Hypnotic progression from Sting/Miller team. Only a pattern.
Full description
Full description
Shape of My Heart(Tab)
shape of my heart
Shape of My Heart(Tab)Full description
sting
sting
Arreglo para cuarteto de guitarras
Descripción completa
Shape of things
S o l o P i e c e sF o r A c o u s t i . G ! i t a r ( 6 ! t a r T a b B o o k / a D , 4 8 p t , t t 2 9 5 , . e f A [ 4 9 9 ] 1 5 : l ) 5 0 . a c o ! n i . a t r r n { r e m e . r s o f t l p . p ! a r 5 0 f ! 5 t o r a ! i t a r f b o r h t r a r d n r df o t a t j o n a . d r a b a r ! r e ,n r n k i n .ilr e p - " r f e . t a t e rr l f c r . a $ c a t o r n e e n r . g 9 ! r a r n 5 t o 5 h o wo f f t h e r r e . h . q ! e r l i r o u q hq r . a t p o p j o . g s i r y a r r l t s s ! . h i s 5 r . g , t u d p d y ,T r e B c a i l e sE, r o n l o h n , lheUoort,VrnMon5on lcflMt.he A B B AB , i y l o . a . d m o r e a D . o . r d t n 5d e m o n n r ; r o . s o l , r t h c D , . . e s
s t r i n g )l. h a v es u g g e s t e dt h e 6 r s t f in 9 €r s h i f t i n gt e c h n i q u e a sv i d e oe v i d e n c e i n d i c a t e st h a t D o m i n i cM i l l e r f a v o u r s t h i s f i n g e r i nf ogr p l a y i ng t h e p a r t l i v e . Y o uc o u l dp l a y t h eD a d d 6 c h o r du s i n gt h e t h i r d f i n g e r o nt h e f i r s t s t r i n g b u t t h i s i st r i c k ya n d t h e r e s u l t sm a y n o t b e a sc o n s i s t e n t . T hAe s u s 2 l i c k h anothertricky move and a Dominic Miller favourite. The cho rds in bars 7 and 8 a r es t r u m m e dl i g h t l yw i t h t h e p i c k i n gh a n d ' sf rr s tf in g €r
fromthe introsectionis in IBaIs9-24:Verse1 and 2lThe onlydifference bar13wherethe A ifirststring,sthfret)is left ringingout the secondtime round,Onthefrrstversethe extraF#andBnotesareadded asnotated. isarepeatof bars1-8. IBars25"32:ChorusllThissection isthesameas barsl to 8 withthe IBars33-40:Verse3lThissection exception ofthe F#notetiedovertobeat4 in bar3Z
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June2009GuitarTechniques 41
$]|APE OIIIYI|EARI 2 to theharmonica solo.Pluck the section linksChorus IBars4l-511This This notesofthe chordsin thissectionwith allyourfingerssimultaneou5ly. providesa piano-like plucking sounds verytidy. attackand technique keytoc# minor Fortheharmonica solotheharmonychanges lBars52-611 C#minoris a perfectfounh downfrom F#minor.Onthe guitarthatmeans
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y o u c a np l a y v i r t u a l l y t h e s a m p e a t t e r na 5i n t h e p r e v i o u sv e r 5 ea n d c h o r u s sectionsbutjust move one string down 50 the root notes now fall on the sixth string. Due to the tuning ofthe guitar,some adjustmentswillneed to be made to the 6ngering of the notesthat fallon the third string. Bars58 to 61 t a k eu s n e a t l yb a c k t o o u r o r i g i n a l k e yo f F #m i n o r .
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June2009 42 Guita"llectmiques
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$l|AP[ OIIIYl|IART Chorus3lThetechniquesforthese 3l Thetechniques IBars52-90:Verse4, 5 & Chorus for thesesections sectionshav have node point (l4th fret, the fretwire)ofthe third sving. Usethe thumb ofyour beencoveredin barsl 8, p i c k i n gh a n dt o s t r u mt h e n o t e so f t h e t o p t h r e es t r i n g si n a f a s ta r p e g g i oa t downfortheoutro.Inbar94,slowdownand IBars91-95lThesongbreaks the first linger releasesthe harmonicsjust afterward5. thenhitthefnalF#minorchord. HoldtheF+minorchord shapeandthen lightlytouchthefirstfingerofyoursrrumming handontheoctave harmonic
