Art in Theory 1900-2000, Introduction

,NEW

EDITION

':THEORY 1900-2000 An Antholoqy

Edited

Ch

Ha

Paull Wood! Blackwell Publishing

Edited

Charles

Wood

Harrison

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Re y, 3. In lude bibliographi al re er nc an index. ISBN 0-631-22707- (alk pape ISBN 0-631-227081. Art, Modem-twenti th century-Philosophy ul in th 00 99 II

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pbk. alk. paper) Ha rison, Ch rles 1942

709'.04-dc21 2002018490 ISBN-13: 978-0-631-22707- (alk paper)

ISBN-13: 978-0-631-22708-

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lntroduction

elementsfro range oflate Q/thenewGenturyye coul stan alongsid th achievements of th classica tradition. Expressiont O Q k be

attributesof authenticity Thes were characteristically sought in hitherto marginalized dn dp sa

th

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lt

al san

ri rities

th ir ow in ustrialize

dto

rb ni

so ieti

Th ad ua

sth

01).t.

oi subjective,

tr itio

whic di fe enti te

it fr

th more atio li

nd lassicizin te

befound th Russia,marked by an attemp to
pw

ncie

Mo

Wo

that

uc co ld be

as re

an it me ni

ssessed,

ai

that

ic it

ot

cr

sens of tradition, of values rooted in the-relatively unchanging conditions of life-lived

it

el

ch ract

en im lied in term

th se

an es an

th

da tati

in ri.n an ch

av

ic

in

stri s.

is ar

ne

representation

it

th experience against.

IIAl-2).

erni tion

as Euro e-wi

ph om on an

poet Alexande Blok (lIAS)

as succ ss

Sy

list

et

nlik

im

ow ver,

ri etti

roke

ci iv ly with thlt

-and

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re

-focus

SB ut ther were also philos phic

Cars

ll

re

ri

fa mu ma huma onscious es in terms

at empt

IA ).

It

the effects

to

bourgeois

cause

is ro

to

sto si

re capitalist

so-to

mo rn clas

here

rm

hich he ourgeoisie ot feared an

ru phil so hers ha

ithert

ee ed

rn merely so gh

hich

simult neousl

tt mpte

Marx's commen that

nderst nd th worl

ntel ec ua ly

by avant-garde

resp ns to th circumst nc

urba modernit

nega iv

nd posi iv undoubte ly

Wo

bu the- oder worl an it pres ures re ai legibl in-the Ki chne an occion it ub sm howeve hesituatio isdifferen

genc of even thes subjects beneat

Pa ticula ly in

ur ac of hi ting planes whic asse them elve if the

significatio wa to remain largel unintelligible to thos wh failed to gras th premises from whic th ne icto ia langua wa deri ed

to

it consist-

fixing upon th mate iality

to

ar requir transformation in wa

hich pa alle th chan es

odernization it el ha

passi1Jl). it

al

Di

Nietzsehean IIBl:-

passim).·

Alth ug on acco nt esta li he it el defi itivel Kantia approach (nBW).,

ome, such as Kahnweiler's in which

ar

.a rt 1\'17'0

seem

os ce tral to it critical force: it continue

referentiality

its preoccupatio

gp eon re se stri ent reco ci e,

si hile ther artist

th

time

av

arde ed them nt mu uall

to

nt

chapter between eth fl .t

ro