HISTORY OF ARCHITECTURE EGYPTIAN ARCH’RE – 3rd MIL. BC.
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THE ARCHITECTURE OF EGYPT FROM THE 3rd. MILLENIUM B.C. TO THE ROMAN PERIOD. ITS MOST OUTSTANDING ACHIEVEMENTS ARE ITS MASSIVE FUNERARY MONUMENTS & TEMPLES BUILT OF STONE FOR PERMANENCE, FEATURING ONLY POST-AND-LINTEL CONSTRUCTION & CORBEL VAULTS W/ OUT ARCHES & VAULTING.
WEST ASIATIC ARCH’RE 1. ASSYRIAN 2. BABYLONIAN 3. PERSIAN ANCIENT NEAR EAST ARCH’RE
1. EARLY MESOPOTAMIAN - 5th -2nd MIL. B.C. 2.
ASSYRIA ASSYRIAN N & BABYLON BABYLONIAN IAN - 1859-5 1859-539 39 B.C.
CLASSICAL ARCHI’RE THE ARCH’RE ARCH’RE OF HELL HELLENI ENIC C GREECE GREECE & IMPE IMPERIA RIAL L ROME ROME ON W/C W/C THE THE ITALIAN RENAISSANCE & SUBSEQUENT STYLES SUCH AS THE BAROQUE & THE CLASSICAL REVIVAL BASED THEIR DEV’T. THE ARCH’RE ARCH’RE ORIGIN ORIGINATIN ATING G IN ANCIENT ANCIENT GREECE GREECE OR OR ROME, ROME, THE RULES RULES & FORMS OF W/C WERE REVIVED BASED TO ESTABLISH THE RENAISSANCE IN EUROPE IN THE 15th & 16Th CENTURIES. 1. a. AEGEN - 3,000-1,100 B.C. b. GREEK - 650 –30 B.C. 2. a. ETRUSCAN - 750-100 B.C. b. ROMAN - 300 B.C.-300 A.D. EARLY CHRISTIAN ARCH’RE - 313-800 A.D.
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THE FINAL PHASE OF ROMAN ARCH’RE FROM THE 4th TO THE 6th CENT., PRIMARILY IN CHURCH BUILDING. COEVAL W/ & RELATED TO THE RISE OF BYZANTINE ARCH’RE.
BYZANTINE ARCH’RE - 330-1453 THE ARCH’RE ARCH’RE OF THE THE BYZANTI BYZANTINE NE OF OF EASTE EASTERN RN ROMA ROMAN N EMPIR EMPIRE E W/C W/C DEV’P FROM EARLY CHRISTIAN & LATE ROMAN ANTECEDENTS IN THE 4Th CENT. , FLOURISHED PRINCIPALLY IN GREECE, BUT SPREAD WIDELY & LASTED THRU-OUT THE MIDDLE AGES UNTIL THE FALL OF CONSTANTINOPLE TO THE TURKS (1453). IT IS CHARACT CHARACTERI ERIZED ZED BY LARG LARGE E PENDE PENDENTI NTIVE-S VE-SUPP UPPORTE ORTED D DOMES DOMES,, ROUND ARCHES & ELABORATE COLUMNS, RICHNESS IN DECORATIVE ELEMENTS, & COLOR. ISLAMIC ARCH’RE – 7th CENT. ROMANESQUE – 9th – 12th CENT. THE STYLE STYLE EMER EMERGIN GING G IN WESTER WESTERN N EUROP EUROPE, E, BASE BASED D ON ROMAN ROMAN & BYZANTINE ELEMENTS, CHARACTERIZED BY CLEAR PLANS, MASSIVE ARTICULATED WALL STRUCTURES, ROUND ARCHES, & POWERFUL VAULTS, & LASTING UNTIL THE ADVENT OF GOTHIC ARCH’RE IN THE MIDDLE OF THE 12th CENT.
GOTHIC ARCH’RE – 12th. – 15th. CENT. THE ARCH’L STYLE OF THE HIGH MIDDLE AGES IN WESTERN EUROPE, W/C EMERGED FROM ROMANESQUE & BYZANTINE FORMS IN FRANCE DURING THE LATER 12th CENT. ITS GREAT WORKS ARE CATHEDRALS, CHARACTERIZED BY POINTED ARCH, THE GRADUAL REDUCTION OF THE WALLS TO A SYSTEM OF RICHLY DECORATED FENESTRATION. GOTHIC LASTED UNTIL THE 16th CENT. , WHEN IT SUCCEEDED BY THE CLASSICAL FORMS OF THE RENAISSANCE. 1. FRANCE a. EARLY PHASE - 12th CENT. b. NIDDLE PHASE (RAYONNANT – 13th – 14th CENT. c. LATE PHASE (FLAMBOYANT) - LATE 15th CENT.
RAYONANNT – CHARACTERIZED BY RADIATING LINES OF TRACERY. FL AMBOYANT – CHARATERIZED BYFLOWING A FLAME-LIKE TRACERY. 2. GERMANY a. EARLY GOTHIC b. HIGH GOTHIC c. LATEN GOTHIC RENNAISANCE ARCH’RE - 15th – 19th CENT.
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REFERS DIRECTLY TO THE RESTORATION OF ANCIENT ROMAN STANDARDS AND MOTIFS IN ITALY DURING THWE 15th & 16th CENT. IN ARCH’RE, THE TERM DESCRIBES THE REVIVAL OF CLASSICAL FORMS & THEIR INERPRETATIONS W/C SPREAD THRU-OUT WESTERN EUROPE & BEYOND IN SUBSEQUENT CENTURIES.(REBIRTH) CHARACTERIZED BY THE USE OF THE CLASSICAL ORDERS, ROUND ARCHES, & SYMMETRICAL COMPOSITION. ITALY a. EARLY RENNAISANCE - 15th CENT. b. HIGH RENNAISANCE & PHOTO BAROQUE - 16th CENT. (PALLADISM) (MANNERISM) c. BAROQUE - 1750-1830 (17th CENT)
PALLADISM – A MODE OF BLDG FOLLOWING THE STRICT ROMAN FORMS, A SET FORTH IN THE PUBLICATIONS OF THE ITALIAN REN. ARCH’T. ANDREA PALLADIO (1508-1580). STYLE BASED ON A CLOSED STUDY OF ANTIQUITY. MANNERISM - TRANSITIONAL STYLE IN ARCH’RE & THE ARTS IN THE LATE 16th. CENT, CHARATERIZED IN ARCH’RE BY UNCOVENTIONAL USE OF CLASSICAL ELEMENTS.
BAROQUE – IS CHARACTERIZED BY INTERPRETATION OF OVAL SPACES, CURVED SURFACES, & CONSPICUOUS USE DECORATION, ACULPTURE, & COLOR. ITS LAST PHASE IS CALLED “ROCOCO”. BOLD, OPULENT & IMPRESSIVE TYPE OF ARCH’RE. ARTIQUARIAN – THE PHASE IN WESTERN EUROPIAN RENASSAINCE ARCH’RE 1750-1830, WHEN RENED INSPIRATION WAS SOUGHT FROM ANCIENT GREEK & ROMAN ARCH’RE ( NEO CLASSICAL) ROCOCO – ( FR. ROCALLE – ROCKWORK ) A TERM APPLIED TO TYPE OF RENAISSANCE ORNAMENT IN W/C ROCK-LIKE FORMS, FANTASTIC SCROLLS, & CRIMPED SHELLS ARE WORK UP TOGETHER IN A PROFUSION & COMFUSION OF DETAIL OFTEN W/ OUT ORGANIC COHERENCE BUT PRESENTING A LAVISH DISPLAY OF DECORATION.
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FRANCE a. EARLY PERIOD b. CLASSICAL PERIOD c. LATE PERIOD
- 15th (1494-1589) - th16(1589-1715) - 18th (1715-1830)
SPAIN a. EARLY PERIOD PLATERSQUE b. CLASSICAL PERIOD c. LATE PERIOD 1. BAROQUE 2. ANTIQUARIAN
- 1492-1556 - 15th-16th CENT. - 1556-1690 - 1650-1830 - 1650-1750 - 1750-1830
BRITAIN / ENGLAND a. EARLY RENAISSANCE - 15th CENT. 1. ELIZABETH - 1558-1603 2. JACOBEAN - 1603-1625 b. LATE RENAISSANCE - 16th-18th CENT. 1. STUART - 1625-1702 (16th) 2. GEORGIAN - 1702-1830(17th)
PLATERESQUE ARCH’RE – “SIVERSMITH-LIKE”; THE RICHLY DECORATIVE STYLE OF THE SPANISH RENAISSANCE. ELIZABETHAN ARCH’RE – THE TRANSITIONAL STYLE BETWEEN GOTHIC & RENAISSANCE IN ENGLAND, NAMED AFTER ELIZABETH I; MAINLY COUNTRY HOUSES, CHARATERIZED BY LARGED MILLIONED WINDOWS & STRAPWORK ORNAMENTATION. JACOBEAN ARCH’RE – ENGLISH ARCH’L & DECORATIVE STYLE OF THE EARLY 17th CENT. , ADAPTING THE ELIZABETHAN STYLE TO CONTI NENATL RENAISSANCE INLUENCES; NAMED AFTER JAMES I GEROGIAN ARCH’RE – THE PREVAILING STYLE OF THE 18th CENT. IN GREAT BRITAIN & THE NORTH AMERICAN COLONIES, SO NAMED AFTER GEORGE I, II, III, BUT NOT INCLUDE GEORGE IV. DERIVED FROM CLASSICAL, RENAISSANCE, & BAROQUE FORMS. PICTURESQUE – TERM IN A SPECIALIZED SENSE TO DESCRIBE ONE OF THE ATTITUDES OF TASTE TOWARDDS ARCH’RE & LANDSCAPE GARDENING IN THE LATE 18th & EARLY 19th CENT. BLDG’S & LANDSCAPE WERE TO HAVE THE CONTROLLED INFORMALITY OF A PICTURE.
FILIPINO ARCH’TS & THEIR WORKS JUAN N APKIL 1. Q.I HOSPITAL 2. QUIAPO CHURCH – RECONSTRUCTION
3. 4. 5.
MABINI SHRINE, BATANGAS RIZAL’S HOME – RESTORATION BONIFACIO MONUMENT W/ GUILLERMO TOLENTINO 6. SSS & SN. MIGUEL CHURCH 7. UP ADMI BLDG & CONSERV. OF MUSIC FEDERICO ILUSTRE 1. QUEZON MEMORIAL CIRCLE 2. OLD M.I.A.
3. G.S.I.S. 4. VETERANS MEMORIAL BLDG.(BPW) 5. ASIAN INST. OF TECH, BANGKOK CECAR CONCIO 1. BACLARAL CHURCH 2. US PROTESTANT CHURCH
3. PERPETUAL HELP CHURCH 4. UP ENGR’G & LIBERAL ARTS BLDG. 5. CHILDRENS HOSPITAL
WILLIAM PARSONS 1. MALACANANG
2. MANILA HOTEL 3. P.G.H. – ( TOMAS MAPUA) 4. PHIL. NORMAL COLLEGE
JUAN ARELLANO 1. CITY HALL MLA. W/ TOLEDO 2. METROPOLITAN THEATER, RENOV BY O. ARELLANO 3. RIZAL MEMORIAL (BPW) 4. POST OFFICE W/ TOMAS MAPUA 5. AGRICULTURE BLDG.W/ ANTONIO TOLEDO 6. LEGISLATIVE BLDG. 7. SUPREME COURT ANTONIO TOLEDO 1. CITY HALL MLA. W/ J. ARELLANO 2. LEGISLATIVE BLDG. W/ J. ARELLANO 3. AGRICULTURE BLDG. W/ J. ARELLANO 4. FINANCE BLDG
CARLOS ARGUELLLES 1. ABS-CBN, QC. 2. DEV’T BANK OF THE PHIL., MAKATI 3. MANILA HILTON 4. UP LOS BANOS,MASTER PLAN 5. UP SOCIAL SCIENCE & HUMA NITIES CENTER FERNANDO OCAMPO 1. MANILA CATHEDRAL, REHABILITATION 2. UST CHAPEL 3. ANTIPOLO CHURCH 4. AMBASSADOR HOTEL ( 1st. SKYCRAPER)
DANIEL BURNHAM PABLO ANTONIO 1. BAGUIO 1. MANILA POLO CLUB 2. LUNETA PARK 2. F.E.U. MAIN BLDG. 3. OLD CONGRESS BLDG. (LEGISLATIVE BLDG.) 3. LYRIC IDEAL THEATER 4. JAI ALAI GABRIEL FORMOSO 1. CENTRAL BANK OF THE PHILS.
2. ASIAN INST. OF MGT. , MAKATI
ANTONIO HERRERA 1. SAN AGUSTIN CHURCH, INTRAMUROS
JOSE MARIA ZARAGOSA 1. STO. DOMINGO CHURCH 2. QUIAPO CHURCH, 1985 RESTORATION
FR. ROQUE ROANO 1. U.S.T. MAIN BLDG.
CARLOS SANTOS VIOLA 1. IGLESIA NI KRISTO 2. NEW ERA 3. RUSTAN’S Q.C. 4. SULO HOTEL, RECONSTRUCTION
RUFINO ANTONIO 1. ARANETA COLISEUM RICHARD KISSLING (SWITZERLAND) 1. RIZAL MONUMENT LOUIS CROFT 1. QUEZON CITY, MASTER PLAN C.C. DE CASTRO 1. ATOMIC REACTION, Q.C. 2. SHOEMART SM,
GENARO PALACIOS 1. SN SEBASTIAN CHURCH
LEANDRO LOCSIN 1. U.P. CATHOLIC CHAPEL 2. ST. ANDREW’S CHURCH , MAKATI 3. N.A.I.A. , NEW AIRPORT 4. MLA. HOTEL, NEW 5. CCP, PICC, FAT , PHILCITE, ETC. 6. 1976 – MOST BEAUTIFUL HOTEL IN THE WORLD 7. 1987 – LIKHA AWARDEE (UAP HIGHEST) 8. 1990 – NATIONAL ARTIST FRANCISCO MANOSA 1. EDSA SHRINE 2. COCONUT PALACE 3. LAS PINAS CHURCH, RESTORATION 4. SANMIGUEL OFFICE BLDG. ORTIGAS
ROGELIO VILLAROSA 1. TEKTITE TOWER 2. NATIONAL BOOKSTORES 3. KING’S COURT I & II 4. SILAHIS (GRAND BLDG) HOTEL 5. SHANGRILA EDSA PLAZA 6. SHANGRILA HOTEL, MAKATI HEZAGON ARCH’TS – NAT’L LIBRARY 1. ZARAGOSA, JOSE MARIA 2. ARGUELLES, CARLOS 3. LUCERO, EDMUNDO 4. FAJARDO, FRANCISCO 5. DE LEON, GAVINO 6. DE DIOS CEZAR, VERGEL
PABLO ANTONIO JR. 1. FREEDOM CENTER, (EDSA COR. WHT. PLAINS) RENATO PUNZALAN 1. VISTA DE LORO, (PUERTO 2. 1995 – UAP DESIGN AWARD FOR ARCH’RE. ANDRES LUNA DE SAN PEDRO 1. SAN BEDA CHAPEL 2. MALACANANG RESIDENCE
ANTONIO SIDIONG 1. ANTONIO PACIFIC 2. PACIFIC PLAZA 3. ALI-MALL 4. CHINA BANK, PASEO DE ROXAS 5. SM LUIS ARANETA 1. STELLA MARIS COLLEGE 2. MAKATI MEDICAL CENTER PRC AWARDEE FOR 1996-36 OUTSTANDING 1. ANTONIO TURALBA – ARCH’RE 2. CEZAR CONCIO –ENVIRONMENTAL PLANNER RUPERTO GAITE 1. QUEZON CITY HALL
CONSTRUCTION TERMS (VERNACULAR) KING POST - PENDULON SIDING (EXT) - TABIKE QUEEN POST - PRASES PARTITION - DINGDING TRUSS - KILO STUD (VERTICAL) - PILARETE TOP CHORD - TAHILAN HORIZONTAL STU - PABALAGBAG B OTTOM CHORD – BARAKILAN , TIRANTE BASEBOARD - RODAPIS COLLAR PLATE - SINTURON POST - POSTE / HALIGI RAFTER - KILO FOOTING - BASE FUNDACION PURLIN - REOSTRA DIAGONAL BRACE - PIE DE GALLO FASCIA BOARD - SENEPA NEIL SETTER - PUNSOL CEILING JOIST - KOSTILYAHE MOULDING - MULDURA FLOOR JOIST - SOLERAS TRELLIS - PERGOLA GIRT - SEPO (KAPATAS) GIRDER - GUILILIAN – SEPO FOREMAN - MAESTRO DE OBRA FLOOR - SUELO LABORER - PIYON SILL - GUILILAN-SEPO MASON - KANTERO TINSMITH - LATERO STAIR - HAGDAN DOOR/WINDOW JAMB – HAMBA TRED - BAYTANG DOOR/WINDOW HEAD- SUMBRERO RISER - TAKIP SILIPAN DOOR FILLET OR ASTRAGAL - BATIDORA HANDRAIL - GABAY PANELED DOOR - DE BANDEJA STRINGER (OPEN) – HARDINERA WINDOW STILL - PASAMANO STRINGER (CLOSE) – MADRE RABBET/REBATE - BASIADOR ( DE ESCALERA) LANDING - MESA, MESITA WATER CLOSET - INODORO GABLE ROOF - DOS AGUAS BATH TUB - BANYERA HIP ROOF - QUATRO AGUAS LAVATORY - LABABO RIDGE ROLL - CABALLETE KITCHEN SINK - PRIGADERO DOWNSPOUT - TUBO BAHADA SHOWERHEAD - DUCHA CONDUCTOR - ALULOD SEPTIC VAULT - POSO NEGRO GUTTER /GROOVE - KANAL CALIKUM - OKUM G.I.SHEET STRAP – LINGUETA CAULK COTTON - ESTOPA G.I.SHEET CORR - HIERO KANALADO CAST IRON PIPE - TUBO PUNDIDO G.I SHEET PLAIN - HIERO LISO G.I. PIPE - TUBO GALBANISADO W.I STRAP - PLANCHUEL
CONSTRUCTION TERMS ( VERNACULAR) FRAME WORK - BALANGKAS SCAFFOLDING - PLANCHA, ANDAMIYO RAMP - ANDAMIO SLOPE - BAHADA PATTERN, SCHED. – PLANTILYA STAKE - ESTAKA PLUMBLINE - HULOG AL8IGNMENT - ASINTADA SPACING/GAP - BIENTO CANOPY - MEDIA AGUA
PLASTTER/STUCCO - PALITADA PLASTERED COURSE - KUSTURADA PICK WORK - PIKETA SCATCH COAT - REBUEDA VARNISH - MONYEKA CEMENT BRICK - LANDRILYO CEMENT TILE - BALDOSA WAINSCOTING TILE - ASOLEJOS COCRETE SLAB - LARGA MASA
EAVE - BIBE, ALERO OVERHUNG - BOLADA PROJECTION - BOLADA ALTERNATE - UNO-SIN-OTRA BOLT - PIERNO MACHINE BOLT - PIERNO PASANTE RIVET - REMACHE SREW NUT - TUERKA SREW THREAD - ROSKAS CABINET HINGE - ESPOLON BUTT HINGE - BISAGRA SOLDER - HINANG NICOLITE BAR - ESTANYO PUTTY - MASILYA ADOBE ANCHOR - LLAVE WIRING/SPLIT KNOB METAL WORK, TEMPER - SUBAN, SU WASHER (LEAD) - PITCHA WASHER (IRON) - CHAPA
MANSORY - KANTERIALASTILYAS MANSORY FILL 0 LASTILYAS EARTH FILL - ESCOMBRO SCRAPPED FILLER - BATAK DRESSED LUMBER - SEPILLADO WOOD GRAIN - HASPE MITTER JOINT - KANTO MESA MORTAR JOINT KUSTURA FLUSH - ALAHADO FEET - PIYE/PIE
