MASTERCLAS MASTERC LASSS BO BOOKLET OKLET
Claudio Pietronik
CINEMATIC SOLOING MASTERCLASS
INTRODUCTION In this masterclass, mas terclass, we’re we’re exploring ways of creating a “cinematic” sound, exploring a range of scales and melodic devices to create sweeping lines and dramatic tension. The solos and all the licks and exercises are based around this chord progression… Cm – G#m – Cm – B If you know some theory, you might have noticed something unusual. Normally Normally,, you would look for a series of chords that would work with one scale. For example, Am-G-F would work with A Aeolian (A B C D E F G) or A minor pentatonic (A C D E G). However, in this progression, we’re However, we’re going from Cm to G#m, but there’s no regular major or minor key with both of those chords. This means we’ we’re re going to be changing key midway through the progression, which instantly forces us to find unusual melodic lines.
CINEMATIC SOLOING MASTERCLA MASTERCLASS SS CLAUDIO PIETRONIK
GENERAL THOUGHTS I would suggest not to tr y looking for full scales, but to focus on the intervals that you’d like like to emphasise. A single interval, when played on one chord, has a characteristic sound, but if the chord changes, that note has a totally different sound. Try listening lis tening to composers like Danny Elfman. You’ll You’ll often notice that themes are built on one chord only, not an overall tonality. For instance, on the Cm chord in these licks, you’ll find that I often target the b6 and 5 intervals, implying the Aeolian or natural minor scale (C D Eb F G Ab Bb). But then I also like to hit the #4, an outside note. If we look amongst less-known scales we might find a scale that includes all those notes, but why should we always have to work with standard seven-note scales? If a note sounds cool, just play it! One of the most common problems is that players base everything on a seven-note scale before they even start star t to play! We see a chord progression and decide we’re going to play Lydian, Dorian or whatever. whatever. Our first firs t step should be to find the BEST NOTES, regardless of the scales they come from. You don’t have to completely stop working with scales; just remember that there’s another approach. Both approaches have to be considered equals.
WARM-UP LICKS These patterns are played at two speeds, sp eeds, and they’re designed to get your fingers moving around some of the shapes I like to use. I like to use a lot of hybrid picking (pick and fingers) which allows me to move across the strings quickly quickly.. Watch the videos carefully, to see how I do this. Here’s Here’ s a quick summary of the warm-up licks… 1. This is based on a Cm6 arpeggio (C Eb G A) implying the Dorian scale (C D Eb F G A Bb). Bb). 2. This one has some big stretches. Is it Dorian (C D Eb F G A Bb) or Aeolian Aeolian (C D Eb F G Ab Bb)? We never never hear the A or Ab notes, so it remains ambiguous and myseterious! 3. Now moving to G#m, this is based on a G#m arpeggio, arpeggio, but with the added 9th (A#) creating creating some interesting melodic contours. 4. Although this is loosely based around around G# melodic minor minor (G# A# B C# D# E# Fx) this is a good example of what I said before… it’s all about the intervals, not t he scale. I found some cool chromatic lines that I could build around the G#m chord notes. (By the way way,, you might find it easier to think of those E# and F double-sharp notes as F and G) 5. Over the B chord, this lick uses B Lydian Lydian (B C# D# E# F# G# A#) but note how I’ve made made a feature of the major 3rd intervals (the 7-11 jumps between F#-A# and B -D#). (Scroll down for the ‘Warm Up Licks’ TAB files)
WARM-UP LICK 1
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P V V e V V V 4 V V V V VVVVVVVV e V VVVVV VVVVV I e 4 V V V V = 146
8va
1
T A B
15
13
12 14
13
11 15
H
Ieee V
13
11 14
13
12 14
H
13
12
H
13
12
15
13
12 14
P
H
13
11 15
13
11 14
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13
12 14
13
12
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j
8va
3
T A B
15 sl.
V e V V V e I e V V V V 8va
5
T A B
15
13
12
13
14
11
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15
13
V e V V e e V I V V V V T B
15
13
12
14
13
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Ieee
9
14
13
12
13
12
13
11
15
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V V V V V V V V 13
11 14
13
H
W
T A B
14 H
7
12
11
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8va
A
V V V V V V V V
15 sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
12
14 H
13
12
WARM-UP LICK 2
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P V V V V V V V V V V e V VVVVVVVVVVVV VVV 4 j V e e I 4 V = 146
1
8
T
3
6
6
8
3
6
8
4
6
A
7
6
4
7
5
B P
H
P
H
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H
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7
8
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5 P
8
5
6
8
P
5
6
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5 P
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8 H
10 H
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3
T A B
8 sl.
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5
T
V V V V
V V V V V V V V
8
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6
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4
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V V V V V V V V 6
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6
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W
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8
(8) (8)
8 H
T A B
sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
10 H
WARM-UP LICK 3
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
PV V V V V V V V V V V V g V V V V V V V V g g 4 V V V V VVVV VVVV I g g 4 = 146
1
T
11 7
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8
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9
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11
9
8
9
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V V V V g V V g g V V g I g
V V V V V V V V
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7
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g g g I gg
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8
8
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8
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W
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7
9
8
B sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
7
11
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9
7
WARM-UP LICK 4
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
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3
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g g g I gg V fV V V V fV V V gV V V V V V V 3
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4
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JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
8 4
3
6
WARM-UP LICK 5
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P g V g V V V V V V V V V V V V V V V V V V V V V V V V V V V V V g g V V g 4 I g g 4 = 146
1
T
7 11 12
7 11
12
7 11 13 11 7
12
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12 11
7 11 12
7
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7 11 13 11 7
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g g V g g I g
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(7)
A B sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
P
P
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12
11
P
CINEMATIC SOLOING MASTERCLASS CLAUDIO PIETRONIK
LOOPED LICKS It’s important that you don’t just learn a lick and then play it the same way every time. These looped patterns force you to listen to licks in different ways. We’re taking short phrases and playing them in 8th notes, 8th-note triplets and 16th notes. BUT… the phrases are different lengths so they don’t fit exactly into the rhythms. That means the phrases start on different beats as you loop them. 1. B Lydian (B C# D# E# F# G# A#), 20-note phrase. 2. Cm triad with added chromatic notes, 13-note phrase. 3. G#m triad with added 9th (A#), 7-note phrase. 4. Cm triad with added 9th (D), 11-note phrase. 5. Tapped Cm arpeggio with added b6 (Ab), 18-note phrase. 6. B Lydian, 7-note phrase. 7. G#m triad with added 9th, 9-note phrase. 8. Cm triad with D diminished fragment, 8-note phrase. 9. G#m6 with chromatic movement, 12-note phrase. 10. Cm triad with chromatic movement, 14-note phrase. (Scroll down for the ‘Looped Licks’ TAB files)
LOOPED LICK 1
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P V g g V V g V g 4 V V V V I g g 4 = 146
V V V V V V V V
B
1
T
11
A
10
11
B
9
P
P
11 H
11
13
11
12
11
B
9 P
sl.
10
11
11
H
10
11
P
9 P
12
11
13 sl.
3
3
3
3
T A
11
14
V V V V V V V V V V V V
3
3
13
P
sl.
V g g V V g V V g V V V V I g g V V V 3
14
11 H
13
3
11
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11
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13
11
14
12
11
13
P
sl.
3
11
9
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sl.
10
H
V V V V V V V V V V V V g g V V V V V V VVVV VVVVV I g ggg V V V V V
5
T A
11 10
B
11
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11
12
11 14 13
14
11
12
11
13
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sl.
11 sl.
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3
3
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A
11
B
13
11 sl.
9 P
11
10
P
H
H
10
11
P
P
11 H
g g V g V V V V g g V V V g I B
11
9 P
11 H
11
10 P
11
9 P
3
3
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12
11
14
13
14
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13
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sl.
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10
14
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sl.
sl.
V V V V V V V V
9
A
H
3
9 P
P
9 11 13
3
3
11
11
11
V V V V V V V V V V V V
V V g g V V g V V V V g V g V V V g I 3
9 11
10 11 10
11 14 13
12
11 H
13
11
12
sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
11
14
13
P
14
LOOPED LICK 2
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P V V V V e V V 4 V e f V e I 4 = 146
Cm
V V fV V gV V eV V
8va
1
15
T
11
13
16
12
15
11
13
11
15
12
13
14
15
11
13
A B P
sl.
P
P
sl.
H
V V V V V g V e V V f V eV V Ie e fV
3
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16
12
3
3
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11
13
15
11
3
12
13
14
3
3
15
P
V fV V V V V V V fV V gV V
8va
3
P
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16
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3
11
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A B sl.
P
sl.
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sl.
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sl.
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P
V V V V V V V V V V g V V V g V e V V V f V e V V V f V e V V V V V V V fV V Ie e fV 8va
5
T
11
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16 15 11 13
15
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16 15 11 13
15
11 12 13 14 15 11
13 12
16 15 11
A B sl.
P
P
sl.
H
P
sl.
P
V V V V V g V e V f V e V V V fV Ie e
7
3
T
13
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11
12
13
14
15
3
3
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sl.
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V V V V fV V gV V eV V fV V
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3
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A B sl.
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sl.
P
V V V g V e V V f V V e e I 8va
9
T
15
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sl.
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V V V fV V V V V 15
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sl.
sl.
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P
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JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
sl.
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H
LOOPED LICK 3
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
bP ggg 4 V V V V V g V g V I 4 V = 146
Gm
V V V V V V V V
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1
16
T
11
12
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13
A
11
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16
11
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P
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g V g g V V V V V V V g V V I g V V 3
3
3
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12
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16
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V V V V V V V V V V V V 3
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5
T
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13
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11 16 11
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12 11
13
12
11
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11 16 11
12 11
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11 16 11
B P
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g V g g V V V V V V V g I g V V V V 3
7
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13
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16
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V V V V V V V V V V V V
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g V g g V V V V V V g V I g
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12
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13
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V V V V V V V V 11
16
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JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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13
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LOOPED LICK 4
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P V V V V V V e V Ie e 44 V = 146
Cm
V V V V V V V V
8va
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17
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15
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22
20
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V V V V V V V V e V V V V Ie e 3
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20
3
15
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V V V V V V V V V V V V
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V V V V V V V V V V V V V V V V V V V V e V V V V V V VV VV VV Ie e 8va
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T
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15 20 22 20 15 20 15
16 15
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V V V V V V V V e V V V V e I e
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17
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V V V V e V V V V e e I
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22
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JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
P
17
16
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LOOPED LICK 5
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P V V V V e V V V 4 V e e I 4 = 146
Cm
8va
V V V V V V V V
1
15
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16
15
11
15
11
13
16
H
T
13
A
12
17
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P
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8va
V V V V V e V V V V V V V e I e T
15
3
11
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16
3
15
11
15
13
16
13
3
3
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V V V V V V V V V V V V
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3
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17
12
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16
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3
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B T P
H
T P
P
T P
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T P
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T P
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T P
P
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V V V V V V V e V V V V V V V V V V V V V V V V V V V V V e e I V V V V
5
T
15 11
13 16 13
A
12 17 12
11 15 11 15 16
13 16 13
15 11 15 11
13 16 13
12 17 12
13 16 13
11 15 11
B TP
H
TP
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TP
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V V V V e V V V V V V V V Ie e
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15
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11
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15
11
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13
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12
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TP
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V V V V V V V V V V V V
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3
TP
13
12
16
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3
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11
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B T P
P
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H
T P
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Ieee V V V V V V V V
9
13
16
H
T
13
A
12
17
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12
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16
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T
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T P
V V V V V V V V
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T P
13
11
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11
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B P
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P
P
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
H
T
P
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LOOPED LICK 6
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P g V g V g V g 4 V g V V V I g 4 V = 146
V V V V V V V V
B
1
T A
13
14
B
16
13
15
15
16
14
g V V g V V g V V V g V g V V V V I g H
3
3
3
3
13
16
13
15
15
16
14
13
V V V V V V V V V V V V H
3
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3
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13 16
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g V V V V g V V V V g V V V V V V V V V g V V V V g V V V V V V V V V VV g I H
H
H
5
T A B
15
16
14
13 16 15
13 16
15
14
13 16 15
13 16
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g V V g V V g V V V V g V g V V V g I H
H
7
3
3
3
14
13 16 15
13 16
15
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13 16 15
13 16
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V V V V V V V V V V V V H
3
H
3
3
3
3
T A B
16
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13 16
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g V g V g V V g V g V V V I g H
9
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V V V V V V V V H
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T A B
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JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
15
13 16
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H
LOOPED LICK 7
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
bP gg gg 4 V V V V V V V V g I 4 = 146
V V V V V V V V
Gm
1
T A
8
B
8
9
7
9
11
H
9
8
9
P
P
V V g V V g g V V V V V g I g V V V 3
3
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V V V V V V V V V V V V
3
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V V V V V V V V g V V V V V V V g g V V V V V V VV g V V V V V V V V V I g
5
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8
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9
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V g V V g g V V V V V I g g T
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8
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9
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V V V V V V V V 11
9
8
9
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JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
8 P
9 H
8
9
LOOPED LICK 8
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P V V V V e V 4 V V V e e I 4 = 146
V V V V V V V V
Cm
1
3
T
5
A
3
4
4
6
3
3
5
3
4
5
4
6
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B
V V V V V V e V V V V V V Ie e
V V V V V V V V V V V V
P
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3
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5
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B
V V V V V V V V V V V V V V V V e V V V V V V V VV V V V V V V V e I e P
P
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3
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9
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JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
P
5
5
LOOPED LICK 9
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P b g g g I gg 44 V V V V V V gV V = 146
V fV V V gV V V V
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1
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8
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4
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6
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4
8
4
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g g g I gg V V gV V V fV V V gV V V V V V V V V fV V V gV V V V V V gV V V fV V V
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g g g V g V V V V g V V g I V T
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g g g I gg V V V V V V gV V V fV V V 3
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JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
8
4 P
6
4
LOOPED LICK 10
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P V f V V V e V V V 4 V Ie e 4 = 146
V V V V V V V V
Cm
1
8
T A
8
10
B
12
12
12
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8 P
T
8
3
3
12
12
12
10
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8
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10
8
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10
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8
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8
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11 10
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10
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8
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8
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10
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8
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12
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10
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3
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8
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8 P
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9
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12
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JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
8 P
10
8
12 H
10
CINEMATIC SOLOING MASTERCLASS CLAUDIO PIETRONIK
SLOW LICKS These are licks extracted from the main solo and played at a slower tempo, so you can work on them in isolation. Here are how the slow licks fit in with the full solo: Slow Lick 01 - Bars 13-16 Slow Lick 02 - Bars 17-18 Slow Lick 03 - Bars 19-20 Slow Lick 04 - Bars 21-25 Slow Lick 05 - Bars 29-33 (Scroll down for the ‘Slow Licks’ TAB files)
SLOW LICK 1
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P V V V V V V V V V V V V V V V g V e V V V f V V V V V V 4 V V V e f V I e 4 = 80
8va
1
15
T
11
13 12
16 15 11 13
15
11 12 13 14
15 11
13
11 15 11 20 11 15 20 15 11 20 15 22 15
A B sl.
P
P
sl.
H
P
V V V V V f V V V V V V e u u Ie e M O 8va
H
P
TP
H
Vu V V fV eV V W
3
Full
16 23 16 19 23 19 23 (23) (23)
T
19
(19)
16 (16) 11
12 11
A
13
(13)
B sl.
T P
H
T P
T
P
P
sl.
P
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
TP
P
TP
TP
sl.
SLOW LICK 2
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P V V V V V V V V V V V V V V V e V V V V V V V 4 V V VVVVV e e I 4 = 80
8va
1
T A B
e e I e
3
17
16
15 20 22 20 15 22 15 11 22 11 15 22 15 11
U
H
TP
P
TP
sl.
TP
H
TP
P
15 16 15 11 15 11
H
TP
P
TP
T A B
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
13 16 13
H
TP
12 17 12 H
TP
sl.
8
SLOW LICK 3
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P V V g V V g V V g V V g 4 V V g V V g I 4 = 80
1
3
3
3
13
11
T A B
14
13
16
15
16
13
V V W V V V V
12
13
14 15
3
3
3
11
12
11
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
13
14
13
11
SLOW LICK 4
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P V V g V e c 4 cV gV V V V e e I 4 V V = 80
V c V fV gV V fV V V gV
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3
3
3
3
1
3
3
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15
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12
13
B
13
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8
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10
9
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3
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6
8
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9
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8
sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
13
12
13
8
sl.
sl.
SLOW LICK 5
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P V V V V V gV V V V V V V V V V VV VV VV VV VV VVV VV Ieee 44 V V = 80
1
3
T
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5
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3
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3
3 5
3
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3
5
2
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JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
7
6
4
7 H
4
5
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6
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7
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P
CINEMATIC SOLOING MASTERCLASS CLAUDIO PIETRONIK
FULL SOLO To start with, I suggest playing over the backing track improvising on the triads of the chords… Cm = C, Eb, G G#m = G#, B, D# B = B, D#, F# … then adding intervals to your taste without forgetting the nature of the chord in the backing track and to feel how these new intervals would work with the triad. In the first ten bars only the main triads are used adding the 2nd interval (D over Cm, A# over G#m, C# over B). The only exception to this is in bar 7 where the guitar solo plays the 7th interval on the G#m chord (the note G, but in this context it’s correctly notated as F double-sharp or Fx) creating the G#m/maj7 arpeggio. This is a minor triad with a major 7th added, and it’s a feature of both melodic minor and harmonic minor scales. I recommend using melodic minor (G# A# B C# D# E# Fx; the last two notes can also be read as F-G) because it has more notes in common with the preceding C Aeolian (C D Eb F G Ab Bb). Here’s what happens later in the solo… Bar 11: Here we use the B major triad (B D# F#) adding the #4th (E#) and 2nd (C#) intervals. Bars 13-14: C minor arpeggio (C Eb G) with the added b6th (Ab) and some chromatic notes. I’m using Aeolian (C D Eb F G Ab Bb) and harmonic minor (C D Eb F G Ab B) as my reference scales here. Bar 15: G#m arpeggio (G# B D#) adding the 6th interval (E#). Here, my reference scales are Dorian (G# A# B C# D# E# F#) and melodic minor (G# A# B C# D# E# Fx). Bar 17: C minor arpeggio (C Eb G) adding the 2nd and b6th intervals (D and Ab). Bar 19-20: Taking the Lydian mode (B C# D# E# F# G# A#) as reference scale, here we have inversions of the B major (B D# F#) and C# major (C# E# G#) triads. Bar 21-22: In this case, I’m alluding to the Dorian #4 (C D Eb F# G A Bb), which is one of the modes of the harmonic minor scale (C Dorian #4 has the same notes as G harmonic minor). We can find an interesting structure in the Dorian #4… it contains a minor triad on the root (Cm: C Eb G) and a dominant 7th a wholetone above (D7: D F# A C). Bars 23-24: This is exactly the same thing again, but now in G#m… I’m using G# Dorian #4 (G# A# B Cx D# E# F#) so we have the G#m triad (G# B D#) and the A#7 (A# Cx E# G#). If all these sharps and double-sharps are confusing, you might prefer to think of it as Bb7 (Bb D F Ab). It’s not 100% correct, but it’s easier on the brain! Bar 29: Here’s a similar approach to bars 21, but this time, I stayed in C Aeolian for most of bar 29. After the first Cm triad (C Eb G) I played a Dm7b5 arpeggio (D F Ab C). After the second Cm triad I then moved to D7, as in bar 21.
CINEMATIC SOLOING MASTERCLASS CLAUDIO PIETRONIK
Bar 34: Look out for the little chromatic descent within the Cm arpeggio. Bar 35-36: This is B Lydian (B C# D# E# F# G# A#). (Full Solo TAB can be found after the ‘Methodical Analysis’ section)
METHODICAL ANALYSIS In the notes above, I’ve described how I approached the solo, but there’s lots more that you can do. When a chord progression allows you to choose a tonality for each chord, you have a huge range of possibilities. As I said before, start with the triad for each chord (C minor, G# minor, B major) and then add intervals that sound good to you. If you like the way the melodies are developing, you can then open up to the full scales. This is the opposite of the normal approach, where we choose the scale FIRST, and then worry about the intervals. With this alternative method, we can take a methodical approach. Think like this… “I star ted with the C minor triad over the Cm chord, and I then liked the sound of the A note (major 6th) what scales can I use?” Here’s a list of how intervals can then link to some of the most common scales…
C minor triad (C Eb G) Cm + major 7th (B) → melodic minor (C D Eb F G A B), harmonic minor (C D Eb F G Ab B). Cm + major 6th (A) → melodic minor, Dorian (C D Eb F G A Bb). Cm + minor 6th (Ab) → Aeolian (C D Eb F G Ab Bb), harmonic minor. Cm + 4th (F) + major 7th (B) → melodic minor, harmonic minor. Cm + 4th (F) + minor 7th (Bb) → Aeolian, Dorian, Phrygian (C Db Eb F G Ab Bb), Dorian b2 (C Db Eb F G Ab Bb). Cm + #4th (F#) → Dorian #4 (C D Eb F# G A Bb), Hungarian Minor (C D Eb F# G Ab B), Lydian minor (C D Eb F# G A B: a mode of G harmonic major). Cm + 4th (F) + major 6th (A) → Dorian, melodic minor. Cm + #4th (F#) + major 6th (A) → Dorian #4, Lydian minor. Cm + b2nd (Db) → Phrygian, Neapolitan minor (C Db Eb F G Ab B). Cm + b2nd (Db) + major 7th (B) → Neapolitan minor. Cm + minor 6th (Ab) + major 7th (B) → Neapolitan minor, harmonic minor.
G# minor triad (G# B D#) G#m + major 7th (B) → melodic minor (G# A# B C# D# E# Fx), harmonic minor (G# A# B C# D# E Fx). G#m + major 6th (E#) → melodic minor, Dorian (G# A# B C# D# E# F#). G#m + minor 6th (E) → Aeolian (G# A# B C# D# E F#), harmonic minor. G#m + 4th (C#) + major 7th (Fx) → melodic minor, harmonic minor. G#m + 4th (C#) + minor 7th (F#) → Aeolian, Dorian, Phrygian (G# A B C# D# E F#), Dorian b2 (G# A B C# D# E# F#). G#m + #4th (Cx or D) → Dorian #4 (G# A# B Cx D# E# F#), Lydian minor (G# A# B Cx D# E# Fx),
CINEMATIC SOLOING MASTERCLASS CLAUDIO PIETRONIK
G#m + 4th (C#) + major 6th (E#) → Dorian, melodic minor. G#m + #4th (Cx) + major 6th (E#) → Dorian #4, Lydian minor. G#m + b2nd (A) → Phrygian, Neapolitan minor (G# A B C# D# E Fx). G#m + b2nd (A) + major 7th (Fx) → Neapolitan minor. G#m + minor 6th (E) + major 7th (Fx) → Neapolitan minor, harmonic minor. Remember: ‘Fx’ is the symbol for F double-sharp, the same note as G, but with a different name because broadly speaking, in music theory and scales we try to keep some iteration of each scale ‘letter’ in the scale formular. So, some form of ‘A’, some form of ‘B’ etc. The usual options are double flat ‘bb’, flat ‘b’, natural, sharp ‘#’ and double sharp ‘x’. For example in the G# Lydian Minor scale example above we have G# A# B Cx D# E# Fx... The Fx (F double sharp) was required because without it (by using G instead of Fx) we would have two forms of the G note and no form of the F note. It’s complicated, but makes sense in the long run!
B major triad (B D# F#) B + 2nd (C#) + #4th (E#) → Lydian (B C# D# E# F# G# A#), Lydian Dominant (B C# D# E# F# G# A). B + major 7th (A#) → Lydian, Ionian/major (B C# D# E F# G# A#). B + minor 7th (A) → Lydian Dominant, Mixolydian (B C# D# E F# G# A). B + #4th (E#) + b7th (A) → Lydian Dominant. B + 4th (E) + major 7th (A#) → Lydian, Ionian/major. That’s everything for this masterclass lesson pack. Be sure to jam over the backing tracks to put everything you have learned to practise and really tr y to take the time to master all of the examples in this pack. Good luck, and I’ll see you in the next one! P.S - We've also included
7
extra bonus licks in audio form only for you to learn and enjoy.
(Please scroll down past the 'Full Solo' TAB to find the 'Bonus Licks' TAB files.
FULL SOLO As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS) x
P a P g f V g z g 4 g g I 4 Cm
1
13
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3 fr.
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4 fr. x
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Although we've used different key signatures in the individual licks to reflect the temporary C minor tonality and the Lydian flavour of the B major chord, we figured it'd be clearer to use a Bm aj/G#min key signature for the whole solo.
= 146
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7
sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
7
8 sl.
sl.
8 sl.
7 sl.
5 P
FULL SOLO - jamtrackcentral.com
Page 2 of 4
V V V g g V V g V V V g V g V V V I g
gV V V V V V V V
B
11
3
3
1/2
T A B
11
M
1/2
O
10
11
sl.
9
11
11
13
12
11
14
13
sl.
P
14
sl.
13
sl.
11
11
P
13
(13)
H
14
H
Cm
f V f V V V g f V g V f V f V V V V V V g V e V V g V e V f V g V e V V V V V g f V g f V f V V I g 8va
13
1/2
15
T A B
11
13 12
P
16 15 11 13
sl.
P
P
11 12 13 14
15
15 11
sl.
H
13
11 15 11 20 11 15 20 15 11 20 15 22 15
P
b V V V V V V V Vu V M O
P
TP
H
TP
P
TP
sl.
TP
Gm 8va
g g g I gg
15
Vu
V
19
(19)
Vu V V V V V
Full
16
T A B
23
sl.
16
T P
19
23
H
19
23
T P
(23)
(23)
T
16
P
(16)
11
12
sl.
P
11
13 sl.
P
Cm
f V V V f V V V g f V V V V V f V g V f V V g e V V V V e V V fV V V fV V V eV g g f V g I 8va
17
T A B
17
15 20 22 20 15 22 15 11 22 11 15 20 15 11
16
sl.
H
T P
P
T P
sl.
T P
H
T P
P
V V g V V g V V g V V V V I g gg V V B
19
T A B
14 sl.
13
3
3
3
16
15
13 16
13
11
15 16 15 11 15 11
H
T P
13
14 13
T P
H
T P
3
3
11
12
11 13
P
Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
14
13
12 17 12 H
g V V W V V V V
3
12
P
13 16 13
11
T P
8 sl.
FULL SOLO - jamtrackcentral.com
Page 3 of 4
f V V V f V f V V g f V g V fV I g gg eV
gV
Cm
V f V V V V fV g V V
21
3
15
T A B
15
13
12
13
3
14 12
10
13
11
3
13 10
11
bV V V V g V V g g V g V I g
9
12
13
12
sl.
13
8
sl.
P
V V fV V V V
Gm
23
3
sl.
V
3
M O
Full
T A B
11
8
9
7
9
7
11
6
9
7
8
7
9
9
sl.
f V g f V V V g e V V fV V V fV fV V V fV V V V eV gV V V V V V eV g g I g M M O M O O Cm
25
1/2
T A B
8
13
H
8
4
sl.
P
8
4
H
5
8
P
5
Full
7
5
(7)
P
g g V V V g g V Pz V V V V I g M Full
7
6
6
8 sl.
4
4
sl.
5
H
4
7
H
6
(6)
(6)
(6)
(6)
H
4
6
sl.
6 sl.
7 H
6
4
6
sl.
P
4
P
PR V fV V V V V
27
7
5
P
B
T A B
(7)
Full
V
2
(2)
sl.
sl.
g f V V g V f V V f V V g V f V V g V V e V g V e V e V g V e V gV eV V V g f V V f V g f V V V V f V V V I g Cm
29
T A B
g g g I gg
31
T A B
3 5
3
4
4
6
3
3 5
5
3
4
2 5
2
3
3 5
3
4
4
6
3
3 5
5
3
4
6
4
7
5
b gV V V V V V V V V V V V fV V V V V V V V gV V V V fV V V V gV fV gV V H
sl.
P
H
P
P
P
Gm
8
6
4
8 H
6
8
4 P
6
8
6
4
8 H
7 sl.
6
3
7 H
8
6
4
8 H
6
8
4 P
Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
6
7
6
4
7 H
4
5
H
6
H
7
H
FULL SOLO - jamtrackcentral.com
Page 4 of 4
f V V f V f V V V g f V V g V f V V V g eV V l k u V V I g gg fV eV gV fV V V eV M Cm
33
1/2
T A B
3
5
3
4
4
6
H
B
3
5
5
3
4
8
10 sl.
P
8
12
35
12
V
19
sl.
8
15
15
13
V V V
V
3
M
Full
T A B
11
8
H
V V gV V V V V V V V V
8va
g g V g g g I
3
M O
Full
16
19
18
P
18
20 H
18
19
H
21
18
19
21
23
H
Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
23
(23)
sl.
EXTRA LICK 1
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P g f V g g 4 g I g 4
= 146
eV V
fV V V
Cm
1
V
V fV V
M
Full T
8
13
11
13
13
M
Full
O
(13)
A
V gV 13
12
9
B sl.
b g V g g g I g
V V W
Gm
3
T
sl.
O
(9)
A
Pz W 9
9
fW
4
6
B H
sl.
sl.
V V V fV V V V V V fV V V V fV eV V V V fV V V V V
Cm
g f W g g g I g
5
T
M
1/2
1/2
8
7
8
8
8
7
6
8
7
8
6
8
7
6
A
6
8
4
6
5
4
3
6
6
B H
sl.
P
H
H
B
g g f V V g V V fV gV V V V V V V g I g O
7
T
(6)
(6)
4
A
6
3
4
6
4
B P
sl.
P
6
4
6
P
P
sl.
H
H
Pz Vu k fVu k gVu k Pz V 6
8
10
sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
11
11
13 sl.
sl.
EXTRA LICK 2
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P f V V V V g f W g g 4 g I g 4 = 146
aPz V fV V gV Pz fV fV V fV
Cm
1
T
13
12
13
B
13
12
A
bfV fV k bPz fV V V sl.
g g g I gg T
8
10
A
9
8
6
10
11
11
sl.
Gm
3
11
6
10
W
8
8
f V V
PR V
8 8
9
B P
sl.
8
sl.
e V V V V fV gV V fV V fV V V V V gV V V fV eV fV V V V V V fV
Cm
g f W g g g I g
5
3
3
3
3
3
3
5
T
6
7
6
8
8
7
6
8 11
11
11 8
A
10 11
8
11 10
8
B H
W g g I g gg
B
H
P
P
sl.
V V V V
H
U
P
H
P
7
M
Full T
16
A
10
P
sl.
Vu
8
1 1/2
(16)
16
O
16
(16)
B sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
P
10
8 P
10 13 sl.
H
12
11 13
H
sl.
EXTRA LICK 3
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P
g g g I gg 44
= 146
j
1
fVu
8va
k
T
20
A B
Cm 8va
g f V V V V V g f V V V f V e V V V V V V V g f V V VVV V g f V V f V g V V I fV fV
2
T
20 18 20 18 16 20 16 13
15
13 11
13
11
11
8
(11) 10
8
11 13 10 11 (11) 10
10
13
13
A
10
B P
sl.
H
sl.
P
sl.
b g f W g a P g g V V I g V V z
sl.
P
sl.
P
P
P
Gm 8va
V V V fW M O
4
gV fV
1/2
T
13
12
11
15
12
(15)
(15)
(15)
1/2
13
16
15
A B sl.
Cm
P
Vu V fV fV V eV fV V
g f V g g g I g
8va
6
H
P
f V fV V fV V V V V V V e V f V V
1/2 T
(15)
18 (18) 17
18
15
16
15
A
11
15
13
11
15
13
11
10
11
13
11
10
13
B H
g g g I gg
8
T
aPz gV B
10
11
P
P
H
H
14
12
11
12
(12)
11
13
11
P
10
11
13
B sl.
P
P
P
P
P
P
V f V V V V V V V
V V V V V V V V fV
A
sl.
H
16 13
sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
13
15 13 sl.
EXTRA LICK 4
As recorded by jamtrackcentral.com
P g f W g g 4 g I g 4
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS) = 146
V
Cm
1
fV
V
W
8
7
fV gV fV eV fV fV V
3
1 T
8
5
A B
g g g I gg
b fV gV fV V gV fV Pz V V
T
4
6
7
6
4
6
7
6
P
Pz V
Gm
3
6
7
H
7
4
9
8
sl.
P
P
sl.
5
P 3
fV V V
6
5
P
7
3
k c V V fV V
5
6
sl.
Cm
g g g I gg aPR fV
5
7
6 9
P
4
3
B sl.
P
fV fV V V
A sl.
6
Vu V fV fV fV eV
V
T A 3
B
7
9
5
8
sl.
(8)
3
3
(3)
10
10
sl.
6 P
sl.
f V g V f V V V V V V V V V V g g f V g V V f V V g V V VVV g V V g V I V V V V fV gV B
7
T A B
7
6 P
7 H
6
8 H
9 H
8
9 H
8
10 11 H
H
11 12
H
11 13 14
H
H
13 11
P
P
12
13 11
12 11
P
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
11 10 P
8 P
9
10
8 P
9
9
EXTRA LICK 5
As recorded by jamtrackcentral.com
P g g g I gg 44 fV
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS) = 146
Cm 8va
1
T
13
fV
V
15
14
fV
fV
13
15
`Pz fV
V
16
14
fV
13
12
A B
b g f W g g g I g V fV gV sl.
sl.
Gm 8va
RP fV
3
3
3
fV
V
fV
T
13
12
13 15
13
12
V
3
15
A
V
10
11
12
12
B sl.
fV g g I g gg
5
10
T
sl.
fVu Vu fV
Cm
13
fuV
12
A
e V f V f V V f V V V V fV V eV 3
3
12
B sl.
3
(12)
13
12
11
13
10
13
12
13
sl.
12 P
B
f V g V V V V V V V V W V V V V V V V V f V g V V V V V M 8va
ggg g g I
7
Full
T A
9
B sl.
13 H
11
12 13
15 sl.
13
14
13
14
15
19
14
21
14
19
21
19
21
23
16 sl.
P
T P
sl.
H T
H
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
H T P
21
(21)
10 P
sl.
EXTRA LICK 6
As recorded by jamtrackcentral.com (From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)
P f V f V V f V V V V V V V V V V V f V g f V V f V V g V V f V e V V e V V V I g gg 44 fV V V fV V = 146
Cm
8va
1
T A
15 14 15
B
12 13 12 13
11 12 11 12
11 13 15 11 20 11 15 20 19 20 19 18 20 18 17 20
12 13 12 13 15
b V V V V V V V g V V V V f V g V g f V V V V g f V V V V V f V g V fV gV V V fV g V V I g P
H
P
H
P
H
P
H
H
H
P
sl.
TP
TP
TP
P
TP
P
T
P
Gm 8va
3
T
16 19 16 18 16 13 19 13 16 13 10 19 10 13 10
7
19
3
3
3
7
10
11 10 11
11 12
A
3
12 13
B TP
g g g I gg fU
H
P
sl.
TP
H
P
sl.
TP
H
P
sl.
TP
H
H
P
H
Cm
5
T A B
15
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
H
H
3
12 13 H
13 14 H
12
