LIVRO DE
ABRAÃO TRADUZIDO DO PAPIRO POR JOSEPH SMITH Tradução de alguns registros antigos das catacumbas do Egito, que chegaram a nossas mãos. Os escritos de Abraão enquanto se encontrava no Egito, chamados Livro de Abraão, escritos do próprio punho em papiro. ( History History of the Church 2:235–236, 348–351.)
FAC-SÍMILE DO LIVRO DE ABRAÃO Nº 1
EXPLICAÇÃO Fig. 1. O anjo do Senhor. Fig. 2. Abraão amarrado sobre um altar. altar. Fig. 3. O sacerdote idólatra de Elquena tentando tentando oferecer Abraão em sacrifício. Fig. 4. O altar de sacrifício dos sacerdotes idólatras diante diante dos deuses de Elquena, Libna, Mamacra, Corás e Faraó. Fig. 5. O deus idólatra idólatra de Elquena. Fig. 6. O deus idólatra idólatra de Libna. Fig. 7. O deus idólatra idólatra de Mamacra. Fig. 8. O deus idólatra idólatra de Corás. Fig. 9. O deus idólatra idólatra do Faraó. Fig. 10. Abraão no Egito. Fig. 11. Desenhado para representar os pilares pilares do céu, como os entendiam os egípcios. Fig. 12. Rauqueeian, que significa significa expansão, ou seja, o firmamento sobre nossa cabeça; mas neste caso, em relação a este assunto, os egípcios davam-lhe o sentido de Saumau, estar no alto, ou seja, os céus, que corresponde à palavra hebraica Saumaieem.
1
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FAC-SÍMILE DO LIVRO DE ABRAÃO Nº 2
EXPLICAÇÃO Fig. 1. Colobe, que significa a primeira criação, a mais próxima do celeste, ou seja, da morada de Deus. A primeira em governo, a última pertencente ao cálculo de tempo. O cálculo segundo o tempo celestial, tempo celestial esse que significa um dia por côvado. Um dia em Colobe é igual a mil anos, de acordo com o cálculo desta Terra, que é chamada pelos egípcios Ja-o-e. Fig. 2. Fica perto de Colobe, chamada pelos egípcios egípcios Oliblis, que é a seguinte grande criação governante governante próxima do celeste, que é o lugar onde Deus reside; também possui a chave do poder em relação a outros planetas; como revelado por Deus a Abraão quando oferecia sacrifício sobre um altar que ele construíra ao Senhor. Fig. 3. Feita para representar Deus sentado em seu trono, revestido revestido de poder e autoridade, com uma coroa de luz eterna na cabeça; representa também as importantes palavras-chave do Santo Sacerdócio, como reveladas a Adão no Jardim do Éden, e também a Sete, Noé, Melquisedeque, Abraão Abraão e a todos a quem o Sacerdócio foi revelado. Fig. 4. Corresponde à palavra hebraica Rauqueeian, que significa expansão, ou seja, o firmamento dos céus; também um algarismo que, em egípcio, significa mil; corresponde à medida de tempo de Oliblis, que é igual a Colobe em sua revolução e em sua medida de tempo. Fig. 5. Chamada, em egípcio, Enis-go-on-dos; Enis-go-on-dos; este também é um dos planetas governantes governantes e os egípcios dizem ser o Sol e tomar emprestada a luz de Colobe, por meio de Cae -e-vanrás, que é a Chave suprema ou, em outras palavras, o poder governante, que governa quinze outros planetas ou estrelas fixos, assim como também Floeese, ou seja, a Lua, a Terra e o Sol em suas revoluções anuais. Este planeta recebe seu poder por meio de Cli-flos-is-es, ou Há-co-cau-beam, as estrelas representadas pelos números 22 e 23, recebendo luz das revoluções de Colobe. Fig. 6. Representa esta Terra Terra em seus quatro cantos. Fig. 7. Representa Deus sentado em seu trono, revelando revelando através dos céus as supremas palavras-chave do Sacerdócio; como também o sinal do Espírito Santo a Abraão, na forma de uma pomba. Fig. 8. Contém escritos que não podem ser revelados ao mundo; mas que se encontram no Templo Santo de Deus. Fig. 9. Não deve ser revelada no momento. momento. Fig.10. Idem. Fig.11. Idem. Se o mundo conseguir descobrir estes estes números, que assim seja. Amém.
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FAC-SÍMILE DO LIVRO DE ABRAÃO Nº 3
EXPLICAÇÃO Fig. 1. Abraão sentado no trono do Faraó, por cortesia cortesia do rei, com uma coroa na cabeça representando o Sacerdócio como emblema da grande Presidência no Céu; na mão leva o cetro de justiça e juízo. Fig. 2. O rei Faraó, cujo nome nome é dado nos caracteres acima de de sua cabeça. Fig. 3. Significa Abraão no Egito, como aparece também na figura 10 do fac-símile fac-símile número 1. Fig. 4. Príncipe de Faraó, Rei do Egito, como escrito escrito acima da mão. Fig. 5. Sulem, um dos principais servos do rei, rei, como representado pelos caracteres acima de sua mão. Fig. 6. Olinla, escravo pertencente pertencente ao príncipe. Abraão está arrazoando sobre os princípios da astronomia na corte do rei.
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A informação aqui contida ajudará o crítico de uma aproximação inovativa a compreender o simbolismo egípcio contido no Livro de Abraão. Joseph Smith era um profeta verdadeiro e esse registro é uma história verdadeira escrita pela mão de Abraão em papiro há muito tempo atrás. O senhor revelou a Joseph Smith a história perdida de Abraão por meio do papiro que caiu nas mãos do profeta e pelo dom de tradução dado aos profetas de Deus, assim o trabalho de Abraão foi restaurado. Eu acredito também que o alfabeto e a gramática egípcia criada por Joseph Smith e seus assistentes fiéis para ser um trabalho inspirado, é uma restauração parcial de uma língua extinta que tiveram os antigos habitantes do planeta. O papiro recebido por Joseph Smith não era o papiro original feito pelo pai Abraham e Joseph Smith não traduziu o texto hieróglifo usando meios convencionais. A produção do livro foi foi causada milagrosamente por meios espirituais usando o simbolismo acoplado com inspiração. Joseph inspiração. Joseph Smith usou sua habilidade afiada de compreender as imagens e a religião egípcia em um nível convencional, como um sinal que esteve inspirado por Deus. Então, revelou muitas coisas maravilhosas sobre o ministério de Abraão. Deus pode fazer limpo que o que deseja, como fez na visão de Pedro aos animais que foram proibidos sob a lei mosaica; do mesmo modo, Deus clareou as imagens egípcias egípcias para seu próprio próprio propósito.
FAC-Símile FAC-Símile No. 1
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Fig. 2. Abraão preso em cima de um altar. Fig. 3. O sacerdote idólatra de Elkenah que tenta oferecer Abraão como sacrifício. Fig. 4. O altar de sacrifícios e em baixo os deuses de Elkenah, de Libnah, de Mahmackrah, de Korash, e de Pharaoh. Fig. 5. O deus idólatra de Elkenah. Fig. 6. O deus idólatra de Libnah. Fig. 7. O deus idólatra de Mahmackrah. Fig. 8. O deus idólatra de Korash. Fig. 9. O deus idólatra de Pharaoh. Fig. 10. Abraham no Egito. Fig. 11. Projetou representar as colunas do céu, como compreendido pelos egí pcios. Fig. 12. Raukeeyang, significando a extensão, ou o fi rmamento sobre nossas cabeças; mas neste caso, com relação a este assunto, os egípcios significaram-no Shaumau, para ser elevado, ou os céus, respondendo à palavra hebraica, Shaumahyeem.
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Na outra mão... As perguntas imploram por respostas: Que se a mão na pergunta fosse realmente uma asa do pássaro e a ilustração restaurada de Joseph Smith não era após a forma do papiro original que sofreu os danos nas áreas chaves na pergunta? E se não houver originalmente originalmente uma faca na mão do sacerdote na parcela faltante do papiro como foi restaurado no fac-símile de Joseph Smith? E se o sacerdote realmente prendia um copo oferecendo? E, para cobri-lo fora; que se a cabeça faltante no papiro rasgado for originalmente uma cabeça de chacal e não uma cabeça humana ao qual Joseph Smith restaurou?
Isto ou aquilo?
A Cabeça do sacerdote "o sacerdote idólatra de Elkenah"... (Joseph Smith)
O fac-símile no. 1 foi fornecida pelo Senhor e ajuda a restaurar a história perdida de Abraão. Esse papiro é uma produção do período atrasado do Egito, perto da extremidade da Dinastia Egípcia. Abraão não extraiu literalmente este retrato. É entretanto, baseado na narrativa, uma cena similar ao que Abraão extraiu originalmente bem sobre mil anos antes do tempo onde o papiro de J oseph Smith. A cena do sacrifício original é preservada no fac-símile no. 1, tendo características originais e pode certamente ter sido passada para baixo com as idades no livro dos mortos, daqui de um tipo de transmissão do trabalho original de Abraão; mas isto é muito improvável. A cabeça faltante era provavelmente uma cabeça de chacal porque o corpo e a aparência são indicativos de Anúbis... Anúbis... o deus do embasamento. O fac-símile fornece uma “cama de leão”, um sacerdote, um homem na “ca ma de leão”, deuses lá abaixo, e alguns outros detalhes. Embora a cena carregasse com ela marcas registradas antigas, pareceria diferente no dia de Abraão porque os egípcios tinham evoluído durante todas as dinastias e as mudanças marcadas diferenciam os períodos de tempo na pergunta. Uns acham que a cena representa uma cena ritualística do livro dos mortos e não poderia possivelmente representar uma cena de sacrifício como dita no livro de Abraão. De algum modo, os críticos estão sob a impressão que se Joseph Smith não restaurou a cena. Os críticos tiram conclusões baseadas em sua própria vista (que é estreita)... podemos pelo menos saber com certeza... a parte boa foi restaurada. Parece que todos estão começando um processo acima demasiado para saberem se a cabeça deve ser um chacal ou não. Simplesmente não importa! O fac-símile serve como uma idéia (dispositivo automático de entrada) visual, não uma assinatura genuína produzida pela própria mão empoeirada de Abraão. Nós não temos o artefato original, mas o que nós temos é uma produção atrasada de papiro funerário egípcio que carrega algumas diferenças peculiares quando comparado a outras cenas. Representa Abraão no altar quando hospedado pela história original dita pelo próprio Abraão.
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Os deuses do sacrifício humano
Fig. 4. O altar de sacrifícios do sacerdote idólatra, estando antes dos deuses de Elkenah, de Libnah, de Mahmackrah, de Korash, e de Pharaoh. Fig. 5. O deus idólatra de Elkenah. Fig. 6. O deus idólatra de Libnah. Fig. 7. O deus idólatra de Mahmackrah. Fig. 8. O deus idólatra de Korash. Fig. 9. O deus idólatra de Pharaoh.
Aqui nós vemos, estando orgulhosamente debaixo da cama do leão, quatro embarcações de pedra na imagem dos quatro filhos de Hórus alinhados acima em seu dever, como guardadores das vísceras da múmia. Toda a esta naturalmente é associada diretamente com o livro dos mortos, que fornece o necessário de informações para permitir a ressurreição do benfeitor no pós-vida.
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O papiro de Joseph Smith vem à vida quando comparado ao bonito Livro dos mortos!
Andorinha em um monte
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Ptah & Scepter
Blessed
Oliver Cowdery, a segunda pessoa mais velha da igreja, assistente do Presidente Joseph Smith, aprendeu sobre o simbolismo dos papiros em primeira mão pelo homem que o traduziria por presente de Deus, de um profeta, de um vidente,
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Traduzindo
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Fileira Fileira Fileira Fileira
1: 2: 3: 4:
sp do sDrw m de i.nTr.i nbt pinta Ta do tpii nTr.i aA dwAt mw.f aA bA Wsir SAs(nq) do anx do ti
"O Deus, O daqueles que dormem na morte desde o começo do tempo. O Deus Grande, Senhor do céu, da terra, do mundo espiritual, e dos mares grandes. Baixa, a alma de Osíris Shoshenq viverá."
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Os quatro filhos de Horus FIGURA 6 do FAC-Símile No. 2, EXPLANAÇÃO "representa esta terra em seus quatro cantos ." (Joseph Smith) Os quatro filhos de Horus (filho de Osíris) estão na figura seis do fac-símile no. 2 do papiro da Igreja de Jesus Cristo dos Santos dos Últimos Dias, da esquerda para a direita: 1. Imseti (homem) 2. Hapy (babuíno) 3. Duamutef (cão) 4. Qebehsenuef (falcão) PERGUNTA: PERGUNTA: Como a imagem de quatro deuses egípcios representa os "quatro cantos" ou os quatro pontos cardeais... do norte, do leste, do sul, e do oeste, como explicado pelo profeta Joseph Smith? RESPOSTA: RESPOSTA: O caixão dos defuntos era uma representação simbólica do mundo físico que encerrou ou cercou o corpo dos mortos. Sob o caixão estava o deus da terra c hamado Geb e acima do caixão estava à deusa do c éu (esposa de Geb). Os quatro filhos de Horus eram guardiãs do caixão do mundo e cada deus foi afixado em um canto do caixão como sentinelas divinas do mundo. Esta imagem está representada também no livro de Apocalipse (Revelações de João) quando os quatro anjos controlam os quatro ventos direcionais da terra nos quatro cantos (Apocalipse 7:1). Alguns caixões médios do reino demonstram os quatro pontos caldeais religiosos dos quatro filhos de Horus que fazem exame de seu lugar nos quatro cantos do caixão. No painel o mais próximo à extremidade principal no lado esquerdo da caixa os olhos pintados olha para fora o excesso as portas aparafusadas do caixão... o caixão, que veio ser considerado como um microcosmo do mundo , sua tampa que simboliza os céus.
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Coroa da luz FIGURA 3 do FAC-Símile No. 2, EXPLANAÇÃO
"... é feito para representar Deus... com uma coroa de luz eterna ...” (Joseph Smith)
O fato que Joseph Smith reconheceu o disco do sol acima da cabeça do falcão-deus, embora representada crua no papiro, é uma indicação principal que o profeta sabia o que falava. Abaixo deste parágrafo está uma pintura do túmulo do mesmo deus com um desenho melhor do disco solar que é envolvido pela cobra, protegendo o disco (uraeus).
PERGUNTA Por que o disco solar (Aten) é extraído acima da cabeça de um deus egípcio considerado ser uma coroa da luz eterna no papiro de Joseph Smith?
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Coroa Lunar O FAC-Símile FAC-Símile No. 2 - NÚMERO 22 & 23, EXPLANAÇÃO 5 "... as estrelas representadas pelos números 22 e 23, recebendo a luz das voltas de Kolob” (J oseph Smith) O babuíno era uma manifestação visível da deidade conhecida como Thoth. Embora o formulário físico de Thoth seja o babuíno, é descrito geralmente como um ser humano com a cabeça de um pássaro de íbis. Thoth é o deus da lua cuja coroa é o crescente e os discos lunares, e é creditado como inventor do hieroglífico, o calendário lunar, a medida do tempo, e a matemática. PERGUNTA: PERGUNTA: Por que é a lua em "estrelas chamadas cabeça" de Thoth por Joseph S mith e como recebem a luz das voltas de Kolob? RESPOSTA: RESPOSTA: Obviamente aos egípcios a lua era parte do sistema da estrela mas parecida ser muito maior do que as estrelas distantes. Os egípcios não fizeram uma distinção entre entre planetas e estrelas, mas considerada-lhes por serem corpos astrais ajustados no céu-oceano, aonde o deus-sol montou em cima de sua barca através do céu. A lua era simplesmente parte dos céus. Figura de um babuíno divino com o braço levantado, pendendo para fora do olho sagrado ao deus-sol na barca solar...Um retrato desta cena é fornecido no "vale das múmias douradas" p. 192, sido o autor Dr. Zahi Hawass. A seguinte seguinte figura é um exame do livro dos mortos, Papyrus de Ani, chapa 10 (note as duas estrelas, uma para cada babuíno):
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Cetro Composto FIGURA 1 do FAC-Símile No. 2, EXPLANAÇÃO "Kolob, significando a primeira criação ... primeiramente no governo" (Joseph Smith)
O cetro composto sagrado prendido na mão do deus do criador chamado Khnum é uma representação de três ícones específicos da religião egípcios. São os mais sagrados símbolos, combinados juntos sumariam o poder dos deuses egípcios formulando três hieróglifos sagrados no cetro do deus. Estes símbolos são:
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Tutankhamun
Olhos do deus (“o olho que tudo vê”?)
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"eu chego no consolo dos Moradores do Horizonte, saio pela porta santa... que é a porta através de que meu pai Atum (criador) passou quando prosseguiu ao horizonte oriental do céu" (livro dos mortos; traduzido por Faulkner)
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Quando considerando as estrelas na extensão do céu nós pudermos justa lhe aplicar figura 1.000 porque em uma noite desobstruída uma pode poder ver bem sobre mil estrelas na noite. A língua egípcia carrega isto para fora como o fato. A seguinte palavra para "o céu estrelado" no dicionário egípcio médio de Faulkner é chamada "kha-bas" quando "kha" (primeiro sinal abaixo) significa o número 1.000:
O conceito egípcio das barcas do dia e da noite que sobrevoam através dos céus e m uns únicos 24 períodos da hora era uma parte principal da religião egípcia. Havia 12 horas concedidas para a barca do dia e uns outros 12 para a barca da noite. Daqui, os deuses fizeram a viagem em torno do universo em um dia. Mas, podemos nós dizer que um dia d o tempo celestial perto de Kolob é igual a um 24 períodos da hora d o tempo da terra? Absolutamente NÃO! “Mas vós, amados, não ignoreis uma coisa: que um dia para o Senhor é como mil anos, e mil anos como um dia.” (I I Pedro 3:8) “E o Senhor disse-me, pelo Urim e Tumim, que Kolob seguia, em suas revoluções, o padrão do Senhor quanto a suas épocas e e stações; que uma revolução era um dia para o Senhor, segundo sua maneira de calcular, sendo mil anos conforme o tempo designado para onde te
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FIGURA 2 do FAC-Símile No. 2, EXPLANAÇÃO
"está ao lado de Kolob, chamado pelos egípcios Oliblish , que é a criação governante... próximo ao celestial ou ao lugar onde o Deus reside..." (Joseph Smith)
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Como é um dia em Kolob igual a 1.000 anos do tempo da terra como é explicado também em Abrão 3:4? RESPOSTA Éste assunto é extremamente difícil de analisar... é muito misterioso. Parece seguro comparar a Terra que gira em torno do Sol na órbita quando o Sol gira em torno de Kolob. Eu medito sobre a impressão das explanações de Joseph Smith, que diz que tudo no universo de Deus gira em torno de seu Trono Celestial.
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"há determinadas palavras chaves e uns sinais que pertencem ao sacerdócio que deve ser observado a fim obter as bênçãos.”
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