Digitação Completa No Saxof one
Basic Fingering Chart for Saxophone First Octave: A3 to C#5 This fingering chart includes the primary fingerings learned by all saxophonists. These fingerings are the same on all sizes of saxophone (soprano, alto, tenor, baritone, and bass) unless specified otherwise.
Note
Written
Fingering A 123|123C
A 3 A
123 |123C
A 3 B 3
123 |123C
B3 C4
Description Basic. Also press the low A key. For models with a thumb low A key. Basic. Also press the low A key. For models with an RH 4 low A key.
Bb
Basic.
123 |123C
B
Basic.
B 3 C4
123|123 C
Basic.
C D
123 |123C
C#
Basic.
D4
123|123
Basic.
D E
123|123 Eb
Basic.
E4 F4
123|12–
Basic.
E4 F4
123|1––
Basic.
F
123|–2–
Basic.
4 4
4 4
4
G
4
G4
123|1– F#–
Chromatic, use in combination with F4 or F5.
123|–––
Basic.
G4 A 4
123 |–––
Basic.
A 4
12–|–––
Basic.
12–|Bb–––
Basic.
G#
1 ––|–––
For ease of playing in passages without B natural.
1––|1––
Use in combination with F4 or F5.
1––|–2–
Sharp, use in combination with F#4 or F#5.
1––|–––
Basic.
–2–|–––
Basic.
1––|C–––
Chromatic.
–––|–––
Basic.
Bb
A 4 B 4
B4 C5 B 4 C5 C D
5 5
Continue to Second Octave >>
Basic Fingering Chart for Saxophone Second Octave: D5 to F6 This fingering chart includes the primary fingerings learned by all saxophonists. These fingerings are the same on all sizes of saxophone (soprano, alto, tenor, baritone, and bass) unless specified otherwise.
<< Back to First Octave Note
Written
Fingering
Description
D5
T 123|123
Basic.
D E
T 123|123Eb
Basic.
E5 F5
T 123|12–
Basic.
E5 F5
T 123|1––
Basic.
T 123|–2–
Basic.
T 123|1–F#–
Chromatic, use in combination with F4 or F5.
T 123|–––
Basic.
F G
5 5
5 5
G5
G5 A 5
T 123 |–––
Basic.
A 5
T 12–|–––
Basic.
T 12–|Bb–––
Basic.
G#
T 1 ––|–––
For ease of playing in passages without B natural.
T 1––|1––
Use in combination with F4 or F5.
T 1––|–2–
Sharp, use in combination with F#4 or F#5.
B5 C6
T 1––|–––
Basic.
B
T –2–|–––
Basic.
Bb
A 5 B 5
5
C6
C D
6
T 1––|C–––
Chromatic, use in combination with B4 or B5.
T –––|–––
Basic.
6
D
D6
T –––|–––
D E
T
Eb D
Basic.
T
Eb D
Basic.
6
–––|–––
Basic.
6
E6 F6
E6 F6
–––|E–––
T f–23|––– T
Eb D F
– ––|E–––
T f–2–|–––
Less stable, use in combination with C6 and C#6. Basic. Less stable, use in combination with C6.
Continue to Low er Altissimo Register (Alternate Fingerings) >>
Alternate Fingering Chart for Saxophone
Lower Altissimo: F#6 to A6 This fingering chart includes both basic fingerings and alternatives that are more appropriate in some passages. Some alternate fingerings are designed for fast passages, while others modify the tone, color, or pitch at normal and extreme dynamic levels. These fingerings are the same on all sizes of saxophone (soprano, alto, tenor, baritone, and bass) unless specified otherwise.
<< Back to Second Octave Note F G
6
Written
Fingering
Description
Src.
T f–2–|Bb–––
6
SM
T f–2–|ƒ#f#––– T f–2–|1–– T f–2–|Bb123 T f––3|Bb12– T f–2–|Bb1––
G#
T f–2– |Bb–––
Stable for m p and louder on tenor and baritone models, and for m f and louder on alto models.
Bb
SG
Bb
IE
T f– ––|––– T f1 ––|Bb––– T 1–3|Bb1–– T 1–3|1––Eb
Good for tenor.
IE KG
T 1–3|1–– T 1––|12– T 1––|12–Eb
SG
T f–––|1–– T f–––|ƒ#1––
Good for alto.
TM
T f–––|ƒ#–––
Good for alto.
TM
T f1––|ƒ#–––
Good for tenor. Use in combination with F6 (T f1––
IH
|–––) and G6 (T f–––|f#–––). T f–––|Bb–––
Good for alto.
TM
T
Eb D F
Good for alto.
TM
T
Eb F
Lower pitch.
PL
D F
Lower pitch.
PL
F
Lower pitch.
PL
Use in combination with G6 or the range D5–Bb5.
YS
– ––|E ƒ#–––
– ––|E ƒ#–––
T – ––|E ƒ#––– T – ––|E ƒ#––– Bb
T 1 ––|ƒ#––– Bb
G#
ET2
T 1 –– |E–––
G6
T 12–|f#–––
In tune, easy response, and useful in fast passages. For all saxophone models
JV
T 1––|Bb ƒ#1–– Eb
For alto models. Stable and in tune, but awkward in fast passages.
JP2
T 1–3|––3
SG
T 1–3|––3Eb T –2–|12–
SG
T –2–|12–Eb Bb
SG
T f– ––|Bb––– Bb
G#
T 1 –– |Bb f#–––
Good for alto.
GM
T f–––|Bb–––
Good for tenor.
IE
T f–––|f#–––
Good for tenor. Works well in chromatic passages and in IH combination with F6 (T f1–– |–––) and F#6 (T f1––|f#––).
T f–––|–––
SG
T f–––|1–– T f–––|Bb1–– T f–––|Bb1––Eb T f–––|Bb12–Eb T f–––|123
SG
T ––3|Bb1––
SG
T 1––|Bb f#–––
SM
T ––3|1–3
SG
T 1–3|1–3
In tune and responsive on alto when mouth is tight and TY jaw is lowered.
T 1–3|Bb1–3
Good for alto.
TM
T 1–3|Bb1––
Good for alto.
TM SG
T 1–3|C1–– T 1–3|C Bb1––
Great for baritone.
AP
T 1–3|f#1––
SG
T 1–3|1––Eb
SG
T 1–3|Bb1––Eb T 1–3|1–F#– G#
T 1–3 |Bb–––
In tune.
AR
T 123|123C
SG
T 123|123Eb
SG
T 123|C1––
SG
G6 A 6
T 123|C–––
Easy and in tune.
JL
T 1–3|Bb–––
For baritone.
KB3
T 1–3|–––
Slightly flat. Good for baritone.
MK2
T 1–3|––– T –2–|–2– T –2–|–2–Eb
SG
T –23|–2–
PH Good for alto and tenor.
GM
T 1––|C1––
Good for alto.
GM
T 1–3|C–2–
Good for baritone.
KB3
T f–––|E––– T f–––|Bb––– G#
T f––– |Bb–––
T 1–3|C1–– T 1–3|C Bb1––
SG
T 1–3|C f#1––Eb
SG
T 1–3|C12– T 1–3|C––3 T 1–3|C1–3
Good for alto.
TM
T 1–3|––3 T –2–|1–– T –2–|f#1––
SG
SG
T –2–|––– T 1––|Bb f#–––
Good for alto.
TM
G#
Good for alto.
GM
T 1–– |Bb f#–––
SG
T 12–|C12–
A 6
T 123 |123C
C#
SG
T 123 |123C
Bb
SG
T 123|C Bb–––
SG
T –23|–––
DC
–23|––– T –23|C––– G#
T –23 |–––
Good for tenor.
VK
Good for baritone.
KB3
T –23|1––
SG
T –23|–2–
SG
T –23|––3
SG
T –23|12–
Good for alto and tenor.
SG
T –23|1–3 T –23|C–23
SG
Great for baritone.
AP
T –23|123 T –23|123Eb Bb
T –23 |123C B
T 123 |123C
SG
T 123|123
SG
T 123|C123
PF
T 123|C–––
For alto and tenor.
SG
T –23|f#–––Eb Bb
SC2
T –23 |C Bb–––
Good for alto.
GM
T ––3|C–––
Good intonation. Good for baritone.
MK2
T ––3|1––
SG
T 12–|1––
SG
T 12–|12–
SG
T 1––|C Bb–––
Good for alto.
TM
T 1––|Bb–––
Good for alto.
TM
D
T –––|–––
Continue to M iddle Altissimo Register >>
Alternate Fingering Chart for Saxophone
Middle Altissimo: Bb6 to C#7
This fingering chart includes both basic fingerings and alternatives that are more appropriate in some passages. Some alternate fingerings are designed for fast passages, while others modify the tone, color, or pitch at normal and extreme dynamic levels. These fingerings are the same on all sizes of saxophone (soprano, alto, tenor, baritone, and bass) unless specified otherwise.
SG
<< Back to Low er Altissimo Register Note A 6 B 6
Written
Fingering
Description
Src.
T ––3|C––– D
T –23|123 D
KG
T –23|Bb123 D
T –23|Bb123Eb D
T –23|Bb12–Eb D
SG
T –23|C–2–Eb D
T –23|–––
Good for alto and tenor.
SG
D
SG
T ––3|–––
D
SG
T ––3|–––
SG
T ––3|C–2–Eb
T ––3|C–––
Good for tenor.
VK SG
T ––3|C–23 T ––3|12– T ––3|C123
For tenor.
PH
T ––3|C123Eb
For tenor.
PH SG
T ––3|C12– T ––3|1––
Good for alto.
SG
T ––3|C Bb1–– D
G#
T –23 |–––
TM
Good for baritone.
KB3
T –23|1––
Good for alto.
T –23|C–2–
SG
T –23|12–Eb
SG
T –23|f#12–Eb
SG
T f–23|123
SG
Bb
T 123 |123C
SG
T 123|123C
SG
T 123|123Eb
SG
D
T 123|C123
PF
T –––|C Bb–––
SG
D
B6 C7
TM
T –––|–––
TB
T –––|–––
SG
D
T –––|––– D
SG
T –––|C Bb––– T
Eb D
T
Eb
T
Eb
SG
T
Eb
SG
D
SG
SG
1––|12–
1––|12– ––3|–23 –23|C Bb–––
T 1––|1–– Eb D
T ––3|C––– D
T ––3|12–
Good for tenor.
VK
D
T ––3|C123
For tenor.
D
PH SG
T ––3|C12– D
T ––3|––– T 1–3|1–3
For alto and tenor.
SC2
T
Eb D
T
Eb D
T
Eb D
SG
T
Eb D
SG
SG
––3|123 12–|123 –23|123 –23|1–3
SG
T f123|123 T 123|123
Good for alto.
TM
B
SG
C#
SG
T 123 |123C T 123 |123C D
T –23|C––– D
G#
SG
T –23 |C––– T
Eb
G#
–23 |–––
Good for baritone.
KB3
D
T –23|1–– Bb
T 12– |12– T 12–|12–
B 6 C7
T
Eb D
T
Eb D
T
Eb D
12–|12–
SG SG
–––|––– –––|––– Eb
SG
T
Eb D
G#
T
Eb D
T
Eb D
T
Eb D
T
Eb D
T
Eb D
T
Eb D
SG
T
Eb D
SG
T
Eb D
SG
T
Eb D
SG
T
Eb D
T
Eb
SG
––– |–––
SG
–––|C Bb––– –23|C––– –23|E–––
SM
––3|––– ––3|C–––
Good for tenor.
––3|12– ––3|E123 1–3|Bb123 1–3|Bb123C ––3|C123 G#
–23 |E–––
VK
For tenor.
PH
Good for baritone.
KB3
D
T –––|E–––
SG
T 12–|12–Eb
SG
T 1––|12–
SG
T 1––|12–Eb F
SG
T 1 ––|12– Eb T 1––|1–– T 1–3|1–3 T 1–3|1–3Eb T 1–3|1––
Good for alto.
TM
SG
T 1–3|Bb1–– T 1–3|Bb1–3
Good for alto.
GM
Useful for alto in quick transitions with D7, fingered by the same fingering.
JY
T 1–3|–23
T f–23|1––
SG
T –23|C1–– T –23|123 T f–––|1––
Good for tenor.
BG SG
T f––3|1–– T f–––|12– Bb
C D
7
SG
T 123 |123C
SG
T 123|123C
SG
T 123|123
SG
T
Eb D
T
Eb
T
Eb
–––|E–––
7
–––|–––
SG
1––|12–
F
SG
T
Eb
SG
T
Eb
SG
T
Eb
SG
T 1 ––|12– f––3|1–– f––3|Bb1–– f–––|12– Eb
T f–––|1–– T f–2–|Bb1––
T f–2–|–––
Good for tenor.
IE
For tenor.
PH
T f–––|1–– Eb T f–––|E1–– T f–––|C123 T
Eb D
SG
T
Eb
f––3|E123
SG
T f––3|E123
D
SG
f––3|E123
T 1–3|Bb1–3
Good for alto.
TM
T 1–3|Bb1––
Good for alto.
TM
T 1–3|Bb1––Eb
SG
T 1–3|E1––
SG
T 1–3|Bb–2–Eb
SG
T 1–3|–––
JW
B
SG
T 123 |123C
C#
SG
T 123|123Eb
SG
T 123 |123C
T
Eb D
T
Eb D
SG
T
Eb D F
SM
T
Eb D F
–23|C––– –23|E––– – –3|––– – –3|C–––
Good for tenor.
Continue to Upper Altissimo Re gister >>
VK
Alternate Fingering Chart for Saxophone
Upper Altissimo: D7 to D8 This fingering chart includes both basic fingerings and alternatives that are more appropriate in some passages. Some alternate fingerings are designed for fast passages, while others modify the tone, color, or pitch at normal and extreme dynamic levels. These fingerings are the same on all sizes of saxophone (soprano, alto, tenor, baritone, and bass) unless specified otherwise.
<< Back to Middle Altissimo Re gister Note
Written
Fingering T
Description
Src.
Eb
1––|–––
T f–––|Bb–2–C T f–––|Bb––– T f–––|–––
Good for alto and tenor.
T f–––|E––– T f–––|C––3
For tenor.
PH
D7 T
Eb D F
Good for alto.
TM
T
Eb D F
Good for alto and tenor.
GM
– ––|E––– – ––|Bb–––
JW
T 1–3|E––– Eb D F
Good for tenor.
VK
T –2–|–––
Good for tenor.
VK
T f–23|1––
Useful for alto, especially in quick transitions with C7,
JY
T
– –3|E–––
fingered by the same fingering. T f–2–|1–– T f–2–|1–– Eb T
D E
7 7
Good for alto and tenor.
Eb
f–––|C–––
T f–––|C–––
Good for alto.
TM
T ––3|–––
Good for tenor.
VK
T ––3|C––
For tenor.
PH IE
T –2–|––– T –2–|1–– T –2–|–2– T
Eb D F
Good for alto.
TM
T
Eb D F
Good for alto and tenor.
GM
– ––|E f#––– – ––|E C––– Bb
SM
T f–23 |123C
E7 F7
T –2–|12– T –2–|12–Eb T –––|1–3 T –––|1–3Eb
IE
T –––|123 D
Good for tenor.
VK
T –––|–––
D
Good for alto and tenor.
GM
T 1–3|C Bb1––
Great for baritone.
AP
T ––3|–––
D
T 12–|Bb–23
JW
T 1–3|12– T –2–|–2– T –2–|–2–Eb T f–––|1–– T f–––|––3
For tenor.
PH
T f––3|–––
For tenor.
PH
T –23|123C
An effective harmonic fingering. The 10th harmonic on C4.
JY
T 1–3|1–3
Weak on tenor.
C#
T 1–3 |1–3
Good for alto.
GM
Good for tenor.
VK
T 1–3|1–3Eb D
T 1––|Bb–23 T 1–3|1––
E7 F7
F
7
T
Eb D
T
Eb D
T
Eb D
T
Eb D
Good for alto and tenor.
GM
T
Eb
Good for alto.
TM
T
Eb
For tenor.
PH
T
Eb
For tenor.
PH
T
Eb D
Good for tenor.
IE
––3|––– –2–|12– –2–|12– Eb –2–|–2–
1––|––– f––3|––– f–––|––3 1–3|1–3
G
7
T
Eb D
T
Eb D
T
Eb D F
Good for tenor.
VK
T –2–|12–
Good for tenor.
IE
Works for alto.
PK
T f–2–|12–
Good for alto.
GM
T –2–|1––
Good for alto and tenor.
GM
T ––3|C––3
Good for tenor.
JY
T f–23|1––
Useful for alto. Requires fast air stream.
JY
T
–––|12–
Good for alto.
EG
–2–|E C12– – –3|–––
Eb
–2–|12–
GM
G7
EG
T –2–|–2–
G7 A 7
T –––|––– F
T 1 ––|Bb–––
Good for alto and tenor.
GM
Good for alto. Can be reached by the 12th harmonic on C#4 or the 14th harmonic on Bb3.
JY
D
EG
T –23|––3
A 7
T 123|123
Good for alto and tenor.
GM
T f–––|–––
Good for alto.
JY
T
A 7 B 7
B7 C8
Eb D
T –––|Bb–––
T
EG
–23|–23
Eb D F
– 23|E C–23
Good for alto and tenor.
GM
EG
B 7 C8
T
Eb D
EG
C D
T
Eb D
Lip up from C8 to achieve C#8. EG
T
Eb D
Lip up from C8 to achieve D8.
8
–23|–23
8
D8
D E
–23|–23
8 8
–23|–23
Submit a fingering for this note or for a higher note.
EG
