GRAPHOLOGY OF YOUR SIGNATURE # SINGLE UNDERLINE BELOW THE SIGN!! These persons are very confident and are good personalities. They are a little bit selfish but believe in "Happiness of human life" # TWO DOTS BELOW THE SIGN!! These persons are considered to be Romantic, can easily change their fiancées as if they change their clothes. They prefer beauty in other persons & they themselves try to look beautiful. They easily attract others. # SINGLE DOT BELOW THE SIGN! These persons are more inclined towards classical arts, simple & are very cool. If you loose faith with them, then these persons will never look back at you. Hence its always better to be careful with these people. # NO UNDERLINES OR DOTS BELOW THE SIGN!! These persons enjoy their life in their own way, never pay attention to others views. These are considered to be good natured but are selfish too. # RANDOM SIGN, NO SIMILARITY BETWEEN NAME & SIGN!! These persons try to be very smart, hide each & every matter, never say anything in straight forward manner, never pay attention to the other person of what he is talking of. # RANDOM SIGN, SIMILARITY BETWEEN NAME & SIGN!! These persons are considered to be intelligent but never think. These people change their ideas & views as fast as the wind changes its direction of flow. They never think whether that particular thing is right or wrong. You can win them just by flattering them. # SIGN IN PRINTED LETTERS!! These persons are very kind to us, have a good heart, he art, selfless, are ready to sacrifice their life for the sake of their near & dear. But these seem to think a lot and may get angry very soon. # WRITING COMPLETE NAME AS THEIR SIGN!! These persons are very kind hearted, can adjust themselves to any environment & to the person they are talking. These persons are very firm on their views & posses a lot of will power.
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Letter Formations And What They Say About Your Personality Your writing tells a compelling tale…
The formation of each letter tells me about the writer's characteristics and personality…positive or negative. Graphology, or Handwriting Analysis, is a science like any other study of the human condition. The analysis of the strokes of a letter by a certified Graphologist reveals very specific traits in a person's character; they can be interpreted to find out more about your personality, to see if another person is a compatible lover or if they will make a suitable employee and much more. Handwriting is controlled in the same area of the brain where the personality is formed. Up to 40 different elements of your handwriting are measured, assessed, analyzed and compared, each symbol is then interpreted as a personality characteristic. Because no two handwritings are alike, just as no two people are alike, every handwriting is as unique as a fingerprint. Handwriting is the psychological imprint of an individual. There are three zones in handwriting.
1. 2. 3.
An upper zone A middle zone A lower zone
Each zone is analyzed for particular characteristics for example a 't' with a high cross bar (in the upper zone) indicates leadership and intelligence; an ' o' that is wide at the top shows a person who is a talker and can not keep a secret! The letter A. a. If the letter 'a' is well formed and easily read it means the writer has good communication skills. When the letter 'a' is complex with curls, twists and knots then the more indirect the writer is in their communication with other people. The letter B.b. This is the first two-zone letter in the alphabet. It con tains an upper zone and a middle zone The school book form of this letter teaches that the upper loop should be about twice the height of the curved middle zone. The higher the upper loop the more idealistic the writer. When the upper loop is also wide the writer is able to express their thoughts fluently. The middle zone is read for gullibility. When the letter 'b' is closer to printed formation, the more able the writer is to use imagination an d originality. The letter C.c. A well-formed 'c' shows the writer is a good communicator. It also indicates that there would be a healthy give and take in any relationship with this writer. The letter D.d . The letter 'd' stem is checked primarily for height and the size of the loop. If the stem of the 'd' is two times higher than the lower zone, whether it is looped or not, it shows an idealist. The shorter the stem of the 'd' the more lacking in confidence the writer will be. The letter E.e. When the letter 'e' has a closed form it shows secretiveness. If its form is open it shows the writer has a willingness to communicate with others.
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The letter F.f. This is the first letter in the alphabet to cover all three zones: upper, middle and lower. The upper loop of 'f' stands for articulation, communication and idealism. The lower loop shows the writer's physical drive. The letter G. g. 'G' is also a two-zone letter. It is written in the lower zone and the middle zone. If the lower zone is formed with a straight line downward it shows the writer is independent and confident. The letter H.h. The letter 'h' is an upper and middle zone letter. A high wide upper loop indicates a love of talking in the writer. If the hump on the 'h' ' h' is sharp it shows alertness and critical faculties. The letter I.i An 'i' without a dot is a sign of absentmindedness. The dot that flies high above the 'i' shows imagination. When the dot on the 'i' is made like a circle it shows an artistic personality. However if the rest of the writing does not show artistic tendencies then the open dot usually indicates a sign of affectation and pretense. The letter J.j. The letter 'j' can be read like the letter 'i' with regards to the dot above it. If the dot is missing the writer is forgetful. The letter K.k. The letter 'k' is one of the most complicated letters in the alphabet. The upper loop combines with a middle zone formation. Only writers who are careful and interested in clarity will form the letter 'k' accurately. The writer with a 'k' that looks like an 'h' wants to communicate but b ut tends to be impatient if the listener does not understand the writer at once. The letter L.l This is one of the simpler letters of the alphabet. If the loop is high and narrow the writer is idealistic. When the loop is wide and round the writer is a good talker. The letters M.m. N.n. If the 'm' or 'n' look like a 'u' or 'w' and the tops are pointed it indicates drive, intelligence and alertness. These writers can also sometimes be brusque in their manner. The letter O.o. The 'o' that is well formed and closed represents an honest person. The 'o' that is open at the tops shows a person who is friendly and likes to talk The letter P.p. A letter 'p' with a very short stem shows a writer who is a person that does not give easily. The printed 'p' is a sign of intellect. A very large loop at the bottom of the 'p' shows a writer that enjoys physical pleasures and activities. The letter Q.q. This is a two-zone letter. A straight upper loop shows intelligence. A looped lower loop shows physical activity.
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The letter R.r. The letter 'r' that has no points shows the writer has no interest in matters that do not directly concern them. The rounded 'r' shows an easygoing person who is not particularly observant. The an gular formation of the letter 'r' shows a person who has a sharp mind and is observant. o bservant. The letter S.s. The writer who has a tight closed 's' is secretive. A sharp pointed 's' shows good communication skills, alertness and an inclination towards finances. The letter T.t. The letter 't' is very revealing to the graphologist grapho logist as there are so many ways of writing the stem and the cross bar. The 't' that looks like a star shows the writer has a strong sense of responsibility. The cross bar that slants upwards shows ambition in the writer. A high cross bar rising away from the stem to the right is an indication of leadership qualities and intelligence The letters U.u V.v.. These letters tell us of the writer's ability to communicate. If they are well formed an d open the writer is friendly and outgoing. The letter W.w. The letter 'w' written wide and open indicates an open personality. The letter X.x. When the letter 'x' is printed it shows mental maturity of the writer. When the 'x' has a cross stoke, made in reverse, going to the left, it indicates the writer is still resenting a past occurrence. The letter Y.y The lower loop of the 'y' shows the writer's physical orientation. A lower loop that is long and narrow is a sign of materialism. A 'y' formed with no loops, just a straight line down shows independence. The letter Z.z A 'y' shaped 'z' shows an argumentative trait in the writer. If the letter is shaped like a '3' with the endstroke extended to the left it shows an emotional tie to the mother.
This is just a brief insight into the meaning behind each letter. A certified Graphologist can interpret much more. Why not get to know yourself, friends, partner, partner, lover and coworkers better? Send a sample of handwriting, in any language (except Chinese, Arabic or Russian) for a complete and revealing analysis. You will receive a detailed, unique personal or business report on your own handwriting or your friend's, family's, partner's, lover's or coworker's. Your signature provides the graphologist with a better picture of your personality than any description of your character could do. But your signature does not exist in a vacuum. v acuum. It doesn't mean much without your handwriting. You were taught all the letters of the alphabet in school, along with spacing and margins. Every first-grade classroom has a chart with the shapes of all the letters. You were probably taught to begin writing in such and such a distance from the edge of the paper, or you started out with ruled paper, with the margins already marked for you. 4
Your signature is an entirely different matter. No one taught you how to sign your name, nor n or did anyone choose a signature for you. You created your own signature, after many e xperiments and doodles. Your signature undergoes many changes as time passes. Although your signature basically remains the same, you never sign your name twice in exactly the same manner, even during the same period of time. If a lawyer shows in court that two signatures are exactly identical, the court may decide that this is a sufficient proof that one of them is a forgery. Your signature is accepted in today's world as your p ersonal representation. Your signature on a check changes it from a piece of paper into money. A judge's signature can send someone to jail for life; a governor's signature may save a prisoner from the electric chair; a psychiatrist's signature may determine whether someone will live in society or be hospitalized. Contracts take effect only after they are signed. Billions of dollars may change hands on the strength of a few scribbled letters. Try to imagine a world without signatures: society as we know it would cease to exist. It is not surprising that graphologists have their hands full with real or suspected forgeries. Above all, your signature symbolizes the real you - your inner self, your ego. A signature contain of one or more of these three elements: 1. First Name 2. Last Name 3. Additions
The use of these three elements may change with age, marital status, and social standing. It may change many times, and in many ways, during the course of a lifetime. Your last name represents your image in society, while your first name relates more to your individual ego. If you stress your first name in your signature, this may be an expression of your need to attract attention, or an urge to prove yourself. This may also be a sign that the writer may not rely on his family, and wants to be judged by his own merits. If the first name is blown up, a nd is bigger than the writer's last name and/or the written text itself, this may indicate egocentricity and narcissism, or self-love. If the writer stresses his family name, this may symbolize family pride or his dependency, (Upon his family or immediate environment). At times you will come across a signature which is identical to the writer's handwriting, with the first name and last name written in such a way that they possess the same characteristics as in the body of the handwriting sample. In such a case, you can usually conclude that the writer is at peace with himself. He does not wish to appear to be what he is not, does not want to be conspicuous, and is sincere and stable. Before completing your analysis, however, you must examine the handwriting itself, to see whether these properties correspond to the features in the handwriting. Additions - at times you will find a signature, composed only by additions, i.e., something which initially was a signature, or some letters from the full name, and which became a scribble in the course of time. The simplest addition to a signature is the period. In most cases, the period appears app ears at the end of the signature, and signifies its conclusion. The use of a period after the signature may suggest that the writer is subconsciously worried that something may be added to his signature, or that someone may try to forge it. This added point is a kind of protection of the signature itself.
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You should examine the form of this period under a magnifying glass. You have to determine whether it is stable and static, or whether it resembles a co mma; whether this represents an attempt to quench the writer's enthusiasm or a balanced, logical, pause. If the point closely resembles a comma, you can assume that it was produced at high speed (the greater the resemblance to a comma, the higher the speed). If it resembles a circle, this means that it was more thought-out and has a different meaning. A static point is generally produced by slow writing, and indicates balalnced judgment and a feeling of completion. It may also mean suspiciousness and an attempt to keep a safe distance. A light point, maintaining momentum, is made almost unconsciously, and is the result of speediness and the desire to stop at a certain point. The difference between the signature and the text and the location of the signature are both important for your analysis. While handwriting tells us about the writer's inner feelings, the signature tells us what the writer wishes to be, what image he wants to convey. At times you can learn from the signature about the writer's past, his ambitions, and his expectations. You must rely more on your intuition when analyzing signatures. There are several rules, but the general picture can be gained only intuitively.
President Kennedy
In President Kennedy's handwriting we see a very fast movement and decisiveness. In the handwriting we can see strong angles, especially in the upper zone which pertains to ideas, principles and ambitions. On the other hand his signature is a bit smaller than the writing, which indicates humbleness. When looking carefully into the signature, we can see that the last letter "y" looks like a shield. This shield shows that the person is more sensitive than what is presented on his outside appearance. In order to protect himself, he puts this shield between himself and the world.
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Abraham Lincoln
Lincoln's signature is a slight bit larger than his handwriting. Both the text and the signature, are very well organized and meticulous. A similarity between the handwriting and the signature shows that the person we see outside is exactly the same person in the inside. Usually it shows honesty and high integrity.
Margaret Thatcher
The first letter in the signature is larger than the first letter in the beginning of the document. An enlarged first letter in the signature especially shows a strong desire to appear in public, assertiveness and a need to rule or dominate.
Royal Family
In both signatures (Queen Elizabeth's and Princess Diana's), you w ill find the same phenomenon. They are closely attached to the text. There is no space between the writing and the signatures. This way of spacing the signature indicates that the person feels like a part of society. People who write this way have a strong sense of belonging to the society. Another phenomenon we can see in the signatures of Queen Elizabeth II, The Queen's Mother and Princess Diana is that they are all underlined. When a signature is underlined it shows that the person who signs likes to have recognition from the public and to be on center-stage. ( Sting, Joan Collins, Fidel Castro, Picasso, Alfred Hitchcock, Roger Whittaker, Elvis Priesly, Paul McCartney all exhibit this tendency). 7
Queen Victoria
In the Queen Victoria's signature, the first letter looks like a hand covering and protecting. It can indicate a person who feels responsible for people around them.
Sting
A large stage under the signature is evident.
Gerald Ford
The signature is characterized by very strong angles, which are usually found in the handwritings handw ritings of stubborn, dominant and or leaders.
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Bill Clinton
Bill Clinton's signature is the same size as his handwriting. He places his signature very closely to the text itself. This shows modesty and a tremendous sense of b elonging to society. He does not separate himself from his people and feels that he and his country are one. He takes upon himself a great deal of responsibility as if he needs to fulfill a mission. Handwriting Analysis of Bill Clinton n Clinton's handwriting one can discern two very prominent forces which motivate his activity. One is a particularly strong and untiring urge to constantly prove himself, up to the point of having difficulty of resting on his laurels and of feeling satisfied with his achievements. The other force which motivates him is the need to belong. From early childhood Clinton has struggled with a feeling of rejection and of o f not belonging. It is so important to him to belong that he sees the entire nation as his family. In addition he is a very sensual person. It is important to him to touch and to be in contact all the time and only then he feels he belongs.
He does not see himself as "upper class'. He feels more as part of the system and therefore it is convenient for him to cooperate in a team framework, to listen, to consult and only then to undertake responsibility and to move forward. He also has a considerable amount of stubbornness and determination. He does not easily let go of his position and is able to fight for his principles, keeping his self-control and coolness.
Handwriting Sample of President Clinton 9
Salvadore Dali
Look at the signature of Walt Disney, the man who made Mickey Mouse and Donald Duck famous. Disney animates his letters. His signature exhibits much vitality, lightness, humor, and movement, just like his many cartoons. *
Tom Wilson It won't take much effort to see the similarities between Walt Disney's signature and that of the cartoonist Tom Wilson, the creator of "Ziggy".
Thomas Alva Edisonn
Now look at the signature of another famous person, in a completely different field of en deavour; Thomas Alva Edison, the famous inventor responsible for electric light, phonographs, and many other technological breakthroughs that we take for granted today. What do you see here? A blueprint, or a large structure. *
David Ben-Gurion 10
This signature is that of David Ben-Gurion, Israel's first Prime Minister. His signature exhibits a great deal of power, momentum, self-confidence and decisiveness. *
Elvis Presley It doesn't take too much imagination to see Elvis Presley's guitar in the signature of the later rock 'n' roll star. *
*Painted by Kobi Zaid
Both the handwriting and signature are very slow in a way that seems almost unreasonable. The writing and the signature are more drawn or painted rather than written and express a personality that is full of anxieties on one hand, yet the writer has a strong drive to prove himself on the other hand. This creates a conflict that makes it very difficult for the writer to deal with reality. It creates a very frustrated man with difficulty to feel content from his achievements and a need for constant attention.
Translation: (from right to left) First line: Your brother in Islam Second line: Usama bin Mohammed bin Laden. (signature)
The size of the signature indicates a megalomaniac tendency. This is partly demonstrated in the signature, which is comprised of two circles, black and white. His drive for attention is greatly noticed and can take a positive or negative form. As long as he is noticed, he feels a temporary relief from his seeded and tremendous urge to prove himself. He is protective and at the same time domineering with a strong need to rule. He constantly fears others taking over his place and as a result he keeps his guard and is 11
continuously under a great deal of pressure. He is very prudent, fears failure and avoids risks. Lacking improvising skills, he carefully calculates his steps and tries to avoid uncertain situations. He aspires for perfection at what he does and is often obsessive about his unwillingness to accept any form of mediocrity. Every action he takes is carefully examined and he advances only after every ev ery detail has been meticulously planned and taken into account. This significantly slows down his activity, but at the same time, makes his actions thorough and prudent. His personality expresses a double standard, as if he is two individuals This can also be seen in the signature, which shows two circles: black and white. In actuality, the writer is an individual without gray areas, agility or compromises. co mpromises. n Saddam Hussein's handwriting one can discern a few unusual traits. His upper zone is characterized by flags (a real shape of a flag). These flags show a certain twist in his perception of the world. This writing phenomenon coupled with a lack of lower zone tell us that there is a severe distress concerning his sexuality and manliness. Saddan Hussein could not identify with the father image and has an extreme need to constantly prove his manliness. The more sexual difficulties he will have, he will become more aggressive and will use every power he has in order to draw attention. Another strange phenomena in his handwriting is the lack of the regular spaces. One can not tell whether the space is between the letters or between the words. Handwriting, being a tool for transferring information, must comply, more or less, with acquired rules, and in order to understand what w hat we read, it is important to keep the standard space between letters and between words. However, in Saddam Hussein's case this is not the situation. He follows his own rules, not relating to the customary and adequate norms. He is an extremist, opportunist and all that matters to h im is to draw attention, to prove his h is manliness and by doing this to overcome his frustrations.
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