Jordan Rudess & John Petrucci - State of Grace

State of Grace q = 80

Synthesiser

  





    

    q = 80     Piano      Piano

5

 

          Piano   Piano

  Piano           Piano   9

 

 





  

  

         



 





 

  

                                   

Piano

           Piano    28

Piano



          

  

                      

                                       Piano           18      Piano                                      Piano     23          Piano                                       Piano          14



 

             

        

            

         



          

2

     Piano           Piano   31

34

Synthesiser





                Piano     Synthesiser

 

       

      Piano    41

      

          Piano    Piano

44

Synthesiser

  



47

   



   

       

       



    

  

    

 

          



    

     

 

         

 

         



                   

                       Piano       Piano

  

        



               

          

           Piano    Piano

         

                    

      

Piano

Synthesiser

 

  

       



Piano

38

  

 

 

 



     

   



3

                               Piano            53           Piano                    Piano     55          Piano                              Piano      59        Piano                           Piano       50

Piano

       



       

 

62

                                        Piano           65         Piano                                 Piano      Piano

68

Synthesiser







 





 





 

 

                                                   Piano      Piano

4 72

Synthesiser

 

       

        Piano   Piano



         Piano    79

Synthesiser



  



Synthesiser

 



    Piano             Piano    









 



          



  

  



 

      









      

  

  

                   

       Piano                               Piano        86







   

 



                         

        



     Piano           Piano   82

 



 

Piano

 



          

76

Synthesiser

 





             

     

     