig i exressi rou sou, tesio, moto ad ayhig to relese is gri o us. I is criic oi, relly T tim of grtt ritanc-ordom-rusraion i t t tim to xpr t d pt of your commimn.. hh s nrs r rl. NO-FORM NO-ORM i t x of rit To te eee nt ith vd
becomes a value is the exe at he riuls eseves crry lie, orm ad · substace NOFORM is resosile for rue trasorio. It eables us to move ewee ieret fors o exressi elicie y e varous cotact poits Te word "trsfor" lierlly es to ove betwee oe for o oer. NO-R is e rige kig tis possle Eve though NOORM is ior, i is also hng spl. Those who have isakely ieifie NORM as Te Asolue Tth ted to homogeize their ersolities y uri Bld ad ceess. The atote to ths s oe oer t exrig Lie Atr n, or seeig e relative aure of All Tigs a NO-ORM is on of All Ting It does ot have to e a goal or desitio to e effecive. In th bg pitr, NO-FO i a multiprpo tool or trsrtin. Oe ore hig It s useless to thk aout NO-FORM. Waever you tik it is, it ist Eve the word "NOFORM" is not it ut a wy o refer o te exeriece NO-ORM tc issoltio. It els us issove our aachet
to ay give form of exressio This suors e creaive rocess y zg staatio ...e Styig I Oe ce Too og syroe. Any
xprion fuly livd cn lt ind ile pasing roug t niion of it d cy ttacmnt to nying undergoing decay i pain
this way, NO-ORM is rege urig ies gr rsiio. Our relatioship to our tru ature via NOORM eees wit each layer of the jouey to our ceer. No aer w we ik we re, NO-FORM remids us that we are ot ta NO-FORM iserses our teecy to ideiy wih e various activities we isake r our rue ieity: ou ody, emotios, thoughts, oiios, ias, evior, ec. Through its experiece, we are ale to gradually ccule ersecive. Troug it
c; w o toc wit our Sourc nd forge tat i i not I, yo, or it tt w r r for o-O Sirt Emrgncy Brk
A Rt Rs
5
NUS On occasion, individuals hav complaind of physica an motional nausa fom doing th wok. h a
epons t NFM y tho nddua wh t peren wth rlatng Vod My undetandng ha h aa oar pleu undergoe a mid to dramat shock ultng n th d auea (h la u hat w o ne d nta th ntetna at, a wl a bg th ow t h g h oa w Sn eut NFM lud laing dsi to contol, sna eatonh wth Vd t dnt h unntatd n th wi ha taned h dn a n ( and t w), th ntetna a da a a eady tah h Nhg h F, gg g ay , y an affo t ua , a ae a, t C ad Satat a TN B Takig is a dispsion dvic leae teamh a Smtme t'
uel to dpese peure and oth te, abolutely ata Whe on ha had sgnant emotonal and pyh nput, there a tendeny t wa tell others . to "sha" Sometme, when a ertan eperene ha been completely dgeted and undetood fr f yt, ne tp words tyng to descrbe what happened Ths s a sgn that you ae no y eady to t about t. Yo may wnt to wrte about t o draw ptre ply c. Anhr set Tlng Abot It is he elemen o crcy on i nto mtng ly f vau f hs t s bet not to sp ons deth too sn ? Taing diss wr At times, ts necessary t vent exes engy and otr times, rtrint s ruird to stop us ro ping our liv wy..
"D" itiati riua have
h ih hat I' ca dyin
Dyng ocurs when th of nins and preconeptn val wh we atay Dyig is sc tas o Doppin On t towads sunrig r pat of ouslvs than th onali th psona or act. s most dut t mpehend ae
1
Rt R
ecomg pesoa-etfe a eleg we ae actual a teal g Dying heps us disengag from our ac. Dying i that emty time whee nthing haen O wilgess to commt to ths Dea Zoe s ofte a goo wa to ealze the pocess of pscic eath /rebrth At the arest, stlest momet there's a g ectemet that occus lie a blue pa httg our ra here ae absolutel o guaatees whatsoee evetme t's a feet outcome e, thee's a cetat that ca e oute o wth ig a that's rebirh. Whe othg s happeg o he surface, ou ca be sue that a hel of a lot is gong o ow uer t ol taes tme, commitmet a peseverece to see t through for osel Dig is le atg else, a wa You just coo t utl t pops out of the oe
SELF-CONSCIOUSESS I is natura o feel awkward around ohers in an asocial seing. We a get self-conscious whe wondering if anybody is watching us. We al sp
o othes to see how the'e oig Sometmes, it's ecessa to go though ths a get t out of ou sstem Oe ajustmet whch seems to mish ths i of selcosousess s the emne that each peso thee to wo for tselves a to deepe the Selfcommtmet ecessa fo Soce Relatos f t helps, make a f l f yuelf and get it ve with ....th foo ha persiss in his/her foy becomes wis... ISISIOEN Disiusionment is h dark sid of uminaion, o eveaion t happens
whe eat sorts our eas Whe ecouteg ou selfmpose cocepts a elefs aout What s, we must e prepae to e a be ebo les we e up eatg the meu stea of the meal a loweg ou oera telgece wth each passig momet f ou pecoceptios ae outofsc wth what's happeg, the e goe the truh a cotue lg a e or elase ou attachmet to ego a stat lvg fo what is mos te. Sometmes, thee's suffeig vole epeg o hw much we ress et o he reeato occus whe ou are ae o r s vin
A Rit Rs
7
ON BEING OD Otn tims ritual work as dscribd in this book is not always prsonally and socially validating or airming, as it mphasizs Sourc lations. op may ne a t oppotunity to gt to no ac
ot socialy. T omat o this mium is st up to ypass pesona nteaction in ao o suppoting an "intplay o ocs". t is mpotant o thos o pan to ok at engt in this meium to a ite an acti socia i outsi the La an/o someoy to go om to an o y. In ts ay, we a al to mt ou psonal nes ist eo nting th Ra Aea. Otwise, aious oms o "neeinss" ten to ais an tak up goup m whic cou e spent gathing momentum o xploing Souc Rations. I oo, the guielines to this meium intouce an ataie om o uman intaction tat tanscens ncount Goup, sycho-Dama, sycothapy omats an t k s a ti pac, o cous, yt t's ote intntion he HOW RITUALS WORK ? WHAT AM IVING FOR ? WH M I HR ? WHO AR OU ? WHN W BGIN ? REBING A SAKING D to this mdiums ronsity to triggr livg raliis, th body may l lik mblig ad shakig at tims. en an enegetic acceeation is
occuing, it is up to us to mak it asy on ouselvs. Ctain physiologica ajustmnts elp to cea te ay brathing, rki ng, twitching, ylling, whimpring, trmbling, shaking, tc. Ts occu n las the gip on ouses ...ou oies. Wn tins get a intns, stay loos. Tis is all you hae to emem. ou boy il o t st o you. Tmbling an shaking a common uig aptuous consion points ein the oganisms itaty icks into acion an you oy ust ants to xpess itse iecty without censoship, inhibition o jugement om th moe moastic/ conceptua aeas o you bain. EAUSION
Otn, in th iniial ainng po an when we reak nto nw lvls of work, a ctain xhaustion cn accompany us This exhaustion ss a spciic unciton in that is e ave oe o ess gottn past
"t nonsns" an a no rey to wor a is, ae moe ecepti to ing tasoted ad mo cs eoke. Usaly ts n o
128
A Rit R
xausion oins us igh bee he inal, ciaing ia whee soe us might ah ust al aseep o ui. This, o couse, wuld be h wrs tim to do so due to he nau o wha ollws .. h rgnra iv pors of th scond wind This su ends o wk bes th ryng .. I depds n you willingness o pu you exhasio to work so ha y becoe ope and ecepive being carried by the force evoked
PNG
A cerai ki of "payi" i perhap the mt avace fo of a
I is chaaceied by a willigess o be copleely sbjeced o he es evoked whil silaneosly selecig t t idenify wih Insead, h is a aliaion tha w ae ot ha which passs houh us o ma ow pwu, csaic, o biliant i is bu siply insruens its pssion. Wh th ego is no as invovd, i is o o pay. A c d o iocnc eplacs h o "adul" endecis o irrvocabe slabsobtion and th alltoosious busiess o (cogh ... he Wok." Too muc vc ds up not bing that vnt at al. ru ohiticatio ut om pnraig h cor of human rinc hus reaing th ina innocnc contaid thrin. ESISTANCES
itual cits sistac a awanss of ame. tink it dos this
bcaus its st up o claiy ou undaena siitions and sistans on ay we dei osves. ses the piay diea o sistanc is retg it This is why the i ncion o saciyig sisanc is useu. Soeies, is pssibe s o dop i. Ohe ies, yo kid o wase aond i b oe en h n, yu hav o go igh ito is heat o dakess and wk break hh o he ohe side. Rsisanc cos in any shades o grey ear, disus, suspici, boedo, despai, de, sai, aer, irriai, nbness, apidie hinking, guil, ieria, ebellin, ai, esi, expeais, spacing ou, indolence, lainess, ec, ec ...pehps he s diec way o is us ecgnizig the whe hey coe p s have a chice in he att as to how you wish o espond.
A Rit Res
129
AUONO s an anahisi eleen to this work as i hallenges and fortifies aiians' aonoy or wilignss o gon thselves Atonomy
dvos as mor ascts of Sf ar accd, inrad and pt to wor T dr of ons aonoy dtrmins t dr by wic on may a aonomy in os If vrybody ovrnd tmslvs, t fncion an otsid ovin body wod t obsot and a nw ind of r ordr / stat / ctr cold sro. To t dr w ar aonomos is aso t dr w may r xistnc of atonomos frcs, ta is o say ... tos wi ivs of ir own, not sbjct to or conro or cosion . .and not ncssaily conind to a man body Aonomy is a fnction of or sinuar bin and is rfctiv of or Esnc. Aonoy, is noin o sriv for in islf nss yo'r rady to xor is dar or, iddn sid..immobiization, paralysis and crcxon Rials challnging or aaciy to pei nerainy feed o aonoy. INTELLIGENCE One way 'v seen Inelligenc operat is through polaizations.
"tird pot" coms p, rfcting an awarnss nidntifid wt itr sid of t polarity is "trd nt" occrs as y mo btwn polaritis ng tms to as t stion, "Wo is t tat s moing btwn t two sds of myslf?" "o am I? " Anytg uniting opposition wil transporting s byond dality is Intgnt to m tin polarizations n ncras o Intllignc and lp s bcom rcpti to its prpos Wat s t prpos of Intlignc? I tn t is to gnrat mor Intlignc, dont yo ? RELAXATION When he body is relaxed i is reepiv and hus or availabl to be moved by he forces and aspecs of Sf voked in itual. itot
lt, y will d to xast l b f pysical icilin is in he abiy to relax your body at wil. trainng procds by minimizin abry tnsion hos not iediaely reqir o exece the aiiy a a W sandin in NOFORM, jst s tos mscs wi so y o an down and rla rytin s so t stanc xrsss rst axaon. Apy tis to Sitting, W Sain,aying Down, Ec.
,
, Wen the body is in a state of wakel relxato the sinals aversig om the brain via the spinal is to te mucs re received ad procee more rpidly. Another advatage o this kind of repose is its acceptanc of multile shfs of he body's center f graviy.. fom ts concenraion he ches o he pevic regio and, in rare stanes, the shifing of one cener f gravty a few feet beow the body itsef! One fac suppong this d of shif is emphasizing "down" ad "setlig" vera eic commands, especay with jmps and leaps. Whe jumpi up, focus on the ground and he downwrd motion and, e he epi upward e care of itsef g g
ess of Honor
eer ndersn n OMCY 1 f FUU MMOY wit Jse e{{es Jn Sin n ILS SLI C wi Tl6e C6 vin e n COSCI MP UOI YOUS wit Cpe S. 9ytt
A it
GEOMACY
ivii h ah' Sii by icar fat Arso
Since he beinni o ha ocie, people have soh o h rih place o pch cap, he rih i o hn or pa sds, he prs s dependabl sorc o waer .as wll as he paces whr ealins occr, wher visons are received ad where coac wih he Creaor is aciaed Unil recl, an beis hav awas paid a rea deal o aenon o heir relaioship wih e Earh Bore rbaniaion and indsrialiaion, each ai, ribe ad or via dpnded direcl o e srrondi land o provide or hir basic nds idi he os aspiscios ie and pac or each a acivi and ivi in harn wh he aral word wer so via ipora a each cr dvloped a se o pricips ad pracics or ainaii is srviva and prosperiy Rial was a ke een i hese pracices, or i crs s i h im-space coin Ths body o knowede era known as gomancy, or he Ar o Haroios Paceen Is pracic has bee sd or locain he ri place o dwell, coe oeher as a coi, come wih h Crear and bry and honor he ancesors Each cre arod he word dvopd s ow avor o eoacy i direc response o he eora and cooy o is reio here ar crain derli princips coo o he varos cral ors o eoanc as a rops o pople wr rspondi o he sae ni: Moher Earh, who deveops cerai universa paerns o rowh or "laws" o nare I preer o dscrbe hse as patt raher han laws, sce hans ake laws, wereas nare abdes by paers. Geoac can be bes described as a acien, holisc nrad sysem o aral phiosoph ad science oce sed o keep al a acivi in harmon wih naral paers ro seasona cces o e universa proporions od in e wa al oraniss row Wihi he geoanc worldview, h Earh is se as a conscios livi eni, he e of diiniy coprisi boh aer ad spiri The word eoanc lrally means o "divie he Earh Spiri", or h eeries and ryhs a lng Eah bi. Goacs priar prpose is o maai h web of and ep e Earh pr aiv ad vial his is doe by ovrsei h hamonious placee o cies, bildis ad ha acivies e mgalhc crcs and so rs o orhweser Erope, for exe, hogh o ncion as accre edes" or he pane s as acupuc is used o s h o o c'i hrough o bodes, so oo ha mac paccs ad e low of ch n th rhs bo
34
A Rit R
Geomanc ca be thought of a the moth iual -- th pimal i o cntng and ointing ouslvs ithin ou environment , fo it ha been ou baic a of estabishing ou elationhip ith the land and all forms of life fo contle thoand of ea It ha to do ith placing ouelves phsicall and pchologicall ithin eve-expanding cicle of elationship -- th the place e call home--ith the people, animal, and plant ith hom e hare the and and -- ith the ccle of the eater and the eaon. And o, o pedacessors sited ever stcture ith egard for the loing vein of energ ith the Earths body, o a not to seve Her ateie, and devised elaboate accrate calendars to ide te waves of the Eaths cycles h ist ial o goa is to sablsh th cer and bundares a stlmnt and to cogn th naual bundaries o h gi a watshd w inhabit By declaing a center and peripher, a conitys
ene of place i created (Indeed, at te root of all ital pactice are activitie hich center and oient ithin o orld and connect u it the Univeral Conciousne of the Creator. It i athe uncann to eaize that most of the tua fom odide include movemet i a o att oti to t fo adia diectio, a tat i aov o ead a beow o feet ad, a efeee to te ete ad mfeee of e a pae o Hoy od Loong fo the oigin of the patte bing up man quetion: h it that t of u acet ctie have be cotucted thn cua a tute b gat to th fou diectio ae o ma ato cato tuate o thei ate cat h doe the Engih d ointation ea to face the iing un The aner to thee ad imila questio about achetpal mbo and itual patte ie in the piciple and pactice of geomanc O
The Earth Spiit that geomanc seek to define wa represented n ancient cutue b a dagon o epent In China, thi pactice of divinatio caed fng-shui hich mean wind and ater, efeing to the Chee ang that the Eath Spiit is a incompehesible a the ind and a ugapable a the ate The breath of the Drago i the Life Foce of the Eath, hih incude the butering ind and the billoing coud a a th bomagetic cuent unning in vein though the bod of th Eat e th acupctu meidian refeed to eare
Ri
15
Aciatd with dan and nt in c cutua ythi i a aic a , which d ay i catd in th w th dan h a nt th n, th tid, wath and tiona cyc. utu that actic ancy cnid th ath t a iving, conscios, sacrd b ing... th cratri and vid of a if. h and is nad at thi imay ath th iu a a contant mde of it acdns. Aia, Aica and u a odd-namd continents i, cotia and ut Isand a th nativ and mytcaly-basd names Iand, cotand, and Noth Amica. h Gaia Hyotesis, no-samanism, Godds spiituaity and th biiona and Green ovmnts a cunty vivin thi ns of t acd and nient natue of the Eath Te IndoEuopean tibes tat spead ove India, t Midast, te diteanan, Aria and uope cary t idea a st ute in tei intitution sacd kingship. h acd kin wa not a u wit exeuiv powes H was, instead, sponsib fo maintaining t tie's hamonious eationsi t and s such, h was riay mad o th and .. to th ah Moh. h Athuian nd a oay most famiia exam o sacd inghi. Atu wa sponsib f maintaining the alanc of natu and te fetiity of t and by channeing t i foce betwn Havn and Eath. H was t figue wo iuay tood at cnt th ou ovincs, th womb o Hy Grai of th sacd andsape, and distrbuted a materi wat quay and justy and esoved onfits witout bodsed I h aied to fufill ths funtions, h was emovd by des, prests o mariarc but neve disatced by vioent means (piing s bood was as tabo as cutting te beast of te Earth ote to wom e was unitd). To becm geomes and ea stewds today, ecome ik sacd kings, ma th and and oow te ancient Atuian mandate tat, "You and t land a on." A o ritrat, te ot bac ay to reate a ee o ae is to etabi h ntr and bounae o he couiy In geomantic tadition, a
hyica/irtua nter uld be establhe in ny ways: y ttin u an mhao ton, a yrih, ed o princt, a via n o aktac Bdaries cCte y i ty as and at, a n mans ad, t, th o a acd andca ncatn mu ta e. n h mi,
A Rites Rers
wv y ssd cp, oiicio o own, hey divined c, h scid oudis. Thy ecd iual cld "cug e s uow y owg oud oudis he ies, suwis. y c o c o o us, y woud i h pow d n seer he res he Erh h pn Scil ece a cun e creae cn-un" eerne needs t agree n he cu and purpse (cener a well s he een r ls (undres er cn aciies. My
coopv usss o o Nw Ag couiy hs wsd wi usov cocs o o uwiignss o s is o jc pop o sip wo do o g wih s ud picips. ck o wdd c o oudis c d o ig h h is "o , , s w suu, coc "sp" d oh os o u spw. Cig cy idii dg o sle so ucios o coi idusous gy o s iis, pvig s dissipio coss e dscpe This is sii o "csing he cice" i ppio sg o u pocdu whic cois shd gy o cs, pg is gcion. A SENSE OF TME Un ver recenl a cuure' en f wa inke wi h agricutr ar and h ccle f t Mn th n an t ar. Buidigs nd epls we oieed o functon s srogcl aends
Soe o the egaihic soe cicles of Euope wee consrced wth ther geoeicl axes (hey e eggshped oeted to the ponts on the horzon that mark the rsng and the settng of the sun and the moon at mdsumme and mdnte solstces at approximatel E, W, SE, an SW, dpning n laitud Usng these pecse observatoes, vast numbers of physcally separated eople could coodate the celebratons to utlze the poer collctve conscosness has hen mutaneously focuse towads a snga pupos nes vllag nan publos, Etc, w orntd to the o ctons t wows ttng lght aos nt a t th ot t n fguatvy thn t h t y t tt cutures deveo omp ythoog an tua bng th Es cycs, functonng to place themselves etonally and psyccy ime and space
A Rtes Rersed
SIIG IDIS Greek, R, Egi eles ad Ghic Chedrls ere sie icrrae a sese ceer, daries, ldsce, he ur direis ad pasge sacred ie. Te oundation stones were set at a te auspiscious to te deity or patron aint represented by a partiular sta o planet visible or on te ozo at at te, w i tun epeseted the arcetypal orces necessary or te unction tat building was to serve EastWest axis would be generatd rom te orning and eveing u sadow projected rom a central ole onto te perimeter o te bul ste. Tis ceated a peceptual a well as moe accuate Eastest a tan possible wit a compass, sine te maetc poles it so eetly Te sape and proportions o te uilding also related to its nto e pyramdal granaies whose sape ctually elps preserve the seeds. ll hese acie sucres sred sies ere u ri t sacred geer, a sse f rris sed uiersl ris ud i the gr ers a rgiss d n the hri iea f he usicl scle Tse "Golden Proportins" are illustated in Leonado da Vinci's amous draing o te man proscribing a circle and square. I tink te ancient bulder knew ow to use te Golden Mean to sape any enclosure to resonat wit a particular requency wih acilitate a cosen activity. Accoding to some researcers, te ecos in Gotic catedrals resonate at te ame requency (See & Half H a te at quartz crystals, and te uan rain wile in a deeply relaxe, editate "alpa" state As a est, tese temles create a vibration tt attunes us wit te Eart bot pyioogcally and spiritually. Rat paces ca als put a cmmunit f pepe n e wi eac t G ro up sngng or cantg n an acoustcay ale pace s a pwe way t aceve a sense o coon unity. en any oup akes ow ound tgeter n ree ason wtut a eae scrpt, te ou und wl eventually rea a i nge pit o c or d e same hnona occu wt penduus o granat cck t st tey wn nd but wi t in 24 u r h wi ha nchnizd h whn w patci a t n cunt unn w are atunn u wt our neigos
To lve harmony wth the Earth, we ned to develop a modern or o eomancy and learn o apply ts prncls to ndustral as wll arcultural contexts, combnn approprate technologes wt nttve sens o what s n harmony wth the natural hstory and pttrH o partcular ste We wll ne to ntegrate d remember the co roos o the dscplnes o archtectre, ecology, geology, astrono astrology, sacrd gomtry, msc, dnce, nd ritl nto a new go cosmology.
© c
R
is the foundng drector of the Wetcoast Inttute of Sacred Ecloy ; Bkele, Calforna, where he teaches geomanc and hamanm. Tr as n archtect, wth extensve experence n oga, ecolo, atrlo, a tholo, he currentl reearches mgaltc trcture and power � in Euope and North Amerca He alo a well-nown leader n t' Radical Faere Godde communt and trel extenvel arng antc know lede. o ino, wrte: Nnth St., erkele CA
40
A t s
UTUR MMORY
An neiew wit Jose As, h By t l
JOSE ARUELLES s autho of ansfomatv Vson ar s and T Maya Facto, as w as co-drto of Pant r r o vg wth hs famy n Boudroodo os tras xtnsvy thoughout th Amras ntatng sonan or ps a oth actvts cocdng wth hs ongog sah. pot msan pa nt ad at hs toa . ..Argus s ompt ommt t communcatg hs vsons of Pantay Intgn an ts ntrgaa cospondncs. Ts ntw took pac at s h on t Sptmb, 19, ght a h mpovd a mo on s shaa bamboo flut whch h bngs yh o ntat os at an Antro Ai: How woud ou dcri th proc rnc
Jo Aul To m, onan s bn oll ml no uaon and n o a pla w hs no bars bwn w you hn you a and wha t suaon s. On o t wys o ba and nan th alady stn onan thouh mus Moly I play th Shauhaha Jaans baboo lu A a a tunn od, rs a toal low an mln no h saon s ha I man by by o nto h sonan and vn aln AA arth fd u. How do human accordin t ur i fding th arth? How d w mak it rciproc
JA That a ood way o putn I hnk h wa w mk rrol on ba to wha I wa alkn abou an has mn h barrs Rh now, n a "mnal hous o awok" ha vws yor uson a bn oulansh. ha on o vw, as you know, s a r hoa abbaton. Fo h mos pa, h hav bn many d nd of popl n mos adonal ulur hav l s knd o vw ha s not just h Eah hat fds us ha w v bk to Ea thn th ay w v ba o th Eath and d s houh ulvan oound at of ptvy ...wh w st o all abl o lsn a ally ha th onan and vbaon omn o us an nuun ouslvs wh tho o tha w mh v ba rouh wha Ill all r hamon aon Th ould ta al sos o dn oms .. rom an a rk r to playn th lu on a ls o oun a r mony that t a o oup o pop o a parula hhm paton of h rhs po T paua vw I av of who a
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as human bngs s that bascll w ar bo-lctromagntc battris an th Earth s a golctromagntc battr a . . . th Sun s s a solar sol ar lctro magtc battr. So whn I ta aout opnng up an opratg on the sam crcut that's how w f th Earth Whn w attun ourslvs proprl proprl w opn op n p to that whol ontnu. Th fg f g occu through through unrstanng an rgulatng our crcut proprl an to crat a rsona btwn our crcut an th trstral an solar crcuts so that ou hav a matchng of lcromagntc frqucs. That's what kps th whol sstm gong gong. not on th Eah but th Sun. Su n. AA Descibe you esol vio f eomcy d ts elto to eole o the laet t thi time eod
JA: Sttng p rsonancs with t thr crcts I mnton crats unf crct. Now in trms of gomanc what that mans is locatg pacs on th pant most of thm known by traitonal pops hr an thr) that sm to b prtilarl activ n trms of thr go-lctromagntc nrg an th ia thr s to ractvat thse pacs wth attun human bolctromagntc battris. Tis s rcprocal ctivation. Wat I been wring towars ovr te pat svrl yas s a hghly practcal practcal form form of gomancy to occur occ ur August 16 & 7 987 whr 1000 human bgs functonng as bolctromagntc trs to poston at as many of th th k sacr pacs on th pant as possb possb . snconz at on momt gng at awn of August 1 6 987 hs vnt s rfr to as Ha vc Throuh a total op ptv attunmt attunmt to th Eath Eath uct uct b 000 humas who r fn as shozd a u botrmatc tu th tmt tmt btt r go to t a ptlr d h hs har os ut an m th t h h h Spak au ur ida h uncin quarz cystas in thei rain h wrk. J J ts r tht h s uatz ss hav om prtt pop d ms o omg to qartz rstas as hh tv d outr th a ah h h m m f d I, hat or mns mns ar vr s ad shu b h ts work th crsts s t o-prcptat normato o ht n ca channng". Wht I'v fou s that crstas du s d stt f snsthsa or uphr d cstas cstas Ths stat whh s r r lua smultaousl smultaousl
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nodes o inormation and imager. These later wi be discrsivel translted into metaphors or se inormaton in te wor that I' doing. I ind, at east or msel, it's lie having a ind o cosic walie-taie that's hep in acilitating aalogical leaps. The relation o crstals crstals to geomanc. . .when o're o'r e talg talg abot abo t crstals, crstals, ou're ou'r e talin talingg in some wa about the primar vibrational strctre in the niverse. niverse . . . the hexagon structral shape, a six-sied oe, nerg celllar oato. What we ca matter is bilt up o crstalline or, so h h islf is cystl. The core vibrational strctre at te center o the Earth is crstalne crstalne nature. natur e. Were We re talng about about a vbratio strctre and not a (d tor Note: ote : Soon ater ater th litera crsa at the center o the art. (dtor inervie here a cientic evidence announced to the eect that the r core ideed crytalline n nature) lato, who got s nowedge rom what was let over ro Egptan wisdo, new tat th Earth ad a geometrical crstane tpe o strcte. The Eart itsel, te, nctions as a mega-crstal and obviosl te se o artz crstals becomes ver hand in creatng a fied o atteet wth te Eart Oe pssibt is dog crstal plantigs or enhancg ts d of atteet. I thin this has to be done ver carell. One needs to nersta te location, whats nearb an the intent ivolve AA an you decrbe the proce proce o o ocat ocatn n a pace and te t e approprat appropratee manner o planing cta? JA: As ar ar as the appropriatene approp riateness ss o place, general we we're 're taling abot abot them tere tere hs. . .wildeess an near wildeess. wilde ess. ou have have to move ver sow and be aware o ridges, rivers an so orth to eel ot where the right place might be. he onl reason to do it is to create a ield o attnement, real, with the Earth and to sen a essage to the Earth that there are certa members o the hman comnt actng on behal o the whoe who are responsive to the the needs o the Earth at this tie. I thin thin that's the proper attitde. The instrctions I've received or crstal panting have to do with creating a circle an planting six nomore-than-one-poun size uartz crstals in the orm o a six-pointe star, which is inscribed b a hexagon. At the cener, an amethst. .. the sevent crsta which reers to the seventh or vioet ra. is is, in a wa, cereoial magic. It's another reason wh this as to be done with a lot o car l l consideration consi deration an an respect . . .impre otives create averse reacos, her words. The reciproca prose o te people dong it is to icras w bonding and nship with the Earth. That's what is eeping us evoling us
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AA: AA : So thi i a ceemon ceemonyy wh wh ol ol la la nt cytal in t i fomaion omai on and tand around i to bcom ctiv to t at' ignal and ondwit a ma back to th ath o th cicl i a condui fo ciocal communicaion.
J That's That' s right AA: You v bn tudying t udying Mayan Mayan ivilizaion and ti cal caldic dic ym ym at do thy hav hav to ay about living o t at at thi tim?
J J Pretty much much every every thing 'v ' v tod you t hs h s nothg nothg to do th th becomng n resonace, reay cl ht 'm doi noMy scenc and the basis of that is the deveopment of resoant fied prdgm Resonance and eectromagnetism are primary Mtter is secondr derivative or epiphenomena of these thes e to to hen you beg to consder con sder ths perspective, you' see it's the revese of the prevaing scientific sstem he psychic nd socia mplictos of ths resot d prdgm r quite enormous as they ead s to iestye of terrest resonce and technoogy based on a matchig of psychc/soar equences he su operating through hat migt c gactc pror hch geerated om the core of the ga .hat .hat the Myns ced ab Ku This core eits the master mast er program that is mediated by b y the different different stars stars to the differing panetary systems ur su is then contuousy emiti sets o pattes ch are simtous eerg normatio hes can be synthesed down to the readin readings gs of the binr sunspot cyces cyces ertain numerca numerca ptterns are a re determined determined by these sunspot cyces 23 year year cyces 1 1 1 /2 year year cyces cyces d these re ccomodted b th Mayan matrix, the 260t zo cendr or ment ptte AA: AA : Wat a om of of th oth "h ophci ophci " you v ncou n countd ntd in you work and in mting ol?
J One way to envison envison the armo armonic nic onvergence dates dat es of ugust 1 6 & 17 of 1987 is ke a vortex reaching s apex, or point, and then it opens out again This way, you have a particar kind of energy that goes to that point there and a whoe other kn of energy happening after passg through it s the vortex opens ot trts noher cyce here e enter condton where we' be exp ri i g re-poarization ' bee dominated by partcar mt iel sc h cen t (he g g h 1 7th cent o eson and hat we' b ig menta fied s oig to reversed revers ed n Myn Myn terms, terms, 's 's 3 btn hc 68 hen
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at blhd h mdtaton and d th whol thng off Th wo I' bn dong and that yo' dong and oth a dong getttng ady to t n pa a nowledg am to b th fondaton fo th nw mnta ho bng bt a th oex ta o agan gt 16 & 17 ntat th tanton By h mm of 1992, the tan of th ollang old mnta hoe wl pty mh ome to an nd t th pont, w nt anothe 20yea phae the ery lat twnty y of th nt Maya Gat Cyl, whh bgan n 3113 B In th lat twntyya yl, on w' got th old man toppd wl wne on th on had th al fll owng of th p w all Homo Sapn W' t abot don, w don al w od W om p agant o tdty and bllan, o w' gong o be gen the oportny to rlax and le a fnal fowng UF By 2012 D, whn th y loe ot, that' whn w hft to otonay paen and that' when w gt ommpltly ntfad wth what I a h gaa fdaon
Teence Mcnna uses that same yea doesnt he? J�: a AA ow would you chaacteize this new me ntal house we 'e shifin into duin this olaization you 'e efein to ?
JA: th tm that' aond ow th ola a h tl a attnment to th t What I th' th tanton od a ht om th myth o g to th o o yhoty and th alty o ow l a gog to x mh gat xano o what w owaday all yh ablt h wb a rtal ont aod 2007, tho lat ya, wh th'll b a of th mot may, abonal nd of n of what do w aly nd, anyway, to aly b hay and ale?" On th oth hand, d to th amlatd 25,000 ya of hman xpn, th'l b a ndbl owldg ad n of wdom It'l b a al Goldn g at that tm and an ndtandng of th lnk wth th oth x ta ytm of th oton o th aa fdato Fo tho who a t, h w a dotao o t h w, n th oo a, a o arhey memoy, gnt attn that han't bn atatd yt o ha b drant a long tm o both A hghly nwd naton wl o Dr Arlls &r Pln A Nwk w: O x Bould, CO 3
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WDR WDRS S : Ritu Ritual al As Peronal by J Simn Simn Fr an insan ins an I s s d d awsck aws ck ...my feet froze i the sad. The moon
was supposed to be but thee it was i the niht sky, as if some devious gods had ecide to choke the ight out of it. I wated to drop to my kees to pray. I was scae . . . scaed eyond atioal thouht. What could I do to bri back the ht of the moon? Suddely I realized reali zed I was witessi witessi a luar eclipse I ha oe to the beach that evei to build a ire, watch the full moo, and listen to the pouig of the surf. I had not kow there would be a luar eclipse. eclip se. he expeiece leveled leveled me. Humbled fo fo that that instat, the fear of Go was placed i me. thouht we were all doomed. or oe fleeti momet, I was the eolithic shaa watin to cry out for the survival of myself, my tribe and my world. I have ofte thouht about that moment and my immediate esponse to it. It was a unkowi, uprepaed ad ueheased reactio. was my ut level respose to the mystery of Nature. It is this thi s type of atural atural resose resos e to wildeess that wish to explore futhe. I feel these inate reactios are he essenc f rial. Wildeess excusios ofte evoke a hubli ackowedemet of the reater unkown. I am fasciated by the effect of wildeess upo us 20th cetury inhabitats of the Earth. Drivin in cars, livi houses, shopping i supermarkets su permarkets .. .limits our interactio int eractio with Nature. Nature . I fid it icreasily dificult to feel peace and ratitude while surrouded by the chaos of city life. I et cauht up in commuter tafc, rocery lines, media advertisemets, uclear fears, fiacial worries, ob burout ad all the rest that comes alo with 20th Cetury erica life. Ofte my insecuriies insecuriies of who I am, what I doi, ad how I am doi it, iluece iluece the way I live my day to day life. My respose to the overwhelmi chaos of city life has bee to retreat to the wildeess o slitude, relectio, ad rejuveatio. I frae the wildeess exeriece as a e e se s e a tie out fom ier city life allowig for these eriods of reflectio ad reeeratio. I find that the quality of oup oup iteractios occurin duri duri wilderess experieces perit reater cometecy, self-esteem ad verall tust in sel ad, othes. All this has added up to the urturace of hoe. o, what happes when we go to the wilderess? s a uiversity te I was fortuate enouh to have foud a proram allowin me to t work i Wildeess Psycholoy. Wildeess, dened hereafter, is tie eviomet elatively unscarred by the effects of z woweek tips would follow a simple format o ns no sov no co no obacco no dugs no books no camas no a.. a.. n ·
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W ma a cmmimn l r cal adicins, rainship rainship rslvs, ach h a arh. We opeted o osesus, sg the goup cce s co sctue sctue Oe cosesus cosesus veybody gee to ws oppg ou es We wee ddessed ddess ed wt vy h h Ts ode of m h shots, o wom wt deess me me Nes beg cotued ut vus fou deess ed fom Wow to Fethe, Cyo u, ood of , Tw St, d Rve Rve The s s to hve hve m mee choose s s Ths smpe gme seems to hep peo e e the cty seves behd, he owg tme to expe dffeet of the pesoty peso ty O oe Spg tp we me to the c cyos of Southe th, the f goup cce befoe e the wdeess geed to wils . " The scuss ou etoshp with "accidnts" a of "th wils. oto of No Accdets ws peseted t tht so-ced ccdets ccu wheeve we e ot touch tou ch wth s Peope ted to become ccetpoe s wys of gettg tte othes d to ecy em othes to meet the eeds fo A pct ws mde to be touch th ou eeds d to commuc whe whe possbe, e, e , whe omeboy ees hug o ees to t g g ou fes heped eeve xety sometmes spe ueces8 ueces 8 sos The fes cuded veythg fom tg dup the of the ght o he fe of hutes, skes, d d of te uown, O the ght of oe tp whe ffed the oe of wdeess ge, I pepe a fir circl Po to t the fe, I veby fed y teto to the goup I tod them te most dfct pt of y deess jouey ws the etu o to, whee oe s ey to, cheged to tegte wht hs bee I efeed to the fe s ntit tht o oy gves us ght d the body but so, pehps, fe eds ou spt suggested ht the ppoch the e s ths oushg etty by feeg t wood E e of wood ws cosected s ffring Ech peso ws sed t pye o wsh wth ech pece of wood ofeed to the fe th e ght d wmth of the e peope sed fo stegth to cy Q t dy ves ves Ths spe ceemoy seeme to hve pofoud f ct po he peope peset t ws dect espose to the wees et d the ety of eg o he cty O dffeet wdeess excuso oy men p tcpted, he me ame fr eve b od y to go te ow y epre a 3-da y perd f m e t evei ea an m Te u et a I bt a m wated tw eer apprah the beh k at s dare ette i, m ow fear of te dar d y my atteti fe te fe easy a ge peces of woo st abudae of f d
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miled wood washed ashore om umerous, sunke pirate shis, I plaed ata ogs ito th fire). I was aloe o that beh. y fire was a huge ieo ihtig p a area a hdred yads i each dietio. The fe eased my fear ad soo, it became obvious wo vigil throghot the long ight o the beah. While ontempatig deisions whih wod effet my ife for year to ome, I mde a prayer with eah piece o ood ofeed to the bazig fre. Feling ond or wood, I found a piee whh fet xtremy goo i my hs. Upo loser inspetion, I saw what I was holdig. It was mmad lub, a weapo, perhaps fro a old pirate that had roe boes ...raed sus...or wors yet, killed a hman beg. Quiy, I paed the wapo asie too aid to et my nd wader rther ito its possie history. I lookd into th fi askin ae hee weapon?" I sat in th sad silnc thinki about my qustion. Sowy, memores om my adoeset yas e ba to me. hg out wth a street gag d we sed to mae s simar to the weapo I'd jst fod. I red as y git srfaed f for. he vioene ad ager so desised i othes was withi me. I ased forgiveness fro very perso Id ever thought or aed a nigger, whop, kie, hin, goo, spi, hoy. I thougt of every person I hd tentionaly or even unintetionally hut, it or eblly abusd fed the e more ood, cring out or fogiveness oe people. s st to the west o the ie, I elt sthed b its war lt.
I ten d e ue clcke ud e re in de s in te e. M eecie s difee e. d el thi but ll te ee h ee e in ie. ecled te ties d bee oeed, hi, bed, d de t el hl. ud it in et t e ech e ; er k t, e e. el i i de i . icel, e d e d d e u . tre e l, te e el r ll t uilt. M d b t it, i the ske d it e e ee ci . I elt lheed d eceul it. I d e in d i t nt. ience, e Gd r i ece ll e sui in lie d, te se te, ed G ll cis. ccle as cleed. I e � ce ile ed s died, ls W O d . t as ritu emerging natrll fom te ('nviwIl, ad, myse.
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Oe the pst seel yes, I'e led a mber of grops o leness ps people om ll wls o lie I ve disoeed n bs my appoch to "wildeess wo". Frst, I beeve tht the h s le Nt only do I beee t s le, bt lso tht t is a highy ellent nsos beg I felt, i ll iumstes, the wildeess to e the hele the tehe the gde Seondly, I feel if we liste lose n, we cn he he Eth "spe" o s. he ileess wos n mny wys, my leels It is ie a oter eless pe On my wleess oeys, I'e bee able to exploe sce he poles o ht d D, Good d Evl, sle ene, nown n nwn ee, I eel it tes whle for it e e eepest eect Bn y leelng expeenes" lie nec eclses, I hk t tes 23 ys he tpes in my mid to sw w s I old ben to lly pete the sodngs. As the e cnes, I'e t helps to ompsh os tss. This es e sehn t ocs on wle the wileness qetly begns to is "m" Oe n, wle e on the Mdle Fok o the Ee ve, I ws e he e n lht eemoy he mon ws fll that eveg. ws wh op o 6 en nd wmen om the niesity d these ee he n dys in twee tp As I got p to get some wood fom e stc we lleted, hee ws stnge sensto i my had. The o hel n my s seeed to ome to le I loked t them losely d s enhlled by the lies d g the wood. Inttively, I el te ime nd eney t too to ee hose died piees o wood. A oe time tey ee le bt now, in my ms, they et lie ancient elde like the aed bones o anceto d I tly ned to the fe wth them, eeenl plc hem se te owg lmes I elt the "sced bones" n nsm no he, lh n sme n tht whtee n e one ws be tstted to those edy to reeie e ht , s I sn d plyed the m, something me to e. t ws so sle cle I el le essge fom the eth. at oe I ke, Te h nees e o songs" I esponed th sog ht boht es to my eyes I e nceb blessed Agin, my espose was one of omplete gatite d i ceeb o le. ime after time, the wldeess hs llowed e ce he ey smple thigs of ife I thi tht ths oledee e x o riual
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I e o of te wilderess a a meaph r fo he hma osios wth all is potetial We Im out tere aloe, there is o ig o hdigthere is o pretedi ace it sel ad Nature e may times I've wored trou ear ad uilt ave alwas led e to a reater appreciatio o lie is "orki trou" are my ow persoal rituals, rtuals oloi o structure r belies but ow I id the wdeess to be a icreible e i evok suc rtuls I believe te wildeess as te potetial to iite ee istctual eries o a tie we we lived ore ttued to te ert eeries is evocatio reids us o our siple, scred reltiosip o te eart s stated earlier, I eel te ardest task o a ieress ecursio is i te retur to civilizatio We are callee to ieet at e ave leared he retr to civilizatio is like reeeri a "ak smbe" a state whee we are awake to our ai routies but asleep to the simpe tths o ivi ts as i we oret tat e ve orotte te saredess ad teoetedess of al livi tis I eel our tas is t wae fo s sme, emembe wha has ee orgotte, eegage a ife spired to ve gatitde ad hmity Pehaps dog so, we c save o pae fo e hdre o our des hidre
eu uelo te el f huma n see He nizes e ee eui f se teested i nii el t lety aony me f, it:
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SAKNG THE ANCE
A Iw w Ezb Cb y EZE OG is a Saanic Qblist trls r t wrld stting up sacrd crnis tat a lp r t pst twnty yars m t xplratin f gnric rital frs and pttrs Wrking it ppl m all alks f lif Elibt s ttl cint t frging th vry ld wit t vry n as gn brt t an ntir rit tcnl draing m bt traditnal an cntprar fnats Tis intiw tk plac Sptbr 2t 986 il s a s ti t discuss hr rk btn crmnis s as cncting n t t ast f th nit Stats ANR A H ha u arrd a ha u d
EZBEH COGBURN: r s b cr scr cl bl s r r srul xrs cr c l bg lrg ru ccl cs Or s l bsc r -- c - c rs su l c rs suls Bc s cs r rs r s scl ee u c I b bl bg cl rc grus p lg gr su c ll g lg rs al cs. c Ln Danes r s Ts rg s b ccls lss 24 urs. ls l rm "crml" s cus us rugu ull s m r mulus ggg rus lls s Fo m, a mr "ou" bcs ual w s cscous awass o A riual uns saed wen s nsious innion is aid u wi rvere, dvn and s a ihr wr fr h gar gd of Al Life nt ust f prsnal aication.
Eualy, w a r d o bcm r xlc bu " sr" w ar g b wc o crms, s ss, rac I bc cla o us a s s g r o scr crl rm cg rr ug l g crls r, n s , rcs sr cslgs s) a pel lve y ll us 0 rs r lg b l sl, ucscusl s w b IV srs Nw Sg brs wr g b, w dnV· s wr sus ws, o-Jw
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tradition of th Qbalah nd, wr i fact, mmbrs of th sam trainig program th sm Teml This tory of who nd what w ar, whr w ca fro, how w ot he, wh we ar hee d what hpes to us wh w ie ll i i wh or e se o Th So, i 4 we deled tht l ew og Ceemoils wol he foth t plc on th Qbalstic Tr of i a tht h Qbalh would compi our map ad mthod o iritul dipli n uoldet
AA pp p . E C : Wh I accpt a ivitto to crat a Log Da, I a m in mditatio sig Gi abot tht Da Th intnity of th medittion ireses as th dt apohs Yu ud s I in, sin nd hunin h Dne I un i nd uiin is ene ied m coieig t eso, th oicl perod, th coeodi Pths o theTe i, the letry lotio, th cotelltio o eole ooig t De ht her om hm rgrig thei el oes teir es o evelo am listig to ad wthi wht is gi o in t wo wht th oter stoy iites abot wht y be sii i o Colletiv Sbcoious As I meditt, I wl te Te o Li or it soig dii Wheel s they ar li ot i the d o the e o Ho lodg, whr dirtios ad deis o t De o to me eod ad lbot them my e boo te, we hv ivd t th la o th D d m i oil wit its o-ei oo, leets o the desi e the wove io o loo oe o the De Aote ertio ve o my e ibh Letter to th Co-Hrt of the D his ied to l or tiis well ahd of or metig t cotis dittios o th Pths of th Tr corspong to this feat, alog wth oth mges, thoghts and spial cocs with whih wol ppl to eed tei mds This iitiats many levls o bog to te hold y th t ou y nd hds mt i th first circ of th eemoil Thes write w for vry Da, no mattr how my e w hv ben eeg tht rtlr est If w ar livig i the oe, hi th l tie o th Qblh, vry t i lw i o THAT
Ri R R Ri
some toos ou ou miht mi ht share share ith ohrs ? A itul catlyst, what re some : he niverse niverse is mde mde of sound. soun d. Words re inrun inru n of oer. oer . To ame is o ee o crete iving rit ht ht ic s s e oer to ffect ff ect sing sing trnsformt trnsformtions ions ih ihin in the rcns er eree u u be cometent nd insired edershi ful honore nd sure b ll resent. res ent. his lince lince eneres eneres soein soein lke n elecroelec ro-n nc c eld dring in, circulting nd dring dring ou e oer of rone cn en direc is energ n eslv ccr r on eel of skill skill nderdn nder dn n uri uri ecr s s del f e ible ll l l br o ccl ccr r cl l er rl e l ll i
AA Wt r s p p s s . . th s s r
EC EC
ee re re trs trs lon e e l r en b b Inion is oe f - lr en erll iii e oer l ork ork k k ro in in e e i i t i c l source o e er u r o e r O ening o ideni ih he Hghe Se r l trou r in one one, re i O r e re A cntrs o xprsso or ths Sor bec icl ccessible o is oer s s e ckolee r uce r or ersonli ersonlies es or es es o b uble n r e ce f the One oer t cretes susis d trn ll
A masr of ons dopmnt in this rrd is t a on can proid rspnsi, skf adrsip n pprr d cooprat with th sam hn that is apprprt hi i he poe-romihin, poe ih, in/in gme eseni o iing , ne ine cue nd i cree roce o Pee on Erh
e coi/ co i/ cnr cnr o l b ion I nc ner nd egerness for mel mel rul crn s crcuit s the c c rl r d d congreg b tedenc to underese enrs e rul nd the kl kl & r reur o & e io
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Hle ese eer els s esel e cr rls rls s knw w " n" r "r dwn" r er nn, dr d r nery ered Er ll rl leers eel se r clec ce rel rc rr rls e r e e r r "er" "er" r r scl ss s ler c e s sls s e e srcs srcs c - cs r sc s s l l I s s e lc sc rls c r rl c rss rss ls scs e rc rcrs rs s c l c ls el l e ler ler re l ecessr b cse e e eeer rcess sues uecessr ls e el ossbles r e sls r AA: How How o ou ou go ou outt o o i i ig te fores eoe eoe uri ur igg ereo ereo
E E Or rmn r rs fr . s suc, e see re se exse cex n c ele c exlre sre er er orls orls es eec uc ces er s be n e rl s e cse W a a r ay as f cnssnss bynd np. We reoze c u ee r es exeree exer ee rkn or nes r o, rnk, elo slee ... .. .wr s nd nt hnd and rdd f n "rnd pas", it will always erupt i violece We s our Des re rers We r b , sng sng d ru ru n pcrs meaig that we cultivate ad hold the images f the chnges we are seeking as we create our ceremonils c o e Dce, s oer e o ourse oursel, l, b sl, e ell e e o e e reer Le S e s, s, "ke our e ve-, o ro" y ds n mpy mpy fry fry;; r mr ay ay n synnm ery.
ere s el seus rs s el, e r r r r b s es e lcese -- s appropriate spont spon tneit ne it s, us W. Yu us be be appropriate are o s r o d t ou re do s t Woe t s eece eec e t u u ll ll o o urtr "out" "out " n our er r a o n r b, tout urt or eer oes e ce st e Dce W r r w wrene cscsess s b rs rs l
15
A i
A Are Are there fixe fixe res r psit ins in s prticipn prti cipn ts py urin the enctment enctmen t of of these ecsttic ecsttic rites rites tht tht supprt supprt cntinmen cn tinmen t
EC EC We hae hae osiios a ais sa saes es o sil. W hae Sl Whers o du o he Dace G a all is. is. ai ai o se ha s gog o ih ach es o h Dce Dce G a all ies. ies. h ae hee o hl l i i b o see ha ha h e e o he he Gd Gd des o ad. ad . " a is whee ai, desai ad sll ae . I elieve h h d Sl Wher will e smee wh hs ed d mde sme re ssae wih heir w deh d, heir w isiy isiy eole o ae o deoe sch iiiaos o oc i o as e daces ad isie sias laci o a a li o he exeiece o ohes o b alloi delicae os o caee o chaos. We a o ei he is des s aed ae o exeice ossible his sie o chaos. ill, ill, i s asc ai os ih ih he exiece ad coii o he ou.
Ou d ,, Th Sl Wacher has a arer dri h dce clled T Oud whs task is ig h cil rm isi rm he usid hee hee s ih, hee us also be Shado. Mohs ae aaced o lae. Wee had bikes, bikes, dks, ilee, ilee, olice, olice, a he idle cuos . . . o ies, oods, liads, id sos ad oeial ais desced uo s di Daces. O le saes h less yr Oridi r Sl Whi, dac, n ma wh, unless y are clled assis I ao sa eough aise o he eole I hae daced h o he eas wih esec o he ail o hadle ee challee a as coe o us o ehe he osid osidee o he sie. 2 eas, ee had o accides ad o seious lless o eihe i o bod. o l ad a d ha e ae o he ih ack a hae idlies l s ake o ha challee is seed a, a e a hae ioao o sae a ih be hell o ohs. oh osiio osii o ill ill ad his discssio o coie is a o he Shm "Holdi he ho o he Daces lead a o d ad aall ll ll ie o boh he Oids a ul achs achs a, a a lels o isios he e ield a oce hile iai adses o ehace ad coai he od. h Sufis e e o du o hei k daces, he auh e ha h h is si i he i o he dace a (wih he d e sed se d everydy everydy heve ha is ood isci of uls
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AA: Were oes e vo o N come no py ?
EC: (lugg: O gooess ..t outl! (oe lugg As blst I tke te o to en te gou o beg o ece e ce .. .o c e estto to c e sll etu. Its beo e gee te sce esct. e oe u ces th sl colg n ou te cete c e uest to eesent te Ale Pot te NoPot te Vo ...ee ll ol ttes ssoe n ne ones seee In a sense te ole Dnce ens n te o Sce e e llg to etet te ossblt o "og" ousees e'e ble as unebe to tcte n ts ste then. etun fo te ance thog te se s.eee cge and me Whole AA e yu efeig eg-deh " ?
E: I Qabalah, w do not sk th dath of th go u tas s euat a stengthenng th psna go to ts pope fnct as hum sant and admnstatv assstan to the e Self Th o s there to dt betwee the wng f th tht whch s o ad t mmdat ontons and tansactons f y f on Eath that wch s "eow" People wt wea gos cn't ay te ow wht n t wod Thy a ot good sos o tvos Te tend to e nocuse nfeta nounded ayfay ss nnnes n th the hand e hav t tyannc oeean ego of t aoscnt heo who las ds f hus of t pon tsef goy elogng to the gos ate thn efeng to te det of tht go I'd te tnk n tes of tsong al f tt god eneg to n ego tt hs ee tt t s ot t soce o tself but set o te Oe Souce. he te ego cogzes t has no oe o ts o et cn e a e ete of exesson o te ne Poe tt kos tt tuth o te g "of ysel I do notg ...but tough te Oe Doe te ge Self. . AA . . e eg becomes deon . .
E: es yesey much so .
ca e cotacte y writig: co e Sg Creoial Hs 741 gewoo N luqurque EW MXCO 7107
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by K
none who has been involved with neti siritualit (as oosed to gathering dust a huh long enough to see the benefits wll also fid themselves u against the roblem of how to anhor it, e, to mae t somethng more than an iea the arr around under their hat his has been a ommon need to all forms of ritual (religious and/or siritual) throughout histor How o we mae it Real? So, thousands of plaes have ome about around the world where some aset of the multivared astal universe intesets with the material lane through human effort Comlehs, pamids, mounds, athedrals a fall unde the headg of emples s doowas to Somewhere Else, emles are visible remders that you a't get here from he ut you a from H in th Tmp ad that is what we shall attemt to id out hereate Individualy, tis anslats into th fact tat th only Sa Spot that s compltly wokal th on that most closl plicats t nn w of t mid itacig i it. r, to reoi a old ase, ou want th Temle to wor ight, build it ourself This is an idea appoah fo several easons 1 individual Temle reuires ttle hsal eot and exense, as 65% of it exists o the astral lane (ie, th imagination 2) e is free to aroriate "mateials" (thoughtforms, pshi memoy imints, et om esting Temes to add to the strue of ones own 3) A individua Temple, if arefy uilt ad maintaied, gives a mh hghe retu on a spiritual ivestmet tha most oeratig publi Temls d, rovided yo dot seuat i ad Ene, you Temle will bpass th ofte uinos arma taxes tha so man ivestos in the Publi Viatios Fd hav to deal with ll these onsiderations notwithstanding, buildig and maitainng a Temle involves onsiderable sustained effort at first (as does anything worth havng thus, the roess of reating one may be one of the most thoroghgoing siritual exerises around his might be exeted, fo i the nal stages of develoment, an individual emle (whether at home o outdoors is nothing less than a "seret assage to the Univese"
here are 3 basi gound designs for most Temples in the world It is these that we'll draw on to form the founatio of ivate invidual onstution he are Pyamidal, Ciclar, and r (Bear in mid, of ourse, that these don't neessaril apl to euan emles thos natural power regions suh as anyos, as, moutains, ad foests These laes ae shaped b Foes tt ower ad purpose uto Thmselves ater, we'l ivstigate a o for detig ths )
A Rt R
tr Tmpl dsis av o ti ommo For Drios o
see down o he nsnd-bos rocess o le consrcion, we ill sr ou wih he Pyrid lyo in coss, r he our direcions s hey y o yor roo, re, bcyrd or hrer you re Th hin we wish o o is whehr h our wlls o your roo more or ess ine wih h our direcios ( he crr o he roo i wih he our direcions, se he Crcior or Circulr oor ls The our direcions coincide wih he For Eles s such: AIR -- Eas, IRE -- Soth, WATER -- Wst, ad EART -- ort n ech o he res yo he red, lc i clocise oio h olloi or siilr ies: AR -- Es: A ibe Bl or wind chi RE -- ouh: A r cndle WAER -- Wes: A chlice o wer EARH -- Norh: A od n or roc or dish o s (When in your e r, reo he iems couer-cocwise, srin ro EARH he our elns r syboized in he rdiion ro s he Acs o he Minor Arcn ro hich yo cn erc urher inorion he ro, yo wi so discoer (bei somewh hiddn os o h urii bsic berins o cenris s here re lo o hins o dd o his hubl b i bu irs l us briey och uon he oher wo e desis Crucior l y be seen in ny o he re edie chdrls o Euro d nl, s wel s he zirs o riordil Mesooi he our corrs o yor room in wih he or dircions, hen h cnr o yor sce will be seen s he cenr oi o inersecion o h our re lins o Eemen crren rnnin hroh he Erh, orin r eilerl cross red o by ssie irs, orndos, wrlls, or olco her l o h iii culis Hor r ou y uly our dsin, i is bs o suy lyous o cul eisi ls or is h bii A coul o ril is or h desi o Circlr ls c b dr o onh, s ll s so o h r ois Bhis rucurs in Chin Bsis h corrsos ic o h orcs o our ls, our l ill d crin ui; his ih cl sioic iirs" or, i h sous o, is o iiio" Oe o h in ies is oi o ocs, ie., a altar h r ucios s o o siril worbnch Cndes wi b ncssry s Por ic: h cnds r li, he ele is "o" h h cs r ou, ny sor o sll oic l ill o s lr, houh or ch crris he dne o sor sce h lr shoul hichr dircio your el is drin is
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"current" from mos t altars face East and the rising su o orth ad th agneic pole However, a dctons a sacd at vaous times so t ore our alar is rotaable, the better Asd rom cads, a alta qus a symbol o wolss not li a cntr img a cuc Tis represens the parcula aspect of te Uierse our Temple plugs into e color of the candles, perhaps cu coespon ith ou ntntion the tuals enacted the Tempe he more the items on the altar are related in intent, he greater their cpci o infuse cohesin into our point of focus The are al unted ei cpaci t bring us closer to te Being/Reali appeale o t will aso b easi seen how e aious New ge/ osiive Tinking tos such s irmation, Crsals, ec work much beter i a charge Templ atmsphere than erel an orinar living or bedroom ow, since the ver idea of a empe presupposes the notion of csmlogical Inelligence, or constanc, it is appropriate that te operation n cscion o one contain factors reaig ese ieas to the interna workings or exampe, most Eastern religions schedule their major aciiies accoring to the pases of the Moon as id the Od Testament bres, speciical e Ne and ull Moons s far as the Wester pubic religions are concerned, this as faen out of practice becaus pciiners are augt o not expect aning "real" o occur from tes es an so, noing oes Our priae Teples ght, at least, operae according to the idea e "ies of e sl ea" are on te rise m e ew to te ul Mon an thus best for outgoing actiiies like waterskiing and uebll rm e ull Moo o he New Moon he waning phase), on e oer an, is mre appropriate for inar reection an meiatie aciiies If we were to ecide n inviing e inluence of oher planets i ou epl, e il e suou uss i is iig us se plns, oces e epesen Haing c s of sin pins of emple builing an te n unfille eils and ne pints to be colore in b ourseles we will ouc brie upo a few tips for efectie Temple operaion We menioned four elemes Tre is a fift, t or ahr ich is found in th caston of the Templ The castone is a charged ara ocatd at th covnc ont of a fou dctos/mnts and s ocatd dcy aov th cn of th Tm o th had, usua o mo t is charged wih an iing, creative intent a pint in spce from ich te four els irecions not onl cnerge but spring forh om Ou psl relaionsip ih is ptenial ste is te basis for our cpi r carging te cpson Witou suh a relationship, i wou b sea tile to cons
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Tp h fs pac Smpy an awanss of hs cooda s nough to proff h ncssay prspecv dung ua nacmn o rf what w ae dog back to Sourc k he Souc sef, h woud b no al pe whou he capsone Mos, f no al, prvae mples uaey daw much of hr Powr by nkng up wh vaous p roupmnds around h gobe h dea bg ha a pvae pe s uch bee quipped o scren ou mos of h suprsous fea and psychc pouon h pubic ps bcoe rddled wh As anyon who rads he nwspapers or hsory books s awar, hr we ad a eple roupnds ha are verabl compos haps of asra garbag h oal beng, never worshp anyhng that pefs bood ov win A fw brf words on uan pls ay b of us to thos wishng to xpor h A elluran ele s any land-connected Eleental Vortex ere te four Eleents coerge n a aner unusu or noceably different from enerally encountere levels of ntensty ay of th majo ons hav bn cogzd n h form of bng dcard atona Paks and h k Ohr aas, which may ony b a fw fet n da, a ony fquntd by oca spis Findy uan Tps and not of hem a) ay b a sour of gea rjuvnaon, spaon, and, rode you oly e at you're gen maas fo you own Tp us s s he ra hng and shoud be appoachd wh h sa a wh whch you woud xpo an unfa, dark cav Mchancs fs mos Eena Voxs oprat aong h ns of what coud b called a Trang Powe Concous, o PC h TPC foua spy obsevs tha n mos areas of h Earh's surface, h proporons of h ou Ents a dvdd aong radc lnes -- he Elemens anifest and on s "aen" Choosng an xaple a ando, les agne ourselves n a ounainous region: hgh peaks forsed slops, and a ak h valley Barng foes fes and vocanc erupons, ou opave Eleens ar obvousy Earth-Ar-a wh Fre beng an f w sad on a ounain peak o edge, he donan Eleen s A (hch ay blow us off he dge or s spacousnss cause a vrgo Ar, beng an acve" en, woud b placed on op of h Trang o look ke hs:
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If w go swmmg th l blow, w'd hv "pasv" rgle thr Tgls clud: F r e
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Usg hs l gul, w gug rm lyut of Elml urc rs cu C d lrg wr surs, howr, uc Bmu rl hr l r oft ot rgur bu Bgul, cg r s h o o bng du u r lmls hv to , oo, ' u h m rsct ht ou woul l lc c brs tg Tllur ml r or l ubc c som r o l u u , wll coclu rl m g s, rdrs c lr l
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4 The Blu Hle ele a Bnguar er Vrex of he cas f Cenral er c th mum
, c Blu l, t l ll m ( ucc l w hl rcrd l u Kvn A Ls s a rtr an p nactr cunty ngagd n th practca s Hrtc pty an magca sarch
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UND ONG YOUSELF An nerview wih Chriopher . Hya Ph.D Antero l
Ti s itiw commcd o Octob 31st 1986 at th hom of D. Hyatt which is also admiisatio oc fo h old Daw Socit ad mpl U.S.A. h actua l locatio of tis plac as wll as D. Hyatt's idti a to mai cocald fo ow at his qust; h atd this st itiw ud a pact of coidtiality. M. Hyatt's log-tm disciplship ad idship with ol Daw Adpt ad chif spoksma Isal Rgadi (who did Mach 10 1985) cotibu td to his cut status as dicto of th litist cicl of T old Daw ad Psidt of th o ld Daw Socity ad pl. Without valig his idti Hyatt suck m as a ath dyaic ptatig psc v to th sh dlight of aticulatig what is immdiat ad obvious yt oft uspok of. H smd mo agus tha Mysti ad impssd m as o of th most utsy aimatd ad outagous itaia sots I coicidd with to dat. ANTEO ALI In sixtysix words or less here did the Order of the Golden Dwn originte nd om your oint of view, wht is its current sttus ?
ISTP S ATT Well I really dont have any point of vew abot where it began istorially people wis to beeve t began at the benng of time I terms of written inoratio t ad its origins approxmatel in 88 or 1888 in ngland through two gentlemen named Wesott and athers and a few others who laimed the had deihered seret manusripts obtained rom a "seret lad" from German Some eole argue tat this was a act and others that it is not D srael Regardie solved the entire rblem in m oinion b stating that it didnt rea matter What reall attered was the eticac of the tehniques and tat in te Golden Dan ou had a omlete sstem allowing te asirant through varou editations rituals exerises to obtain (i ou would) onversatio with his ol Guardian Angel r in more mode terms via Jug his ier el
A t es
AA Wa exa i nin in he en an ine he eah . Regaie ? Wa ? CS: Wha Rgardi wad m o do was if you would o ma sur o h bs of my ability ha h raditio of h Gold Daw coinu i boh boo form ad i mpl form You could say ha Im sort of a ambassador ampig o bridg h aci qualiis of h Gold Daw wih h mod ipratios ad horis of curr sciic rsarch as i rlas o covrsatio wih h ighr Sf You s ach graio ad sociy dvops ss of aguag and hor rlaig bs o h prsoal ural soac of tha s or m priod Th laag of h Gold Dawn is qui archaic ad may of us who do ot hav is hisoric ss i o own nura rsoac fid it difficut wadig hrough th mass of ancin marial th gypian god-forms . . braic lttrs h ochiaa and so forh I firmly biv tha his marial ds o b brough o o crrn ag i a w laguag
AA Wa in ngage ? CS: W mch l you'v do in yo boo G CH Youv akn a o f das and brogh hm nto h rsoanc of h pop ho ar on h pan gh n nothr prhaps mor radca xap d b ask f pdaing h tx of H COMPE GODE DWN SYSEM OF MGIC o dn scinfc no ch somng Id s don. s yg c sad "O s n and hd scinc"
AA e oden Dan eem have gone unegund ae Ce s eign o ee i emegene in the nea e ? CS: Thr is I hin a nw mgnc .. a as for th im bing. On rason for anyhing o b ndrgrond as I s i is du to h prscuio sing from h sabishmn of compig raliis. Th Gold Daw was a comping raiy o h may forms of Chrisiaiy prs i gad a ha priod ha im h Gold Daw was t scr" ad righy so owvr I'm vry disrusful of scr becau I hi hyr a form of slf-aggradizm whrby , viduals ad leadrs lva hemelvs by pig all h mselves This ds o giv a id of mysiqu o he WIH1, c her may be vdiy o the iormao V ow dliba myiicaio of lds to sed et offrs a mysiq ad a valdiy ha
t
7
n ul e ere I presening i enl n u r se ele e inerese e isver e vi sere sse"
AA Accod to you estto, o y "ocl ees " o t Golde D e tee t ts te ? S s ver ificul s I lk revius sles Glen Dn ks n mke ls f ssuins n e ir g inferences I sy py i r r hsan eple The Glen Dawn a siifican fence e s-ce f he Sixies an Svnis an has inflenc man mny ppe ike an Ws Thy Lea Re nn Wilsn an nms hs The Gen Dawn pvie hem wih an eive ml fm which k in an wn upn h nmes cpeing ray sysems emen in e Sixis an he Svnis n a y he Gn Dawn pvi he fnain f a f h Mysica Mvm ha has akn pace in his cnys recen his
AA How dd obet Ato lso ecome mem be of the Golde Dw d ho hve s ts ee ueced by ts systes S: We hnk is meme aizains n memer n ganizan a a I hnk e s een innce y he wiings leise rwley rahr sinificnly n scnaily he riins f sa Raie Sic h rle n Rai e eves f h Gn Dan hi amiance n es hav be in his n hn ha This is specill e in bs aili manipe cncps a in his xpimnns wih al maic an h s nes bain fce evns
AA Fom you esectve, t s te sul ost vtlstc eleet eective itul wthout wc, t ould t to ety oute ? S: I iv his eqies suile spin n suie iniirs We may viw his in his simpe e spiran epresens n eney a c a h iniias repesn an eer an clr Whn e prfm a i w mix ll hse eneies an crs cee h esi ffc w i va a enihn e aspin as e s cha h f y h an he we ae a living in Ms s h py in h he eple pesen n apae ic c pecing e pp
168
All
eeres d oors to reate the neessary result th rqured one
i you sak mor on th riua union o on anmn t an how i rats to king a ritua ita an ai ?
SH thnk part o t has to do wh b s as possbl n order that the proper enry or olor, ou woul, c b ra, expaded ad manua to produce ts s t thk at ost o us are just too u o thns o be a op ct or h ry Ths was the whole oton bhnd my sclld "outraous" book, UDON YOUSEF, we ddnt hv rstons plac on most authors by ther publshers beause a t ublshr Nor ws onered about akn money on th book or, t to present, through th prn da, the bst w ossl o "pn onesel ou A sprtual laav, you wl AA: How imorant is th ross o syhohray inomnt in h micka systems o the on awn ?
SH dont lk r "sycoh u s, us o be a lense psychoeas ocally sanco Sa bcus s uc uco Sarov As nll spok o, psycapy a v , ov l Howvr, lke a, v to ar o o or othr s sort o esl ore o ol o "n expnso an con v o sv derntan spec or obls suc s " ulll o ea Wor prr h a o a psycosl lv r the word "psyhothay" u to t a o E Ou t earlr AA: How os th syhi untion o th shaow as rr to by ug rat to your PsyhoSiritua Laxati Thory ?
S ths s the major probemat ssue a us have been o w w eae e soa "pt psooe " e few of ae the toma sh a oae the w o make a hangng Woe out of ourselves What we d to o s reet, boh ocousl an autoatally, hose ths whc o no t no ou ma o w w should be O we re thos n we belev wl ras s o rton a /or pust So, a snse, hs So f eal h h Prson baus t Show
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eomes a depositor where a e wated parts of orseves are paed It beomes a rsta O ? At the most iopporte times we fid ideaized imgs tta satted b this mh hader rsta We h b tught in this tre spi to be hpites ad sedeies We hae b giv a mode ad tod it is the OL reait ad that md has t otar t or iheret potetia ad atre We hae beme spit a spit tre shitzophrei The go ma at this ee is to beoe iied withi himsef so he ma prepare or the xt set steps reqig idiidas who a contain ots f eergy tes ad eati
How do you see e Shadow eerget i curret society ? CSH : I beiee we sig it right ow i the dmetaist met bit whth ts i s r igin pitis o the st orreltie sis th sed Nw Age memet fr xampe What we see he is a ttmpt to epi a rig egg The oy wa fdetlists bli ssms e with ths is b diggig their hees it the gud nd ing "btiit ts nd wledge" ito opg ds b ithr igig them r dstig ths peope resntte the s a ssem is g thre is a gowg ndn t n t g hs kg sts big d t hng b th Cnsss Mnt n ts itti with igh eh u se the hu bri i wd i what it a do i tems miuatig bets tig al sorts deis bt it doest seem to do e we wh it es t more pimitie spts o its tre sh s the Ora Aa ad Sex retatis ia ud r the fist r irits o s grid d wht e dig i ANGEL TECHs irst r grdes t is m ii tht thse soed "we regios" are the rea aea requirig the mst w d this is where I m staig where I am st whre I m wig This is so the first r iits a be roght p t th an itgte iits e though eight whh a rretl evovig AA at re soe f ur VSJOns regring ur lae d, if you recall, what were eare s
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CH egie st s tst s usel d B ils. He gee t B tle ut PROMTHU ISI t u ite t e e TH, wd pl ppe ut t s quil esil s t u ad eeve. I als agee it egie. I see tt te t st reqres se d efre t s e t ve t e feret aeas
e icceri, i i ? ill yu elborte ? H: es, I I wod ke to e more poplr Il say that frst M cotmet t myself s t seak the trth as I experee t wtot osderg soologal oseqees I othr wors, t's esy to sel trqzers ad, sometmes we eed tralzers Spakg from the eart, I see tat we are a era of the Cha of te Grs. Wl aogy a e halleged, Il hoose to fll tht trap for ow ad eleve that te ards of the Aet r t e r .. ot wilig to give ther athorty so esly I fors, o a mss sle, that th ew ge s ot gog to ome to b s so my popl eleve ad ws t eleve I s t as rr hk of a lt f blood, srto , has, ad a for a ass hage to or However, I do see sma ets ale t lve thrg ths pero wthot havg t persoaly sffer the devstatg effet of he Cg of th G
AA at re me the deterirti tor underm in i oil ucue m cietie uch e Glde Dw etity mumel e Uied Ste overment ? H: I see as a a f exy I tr wors, we have a moel ad y t ae the wod ft t, rater ta gog alog wth the dta as t eerges I sed y RAL HOR OF DSALIG awhle ag wh stated that a of the so-lle "strtres" smply rvded te s f Serty sed-Serty Sydrome, other words t sety ad tre e s that thy try sprmpose a soid stte a d state verythg hages, yo see. Ad, they expet, te suc sto, that everythg wi rema smpy woderf Se eveytg s ot smpy wodrf, they at lsos tt t s ad, tat's aed ragada Or, as Wls aed t . ov xta I sy al t st wle othes all t worse, st A mu of man an l catvty ts attempt to stfe s with oms w ae ve sotst A rr stats, rater ta rel tor tatus.
A R Rs
AA: ee, in the tte t of 2t Cen tuy Ameic, do you see the oe of itu ying signicnt t with the Common Peoe ?
CSH I do see a need or rtua o he sort hih ampes our urrent predament and not us superpse mre pudostrutures. hs s h I reated te DONG YOURS sst I rml beieve th ou must l u fir ud e h e need o t th undamentl reurtns ppe . tse values and bees e havent hsen but re sp "spoutin" e need to or th thse rst nd use riu to do sme the oon ut but even tht hs to be one h persn mre inerestd i ut hn untit
t is Li Ae UNING YUSLF ike ? CSH Aer Undon, one needs to rest. You ive a ot and o gve some tme he proess o Unoing Yorsef is etera The rx and ss of it must be functinay saish a ochsat pply e that seed has bee panted the deepest pt of a persos so, the ed for fuher orhesatio and diretio is ima yo are done ad have had the frst holow spae made for th sed to e put te is a proess of intation Then, o do so ore. plant more seeds and intgrate Undoig seeding . intatio . and so frth A uld inteested indiiduls but stdi teil the Glde Dn System of Mgic ?
SH The te m at CN S S, 22 s Bv uit 2 anta Mica C 3 and rquest iormatio o the olden Dan Corresponden Corse. For those people o are ready to do more than that and have the mes mentaly, eooay, finania ad spirtuall a uber o s are alwas availale to initiate the proess o Undoin. hat is o sa, one ou are oosened up enough, ou l, o have shen lose fro some of the dogma ouve been apped up
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GLOSSARY Brief Defiiio of Rial Terminol ata -- a psionic ampifier; foca poit in a Tempe; spiritua workbench sy spporting a certai symbo of whoeness, .e., cross, spia, star ampiication -- intensifying enancement of any give reait for carifying the obious and articuatng its presence achtyps -- poweru, numinou images iumiated ad hagd by autonomous psychc fores ueen i themsves yet xee i drams, mtoogies, ad ritua eocation
asoci a attitud basi ocia nideratio bigatio o th us o tti u R A; t ta dce; -mmtt o u -- xi oat a/ t cue; a -- a " d"; t u qu u na a a v ; a " ht"
oy of ih -- to it th x a lutio; aa abso, h a ta i oaywo -- ose task exut twad d o th Li Cir / aura; o o adjsti ona pac to accomodate ones sychc/emotiona eitoria needs
bath cnectve curent nkig iner and outer ace; s-reeenc device dung time of persona crisis, ie., "brathe ... " chactzation -- advanced ritua thatr work; wrn a set o ontact oints converge to convey caracteitics motivaed by a uos to te a to ador myth
cha - the accumative point o emotion and psychc codato exessed ositiey as excitement and negativey as esitan; ocaize in a specifi oy e ndo throgo e eire system th capacity energizing re rea ite irce andor tua
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coud of unknow itea devie for settig up oditios oduv for magetizig NOO; bridge to potetial sate
commitmnt the Souls deee of illgess to emboime
contact point itea aea of diret, u mergig ih a partiular quality, aspet, or ore; soure o stmus ie he bdy ad/or beyod the si, i the aura tself
containmnt ritual deie or miimizig dispero usually ioig a a o subetg oeself to the iuee o oes o emaato sead o releasg them outardly a aay om the el; e bundrywrk
convrsion a tasitio poit here a ate aes ito aother, e, the ersio om dieig eergy g i ues he resulat ualty o a sh m e sae ito a; naon;
ark rits rius dsgnd o lc ncounrs wh, xprsson of and egrao i the ha ui he e prmary e puose of estg edae and slfknowdg; ong h valsc eeets
dsig the ates a gn quaty, me ad/or ae beg hih, he eeted, for h bass of chorography, meme a oa oms empasiig aiy of rm dvpmnt he commmn ncssary for folowg a gie direio hrough o s conrson pon and byond o a nw ualy algeher; he resul ele
moon prdrmnd b h prsonal wl of h on iia movng; apacy for drmnng h prc oucom of momn by nndng s sd, rhyhm, syl and nson lls; slf-drmnd any rlas charg; alng s a dsprson d for ng css nrgy accumulad hroughou rua work; dsprson n wha knd of rual s possb, as w a l abb a 1 (' wr abl o conan; oppos of conanmn
.lvanced rua har work mphasng nnonaly by 1 1 h i r y sson; dsllng ssncs by playng sma; m · V s bl of cong / conanng srog res
C C
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lmts the atonomous fores of Earth Water, Fire Air, ad Aether or Sprit oerstones of Temple onstrtion piees to a rit pzzle
fo he lity by hih a gven shape or quaty gves of itsel fou cos rta devie for onstrtg a itle irle and/or Temple eah orer proffers distint energeti servie and fntion devie for ontanment and bondaryor omancy the art siene of divig earth energies readg energy leylnes, vortexes, nd poer spots for the urpose of nderstandng ho to enter and operate th integrity in these areas apaity for detetg pletary harateristis stu neti devie for rystalizing the essene of a pe experene or energy level a seres of gestres fo the asis of myth (see yth)
onn ay roess seg tze e eer eels oeral onetedess to plae ad graty s a fore Earthase atity op cc rta deie fo gg gro ger t dsss prevos rits ent ntent and re possibties say dediated to nojdgmeta feeda and diret reports of hat atay happened rther than phosophia speatons of what t a mea haln ritas qikeing the iate amiaton of essene osycac ineti deie for aimng ones on persona spae an ability for insilling a highly personal signatre to ones voal reations movemens and rituals; satement of uniqeness nomparable flatio ondition of being selidentied herein the ego is expanded d/ o shunk past is revos bondaries he esut of ineal sion beteen ego and Self full of self (see ANES setion) ato the result of those ritals triggering hgh degrees of erainty and reaive response transformatie shift fro one reaiy tnne to anothe; ovesio points
n t y the seset neessary for respeting others a sepreservation dev bg eue amidst great intesty
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ntuton - apaiy for diret, open-ended at ith liig fores ailiy for tuning io a ondition ihut iosing reoneios udgmen and/or interpreaion; fisth kege
lttl ccl - that psial and si e ect geeig a ontaining presene hroughut ritul rei rsnl sce
magck persoal onat ith he iite; ee f ort exhibied ids unertainty the aci f beig e i e uknn; te methodologies responsibe fr nittin ce nsfrati ae "agikal syses" snchiti f exe il fcuies atiities toards greater on er es reicent
mdaion first phase of he phsial r-u i itul there; hsicl stilless the position f our hie iii es tentin ith oes body i me ad spae aig attei a ig
myth an syboi str aiaed b a seies f chrge ens a suessin of gesures or bleaus bssig cuur bias an fue in music psioni aplifier usuall ali ece atshees a expressions of ritual riiats d/r iuece ei rceigs
uniersalit a nerk f ek exeieces e t e tei direion rehnde i b i is ufg
no-fom oid, nothigness, he ei e; i itu it a be approahed hugh a rested stanig i iaes a rles eah ritual by its tedec t disse ieic; tl fr iscrgg exess shi energ r ei ete; ti cic; urce of all fors; state f inil exe
non-dictonal otion iate b iulses rths and ulses of the orgaism itself usuall afer reaxing our gi the by; orgaiss inate diretion and fore often realied hrough abannen, exhaustion and surrender inately detered
oc ontaton the erspetie eabling nn-ugemetal eetion ce fr their ecuer exresi d reese
l itig deice fr iiiaig te -u ces, ie 'W W fu urisi; ce-issi eice e e r scicchge ius
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pit f rship (PW) -- at oe lives for erever ones Life revolve arou, cosciousl or ot Source relatios lace where detity veste ultimate values plariatins -- rtual ice for stabilizing emotial fleblity after te sical arm-u; sical ad emotioal oscillatio etee· olar ascs rucig grar rgic csi a balance
per spt at ara e loor r grou suortive of ne ell bg, usuall tec b tuito te basis of Little ircles (ot to cu a gac, rg vo
prayer inteal ialu a/or cmmuio it Poit of Worsi sritual resoace; ta sical sitio, gesture or ritual afforig counicatio it te D Wti active ,assive, & slet raer preparai -- relmiar acivities a austmets for settig u a ruals, usual c tati, caig, acig a arragig of t scal lcat t accmoae te riual itet; see sancticatio prj e i -- caaci r cargig a cos area for te urose of aca a arcular rtual seig iforaon a energ out of onsl a i atr aa, e., ile ircle fr e urse of eterg at ara to be subect t t rcte iluece.
syi ercetive; te ma give to enrgtic oeratio as oose to bu t eclusive f sical a concual ralities caacit for eracig usable ifrma fro eergetc cact asence of roectio
syi smlic ierreai of te scic te ersoal ma us o scrb a rr livig territories o our eerience
t aricular aue f a frce e ac uuc b cal rcs bliatis a ca u c irual rsnce
qliy
rs a i u a
eie a jd a it irinscall is rz r; suc ml d ; a imeiment to ic ii
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sonao id o iter psy hmer developed through the umulti d ssitio o erti esseti subtes o oes beig the purpose o whih is to exite empthy with Fores withi d roud us i e so hoose rhyhm iic emotio d vo devie or expresig ptters o motio metod or stbizig presee d otiuity ri the otcme o overgig otc poit i prtiulr settig r eciic prrio o do so civities ecig te wrees o h reltii wi te ivig letr ei he iteiol tss executed to v prticur rce or te e it ilet sacrd oly (see Pot o orsp) the sm ee sttio sacriic to e red the oerig o sometig der to oesel s t o ith d preursor or psyhi dishrge yh reese saey ecesry oditio o verbiliy sanciicaio proess o preprig spe or ritu trough its osertio heighteig vae o the eemet o spe seemoweret pcity or grtig permissio to be d or others to e vo retios gesures d moveme orms geerted or the purpose o deepeig d expdig thepresee o set beeditio
scpulous quity resutt rom hoorig the itegrity d utoom o ritu prtiipts eessry ttitude or regrdig others
ein e cul io rtu is to te plce
c udd dirupi xcied icui ee erlity d esece uul reulig rom rees miim wee imges o Relit d Rey itsl hge ocurig ideedt o oes volitio simulteousy theres dioetio with hitu resoe d eergeti elerio opportuity or selrerrgemet
socia hum utio goverig iterpersol reltios courhip, dometitio morlity oetivitio d group proess i geer
soiud gg eemet o beig aoe (loe with oese) usuy a perequisi retios ad epog ite depedee
179
Souc lations teracions excig reationship beween an individa d their sorce or god; conversation wth Higher Sef or adi nge
spinal flx second phase of physica warmup in rita theatre; dedicated o he gente renderg of fexibiity in he spina coumn thus activating he Centra Nervous Sytem (CNS) ad neuomuscuar responsiveness spiitual ha whch s sesed; beyond wods categoriztion & thought stetch hird hase hyica warmu in rtua heatre; dedicated o breathing nto the mucles he they are seching to becom more maeabe and eceve to te inals rom he CNS
swat fourth phase o te hsica warmup in itua theatre; dedicated to generaing enouh hea o sweat; hoy water sunde tota ivin o sel; necessary conditin for deveopment
talkig schlcal eice o ite etion/ psychic iu often resutin o dee ok" and usuay eecuted during the rou circe; a bride connecin the sacred to e ca / concetua for the purpoe f exitin the rtua settin and enten the world outde; disern dece teple a hcl pchc ces f cstucing a chaed and sactiied oee cdcie o ekn ecic orces dur tu
a riive e cscune e ones senivity to ilumiti su d l eel; (see Ce ck e e bd l rairy i eied ee eubrium beee ual (ee Decl d Ndectl
neraiy c etin ecety o new inrmtio; te capaci r ce irnce he oe des no know; preliminary sate o rasfoaion; caacity or the idiosyncaic
c c
son esoane hose sons rdced by the e
exein a aca ona n hoh he vc intment.
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80
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ulnrabilt eessry odto for srredr droppg os c; I stregth mpled eg oesef s oe s
warmup the preprtory yles of medto spl lex, srec swet desged for the purpos of eelg te body deply c prereqste to evog rhetypl fores the ct of beomg phyc mber, mee d mobe, ste d tvted rtu prprto work y efrelzg tvty syoymous wh love
ever e ompetey ow deried dor fgred ou
facto referee to the greter ow spet of psyhe
\
rrevoe mytery of or eig the deio l hoe eters o u r p or e
A Rt R
18
UGGEED RADI
ED GEOGRAPY b Rbe al hames & Hudso, od, E E OF GEOMANY b Nigl Pei ...hames do R PR: WAY, RE MYERES y Jo haes & Hud d, : E EE AR OF PLAEMEN by SaahRossbah NC � OF E OE b J Mhel e Bos,
Conscton: E: RAL GFAE, E PREPARAON b o V quaia Pess ( D L RNG: OL GFANE y ih t d Aquaia Pess AME OF E ROE by Umbeo E ...Wa Boos
O AL MAG b ael Regadiequaia Pess OMPLEE GOLDE DAW YEM OF MAC y Isa <e ..Falo Pess pgs, dagams illus., & isios)
GY, PRAYER AD RELAXAON b Iael Rgadi... alo Pss J G YOURELF ith Enegized Meditatins y hisoph . Fal Pes e: SNG UP B) E E: A Mde ans Gide Reaity eectin b Ao e e CONCOUS EOON) ZE N MD ER D b Shuu Sui e NO-FORM) PSYOOG E AFEREE b Cal G Jug eo es 4 M TH DW YE OF MAG se e)
WARD A POOR EARE b Jez G im & Shuse E EARE AD DOLE b aud
182
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AERWOR his book has offered gidelnes o a ritual ecnology cap riggering inernal forces for e overal purpose o being ov r l ! wiin. A copany of individuals disciplined n ch a approch y wh to conider extendng into te public arena prfomance itual f WI ' are strong and vlnerale engh t e ove crtily or pr rea nough o v oer h spl rl tu or t rppor necesary r evokng te rcl hr c holns beween audienc and a perforing cpny I i pr gst ncon and ofering ritual c provie
al eare can be exprienced as n etire di to tlf / a ere of ffecive preparaon rts for enterig perfrance cr and/or a eries f devices o enhance whaever ceremon seeks nergiy The echniues of rial heatre hae ben indeed l uilied i heatre erforance wih muc success Many ies thare would be woven ino a pachwork desgn of Inter- erformnc es wit srands o music, poetry, dace, mie acing bae and visual efec included o coee he fabric. erformces have bee carried ou b both professonal and V s e rr ro ras q e i , " rouc Te scri aeria or hese ublic erformaces have develope om nensie re-reheas sssions usi s medm T s er o riu hear as undero my cha si i io i 1976 Parciaig individls ed o e sr l aes rssio whh h conribt vr mi Fr ele, dacers l e le ors is scoloica moves nto ork It's as i idua us aoher a o he crsa is in hs wa ha e rou is h nue and ea session differen om e res Worki a ogoi rou is me he bes way o n wha i's al abou. For e beginning grou, I suggest eeing no ha ce a week for severa hours each e his w ore an Aer abou ree weeks of his (and if he war-p and gidelne folloed cocy) eryoe wll ts wok is or the r tual eare s or everby b e wa. owever for te eoe (ose wo a o cue wr), e o-er resl f wel wr er w ? , re q ae a resu of ctis wr d te hae ll can le. O rlaing wi N-m i ta i' given a c perpct on I ean how cn yo ke yourslf t r
t
ow o o or s o · . l n o sef-commitmnt s noros o Iv"gS to inter h ' o o s o s g king, a o. F, lf-ace s or s . "hd e to s o ort h sios o ors j " 1 hy ie o o eni iegri
T nelin rincies o ri er sc NoFor, . t, and Poaios) roe e or ri o 1 1 ' ' e oces in geer. Tr riss re o er is o t intac wih oi. oebod o o he /� tnss an inee creation coe through s when space mad o ere it expressio. We re, a est, intereters raher 1 e e in that or ask is ranlting spirita signals or d t e le ege ing the atitic convenion o or ea, I t " own i is not awa eay, epecia for highy V y yel nowithang. A ties, we confuse oueve h - ceation an peha do o o teporai sow own ' ! s e ineta of o ientification. hoe of s wt e a ome ceaon b os th oi, s he ocess 1 is l' te rna and never-ending.
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, I "
I y tl theate ca ap e ongoig ai w u o coe ore avilabe o us. Maye ec we ca invite pc Eah inide an oer he ane a piee o oursees. Ts " " k all he ieee a Rita is eer separae fo theare, es, is a for pifin s read h I s we c ge eer e o i. This as e h rir !r I tting ae Rr Are ...o creae n rbirr isio for � b te look a orees. ometies, w hae o u orsees 0 me together in ew n ore engig ws han before. An h pocs not awas eas, s ose o area kno a ttes. In , m oe has been o roie erisi a cua aa or working knowlege o riua tecolo reaive ' i d y the ipoitio o do, cree or reigious doctines. I
enteing an ea erein or caaci or conainin vas of gt an kowed is eg chalenged rom irecions R knowege, eiee, is insrmea or ri the IHS t wo and reirei e o e igh o . 1 w
tro Dec PraThaical RSach O Boulder CO
About he Author Bo oveber , 2 in Helsinki inlan Antero Ali has he Unied Saes since May 23, 162. Since then he has eeg w i l -year backroun in the eroing Arts at having wttn dn'cl.!, prouce an ace in over a dozen orgnal Inte-Mea hatr p i" H Currenly he is irector o arahatical search a core g iniviuals eicate to the evelopent an pactice o gn r l h os as present in ALL RS RVRS Anto rnt t h Staes presenting Lctus ad oksops o tis atea a w1I , H subject aer ro his othe book ANGEL EH A od S � Gud To alt Slctio (acon ss) an Age Cospodc Cous (ACC)
.
Anto is an oaine ait pt an the centy ap oil eple (o Horus) Astrologer o the Oer o t Gon awn I his spare tie he runs ASTOLOGK (a MalOr eang writes or various nationa agaznes an n occasn peroance work pcoing pocts ince gng t t 21st Century aro wting ore bs ng h a e eventually joining orces wit people who ake vis Siged hs books AGL CH an ALL RS RVRS! a ava h v sening $. @ paabl to t ao t e addre be q regaring he ACC ASOLOGK OS OOKS I I an .othcoing lass can also b a t
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I, Drecor Paraearcal ResearcArlgk PO X 3 oder 80306 *****************