PRINCIPLES OF SPEECH DELIVERY R I C A N I K K I B I L A S A N O | P AT AT R I C I A M A E C A R R I L L O | J U V E L L E O V I L L A | K Y L A N I C O L E T O L A R B A | B A R O N B A R R A M E D A
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1ST PRINCIPLE: R TICULA TICULATION TION What is Articulation? Articulation? • •
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The act of giving u tterance or expression The adjustments and movements of speech organs involved in pronouncing a particular sound, taken as a whole. Focuses on making individual sounds and pronunciation focuses on stress, rhythm, and intonation of the syllales in the word.
When the speaker!s words cannot e understood ecause of poor articulation, the speech might as not well have een delivered at all. The articulateness in pronouncing the words and speaking with clear diction is the effective way on transmitting the message. "roper reathing techni#ues together with the correct molding of sounds that make up words contriute to efficient articulation.
IMPORTANCE IMPORTANCE OF GOOD ARTICULATION ARTICULATION
It is importat to !" a!#" to pro$%&" so%$s' (or$s a$ s"t"&"s ()i&) ar" &#"ar a$ &a !" "asi#* %$"rstoo$ a$ it"rpr"t"$ !* ot)"rs i or$"r to !" a!#" to "+pr"ss !asi& ""$s a$ (ats' ri,)t t)ro%,) to !"i, a!#" to ",a," i &o mp#"+ &o-"rsatios. &o-"rsatios. Arti&%#atio is a#so importat i #it"ra&* s/i##s s%&) as r"a$i, a$ sp"##i, o%t o0 (or$s.
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2nd PRINCIPLE: odulation What is $odulation? $odulation? • •
The capaility to adjust or manipulate the resonance and timre of the vocal tone A manner manner of speaking in which which the loudness, pitch, pitch, or tone of the voice is modified modified
The easy explanation is to say that the word when connected with speaking or indeed music means a changing in the volume, timing or pitch. $odulation makes music or speech interesting to listen to. With speech it is modulation that makes the words and phrases stand out and to e more readily understood and rememered. %t is important therefore that a pulic speaker masters the art of modulation.
T1REE ELEMENTS OF MODULATION PITC1 2 T)" pit&) is )o( )i,) or #o( (" sp"a/ 3%st as t)"r" ar" )i,)"r or #o("r ot"s i m%si& r"pr"s"t"$ !* t)" ot"s o t)" sta-" ()" (ritt" $o(. B * -ar*i, t)" #"-"# o0 o%r -oi&" i pit&) (" &a &r"at" -ari"t* i o%r -oi&" as ("## as %s" it to ma/" &"rtai (or$s sta$ o%t. PACE 2 T)" pa&" or timi, at ()i&) *o% sp"a/ a#so ""$s to !" -ari"$. T)"r" ar" o&&asios ()" 4%it" rapi$ sp""&) is &a##"$ 0or' ot)"r tim"s 0or it to !" s#o("$ mor" t)a orma#. Rapi$ or s#o( sp""&) s)o%#$ !" %s"$ spari,#* !%t !%t t)"r" (i## !" sp""$s t)at t)at -ar* i !"t("" t)" -"r* -"r* 0ast a$ t)" -"r* s#o(. s#o(. PO5ER 2 T)" t)ir$ "#"m"t o0 mo$%#atio is t)" po("r a$ -o#%m" t)at (" %s" ()" sp"a/i,. Var* Var* ot 3%st t)" #o%$"ss #o%$"ss 6-o#%m"7 !%t a#so t)" t)" po("r or it"sit* t)at t)at (" %s" i o%r -oi&".
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RD PRINCIPLE: TAGE
PRESENCE
What is &tage "resence? •
•
The aility to 'own( the stage, of the speaker eing ale to fill the space and project his)her personality to the audience The aility to command the attention of a theater audience y the impressiveness of one*s manner or appearance
&tage presence is more than the aility to recite your lines, hit your marks, and sing the right notes. +ssentially, a good stage presence pulls the audience into the performance. %t!s the aility to make the audience connect with the performer and envelop them in the story eing told, and in turn to express what the audience feels. The opposite of stage presence is stage fright which is considered as the topmost fear in the world of pulic speaking. o one is immune of stage fright. The negative energy during stage fright must e directed or should e used in another way - the speaker, instead of feeling nervous and shaky, must ecome an interesting, enthusiastic speaker capale of eing heard and ale to move aout on stage.
Fa!ial E"#$%&&ion' G%&tu$%&' and 8The most important thing in communication hearing what isn’t said .9 : P"t"r F. Dr%&/"r Miso(%)%nt&
*t+ PRINCIPLE:
onveral communication descries the process of shared cues etween people, which goes hand inhand with pulic speaking. This can include eye contact, fre#uency of glances, link rate, gestures, facial expressions, postures, and more. onveral signals can increase trust, clarity, and add interest to your presentation when yielded properly. /earning how to ecome more sensitive to ody language and nonveral cues will make you the est presenter you can e.
T1E FIVE NON VERBAL ABILITIES
R"p"titio : T)"* &a r"i0or&" ()at is a#r"a$* !"i, sai$ Cotra$i&tio : T)"* &a &otra$i&t t)" m"ssa," a$ ma/" t)" sp"a/"r s""m %tr%t)0%# S%!stit%tio : T)"* &a ta/" t)" p#a&" o0 (or$s Comp#"m"ti, : T)"* &a &omp#"m"t a -"r!a# m"ssa,"' 0or ista&"' a pat o t)" !a&/
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,t+ PRINCIPLE: UDIENCE
RAPPORT
What is Audience 0apport? •
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%s a good sense of understanding and trust. %f you have good rapport with your neighors, they won*t mind if you kick your all onto their property every now and then. a relationship of mutual understanding or trust and agreement etween people
When you estalish rapport with your audience, they ecome your partners in a dialog, allies in your presentation. They!ll want you to succeed. They!ll overlook your nervousness and lack of polish. They!ll laugh at jokes they!ve heard efore. And they!ll give you the enefit of the dout even if they lose the thread of your logic.
1O5 TO BUILD RAPPORT 5IT1 YOUR AUDIENCE ;. Ta#/ to p"op#" !"0or" *o%r pr"s"tatio !",is. <. 1a-" *o%r a%$i"&"=s !"st it"r"sts at )"art. >. Esta!#is) "*" &ota&t. ?. Sp"a/ simp#* a$ (it) &o-i&tio. @. Approa&) *o%r pr"s"tatio 0rom *o%r a%$i"&"=s p"rsp"&ti-" ot *o%r p"rsp"&ti-". . Dr"ss appropriat"#*. . A-oi$ %si, )%mor or #a,%a," t)at mi,)t o00"$ t)"m. . T"## stori"s to ",a," t)"ir ima,iatios.
&1203+& 0amona &. Flores, 1ral 3ommunication http4))www.merriamwester.com)dictionary)articulation http4))www.dictionary.com)rowse)articulation http4))www.childdevelopment.com.au)areasofconcern)talking)articulation5whyisitimportant https4))www.oundless.com)communications)textooks)oundlesscommunicationstextook)deliveringthespeech 67)effectivevocaldelivery89)articulationandpronunciation7:;;<=>) https4))www.vocaulary.com)dictionary)modulation http4))rolandmillward.com)modulation) http4))www.genardmethod.com)log)stagepresencemasteringtheartofperformanceforpulicspeaking https4))www.ethos.com)speakingtips)theimportanceofnonveralcommunication) https4))www.vocaulary.com)dictionary)rapport http4))wittcom.com)howtouildrapportwithyouraudience)
