DVD ISSN 1945-4767
supEr
#81
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2 GUITAR DVD
s a r a h st u r g e s
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NOTATION GUIDE
ì tablature clefî timeclefî signature tablature ììì tablature tablature clefî clefî whole note (held for four beats) ìì tablature clefî tablature clefî time signature ì tablature timeclefî signature time signature time N.C.(E)note (held for four beats) time signature signature whole time signature whole *string whole note note (held (held for for four four beats) beats) whole note (held for four beats) whole N.C.(E) whole note (held (held for for four four beats) beats) N.C.(E)note 1 N.C.(E) *string N.C.(E) *string 2 N.C.(E) *string N.C.(E) *string 3 1 *string 1 *string 1 2 4 1 2 1 2 1 3 5 2 3 2 3 2 4 6 3 4 3 4 3 5 4 5 4 5 4 6 5 6 5 6 5 6 6 6
half notes (held for two beats each) D notes (held for two Abeats each) half half half notes notes (held (held for for two two beats beats each) each) half notes (held for two beats each) half D half notes (held (held for for two two A beats each) each) D notes Abeats 2 D A D A D A2 3 D A 2 2 2 0 3 2 3 2 3 2 3 2 3 2 3 0 2 0 2 0 2 0 0 0
0
2 2 2 0 2 2 2 2 2 2 2 0 0 2 0 2 0 0 0
* String 1 is the00thinnest string; 6 is the thickest. 0 lines indicate frets (0 = open string). 0 Numbers on the 0thinnest string; 6 is the thickest. 0 ** String 1 is the String 1 is the thinnest string; is thickest. String 1 is the thinnest string; 666frets is the the thickest. *** String 1 is the thinnest string; is Numbers on the lines indicate indicate (0 thickest. = open open string). string). String 1 is the thinnest string; 66frets is the the thickest. Numbers on the lines (0 = * String 1 is the thinnest string; is the Numbers on on the the lines indicate indicate frets (0 thickest. = open open string). string). Numbers lines frets (0 Numbers onnotes the lines lines indicate indicate frets frets (0 (0 = = open open string). string). eighth Numbers on the = C G/B eighth notes eighth notes notes eighth eighth notes notes C G/B eighth 1 C G/B eighth notes C G/B 0 C G/B C G/B C G/B 2 1 3
2 2 2 2 2 2
3
3 count: ì 33331
count: count: ììì 111 count: count: ìì 11 count: count: ì 1 eighth rest eighth eighth eighth eighth rest eighth rest eighth rest rest rest rest
count: ì 1
1 1 1 1 1
0 0 0 0 0 0
2 2 2 2 3 2 2
2
and
and and and and and and eighth 16th note notes eighth 16th eighth 16th eighth notes 16th eighth 16th note eighth notes 16th note notes eighth 16th note note notes 2 2 note notes notes2 note
22 22 22
and and and and and and 16th rest 16th 16th 16th 16th rest 16th rest 16th rest rest rest 2 rest
2
2
2 2 2 2 2 2
2 2 2 2 2 2
and
33 33 33
and and and and and and
2
2
2
2 2 2 2 2 2
2 2 2 2 2 2
2 2 2 2 2 2
11 11 11
dotted quarter note dotted dotted dotted note dotted quarter dotted note quarter note dotted quarter quarter 2 quarter note note quarter note 2
2
ee and uh 3
ee and uh 4
and
22 22 22
ee ee ee ee ee ee
ee ee ee ee ee ee
and and and and and and
11 11 11
and uh and uh and and uh uh and and uh uh *tied rhythms *tied *tied *tied *tied 3 rhythms 3 *tied rhythms *tied rhythms rhythms 3 rhythms 3 0 rhythms 3 0 3
3 0 3 3 3 2 3 0 0 3 3 0 0 0 0 2 2 0 2 0 3 2 3 2 3 2 3 and 3 3
2
33 33 33
3 0 3 3 3 2 3 0 0 3 3 0 0 0 0 2 2 0 2 0 3 2 3 32233 3
and
and and and and and and
uh uh uh uh uh uh
44 44 44
(7) (7) (7) (7) (7) (7)
and
2
count: ìì 11 and 22 count: and count: 11 and 22 count: ììì *natural and count: and 22 harmonics count: ì 11 and *natural harmonics harmonics *natural N.H. harmonics *natural *natural *natural harmonics harmonics *natural harmonics N.H. N.H. N.H. N.H. N.H. N.H.
12 12 12 12 12
7
5 5 5 5 5 5
and
3
and and and and and and
33 33 33
12
12
12 12 12 12 12 12
12 12 12 12 12 12
7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7
staccato (short) notes staccato staccato (short) (short) notes notes staccato staccato (short) (short) notes notes staccato (short) notes 7
7
7
7
7 7 7 7 7 7
7 7 7 7 7 7
7 7 7 7 7 7
7 7 7 7 7 7
and and and and and and
4
2 2 0 2 2 2 2 2 2 0 0 2 0 2 0 0 0 uh
2 2 2 2 0 2 2 2 2 2 2 0 0 2 0 2 0 1 00
2
3
4î
44 44 44
and and and and and and
uh uh uh uh uh uh
11 11 11
22 22 22
33 33 33
4î4î 4î4î 4î4î
tie tie tie tie tie tie
2 0 2 2 2 0 2 0 402200 0
ì1
3 3 3 3 3 and 3 3
1
2
1 1 1 1 1 11
2 2 2 2 2 2 ee
11 111 1
ee ee ee ee ee ee
and and and and and and grace-note slide grace-note grace-note grace-note grace-note slide grace-note slide grace-note slide slide slide slide
14 15 14 15 14 14 15 15 14 14 15 15 14 15
0
1
0
and
1 1 1 1 1 12
0 0 0 0 0 0 ee
and and and and and and
22 222 2
ee ee ee ee ee ee
0 0 0 0 0 0
full
12 12 12 12 12 12
and
full 15full full
15 15 15 15 15 15
15 15 15 15 15 15
15 15 15 15 15 15
4
*pre-bend and release (ì reverse bendî ) *pre-bend and and release release (ì(ì reverse reverse bendî bendî )) *pre-bend full full full full 8 (8) 8 full full 8 8 8 8 8 8
3
and
1
2
33 and 44 and and and 33 and 44 and and (picking and 33 muting and and palm hand) and 44 and E5 palm muting muting (picking (picking hand) hand) palm palm muting (picking (picking hand) hand) palm muting P.M. palm muting (picking (picking hand) hand) E5 palm muting E5 E5 E5 P.M. E5 P.M. E5
11 11 11
22 33 4î4î 22 33 4î4î 22 fret-hand 33 4î4î muting G5 fret-hand muting muting fret-hand fret-hand muting muting fret-hand fret-hand muting G5 fret-hand muting * G5 G5 G5 G5 G5 ** *** X 5 X *
P.M. P.M. P.M. P.M.
2 0 2 2 2 0 2 0 2 0 2 0 0 0
2 0 2 2 2 0 2 0 2 0 2 0 0 0
2 0 2 2 2 0 2 0 2 0 2 0 0 0
2 0 2 2 2 0 2 0 2 0 2 0 0 0
2 0 2 2 2 0 2 0 2 0 2 0 0 0
3
4î
(8) (8) (8) (8) (8) (8)
8 8 8 8 8 8
*Bend string before picking. *Bend string *Bend string before before picking. picking. *Bend *Bend string string before before picking. picking. *Bend *Bend string string before before picking. picking.
* ** *
**X X X X 5 * X X X X 5 X X X X X X 3 X 5 X X X X 5 X X X X X X X X X 5 X X X X X X X X X 5 5 X X X X 3 X X X 5 X X X 3 X X X 5 X X X 3 * Loosen grip on strings so that X X X 5 X X X X X X 3 3 X X X X theyX no X X touch 3 the fretboard. X X longer
5 3 5 5 5 5 5 3 5 3 5 3 5 3 3 3
tremolo picking
4î
*pre-bend *pre-bend and and release release (ì(ì(ì reverse reverse bendî bendî ))) full *pre-bend and release reverse bendî
22 22 22
2 0 2 2 2 0 2 0 2 0 2 0 0 0
3 3 3
3333
and 33 4î4î and and and 333 4î4î4î and and 3 4î *pre-bend and release (ì reverse bendî )
full full full
full 15 15full full
3
3 3 3 3 and 3 3
full
full full full
12
3
2
5 5 5 5 5 5
(9) (9) (9) (9) (9) (9)
33 33 33
* * Loosen Loosen grip grip on on strings strings so so that that * Loosen grip on strings so that * on strings so that they longer * Loosen Loosen grip on touch stringsthe sofretboard. that they no no grip longer touch the fretboard. * Loosen grip on strings so that they no longer touch the fretboard. they no no longer longer touch touch the the fretboard. they fretboard. they no longer touch the fretboard.
*
0
2
3
5
7
0 0 0 0 0 0
2 2 2 2 2 2
3 3 3 3 3 3
5 5 5 5 5 5
7 7 7 7 7 7
X X X X X X X X X X X X
X X X X X X X X X X X X
sweep picking (ì rakingî )
sweep (ì rakingî )) sweep picking picking picking7(ì(ì(ì rakingî rakingî 7)) sweep rakingî ** sweep sweep picking picking rakingî )) picking (ì(ì rakingî 8 *** sweep 9 * 7 7
tremolo picking tremolo tremolo picking picking tremolo tremolo picking picking tremolo picking
half rest half half half half rest half rest half rest rest rest rest
2 2 0 2 2 2 2 2 2 0 0 2 0 2 0 0 0 and
tie
P.H. P.H. P.H. 5 P.H. P.H.
7 7 7 7 7 7
3
4î4î 4î4î 4î4î
pull-off pull-off pull-off pull-off pull-off pull-off
4î4î ìì 11 4î4î ìì 11 4î4î*pinch harmonic ìì 11 (note fretted) *pinch harmonic harmonic *pinch *pinch harmonic *pinch harmonic P.H. (note fretted) *pinch harmonic (note *pinch harmonic (note fretted) fretted) (note fretted) (note fretted) (note fretted) P.H.
7 (9)
and and and and and and
4î
33 33 33
pull-off
trill (quick succession of hammer-ons and pull-offs) trill (quick succession of trill of trill (quick (quick succession succession of trill (quick succession of hammer-ons and pull-offs) pull-offs) trill of hammer-ons and trill (quick (quick succession succession of hammer-ons and pull-offs) pull-offs) hammer-ons and hammer-ons and and pull-offs) pull-offs) hammer-ons
staccato (short) notes
22 22 22
3
legato slide legato slide legato legato slide slide legato legato slide slide
*Harmonic sounded by picking hand. *Harmonic sounded *Harmonic sounded *Harmonic *Harmonic sounded by picking picking sounded hand. *Harmonic by hand. *Harmonic sounded by picking picking sounded hand. by hand. by by picking picking hand. hand.
12 12 12 *Lightly touch string directly 12 12 12 12 over fret, then pick. *Lightly *Lightly touch touch string string directly directly *Lightly touch string directly *Lightly touch over then pick. *Lightly touch string directly over fret, fret, thenstring pick. directly *Lightly touch over fret, then pick. over fret, fret, then thenstring pick. directly over pick. over fret, then pick.
2
and and and and and and
2 2 0 2 2 2 2 2 2 0 0 2 0 2 0 0 0 and
quarter quarter rest rest quarter quarter rest rest quarter quarter rest rest
22 22 22
legato slide
15 15 15 15 15 15
4î
and
2 2 0 2 2 2 2 2 2 0 0 2 0 2 0 0 0 and
quarter rest
2
hammer-on hammer-on hammer-on hammer-on hammer-on hammer-on
* Don’t rearticulate notes in parentheses.
(7) (7) (7) (7) (7) (7)
.. .. ...
.. .. .. ..
hammer-on
count: ì 1 and 22 and 33 and 44 count: and and count: ììì 111 and and 22 and* Don’t rearticulate and count: and 333 and 444 notes in parentheses. count: ìì 11 and and 22 and** Don’t and rearticulate notes in parentheses. count: and and 3 and 4 Don’t rearticulate rearticulate notes notes in in parentheses. parentheses. * Don’t * Don’t rearticulate notes in parentheses. * Don’t rearticulate notes in parentheses. bend and release in time grace-note (whole-step bend) vibrato bend bend and release in time grace-note bend and in grace-note bend full and release release in time time grace-note full bend and release in time grace-note (whole-step bend) vibrato bend bend and release release in time time grace-note (whole-step bend) vibrato bend bend and grace-note (whole-step bend)in vibrato bend (whole-step bend) vibrato bend (whole-step bend) vibrato bend full full (whole-step bend) vibrato bend full full full full full full 15 full full full full 7 (7) (7) 5
12
and and and and and and
and
0 3 3 3 2 3 0 0 3 0 3 0 0 0 2 2 0 2 0 3 2 3 2 3 2 3 3 3
12
and
44 44 44
0 2 2 2 2 2 2 0 0 2 0 2 0 0 0 1
.. ... .. .. . count: ì 1 . and
count: ì 1
4
2 2 0 2 2 2 2 2 0 2 0 2 100002
2 2 2 2 2 2
count: ìì 11 and count: and count: and count: ììì 111 and count: count: ì 1dotted and and quarter note dotted dotted G dotted dotted quarter note dotted quarter dotted quarter note note quarter note 3 G quarter note G quarter note 3 G G G 0 3 G 3 3
7 7 7 7 7 7
3 3 3 3 3 3
2 2 2 2 2 2
2 2 2 2 2 2
dotted half note (held for three beats) A dotted dotted half half note note (held (held for for three three beats) beats) dotted half dotted half note note (held (held for for three three beats) beats) A dotted half note (held for three 2 A dotted half note (held for three beats) beats) A2 A A2 A
3
2 2 2 2 2 2
0 0 1 0 0 0 0 0 0 1 1 0 1 0 1 1 1
2 2 2 2 2 2
2 2 2 2 2 2
0 0 0 0 0 0
0 0 0 0 0 0
0 0 0 0 0 0
2
0
0
0
2
and
quarter notes (held for one beat each) E quarter notes (held for one beat each) quarter quarter notes (held (held for for one one beat beat each) each) let ringnotes quarter notes (held for one beat each) quarter E quarter notes notes (held (held for for one one beat beat each) each) E E E let ring E let ring ring E let let ring let ring ring let 2
10
9 9 10 9 9 10 10 9 9 10 10 10 3
8 8 8 8 8 8
7 7 7 7 7
7 7 7 7 7
8 8 8 8 8 8 8 3
9 9 9 9 9 9 9
10 10 10 10 10 10 10
*
= downstroke,
= upstroke
* * * * * *
33downstroke, = = = 3downstroke, downstroke, = = downstroke, downstroke, = downstroke,
33 = upstroke = 3 GUITAR DVD 3 = upstroke upstroke = = upstroke upstroke = upstroke
33 3
33 3
Seven-string guitar: tune down one half step (low to high, B E A D G B E ). Seven-string guitar: tune down one half step (low to high, B E A D G B E ). Chapter One
Chapter Seven-string guitar: tune down one half step (low to high, B E A D G B Warm-up One Exercises Fig. 1a chromatic exercise, ascending Fig. 1b (ascending) Warm-up Exercises Chapter One Fig. 1a* chromatic exercise, ascending Fig. 1b Warm-up Exercises T Seven-string guitar: tune down one half step (low to high,TB E * A 1a chromatic exercise, ascending A 1b7 Fig. Fig. T T 7 8 7 9 8 10 9 B B Chapter 8 10 9 10 A * 8 7 9One A 7 7 8 7 9 8 10 9 B B T T 1 17 39 8 39 1 10 fret-hand: 2 10 4 4 2 1 3 2 4 3 2 8 Warm-up Exercises A * = downstroke; = upstroke A 7 1 3 fret-hand: 3 2 4 1 2 4 39 7 4 ascending 8 17 39 28 10 B 1a82 chromatic B 1b1 Fig. Fig. 7 9 8 10exercise, 9 10 * * fret-hand: 2
T A B
= downstroke; = upstroke 1 3 3 2 4 1 4
*
= downstroke;
8
7
9
8
2
1
3
2
4
3
8
7
9
8
10
9
= upstroke
10
7
9
10
7 8 7 9 8 fret-hand: 4 10 2 1 3 2 2 8 1 7 3 9 2 8 410 3 9 1 7 10 * = downstroke; = upstroke7 8 7 9 8 7 8 7 9 8 10 9 10 10
8
7
9
28
17
39
28
4 10
39
4 9 2 10 1 8 3 9 2 7 4 83 10 1 7 4
29
110 38 2 9 4 7 3 8
1
3
2
4
3
1
4
2
1
3
2
4
3
1
1
4
2
1
3
2
4
3
1
8
7
9
8
10
9
4
2
1
3
2
4
3
17
10
8
7
9
8
10
9
10
3
7 8 7 9 Fig. (descending) 10 1c 9 10
8
10
9
8
4
2
4
2
3
4
2
10 9 1 3 10 9
4
1
10
3
8
2
1
1
9
3
3
2
7
1
9
4
3
8
2
10
2
4
3
4
8
3
2
4
3
9
3
2
9
17
1
3
4
2
2
1
10
8
3 9
2
8
4 10
9
4 10
9 3
2
17
10
10 4
3
39
9
10
9
8
2 10
9
7
8
3
2
4
9
7
8
1 8
sim.
9 3
10 4
8 2
9 3
7 1
8 2
3
4
2
3
1
2
2 8
3 9
1 7
2 8
sim. 3 4 9 10
3
4
2
3
1
9
10
8
9
7
8
2
9 3
10 4
8 2
9 3
7 1
8 2
3 9
4 10
2 8
39
1 7
3
4
2
3
9
10
8
3
4
2
7
310
1 7
10
9
10
8
9
7
8
10
4 10
7 1
3 9
4 10
2 8
39
17
2 8
4 10
4
1
3
4
2
3
1
2
4
4
1 7
3
4
2
3
1
2
4
9
10
8
9
7
8
10
4
10
1
7
3
4
2
3
1
9
10
8
9
7
4 10
7 1
39
4 10
28
39
17
2 8
4 10
17
3 9
4 10
2 8
3 9
1 7
1
2
4
1
3
4
2
3
1
9
7
8
9
10
8
9
7
3
1
2
3
4
2
3
1
10 4
7 1
2
10
4
7
10
10
8
9
7
8
1 7
3 9
4 10
2 8
3 9
1 7
2 8
1
3
4
2
3
1
2
10 4
1
3
4
2
3
1
2
4
sim. 4 1
10 4
7
3
7
4 10
28
4
2
9
10
8
7
9
8
10
9
8
10 4 10
7 3 7
8 2
10 4
7 1
2
4
1
4 10
1 7
4
1 7
17
28
3
9
1 7
2 8
10
10 4
8 2
9 3
7 1
8 2
10 4
7 1
1
9 3
10 4
8 2
9 3
7 1
8 2
4 10
7 1
1
3
4
2
3
1
2
4
1
9
7
8
1
2
9
10
8
Fig. 1d start w/upstroke (ascending) T 4 2 3 1 2 4 1 3 4 2 3 A3 1d Fig. start w/upstroke (ascending) T 7 8 7 9 8 B 10 A 8 7 9 8 10 9 B T 8 7 9 8 10 9 7 10 8 7 9 8 A 7 (ascending) 8 7 9 8 B 1d8 start Fig. 7 9 w/upstroke 8 10 9 10
8
2
3 9
Fig. 9 1d 10 start 8 9 w/upstroke 7 8 7 (ascending)
T A B
8
9 3
1 7
10
1
10 4
1
39
T A B
9
7
10 4
1 7
Fig. 1c9 (descending) 10 8 9 7 T4 3 1 4 2 1 3 A 1c9 (descending) 10 8 9 7 Fig. T B A 9 10 8 9 7 B T 3 4 2 3 1 A 4 2 3 1 B 1c3 (descending) Fig.
sim.
1 sim. 4
9
8
8
2
10
2 8
9
8
8
3 9
7
4
9 9
8
9
4 10
7
9
7
1 7
9 3
7 sim.
8
7
10 4
10
10
8
8 2
4
sim. 7
2 8
9 3
4 2 1 3 2 10 (ascending)
1
9
7 1
7
2 8
10
10
7
10
8 2
10 4
1
39
7
7
10
8
1 7
7
9
8
A D G B E ).
2
28
10
10
10
7
sim.
(ascending) 8 7 9 8
4
4
17
7
10 9 4 3
(ascending)
1
T A B
E ).
7
10
8
7
9
8
10
9
10
9
10
9
10
9
10 4 7
7 7
7
7
1
10 10 10
10
1 1 1
4 GUITAR DVD
Fig. 1e true chromatic (ascending)
7
8 7 9 8 10 9
7
8 7 9 8 10 9
10 10
Fig. T 1e A Fig. B T 1e Fig. 1e8 A Fig. 1e 2 B 8 T T A A T B 28 B A 8 B 28
8 7 9 8 10 8 7 9 8 10
7 7 9 8 10 10 7 10 8 8 7 9 8 8 8 7 7 9 9 8 8 10 10 9 9 10 7 8 7 9 8 10 8 7 9 8 10 9 10
4
3
5
4
6
5
4
3
5
4
6
5
2 4 4
1 3 3
3 5 5
2 4 4
4 6 6
3 5 5
4 2
13
35
4 2
6 4
35
2 1
2 2
1 1
3 3
2 2
4 4
3 3
2 1 3 2 4 3 1 4 2 1 3 2 4 3 5 6 4 5 3 4 3 5 7 6 7 5 6 4 5 sim. 8
4
3
5
4
6
5
4
3
5
4
6
5
2
1
3
2
4
3
4 4 2 4
3 3 13
5 5 35
4 4 2 4
6 6 4 6
5 5 35
2 2 1 1 sim.
3 3
2 2
4 4
3 3
5 6 4 5 3 4
3
6
3
6
1 3 3
3 1
6 6 4 6
1 1
4 4
3
7
sim. sim. 3 4 2 3 1 2 4 1 sim. 5 6 6 4 4 5 3 4 4 3 5 5 3 3 7 7 35 46 24 3 5 13 24 4 13 7 2 3 2 3 3 1 1 2 2 4 4 3 4 4 Studies Scale
4
6 6 3 6
7 7 4 7
5 5 2 5
6 6 3 6
4 4 1 4
9
10 12
10
3 4 2 1 34 2 1 410 29 110
12 10
9
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sim. sim. 8 10 12
8
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Fig. C major, ascending T 2a Studies Scale Scale Studies A 8 Scale 10 major, 12 12ascending 10 8 10 12 Fig. 2a8 Studies C major, ascending B T 2a Fig. C A Fig. 2a C major, ascending 8 3 3 3 B T 81 102 124 1 124 102 81 102 124 T A A T 8 310 12 88 312 10 8 310 12 B B 18 102 124 18 124 102 18 102 124 A 12 10 8 10 12 B 8 310 12 3 3
6 7 (ascending) 6 8 7 9 8 9 true chromatic true (ascending) 7 9 8chromatic 10 9 10 true chromatic (ascending) 5
6 4
8 3 4 2 3 1 2 4 1
Scale Studies
3 2 4 1 32 4 1 10 9 110 212 4 112
12 2
5
6 7 5 6 4 5
2 3 1 2 4 1 3 4 2 3 Fig.32a4 C major, ascending
1 1
2
6
3
4 5 4 6 5 7 6 sim. 6 5 7 6 8 7 8
5
1 3 2 4 3 1 4 6 6 10 7 9 8 10 9 7 9 8 10 9 10 6 7 9 8 10 9 1 10 2 1 1 33 2 2 4 4 3 3 1 4 4
2
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true chromatic (ascending)
33 2 32 2
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9 9
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3 2 4 10 10 12 12 3 10 12 2 4 33 2 32 2
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GUITAR DVD 5
Fig. 2b C major, ascending 13 12 10
Fig. T 2b A 13 B T Fig. A 2b B 4 13 T 2b Fig. A 4 B 13 Fig. T 2b A 13 B T 12 104 A B12 104
12 10
13 12 10
3 3 1 12 10
4
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13 12 10
13 12 10 3 4 3 1
13 C major, ascending
12 10 3 4 2 2 3 12 10 3 4 2 2 33
2
10 12 13 12 10
13
13 12 10 sim.
13 C major, ascending
4 3 12 10 4 2
4
13 12 10
C major, ascending
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4
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10 12 13 12 10
13 C major, ascending
3 3 1 12 10
12 310 4 2 2
8 1 4
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4 1 ascending 2 4 2 1 Fig. 42c 2 G1major,
1
9
12
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9
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9
3 3 Fig. ascending T 2c3 G major, 1 4 2 1 4 1 2 4 2 1 4 A 12 sim. 9 10 9 2 9 10 12 10 9 2 2 3 5 12 5 3 2 3 5 12 B 3 3 3 T 1Fig. 42c 2 G1major, 4 1 ascending 2 4 2 1 4 A 3 3 2 3 2 2 3 5 5 3 2 3 5 B sim. 3 3 3 1Fig. 4 1 ascending 2 4 2 1 4 T 42c 2 G1major, 3 3 A sim.3 2 2 sim. 2 3 5 5 3 2 3 5 B Fig. T 2c G major, ascending A sim.3 3 2 3 2 3 5 5 3 2 3 5 5B 4 2 T sim. A 3 3 2 3 2 5 3 2 3 5 5B 4 2 sim. 3 5
5
4
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3
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Fig. 3a A whole-tone scale, ascending sim.
2
2
4
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2
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35 3 2 33 5 3 3 3 3 T 23a33 A5whole-tone Fig. scale, ascending 7 A sim. 6 6 8 10 6 8 10 2 10 8 6 8 2 4 5 5 4 2 4 5 7 92 9 7 5 7 92 4 5 B 35 3 2 33 5 3 3 3 3 T 2 33 5 7 A Fig. 3a A scale, ascending 3 whole-tone 3 310 8 6 38 6 3 6 38 10 6 38 10 7 9 9 7 5 7 9 B 51sim. 13 2 4 1 3 4 2 1 32 3 2 4 13 4 2 1 3 2 4 1 3 2 4 T Fig. scale, ascending 3 whole-tone 3 3 3 3 3 3 7 A 3a1 A 6 4 2 1 2 4 16 28 10 8 10 8 16 28 4 16 2 4 1 10 4 2 sim. 2 4 1 9 7 5 7 9 B 5 7 9 T 3a A whole-tone scale, ascending Fig. 7 A sim.3 3 310 8 6 38 6 3 6 38 10 6 38 10 11 5 7 9 9 7 5 7 9 10 10 12 14 10 12 14 B 1 2 4 1 4 2 1 2 4 1 2 4 1 2 4 1 144 122 101 122 12 10 8 10 12 T 8 10 12 7 A 3 3 310 8 6 38 6 3 6 38 10 6 38 10 11 B 8 5110 7212 4910 112 4910 27 8 51 10 27 12 94 10 1 12 2 14 4 10 1 122 144 1 144 122 101 122 3 3 3 3 3 3 3 3 1 2 4 2 4 2 1 2 4 1 2 4 1 2 4 1 4 2 1 2 4 1 2 4 10 10 12 14 8 310 12 312 10 8 310 12 3 1 2 4 2 4 2 1 2 4 1 2 4 8
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6 GUITAR DVD
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Fig. 3b A whole-tone scale Fig. 3b A whole-tone scale Fig. T 3b A whole-tone scale 7 A 6 8 10 Fig. scale 9 T 53b 7A whole-tone B T 1 2 4 1 2 4 17 A 6 8 10 7 A 9 6 8 10 B 553b 77A whole-tone T Fig. B 1 2 49 1 2 4scale A 1 2 4 16 28 104 171 B 5 7 9 T 1 2 4 1 2 4 1 7 A 6 8 10 B 145 127 10 9 10 12 14 12 10 1
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1 Economy Picking
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GUITAR DVD 7
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8 GUITAR DVD
5
Sweep Picking Fig. 5a Picking Sweep Em Fig. 5a *
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GUITAR DVD 9
Sweep Picking w/Fretboard Tapping Sweep Fig. 7a Picking w/Fretboard Tapping Sweep Fig. 7a Picking w/Fretboard Tapping
B
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11 14
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7 7 7 10 GUITAR DVD
7
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12 13 3 15 12 13 13 12 15 15 12 C7 13 13 12 15
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GUITAR DVD 11
2 2 2
Fig. Fig. 9b 9b Fig. 9b
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99 9 12 GUITAR DVD
9 9
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Chapter Two Heavy Riffs “Shouting Fire at a Funeral” Fig. 11 intro 1
= 126 N.C.(Em)
(C/B)
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10 GUITAR DVD 13
5 5 X X 3 5 3 X 5 3 X 3 5 X 3
2 2 2 2 2
1 1 1 1
4 4 X X 2 4 2 X 4 2 X 2 4 X 2
7 7 X 5 X 7 5 X 5 7 X 5
“Jato “Jato Unit” Unit” “Jato Unit” Fig. 13 intro Fig. 13Unit” intro “Jato Fig. 13 intro = 152 “Jato Fig. 13 intro = Unit” 152 = 152 N.C.(Em) N.C.(Em) Fig. 13 intro = 152 N.C.(Em) T T N.C.(Em) A = 152 T 8 8 A 8 7 0 8 B T A N.C.(Em) 7 0 B 8 8 A 7 0 B 8 8 T 7 0 B A 8 8 7 0 B
8 8 X X 6 8 6 X 8 6 X 6 8 X 6
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15X 7
7 7 7 7
(repeat prev. bar) (repeat prev. bar) (repeat prev. bar) (repeat prev. bar)
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“Devil “Devil Theory” Theory” “Devil Theory” Fig. 14 Fig. 14 Theory” “Devil Fig. 14= 160 “Devil Fig. 14= Theory” 160 = 160 C5 P.M. Fig. 14= 160 C5 P.M. C5 T C5 T = 160 P.M. P.M. A T A C5 3 B T A P.M. 3 1 B 1 A 3 B T 1 3 B 1 A 3 B 1
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0
9
8 8 8 8
0 0 0 0
8
0
9 9 9 9 9
8 8 8 8
0 0 0 0
8
0
3 N.C. 3 3 3
6 6 6 6
5 5 5 5
2 2 2 2
(2) (2) (2) (2)
3
6
5
2
(2)
1.-3. 1.-3. 1.-3. 1.-3.
N.C.(B5) N.C.(B5) P.M. P.M. N.C.(B5) P.M. N.C.(B5) P.M.
1.-3.
N.C.(B5) 3 3 3 3
9 9 9 9
P.M. 0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0 0 0 0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
2 P.M.2 2 2 2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2
2 2
3
4 4 4 4 4
5 5 5 5
4 5 4 4 7 5 4 7 4 5 4 7 4 5 4 7
4 7 4 7 5 3 7 7 5 3 7 5 0 4 7 5 0 7 7 5 3 4 7 5 0 7 7 5 3 7 5 0 5 4 5 4 4 7 7 5 7 7 5 3 7 5 0 7 7 7 7
5 5 5 5
(C (C (C (C
( ( ( (
(C 3 3 3 3
( 5))
3
5)) 5)) P.M. P.M. 5)) P.M. 5)) P.M.
2 2 2 2
2 2 2 2
2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2
2
2
2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2
2
2 2 2 2 2 2
11 11 11 11 11 14 GUITAR DVD
2
2
2
2
2
2
2
2
2
2
5 3 5 3 5 3 5 3
2 2 P.M.
2
2
2
2
2
2
2
2
4 2
P.M. 2 2 P.M.
2
2
2
2
2
2
2
2
4 2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4 2 4 2A5 4 2
4 4
6 4 4 4
4 4
6 4 4 4 6 4 4 4 B5 6 4 4 4
4 4
4 4 4 4 4 4
4 4
4 4
4 4 4 4 4 4
4 P.M.4
4 4
4 4 4 4 4 4
4 4
2
2
2
2
2
2
2(play 2 32 times) 2
2
2
2
2
2
2
2(play 2 32 times) 2
2
2
2
2
2
2
2
2
2
2
2
2
2 N.C.(D 2 25) 2
2
2
2
2
2
2
2
2
2 P.M. 2
2
2
2
2
2
2
2
2
2
2
2 2 P.M.
N.C.(F5) P.M. N.C.(F5) 6 6 6 6 P.M.
5
5) 4 4 5) 5) 4
4
4
4
4
4
4
4 4 P.M.
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
N.C.(D 5) P.M.
7 5 A5
N.C.(D 4 4 P.M. N.C.(D
5)4 4 5) N.C.(D 5) P.M.
A5
7 5 A5
7 5 4 4 7 5 4 4 7 5 4 4
6 6 6 6 6
6 6
6 6 6 6 6
4 4
4 4
6 4 4 4
4 4
4 4
4 4 4 4 4 4
6 4 4 4
4 4
4 4
4 4 4 4 4 4
4 4
4 4
4 4 4 4 4 4
4 4
4 4
4 4 4 4 4 4
4 P.M.4
4 4
4 4 4 4 4 4
8 8
8 8 8 8 8 8
8 8
8 8 8 8 8 8
8 8
8 8 8 8 8 8
8 8
8 8 8 8 8 8
8 8
8 8 P.M. 8 8 8 8
4 4 P.M.
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
6 6 6 6 6
6 6
6 6 6 6 N.C.(A5)
6 6 6 6 6
6 6
6 6
6 6
6 6
6 6
6 P.M.6
7 5 7 5 7 5
P.M.
N.C.(D 4 4 P.M. N.C.(D N.C.(D P.M.
6 4 4 4 6 4 4 4 C 6 4 4 4
5 G5
C 5 G5
N.C.(F5) 6 6 6 6 P.M.
6 6
7
5 2 2 A5 P.M. A5 7 5 P.M. A5
P.M.
B5 B5 9 7 4 4 B5 9 7 4 4 9 7 9 4 4 D 7 4 4
4 4 4 4 4 4
4 4
P.M.
N.C.(F5)
9 7
4 4
4 4
4 4 4 4 4 4
4 4
N.C.(F5)
B5
4 4
P.M.
A5 N.C.(D 5)
(play 3 times)
A5 6 4 4 4
P.M.
(play 3 times)
P.M.
5 3
A5 N.C.(D 5)
(play 3 times)
P.M.
6 6 6 6 6
6 6
6 6
6 6
6 6 6 6 6 6
6 6
6 6 6 6 6 6
6 6
6 6 6 6 6 6
6 6 6 6 6 6 P.M.6 6 P.M.6 6
6 6 6 6 6 6 P.M.6 6 6 6 6 6
11 9
P.M.
10 G5 8 8 P.M.
C 5 5 G5 10 P.M. G5 6 6 C 5 8 8 6 6
C 11 9
11 9 6 6 11 9 6 6 11 9 6 6
P.M.
10 8 8 10 8 8 10 8 8
D 5 N.C.(A5) 5 N.C.(A5) 10 10 10 10 P.M. D 5 N.C.(A5) 13 11 D 5 N.C.(A5) P.M.
8 8 8 8
13 11 8 8 13 11 8 8 13 11 8 8
1 1
1 10 10 10
19 1
1 (1)
1
0 4 (4) 0 3
0 1
0 3 1 0 3 P.M.
P.M.1 (1) P.M. 0 0 1 P.M. P.M.
X 0
P.M. 0 3 1 0 3 P.M.
1
0 4 (4) 0 3
0 1
P.M. 0 3 1 0 3 P.M.
0 1
X 0
0 3 1 0 3
1
0 4 (4) 0 3
0 1
0 3 1 0 3
0 1
X 0
0 3 1 0 3
1
0 4 (4) 0 3
0 1
0 3 1 0 3
0 1
X 0
0 3 1 0 3
19
10 10
10 10
10 10 10
19
1
0
10 10
10 10
10 10 10
19
1
0
10 10
10 10
10 10 10
19
1
0
sim.
P.M.
P.M.
P.M.
sim.
1 (1) 1 (1) 1 (1)
1 (1) 0 0 1 P.M. P.M.
X 0
0 3 1 0 3 P.M.
1 sim.
0 4 (4) 0 3
0 6
0 4
P.M. 1 (1) P.M. 0 0 1 P.M. P.M.
X 0
P.M. 0 3 1 0 3 P.M.
sim. 1 sim.
0 4 (4) 0 3
0 6
0 4
0 1
X 0
0 3 1 0 3
1
0 4 (4) 0 3
0 6
0 4
0 1
X 0
0 3 1 0 3
1
0 4 (4) 0 3
0 6
0 4
0 1
X 0
0 3 1 0 3
1
0 4 (4) 0 3
0 6
0 4
1
0
1
0 0
1 (1) 1 (1) 1 (1)
P.M.
0 3 1 0 3 P.M.
10 10 10
P.M.
P.M.
X 0
10 10
P.M.
P.M.
0 1 P.M.
0 P.M.
10 10 P.M.
P.M.
1
12
P.M.
P.M.
13 11 D
“I, 1Voyager” 0 4 (4) 0 3 0 1 Fig. 15a intro, bars 1-8 “I, Voyager” = 138 Fig. 15a intro, bars 1-8 “I, Voyager” D5 P.M. = 138 “I, Fig.Voyager” 15a intro, bars 1-8 “I, Voyager” T 15aD5 intro, bars 1-8 Fig. P.M. A 15a = 138 Fig. intro, bars 1-8 5 5 B T =D5 3 138 3 P.M. A =D5138 5 5 B P.M. D5 T 3 3 P.M. A T 5 5 T B A 3 3 5 5 A B 3 3 5 5 B 3 3
0 3 1 0 3
C 5 C 5 4 C 2
5 C 5 34 C 5 2 34 2 4 2 34 2 3
0 0
0 0 0
3
12 12 12
GUITAR DVD 15
N.C.(C 5) N.C.(C 5) N.C.(CP.M. 5) P.M. P.M.
P.M. P.M. P.M.
P.M. P.M. P.M.
sim. sim. sim.
5 P.M. 2 0 2 0 5 5 2 0 0 2 2 0 2 0 5 2 0 2 0 5
P.M. 5 P.M. 2 0 2 0 5 5 2 0 0 2 2 0 2 0 5 2 0 2 0 5
P.M. P.M. 2 0 2 0 0 2
sim. 4 sim. 4 4
2 0 2 0
2 0 2 0
N.C.(C 5) N.C.(C 5) P.M. 5 5 5 5 5
4 4
2 0 2 0
1 11
2 2 2 N.C.
1 1
2 2 N.C.
4 2 0 2 0 4 4 2 0 2 0 2 0 2 0 4 2 0 2 0 4
4 2 0 2 0 4 4 2 0 2 0 2 0 2 0 4 2 0 2 0 4
2 0 2 0
2 0 2 0
2 2
2 3 0 3 0 2 2 3 3 0 0 3 3 0 0 2 3 0 3 0 2
5 4 3 2 0 3 5 5 4 4 3 2 0 3 3 2 0 3 5 4 3 2 0 3 5 4
3 0 3 0
3 2 0 3
N.C.
2 2 2
2 2 2
2 2
0 0 0 3 3 30
2 2
0 3 3
3 3 3
2 2 2
3 3
2 2
7 7 7 3 3 37
6 6 6 6 6
7 3 3
2 0 2 0
4 4 4 4 4
4 3 0 3 0 4 4 3 0 3 0 3 0 3 0 4 3 0 3 0 4
4 3 0 3 0 4 4 3 0 3 0 3 0 3 0 4 3 0 3 0 4
3 0 3 0
3 0 3 0
0 3 0 3 0 3 0 3 0 3
Fig. 15b verse riff, single-note version Fig. Fig. 15b 15b verse verse riff, riff, single-note single-note version version Fig. 15b N.C.(C verse5)riff, single-note version Fig. 15b N.C.(C verse5)riff, single-note version N.C.(C 5) T T A T N.C.(C 5) A B N.C.(C 5) A 2 0 1 2 2 0 1 2 2 2 2 0 T B B 2 0 1 2 2 0 1 2 2 2 2 0 T A 2 0 1 2 2 0 1 2 2 2 2 0 A B 2 0 1 2 2 0 1 2 2 2 2 0 B 2 0 1 2 2 0 1 2 2 2 2 0
N.C. N.C.
2 2 2
2 0 2 0 2 0
2 2 2 2 2 2
0 1 2 2 0 0 1 1 2 2 2 2
0 1 2 2 (2) 0 1 2 0 0 1 1 2 2 2 2 (2) (2) 0 0 1 1 2 2
2 2 2 2 2 2 2 2 2
0 1 2 2 (2) 0 1 2 2 2 2 0 0 1 1 2 2 2 2 (2) (2) 0 0 1 1 2 2 2 2 2 2 2 2
0 1 2 2 (2) 0 1 2 2 0 0 1 1 2 2 2 2 (2) (2) 0 0 1 1 2 2 2 2
0 1 2 3 3 0 0 1 1 2 2 3 3 3 3
2 2 2 2
0 1 2 2 0 1 2 2
0 1 2 2 (2) 0 1 2 0 1 2 2 (2) 0 1 2
2 2 2 2 2 2
0 1 2 2 (2) 0 1 2 2 2 2 0 1 2 2 (2) 0 1 2 2 2 2
0 1 2 2 (2) 0 1 2 2 0 1 2 2 (2) 0 1 2 2
0 1 2 3 3 0 1 2 3 3
Fig. 16 verse riff, chord version Fig. riff, * (C verse Fig. 16 16 verse riff, chord chord version version 5) * P.M. P.M. (C 5) 5) * (C Fig. 16 verse riff, chord version P.M. P.M. P.M. riff, chord P.M. Fig. version * (C verse T 16 5) * (C 5) P.M. T P.M. A T P.M.3 4 4 P.M.3 4 4 4 4 A 4 2 2 B A 2 0 1 2 2 0 1 2 2 2 2 T 4 2 3 4 4 2 3 4 4 4 4 B 4 2 3 4 4 2 B T 22 00 11 22 22 00 311 422 422 422 422 A *Chord name represents overall tonality. A 4 2 3 4 4 2 3 4 4 4 4 B *Chord name overall 2 0 1 represents 2 2 0 1 tonality. 2 2 2 2 name overall 4 2 3 represents 4 4 2 3 tonality. 4 4 4 4 B *Chord 2 0 1 2 2 0 1 2 2 2 2
P.M. P.M. P.M.
P.M. P.M. P.M.
P.M. P.M. P.M.
P.M. P.M. P.M.
P.M. P.M. P.M.
P.M. P.M. P.M.
4 2 4 4 2 2
4 2 4 4 2 2
P.M. P.M. 2 3 0 1 2 3 2 0 3 1 0 1
4 2 4 4 2 2
4 2 4 4 2 2
P.M. P.M.3 2 0 1 2 3 2 0 3 1 0 1
4 2 4 4 2 2
4 2 4 4 2 2
4 2 4 4 2 2
P.M. P.M. 2 3 0 1 2 3 2 0 3 1 0 1
4 2 4 4 2 2
4 2 4 4 2 2
4 2 4 4 2 2
4 2 4 4 2 2
P.M. P.M.3 2 0 1 2 3 2 0 3 1 0 1
4 2 4 4 2 2
4 2 4 4 2 2
4 2 4 4 2 2
P.M. P.M.3 2 0 1 2 3 2 0 3 1 0 1
4 2 4 4 2 2
4 2 4 4 2 2
P.M. P.M.4 4 2 2 4 4 4 2 4 2 2 2
2 0 2 0
4 2 4 2
4 2 4 2
2 0 2 0
4 2 4 2
4 2 4 2
2 0 2 0
4 2 4 2
4 2 4 2
4 2 4 2
2 0 2 0
4 2 4 2
4 2 4 2
4 2 4 2
4 2 4 2
2 0 2 0
4 2 4 2
4 2 4 2
4 2 4 2
2 0 2 0
4 2 4 2
4 2 4 2
4 2 4 2
3 1 3 1
3 1 3 1
3 1 3 1
3 1 3 1
3 1 3 1
1 1
P.M. P.M. P.M.
P.M. P.M.3 2 0 1 2 3 2 0 3 1 0 1
3 1 3 1
1 1 1
4 2 4 2
*Chord name represents overall tonality. *Chord name represents overall tonality.
2 0 2 2 0 0 2 0 2 0
3 1 3 3 1 1 3 1 3 1
4 2 4 4 2 2 4 2 4 2
4 2 4 4 2 2 4 2 4 2
4 2 4 4 2 2 4 2 4 2
16 GUITAR DVD
P.M. P.M. P.M.
P.M. P.M. P.M.
P.M. 2 P.M.3 0 1 2 3 2 3 0 0 1 1 2 3 0 1 2 3 0 1
P.M. 2 P.M.3 0 1 2 3 2 3 0 0 1 1 2 3 0 1 2 3 0 1
4 2 4 4 2 2 4 2 4 2
4 2 4 4 2 2 4 2 4 2
Pedaling off the Low B String Pedaling off off the Low Low B B String String Pedaling Fig. 17 “Inside the Four Walls” Fig. 17 “Inside “Inside FourLow Walls” Pedaling off the B String Fig. 17 Four Walls” = 100 off the Low B String Pedaling
D5 D5 D5
4 2 4 4 2 2 4 2 4 2
D5 D5
5 3 5 5 3 3 5 3 5 3
5 3 5 5 3 3 5 3 5 3
Fig. 17= “Inside Four Walls” 100 100 Fig. 17=N.C.(B5) “Inside Four Walls” N.C.(B5) N.C.(B5) = 100 T =N.C.(B5) 100 T A T N.C.(B5) A 7 B A 0 0 0 T 7 B 7 0 0 0 B T A 0 0 0 A 7 B 0 0 0 7 B 0 0 0
7 5 8 0 7 7 0 5 5 8 8 0 7 5 8 0 7 5 8 0
13 13 13 13 13
A.H.
7
5
7
7
0
0
0
7
0
5
0
7
8
5
0
7
0
3
0
0
5
2
0
3
0
0
5
2 0
0
Fig. 18 “Enemies of Reality” = 164 N.C.(B5)
T A B
0
1
0
1
0
3
3
0
3
1
0
3
1
3
0
0
1
3
0
1
0
3
3
0
1
3
0
3
1
3
3
0
1
3
0
1
0
3
3
0
3
1
0
3
3
1
0
3
(*play 4 times) N.C.(C 5)
0
1
0
1
3
0
3
0
3
1
0
3
8
7
5
2
3
2
3
3 3 *palm-muted third and fourth times
2
5
2
3
3
2
5
3
3
2
2
3
3
2
3
3
2
5
2
3
5
2
3
(C5)
1
3
4
2
3
B5
3
1
3
3
1
5
3
1
3
1
5
3
3
3
1
1
3
1
3
3
1
5
1
3
3
1
3
2
3
0
2 0
3
Chapter Three: Soloing Scales: 1) B Phrygian-dominant (fifth mode of E harmonic minor: B C D E F G A) Fig. 19 “Shouting Fire at a Funeral” = 126 solo (1:40-1:58) N.C.(Bm) 1
T A B
10
½
1
(10)
10
(10)
X
X
7
8
7
7
(7)
3
14 GUITAR DVD 17
7
8
7
8
11
8
7
7
8
7
8
11
8
7
7
8
7
8
11
8
7
7 7
8 8
7 7
8 8
11 11
8 8
7 7
10
10 10 10 10
7
7 7 7 7
8 7
7
10 8 7
8
10 8 7
8 7 7 10 10 8 7 8 37 7 3 10 10 8 7
8 8
10 8 7 3 10 8 7
8 7 7 8 7 10 7 10 8 7 3 10 310 8 7
8 8
10 8 7 10 38 7
10
3
4
12
12
11
13
12
14
3
3 314
1½
9
9 9 9 9
7 8 7
7 8 7 7 8 7 7 8 7 7 8 7
9
9 9 9 9
7
7 7 7 7
9
8
9
9
9
9
(9)
9
8
9
9
39
9
(9)
9
8
9
9
9
9
(9)
9 9
8 8
9 9
9 9
9 39 3
9 9
(9) (9)
3
3 3
(14)
3 3(14)
14
12
11
12
14 12 14 12 11
(14)
(14)
14
12
11
12
14 12 14 12 11
(14)
(14)
14
12
11
12
(14) (14)
(14) (14)
14 14
12 12
11 11
12 12
13
11
3 3 13 12 10 12 13 12 10 12
1½
4
12
12
13
4
12
12
13
4 4
12 12
12 12
13 13
1½
11
12
14
14
11
12
14
11 11
12 12
14 14
14 1½ 1½ 14 14
11 13 13 12 10 12 13 12 10 12 14 12 14 12 11 11 3 3 13 3 10 12 13 512 10 12 13 12 14 12 14 12 11 11 14 12 14 12 11 13 11 13 12 10 12 13 12 10 12 13 13 12 10 12 13 12 10 12 3 3 5 3
3
3
3 3
5
3 3 3
17
5 5 13
15
17
15
13
13
10
12
13
12
10
15
12
13
15
13
3 3 12
13
10
12
13
12
10
15
12
13
15
13
12
17
13
15
17
15
13
13
10
12 6
13
12
10
15
12
13 6
15
13
12
17
13
15 6
17
15
13
13 13
10 10
12 12
13 13
12 12
10 10
15 15
12 12
13 13
15 15
13 13
12 12
17 17
13 13
15 15
17 17
15 15
13 13
6
6
6
6
6
6
6 1 6 19 15 17 19 17 15 20 17 19 20 19 17 22 19 20 22 20 19 22 (22)
1½ 6 6
22
1 1 19 15 17 19 17 15 20 17 19 20 19 17 22 19 20 22 20 19 22 19 15 176 19 17 15 20 17 196 20 19 17 22 19 206 22 20 19 22 1 1 19 15 17 19 17 15 20 17 19 20 19 17 22 19 20 22 20 19 22 19 15 17 19 17 15 20 17 19 20 19 17 22 19 20 22 20 19 22 6 6 6
6
6
6
6 6
6 6
6 6
(22)
22
(22)
22
(22) (22)
22 22
22 1½
1½
1½
1½ 22
1½ 1½
22 1½ 1½ 22 22
Fig. 20 B Phrygian-dominant scale 7
T Fig. A 20 Fig. B 720 T 720 Fig. Fig. T 20 A 7 A B T 7 B T A A B B
8
11
8
7
10
8
7
9 B Phrygian-dominant scale B Phrygian-dominant scale 8 11 8 7 10 8 7 scale 8B Phrygian-dominant 11 8 7 9 10 8 7 scale B Phrygian-dominant 9 8 8
11 11
8 8
7 7
10 10
8 8
7 7
9 9
6 6
1½
(22)
(22)
(22)
(22)
(22)
(22)
(22) (22)
(22) (22)
B5 8
5
8
5
8
5
8 8
5 5
9
7
5
9
7
5
9
7
5
9 9
7 7
5 5
9
7
6
9
7
6
9
7
6
9 9
7 7
6 6
8
7
8
7
8
7
8 8
7 7
4 2 B5
B5 B5 4 2 B5 4 2 4 2 4 2
15
18 GUITAR DVD
15 15 15
2) B Phrygian (C Lydian)/B Phrygian-dominant Fig. 21 “Jato Unit” Solo
(0:52-1:04)
= 152 C 5 A.H. 1
T A B
1
12
(12)
9 9
12
10 9
13
10 9
13 10 13
9
13 10 9 10 13 10 9
11
10 9
11 10 11
9
11 10 7 10 11 10 7
11
10
P.M.
7
11 9 11
7
11 9
7 9
11
16
14
11 12 11
14 12 14
11
14 12 11 12 14
11 12 14
11
14 12 11 12 14
11 13 14 13 14 16
14
16 14 13 14
1
16
14
16
17
14
16
17 19 17 16 14 16 17 16 14
5
17
14
17 14 17
5
14 14
16
14
18
19
18
(18)
5
3) “Warped” B blues scale Fig. 22 “Jato Unit” Solo
(1:30-1:42)
N.C.(Bm) 1
T A B
22
22 19
1
(22)
22 21 22
21
22
1
22
22
2½
1
22
22 22
22 21 22 21 22 21 23 21 19
(19)
22 (22)
(22)
16 21 19
18
22
22
19
19 18 22 20
22 19
18
22
22
19 18 22
22 19
19 18
22
22
22 19
19 18
22
22 22 19
22 19 21
18
22
24 19
22
22 19 18 19 22 19 18
16 GUITAR DVD 19
22 22
19 18 18 19
21 21 19 18 22 21 19 18 22 19 18 21 22 21
19 21 21 19
18 18
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Fig. Fig. 27 27 “Devil “Devil Theory” Theory” (4:00-4:26) (4:00-4:26) Dm Dm
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Fig. Fig. 29 29 “Jato “Jato Unit” Unit” Fig. 29 “Jato Unit” 14 Fig. 29 “Jato Unit” 14 T T Fig. 29 “Jato Unit” A 14 A B T B 14 A T 14 B A T B A B
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14 17 14 15 14 17 14 15 15 15 14 14 14 17 14 15 15 14 14 17 14 15 15 14 315 14 17 314 15 3 3 14
15 315 14 3
3
15
3
7 9 5 9 3 7 3 9 5 9 7 7 3 9 5 39
3
3
12 12 9 12 3 12 3 12 9 12 12 12 3 12 9 312
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
37 3
26 GUITAR DVD
12
10 10 10 11 10 11 10 10 11 10 10 11 310 10 11 3
312 3
18 20 18 20 20
18
6 6 6 6 6
22
23 23 23 23 23
