list of chords and voicings
music theory > chords & voicings > list of voicings list of chord and voicing types •
list notes at the bottom
symbols and numerals •
+7 •
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see aug7, augmented 7th
-6 -7 -9 -11 -13 see minor entries •
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3rds voicing see Stacked Thirds chords •
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4ths voicing see Stacked Fourths voicing or Fourths voicing •
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6 and 13, 6 = 13 notes: name 13th used for dom7 chords, while 6th used for major and minor chords [evine! ch"3 #" $$" %oth ands: [1 '! [3 6! (( [) *! [))) *)! •
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src: [evine! fig"3+" [1 -7! [3 6!
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%oth hands: [ 1 ' 1! [ 3 6 ! src: .ebecca /auleon, 0atin ianist0 s2w, 0fro a 4uatro0 •
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7 ( dom7 ( dominant 7th ( *7 ty#e: chord having many voicings for itself voicings for or right hand: single hand, $ notes [ ))) b*)) ! src: [eterson 5! scar eterson 5ote for 5ote , The Smudge, #" 163" for b7 b7 %b7 etc" single hand 3 notes [ 7 ))) 6 ! [evine! considers it a sus chord too for some reason [ ) * ))) ! eg 89 ( 8 %, in evine ch" 1 #" ; [ ))) *) b*)) ! eg, 47 ( %b src: [evine! ch1 #" ;" [ ))) b*)) ! •
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src: [evine! ch1 #" '" single hand ; notes: [ b7 3 13 ! eg, 87 ( < % both [ ) =va! [b ; * ) ! * #hrygian substituting for ii+*7? eg, 7 ( +7 ( [$ 3! [%b3 ; ; ;! src: [levine! ch" ;, #" $6, figure ;+= [ ) =va ! [ ; b7 ) ! *sus substituting for ii+*7? eg, <7 (
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V7/ •
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see !hr"gian
7/V or *72))) ( ))) hryg" eg, 872 ( hrygian and is * for while 87 is * for 4 , is hryg wrt 4" the *) in the symbol is wrt the root of the chord, eg, 872 + this is s#eculative" see also hrygian , and ))) hryg" and *72))) •
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7#9 7$9 7b ( 7- ( @##er Atructure *) ( @"A" *) same as u##er structure *) B voicings for both hands with four notes: [1 -7! [3 -! (( [) vii! [))) ii! ii ( - ( -)) 47b • • •
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[evine! figure 3+11 , #" $$: 46 4+6 413" 7 3 7 b C clarify 7 3 6 b C ditto 3 7 b 6 ditto? voicings for %oth ands with
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7#9+11 both hands 6 notes: [ b7 3 ! [ 6 b G11 6 ! eg, 47bG11 ( [ %b ! [ 4E
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7$9$13 , 7#9#13 voicings for both hands 7--13 , 7bb13? : [ 1 3 -7 ! [ -3 -6 - ! (( [ ) ))) vii! [ iii vi ii ! 7lt: [
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7#13 7+% 7b13 ( 7-13 ( 7G' ( 7E' voicings for %oth ands: [ 1 3 ! [ -7 -13! (( [ ) ))) ! [ vii vi ! 47G' • •
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[evine! figure 3+11 , #" $$" voicings for both hands 7--13 , 7bb13? : [ 1 3 -7 ! [ -3 -6 - ! (( [ ) ))) vii! [ iii vi ii ! 7lt: [
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7+9 • • •
7G ( @"A" iii ( @"A" b))) ( @"A" -))) ( @##er Atructure -))) same as u##er structure b))) voicings for eft and: [ 1? 3 -7 G! (( [ )? ))) vii iii ! 47G •
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[evine! figure 3+11 , #" $$" G ( E ( E$ ( -3 ( G)) ( -))) ( b))) ( iii voicings for both hands with
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7Gb13 see 7lt voicings for left or right hand: [evine! ch $1, # $$;,
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7+11 •
Aingle hands ; notes: [ 13 b7 G11! •
eg 8b7G11 •
%oth hands ; notes: [1 3! [-7 G11! (( [) )))! [vii )*! 47G11 src: [evine! figure 3+1I, #" $$" •
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%oth hands ' notes: [ ) ))) ! [ b*)) G11 ! eg, 8b7G11 (
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7bb11GJ
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7a&t • • •
7alt ( lt J see lt? notes lt seems to be used whenever 13 maybe ' and2or 11? are altered lowered or raised? lt seems to be mostly 7Gb13 left or right hand 7Gb13?: [evine! ch $1, # $$;,
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11 sus
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13 sus •
) ? b*)) *) ? b13sus in [/cartland ! #" 6$, bar 0#relude """0? •
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))) hryg" see hrygian
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V •
* ( *7 ( om7 ( 7 see 7
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see /ajor entries
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see /ajor entries
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al#habetical •
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'+4
(&t, (&t 7 lt seems to be used whenever 13 maybe ' and2or 11? are altered lowered or raised? voicings for left or right hand: [evine! ch $1, # $$;,
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see /ajor entries
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see /ajor entries
'+4
)i*inished 7th ( im7 ( M ( o voicings for left or right hand: [ ) *) b))) ! eg, 8Eo ( 8E < % ( ) *) b))) ((( bo ( b < % ( ) *) b))) src: [evine! ch" 1, #" ;" • •
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)o* 7, do*inant 7 om 7 ( dom7th ( dominant 7th ( *7 ( 7th ( 7 see 7 •
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Fourths voicing used with2for: +7 chords, e"g" +7 in [evine! ch 16, # 1'$ , seLuence +7 in [evine! ch 16 #" 1'$: ) + )* + *)) + iii +7 : + 8+ mid 4 + < major chords 4, < , %b eg in [evine! ch $1, # $$;" i view it as both a voicing and a chord ty#e seLuence for a major chord : ))) *) * , [evine! 4h" $1, #" $$; eg, %b : 8 mid?4 < , [evine! 4h" $1, #" $$; •
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a&-)i*inished N ( +7b' ( m7b' ( +7-' ( m7-' voicings for left or right hand: [ -7 -3 -' ! (( [vii iii v ! src [evine! ch 1 #" ;, o#ening #hrase from /c4oy Fyner, The Real McCoy , 0Aearch
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[evine! figure 3+11, #" $$" %oth ands ' 5otes: [1 =! [' -7 -3! (( [) =va?! [* + b*)) + iii! src ( m7-' in [/cartland ! #" 6$, bar 7 0#relude """0? [ 1 b' ! [ b7 11 ! N ( [ b ! [ 4 8 ! •
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.hr"g , see hrygian 0"dian chord ydian ( 9G; ( /aG; ( /G; ( /ajG; src: [levine! ch" $1 #" $$6, ch" 3 #" $$" obviously goes w2 the ydian mode" voicings for both hands [1 3! [7 E;! (( [) )))! [*)) E)*! • • • •
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src [evine! figure 3+1I , #" $$" •
= a2or %oth hands 6 chord?: [ 1 ' 1! [ 3 6 ! src: .ebecca /auleon, 0atin ianist0 s2w, 0fro a 4uatro0 •
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' = a2or 7th /ajor seventh ( /aj7 ( 9 ( 97 ( /7 can be #layed 6 , eg, 46 Aingle and: [) ' 7 3 ' ! eg, 9 ( [ 1 3 8E3 4E; ; ! src: [evine! ch" ;, #" $', figure ;+7" %oth hands ' notes: [17
