[Como Te Voy a Olvidar - Full (1)

COMO TE VOY A OLVIDAR CUMBIA

Bass Tuba

     

10

   

19

 

28

 

37





  

  

  

 

73

  



  

1.   



1.

  



2.    



2.    

   

 



 



 



 







 



 



 

  







 





 



 



 













 







 



  



 

  





 

 



 

 



 

  







D.S. al Coda





  



   





   



2.    

   



 

 



  



 

 







100

 





 



 







1.   

90

  





 

 

81

  









 

 







 

64





  



55





  

 

46



LOS ANGELES AZULES



 









 







 



 

  

  





 

 

  

  

   

 



 



 

 



 





 







 





COMO TE VOY A OLVIDAR

Clarinet in B  1

       

   

7

        

20



28





LOS ANGELES AZULES

                               

  

 

CUMBIA









   





        1.



 



2.









  3

 

53



     

3

3

     

62

3







    

                   



77

 

85



93



   

100

      

 



3



  

      



         



  3

3

3

3

  

      





3

             

 





842.

 3

         3



3



  3

  

     

821.

                            



D.S. al Coda

  3

2.     



      

                            45                                  37

         

 



1.

3







 

3

3

   3


Clarinet in B  2

       

   

7

         

  

20

 

28





  



  



 



 



3

3

   

3





 

1.



   





 

93

   

100



 



   













  

2.

3

             

        

3

85

2.

                        

        3                    

77

         

 



1.

                            

3

53



 







        







45

62







LOS ANGELES AZULES

                               

  

37

CUMBIA





D.S. al Coda





   1.

3

3



3

3

 3

3

       



        

3                                     3



      

 





2.

3

3



 3

3

                                              


Clarinet in B  3

       

   

7

     

20



28





LOS ANGELES AZULES

                              

  

 

CUMBIA











   





        1.



 



1.





2.







  3

 

53



     

3

3

     

62

3







    

                   



77

 

85



93



   

100

     

 

3



3



                            

3



 3

3

3

3



  

      





 

1.

3



     



D.S. al Coda

 

2.     



      

                            45                                  37

         

 

3

             

 





2.

3

3



 3                            

  









3

3

3



 

 

 






Trombone 1

 

13





      







1.

                   33       1.

23

   

44

  

53

 



        



 



82

104



D.S. al Coda

1.



  

   

     

67

74











         2.

  







2.

2.







 



     





 

 



 

  



 





3

       

 





 

 

 

 



















   

  



       

     

 

LOS ANGELES AZULES

   

 



 



 




Trombone 2

 

13

 

23





       



1.

 





 

              

33

   

44

  

53

 



        



 



82

104



D.S. al Coda

1.





 

2.







    



 





 

    











  

3

 





 

 





   

  



 



 



        



 



  



       



 

  



 





   



2.



       

   



2.

  

      

67

74





  

 1.

LOS ANGELES AZULES

 
















Trombone 3

 

13

 

23





       



1.

 









     33         

44

  

53

 



    



 



82

104



D.S. al Coda

1.







 

2.





   



2.



2.













 

  





   

  



 



 



       



 



  



    



    



 

3

  



       



 

  



 







       

     

   





   

      

   

67

74





  

 1.

LOS ANGELES AZULES

 





 

 




Trumpet in B  1

 

CUMBIA









      1.    

  

3

3

     



26

   

 

43

   

 

51

  



104







 







   











 



 

   



   



     

   









3

1.



    

3

 

     1.   





      

D.S. al Coda

   

79







72

86



2.

   





2.

16

LOS ANGELES AZULES

 

   

 



2.










Trumpet in B  2

 

CUMBIA









      1.   

  

3

     



26

   

 

43

   

 

51





72

   

104





2.





 









    







 

   







 

    



    





       

1.









3

1.



     

3

 

     

       







    

D.S. al Coda

   

79

86



3





2.

16

LOS ANGELES AZULES

 

    

 



2.








Trumpet in B  3

 

CUMBIA









          3



     

    

 

43

    

 

51

  

  







 







     







 









    



    



    



     



    







      

3

1.



1.

 

3

 

    

  







      

D.S. al Coda

    

79

104





72



2.





2.



3

26

86

  

1.

16

LOS ANGELES AZULES





  2.









[Como Te Voy a Olvidar - Full (1)

Recommend Documents