Sonate brill
ant, Op.15
Vienn Vi enna, a, 180 1808 8 Edited Edi ted by St Staanl nleey Yates
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Allegro spirito
.168-1 -18 84J [J = c.168
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pp mar k k ings a pp ppea earr in Ch Ch.. on onlly and ar e moderated erate d t o pi pi n S I. I.; so som me mi missi ssin ng en enti tirely rely in Ri. Ri. 01 1.
and nd 013 01 3 a
thr oughout hout.. Ch Ch.. ha hass gr ace ace n ot otees as small 16ths; 16ths; St St.. and an d Ri Ri.. u usse slashe lashed d qu quaarter-not rter-notes es.. In eith either case se.. the ornament me nt will take ake th thee va valu luee of a 1 a 16 6th th--note f rom rom t th he ma maiin bea eall.
2551: 25 51:
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d o lc e
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a r
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IT B
143
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do lce
lmJ a n T Ill lIlT tI 1 r I T B 50
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m28. R i. uses the composite mar kingf p
here m34. All: dol ce is on beat 3 m37. same ornament m40. Ch. has sf her e
as m31
m51. All: slurr ing her e is replaced by "guitaristic" slurring in the parallel passages at mm176 and 180. A
further
realization
is
suggested
at
m55
d o lce
~~,a~ cre sco
a
po co
a
po co
1
[fJ
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2
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3
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4
3
3
2
.2
if
if
f
if
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4 = W : b : ::= : :::= = := = = ~ ~ '
~F mSS. All: f is on beat one m61. beat 2: Ch. only
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1.
= = = = = := = = = = ~
I ~ m62. All: f on beat one is ill-positioned (due to the preced ing a poggiatura); beat 3 of the pr evious measure seems more appr opr iate,
as suggested a bove.
85
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m96. see fnl0S ml0S. Ch: slur a-c# only. The 3-note slur might indicate f ollowed
1
by thumb
1
2
i ligad o
4
gliss., or simply
[P;;;~ fn)
a
note-grouping.
All: although p f appear s just befor e the downbeat, it most likely applies to the accompaniment motive only (also in ml09) since an unambiguous p f appears after the cr escendo in m112.
mm115-20. Ch., R i: since the sf mark ings f ound throughout this passage a p pear to the lef t of the lowe, beneath the fir st note of the upper voice, the intention may be t o highlight the syncopation there, rather than in the lower par t.
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dolce
4
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165
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if
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4
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3
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156
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178
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m189. All: f ap pear s on the second eighth-note; it pr oba bly belongs on the downbeat, mar king a character
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4
change and entr y of the lower voice.
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f 2
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