Aguado- Guitar Method II

DIONISIO AGUADO M E T O D O D E G U I TA TA R R A (GUITAR METHOD)

S E G U N D A PA R T E ( S E C O N D PA R T )

Revised and fingered by

Eythor Thorlaksson

The Guitar School - Iceland

-3-

LEGATO ON ONE STRING With different rhythm formations Play with different accents, either on the first or the second note.

Same fingering as in the previous exercise.

DOUBLE LEGATO

Copyright 2000 by The Guitar School - Iceland www.eythorsson.com

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-3-

LEGATO ON ONE STRING With different rhythm formations Play with different accents, either on the first or the second note.

Same fingering as in the previous exercise.

DOUBLE LEGATO

Copyright 2000 by The Guitar School - Iceland www.eythorsson.com

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-4-

Same f ingering as in the previous exercise

Let all the notes in the triplets sound equal.

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-5-

Study the next exercise with the same f ingering as the previous one

Study this exercise with the following rhythm patterns. etc.

etc.

Study this exercise als with the following rhythm patterns. etc.

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etc.

-6-

etc.

etc.

Study the following exercises to the same extentions as the previous ones.

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-7-

Do not lift the first finger while fourth finger plays the legato note.

Study with different accents, either on the first or the second note.

Work these exercises slowly to make all three notes sound even.

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-8-

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-9-

LEGATO - JUMPS

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- 10 -

LEGATO INDIRECT DOWNWARDS

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- 11 -

LEGATO WITH 4 AND 5 NOTES

LEGATO ON TWO STRINGS

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- 12 -

Study with different accents, either on the first or the third note in each group.

LEGATO - CROMATIC

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- 13 -

LESSONS GRACE NOTES DOWNWARDS Allegretto

GRACE NOTES UPWARDS Andante

Fine

II

 D. C. al Fine

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- 14 Andante

DOUBLE GRACE NOTE

II

Moderato

TRIPLE GRACE NOTE

II

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- 15 ORNAMENTS WITH FOUR NOTES

IV II

II

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- 16 ORNAMENTS WITH FIVE NOTES

Allegretto

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- 17 -

THIRDS SCALES

C Major

G Major

D Major

A Major

F Major

Bb Major

G Minor (melodic)

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- 18 -

C Minor (harmonic)

G Major (thirds)

A Major (thirds)

F Major (thirds)

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- 19 -

LEGATO - THIRDS

Legato thirds with finger changes, then one finger must fall firmely on the note while at the same time the other finger slides from one note to the other.

ON SECOND AND THIRD STRING

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- 20 -

ON SECOND AND THIRD STRING 3

3

3

ON FIRST AND SECOND STRING 3

3

3

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- 21 -

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- 22 -

SIXTHS ON FIRST AND THIRD STRING

ON SECOND AND FOURTH STRING

ON THIRD AND FIFTH STRING

ON FOURTH AND SIXTH STRING

ON FIRST AND THIRD STRING

Practise this exercise also in D Ma jor on second and f ourth string 1067

- 23 ON THIRD AND FIFTH STRING

Practise this exercise also in E Major on fourth and sixth string.

TENTHS 3

3

3

OCTAVES

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- 24 -

Practise this exercise also in E Major on second and fourth string.

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- 25 -

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- 26 Let the bass notes live while the legato notes are played.

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- 27 -

STUDIES Allegro

m

i

i

m

1 p

p

p

p

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- 28 Andante

2

II

III

III

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- 29 Allegretto

3

III

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- 30 Allegretto

4

On fourth and fifth string

On third and fourth string

On fourth and fifth string

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- 31 Allegretto

5

Fine

cresc.

 D. C. al Fine

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- 32 Andante

6

I

I

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- 33 -

V

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- 34 Allegro

7

II

II

V

II

IX

VII

IV

V

II

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VII

- 35 Allegro

8 i

m

a

i

a m m

i

a

m

i

p

m

i

III

II

a ma

p

p

i

III

m

a

i

a m m

i

a

m

i

p i

m

a ma i p

III

II

V

III

V

III

VII

V

III

m

a

III

II

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i

a m m

i

a

m

i

- 36 Andante II

9 3

3

3

3

V

I

II

3

3

II

VII

II

V

V 3

IV

II

3

ten.

V

II

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- 37 Allegretto

10

V

II

V

II

IV

II

IV

II

V

V

VII

VII

V

II

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