FOLIO (1952/53)
SYSTE
mu new york
usic Lib.
refatory Note
lY{O
.s 7~F0
usic Lib.
lY{O
.s 7~F0
refatory Note
"Time i s h e a se d
ct al di
t ri c i s b l
e t s ou n
a y b eg i
an
in
t o i n i ca t
or
Si ilarly al of th timbre
n si o
nd
ic
s i e xi st s
a l o f h e p os si bl e p oi n
ny
er
a l n g t hi s d i
othe characteristic
of
unmeasurable
Th
ar it
an
i n h e c on ti n u m
frequency, intensity, continua
scalar-systems is obviousl
th
th
f ou r r ot a i o a l
thre
infinitely divisibl
imposition of approximat
efficacious, bu to deal directly
p er f
n si on ." l
soun
mode of attack-continuation-deca
possible an
he
experience of
continuu
di ension
even indicate
measured experience An ambiguou alert, sympatheti
"process
conceivabl
graphi
catalyst
fo
"notation"
activating this
within continua
.. th
bu implicitly inclusiv
perfor ers, ar
to produc
performer'
n y s e u en ce . I n
th
relative intensit
and/or
clusters
here al four dimensions ar
of
ar
v en t
f un ct io n
c ha ra ct er is ti c o nt i u a
an
o si ti on s i n
as active (vertical, horizontal
e rf o
s ou n
t r n sf o
er
o f t he i
an
th
nd
r el at i n sh i
r el i
situations th
response as
implications of whic
factor leadin
to
ultipl
woul
involv
"characteristic"
i s i m l ic i
in th
pl ne
t o e ac h
It is
o nl y
ri
th
r e s u j ec t t o
r il y i nt en de d
n ar y d ef i i n
length
e rp en di cu l
ha
er
h e e ve nt s o th e t h
perfor ance ti e, take place. Furthe defining of th
events is no prohibited however, provided that th
graphi
u ti li zi n
thicknessof th
relative thicknes an
o si ti o
o di fi ca ti on .
n o u rt he r
an agreemen as to tota
time), th
(where applicable instrumentally
active th
c on ce pt u
n d t he i
a ti o
e rf or m n c
an
sc re an
impose
determinate-system
i n t h s e n ot e
reali-
MM-87 ambiguit
inherent in an
graphi
representation an
possible co poser, perfo
as "process Tw
rather than as static an
conclusive
ia
e rf or me d s i u l a ne ou sl y b y
Se note to "October
basic approaches:
"October
1952
utilized
composed very rapidl realizations.
rather tha
conceptually
o bi le "
involvemen
of th
p pr oa c
to
a si ca ll y
ix
g ra ph i
perfor er's im ediate response
to th
ia os
1952".
an
discontinuous, spatial-coordinate
spontaneousl
an
ar
compositiona
in that sens perfor ance
compositions
l e e nt s fo
intentionall
pian
and/or
othe instru ents
r an s r i t i
g ra ph i
h ic h
el te to
hy ic
o si ti o
nd
o ve -
involvement.
OCTOBE fo
ti e. (See co
1952
pian Clef
t io n a r
in th
usua treble-bas r ec is e
relationship
n d c on ve nt i n al l
Pitch, intensity, an e pr es en te d
fo
dura
h e t ot a
ti
pian T hi s p ag e i s a ct ua ll y
by th re to be
etricall at
e te r i n
rational
c on st a
pian
performe
rang
ny le gt
i n l us i e .
ov im
throug
r od uc e
th
il
of ti e.
ta ks
( ho ri z n t l l
or.~ound"producing
ti e.
e mp o
f as t
o s i bi li t
ll
medi
l et el y
shape, or define
v ar i b l
s pe ed s
an
h e a tt a k s o c u rr i
i nf i i t
ithi
c le f s i n s
at th
p os si bl e
e pa ra t
exactl
i n p ar t
i th e s p c e v e t ic a
or
that space.
ay
am in ta
o ri z n t l )
a y e xp an d
ie
th
f l a ti n
c le fs .
( No v
c on sd (a
on
c o t ra ct ,
on
or
bein
s eq ue nc e e ac h p ag e
er
minutes)
base
obtained from th
e rf or ma nc e
othe
an
to th
s eq ue nc e a n
co poser, or be arrive
h e i nd i a t
n ot e- du ra ti o
eventual ti e-valu
i nv er si on ,
nu be of differen a li d
on
seconds and 15
it in th
t o a l c o c ep t
an
of this th
accuracy with regard to th
time-durations to an
Th
to be deal
it
pian
(s
J an ua r
or
instru ents and/or sound-producin ot
bu th
ar
particularly
h a o nc e
attacks, an
o li o
ag
o ns id er ab l e l c ti o
an
th
ke ch
a si s o f t h
relevant to "Fou
p pe a co
intensities. Th variable
1 95 3" .
(J ne 19 3)
95
and/or othe instru ents or sound-producin
edia
E.B.
edia
o te bo o o si ti o
ag
ce
er
d at e
ct
9 52 " a s w el l a s
Systems"
( co mp os it i n al l
n d i n p er fo r
n ce )
.. whic
ov it
an
tr
arbitrary,
to conceptua
s f r ma ti o unstable tim
ev
mobilts in
mustalway
be considered as unreal
h ro ug h i t a t a l s pe ed s. "
..[c [ is ] s pa c
1fr
f or wa r
n d b ac k. "
ro ra
te athe
at
t o " Mu si c f o C el l
ts
sound-producin
nd Pi
it media ; "Keyboard"
appear
o"
tr by virtue of t h
ar fr
or complexity interestin
spac as an infinitude of directions from an
relativ
ac
possibilitie
"..
spac
during
e l t iv e
ad it
degree of si plicit
l as t s en te nc e i s n o a pp li ca bl e
F OU R S YS TE M
im
aterial. Al of thes
r k p ro vi de d
factor
ar
r e p re ci s
assigned to each line-syste
l e d is po si ti o
presentation
ay be pre-se by th
at spontaneousl
"December 1952".
h e f ol lo wi n v. '5
la ed in an
9 52 )
DECEMBER 195 fo
n d i s b es t e s r i e d
pe two-line system as probable bu no compulsory time-extremities
he
fo e rf or me r' s
(1 53
..
5. ol
a ge s
a ge s
rk
(for this Folio' page 20 seconds and
perfor er
o ss i l e t o a s l o co
t ha t
time-structure in term of second pe two-line system
be relative to that of each instru en perform-
a y b e i nt e p re t
i ff er en t a n
he '2
s t d y f or " 2 5
n ot e
spac
t o i nt ui ti v
of p r e li m in a r y s k et c he s ,
space, collectively in blocks of an
t h o re ti c
ay " re al "
e st s
e rf or m n c
second
and/or othe instrument
[s
fo
Th
a bs e c e
("Synergy")
"The frequenc
..
e rf or m r .
p ee d e l t iv e
( Se e a ls o f ac si m il e r ep r od u ct io n
s pa c
th
perfor ance
o r a ri a l e r at e
NOVEMBER 1952 fo
score.
1953 ar
g ra ph ic al l
ve ts
ents on th
in dedicat ion
.c
~u~cc
V-'"
~",,,,,,,,cv.\otJ
;;::x
CI
.........,..
~,,,
V-'"
~u~cc
~",,,,,,,,cv.\otJ
;;::x
CI
~,,,
.........,..
~~
b.!.
i.
~=s-
op ri
96
s oc i t e
si
P u l is h r s
In
Ne
Yo
l l i g t s r es er v d ,
in lu in
th
i gh t
li
e rf or ma n
fo
r of it ,
P.
~·
Musi
Lib,
1t.{70
SYSTEMS o r D av i T ud o
on
birthday
Jan.
1:..... 'Bkl"".
C op y g h
1 96 1 b y A ss oc le te d
M us i
P ub l s he rs ,
nc
Ne
Y or k
Al
gh
e se rv ed ,
n cl ud in g
h e i gh t
pu li
e rf o M an c
f o p ro fi t
A M P· 96 12 4· 8
(,\f't
~c.--'.
r·1lusic lib.
-.
I, II.
.,.
fV
~.
.
L.
l-
'"
l'
op ri
ss ci te
u si c P u l is h r s
nc
rk
ll ri ts
e se rv e
i nc l i n
th
ri
u bl i
rf rm ce
fo
r of it .
P·
4·
~~
~-!-
*~
\,,\,
h.~.L·
~~f
'f
C op yr ig h
1 96 1 b y A ss oc ia te d
M us i
P ub li sh er s
l nc .
Ne
York
A l r iq h
r e e rv ed ,
n cu dn g
h e r ig h
o f p ub l
p er fo rm an c
fo
p ro f
A MP ·9 61 24 .
rviusic t~bii
1'-170
g ,7 0 F e
if,
~o ~2
"' I.
\1
C op yr ig h
. 19 61 b y A s se cl et e
M u si c P ub li sh er $
I nc .
New
Yo
All
r ig h t
r es e rv e d
i n cl ud in g
the
r ig h
o f p ub l
p e f c n en c
f o p ro f t .
A M P· 96 12 ~
~I
....
.. ..
..
C op yr ig h
Music
1 96 1 b y A ss oc ia te d
M us i
P ub li sh er s
I nc . N e
Y or k
A l r ig ht s r es er ve d
i nc lu di n
th
r ig h
o f p ub li c p er fo rm an c
fo
p ro fi t
A MP ·9 61 24 ·
ue.
~~7~
~.:.
~~
ij \.
~~
.~#
~, :!!!I----- .. -~ ~.
Music
ue.
~~7~
~.:.
~~
ij \.
~~
.~#
~, :!!!I----- .. -~ ~.
4~-------1II!!!.
~=~-___. :::;
::::~
lttt
'>
,.
~~
C op y g h
1 96 1 b y A ss oc ia te d
M us i
P ub l s he rs ,
nc
Ne
Y or k
Al
gh
r es e v ed ,
ncudng th
gh
u b i c p e f o m an c
fo
r of i
AMP-96124-7
~J
