The New Guide to
Harmony with LEGO® Bricks
companion recordings
Table of contents Introduction Disk 1 Disk 2 Disk 3 Disk 4 Disk 5 Disk 6 Disk 7 Disk 8 Disk 9 Disk 10 Disk 11 Disk 12 Disk 13 The Harmony with LEGO Bricks System. 1. Cadences 2. Turnarounds 3. Miscellaneous 4. Joins Transcription Bibliography Songs Listing Albums Listing
3 4 6 8 10 12 15 18 20 22 24 26 28 30 31 32 37 40 43 44 46 50
Introduction This booklet contains full discographical information for the Companion Recordings which go with the What To Listen For in Jazz part part of my book The New Guide to Harmony with LEGO Bricks. It runs to 13 CD's or MiniDiscs, and the main main part of the text consists consists of track by track details. It also includes a summary of the system, all the joins and all the bricks, courtesy of tireless LEGO bricklayer Phil Clark. You can reach Phil on
[email protected] [email protected] For musicians I have made an attempt at a Transcription Bibliography, in transcriber order for the solos in the examples. This will always be out of date and incomplete, but I will update it with my own and readers' discoveries. Where there is a known transcription available, the track's details are followed by a reference to this bibliography. There are also a Songs Listing, in alphabetical order, cross-referenced to the tracks on the individual CD's where they occur, and an Album Listing , in artist order, of all the sources for the given examples. That should help anyone who doesn't already own the material used to identify and obtain the music they want. The opportunity to sample before you buy means means you can buy more than you might have done anyway, and with complete confidence that you are going to like what you get. The 2 listings, Songs and Albums are, of course, given in The New Guide to Harmony with LEGO Bricks itself. But there are enough differences here from from the recommended examples in the book to make it advisable to include listings here that accurately reflect the CD's. You will need the book at hand because the text associated with each track is not repeated here. There are places here where extra text and/or different examples are used, and those are fully explained as they occur. The typography of The New Guide to Harmony with LEGO Bricks has been retained (and in a few places corrected) to help you keep your place. As always I will respond to any reader reade r who emails me about any relevant matter. If you want a source of sound advice about what to buy, as well as access to a huge list of keenly priced new and second hand records, it is a pleasure for me to recommend Alan Ross, of Jazz Jazz House Records. Visit the website: website: www.jazzhouserecords.co.uk
The New Guide to Harmony with LEGO Bricks Companion CD's
Disk 1 --------------------------
A First encounter with a Song Shape Track 1. What’s New. Clifford Brown (1).
Helen Merrill, vocal; Clifford Brown, trumpet; Danny Bank, flute & baritone; Jimmy Jones, pian pi ano; o; Barr Ba rr y Galb Ga lbra rait it h, guit gu itar ar ; Osca Os carr Pett Pe tt if ord, or d, bas s; Bobb Bo bby y Donal Do nal dso n, drum dr ums; s; Qu incy in cy Jon es, arranger & conductor. conductor. NYC, December 22, 22, 1954.
The basic shape of AABA Songs Track 2. What's New. New. Rita Reys (1).
Rita Reys, vocal; Pim Jacobs, piano; Wim Overgauw, guitar; Ruud Jacobs, bass; Kenny Clarke, drums. Singer Concert Hall, Laren, Holland, October 12, 1961. Track 3. What’s New. New. Art Pepper (1).
Art Pepper, alto; Russ Freeman, piano; Bob Magnusson, bass, Frank Butler, drums. United/Western Studios, Hollywood, California, September 2, 1978.
Some Common Overall Song Shapes
AABA Replica Bridges Track 4. Good Bait. John Coltrane (1).
John Coltrane, tenor; Red Garland, piano; Paul Chambers, bass; Art Taylor, drums. Van Gelder Studios, NYC, February 7, 1958. Known transcriptions available: Trane (White), Trane (Isacoff (2)). Track 5. When Lights are Low. Miles Davis (1).
Miles Davis, trumpet; John Lewis, piano; Percy Heath, bass; Max Roach, drums. NYC, May 9, 1953. Track 6. When Lights are Low. Vic Damone (1).
Vic Damone, vocal; Jack Marshall's music. 1962. Track 7. When Lights are Low. Jaki Byard (1).
Jaki Byard, piano. Europasonor (Charcot) Paris, France, July 29, 1971. Track 8. Be ms ha Sw in g. John Coltrane (2).
Coltrane, tenor, Don Cherry, trumpet, Percy Heath, bass, Ed Blackwell, drums. Atlantic Studios, th NYC, Fr iday Jul y 8 , 1960. Known transcriptions available: Trane (White)
'Normal' AABA Songs Track 9. I Ca n’ t Ge t St ar te d. Bunny Berigan (1).
Berigan, trumpet & vocal, Forrest Crawford, tenor, Artie Shaw, clarinet, Joe Bushkin, piano, th Morton Stuhlmaker, bass, Stan King, drums. NYC, April 12 , 1936. Track 10. I Ca n’ t Ge t St ar te d. Booker Ervin (1).
Booker Ervin, tenor; Jaki Byard, piano; Richard Davis, bass; Alan Dawson, drums. Van Gelder nd Studios, NYC, October 2 , 1964. Track 11. Confirmation. Steve Kuhn (1).
Kuhn, piano, Sheila Jordan, vocal, Harvie Swartz, bass, Bob Moses, drums. Tuesday's, NYC, April, 1981.
Live at Fat
Track 12. Na im a . John Coltrane (2).
Coltrane, tenor, Wynton Kelly, piano, Paul Chambers, bass, Art Taylor, drums. Atlantic Studios, nd NYC, Wednesd ay Decem ber 2 , 1959. Known transcriptions available: Trane (White). Track 13. Sp ea k Lo w. Rita Reys (1).
Details as Reys's What's New.
Disk 2------------------------------------Track 1. Cherokee. Rita Reys (1).
Details as Reys's What's New. Track 2. Cherokee. Clifford Brown (1).
Clifford Brown, trumpet; Harold Land, tenor; Richie Powell, piano; George Morrow, bass; Max Roach, drums. NYC February 25, 1955. Known transcriptions available: Brown (Slone 3)
Other Songs with Bridges Track 3. I’ ll Re me mb er Ap ri l. Sara Vaughan (1).
Vaughan, vocal, Carl Schroeder, piano, Walter Booker, bass, Jimmy Cobb, drums. Ronnie Scott's Club, 47 Frith Street London, June 10th or 11th 1977. Track 4. In vi ta ti on. Sara Vaughan (2).
Vaughan, vocal, Quincy Jones, arrangement and orchestra. NYC 1962.
Songs of two Halves Track 5. I’ m Go nn a Si t Ri gh t Do wn an d Wr it e My se lf a Le tt er . Rita Reys (1).
Details as Reys's What's New.
Blues Track 6. Re ck le ss Bl ue s. Bessie Smith (1).
Bessie Smith, vocal; Louis Armstrong, trumpet; Fred Longshaw, harmonium. January 24, 1925. Track 7. Bl ue s Wa lk . Clifford Brown (1).
As Brown's Cherokee, except NYC February 24, 1955. Known transcriptions available: Brown (Baker 2)
Big Building Blocks for Songs
Rhythm Changes Track 8. I Go t Rh yt hm. Valaida Snow (1).
Valaida, trumpet & vocal; Johnny Claes, trumpet; Derek Neville, alto & baritone; Reg Dare, tenor; Gunn Finley, piano; Norman Brown, guitar, Louis Barreiro, bass; Ken Stewart, drums. London, July 9, 1937.
Other Songs using Some or All of Rhythm Changes Track 9. Sq ua ty Ro o. Johnny Hodges (1).
Ray Nance, trumpet; Lawrence Brown, trombone; Johnny Hodges, alto; Harry Carney, baritone; Duke Ellington, piano; Jimmy Blanton, bass; Sonny Greer, drums. Hollywood July 3, 1941. (Note that this is the same track used by the book, but from a different release). Track 10. An th ro po lo gy . Elvin Jones (1).
Charlie Mariano, alto; Richard Davis, bass; Hank Jones, piano; Elvin Jones, drums. Van Gelder Studio February 23, 1965 Track 11. Sc ra pp le fr om th e Ap pl e. Charlie Parker (1).
Charlie Parker, alto; Miles Davis, trumpet; Duke Jordan, piano; Tommy Potter, bass; Max Roach, drums. NYC November 4, 1947. Take used is D 1113-C. Known transcriptions available: Bird (Aebersold & Slone) Track 12. Ro bb in s Ne st . Buck Clayton (1).
Buck Clayton & Joe Newman trumpets; Urbie Green & Henderson Chambers, trombones; Lem Davis, alto; Julian Dash, tenor; Charlie Fowlkes, baritone, Sir Charles Thompson, piano; Freddie Green, guitar; Walter Page, bass; Jo Jones, drums. NYC December 16, 1953. Note that this is the first of two takes as included in the Mosaic box, not the amalgam of the two as originally issued. Solos: Newman/Clayton split the theme bridge; Newman, Fowlkes, Thompson, Chambers, Davis, Urbie Green, Clayton, Dash, ensemble + Thompson, Clayton/Newman spilt the bridge, Thompson, trombone fours with Green first, Clayton/Newman split the last theme bridge. Track 13. I Ca n’ t Be li ev e Th at Yo u’ re In Lo ve Wi th Me. Valaida Snow (1).
As I Go t Rh yt hm except July 14, 1937. Track 14. Between the Devil and the Deep Blue Sea. Dicky Wells (1).
Bill Dillard, Shad Collins & Bill Coleman, trumpets; Dicky Wells, trombone; Django Rheinhardt, guitar; Dick Fulbright, bass; Bill Beason, drums. Paris July 7, 1937.
Other Turnaround Fronts Track 15. Bl ue Mo on. Clifford Brown (1).
Clifford Brown, trumpet; Richie Powell, piano; Barry Galbraith, guitar; George Morrow, bass; Max Roach, drums; 6 violins, 2 violas, 1 cello; Neil Hefti, arranger. NYC January 18 19 20, 1955. Track 16. These Foolish Things. Lee Konitz (1).
Lee Konitz, alto; Gerry Mulligan, baritone; Chet Baker, trumpet, Carson Smith, bass; Larry Bunker, drums. Hollywood, late January 1953.
Disk 3------------------------------------Track 1. Old Word New Imports. Hank Mobley (1).
Donald Byrd, trumpet; Hank Mobley, tenor; Herbie Hancock, piano; Butch Warren, bass; Philly Joe Jones, drums. Van Gelder Studio NYC March 7, 1963
Pennies Endings Track 2. Be nn y’ s fr om He av en. Eddie Jefferson (1).
Eddie Jefferson, vocal; Charles Sullivan, trumpet; Harold Mabern, piano; George Duvivier, bass; Billy Hart, drums; Slide Hampton, arranger. Sep/Oct 1977. Track 3. I Ca n’ t Gi ve Yo u An yt hi ng Bu t Lo ve. Lucky Thompson (1).
Lucky Thompson, tenor; Michel Hausser, vibes; Martial Solal, piano; Jean-Pierre Sasson, guitar; Pierre Michelot, bass; Gérard Pochonet, drums. Paris March 2, 1956. Track 4. Al l of Me. Lester Young (1).
Billie Holiday, vocal; Lester Young, tenor; Eddie Heywood, piano; Teddy Sturgis, bass; Kenny Clarke, drums. NYC March 21, 1941. (This is the third version on the record, but almost certainly the first one recorded at the session). Track 5. I Th ou gh t Ab ou t Yo u. Archie Shepp (1).
Archie Shepp, soprano; Walter Bishop Jnr, piano; Sam Jones, bass; Joe Chambers, drums. NYC Novem ber 28, 1977. Track 6. The More I See You. Hank Mobley (2).
Hank Mobley, tenor; Freddie Hubbard, trumpet; Wynton Kelly, piano; Paul Chambers, bass; Art Blakey, drums. Van Gelder Studio NYC, November 13, 1960. Track 7. On a Slow Boat to China. Sonny Rollins (1).
Sonny Rollins, tenor; Kenny Drew, piano; Percy Heath, bass; Art Blakey, drums. NYC December 17, 1951.
Donna Lee Openings Track 8. Do nn a Le e. Richie Cole (1).
Richie Cole & Phil Woods, alto; John Hicks, piano; Walter Booker, bass; Jimmy Cobb, drums. Denver, Colorado July 25 or 26, 1980. Woods solos first. Track 9. Ex ac tl y Li ke Yo u. Eddie Jefferson (2).
(as Be nn y' s fr om He av en except arrangement not by Hampton) Track 10. In di an a. Dicky Wells (1)
Bill Coleman, vocal and trumpet; Stephane Grapelli, violin; Joseph Reinhardt, guitar; Wilson Myers, bass; Ted Fields, drums. Paris November 12, 1937. Track 11. Take the ‘A’ Train. Duke Ellington (2). th
Ray Nance, trumpet featured. Hollywood February 15 1941..
Starlight Track 12. St el la by St ar li gh t . Vic Damone (1).
Details as Damone's When Lights Are Low. Track 13. Stella by Starlight. Booker Ervin (1).
Booker Ervin, tenor; Jaki Byard, piano; Richard Davis, bass; Alan Dawson, drums. Van Gelder Studio NYC December 3, 1963. Track 14. Woody ‘n’ You. Max Roach (1)
Kenny Dorham, trumpet; Sonny Rollins, tenor; Ray Bryant, piano; George Morrow, bass; Max Roach, drums. NYC September 17, 19 & 20, 1956. Track 15. Li ttle Wi ll ie Le ap s/ Al l Go d’ s Ch il lu n Go t Rh yt hm. Sheila Jordan (1).
Sheila Jordan, vocal; Harvie Swartz, bass. NYC October 1 & 2, 1984. Track 16. Jordu (as Mi no r Es ca mp ) . Various Artists (1).
Duke Jordan, piano; Gene Ramey, bass; Lee Abrams, drums. NYC January 28, 1954.
Disk 4------------------------------------Track 1. Ro un d Mi dn ig ht . Miles Davis (2).
Miles Davis, trumpet; John Coltrane, tenor; Red Garland, piano; Paul Chambers, bass; Philly Joe Jones, drums. NYC September 10, 1956. Known transcriptions available: Trane (White), Trane (Isacoff (2))
On-off-On Plus Dropback Nearby Offs Track 2. Whispering . Miles Davis (1).
Miles Davis, trumpet; Sonny Rollins, tenor; Bennie Green, trombone; John Lewis, piano; Percy Heath, bass; Roy Haynes, drums. NYC January 17, 1951. Known transcriptions available: Rollins (Cork) Track 3. He ar ta ch es . Patsy Cline (1).
Patsy Cline, vocal. (No other details known, or of any interest). Track 4. He ar ta ch es . Dexter Gordon (1).
Dexter Gordon, tenor; Bobby Hutcherson, vibes; Barry Harris, piano; Bob Cranshaw, bass; Billy Higgins, drums. Van Gelder Studio NYC May 29, 1965 Known transcriptions available: Dexter (Cork), Harris (Cork)
Remote Offs Track 5. Out of Nowhere. Bing Crosby (1).
Bing Crosby, vocal; with orchestral accompaniment. LA March 30,1931. Track 6. Out of Nowhere. Various Artists (2).
Billy Butterfield, trumpet; Lou McGarity, trombone; Coleman Hawkins, tenor; Lou Stein, piano; Arvell Shaw, bass, Osie Johnson, drums. NYC Saturday May 26, 1956.
New Bottle old wine Track 7. Sa te ll it e/ Ho w High th e Mo on . Denny Zeitlin (1).
Denny Zeitlin, piano; Charlie Haden, bass. Keystone Korner, San Francisco, July 1981. Track 8. Ornithology. Various Artists (3).
Howard McGhee, trumpet; Vi Redd, alto; Jodie Christian, piano; Rufus Reid, bass; Wilbur Campbell, drums. North Park Hotel, Chicago, August 1970. Known transcriptions available: Redd (Miedema) Track 9. Le nn ie -B ir d. Lennie Tristano (1).
Lee Konitz, alto; Lennie Tristano, piano; Gene Ramey, bass; Art Taylor, drums. The Sing Song Room, Confucius Restaurant, NYC, June 11, 1955. Track 10. What is This Thing Called Love. Frank Sinatra (1).
Frank Sinatra, vocal; orchestral accompaniment. 1955. Track 11. Ho t Ho us e. Dizzy Gillespie (1).
Dizzy Gillespie, trumpet; Charlie Parker, alto; Al Haig, piano; Curley Russell, bass; Big Sid Catlett, drums. NYC February/March 1945. Track 12. Su b- Co ns ci ou s Le e. Lee Konitz (2).
Lee Konitz, alto; Martial Solal, piano. Philharmonie, Berlin, October 30, 1980. Track 13. Fifth House. John Coltrane (2).
John Coltrane, tenor; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums. Atlantic Studios, NYC, Wednesday December 2,1959. Known transcriptions available: Trane (White) Track 14. Groovin’ High. Various Artists (4).
Dizzy Gillespie, trumpet; Sonny Stitt, alto; Hank Jones, piano; Percy Heath, bass; Max Roach, drums. A&R Studios, NYC, May 19 & 20, 1975.
Disk 5------------------------------------Track 1. Do nn a Le e. Lennie Tristano (1).
Details as for Tristano's Le nn ie -B ir d .
What is This Thing Called Harmony? Track 2. At Lo ng La st Lo ve . Frank Sinatra (2).
Frank Sinatra, vocal; orchestra arranged and conducted by Nelson Riddle. Date unknown.
These things called changes Track 3. What’s New. Frank Sinatra (3).
Frank Sinatra, vocal; orchestra arranged and conducted by Nelson Riddle. Date unknown. Track 4. My Funny Valentine. Gerry Mulligan (1).
Chet Baker, trumpet; Gerry Mulligan, baritone; Carson Smith, bass; Chico Hamilton, drums. Los Angeles, September 1952.
In the mood Track 5. I’ ll Re me mb er Ap ri l. Frank Sinatra (4).
Frank Sinatra, vocal; orchestra arranged and conducted by Axel Stordahl. September 11 & 12, 1961.
Straight and sad Moods Track 6. Bo dy an d So ul . Mel Tormé (1).
Mel Tormé, vocal; Jack Sheldon, trumpet; orchestra arranged and conducted by Marty Paich. 1958.
Blue Moods Track 7. Lo ve r Ma n. Sarah Vaughan (3).
Sarah Vaughan, vocal; Kirk Stuart, piano; Buster Williams, bass; George Hughes, drums. Copenhagen, 1963. Track 8. Re ck le ss Bl ue s. Bessie Smith (1).
Details as previous use of this track. Track 9. Di pp er mo ut h Bl ue s. King Oliver (1).
King Oliver 7 Louis Armstrong, cornets; Honoré Dutrey, trombone; Johnny Dodds, clarinet; Lil Hardin, piano; Bud Scott, banjo & vocal break; Baby Dodds, drums. Chicago Illinois, April 6th 1923. (Note that, in complete contrast to the analogue version of the Companion this is the Gennett version, not the one recorded for Okeh in Richmond Indiana on June 23, 1923. This is bec ause of the qualit y of Joh n R. T. Davies' aud io restoratio n on the Retr ieval set I now recommend).
Cadences - The Basic LEGO Brick
Straight Cadences Track 10. At Lo ng La st Lo ve . Frank Sinatra (2).
Details as previous use of this track. Track 11. Do nn a Le e. Richie Cole (1).
Details as previous use of this track.
Sad Cadences Track 12. Be au ti fu l Lo ve . Helen Merrill (1).
Helen Merrill, vocal; Hank Jones, piano, Barry Galbraith, guitar; Milt Hinton, bass, Sol Gubin, drums, Hal Mooney, arranger and conductor; strings. NYC October 21, 1955. Track 13. Be au ti fu l Lo ve . Kenny Dorham (1).
Jackie McLean, alto; Bobby Timmons, piano; Teddy Smith, bass; J.C. Moses, drums. Mixers, NYC, April 15, 1962.
Sound
A Whole Song Built from Cadences Track 14. Au tu mn Le av es . Rita Reys (1).
Details as Reys's What's New. Track 15. Au tu mn Le av es . Chet Baker (1).
Chet Baker, trumpet; Paul Desmond, alto; Bob James, electric piano; Ron Carter, bass; Steve Gadd, drums. Van Gelder Studios, NYC, July or October or November, 1974. Known transcriptions available: Baker (Slone 2)
Compact Cadences Track 16. What’s New. Lee Konitz (3).
Lee Konitz, alto; Martial Solal, piano, Dave Holland, bass, Jack DeJohnette, drums. CI Recording, NYC, September 30, 1974.
Magic Moments and Super Glue Track 17. Bl ue Bo ss a. Art Pepper (1).
Details as Pepper's What's New. recommended in the book.
Note that this is a different version to one originally
Disk 6------------------------------------ NB the nex t tw o tr ack s are in reverse order to the book, so that the vocal version comes first. Track 1. I Ge t a Ki ck ou t of Yo u. Frank Sinatra (5).
Frank Sinatra, vocal; Nelson Riddle, arranger and conductor. November 6, 1953. Track 2. I Ge t a Ki ck ou t of Yo u. Clifford Brown (1).
As Brown's Cherokee except Los Angeles, August 5, 1954. Original take used.
Track 3. Ba ub le s Ba ng le s an d Be ad s. Sarah Vaughan (2).
Details as Vaughan's In vi ta ti on . Note that this is not the version listed in the book. Track 4. Ba ub le s Ba ng le s an d Be ad s. Bill Evans (1).
Bill Evans, solo piano. This is the third song in a medley recorded on January 10, 1963, unissued until the invaluable Riverside box was published. Partly because of the beauty of this version, but also because of the almost inaudible nature of the original recommendation, I have reluctantly dropped the Getz/La Faro version. Please bear this song in mind when reading the 'two-cadence bridge' section titled bauble+bauble.
Bridge starts Bootstraps at Bridge Starts. The next 10 tracks all feature AABA songs where al l of the bridges start with a bootstrap. In addition, some of these songs have two-cadence bridges (see next section). This means simply that halfway through the bridge there is a jo in to another cadence, so that the whole bridge can be expressed as just tw o joins - e.g. Bo ot St ra p+ Ne wH or iz on . Rather than repeat the tracks immediately in the next section, they are delineated accordingly here, in the brackets after the album references. Please refer forward to the book's text on Two Cadence Bridges when listening. For Musicians especially: just a thought for you. The next three songs (covering four tracks) all have identical bridges. And, by simply being able to play cadences in any key and by knowing what the joins are you can play all these bridges in any key too, without a second thought . The complete set of possible joins is covered later in Al l th e Jo in s Th er e Ar e, and the actual intervals which make the joins are given in the Al l th e Jo in s part of this documentation, and in Part IX of the book, The Harmony With LEGO Bricks Playalong .
Track 5. Br oa dw ay . Rita Reys (2). (2 Cadence Bridge: Bootstrap+New Horizon).
Rita Reys, vocal; Pim Jacobs, piano; Wim Overgaauw, guitar. Hilversum, Friday September 30, 1960. Track 6. Br oa dw ay . Gerry Mulligan (2). (2 Cadence Bridge: Bootstrap+New Horizon).
Gerry Mulligan, baritone; Jon Eardley, trumpet; Zoot Sims, tenor; Bob Brookmeyer, valve trombone; Peck Morrison, bass; Dave Bailey, drums. 1955. Known transcriptions available: Sims (Cork). Track 7. Da ah ou d . Clifford Brown (2). (2 Cadence Bridge: Bootstrap+New Horizon).
Clifford Brown, trumpet; Stu Williamson, valve trombone; Zoot Sims, tenor; Bob Gordon, bar it one ; Russ Fr eem an, piano; Joe Mondragon , bass; Shelley Manne, drums; Jac k Montrose, arranger. Los Angeles, July 11 or 12, 1954. Track 8. Crazy Rhythm. Benny Carter (1). ( 2 Cadence Bridge: Bootstrap+New Horizon).
Benny Carter & Phil Woods, altos; Coleman Hawkins & Charlie Rouse, tenors; Dick Katz, piano; John Collins, guitar; Jimmy Garrison, bass; Jo Jones, drums. Van Gelder Studio, November 13 & 15, 1961. Saxophone solos in order, Hawkins, Woods, Rouse, Carter. Known transcriptions available: Carter (Brown (2)) Track 9. You Can Depend on Me. Dexter Gordon (2). (2 Cadence Bridge: Bootstrap+Woody).
Dexter Gordon, tenor; Kenny Drew, piano; Leroy Vinnegar, bass; Lawrence Marable, drums. Hollywood, California, September 18, 1955. Known transcriptions available: Every note Dexter plays (Allen). Track 10. Ho ne ys uc kl e Ro se. Benny Carter (1). (2 Cadence Bridge: Bootstrap+Woody).
As Carter's Crazy Rh yt hm . Saxophone solos in order, Rouse, Woods, Hawkins, Carter. Known transcriptions available: Carter and Woods solos (Miedema). Track 11. On the Sunny Side of the Street . Lester Young (2). NB There is an error in the book, where the attribution is given as Lester Young (1). (Almost Bootstrap+Woody. The join in the middle is there OK, but there is a variation at the point of the second resolution).
Lester Young, tenor; Oscar Peterson, piano; Barney Kessel, guitar; Ray Brown, bass; J.C. Heard, drums. NYC, August 4, 1952. Track 12. Our Delight. Fats Navarro (1).
Fats Navarro, trumpet; Ernie Henry, alto; Charlie Rouse, tenor; Tadd Dameron, piano, Nelson Boyd, bass; Shadow Wilson, drums. WOR Studios, NYC, September 26, 1947. Alternative master used. Known transcriptions available: Navarro solo (Cork). Track 13. Confirmation. Dexter Gordon (2). (2 Cadence Bridge: Bootstrap+Highjump).
As Gordon's You Can Depend on Me. Known transcriptions available: Dexter's theme and first chorus (Cork). Track 14. Af te rn oo n in Pa ri s. Sonny Stitt (1). (2 Cadence Bridge: Bootstrap+Homer).
Sonny Stitt, tenor; J.J. Johnson, trombone; John Lewis, piano; Nelson Boyd, bass; Max Roach, drums. NYC October 17, 1949. Incidentally, if you get the CD reissue of this ( Sonny Stitt/Bud Powell/J.J. Johnson on OJCCD009-2) you will find the take used here - the one we've always known - described as 'take 1', a 'bonus track'. Don’t be fooled. The 'take 2' is much less assured, and considerably worse in recording quality.
Two Cadence Bridges We just saw several tracks with bootstrap bridge starts, so we don't repeat them here. (One of the advantages of having gone digital is that going back to previous tracks is much easier to do than it ever was with cassette). As a reminder of the non-bootstrap starts in two-cadence bridges, here, starting with Woody+New Horizon, are some examples to illustrate the points the book makes. Woody+New Horizon. Track 15. I Ca n' t Ge t St ar te d. Art Farmer (2).
Art Farmer, flugelhorn; Hampton Hawes, piano; Ray Brown, bass; Steve Ellington, drums. Contemporary Studio, Los Angeles, July 26, 1976. (This version starts with Farmer playing the bridge a cappella as an introduction).
Disk 7------------------------------------Homer+Retake. Track 1. Al ic e in Wo nd er la nd . Bill Evans (2).
Bill Evans, piano, Eddie Gomez, bass, Arnie Wise, drums. Village Vanguard NY, November 12th, 1966. (The recording is quite creditable given the 'clandestine' circumstances). Bauble+Bauble Ba ub le s Ba ng le s & Be ad s. (Please refer back to the Sarah Vaughan and Bill Evans versions). New Horizon+New Horizon Track 2. My Sh in in g Ho ur . John Coltrane (2).
Details as Coltrane's Na im a . Known transcriptions available: Trane (White)
Fresh Air Bridge Starts
Up Nowhere Bridges Track 3. ‘Swonderful. Lee Konitz (4).
Lee Konitz & Art Pepper, altos; Michael Lang, piano; Bob Magnusson, bass; John Dentz, drums. Sage & Sound, Hollywood, California, January 18 & 19, 1982. Pepper solos first. Track 4. Po lk a Do ts an d Mo on be am s. John Coltrane (1).
John Coltrane, tenor, Donald Byrd, trumpet, Hank Mobley, tenor, Elmo Hope (leader), piano, Paul Chambers, bass, Philly Joe Jones, drums. Van Gelder Studios, NYC, May 7, 1956. (Issued as In fo rm al Ja zz ). Known transcriptions available: First theme (Byrd with Mobley Bridge) (Cork), Trane (White).
Down Nowhere Bridges Track 5. Da rn Th at Dr ea m. Dexter Gordon (2).
As Gordon's You Can Depend on Me. Track 6. Ea sy Li vi ng . Various Artists (5). th
Wardell Gray, tenor, Al Haig, piano, Tommy Potter, bass, Roy Haynes, drums. November 11 , 1949. Known transcriptions available: Gray (Brown (1))
All the Joins there are All examples here illustrate the joins by having two successive cadences. The join is heard in the contrast between the resolved sound of the first, and the 'further away' sound as the second cadence kicks in. As well as having a name, the join is defined in words as e.g. 'starts a minor third up'. That phrase, for instance, means that the next cadence starts a minor third up from the resolution of the first. So in that case, a cadence ending on C would start the next one on Eb-. If you want to see what they look like written out as changes, consult Part IX of the book, The Ha rm on y wi th LE GO Br ic ks Pl ay al on g . Note that the book locates each join in the tune for you.
Repeats of the Same Cadence Homer ( Repeats the same cadence exactly: i.e. starts a whole step up.) Track 7. Al l th e Th in gs Yo u Ar e. Serge Chaloff (1)
Chaloff, baritone, Sonny Clark, piano, Leroy Vinnegar, bass, Philly Joe Jones, drums. Capitol th Studios, LA, March 14 1956.
Retake (Repeats the same cadence: i.e. starts a whole step up. It differs from a homer only in that the last measure of the first cadence drops back , to launch the retake.) Track 8. It ’s Yo u or No -O ne . Dexter Gordon (3).
Gordon, tenor, Freddie Hubbard, trumpet, Horace Parlan, piano, George Tucker, bass, Al th Harewood, drums. Van Gelder, Englewood Cliffs, New Jersey, May 6 , 1961. Known transcriptions available: Hubbard (Slone (1))
New Horizon (Starts the new cadence on the same note the old one finished on, ends a whole step down.) Track 9. Tune Up. Miles Davis (1). th
Davis, trumpet, John Lewis, piano, Percy Heath, bass, Max Roach, drums. NYC, May 19 , 1953.
Known transcriptions available: Davis in both Isacoff (1) and Washburn & Harbison. NB if you check out Open Key, under Re ad in g & Wr it in g Sh ee t Mu si c, in Part VIII, More Things to Think Ab ou t , it is possible you may not have found yourself convinced. Try the comparison of the two transcriptions of the same solo here, and then see what you think! For a start, they don't always agree on actual notes. Then, Isacoff presents it in 4 sharps, because the basic key (for the trumpet) is E. But while the first cadence is to E, the second is to D , and the third is to C ! Isacoff doesn't change his key signature at all, which leads to some pretty odd and unnecessary accidentals. Then again, while Isacoff starts out at four measures to the line, he only sticks to it for the first chorus. The second chorus starts with five measures to the line, and so the transcription ceases to look like the structure of the music. Washburn & Harbison are exemplary. Track 10. La ur a . Eric Dolphy (2).
Dolphy, alto, Bent Axen, piano, Erik Moseholm, bass, Jorn Elniff, drums. Copenhagen Students' th Association Lecture Hall, Copenhagen, September 8 , 1961.
Downwinder (Starts the new cadence a half step up , ends a half step down.) Track 11. Al l th e Th in gs Yo u Ar e. Hampton Hawes (2
Hawes, piano, Red Mitchell, bass, Chuck Tompson, drums. ). Gymnasium-Auditorium of the Los th Angeles Police Academy, June 28 1955. (The session started at midnight, with the lights out).
Disk 8------------------------------------Cherokee (Starts the new cadence a minor third up, ends a half step up.) Track 1. Cherokee. Barry Harris (1) th
Harris, piano. Studio 44, Monster, Holland, July 29 , 1990. Note that whil e the join to get into the br idge is a cherokee, the other three joins are al l ne w horizons. See Cherokee - a Case Study i n Pa rt II - Pe rs pe ct iv es & Po le mi cs, and also Trial Run the Bridge of Cherokee i n Pa rt VI I - a LE GO Br ic ks Ap pr oa ch to So me Co re Re pe rt oi re.
Woody (Starts the new cadence a third up, ends a whole step up.) Track 2. Woody ‘n’ You. Miles Davis (1).
Davis, trumpet, John Coltrane, tenor, Red Garland, piano, Paul Chambers, bass, Philly Joe Jones, th drums. Van Gelder, May 11 , 1956. Track 3. We've left a bit of studio chat on at the end so that you can here Coltrane asking for the bee r opene r! Our di gital recor der heard it as a sep arate track!
Known transcriptions available: Trane (White).
Highjump (Starts the new cadence one forward round the cycle, ends a minor third up.) Track 4. The Night Has 1000 Eyes. Stan Getz (1)
Getz, tenor, Lou Levy, piano, Monty Budwig, bass, Victor Lewis, drums. Live at Keystone Korner, San Francisco, California, May 1981.
Bauble (Starts the new cadence a flat fifth up, ends a major third up) Track 5. Gone With the Wind. Stan Getz (2). th
Getz, tenor, Al Haig, piano, Tommy Potter, bass, Roy Haynes, drums. NYC May 17 , 1950.
Sidewinders (Starts the new cadence a half step down, ends a minor third down). Track 6. There Will Never Be Another You. Stan Getz (3).
Getz, tenor, Lou Levy, piano, Leroy Vinnegar, bass, Stan Levey, drums. Los Angeles, November th 24 , 1956.
Half Nelson (Starts the new cadence a whole step down, ends a major third down). Track 7. I Love You. Bill Evans (1). th
Evans, piano, Teddy Kotick, bass, Paul Motian, drums. Riverside Studios, NYC, September 27 , 1956.
Backslider (Starts the new cadence a minor third down, ends one back round the cycle). Track 8. You Stepped Out of a Dream. Dexter Gordon (4).
Gordon, tenor, Sonny Clark, piano, Butch Warren, bass, Billy Higgins, drums. h, Studios, Englewood Cliffs, New jersey, August 29t 1962.
Van Gelder
Stella (The new cadence starts a major III down and ends a flat V away). Track 9. Central Park West. John Coltrane (2).
Coltrane, soprano, McCoy Tyner, piano, Steve Davis, bass, Elvin Jones, drums. Atlantic Studios, th NYC, Monday October 24 1960.
Bootstrap (The new cadence starts one back round the cycle, and ends one forward round the cycle) Track 10. Confirmation. Jackie McLean (2).
Mclean, alto, Kenny Drew, piano, Bo Stief, bass, Alex Riel, drums. Live at the Jazzhus Montmartre, th Copenhagen, August 5 , 1972.
Hovers Track 11. So Wh at . Miles Davis (3).
Davis, trumpet, John Coltrane, tenor, Cannonball Adderley, alto, Bill Evans, piano, Paul th nd Chambers, bass, Jimmy Cobb, drums. Columbia 30 Street Studio, NYC, March 2 , 1959. Known transcriptions available: Davis (Brown (3)) and Julien; Coltrane (White); Adderley - as well as much other analysis and partial transcriptions (Kernfeld).
Disk 9------------------------------------Track 1. I’ ll Re me mb er Ap ri l. Kenny Dorham (2).
Dorham, trumpet, Sonny Rollins, tenor, Hank Jones, piano, Oscar Pettiford, bass, Max Roach, st nd drums. Riverside Studios, NYC, May 21 or 22 1957. Track 2. In vi ta ti on . Joe Henderson (1).
Henderson, tenor, Don Friedman, piano, Ron Carter, bass, Jack de Johnette, drums. unknown.
Date
Track 3. Take the ‘A’ Train. Stuff Smith (1).
Smith, violin, Kenny Drew, piano, Niels-Henning Ørsted Pedersen, bass, Alex Riel, drums. Live at the Jazzhus Montmartre, Copenhagen, March 23rd, 1965. Known transcriptions available: none I know of but there ought to be. arguably constitutes one of the great jazz solos.
Smith's playing here
Track 4. Re me mb er . Hank Mobley (3).
Mobley, tenor, Wynton Kelly, piano, Paul Chambers, bass, Art Blakey, drums. th Studios, NYC, February 7 , 1960.
Van Gelder
Known transcriptions available: Mobley theme (Cork), Mobley solo (Butler).
A Kit of LEGO Bricks to Build songs With
Cadences: the basic building block Four square Straight cadences Track 5. Al ic e in Wo nd er la nd . Bill Evans (1).
Evans, piano, Scott LaFaro, bass, Paul Motian, drums. th evening of June 25 1961.
Live at the Village Vanguard, NYC,
Four Square Sad Cadences Track 6. Be au ti fu l Lo ve. Bill Evans (1). nd Personnel as Al ic e in Wo nd er la nd above. Riverside Studios, NYC, February 2 , 1961.
OffSet Cadences Track 7. Ho w Hi gh th e Mo on . Sonny Stitt (2). Please note that some printings of the book wrongly ascribe this track to Sonny Stitt (1).
Stitt and Art Pepper, altos, Lou Levy piano, Chuck de Monico, bass, Carl Burnett, drums. Sage & th th Sound Studios, Hollywood, California. July 28 or 29 1980. Pepper and Stitt split the head in that order, and Pepper solos first. Track 8. Weaver of Dreams. Carmen McRae (1).
McRae, vocal and piano, Joey Baron, bass, John Gianelli, drums. Live at Ronnie Scott's Club, th th London. July 8 or 9 1977.
Launchers - quick cadences Track 9. Confirmation. Charlie Parker (2).
Parker, alto, Al Haig, piano, Percy Heath, bass, Max Roach, drums. th Thursday July 30 , 1953.
Fulton Recording, NYC,
Known transcriptions available: Bird (Aebersold & Slone). Track 10. Bo dy an d So ul . Coleman Hawkins (1).
Hawkins, tenor, Tommy Lindsay & Joe Guy, trumpets, Earl Hardy, trombone, Jackie Fields & Eustis Moore, altos, Gene Rodgers, piano, William Oscar Smith, bass, Arthur Herbert, drums. NYC, October 11 th , 1939. Known transcriptions available: Hawkins (Brown (1)).
Slow launchers: conventional take-off Track 11. Take the ‘A’ Train. Clifford Brown (1). rd Personnel as Brown's Cherokee above. NYC February 23 , 1955.
Known transcriptions available: Brown (Slone (3)). Track 12. Al l of Me . Lennie Tristano (1)
I hope nobody minds but instead of using the Al l of Me from Mo ti on , that the book refers to, I've used the one from Le e Ko ni tz In si de Hi -F i. It's a little less abstract sounding than the (admittedly wonderful) Mo ti on version, and so may actually be a better illustration. A bonus is that you get to hear 'tenor Lee'. Konitz, tenor, Sal Mosca, piano, Peter Ind, bass, Dick Scott, drums. Van Gelder Studio, h, Hackensack New Jersey, September 26t 1956.
Disk 10------------------------------------Bells and Whistles 1: Basic Variations on Cadences Pullbacks Track 1. I’ ll Re me mb er Ap ri l. Sonny Clark (1). th
Clark, piano. Van Gelder Studios, NYC, November 13 , 1957.
Overruns Track 2. Au tu mn Le av es. Booker Ervin (5).
A different version to the one in the book. Partly because of George Tucker's marvellous bass playing, but also bec ause Booke r plays it in F/D mi nor , which makes a cha nge fr om the more usual Bb/G minor. Booker Ervin, tenor, Richard Williams, trumpet, Horace Parlan, piano, George Tucker, bass, Danny Richmond, drums. Newark November 26, 1960.
Two goes and more Track 3. I Ca n’ t Ge t St ar te d. Curtis Counce (1)
Harold Land, tenor, Carl Perkins, piano, Curtis Counce, bass, Frank Butler, drums. Los Angeles. January 6, 1958. Note, this is not the version in the book. Track 4. Woody 'n You. Al Cohn (1)
Al Cohn, tenor, Barry Harris, piano, Sam Jones, bass, Leroy Williams, drums. December 6, 1976. Note, this is not th e ver sion in th e boo k. Track 5. Lo ve r Ma n. Kenny Dorham (1).
Jackie McLean, alto, Walter Bishop, piano, Leroy Vinnegar, bass, Art Taylor, drums. Live at The Jazz Workshop in San Francisco, November 1961.
Extended Cadences Track 6. Al l Th e Th in gs Yo u Ar e . Booker Ervin (3).
Ervin, tenor, Tommy Flanagan, piano, Richard Davis, bass, Alan Dawson, drums. Van Gelder Studios, Englewood Cliffs New jersey, February 27 th 1964.
Long Cadences Track 7. Ma nh at ta n. Art Farmer (1).
Farmer, flugelhorn, Kenny Drew, piano, Mads Vinding, bass, Ed Thigpen, drums. th th Studios, Milano, November 29 or 30 , 1981.
Barigozzo
Known transcriptions available: Farmer (Erjavec).
Rainy Cadences Track 8. He re ’s th at Ra in y Da y. Paul Desmond (1). st
Desmond, alto, Jim Hall, guitar, Percy Heath, bass, Connie Kay, drums. NYC, June 1 , 1965. Known transcriptions available: Desmond (Niehaus (1)).
Starlight Cadences Track 9. St el la by St ar li gh t. Hampton Hawes (1).
Hawes, piano, Red Mitchell, bass, Chuck Thompson, drums. rd Angeles, December 3 , 1955.
Contemporary Studios, Los
Known transcriptions available: Hawes (Priestley (1)). NB Thi s son g is usu ally playe d in G or Bb, but is her e playe d in Eb.
Surprise endings for Cadences Simple tension endings Track 10. Cherokee. Lee Konitz (4).
Details as Konitz' S'Wonderful above. Note, this is not the version in the book. Barry Harris will have to forgive me, but we have already used a solo Cherokee by him.
Supertension endings & surprise sad endings Track 11. In vi ta ti on . John Coltrane (1).
Coltrane, tenor, Wilbur Harden, flugelhorn, Red Garland, piano, Paul Chambers, bass, Jimmy th Cobb, drums. Van Gelder Studios, NYC, July 11 , 1958. Known transcriptions available: Trane (White). Thanks to digital technology, it is easy to repeat this track, if you wish, and as the book suggests, for both supertension endings and surprise sad endings. Interesting to hear this song done as a real ballad for a change.
Disk 11------------------------------------Surprise straight endings Track 1. What’s New. Jackie McLean (1).
McLean, alto, Walter Bishop Jr, piano, Jimmy Garrison, bass, Art Taylor, drums. Van Gelder nd Studio, Englewood Cliifs New Jersey, October 2 , 1959.
Fancy colours in Cadences Fancy dominants Track 2. Bo dy an d So ul . Eddie Jefferson (2).
Jefferson, vocalese, Richie Cole & Eric Kloss, altos, Mickey Tucker, electric piano, Rick Laird, th th bas s, Eddie Gladden , drums. Live at Th Tin Palace, NY C, Marc h 26 /27 1976. NB, this is Jef fe rson' s ly ri c to the Coleman Hawkins ver sion which was used to illu strate La un ch er s above.
Gds cadences Track 3. On Green Dolphin Street. Eric Dolphy (1).
Dolphy, bass clarinet, Freddie Hubbard, trumpet, Jaki Byard, piano, George Tucker, bass, Roy Haynes, drums. Van Gelder Studios, NYC, April 1st , 1960. Known transcriptions available: Hubbard (Isacoff (3)) On a personal note, and to underline how LEGO can often save you, I was playing alto on this tune on a gig with the great Frank Campbell on piano. After the main solos Frank suddenly called out that he was going to alternate between choruses of Eb and C for the rest of the tune. No chance of disagreeing, it just had to be done!
Night and day cadences Track 4. Ni gh t an d Da y. Lee Konitz (7). th
Konitz, alto, Red Mitchell piano (yes!). Rosenburg Studio, Copenhagen, July 30 , 1974.
Stablemates cadences Track 5. St ab le ma te s. Jackie McLean (1).
Details as McLean's What's New, above. Track 6. Our Delight. George Wallington (1).
Wallington, piano, Donald Byrd, trumpet, Phil Woods, alto, Teddy Kotick, bass, Art Taylor, th drums. NYC January 20 , 1956.
Bells & Whistles 2: oblique routes to resolutions Yardbird Cadences The book doesn't make it clear enough that the 'dominant' used to arrive at the resolution is one of the Bartok substitutions discussed under Substitution in Part IV , Th e Tr an si tion fr om Li st en in g to Pl ay in g . People often say 'substitution' when they really mean specifically 'tritone substitution', implying that Db is the only sub for G. Remember Bartok showed that a sub could be anything from the diminished arpeggio of the 'real' note. Yardbird cadences use the bIII, so Bb for G. The 'straight' form of the cadence breaks down the dominant seventh into a minor to dominant pair, F- to Bb7. Track 7. Sp ea k Lo w. Booker Ervin (4).
Ervin, tenor, Horace Parlan (known as 'Felix Krull' - after the Thomas Mann confidence trickster - on the original release), piano, George Tucker, bass, Al Harewood, drums. Nola Penthouse th Sound Studios, NYC, January 6 , 1961. Track 8. Yardbird Suite. Eddie Jefferson (3).
Jefferson, vocal, Bill Hardman, trumpet, Charles McPherson, alto, Barry Harris, piano, Gene th Taylor, bass, Bill English, drums. Van Gelder Studios, NYC, August 12 , 1969. Track 9. Mo nk ’s Mo od . Thelonious Monk (1). th
Monk, piano, John Coltrane, tenor, Wilbur Ware, bass. Riverside Studios, NYC, April 16 , 1957. Known transcriptions available: Trane (White).
Coltrane Cadences There isn't a 'listen now' in the book for this next song, which I can only explain as an unaccountable oversight on my part. After all, I quote the words as the bridge negotiates its Giant Steps, so the song ought to be illustrated. Here is what the book should have said: The bridge starts resolved (‘and all at once’), then proceeds through three compact cadences, per fectly conve ntional in themselves, but which move downwards to arrive on resolutions a ‘ giant step’ apart. In these, the last three beats of each measure containing the approach chords has the words 'and all at', and every resolution is reached with the word 'once'. This repetition in the lyric helps to point up the giant steps feel as you stride downwards. The final gi an t st ep goes bac k upwards, and the approach chords lyric here is 'earth and', with the resolution 'sky'. (What is really interesting is that Giant Steps itself does exactly this taking two steps down and one back up from the starting point!) Now per hap s you will beli eve me when I say Giant Steps is a Doddle, in Part VIII , Mo re Th in gs to Think About . Track 10. Ha ve yo u Me t Mi ss Jo ne s. Rita Reys (2)
Details as for Reys's Br oa dw ay , above. Track 11. Bu t No t Fo r Me . John Coltrane (2).
Coltrane, tenor, McCoy Tyner, piano, Steve Davis, bass, Elvin Jones, drums. Atlantic Studios, th NYC, Wednesd ay, Octo ber 26 , 1960. Known transcriptions available: Trane (White)
Rainbow Cadences Track 12. I Re me mb er Cl if fo rd . Rita Reys (1).
Details as for Reys's What's New.
Disk 12------------------------------------Amen Cadences
Track 1. Mo an in ’ . Art Blakey (1).
Blakey, drums, Lee Morgan, trumpet, Benny Golson, tenor, Bobby Timmons, piano, Jymie Merritt, bass. Van Gelder Studios, NYC, October 30, 1958. Track 2. Ma ma To o Ti gh t. Archie Shepp (2).
Shepp, tenor, Perry Robinson, clarinet, Tommy Turrentine, trumpet, Grachan Moncur III & Roswell Rudd, trombones, Howard Johnson, tuba, Charlie Haden, bass, Beaver Harris, drums. th Van Gelder Studio, Englewood Cliffs, New Jersey, August 19 , 1966.
Turnarounds: The Other Main Building Block Plain Old Turnarounds: POTs Straight POTs Track 3. My Sh ip . Bud Shank (1).
Shank, alto, Bill Mays, piano, Bob Magnusson, bass, Steve Schaeffer, drums. Spectrum Studios, Venice, California, 1978.
Sad POTs Track 4. Lu ll ab y of Bi rd la nd . Urbie Green (1).
Green, trombone, Ruby Braff, cornet, Med Flory, alto, Frank Wess, flute, Sir Charles Thompson, piano, Fr edd ie Gr eene, gui tar, Aaron Bel l, bass, Bobby Donal dson, dr ums. Recorded c 1953.
Known transcriptions available: Green (Cork), Wess (Cork).
Suspended Plain Old Turnarounds: SPOTs Because the point ought to be illustrated by a Li st en No w in the book, I've put this track in here. Track 5. Be tw ee n th e De vi l & th e De ep Bl ue Se a. Dicky Wells (1).
Wells, trombone, Bill Dillard, Shad Collins & Bill Coleman, trumpets, Django Reinhardt, guitar, th Dick Fulbright, bass, Bill Beason, drums. Paris, July 7 , 1937. Trumpet solos Coleman (open), Dillard (muted).
Rhythm Turnarounds Track 6. On a Slow Boat to China. Sonny Rollins (1). th
Rollins, tenor, Kenny Drew, piano, Percy Heath, bass, Art Blakey, drums. NYC December 17 , 1951. Known transcriptions available: Rollins theme (Cork), Rollins solo (Baker) Track 7. Im ag in at io n. Sonny Stitt (4).
Art Pepper, alto, Russ Freeman, piano, John Heard, bass, Carl Burnett, drums. Sage & Sound th st Studio, Hollywood, Los Angeles, California, July 30 or 31 , 1980. Note that although St it t is th e album le ade r, he doesn 't play on this tr ack . It 's a featur e for Ar t Pepper. The album is one of a series (Konitz' High Jingo is another) where the formula is 'X and his West Coast Friends', where the friends always prominently include Pepper. There were 2 led by Stit t, both used in this Companion, and I kno w of ones by Jack Sheldon and Pete Joll y. And there may well be others. Track 8. Oleo. Miles Davis (1).
Davis, trumpet, Sonny Rollins, tenor, Horace Silver, piano, Percy Heath, bass, Kenny Clarke, th drums. Van Gelder Studio, Hackensack, June 29 , 1954. Known transcriptions available: Davis (Isacoff), Rollins (Anon).
IV 'n' Back Track 9. Chimes Blues. King Oliver (1).
King Oliver & Louis Armstrong, cornets, Honore Dutrey, trombone, Johnny Dodds, clarinet, Lil th Hardin, piano, Bud Scott, banjo, Baby Dodds, drums. Richmond, Indiana, April 5 , 1923. Track 10. I’ m Af ra id th e Ma sq ue ra de is Ov er . Helen Merrill (1).
Merrill, vocal, accompanied by Hal Mooney, arranger and conductor, Hank Jones, piano, Barry th Galbraith, guitar, & others, plus strings. NYC October 24 , 1955. Track 11. I’ m Af ra id th e Ma sq ue ra de is Ov er . Sonny Stitt (3).
Sonny Stitt, alto, Don Patterson, organ, Billy James, drums. NYC August 25, 1964. If the start seems a touch abrupt, it's because the song is the second in a medley, and I had to cut in!
Track 12. I’ m Af ra id th e Ma sq ue ra de is Ov er . Milt Jackson (1).
Jackson, vibes, Frank Wess, flute, Hank Jones, piano, Kenny Burrell, guitar, Percy Heath, bass, Art Taylor, drums. Atlantic Studios NYC, c 1959. NB, due to a typograph ical erro r, the D on page 153, in the example of Grig son 's 'alter nat ive' bas s notes is under the Bb, not the Bb7. Note too, that the #IV dimi nishe d cho rd is not th e result of any exotic theor y. Jus t as with th e #I diminished in the rhythm turnaround, the diminished triad is reached by simply raising the root of the preceding chord a half step, but leaving the other two notes of the triad alone. So F A C bec omes F# A C. Louis uses bot h set s of not es in his Chimes Blues solo to emphasise the upward movement, and what's more, you can hear Bud Scott's banjo go with him!
Pennies Turnaround Track 13. Hi Be ck . Miles Davis (1).
Davis, trumpet, Lee Konitz (leader), alto, Sal Mosca, piano, Billy Bauer, guitar, Arnold Fishkin, bas s, Max Roach, drums. NY C, March 195 1. (I nterestingly, th is is Mi les's only Prestige dat e as a sideman).
Fancy Colours in Turnarounds (note that the fonts for some of these headings disappeared in the book, and are restored here)
Foggy Turnarounds Track 14. A Fo gg y Da y. Lester Young (3).
Young, tenor, Bill Potts, piano, Norman Williams, bass, Jim Lucht, drums. Live in Washington rd DC, December 3 , 1956. NB ther e is an error in the boo k's disco gr aph y. This tr ack app ear s on Pablo 230 8 219, the fi rst in the series, not the third. (And too early to be called Volume I!)
Disk 13------------------------------------Ladybird turnarounds Track 1. La dy bi rd . Barney Wilen (1).
Wilen, tenor, Kenny Dorham, trumpet, Duke Jordan, piano, Paul Rovère, bass, Daniel Humair, th th drums. Live Club Saint-Germain, Paris, France, April 24 /25 1959. (Who knew Duke Jordan could stomp like that?)
Multi-subbed Turnarounds Track 2. I Ca n’ t Ge t St ar te d. Charles Mingus (1).
Mingus, bass, John Handy, alto, Richard Wyands, piano, Dannie Richmond, drums. Live at the th Nonag on Ar t Galler y, NY C, Janua ry 16 , 1959.
Doo Wop Turnarounds Go buy your own Whitney Houston! It was bad enough creeping out of a record shop with Patsy Cline under my arm.
Passacaglias The book should have made it clear just what the descending notes in this turnaround are. In C, at two beats each the roots would be C Bb Ab G. Only the Bb is different in any way from a POT with a substitution in it, of course. But the passacaglia is its own beast, and that wholestep down from C to Bb is part of the relentless march to G! Track 3. Friday the Thirteenth. Roswell Rudd (1).
Rudd, trombone, Steve Lacy, soprano, Misha Mengelberg, piano, Kent Carter, bass, Han Bennink, th drums. Barigozzi Studio, Milano, June 25 , 1982. Track 4. Mo an in ’. Art Blakey (2).
Blakey, drums, Lee Morgan, trumpet, Wayne Shorter, tenor, Bobby Timmons, piano, Jymie th merritt, bass. Live from the Paris Olympia, May 13 1961. Since we used the track the book refers to already, under Amen Cadences, here's a different one. It's still by Blakey but it's by the band after Wayne Shorter replaced Golson. I remember this tour very well, because as a student I made the journey from my University town Nottingham to Leicester (where ironically I now live) to see it. My first ever great live jazz experience was seeing and hearing Lee Morgan play Pa pe r Mo on .
The Harmony with LEGO Bricks System.
1. Cadences CADENCES
Page
2-Goes (And More)
II! D!
Amen Cadence
IV" F"
Coltrane Cadence
II! D!
V7 G7
II! D!
V7 G7
140
I" C"
149
I" C" b III7
b VI"
Eb 7
Ab "
VII7 B7
III" E"
V7 G7
I" C"
147
Extended Cadence
VI! A!
II! D!
V7 G7
I" C"
140
GDS (Green Dolphin Street) Cadence
II" D"
b II"
I" C"
I" C"
144
Long Cadence
Night And Day cadence
III! E!
Db " VI7 A7
b VI"
Ab " Pullback
II! D!
Rainbow Cadence
V" G"
Rainy Cadence
III! E!
V7 G7
II! D!
V7 G7
I" C"
I" C"
141
(II!) (D!)
V7 G7
I" C"
I" C"
145
III! E!
VI7 A7
II! D!
I" C"
139
I" C"
I" C"
148
I" C"
I" C"
141
I!" C!"
I!" C!"
136
I" C"
145
I" C"
142
I"
136
VII! B! b IIIo
Eb o
II! D!
V7 G7
Sad Cadence
II# D#
V7+9 G7+9
Stablemates Cadence
b III!
b VI7
Eb !
Ab 7
II! D!
V7 G7
I" C"
Starlight Cadence
#IV# F##
VII7 B7
III! E!
VI7 A7
II! D!
Straight Cadence
II!
V7
I"
V7 G7
V7 G7
D!
G7
C"
C"
Straight Cadence + Overrun
II! D!
V7 G7
I" C"
IV" F"
139
Supertension Ending
II! D!
V7 G7
V! G!
I7+11 C7+11
143
Surprise Sad Ending
II! D!
V7 G7
I!" C!"
I!" C!"
143
Surprise Straight Ending
II# D#
V7+9 G7+9
I" C"
I" C"
143
Tension Ending
II! D!
V7 G7
(V!) (G!)
I7 C7
142
Tangerine Cadence
VII! B!
III7 E7
I" C"
I" C"
tbd
Tritone Substitution
II! D!
b II7 Db 7
I" C"
I" C"
144
Yardbird Cadence
IV! F!
b VII7
I" C"
I" C"
146
Bb 7
2. Turnarounds TURNAROUNDS
Page
Doowop Turnaround
I" C"
VI! A!
IV! F!
V7 G7
155
Foggy Turnaround
I" C"
b III7
II! D!
V7 G7
153
III! E!
b III7
II! D!
V7 G7
207
Eb 7
IV 'n' Back
I" C"
I7 C7
IV7 F7
#IVo F#o
Ladybird Turnaround
I" C"
b III7
b VI"
Eb 7
Ab "
b II7 Db 7
VII! B!
III7 E7
b VII!
b III7
Bb !
Eb 7
I" C"
b VII7
b VI7
Bb 7
Ab 7
V7 G7
I" C"
II! D!
III! E!
b IIIo
I" C"
VI! A!
II! D!
V7 G7
149
I" C"
VI7 A7
II! D!
V7 G7
149
I" C"
b IIo Db o
II! D!
b IIIo
151
Sad POT
I" C"
VI# A#
II# D#
V7+9 G7+9
150
SPOT (Suspended POT)
III! E!
VI7 A7
II! D!
V7 G7
150
Groovin Turnaround !
Multisubbed SPOT
Pasacaglia
Pennies Turnaround
POT (Plain Old Turnaround)
or
Rhythm Turnaround
Eb 7
Eb o
153
I" C"
154
VI! A!
II7 D7
b VI!
Ab !
b II7 Db 7
154
155
II! D!
V7 G7
153
Eb o
3. Miscellaneous MISCELLANEOUS Collapse
Dogleg
Page I! C!
VIIo Bo
b VII!
b III7
Bb !
Eb 7
II! D!
V7 G7
V! G!
I7 C7
Donna Lee Opening
I" C" II! D!
I" C" V7 G7
Launcher
Any Any
II! D!
Nowhere
I" C"
I" C"
On-Off-On + Dropback
I" C"
(Any!) (Any!)
Pennies Ending
IV" F" II! D!
#VIo F#o V7 G7
Rhythm Changes Opening = Rhythm Turnaround + SPOT + IV n Back + (SPOT)
I" C" I" C"
"
!
Rhythm Changes Bridge = Dogleg round the cycle from VII!
Slow Launcher
b IIo Db o I7 C7
II! D! IV7 F7
V7 G7
Any7 Any7
b IIIo
Eb o #IVo F#o
190
I! C!
etc
247
etc
II7 D7 I" C"
II7 D7 I" C"
199
I" C"
I" C"
137
(b III!) (Eb !)
b VI7
43
I" C"
VI7 A7
I" C" I" C"
(III!) (E!) I" C"
VI7 A7
204
II! D! II! D!
V7 G7 V7) G7)
201
III! E! (III! (E!
Ab 7
VI7 A7 VI7 A7
43
(VII!) (B!) (VI!) (A!)
III7 E7 II7 D7
(III!) (E!) (II!) (D!)
VI7 A7 V7 G7
201
II7 D7
II7 D7
(II!) (D!)
V7 G7
138
4. Joins JOINS
Naming Rationale
Page
New Horizon
Any
I
I
Downwinder
Any
I
b II
VII
II
I
Repeats previous cadence.
65
II
I
Resolves back home.
65
Entry into bridge of "Cherokee"
66
Retake
II
Homer
II
Launcher (III!) VI7
Starts on same root to lead you elsewhere
Cherokee
Any
I
b III
b II
Woody
Any
I
III
II
Highjump
Any
I
Bauble
Any
Bootstrap
65
Resolves down a semi-tone 66
Bridge of “Woody N You”
66
IV
Jumps forward round the cycle
66
I
#IV
Jumps a tritone. Used extensively in “Baubles Bangles and Beads”
67
Any
I
V
Goes back to the V to pick itself up and move on
68
Stella
Any
I
b VI
Bars 11/12 of “Stella By Starlight”
68
Backslider
Any
I
VI
V
Resolves backwards round the cycle
67
Half Nelson
Any
I
b VII
b VI
Sidewinder
Any
I
VII
I
"
!
Resolves down a major 67 third. Transition to last eight of “Half Nelson” Starts down a semi-tone
67
Transcription Bibliography If you know of other transcriptions of examples on the Harmony with LEGO Bricks Digital Companion, please let me know. Aebersold, Jamey & Slone, Ken. Charlie Parker Omnibook Atlantic Music Corp, 1958. This wonderful book is available in Eb Bb Concert and Bass Clef editions. Allen, Peter These are by Peter Allen, one of the author's most talented students and are available from the author. Anon. World's Greatest Jazz Solos. Almo Publications 1978. This volume is published in several transposed editions. I have the piano (said to be transcribed by Lennie Niehaus), and the trumpet (said to be transcribed by Conte Candole). Since the solos are the same, you will forgive my scepticism about the ostensible transcribers, hence, 'anon'. Baker, David. 1. The Jazz Style of Sonny Rollins. Studio 224, Lebanon, IN, 1980. 2. The Jazz style of Clifford Brown. Studio P/R, 1982. Brown, John Robert. 1. Front Line Sax Solos (Chappell & Company Limited 1979). 2. Jazz 2 Sax Alto (International Music Publications, 1986) 3. Jazz 2 Trumpet (International Music Publications, 1987) Butler, Hunt. Modern Jazz Tenor Solos. Brett Music, 1988. Cork, Conrad These are transcriptions made by the author over the last 40 years or so, and are offered strictly as seen! That is, especially the earlier ones may need some editing. Some of them also look a bit tatty. The author would be delighted if you were to return corrected versions. Erjavec, Don. Art Farmer Solos. Advance Music, 1984. Julien, Ivan. Miles Davis "en concert" de "Four" à "The Man With the Horn". Publication Alain Pierson, 1984. Kernfeld, Barry. Coltrane Adderley and Davis at the Twilight of Bebop (doctoral thesis), details unknown at time of writing. I've got some 'fair copies' of some of it if anyone wants. Isacoff, Stuart. 1. Jazz Masters - Miles Davis for Bb Trumpet. Consolidated Music Publishers, 1979 2. Solos for Jazz Tenor Sax. Carl Fischer Inc, 1985 3. Solos for Jazz Trumpet. Carl Fischer Inc, 1985. Miedema, Harry. Jazz Styles and Analysis: A lto Sax (down beat music workshop publications, 1977). Be aware that except on Konitz's Sub-Conscious Lee, Miedema's changes are all given in concert pitch, even though the solos are transposed for alto. Niehaus, Lennie. 1 Paul Desmond Jazz saxophone Solos. Almo Publications, 1979.
1
Jazz 3 Piano. International Music Publications, 1986.
Slone, Ken 1. 28 Modern Jazz Trumpet Solos Volume 1. Studio PR, 1977 2. 28 Modern Jazz Trumpet Solos Volume 2. Studio PR, 1980 3. Clifford Brown Trumpet Solos. Studio PR, 1982. Washburn, Dick and Harbison, Pat. Miles Davis Transcribed Solos. Book and Record Set, Jamey Aebersold, 1980. White, Andrew. White has transcribed all Bird, all Trane, and a substantial chunk of Eric Dolphy. You can buy anything from a single solo to a full life's work. Last known address for him was: Andrew's Music 4830 South Dakota Avenue N.E. Washington D.C. 20017 USA
Songs Listing The bracketed numbers after each name refer you to the entry in the Albums Listing below. The numbers after that give you the CD and Track number for each use of the song in the Companion. E.g. 6/14 means CD 6, Track 14. Af te rn oo n in Pa ri s Sonny Stitt (1). 6/14. Al ic e in Wo nd er la nd Bill Evans (2). 7/1. Bill Evans (1). 9/5. Al l Go ds Ch illu n Go t Rh yt hm Sheila Jordan (1) (vocal version). 3/15. Al l of Me Lester Young (1) (vocal version). 3/4. Lennie Tristano (1). 9/12. Al l th e Th in gs Yo u Ar e Serge Chaloff (1). 7/7. Hampton Hawes (2). 7/11. Booker Ervin (3). 10/6. At Lo ng La st Lo ve . Frank Sinatra (2) (vocal version). 5/2. 5/10. An th ro po lo gy . Elvin Jones (1). 2/10. Au tu mn Le av es . Rita Reys (1) (vocal version). 5/14. Chet Baker (1). 5/15. Booker Ervin (5). 10/2. Ba ub le s Ba ng le s an d Be ad s. Sarah Vaughan (2). 6/3. Bill Evans (1). 6/4. Be au ti fu l Lo ve . Helen Merrill (1) (vocal version). 5/12. Kenny Dorham (1). 5/13. Bill Evans (1). 9/6. Be ms ha Sw in g. John Coltrane (2). 1/8. Be nn y’ s fr om He av en Eddie Jefferson (1) (vocal version). 3/2. Be tw ee n th e De vi l an d th e De ep Bl ue Se a. Dicky Wells (1). 2/14. 12/5. Bl ue Bo ss a. Art Pepper (1). 5/17. Bl ue Mo on . Clifford Brown (1). 2/15. Bl ue s Wa lk . Clifford Brown (1). 2/7. Bo dy an d So ul Mel Torme (1) (vocal version). 5/6. Coleman Hawkins (1). 9/10. Eddie Jefferson (2). 11/2. Br oa dw ay . Rita Reys (2) (vocal version). 6/5.
Bu t No t Fo r Me . John Coltrane (2). 11/11. Central Park West. John Coltrane (2). 8/8. Cherokee. Rita Reys (1) (vocal version). 2/1. Clifford Brown (1). 2/2. Barry Harris (1). 8/1. Lee Konitz (4). 10/10. Chimes Blues. King Oliver (1). 11/9. Confirmation. Steve Kuhn (1). 1/11. Dexter Gordon (2). 6/13. Jackie McLean (2). 8/9. Charlie Parker (2). 9/9. Crazy Rhythm. Benny Carter (1). 6/8. Da ah ou d. Clifford Brown (2). 6/7. Da rn th at Dr ea m. Dexter Gordon (2). 7/5. Di pp er mo ut h Bl ue s Louis Armstrong (1). 5/9. Do nn a Le e. Richie Cole (1). 3/8. 5/11. Lennie Tristano (1). 5/1. Ea sy Li vi ng . Various Artists (5). 7/6. Ex ac tl y like yo u. Eddie Jefferson (1) (vocal version). 3/9. Fi ft h Ho us e. John Coltrane (2). 4/13. A Fo gg y Da y. Lester Young (3). 12/14. Fr id ay th e Th ir te en th . Roswell Rudd (1). 13/3. Gone With the Wind. Stan Getz (3). 8/4. Groovin’ High. Various Artists (4). 4/14. Good Bait. John Coltrane (1). 1/4. Ha ve Yo u Me t Mi ss Jo ne s. Rita Reys (2). 11/10. He ar ta ch es . Patsy Cline (1) (vocal version). 4/3. Dexter Gordon (1). 4/4. He re ’s Th at Ra in y Da y. Paul Desmond (1). 10/8. Hi Be ck . Miles Davis (1). 12/13. Ho ne ys uc kl e Ro se . Benny Carter (1). 6/10. Ho t Ho us e. Dizzy Gillespie(1). 4/11. Ho w Hi gh th e Mo on . Sonny Stitt (2). 9/7. I Ca n’ t Be li ev e th at Yo u’ re in Lo ve Wi th Me .
I Ca n’ t Ge t St ar te d. Bunny Berigan (1) (vocal version). 1/9. Booker Ervin (1). 1/10. Art Farmer (2). 6/15. Curtis Counce (1). 10/3. Charles Mingus (1). 13/2. I Ca n’ t Gi ve Yo u An yt hi ng Bu t Lo ve . Lucky Thompson (1). 3/3. I Ge t a Ki ck ou t of Yo u. Frank Sinatra (5) (vocal version). 6/1. Clifford Brown (1). 6/2. I Go t Rh yt hm . Valaida Snow (1) (vocal version). 2/8. I Lo ve Yo u. Bill Evans (1). 8/6. I’ ll Re me mb er Ap ri l. Sarah Vaughan (1) (vocal version). 2/3. Frank Sinatra (4) (vocal version). 5/5. Kenny Dorham (2). 9/1. Sonny Clark (1). 10/1. I’ m Af ra id th e Ma sq ue ra de is Ov er . Helen Merrill (1) (vocal version). 12/10. Sonny Stitt (3). 12/11. Milt Jackson (1). 12/12. I’ m Go nn a Si t Ri gh t Do wn an d Wr it e My se lf a Le tt er . Rita Reys (1) (vocal version). 2/5. (back home again in ) Indiana. Dicky Wells (1) (vocal version). 3/10. Im ag in at io n. Sonny Stitt (4). 12/7. In vi ta ti on Sara Vaughan (2) (vocal version). 2/4. Joe Henderson (1). 9/2. John Coltrane (1). 10/11. I Re me mb er Cl if fo rd . Rita Reys (1) (vocal version). 11/12. I Th ou gh t Ab ou t Yo u. Archie Shepp (1). 3/5. It ’s Yo u or No -O ne . Dexter Gordon (3). 7/8. Jo rd u. Various Artists (1). 3/16. La dy bi rd . Barney Wilen (1). 13/1. La ur a. Eric Dolphy (2). 7/10. Le nn ie Bi rd . Lennie Tristano (1). 4/9 Lo ve r Ma n. Sarah Vaughan (3) (vocal version). 5/7. Kenny Dorham (3). 10/5. Lu ll ab y of Bi rd la nd . Urbie Green (1). 12/4. Ma ma To o Ti gh t. Archie Shepp (2). 12/2. Ma nh at ta n. Art Farmer (1). 10/7. Mo an in ’. Art Blakey (1). 12/1.
Mo nk ’s Mo od . Thelonious Monk (1). 11/9. The More I See You. Hank Mobley (2). 3/6. My Fu nn y Va le nt in e. Gerry Mulligan (1). 5/4. My Sh in in g Ho ur . John Coltrane (2). 7/2. My Sh ip . Bud Shank (1). 12/3. Na im a. John Coltrane (2). 1/12. Ni gh t an d Da y. Lee Konitz (8). 11/4. The Night Has 1000 Eyes. Stan Getz (1). 8/3. Old Word New Imports. Hank Mobley (1). 3/1. Oleo. Miles Davis (1). 12/8. On a Slow Boat to China. Sonny Rollins (1). 3/7. 12/6. On the Sunny Side of the Street Lester Young (1). 6/11. On Green Dolphin Street Eric Dolphy (1). 11/3. Ornithology. Various Artists (3). 4/8. Our Delight. Fats Navarro (1). 6/12. George Wallington (1). 11/6. Out of Nowhere. Bing Crosby (1) (vocal version). 4/5. Various Artists (2). 4/6. Pe nn ie s fr om He av en . See Benny’s from Heaven Po lk a Do ts an d Mo on be am s John Coltrane (1). 7/4. Re ck le ss Bl ue s. Bessie Smith (1) (vocal version). 2/6. 5/8. Re me mb er . Hank Mobley (3). 9/4. Ro bb in s Ne st . Buck Clayton (1). 2/12. Ro un d Mi dn ig ht . Miles Davis (2). 4/1. Satellite. Denny Zeitlin (1). 4/7. Scrapple from the Apple. Charlie Parker (1). 2/11. So What. Miles Davis (3). 8/10. Speak Low. Rita Reys (1) (vocal version). 1/13. Booker Ervin (4). 11/7. Squaty Roo. Johnny Hodges (1). 2/9. Stablemates. Jackie McLean (1). 11/5.
Vic Damone (1) (vocal version). 3/12. Booker Ervin (2). 3/13. Hampton Hawes (1). 10/9. SubconsciousLee. Lee Konitz (2). 4/12 S’Wonderful. Lee Konitz (4). 7/3. Take the ‘A’ Train. Duke Ellington (2). 3/11. Stuff Smith (1). 9/3. Clifford Brown (1). 9/11. These Foolish Things. Lee Konitz (1). 2/16. There Will Never be Another You. Stan Getz (3). 8/5. Tune Up. Miles Davis (1). 7/9. Weaver of Dreams. Carmen McRae (1) (vocal version). 9/8. What is This Thing Called Love. Frank Sinatra (1) (vocal version). 4/10. What’s New. Clifford Brown (1). 1/1. Rita Reys (1) (vocal version). 1/2. Art Pepper (1). 1/3. Frank Sinatra (3) (vocal version). 5/3 Lee Konitz (3). 5/16. Jackie McLean (1). 11/1. When Lights Are Low. Miles Davis (1). 1/5. Vic Damone (1) (vocal version). 1/6. Jaki Byard (1). 1/7 Whispering. Miles Davis (1). 4/2. Woody ‘n’ You. Max Roach (1). 3/14. Miles Davis (1). 8/2. Al Cohn (1). 8/4. Yardbird Suite. Eddie Jefferson (3) (vocal version). 11/8. You Can Depend on Me. Dexter Gordon (2). 6/9. You Stepped Out of a Dream. Dexter Gordon (4). 8/7.
Albums Listing Chet Baker She Was Too Good To Me. CTI 6050 S1. 1. Bunny Berrigan 1. (45rpm EP) RCA Victor RCX 1005. Art Blakey 1. Moanin . Blue Note BNS 40012
Clifford Brown 1. Brownie - The Complete EmArcy recordings of Clifford Brown. EmArcy 838 306Clifford Brown - The Complete Blue Note and Pacific Jazz Recordings. CDP 72438 34195 2 2. Jaki Byard 1. Parisian Solos. Musica MUS.2008. Benny Carter 1. Further D efinitions . Impulse IMPL 8037. Serge Chaloff 1. Blue Serge. Capitol Jazz Classics Vol 7. 5C 052.80 803. Sonny Clark Sonny Clark Trio. Blue Note CDP 7 46547 2. 1. Buck Clayton The Complete Buck Clayton Jam Sessions. Mosaic MD6-144. 1. Patsy Cline 1. Dreaming . PLAT CD 303. Al Cohn 1. Al Cohn's America. Xanadu 138. Richie Cole Side by Side. Muse MR5237 1. John Coltrane 1. John Coltrane - The Prestige Recordings. Prestige 16 PCD-4405-2. The Heavyweight Champion - John Coltrane - the complete Atlantic recordings. Atlantic 2. 8122-71984-2. Curtis Counce Carl's Blues. Boplicity COP 040 1. Bing Crosby The Early 30’s. Ace of Hearts AH 88. 1. Vic Damone 1. Linger Awhile. Capitol CAPS 186 7471. Miles Davis Chronicle - The Complete Prestige Recordings 1951-1956. Prestige PCD-012-2. 1. 2. Round About Midnight. CBS 460605 2. 3. Kind of Blue. CBS 460603 2. Paul Desmond 1. Polka Dots & Moonbeams. Bluebird ND90637. Eric Dolphy Outward Bound. Original Jazz Classics OJCCD-022-2. 1. 2. Live in Europe Vol 2. Prestige PR 7350. Kenny Dorham 1. Matador/Inta Somethin'. Blue Note CDP 7 84460 2.. 2. Jazz Contrasts. Original Jazz Classics OJCCD-028-2. Duke Ellington The Works of Duke Integrale Vol 17. RCA FXM1 7274. 1. The Works of Duke Integrale Vol 14. RCA FXM1 7134. 2. Booker Ervin The Space Book. Prestige PR 7386. 1. Groovin’ High. Prestige PR 7417. 2. The Song Book. Prestige PR 7318. 3. That’s It. Candid CCD 79014. 4. Down in the Dumps. Savoy SV-0245. 5. Bill Evans 1. Bill Evans - The Complete Riverside Recordings. Riverside 99.918. 2. Bill Evans - The Secret Sessions. Milestone 8MCD-4421-2. Art Farmer 1. Manhattan. Soul Note SN 1026 On the Road . Contemporary S7636. 2. Stan Getz The Dolphin. Concord CJ158 1. The Roost Quartets. Roulette CDP 7960522 (UK: CD-ROU 1027.). 2.
Dizzy Gillespie 1. Professor Bop. Le Jazz CD 25. Dexter Gordon Gettin’ Around. Blue Note CDP 7 46681 2. 1. 2. Dexter Gordon Quartet 1955-1967. Giants of Jazz CD 53065. 3. Doin’ Alright. Blue Note BST 84077. 4. A Swingin’ Affair. Blue Note CDP 7 84133 2. Urbie Green Old Time Modern. Vanguard PPT 12021. 1. Barry Harris Solo. September CD 5111. 1. Hampton Hawes This is Hampton Hawes, Vol 2: The Trio. Contemporary C3515. 1. 2. Hampton Hawes Trio. Contemporary 98.640. Coleman Hawkins Complete Vol 1. Black & White FXM1 7325 1. Joe Henderson Tetragon. Milestone MSP-9017. 1. Johnny Hodges Who Struck John. Definitive DRCD11124. 1. Milt Jackson 1. Bags and Flutes. Atlantic 1294 Eddie Jefferson The Main Man. Inner City 1033. 1. The Liveliest. Muse MR 5127. 2. Come Along With Me. Prestige PR 7698. 3. Elvin Jones 1. Dear John C. Impulse GRP11262. Sheila Jordan The Crossing. Black Hawk BKH 50501-1 D. 1. Lee Konitz 1. Konitz meets Mulligan. Pacific Jazz CDP 7 46847 2. 2. Live at the Berlin Jazz Days 1980. MPS 15577 Satori. Milestone M-9060. 3. 4. High Jingo. Atlas LA 27 1016. 7. I Concentrate on You. Steeplechase SCCD-31018. Steve Kuhn 1. Last Year’s Waltz. ECM 1213. Jackie McLean Swing Swang Swingin’. Blue Note ST-84024. 1. 2. Live at Montmartre. Steeplechase SCCD-31001. Carmen McRae 1. Live at Ronnie Scott’s. Pye NSPL 18543. Helen Merrill The Complete Helen Merrill on M ercury. Mercury 826 340-2. 1. Charles Mingus Wonderland. United Artists UAS 5637. 1. Hank Mobley Straight No Filter. Blue Note CDP 7 84435 2. 1. Roll Call. Blue Note CDP 7 46823 2. 2. Soul Station. Blue Note CDP 7 46528 2. 3. Thelonious Monk Thelonious Monk & John Coltrane. Milestone M-47011. 1. Gerry Mulligan Quartet with Chet Baker. Giants of Jazz CD 53027. 1. Sextet. Giants of Jazz CD 53141. 2. Fats Navarro 1. Prime Source. Blue Note BN LA 507-H2. King Oliver
Charlie Parker Charlie Parker on Dial Completed. Spotlite CJ25-5043-6. 1. The Complete Charlie Parker on Verve. Verve 837 141-2. 2. Art Pepper 1. Among Friends. Interplay Records IP-7718. Rita Reys 1. Jazz Pictures at an Exhibition. Mercury PG 899 846 242-2. 2. Marriage in Modern Jazz. Mercury PG 899 848 307-2. Max Roach 1. Max Roach Plus 4. EmArcy 822 673-2. Roswell Rudd -Steve Lacy -Misha Mengelberg -Kent Carter - Han Bennink 1. Regeneration. Soul Note SN1054. Sonny Rollins The Prestige Years Vol 1 1949-1953. Prestige PRE 4001-4. 1. Bud Shank 1. Heritage. Concord Jazz CJ-58. Archie Shepp On Green Dolphin Street. Denon YX7524ND 1. 2. Mama Too Tight. Impulse A-9134. Frank Sinatra The Wee Small Hours. Capitol CAPS 1008. 1. 2. A Swingin’ Affair. Capitol LCT 6135. Sings For Only the Lonely. Capitol SM-1053. 3. 4. Point of No Return. Capitol ED 26 01771. Songs for Young Lovers. Capitol ED 26 00741. 5. Bessie Smith The Empress. CBS 66264 1. Stuff Smith Swingin’ Stuff. Polydor Special 236 509.. 1. Valaida Snow Swing is the Thing. World Records SH354. 1. Sonny Stitt Genesis. Prestige PR 24044. 1. Groovin’ High. Atlas LA27-1004. 2. Soul People. Prestige PR 7372. 3. 4. Blow & Ballade. Atlas LA27-1007. Lucky Thompson 1. Lucky Standards. Vogue VG 405 500099. Mel Torme Torme. World Record Club TP350 1. Lennie Tristano The Complete Atlantic Recordings of Lennie Tristano, Lee Konitz & Warne Marsh. Mosaic 1. MD6-174. Valaida see Valaida Snow. Sara Vaughan 1. Ronnie Scott’s presents Sarah Vaughan ‘Live’. Pye NSPL 18544. You’re Mine You. (No label name on disc) P 910004. 2. 3. In the Land of Hi Fi. EmArcy 840 829-2. George Wallington 1. Jazz for the Carriage Trade. Prestige LP 7032. Dicky Wells 1. Dicky Wells & Bill Coleman in Paris. Cedar CD AFS 1004. Barney Wilen 1. Barney at the Club Saint-Germain (Paris 1959) the Complete RCA Victor Recordings. RCA 74321544212. Lester Young 1. Evening of a Basie-ite - The Lester Young Story Vol 5. CBS 88493. 2. Pres & Teddy & O scar. Verve 2610 031.
