) ) ) )
ftrurr,L-CW
ftu,*efi)'j
lr ) ) ) ) )
I ) ) ) ) ) D
t I )
lr ) ) ) ) )
I ) ) ) ) )
Original Concept by
Co-Conceived and Directed bv
Paul Kelly
Lynne Taylor-Gorbett
Choreographed by Lyn ne Taylor-Corbett with Associate Choreographers Ryan Francois, Rod McCune and Production Supervisor Script and Production Notes by
Scott Fowler
Jerry Zaks
Paul Kelly with Lynne Taylor-Corbett
Orchestrations by
Harold Wheeler
Originally Produced on Broadway by
Marc Routh, Richard Frankel, Steven Baruch, Tom Viertel, Jujamcyn Theaters in association with BB Promotion, Dede Harris/Jeslo Productions. James D. Stern/Douglas L. Meyers, Libby Mages/Mari Glick, and Pace Theatrical Group/SFX
RODGER'S AIVD
IilIITtrTDRSTEIN
TEEATRE LIBNANY
t D
) ) \.r-. '-'I a
229 West 28th Street. llth Floor. New York. NY 10001 Tef 800/400.8160 or 212/564.4000. Fax 212/268.1245
www.rnh.com
t-
I I I
Copyright @ 1999 by The Swing Company Limited Partnership. Intemational copyright secured. ALL RIGHTS RESERVED
:
All
arrangements by Jonathan Smith except as noted.
;
,';
'
':';:"'' IT DON'T MEAN A THING (lF IT AIN'T GOT THAT SWING) Co-Arranger Steve Armour. . AIR MAIL ISpECIAL/JERSEY BOUCE/OPUS ONE and I'LL BE SEEING YOU Dance,A.rrangernents by Ian Herman. V._- THROW THAT GIRL AROI-IND/SHOW ME. WI{AT YOU GOT Dance Arangement by Jonathan Srnith,,,.,,," Everett Bradley and Lynne Taylor-Corbett. ALL.'OF MEA'WON'T DANCE Arrangement by ooo''' " Harnpton Callaway and-Jon C. Cowherd. . ALL OF MEn WON'T DANCE and TWO AND FOURVocal.'' '' Arrangements by Ann Hampton Callaway. . HIT ME WITH A HOT NOTE AND WATCH ME BOLTNCE and I'M GONNA LOVE YOU TONIGHT Vocal Arrangements by Michael Rafter. . BLI-BLIP Vocal Arrangement by Everett Bradley and Ann Hampton Callaway. . HARLEM NOCTURNE Arrangement by Jon C. Cowherd. . DON'T SITIINDER THE APPLE TREE ?qlgf4nq!,g9mgnt by Jeanine Tesori. Vocal Arrangement by Yaro.n Gershovsky..'. SWING JT,.,BR R-' 'S'WING Arrangement and Vocal ,., ArrangementbyCaseyMacGill..CARAVANCo-Arrangementandorchestration,andCRYMEARIVER TromSone Aningem6nt by Steve Armour. . STOMPIN-' AT THE SAVOY Vocal Arrangement by Ann Hampton Callaway and Yaron Gershovsky. . BAD CASE OF RHYTHM Dance Anangement by Aaron ;;
:
Hagiir.
--='rl IT DON'T MEAN A THING (Ir IT AIN',T GOT TFIAT SWING) Copyright @ 1932 EMI Mills Music (ASCAP) and -t,{ Famous Music Corp. (ASCAP). . AIR MAIL SPECIAL Copyright O l94l RYTVOC,Inc. (ASCAP),.RagbagMusic ='-l Publishers (ASCAP) and Regent Music Publishers (BMI). . JERSEY BOLTNCE Copyright @ 1942 Lewis MusiC Publishing Co. (ASCAP). . OPUS ONE Copyright @ 1945 Embassy Music Corp. (BMI). . ruMPIN' AT THE '' WOODSIDE Copyright @ 1938 (Renewed) WB Music Corp. (ASCAP). . BOLINCE ME BROTHER (WITH A . (ASCAP). Music Publishing AND FOUR Copyright Universal MCA TWO @ Copyright O 1941 FOUR) SOLID 'l 1999 Works of Heart Publishing (ASCAP)... HIT ME WITH A HOT NOTE AND WATCH ME BOTINCE . -' Copyright @1945 EMI Robbins Catalog, Inc. (ASCAP). RHYTHM Copyr,ight O 1998 Casa Casey Music (ASCAP). . THROW THAT GIRL AROUND Copyright @1999 Big Black Boofy Music (BMI), Mr. Heitz Music ,..-.,..1 (BMI). . SHOW ME WIIAT YOU GOT Copyright @ 1999 Big Black Booty Music (ASCAP) IlgN4t) and Ireid Music . Copyright @ Mercer K. Ellington Music (ASCAP). SKYLARK used by -= land JAS Music (ASCAP), . BLI-BLIP. HARLEM NOCTU:RNE Copyright @ 1940 Shapiro, Bernstein, &:Co., Inc. - permission of Hoagland Music, Inc. (ASCAP). International Copyright Secured. . KITCHEN MECHANICS' NIGHT OUT Copyright O 1999 Casa ..t t.l -l{S Muqic . (ASCA_P). SHOUT FEEL IT Copyright (ASCAP) AND OForshay Music. and Music bur"y In,ternational Copyright Secured. . BOOGIE WOOGIE BUGLE BOY Copyright @ 1941 MCA Universal Music' Publishing (ASCAP). . cI JIVE Copyright @ 1943 (Renewed) WB Music Corp. (ASCAP). . I GOT A GAL IN . ., .r'l KALAMAZOO Copyrighta^ 1942 WB Music Corp. (ASCAP)..I'M GOIINA LOVE YOU TONIGHT Copyright @ .'..',1 1998 Casa Casey Music (ASCAP). .l'LL BE SEEING YOU Copyright'@ 1938 (Renewed 1966) Fred Ahlert Music Corporation on behalf of The New Irving Kahal Music 'Co., (ASCAF) and Fain Music (ASCAP) on behalf of Sammy " a't',,| : ,,:.:j:.:. Fain. trnternational Copyright Secured. . IN THE MOOD Copyright @ 1939 (Renewed) Shapiro, Bernstein & Co., .,:t::{ Inc. (ASCAP). Internaiional Copyright Secured. 1 DON'T SIT LINDER THE APILE TREE Copylglt @ EMI I Copyright IT, BROTHER, SWING @ Universal MCA SWINC Music-Publishing Robblns and Ched Music Corp. (ASCAP). . CARAVAN Copyright @ Famous Music (ASCAP) and EMI Mills Music,(ASCAP). . DdNCERS IN LOVE,Copyright @ i945 Music Sales Corp. (ASCAP). . CRY ME A RIVER Copyright O 1963 (Renewed) Chappel,l .= = & Co. faSeaFl and llarnony Grace lublishing (ASCAP). All rights administeied-by Chappeli A Co. (ASCAP). . ,,',,:r--1 BLUES IN THENIGHT Copyright @ l94l (Renewed) WB Music Corp. (ASCAP);. TAKE ME BACK TO TULSA =.'l (BMIJ (BI4l), International rights of Red River Inc. & Pger All on_behalf Red River Songs, ,.1Copyright O 1941 !orp. Sonls, Inc. (BMI). Administered by Warner-Tamerlane Publishing'Corp. (BMI). International Copyright Secured. . STAY A LITTLE LONGER Copyright @ 1947 Warner-Tamerlane Publishing Corp. (BMI) and Vidor Fublications ...::| lnc.AllrightsonbehalfofVidorPulicationsInc.AdministeredbyWarner.TamerlanePublishingCorp'(BMI).. BOOGIE WOOGIE COLINTRY Copyright @ 1999 JAS Music (ASCAP). . ALL OF ME Copyright @ 1931 ,.,,' (R.enewed 1978) Marlong Music Crop. (ASCAP). .I WON'TDANCE Copyright @1934 The Songwriters Guild ."'..., (ASCAP), Universal MCA Music Publishing (ASCAP). . BILL'S BOTINCE Copyright @ 1994 Bill Elliott Music ,'.'' (ASCAP). . STOMPIN' AT THE SAVOY Copyright.O tr'934'EMl Robbins Catalog Inc. (ASCAP), Ragbag Music Publishers (ASCAP), The Songwriters? Guild (ASCAP), and RYTVOC, Inc. (ASCAP). . SING, SING, SING .. 'r":.,.' Copyright @1936 EMI Mills Music (ASCAP). . CHRISTOPHER COLUMBUS by Andy Razaf & L. tserry, ' ',"" rCobyright O Edwin H. Morris & Company, a division of MPL Communications (ASCAP) and the Songwriters' Guiia 1'aSCar;. BAD CASE oF RltiTHM Copyright O 2000 Casa Casey Music (ASCAP). Lyrics by-Charlie UMarcus and Noah Racey. . WOODCHOPPER'S BALL Copyright @ Universal MCA Music Publishing (ASCAP) r:.,.
'l
'l
.l
and Princess Mtrsic Publishing
(ASCAP).
.
-',,:..,t,
SWING! Musical Numbers
ACT I
a
*i
3.
34. d. 5.
)2 )
,a,
)8.
!?; )
11.
)) ) )
12.
il:
ls.
16.
ll': t-
CIPliNlNG ("Swing It, Brother, Swing"/"It Don't Mean A Thing If It Ain't Got That Swing")...
..........1,
ENTRANCE ("Airmail Sp eci al" l "Jers ey B oLrnce" l " Opus One "/Jumpin' At The Woodside').............. .............11 IIOUNCE ME, BROTHER (WITH A SOLID FOUR)..... .....23 I'LAYOFF ("Bounce Me, Brother")........... ............34 TWO AND FOUTVHIT ME WITH A HOT NOTE AND WATCH ME 8OUNCE..............35 IT}IYTHM CROSSOVER/THROW THAT GIRL AROUND ...............46 LATIN SEQUENCE ("Show Me What You've Got")....... .....................65 CLUB SCENE ENDING ,,....74 TRANSITION TO "BLI-BLIP"................ .............79 D A N CE R S'
SKYLARK
..........101,
r{ARLEM NOCTURNE............ INTRO TO'KITCHEN MECHANICS"......... KITCIIEN MECHANICS'NIGHT OUT. sr{ouT AND FEEL IT............. BOOGIE WOOGIE BUGLE BOY.........
..........107 ...1.13 ...,,.....1'l..4
...........121. ..............12e
I GOT A GAL IN KALAMAZOO/I'M GONNA LOVE YOU TONIGHT..........................1.44 I',LL BE SEEING yOU........ ..................151 U.S.O. FINALE ("In The Mood"/"Don't Sit Under The Apple Tree")... ...........161
D
)
ACT
II
D
)
)D.
D zo. SXlTgR::::::111)-'-:-:-:-:-:-:-:- : -:IN LOVE............... D 2t'. DANCERS cRY ME A RIVER D;? RHYTHM CROSSOVER (CAITLIN'S DILEMMA)............. D
24.
Di2 D
I
io'r. 27.
ri3 I t
30. 31.
3e I
t
::
:::::::::::::il:,
............201. .............208 ..............215 ......,....,.,,,...217 .................225 ...........231, ......,.,....240
BLUES IN THE NIGHT... TAKE ME BACK TO TULSA/STAY A LITTLE LONGER BOOGIE WOOGIE COUNTRY............... BOOGIE WOOGIE COUNTRY PLAYOFF AND TRANSITION......... ALL OF ME /I WON'T DANCE.. RHYTHM CROSSOVER ("Bill's Bounce").............. BILL',S
BOUNCE
.,,...243
...........255 ................259 ..........270
STOMPIN'AT THE SAVOY... FINAT,E It, Brother, Swing"l"Sing Sing,Sing"l"It Don't Mean A Thing If -("Swing It Ain't Got That Swing").. ........,.......,,.2A2 BOWS ("Woodchopper's Ball")....... EXIT MUSIC ("Shiny Stockings'r.........,....
...................303 ........310
Ll{nno/(-'onductor
Swing
ACT ONE OPENING It
(Swing It, Brother, Swing/ Don't Mean A Thing If It Ain't Got That Swing) Orch. by Harold Wheeler
'l'lrt following 8 bars are sung a cappella offstage (possibly pre-recorded): Slou ad lib .
rhy-thm-
Deep
Hot
rhv-thm-
D
) )
Can't help but
I D D
t
bro -
ther
swing!
Slow solid groove
(Swing)-
D D D D D
t I
D D D D
(Vocal + ukelele)
me-lo - dy?-
What good
is
D D D D ) D
) )
b )
(3/03)
Music Copying by Emily Grishman Music Preparation (212) 768-2550
'.' if
sweet?.
-'
Ukelele
A7
'12
-3-It ain't
the
me-lo -
dy
.a .'e
'I
i
e
.Q
I {
a e C
e
,{ r',e
Therels some - thing
a ,,.4
grTtbs)
"Q t.-.ll '=,.1
{ ,.:|
tC {
(3/03)
a
-{
F
f!{-
) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
[I
Swing
3. OPENING
Flst 4 {\'rr:sls u cappella scat)
Rds,
Br
w/Gtr. Bs. Drs
(3/03)
-J-
A
4, OPENING
Gtr Solo
mean
don't
a
thing-
aint
Tpt, Tbn (8vb)
Fm
Sxs,
Brs
-
doo
4 r
wah
doo wah
doo
wah
doo
wah
doo
wah doo wah doo
wah
Tpt, Tbn (8vb)
Sing!
(3/03)
doo watr
gz(f,1t
-4-
)
) ) )
t't{'
Swing
cb
t mean
a
thing-
got
to do-
obz
doo wah
I
makes
Sparse
sub.lftD ' EbmT ,
wah
harmo
Si
(3/03)
wah
doo
wah
nrs
-
) ) ,
doo
no
like "Basie"
erc,
tom note)
doo
wah
doo wah
c7
Fm
wah doo wah doo
wah
Btgfl11
6. OPENING
give that rhy-thm
ev'-ry
i thing- you've
got
Sxs w/Gtr
\r4
Tbn (Svb) Nf',
*v
ain't
got
that
Sxs,Tbn
swing
Sxs wlGtr
Jf
f
Y
Tbn
(8vb)+'lc
Fm
wah doo wah Sxs dGtr
doo
(I + Drum So lo - Sir: al
(3t03)
doo
wah
doo wah doo wah
doo wah doo
wah doo
wah
'l
[^
FTrv
llst"i (walk hard)
'82
(3/03)
Sxs, Brs
Gm
,t
-, GTtls)
Gm/Ffi
) )
I
cz(hs)
) )
tI
Strong pedal
101
Half-time
b ) ) ) ) ) ) )
Sxs, Brs
.
vG Keep tempo down
D
) 7
(3/03)
-9-
(eb)
G7
Swing
ltlnno/Conductor
DANCERS BNTRANCE (Airmail SpeciaVJersey Bounce/ Opus One/Jumpin' At The Woodside)
) D D D D D D D D
t
Orch. by Harold Wheeler
START at m.23
E
D
D D
I D t I
ob"z r|.-
D -
I D I I I
w/Bs
9.
Dr (HH time) 27
a
+Br
I
D
D D
I I-
p p
t f ilr r
+ Tbn (3/03)
3
ebn
.ll
tr
Ptc
Swing
@ don't
mean
,
swing
a
h-
h-
',i
.l
,'l
Wail on B3
Ten,'Tbn,
doo wah
doo wah
doo
wah
doo wah
doo
wah doo wah
.doo
Alto,Ten,Brs
(+ TpO
Piano only
'
(3/03)
',-a
,'{
f
doo wah
,I :: 'l I .,1
-10-
Segue to m-.23
of "Dancey's Entra.nce!!.
) ) ) )
Swing
PIC
43
) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
:*F'1lv
) ) ) ) ) ) ) )
I )
t ) ) ) ) ) ) ) )
I
.L\-lz c
(3/03)
Ab7
C6
wlSs (gvU)
:::
':
:t::-:''
:..'
r. I
nr Dr (HH tirne) 1,.- :. , !3/03;
[.,:.'.-:-;::
,
b )
) ) )
I
lrt(:
Swing
ffi
fi 5rr iAlto
iu ?r r I rl?*? , '=<-*-*---..#-
l{vn}
__.
I
) )
I) )
I ) t L
) ) ) )
7lr
rffT.
*9/'
U'
I
Em7
Highfilk
,
G/A
et',r .,1
fl'
7. DANCERS ENTRANCE
P/C IJJ
135
Alto,Brs
Brs
Alto
-
Sxs 6
lr
f bi t|.l
l-
lvtT '|tl
@
140
139
Alto,Tpt,Tbn
+Tbn
11
rrl
Sxs
Alto,Ten
7= tl
frl
'I
7?
J
+Tbn
{
Bb
7; rl
6'
c7t[u1
=
hr
8. DANCERS ENTRANCE
P/C
@
Tpt solo
Ten,Tbn (8vb)
Alto,Tpt,Tbn
+Alto,Tbn
) ) ) ) )l ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
Swing
Vocal
II Alto,Ten(8vb)
Sxs,Tpt
165
give . that rhy-thm
ev'-ry-thingyou've
got.
Sxs,Tbn
t ) ) )
,1
(3/03)
+Tpt
Rds,Brs
I
IO. DANCERS ENTRANCE
l.t6
l.
doo-wah
doo-wah doo:wah
dso-wah
doo=watr
doo-wah doo-wah doo
-
o
wah
Rds,Bts''
--
:
INOSINGI
mean
.,:
a
ttring= ';.:1 :
(3/03)
,
'
-20 -
: :
I D I
II. DANCERS ENTRANCE
Swing
183
D doo-wah doo-wah
R
D
I
D D D D D D D D
doo-wah
doo-wah doo-wah doo
Sxs,Tpt,Tbn (8vb)
|
fl Qua
g*7tbsl
-l
Ebmo
D
I I
Segue
D D D
:tI
t-D D
I
D D D D D
I D I I D I D E
p P )
13/03)
-21-
to "Bounce Me Brolher"
Swing
I}OUNCE ME BROTHER (wrTH A SOLrD FOUR) Orch. by Harold Wheeler
w/Bs
.Sri;h
#t
) ) ) ) )r ) ) ) ) ) ) ) ) ) ) ) )
I
D D
Swing
4. BOUNCE ME BROTHER
P/C
19
22
-.J-
Let us hear it
me that it's in four-
tust one more-
Bbo + Gtr "Chunk Freddie"
Bs, Dr (ride)
latch
on to that
sol -
rhv-thm
id four's-
my beatsirn...
) D
) )
t --+' Soine
folks like to
Gtr cont. chunking
hear
I don't go for that
eight beat rhy-thm
no more-
Saxes
;dz Sparse (d anything)
stuff
;v
dz
s..BOUNCE ME BROTHER
Come
on in
Pyl
'the whole
- ry:bod-y's
on
out
the
. floor-
JAXCS
Bs walks thru-out
If'
you wan-na keep
Saxes
(3/03)
the
rhy-thm
pump
Bounce'me bro-ther with
AA
a
ssl -
id
four
6. BOUNCE ME BROTHER
'l'hc boo-gie woo-gie
nev
- er like
Swing
We got a new beat
this
4
Saxes
that
noth-in' can
miss
Saxes
mf
,NP
mf
Dr (hi-hat)
-3think it
boo-gie woo-gie sent you like
A
) )
and
roll
the
rug-
Shut the win
up
v_
€
D D D
F7
(comp)
D D
) ,
(3/03)
flip your lid-
+BI
Saxes
Move the ta-bles
will
a1
dows
and lock the doors-
?. BOUNCE ME BROTHER
Ten,
clang.,
'-
5nxgg'
,clang,;
,:
clang
Tbni
'
r,T V: :::Vj
like
it nev:er
'tiid ,be
t "
J+ a ':+-'
Bs walks, Dr(ride/iim) (3/03)
r
- fore
r
) ) ) )
I
Clang
) ) ) ) ) ) ) ) )
clang- clang-
Bounce me
they're
+ Tbn
D
Ann scats
)
,.
Tpt. solo
D
) )
(Improvised) T
I ) ) D
)
mp Bbg
(comp lightly)
D
) ) ) ) ) ) )
Ann scats
D D
+ Saxbs, Tbn
) )
mf
t D
t t ,
(3/03)
-29 -
bro-ther with
9. BOUNCE ME
BROTHER
,r TPt'solo
Swing
,
Bz
.:. .
:(aS
writtenl'','' =
C$ ,:=:= :
:..::=
.= = :-.::
aa:=::.:::
..= ',... -;,
,:,..::,'
=::::':
.l =
' , ,',,,The'boo - gie., woo',gie,, w.qq
nev
- er:like
Saxes
, -C.:",.
Bs walks, Dr (ride) (3/03)
this
We
got a new beat that noth-in'
can miss
r
10. BOUNCE ME BROTI.IER
9g
-.?boo-gie woo-gie sent you like I
think
it did
3
Four ro the
-'\
bar-
will
llip yuur
lid-
D
) D
) ) )
Move the ta-bles
and
roll the rug-
up
Shut the
win -
dows
and lock the doors-
D
)
I D
t
F7
D D D D D D D D D D D D
(comp)
try to keep
the lit-tle brown jug-
up
Bounce me bro-ther with
a
sol -
id four-
D
!
D
)
1
(3/03)
Dr pick-up
:::,
.'
'
.::j:'
:':...
: :'
,
Ii..BOUNCE M-E BROTHER
Bounce me brother
with
a One,
two,
Bounce me
three,
with
a
sol
Saxes
..:: : A
.1'
++ |-:-r:f tr l-..f-: -._tBr'Y.',
Tpt solo
-
;}--
-+ -i..i? --f.
+
.,.
ff, ==
crl
: w/ Tbn, (3/03)
-32
-
Segue to
Playoff
V.S.
.JJ-
PLAY-OFF
(Saxes'& Tbn 1 ::
:
)
.,
:..
, A:' :'' .A, ".-:'-:>
''
(Tpt,3solo)
'': : '
,1-
t
Bass:walk/col changes ::, ,1
.,-,
',
.:,
,, | :
(+Tp.t.)
r,.i r Rit:
:+.:..,:.:
?.
.
'
CUE Bs/Drurns
A
r
; I
+ Dr - brushes on cym (3/03)
, I'l :t ,i
-34-
:
_
.
Direct segue to
":r:.:,':=l=::'l'1
"lUi
Aitd'Fol.
Swing
lliano/Conductor
TWO AND FOUR/ HIT ME WITH A HOT NOTE AND WATCH ME BOUNCE
Orch. by Harold Wheeler
Rubato LAURA:
Oh I
missed the boat. How
did I
miss
the
I
ac-tion?
wan-na swing, be
driv-en
to
dis-trac-tion.
Pno only - simple
ebs
I longtojumpandjivenow
ef.
prTtbs) c7
rbrs
to reallyfeel a-live now,
I wan-na take this iazz-v
my in-hi - bi-tions cast
t:f"
>
Cm7
Cm6 m
o,iz cbz
2.TWO &FOUR/HOTNOTE :,.1::::10
3.
we
Ba-by,
got -
ta
set you
TWO & FOUR/HOT NOTE
free-
'cause
Swing
you snap on
the
one
and
Drs - HH
Gtr.
Eb Bs.
(
Sparse Basie noodling )
6
-r-
If you wan-na swing it then
Fm7
LAURA:
'r-
(Snaps)
CASEY: (Snaps)
) ) ) )
wlBs (3/03)
I
Bb7
try
You do it on the
two and
four.-
4:.TWO &FOUR/I{OTNOTE
:.:,".::.:; ; :;
four.+ :. '
feel the beat-
.,:
: , ., ,.',:-lt::;
hold on and lock it,
Fun
-iry,
some-thing's happ'-ning now,-
clock
it on the,two and four and
things-
my
bod-y
you'll feel the
beat.-
would-n't al-low.
1
I
...c ,Q, ra
I
r,5
I
't
:::rg
'a
I
I
5. TWO
& FOURAIOTNOTE
Swing
) ) ) bye to my
square days 'cause
I
know the
You do it on the two and four.-
score.-
D D
)
.f>>
D
) ) ) D
) D D D D D D D
as . CASEY+BAND:
I
Two
and four-1
my
temp-era-ture mounts
I D
b
Ebo
Fm7
Be
Fm7
nbagb
nbagb
D D
b
I
CASEY+BAND:
D
L
four-
D
you're
me
rhy -
high
1
I t I
t I
Eb6
Bg
Fm7
nb onb
thm
and
:-=.-
m€wilh
.. .'
a
hotnote
r:,: :
andwatch t
t,
"t'
'
.,
me
:,1..
bounce-
::tSaxgsrBr
hit me with
a
no,. Jo
*",.t
i
A13
Hit
me with a hot note and
watch-
me
bum-
nbr e
slap me with the rhy-thm from
stem-
+ Casey w/ Ukelele
(Simplefills)
mfr " Db
sax-es
i
BbmT
flare up,
Sxs.
mF
Db 3 p
I )
(3/03)
'obr
how can
I
keep my hair
up
hit me
with
a hot note and
watch-
me bounce
8. TWO
Stilrt
thal
trom
-
Srt
& FOUR/HOT NOTE
bone
-3-
keep that
and Tbn,
lll
Sxs.
come
in-
right
on-
sim.
.r-
Tnt
Ab'7
(3/03)
ia
Ab7
tem - Po
rr
) ) ) )
9. TWO
PIC
& FOUR/I]OT NOTE
Swing
@
I
Hit
me with a hot note and
watch-
knock me out with mu-sic in
me
great-
) D
) ) ) D
)
nbt sbs
D D D D D
)
let that beat
D D D
D D D D D
Db
wave
U Gb7
obtr
a hot note and watch
We're gon-na have a heat wave
obanb
Go7
Abg
Abttbst
I
D D
100
I
-3Start-
D D D D
that trom
slid -
ing
-3-
I I
D
I r I )
AbmT
(3/03)
Am7
Bbmz
p[7susa
while I
gath
er steam-
Db 6
IO.
TWO & FOUR/I]OT NOTE
Srr irr:'
I (
104
keep-
that
tem
(
-j.-
-3-
I po
rid
lng
and
I'll
come
in- right on-
(
beam.-
(
Tpt.
( (
( (
(
^t--tvvmt
trvl
BbmT
A7 AO7
Eb7
A7
I r{. llc
I I I
f D
D6
Bm7
Bm7
(dig in)
Let that
(3/03)
LAURA:
CASEY+BANDI
LAURA:
beat
3
We're gon - na have
a
heat wave
hit
r Dr-
me with
a
hot note
"a la stripper"
r-J T UT
rttrkc
tlr,'
LJ
) ) ) )
II. TWO & FOURAIOTNOTE
)
fah - ren -
D
heit
soar-
hit
Tpt.
t
FILL
G07
-t-
)
I
t D
I
D D D D D D
I
I r b I I
b
I I I I I
L
I It n I
p P
I
(3i03
note 3
(SING)
D
with a hot
1
-3-
I
me
Swing
-45
-
Dr (solo, "Jungle Drums'f )
) )
2.
P/C
I
BAND: Rhv
CASEY:
Got
the
slng lt
to
o
) )
I)
Swing
RHYTHM CROSS/THROW THAT CIRL AROUND
stuff
that
soul-
sends my
->>
(Clap2 & 4)'---"+
)
FT OTT.?' CASEY:
Bod-y
(Cfap2 &4)'--'-----+
'
c/D
E7ile
Az(flsl
D7
w/ Bs, Dr (HH time) IIAND:
CASEY: Groove at
-
trac-tion
El
- gin
move-ments
right
gTsusa
on
679
tlme-
G
3. RHYTHN,I CROSS/THROW THAT
It's got a
that
beat
you
can
CIRLAROUND
got a
dance
groove
to get
you
q1
c
cilo7
GiD
G13
Dr (ride time)
Here in your heart
is where
you
hear the drum-mer drum-min'
Rhy-thm guar - an-teed
+Br, Alto
Bari loco
A9
Dg
w/ Bari BAND: BAND:
Rhv
thm-
Rhv
CASEY: Shout and
feel it
ASEY:All-
a-round-
A
Snapon2&4---+ TACET
t' .r-. tJ: A7(il3) D7
(3/03)
) ) ) )
4. RHYTHM CROSS/THROW THAT
CASEY:
) )
t ) ) )
Jump
Swing
That's the way to
go to
A
Snapon2&4 TACET
iln+
D D
1
nTsus
ctD
) ) D
I
D D D D
GIRLAROUND
Dr - tom solo
U
I
D
Rhy -
thm
1ril3) w/ Bs, Dr (cont,"Jungle Drums")
town-
5.
Gt,D,I - I - I - I've
had it
RHYTHM CROSS/THROW THAT GIRLAROUND
The
.
,rat I
BD7
the'. race
l'' )
''
,or'
6.
RHYTHM CROSSiTHROW THAT GIRLAROUND
Swing
l5 )ffi | - I - I - l'm o-ver Alto, Tnr, Tbn
for
Press one + Saxes
Br
you
for me-
press two
kind
) ) D
) ) )
I
l I ) )
D D
I'vehade-nough
) ) D
of that AA
stuff
-A
A
) D
Eb7$11)
D9
ebNaajz nm
) ) D D
) D D
) D
f,
D
) ) ) ) ) ) ) )
r r rf
(3/o:) Bs walk, Dr
(time)
r 11 r
I -51 -
Tbn 8vb
iilrr
of
...'....;..:.:....;...1:;.....]..... 7
t I
..
,,.]
a
''t'
... 1 ,.,' ,.:
:,,,.:,
:
RHYTHM,CROSS/T}IROW,THAT GIRL A-ROUND
-
7 :.|
.'.-
1:
+ Tbn
,
:,'that
girl-
'
: .: ,
8rt
,,:
.'
to:-f,llQf,f,i$;.. ::'
z3'BAND:
girl
fnrow ,
'
,
o, ' CIIORUS:
?
7-l l>
7-
'tl,':l
I
a - round
, a-round
Throw'that
+'Tpt
:: '11
.o
''
w/ Dr
girl
Throw that
girl
Throw
8.
P/C
Swing
,,
81 BAND:
80 cHoRUS:
IIAND:
?a
RHYTHM CROSS/THROW THAT GIRLAROUND
crIoRUS:
girl-
girl-
'l'hrow Saxes
E7iGil
'l'lrrow-
girl-
Throw that
sirl-
g(no3rd)7gfi
Dr (solo "Jungle Drums")
) ) ) )
tl/03
t
Throw that
+ Tpt
+ Tbn
-53 -
G2
girl
Throw
9,
RHYTHM CROSS/THROW THAT GIRLAROUND
I t I
Swing
,l Gtr, Dr
I - I - I - I've
Am
been
there
G/A
Am
done
that Nine-
to
five,-
Twen-ty-four
-
sev-en
jive kind
of
A7
av7
,:l
,-l :l
,l
I
'l ,.1
.l ,{
I
{
I
I kind of sbv
66
";
life
I I I
Gtr sin.
z
I I I
Dr - tom
: .,1 .,
ebzt$r rt PLAY
abMajz nm
''l
'{
I t
I ,l ,,1
I - I - I - I'm
read-y
to
Alto, Tnr, Tbn
kick
Br
back,
cut loose,
re -
lax-
the
noose kind
I
of
+ Saxes
I
I mP
{
iy
I
I '',
G/A
Arn
'l
,l 't I I
(3/03)
I
) ) ) ) ) ) ) ) ) ) ) ) ) )
Ptc
IO.
RHYTHM CROSS/THROW THAT GIRLAROUND
Swing
't03
Ill-
be
al
with a swing-
right
kind of AA
night
tHiMMdNDE:tl
Ebttiltt)
og
PLAY
lftil
Halftime Funk Rhumba
Just
U g rn7 (15
have
wan - na
i_J
I-J
some
FunkyGtrsolo
r_J
--:--
)
BS. CUE ONLY...
Bs 8vb, Dr (half time)
./
Tbn
Dr - tom A tempo
wan -
na girl-
fling-
flang
flung
+ Tpt
w/ Gtr
./,/
X X XXXX
T\- | Ut-
(3/03)
|
L.+t
./ ,/ ./ /
Dr (solo "Jungle Drums") -55 -
11..
Boy meets
RHYT}IM CROSS/THROW HAT G]RLAROUND
girl
Junele drums w/ vocal hits
T.
rzfii
girl-
a-round
,ff Tbn 8v,b
mf abm ebnvab BS. CTIE ONLY.,. Bs 8vb, Dr (time)
12.
Show one what you w/ Dr hits
ebm
RHYTHM CROSS/THROW THAT GIRLAROUND
Swing
goI
sb"'lnb
F7
(Ff;7)
Gtr comp chords (semi-rock sound)
tsNcl
o
Oeslie)
Show me what you got
I
)
I
t )
(3/03)
<1
Dr lsolo "Jungle Drums")
.'13.
RHYTHM CROSSflHROW THAT GIRLAROUND
:'l ,'a
Show
,:'l''l : '-a
me
,l ,a ,',f
Br, Alto
Drs play thru horn hits
i
w/ Gtr
'lYELL,l
>
:,,1
'l
':.,f
,'.'f EVERETT:
Show me
what
TCMPO
Show-
me wnat you
4 = Dr
got
I :.fI I I I I I t I '{
', '-l
,f ,'f
@
I I
Mod.4 Shuffle
,l I +Br,
Alto
I
I
tr
I
,l cB
riuessl Bs 8vb, Dr (HH time)
(3/03)
PLAY D7fle
I
I I I I I I T
I ) ) )
Plc
14.
RHYTHM CROSS/THROW THAT GIRLAROUND
Swing
r63
Tacet Tpt
) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
Alto, Tbn
cB Tcue nsl
(Bari) Dr (HH time)
I_J L-J U.J T-J 3
159
160
",(Saxes).'.
(Bari) (No fills)
Ab13
PLAY
I .
t_J t_J
r_r-I 3
a
I5. RHYTHM CROSS/THROW THAT GIRLAROUND
P/C
a a a a a
'165
* *-_(Sa>tes) ->
'*
j. :.
(Bari)
,a
Fill around horns
a e a
i:l
,a
I a
I a
I l I I I
Tacet Tpt
nr,3{r"ual,bhi Tbn + Bari
t
oztt
I
Gm7
a
(
I I I
77.
l)-l Y
a
(cuE
BS)
Eb
ebo
nbe Gm7
F
Bs 8vb, Dr (HH time) (3/03)
-60
-
Eb Blr.IO
F
) ) ) ) ) ) ) ) ) ) ) ) ) )
P/C
16.
RHYTHM CROSS/THROW THAT GIRLAROUND
Swing
177
me what you got
Bari 8vb >
D
t ) )
Throw-
t t
TacetTpt
j,-\
girl
that
+rpt
a-round
Sfl
D
Bari 15mb
D
-
t
lHt,t
E
o,'oloJ-"
D D
I
D D D
@
Half-time feel
D
Mbraslap - stage
D D
t
D
E
b
(L.H. to RHODES - maybe)
D
I )
D
(3/03)
-61 -
I7, RHYTHM CROSS/THROW THAT GIRLAROUND
w/ Bs 8vb Dr (HH time)
good-
Alto, Tnr
What
good-
+Tpt (lead) + Tbn
;v
?-
4n,'7tbs)
w/ Gtr
I8. RHYTHM CROSS/THROW THAT GIRLAROUND
Swing
;v
\_.
Dr
wl Gtr
(cuE
Bs)
tl Eb Bb/D
nbs Gm7
F
on bell
mp
f :'[3 *.'
F
Bs Svb, Dr (HH time)
Tpt, Alto
;?-
) ) ) ) ) ) )
Bs 8vb
@
Alto, Tnr 8vb
I
w/ Dr
(Typical B-3) Solo
) )
I
ebz
Ab7 F/c E/cfi
F/c
D D (3/03)
B
+Br
-63
-
19.
Swirrg
RHYTHM CROSS/THROW THAT GIRLAROUND
Tpt, Tbn Svb
-tEDI
PLAY
fi-r
>
w/ Gtr
(3/03)
t/t
-64 -
I
Dr
fill
Applause Segue to "Latin Sequence"
t
t
Swing
l'iano/Conductor
) )
LATIN SEQUENCE
I
Orch. by Harold Wheeler
) ) ) ) ),'
u'r, z, 3,
)
4 fl
D
) ) ) )
,^ ,
I
SambaFeel
Dr (HH), Tbn - shaker
) ) ) )
t) )
t I
s
) ) ) )
I )
I D
I I ) )
t I
{
3/03)
-65 -
t. r.ATrN SEQUENCE
PiC
Halftime Funk l-;I l:l
EVERETT: (+ plays time
,/
./
ISxs, Tbn
,/
./
Swing
on congas)
10/
,/
,/
i1 ./
J
+Tpt
Sxs, Tbn
+ Tpt
J J
Tbn Svb
mf Funky
just
I-
want-
a girl-
to
fill
swlng
swung
swang
(whispered)
\Ahh
*rpt1
Sxs, Tbn
E
o o
na havc- some fun-
just
a .t e
a a a a a a a a a o a e a a a a a a e a a a
Hip Hop Cha-Cha Everctt on congas
I
a a
Gtr - rhythmic thru-out Sxs
a a a a
f Gm7
C7
Gm7
C7 t
7.? ti
t---J
--. tl
?
q_q
't T 11 U.-a
I I a I I a
3,
LATIN SEQUENCE
Swing
Br, Sxs
) ) ) )
I
I
I
t ) I ) ) llrr-3n
Gm7
C7
Gm7 q-'trl'l lt -r
a
C7
.1_4.1 ,?|
--atJ T.? | -
tl
ZJ
ip=->=
DlFil
G
E7tGfr
P/C
tr
Swing
Samba Percussion Break Everett on
congas
Whistle 27
Am6
I
a a a a a
I I I a I a Bs (8vb) (3/03) Dr - montuno
a a a
I
) ) ) ) ) ) ) )
Swing
PIC
36
Tpt (plays clave here)
Dm7
Dm7lG
I
t I , ) D
it )
2 x4-
Sxs (Tnr 8vb)
)
S
-----: F7
Am6
t t
lis (8vb)
.0^
Conga
;.j)
t I
Sxs, Tbn
D7
E[9
(to)
Dm7
F/G
E7
6.
LATIN SEQUENCE
Swing
(to 48)
E9
(13)
Drl fn f't_t f in'u f nls.
Breakdown Timbale solo
,l Vibra-slap splash
a a a a
rri>
5tlll..
I I a I I
)
rv(
7.
LATIN SEQUENCE
) ) )
ir
) ) ) ) ) ) ) ) ) ) ) ) ) ) )
V.S.
l-
) ) ) ) ) ) ) ) ) ) ) ) ) )
-11 -
Swing
8.
LATIN SEQUENCE
Swing
Bs. Tnr. Tbn 8va
+ Tpt 15ma
Tnr, Tbn 8vb
Bs
abm
abmz
Bbm6
cbua;z
sbm
(8vb)
i
) ) ) )
P/C 5d
Hns TACET!!
)l
) ) ) ) ) ) ) ) ) ) @ ) ) ) Hns IN!! B,. lrbn 8ub1 ) ) ft--J T-f ) )xs (Alto 6va) )t Cm ) ) ) ) ) ) Bs (8vb) ) ) ) ) ) ) ) ) ) )
I
F7
- A -A GMajT
Bm
.-t-
_
?-T __= qr.--i " \-/
rr Ll
Ab7 I
Cm7
G7
Conga roll 64
Tbn 8vb , Gtr n
ez(bs)
Fn7/Bb
Gzt$sl
cm
g/iss.
I
t t ,
(3/03)
fiD.
3, Applause Segue
Piano/Conductor
Swing
CLUB SCENE ENDING Orch. bv Harold Wheeler
21314'|l
Tbn (8vb)
Play w/
Bs
i-
;v
v.s.
(3rc3)
-74-
) )
Swing
I ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
Eb abo rz
eboz E
Tempo Di Latin
Tpt (Opt,8va), Tbn
(3/03)
abrs
ls
CONGAFILL
t I
a a e a a
I
a a
Cm/B
_|)CI J * '.J^) ;
l'rlb,
bc
c{rn N
-rJ
e
elz \
at,
I i I hl
I t I
I
a
I I
a a
I I
a a ez(bs)
Fm7
Eb ebro eb
I I a I a _a
|;t t.t I
I
E.B.:
just
wan-na have some
fun.
a a a { {
a { { { {
(3/03)
I { I
t
swing
swang
Tpt w/Ens
tr
Mambo
38
BAND:
S.R. DANCERS:
that
Throw-
girl
Sxs, Tbn
(no chords)
I I D I I I t I I I
39
a-
t
I D D
)
(3/03)
round
Throw that-
girl-
a-
round
5. CLUB SCENE ENDING
P/C
E
Swing
BAND:
It
O' BAND:
++ S.L. DANCERS:
that girl-
Swing
+o S.L. DANCERS;
that girl-
Throw-
ThrowSxs
\'---z/
Am
Am/G
S.L. DANCERS:
that girl-
F
13
E7lc$
F
sI
ag EB + BAND:
Throw that
girl-
E/Gfl
I e I
a a a
t
that
that
C C
a a a a a o a
+ S.L. DANCERS:
Throw
girl
throw that
13
a o a
a a a e
G tl
S.R. DANCERS:
+BAND:
55 J. =
a a a a
E/Gfi
a J EB +
BAND: >
a a
so
a a
-
throw
that
I
a a
I
a a a
I
Applause Segue (3i03)
-78-
a a a
Swing
TRANSITION TO BLI BLIP Orch. bv Harold Wheeler
t'l-
),' )
l.cCount off: "1...2..." )
)5 )ffi ) I'
)
tr
Drs - Fl Tom
Drs - China cym
1
?. I
l^
??
tl
Pno. Solo
3IF ) ll ) lF \t)
t^ )K ) l" l,k )lP
Fe
) 1l
)lb
ezln
[11
)t= )
)g )ffi ) l,
)l 3ffi )
I )
l
(3/03)
Small Pause
mf Qvb-
--
P/C
Ed
2.
TRANSITION TO BLI BLIP
Fast 4 Drs on side of cym stand
Gm
Cm
967(bs)
rbz
ebt
4p7(bs)
(ln New lbrnlxr)
3,4
Segue as one
to "Bli BIip"
l='
,rnuo/concluctor
), )
Swing
BLI.BLIP
!r
Orch. by Harold Wheeler
)
w/Opt. Gtr
mp
Di cross stick on sn
+Tpt (Harmon)
"rf
(Rro)- -. I
Bli
2.
BLI-BLIP
Swing
EVERETT: Scat Solo
Rds, Open Brs
w/ Bs, Dr w/ Bs, Dr
Rds, Brs
w/RS, Gtr
(3/03)
-82-
) )
) ) ) ) ) ) ) )
P/c
Swing
Tb
mf
eb\Aajztc 67(13
)
D
) D
v.s.
-83-
Swing
can't
be
-
lieve
it's
true-
Rds
sub tone
*P
+ Gtr
o
t
+:
:
,-| -iltrv
6lc
abruajz
a"
24
blip
var- thy
flam
flam-
flam
Hip di +Brs
(Harmons)
ad
dle a
da
ba
+Tpt
Rds, Tbn
.-mf dzmp
r-
A
,-l
-- IICD F
rb
qo
obt
Flc
i-i (3/03)
-84-
";f i,
t
i.np
c11 c13/Bb
) )
I
P/C
@
) feel the same way
Some-thin' 'bout
the
) ) D
I
Rds
) )
---i
D D D
)
F
D
6
dzmp>
FztEb
Gm7
t I I I
bi ht rf ht llll
,
t
Hip di
D D D
I
flam
t
flam-
dle a
Ooh
imp
ooh
+Tpt
A
I D I
pg I
b13
t
D D
n t-
I I
imp
-mf
D D
D
-
da
flam
Rds, Tbn
I I
ad
(3/o.t)
-85-
cTlf DV
F
6
6.
been
a
round-
now
Look what
BLI-BLIP
Swing
I found-
met a babe who knows be
Rds, Tbn
Bass walks, Gtr
& Dr play time
43
44
a
a)
You're
so
hip
man
when
you
Bli -
e blip
man
ir
makes me
blow
my
top
We're
A
Rds, Tbn
We're
+Tpt
f
Dm9
I
Gg
Dm9
Dr
(3/03)
c9
G9
fill
-86-
(Bs 8vb)
f
I
cts
+RS
I ) I
P/C
7.
BLI-BLIP
Swing
@
)
I
to
quite a
start
What's
this
feel
-
ing
in my
heart
to
qulte
start-
What's
this
feel
-
ing
in my
heart
D
,
I I
a
Rds, Tbn
D
t t D D
o
I t
FTtEb
D D
w/ Gtr, Bs, Dr
I
D
I D t I I t D t I D I t I
flam-
var- thy
sfle A
abNaajz
Bo c11 clseb
eb
D D D
3; D
D
I
(3/03)
-87 -
olo
obz
Frc
hip
-
di
-ad-dle a-da
hip
-
di
-ad-dle-a-da
Swing
What
was
that
was
that
-JWhat
pp
Tpt, Alto
+Dr hits
Tnr, Tbn
t'
c7ii"
F
Rds ,
Gm7
6
cl
F7/A
C11
58
Bb
59
a 3
No
O-
kay
Great
Rds, Brs
UV
+Bs (8vb) Splash, Sn hit
F13 A
J
Hi Hat
(3/03)
-88-
,ti-'t
) ) )
lrl(:
Swing
60
D
D
) ) ) ) ) D D D D D
(Gtr plays time)
F
6
D7fls
Gm7
69
(13)
Am7
97(bs)
Gm7
C13bs
I I
D D
ANN:
D
O
D D D D
t t
Tnr, Open Tbn
D D D D D D D D ) D
mp
!--
t'-
-
b D
(3/03)
-89-
Scat
IO.
BLI-BLIP
Swing
\r
7\; GJJ
I
HH
LJJI
solo
{
Tf I
+Bs
U
BIay do
\ Blay
l. do
F Bass walks, Ctr
(3/03)
Nay
blay
ablo
-ba-doo
Blay
doh
(laugh)-
dweet
(laugh)-
r3-
blay
F7lEb
shi
shi -
ba
-
doo
sbnlob
F
& Dr play time
-90-
6tC
D7[s
G7
c11
) ) ) )
I1. BLI.BLIP
P/C
to
) ) ) ) ) ) ) ) )
Swing
78
(sigh)
Tpt, Alto
(Harmon)n
Tpt, Alto
Tnr, Tbn (Harmon)
Tnr, Tbn
D
67(bsl
I )
Czfie
Lite Dr
D D
) D zwee - dle -
ee
day - dop
D
I
t
Blo - dop
D D
Rds, Brs
Rds, Tbn
t I I
D D D D
ebu
sbnub
I
D
D D
IT a D
I D
(3/03)
-91-
obz
cTls
fill
P/C
12.
BLI-BLIP
Swing
84
fro 96)
ood-le -
yeah
a ace-liff
-a*a*-,
ooh
a'-Gt
-
--'-----^*
ooh
yeah
Tnr, Tbn
+Tpr
r'_
p
F
F7/A
Bb6
Bo7
FIC
D7
Gm7
c't1
1-
-
Lite Dr fill
99
a)
Dway-oh-
ooh-
ba-dal - ia bop
A
e-+eqTtol.=
Zow wow
zip
2ub
-
a-
dub zwee - b6p
flop
Rds, Brs 4
Rds, Tbn
quick fa.U off
mf
t-J Cm7
F9
ebNttajg
I
w/Bs (8vb)
Dr hits
(3/03)
-92-
I
Bb6
flop
I3. BLI-BLIP
Swing
(whisper)
(whisper)
Tpt, Rds
Dme
Dm9
G7(6)
G7(6)
Drs hit vocal accents
Rds, Tbn
_ F
w/Bs (Svb)
F7rcb
Flc
Gtr, Dr play time
I (3/03)
-93-
D7[s
Srving I
I4. BLI-BLIP
+Tpt
Flc D7
Gz(bgl c 11
Dr hits
Rds, Tbn
=
mP
(3/03)
-94-
!p {>
24
-{-
7)
J
Get in
_n_
Rds, Brs
f a) F
FlEb
$: eblo
ab'lilob
I (3/03)
-95-
Ftc
'J >
,)D9(fl1
1)
my
P/C
I6. BLI.BLIP
Swirrg
HalfTime )=)
Not
"pants,,
Rds, Brs
3
Drum set up
al
- most blew our
ai
- most blew
chance
our
If
Rds
Tnr, Tbn
--t>
mp
-_
Tp, Tb
l-
\ w/Gtr, Dr hits
w/Bs (8v!) Cm7
Cm7
Gtr, Dr play time
(3/03)
+Rds
-96-
Cflo7 Gm
; )
f,/c
17.
BLI.BLIP
Swing
[ro
lrffi
It
]F )l
Don't
wc're
o-
kaynow
safe to
ask
say
tffi )l )l
t{ffi ) {l
Dm7
Gg
Itb ) ) )
Dr hits
3G I |"ffi ) tl
3rffi
)l )l
sieur with
You
won't
dance?
rp, Tb
Rds, Brs
)*
)Fr )l lL-
.v-\-/
P-
D(t6 )J |.,
)ll
)tF
abnz
cbrob
obrcb
D
D D
(3/03)
-97 -
me!
140)
Swing
let my feet
do
things they should
Don't ask
do
me
TbP-.:
FILr
I 1
3
cbvaiz
sbmz ch
nbm
obz 'cba
Gm7 abrc
cz(bgl
1,., why
I
like
you
Could
it
be
sym
- pa-ti -
co
-JYou
U
and
me
Bli-blip
p
?' F: 6/c
2
(3/03)
-98-
abvalz
ao
g9
(r3)
) ) ) )
P/C
Swing
152
)lL 3F ) l^ )ffi
)t. rl
var- thy
Rds, Brs
dzmp
flam
flam-
flam
flam
flam-
flam
hip di ad dle a da-
hip
Rds. Tbn
>
3rB
))l ))l
eb
oro
obz
Dfb tr D D
I
D
3I-
'ul
Dlffi
ll' 3lk D
DJ'
rl D&
On Cue
Vamp
di
ad
dle a
ealib.
scar
158 -1-
da
Ad lib. scat
di
ad
dle a
da
Dffi Dl D l^
,(ffi D)1" Dl
Dlb J\e I
3r D
I
I
(3/03)
-99
-
di
ad dle
a
da
20. BLI.BLTP
Srvirrg
)=)
Double Time
161
-.TJJ
162 /,:
;
163/:
bn
@l lt64
^--_____l6E
a)tt--;
In
o - rher
words
bli
blip-
ln
o - rher
words
bli
blip-
at3-t J
Rds, Open Brs
A
.f* +Gtr
.f
/l
a
a)
f
Gm7lC
clt F
+BS
I
Dr roll
=r-___; ' : bJ<
r utro
ebro
ll
e Gtr, Dr hits
l,uu
Tbn (8vb)
Bs, Dr roll
+Tbn-
r I
Bs, Toms
(3/03)
100 -
ahmnb
3I I
Piano/Conductor
Swing
SKYLARK
D
pl
213fl
lA lF
A little slower
f1,
Orch. by Harold Wheeler
(BLI- BLIPPLAYOFF) A
Poco
rit.
(to 1)
DF
rl rt rF
Sxs,Brs
ll
l,l r IF rJl r lL
F13
FlEb
(No Rit.)
D (E
I I
w/Bs (8vb)
l1tr
3r
Rubato
Guitar Solo (8vb) Alternate Piano Part (thru m. l8)
D
D( DJ
Gtr onlvl thru m.-'
Am7
D) D(
18 --
os(fitl
13
Dg
Dm7
Gz(bgl
D
I
b
tr
(Vocal)
I
Sky
D
-
lark
have
you
a - ny - thing to
say
a,
rI .)
r) l(
t I t
o/03)
-101-
to me?-
Won't
you tell me where
my
love can
be?-
where
some-one's wait-ing to be kissed?
n
(Gtr only)
Dm7/G
E]
cg
Still rubato-ish
Sky - lark,
have you seen
a
val - ley
green
with
spring-
where my heart can
go
a
(Conduct)
cg
Dm7 DfoT
czlc
cbg(ilt tt
FMajT
ClE
F\7
Bsl
Jour-ney
-
lng-
o-ver the sha-dows and the
rain to a blos-som
Fill-----r
E-AT
C
6
And in your
co-vered
Ascending I 6th
fill
c7$e
+ Drs (brushes)
-
) D
) )
PIC
[d
3.
SKYLARK
Swing
A tempo
I
Won-der-ful mus-ic.
have-n't vou heard the mu-sic
D
t I
-3-
D D D D D
Am
,
Am7
AbmT
Gm7
./ ,/ r j-
FMajT
Cg
gr7(b5)
AZ(bsl
+ Bs, Drs (brushes)
I D D D
-t26 faint-as a "will -o-the-wisp",
I t I
-3-
se-re - nad-ing the moon. Oh, Hns
flf
t'- r-
D
I I
Dm7 C7+ FMajT F ti
t
EMajT
E9
cf,mz
G13
D
I
D
I I I b I I I
(Drs - sticks)
a I
don't know
if
you
can find these things,-
is
rid - ing
Fill--r
D
b
mpcg
Dmz DiloZ r,
FMaje
clE
EbZ([t t I
V.S. (...sorry)
4. SKYLARK
Swing
-.t-33 So
Br,
if
you sle them ?-
ny - where,
won't you
there?
lead me
Sop Solo
(8vb)
Tenil-
\-7
I
.L \ +Gtr
JF
Dg(fi
1)
Ds
Dm7
cg
G7
nbg
grTtbs)
Gg
E7
tb + Bs, Drs (sticks)
.n^J
SoP Phrase
-ql-t+'i'
mus - ic'
+Ten'f
Am
f
AmTA[m7 AmTAbn
Gm7
ErTrbs) ___-__47
Cg
-i-
n
faint-
gh_
mobo
"will - o - the-wisp",
Ten, Tbn
abs
Bs only (3/03)
Fill--------r
Dm7
C7+
F
ot
5.
42
sad
Swing
Slightly rubato
-J-
-.1-"--
SKYLARK
-j-
-J=-
as
moon.
Tpt -J-
-.J-
Sxs, Tbn + Gtr
-J--_-
Ffimz
87
Am7
Eg
<
Bbtirs)ebztbgt
+ Bs, Drs (sticks)
A tempo
@]
Colla voce
Iark,
(s
fills)--------
I don't know
if you carl find
these
things,-
but my heart is
f
Piano & Bass only
f
Eb
6
molto
ebab
Fm7 Filo7
on yowwings.-
So
ifyousee
them
-
decresc.-
?P
nbrrrajz
Ae
where, won't you lead
A
me
ebro
there?
Hns
A
g{>
F7
sus4
Fz
Fm7
Bbt$gt
IA Eb5
o
V.S.
(3/03)
-106-
)
)
Swing
Piano/Conductor
) )
HARLEM NOCTURNE
il
Orch. by Harold Wheeler
D D
D
I
,,3,
4
rl
D
I
4 1,2/8 12lt Feel Slow4 Sfow
D D D D D D
I I I
D
3q
rF Dl rl
trE
D IF
31t
l\E
I I I I I
V.S.
D D
n )
p D
o
(3i03)
- t0?
-
3.
HARLEM NOCTURNE
eruilrnr,rbnFfFi*ilLV Gtr plays sustained chords
GmMajT
w/Bs (8vb)
Dr plays time Tpt, Tnr, Tbn 8vb tq
13\
-l
q---n/
' rt lrl llrl J
'-J
CmMaiT
-J-
ebz
A7 D7
I,
Dr roll
Flugel, Tnr, Tbn
GmMajT
G
w/Bs (8vb)
1'l mp
Piano
CmMaiT '
ebz
A7
fill
D7
-J-
o'E
t I
P/C
tr
4.
HARLEM NOCTURNT,
Swing
Tpt
D D
rrr T"
rr? T. r?-
r.J-
v" l-t-lz
qr
ebz3 Be3
l-
vt.
ebz
I
i:rlf ,,7
Eb
BbmT
D
I I t I D I I D I I I
3
Dr
(triplets)
.f Rds, Tbn
Bs slide (double-
D D D
?^ t I D I
fill
Bs, Dr quiet hits
a
(3i03)
-109-
5.
Swing
HARLEM NOCTURNE e
It I
sbz
cfi'z rmz
7
= ? = 3 I
I I
I
cil'7
3
Fm7
= t I
>
Bs (Mingus type solo)
Alto = ---l
Bb7 I
Bb7
Fm7
Ee(f, 11)
7
aa
I
Dr fill (riplets)
Eb6
BbmT
ebz(o)
Bbnz
D^
)
p/c
6.
Iiven 8th notes
)
Poco
HARLEM NOCTURNE
Swing
rit.
A tempo
Rubato
4't
Tenor
3ffi
3t )(ffi
w/Gtr
D JI"
f Fz E7 ebzoz obzcz cb ebt
3rb t t r.rl
D*
-;4-\-rA
tre D l"
,.t D(ffi t )1" r)l r(F
J
A7
Ab7
c7
cb7
F7 E7 eb ot
_-:-
a rfi J- os
n3\
Tenor
Tenor
Gtr
t;, b
sustained chords
GmMajT
ebz$st Gz($st
w/Bs (Svb)
I 3a"
Rubato Alto 49 mp
Dffi
I
l"
D l^
,(ffi , )1"
t)l
rtF
ebz
Rz(bsl
D7(be)
Em7(b 5)
It.. A7,nl' pv
,t-
I I
uon
rffi
rI l" l^
r(ffi I ll" )
I I I
(3/03)
(Cutoff for band: dancer plucks last Bass note)
D7
(
t
( ( ( { ( ( ( ( ( ( ( ( (
V.S.
(3/03)
- t12-
trt/eonductor
INTRO TO KITCHEN MECHANICS Orch. by Harold Wheeler
-f--,-
ib" nf
*
)
bvt
3J )) )( D D
D D
7:b. lr
mf
) , D
A7(bs1,=
)
I D D D D D D D
I
) D
f ) D D
(3t03)
Ritard
Hns fade out and (-1)
Piano/Conductor
Swing
KITCHEN MECHANICS' NIGHT OUT Orch. bv Harold Wheeler
Tn tJ
Rubato -3-
In a
ve-ry ex-clu-sive kit-chen at an
ad-dress
on Park Av -
lTiAN6-o-NLYI
gn-,7tbsl
cer -
Fme
(3/03)
sbztbgl
tain maid was feel
Rtgbe
c/D
l1^
-
ing
DZ
E7
e
While
shc
2. KITCHEN MECHANICS'NIGHT OUT
--lnight as
he cooked
for
the
a
fam
Swing
- 'ly that was
not
967(bs)
minds
E7
would
roam
Bf
Conduct:
Fme ) ) ) ) ) ) )
c
abztbgl
6/D
Algbs
D7f,s
[il
#
one
night a week
at
sev
-
en
they
couid throw off their drab
coi
Fill---_-.._l t
g'nTtbs)
pTtfitt)
tz
wah wah
wah
3. KITCHEN MECHANICS'NIGHT OUT
I
AbMajT/G
Swing
DT'G
Fm6/G
Gz(bgt
I I I I I t I I I I I I I (
Dr (delicate)
24
Rit.
2sn
,u Moderate Swing
were
-A Conduct: a --
CZsus4
(Move more)
f-f pan-
w/ Gtr. Ukelele
Rub-
--
take
me
the hand-
4. KITCHEN MECHANICS'NIGHT OUT
F-
t)
Swing
t
Girl, wc
gon -
-na
na
be
Kitch-en
get
We
al
get to
me-chan-ics nieht out
swing-
!-:_---
We'll be
,cheek
ba -
by
don't
you
me-chan-ics night out
pout
Abztltt
I I D I
(3/03)
)
c7#.
e e e
5. KITCHEN MECHANICS' NIGHT OUT
Thurs
-
day
Sxs, Tbn
abvait Ab
6
Bbm
ebz
Bs walk. Dr time
Har - lem Her + Tpt (open) A
a a a a a a a a a a e a a a a a a e a a a a
I I I
a
I I I I
I
/--€.
) ) ) ) ] ) ) ) ) ) ) )
6. KITCHEN
P/C
MECHANICS'NIGHT OUT
Swing
@
trme
+Br
that they
all
the
Sxs , Dr
D
I
D
)
I I
and
D D
I
nf,
I I )
I I D D D
108
) D D
kitch -
en
mech
an
- ic's nieht out.
mech an - ic's
night-
(rpO
+ Tpt
t
I I D I
lr213
Ab7
I
LIJ I-IJ LU
T D D
(3/03)
rIJ
14
G7sus4
Segue as one to
"Shout and Feel
It"
V.S.
(3/03)
- t20.
Swing
{)nductor
SHOUT AND FE,EL IT Orch. by Harold Wheeler
ljF.. .
',tj
i'*
Sr'lo lilrythm Gtr w/Uke
lt,',
, tx.l lf
Dm7
;.j=:: ',::.:: ::
..+
l'
'- :llf
1al
eb"t
c
Dm7
clE
w/Bs (throughout)
Brs (Tbn - 8vb)
Brs (Tbn - 8vb)
(3/03)
1aa
t ) t
4. SHOUT AND FEEL IT
P/C
Swing
Brs (Tbn - Svb) ZJ
)
I) l I t I I D I I I
t I D t I D
I I , D
,
EmT
D
,
t D
I
D ,
istl --- Sxs \- 4su
t I I
t t t
t
(3/03)
,.'
Ebmz
Dm7
G13
Swing +BrS
o's*tGo"
Ab7
G13
a
I I I I a I I a
I I I I I (
I I
(
I t I I
ebo7
Dm7
Dm9
G13
) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
P/C
E
Eb"z
c6
c7lD
c6/E
ebq
G7D
c6
mf
s4 Tutti
) ) ) ) ) ) ) ) ) ) ) ) )
I
EboT
G7lD
l ) ) D
) ) )
V.S. (3/03)
-125-
7.
P/C
SHOUTAND FEEL IT
liwiug
I
e {
a
I Em
Em
Em/D
a a e a
EmlD
a a
I I
a {
Em
Em7
EmlD
Sxs,Tbn
zt
ebg
Dm7
I I I I I I I I a I I
G7
Sop Sx Solo
a
(
ts
Sxs,Tbn
7s
I I I I
Sop Sx Solo
(
I ( ( Dm7
G7
I I I a a
(3/03)
-t26-
( (
) ) ) )
P/C
E
+ Wild Sop Sx solo aa Ten,Brs
+>-
-
k))ffi )
l" )t_ )(ffi
))l' ))l ){E
'ff 6)qt
\+
)
) ) ) ) ) ) )
lr ) ) )
(3/03)
- 1atLt -
V.S.
I (
I
(
I I t I I I I I I I I {
(3/03)
-128-
I I a
Swing
BOOGIEWOOGIE BUGLB BOY Orch. bv HaroldWheeler
rtarts undcr lpplause
'll'umpct reveille Al normal tempo 1
"1,
)
1, 2, 3, 4, 'l
3. BOOGIE WOOGIE BUGLE BOY
There was
ia-mous trum-pet man from out
top man
of his
craft,
Chi
- ca-go way.-
but then
his
He had a funk-y style that no one else could play.
num-ber came
up,
and he
was
gone with the draft.
the
)
r,c
4. BOOGIE WOOGIE BUGLE BOY
Swing
)
He's
ar-my now'
the
(Tpt. Reveille solo) T. Sax, Tbn.
boo - gie woo -
gie
of
Bug - le
+w
rlnt
;
;-r
2t
Com- pan - y
-
=
E
a
L=
-tt
4
"'[3
39
made him blow his bug-le for his
Un-cle Sam.")
It's
real - lybroughthimdownbe-cause
he
The cap-tain
5. BOOGIEWOOGIE BUGLE BOY
seemed
to
com-pan-y
un -
jumps
a
the
der-stand.-
toot,
when he
plays re-veil-le.
toot did-dle
ah
next day the
He's the
da toot He
cap
went
out and draf-ted a band. And now
boo-gie woo-gie Bug-le boy
blows it
eight to the
bar'-
of
Com-pan-y
in boo-gie
B.
thc
6. BOOGIE WOOGIE BUGLE BOY
Swing
-.Jcan't blow a
) ) ) ) ) ) ) ) )
Bl7
note
'less
a
. "Blow in the open
s
Ne play-in'
bass and
com-pan-y jump when
he
plays
He's
the
) )
solo continues)
(3/03)
him.-
He makes
sim groove
D
) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
with
-r33-
boo-gie woo - gie Bug-le boy
of
Com-pan-y
B._
the
7. BOOGTEWOOGIE BUGLE BOY
Swing
Alro, Ten., Tbn.
oz$g
c
)--^.
>
D7fls
c
D7$s
13
13
F
D7[s >
sub.
p
"tr
67(b9)
c
c
13
13
) ) ) )
8. BOOGIEWOOGIE BUGLE BOY
P/C
63
At ease-
And
plays the boys to sleep with boo-gie
hands and stamp their
) D
(3/03)
be-cause
they
gen
-
t
wakes them up the same way
in
the
ear-ly
bright. They clap
their
know how he plays, when some-one gives him a beat, he real - ly
9. BOOGIEWOOGIE BUGLE BOY
when he plays
(3/03)
He's
-
the
136-
boo-gie woo - gie Bug-le boy of
Swing
Com-pan-y
B.-
10. BOOGIEWOOGIE BUGLE BOY
116
F7
Swing
117
lx Alto solo
x Tenor solo
?h
I
P?'rJ
I
EVERETT only
+
136
he real abz
Alto, Ten.,
) ) ) ) ) ) ) ) ) ) ) ) ) ) )
solos
137
breaks
(3/03)
it up
when he plays
He's
the
-131-
boo-gie
woolie
Bug-le boy of
Com-pan-y
B.-
ly
11. BOOGIE
WOOGIE BUGLE BOY
Swing
ALLMEN (in harmony)
in the
Snare (Straight 8's)
boo - gie
ar
- my now,
He's
the
Alto, Ten., Tpt.
Bug
-
le boy of
Com-pan -
y
E
Tpt.
Alto, Ten.
Cz(bsl
FB
Applause Segue (3/03)
-138-
rttrdrtr:lor
Swing
G. I. JIVE Orch. by Harold Wheeler
E
uoa 4 shuffle
Tpt, Tbn
Snare sim.
+Alto
-139-
sax
This
Alto,Tpt
+
l)-l
rei,run
the
br-r i t/tl
7.7
t'
is
Ffim7(bs)
Fm
CIE
zbq
DmTsus4 c7
>>A
G
- I Jive-
m,m
a
- live-
starts with the bu-gler blow-in'
+Drums (time)
Co
you
Dm7
(3/03)
ar -
rive-
Ab7
G7
Jack,-
Dm7
Dm7
G- I
that's
G+z
- 140-
Jive-
Roo-tle-tee
) ) ) )
Jump-in'your
toot
)t
suit
voot
Rds, Brs
)
Alto,Ten,Tbn
I I I
f
+Alto,Ten,Tbn (8vb),Gtr
r-3-
3
)
I t I I I I D I I
C',T:.J
'r,
r1,,
o,
w/Bs Bs lzol
wash and
you
dress,-
Alto,Ten,Tbn
-:\
D
I I D D
t t t
w/Bs 30
I I I
Jack-
t t
Sxs,Tbn (8vb)
I
D Dm7
p p
I
t i
(3/03)
3j
29
,
I
De { crs
G7 Ffi7 F7
Ab7
G7
Dm7
G+7
go get your break-fast
in a
beau
r
- ti - ful lit-tle ca - fe
they
Swing
seat Rds,
Brs
in - to
G
the
make with
street
the
feet
+Alto,Ten,Tbn (8vb),Gtr
r-3-
G'il:,)
',,
fi o,
c7
3
Ffr7 F7
Bs
Ebmz
(3/03)
abrs
I
Ab7
t!,
Ab'l
q
l, qrvt
Fm7
q t
II
abrs
D
f'lf'
) ) )
rEl
5.
G.I. JIVE
Swing
A litlle slower
:t# J l.' I
-.O--
)l
Gtr comp (tacet pno)
3rffi ){l
f ebu
'r-
3{b t
rIr
D
Segue as one to
"I
) D
I I
D D
n tI
D D
t I I D I I I I I I D I
3r I I I
r
(3/03)
-143-
Got A
Gal"
Piano/Conductor
Swing
I GOTA GALIN KALAMAZOO / I'M GONNA LOVE YOU TONIGHT Orch. by Harold Wheeler
a a a a a a a a a
I I I
a a a a a a a
Mod Swing
I got a
Ka-la-ma-zoo-
gal
Sxs, Tbn
---
-J
sub'ItlP Gtr comp E!
Eb
ll
?
sub
f
Fm7
I
87
rhrr rll
a a a
-,
C7
I
a a
I
a a
I
a a a
Tpt (Harmon)
a a
I
f
Em7 A7
Gm7/C
I
w/ Bs (8vb)
a
Bass as is (3/03)
a a a
-t44-
a a
}lf:
2,KALAMAZOO/ LOVE YOU TONIGHT
Swing
Eg
Don't-
want to
boast- but I know-
she's the toast
(Drums play time)
Em7
-Ka-la-ma-zoo
zoo
Sxs, Tbn
t;
:-l
t I I
t
(3/03)
A7
Em7
A7
3.
CMajT
share
a
KALAMAZOO i LOVE YOU TONIGHT
dance
FMajT
Em7
Dm7
but I know the score,
GlF
Sol-dier, your
A D13
Count off:
"3,4"
G7
I
w/ Bs
tgl
68
don't
tell me no.-
play - in'
nice
and
slow.-
Stride PIANO
(Guitar and Bass: 2 Beat)
Dm7
sus
GI
Dm7
sus
cl
a
I'll go
through the rin'ger, wrapped a-round your fin-ger.
Come on and love me
to-nisht.-
It
seems
I I a I I a I a a
(3/03)
- 146-
I
a
4.
l1n not
KALAMAZOO / LOVE YOU TONIGHT
to be - come your
qual
bride.-
blush
You wan - na
Stridc PIANO
9p17sus 67
dance
with Bet-ty Gra-ble then
Gm7
go
Dm7
home and mar - ry Ma - bel
C7
3r ) ) )
(3/03)
111
Why should
I
love you
sus
to-night.-
G;
P/C
E
5.
KALAMAZOO / LOVE YOU TONIGHT
Swing
Note: complete vocal arrangement in separate vocal book (mm 8l-88)
ENSEMBLE:
MICHAEL:
84
-j-
for
Let's slip
Please don't
a
play by
the
6
Fm7 PpTtbs)
cm7
Eb
BD7
6
a a a
I
book.
e
I I
-3-
Eb
e
Fm7
Gm7 cb7
a a a a a
abz
I
WOMEN: 3
see
what
I like,-
and I
like what
I see.TDt
To
night I wan-na give my-self
a
much bet - ter
look.-
This is the
3
T3-
cm7
L: Mana go -{--l
Fm7
live.
I a I a a e
pmf
Eb6
a a a
I Dm7
sbt
M: Ba - by the J
'c;
a a a a
at five.-
Iet's start
s2
3
Root-tee-te-toot.
I I
a a a
I I c6
(3/03)
nbg
G7sus4 cl
DmTsus
-148-
G7
a a a
I I
a a
I
6.
KALAMAZOO / LOVE YOU TONIGHT
How 'bout jit -
And let's just swing
ter - bug - in'.
it to-night.-
r(
)l )l
Gm7
C7
FMajT
C/G
Fm6
Dm7 G7 C 6
)(, ) )i
)r )
t D
)
t
t_-{___--
) )
rbu
D D D
) )
cm7
Fm7
rbuab
,b',
rhab
Fm7/Bb abt
t01
I )
think I
real -
D D D
ly
Iove you. Hey you're
'
too
fast.-
A
) D D D D D D D
Eb6
(3/03)
cm7
Fm7
abz
Eb6
mp.
-149-
Dm7
c[
Let's just
7.
side
sway
by
KALAMAZOO / LOVE YOU TONIGHT
And let
side.-
Swing
guide.-
my
-sL
clE
Gm7
rr
nbzrcb
Got no time
to
-a-
Dm7
I
bor-row.
sus
got no
FMajT
C7
ciE
G7
rr
ebzrch
Dft7sus G7
on and love me to-night.-
to - mor-row.
.____-__T-_-_
Fm6
I
Rubato
(
L:
_ If Ar
you put it
that
I
way,
+^
don't
have
I'm
a
I
+ =^
gon
- na love you
to
( (
I
{a
-t J.^
-Pp
Gm7
'ca
I I I I I
C/G
47(bs1
Dm7
obt
Segue as ane l0
"I'Il
Be Seeing lhtu"
I t ( ( (
I {
)
i
) )
I'LL BE SEEING YOU
n
Orch. bv l-trqrold Wheeler
, ) ) ) ) ) ) ) )
) tr
Tempo-in2
) ) ) ) ) )
I) ) ) ) ) ) ) ) ) ) ) ) ) )
Swing
Piano/Conductor
G
1D. 5
e Ca
-
the -
and our hearts
dral bells were
sang
on.
+ Bells
Was it
t+
or the Ap -
the soell of
il'
ril
dawn?
q
I
&
we
Knows-
shall
meet
Drs - brushes on cvm
Ff mztbsr
(3/03)
4^) *'
87
g7(bsl
Em
Em6
- ltg6(Ma7)
Em
3.
the
mom
I'LL BE SEEING YOU
chimes
nng
sweet
,J
le
CtD D7
lpTtbsl
+ Gtr harmoirics
+ Tpt (harm)
l
t I I
SD. (3/03)
Swing
rfr+Jt in
all
the
old
fa - mil -
iar plac
-
es
I
I I I I I a I I a I a
I
that this heart
3e
A tempo
em-brac
-
es
dl
day
through-
Swing
5. I'LL BE SEEING YOU
the
child -
the
ren's
Mark tree
@
A tempo
see -
ing
sum-mer's
ln-
you
dav.-
l'bn (horn-like)
n,
CMaiTtG
that's
light
and gay.
ways- think
of
that way.
(Tacet for page turn)
6,
-
morn
find
967(b5)
I'LL BE SEEING YOU
lng
sun
E7sus4
Swing
and
gTtbsl
the night
when
Am
ls
46(Ma7)
Am7
Rit.
Ill be
new,
NlL'LC
look - ing
at
but Ill be
the moon,
see
-
ing
(Give cut-off)
Fm6
dr
Sop. Sax
mf
Bs
(3/03)
(Ens. bkgrd)
(still pizz.)
Move---
7, I'LL BE SEEING YOU
I) ) ) ) ) ) ) ) D
) D
, D D
I t
+ Gtr
) ) )
I ) D
I t I ,
I D I t
I
G/03)
arpegg. -
CIF
8.I'LLBE SEEING YOU
P/C
Swing
fia 82
I'll-
sub.
be
see
- lng
you
p
-
Bsl= 84
al - ways think
Dfimz(usl
(3/03)
and when the nieht
) ) ) ) ) ) ) ) ) ) )
Aflmztbsl
ls
Dil7
I )
look -
ing at
but
the moon,
I'll be see - ing
D D
t I
$tr Piano solo
D
I
D
t t
cfs
cflrsf,11
*€
D
I
fiD.
t
v.s.
D
I , , )
I
tl* E I
D
t
I
(3/03)
-159-
10.
I'LL BE SEEING YOU
Swing
7 I
Bs pizz (no pno)
Segue
(3/03)
- 160-
to "USO Finale"
) ) ) )
Swing
l'l$nt/Conductor
IJ.S.O. FINALE
ir ) )( )( ) ) ) ))
(In The Mood/ Don't Sit Under The Apple TFee) Orch. bv Harold Wheeler
Cue: "OK everybody, Iast dance."
Count off: "1r2,3r4"
+Tbn.8vb
Tb n, Opt. Gtr. Sxs,;, Tb
)E
))Ll'
)(R ) )l' ) )l
) (E )
:.
_# T-T -1-fZ ----T--T--T = = T-V # fJ* I
ional play Optiona
4
:+ jC t-------F--l
4
J
Optional
T-
ffil | Bs.
'
3q
rR
)Dtl' D(R D D
)l'
.)l
l (E D
\L_
I ttr,
rR I l' ll
-1--1--T--
-
w/ Sxs.
-..----_.-_i-
-/---1--ffi ob orrb nb
sbz
---l-------+-J_-.f_
Pt"y rr/
B"
Sxs, Gtr.
sim..^ IU
w/ Tpt.
3fH
t I
D
t
(3/03)
o
----T----------.i-
-161-
w/ Tpt, sim. .
.
2. USO.FINALE
Jwlng
I
Alto (+ Ten, Tbn, Gtr)
of.
Ebe
( ( (
I (
(
( tr7
I
trll'z tvt
I ( (
( (
I I
I I ( (
I I I
( (
I I (
I
nbu
( ( ( ( (
3.USO-FINALE
Ab6
Bo7
Tenor Solo - a la
40's
so
(dig in - don't ease up)
Bbmz
t
ebz
so ,.,-.--r
CJ
Ab
E-r BO7
r'
r:b"z
Ab
Bbmz
ebt
5, USO-FINALE
Swing
Ens.
64 '---\
/ >f
Ab
r? Bo7
t. 'l
ED'I
Ab o
rp,j j
Sxs, Tbn.
,, Ten. Sx, Tbn,
,>\/l
Gtr.
Dr
rJF ) )l
I
l
rbz
I
ezrbz
E7
)(E )
te )ffi ) l" )
l^
Tpt, Solo
70
71
Sxs, Tbn bkgd. (Jungle drums)
)(ffi ) Jl"
Itb
Ab
Tacet Pno R.H. through
rr
?
) ) ) )
72
,ebzrf,sl Eb7 Ab 6
P/C
a
6. USO-FINALE
Swing
(Tpt. solo)
IF
Bbmz
FD\n E7 Ebs
lh
I
t-:= l6t I
tr
(cf. Vocal arrangement for complete vocal harmonies) Vocat (LAURA lead)
sit
Tacet Pno until m.
(3/03)
an-y-one
un-der the
l0l
- 166-
else
Ab
6
'.2
an-y-one else but
else but
Cm7
me No,
Fg
9S
tr an-y-one-else but me -
march
- i.g
s*t."-_? l rYl mf 67(rs
)
c?;13
F7$sy
Bb
lmryl
gf7(t
s
)
P/C
@ rFl t"l
8. USO-FINALE
Swing
UA: (+JC/E harmonies below)
Don't
sit
with
un-der the ap
an - y-one
else but me,-
No, no, no
Sxs, Gtr.
>
Atz oz(lg)
Baddle la
dor
Ba
da
- ba
da -
badaht Badadaht, Ba dad-dle la
t' vt,' 1+' ?+" q+"da ba da ba da daht-dahl
>< dz "ff
rt> (3/03)
-168-
D
) ) )
9. USO-FINALE
P/C
E
Swing
)l ) ) ) ) ) ) ) ) )
-|
ri-v-
Ab6 Bo7
-:
rl Ab6
abm
1-v-
Bo7
-r
-\ BbmT
D
) D
) D D D
, D D D D D
) ) D D
I t
Ab;
Bo7
r. 'l
Bpm
Ab b
@ Daht
Daht-
Daht Daht-
;Conducted (Half time)
1s3
134
71
71
E I t"-po 135
A. Daht rpt.
l
t
f..€.
dah
:
Dr set up
->vz
33
Tpt. on tape:
{
rl
-'t,+ l)
l)v
Bt'A
",e +i)
^^..--?^v-:.
vt
) ?l| I
I
, |
Daht
)-J
dah-
ilN
t, e+
t^
I
) D D
Pl{:
Swing
trt
Daht
rl
outr--
t
frllE--T ;J
Ah_
n#
I I
l
rl'
,l
?
I
(3/03)
- 171-
End of Act One
V.S. to
Act Two
(3/03)
- Ltz-
Piano/Conductor
Swing
ACTTWO
swrNc
rT, BROTHE&SWTNG Orch. by Harold Wheeler
) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
w/Band Vocal (Top note 8vb) c
Daht
Alto,Tpt,Ten
(Drs quieter) w/Bs (8vb)
(3/03)
- tt)-
Sx,Tbn
A
PIC
tr
3. SWING IT. BROTHER SWING
Swing
w/Band Vocal{Top note 8vb)
daht
daht
daht
daht
daht
daht
w/Bs (8vb)
Drs (con't. Tom rhythm)
ooh-
aah-
ooh-
ff::! aah-
Daht
Amo
\
daht
wC
4. SWING IT, BROTHER SWING
Swing
w/Band Vocal (Top note 8vb)
Rds,Brass
Gtr
o,n u
ull
Deep rhy - thm-
Am o
Am o
-
cap - ti -
vates-
me.-
(NO WALKING BASS TIIROUGHOUT)
F7(be)
Ez(bsl
Fz(bgl
+Grr (ala Freddie Green) +Drs (time)
Ir
-
\
E7(bs) Am6
) )
(3/03)
gTtbst
PIC
5. SWING IT, BROTHER SWING
w/Band Vocal (Top note 8vb) 33
34
stop to
did -
dle
dad
fool -
Stop this
dle.
lPt t Sx's
r*NP
ish
prat
Sx's,Tbn mf
Tbd
Fz (bg
Come
on and
I
FZ(bg)
Ez (bg I
swing me gate,
bro -
ther
E7(bg)
Well I'm
Swing!
(Band vocal out)
Rds,Brass
Am6/E
rar - in'
rar - in'
Alto, Tpt
-l
(Hns. under vocalO
And
ETtbsl
there ain't no - bo-dy Rds.Brass
Am6
gon-na
slow
me
down.-
) ) ) )
tttc
Swing
6. SWING IT. BROTHER SWING
48 ,-J-
43
Dr
Come Rds,Brass
) ) )
on
Bo:-
now
Hur - ry
\up and
send
me, let
Stop
this
go to town.-
me
t D D
I I I
t t D t
wlBand Vocal (Top note 8vb) 5U
Don't
D
D D ,
to
did -
dle
dad
fool -
mp ,/,r=
Ib I
tle.
mf
ln,Tbn
Fz
(bs
I
,r ^, FTbs)
Ez (bs I
t
I I D I I I
prat
,
f I , ,
ish
Alto, Tpt
,
I
stop
w/Bs (8vb)
.-3Come
on and
swing me
gate,
swing it,
hm6/E
bro - ther
Ez(bsl
^^ Etbg)
7. SWING IT, BROTHER SWING
- :zdah_
E. JC
(+ iland: ',Whoa")
(Growl w/
plunger)
Bot
Swing
E, JC Band: Whoa
da
Bot
dah
da
dah-
E, JC Band: Ho
+' mf
I I I I I i t I I t I I t ( t {
t
Dah - ba - doo - ba
F7
(3/03)
Bot
daht daht
Ez(bs)
da
Dah-ba-doo-ba
F7
otu
-178-
daht
daht
g7(bs
)
dah
8. SWINC IT, BROTHER SWING
I
,/rr
llhn,l.hn play lick *y' Hns
),
)t ){
)l )(
G7
w/tls (8vb)
D
) ) )
VBand Vocal (Top note 8vb)
Bot
D
) ) )
I ) I ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
E, JC Band: Whoa Rds,Brass
(3/03)
dah-
E, JC Band: Whoa
da
P/C
9. SWING IT. BROTHER SWING
w/Band Vocal (Top note 8vb)
'G, dah
80
dah-
E, JC Band: Ho
Swing
.--T\. dah
dah-
E, JC Band:
Ho
n
Dah wah
-
ba - doo
-
ba daht
daht
Rds,Brass
F7
g7 (bs
)
+Alto,Tpt Tbn (2nd x only)
(Tenor Solo)
+Cowbell d.b. (2nd x only)
(Tenor solo con't.)
Ten, Tpt, Tbn
(Drums out) (3/03)
10. SWING IT. BROTHER SWING
,---,
> \
(Tenor solo con't.)
)
(Drums
I
+Dr Fill
) )
t
Wha
)
wha-
wha-
Wha
Growl
Rds,Tpt Glowl {>
{>
rd,
cfz
(8vb)
(Tenor solo con't.)
+Dr
I ) t ) ) ) ) ) ) ) ) ) ) ) )
D
) )
Fill-----t
Gfldim7
wha-
rufrsuu)
wha--
(Tenor solo con't')
(Tenor End Solo)
cf;dim 7
)
fill)
,tt-.
r.rs
AdimT
cflOimz
PIC
II. SWING
@
IT, BROTHER SWING
Swing
Vocal Scat Solo
lstX
EB
Dote 2x
LAURA
2x ANN
3
Doo-dle-ya daht, doo-dle-ya
dote
doh da dote
day,
daht,
dee,
dah dote day!-
Whoa,
Daht -
do
2x ANN
2xALL
Dote day,-
|G]
dote dote
daht
daht
"Andrews sisters"
t'-6
>--o.nry
(3/03)
doh da dote,
- 182-
do boy.-
n
12.
SWING IT. BROTHER SWING
I
a I
-* I
lee-dle doo dee. doo-dle
llor
lee-dle
doo dee. doo-dle lee-dle doo
bah
Alta-,-
'l'crt,l'bn p
daht da
ba dah
ba
da
Alto, Tpt
Am6
Basie-ish
w/lls (8vb)
(3/03)
E7
Am6
da bah daht daht daht
P/C
13.
Swing
SWING IT. BROTHER SWING
w/Band Vocal (Top note 8vb)
rrl
179
Ten,Tbn
Daht
daht
Rds,Brass A
fd" tfall)
daht daht
daht daht
daht
Tom
(C0
daht
ia^___:--_
Wa
ba da
g/rss.
Gf,oim
(3/03)
7
Am6
cf;dim
7
Am6
ba
(
I
14.
Tpt (1xt only)
Alto,Ten,Tbn (1st x only)
+Tom Solo
Snare Solo
+ Tom Solo
->
->
---->
SWING IT, BROTHER SWING
P/C
I5. SWING IT. BROTHER SWING
,^
'p
Swing
w/Band Vocal (Top note Svb)
r55
Daht
Rds,Brass
daht
n
mfsfz Cue singers
p w/Bs (8vb)
w/Band Vocal.(Top note 8vb)
=, daht
daht
daht
daht
Am6
p (Quiet) w/Bs (8vb)
t*-
(3i03)
Daht
daht
I I ) I
PIC
16,
SWING IT. BROTHER SWING
Swing
167
,J + Shake daht daht daht ?
daht daht
daht
) ) ) )
I I D I
t
D D D
)
I t I
^^L ddt-
)tu rlffi D{l
3(E ) I
V.S.
D
) D
D D
t
D
I l l
---
,--
I l I
(3/03)
-187-
P/C
17.
@
SWING IT, BROTHER SWING
Swing
w/Band Vocal (Top note 8vb) r92
Deep rhy - thm-
cap
- ti - vates-
p7 (bs
t
me,-
Hot
rhy -
thm-
g7 (bs I
Fz (bs
I
Ez (bs I
w/Bs (8vb)
Rds,Brass
Can't help but
bro -
boy'
ther swing!Alto, Tpt
f
Stop this
Fz (bg
(3/03)
I
Fz(hs)
E7 (bs I
-188-
Ez(bs)
P/C
@
T7.
SWING IT, BROTHER SWING
wlBand Vocal (Top note 8vb)
Deep rhy - thm-
cap
- ti - vates-
p7(bs)
Can't help
but
swing
it,
Hot
rhy -
thm-
F7 (bs
E7(bs)
bro -
boy,
1
Ez (bs I
ther swing!Alto, Tpt
Ten,Tbn
- !
Stop this
F7(bs)
(3/03)
F7(be)
E7(bs1
- r88-
E7bgll
D
PIC
I8. SWING IT, BROTHER SWING
Swing
)
t t I
(Band vocal out)
203
-3Come
on and
swing me gate,
swing
bro -
It,
ther
Swing!
Well I'm
Rds,Brass
D
) ) )
I D I D D
t , t
D D
And
there
ain't
no
- bo-dy
gon-na
slow me down.-
I
D D
I
t I t D D
t
D D
send me,
t
let
me
D D
,
t I ,
I D I
v.s. (3/03)
-189-
P/C
le tc
I
19.
SWING IT. BROTHER SWING
Swing
I
a
I
w/Band Vocal (Top note 8vb) 216
a stop
Don't
did -
to
dle
dad
I
dle,
a e a
Rds,Brass
a a a a a
I I I I
-3---r A
Come
on and swing
a a
me gate,
A
Band Vocal
(lower
swing it,
bro -
ther
Bri
(loco)
|
rl
+
y.") ,ru poco Rit.
Band Vocal (8vb)
Trem.
r
?
n
swing it,
Swi
Am6
cfioim z
(3/03)
rl
226
>
rr
+ l,
I I I I
(Cue Drs)
/i\
a
Et$gl
rr
I I I
?
LONG
- 190-
I I a I I I I I I I I I I I
(4mm): ' z r t |3zzz|+, I 1
t ,, I ItttloFFl
^
.z
|
I I
Swing
lllnnn/Conductor
CARAVAN Orch. bv Harold Wheeler
) ) ) ) ) )
Jump Swing / Rockabilly
a
Ens. unis.
D "tr
) ) D
)
EI
.ffn
-
>
l=
D
)
I D
) ) D
)
I
i *b7r-
D
I
D
t
D D
I
r
-a
I
D
I
(3103)
-l9r-
=
Swing
2. CARAVAN
Sxs, Tpt, Tbn.
mf sim w/ Pno. Lh. Gtr. Lead
q'i3
Pno. Fills 2nd x
qh'i:
c?i3,
oh'i3
.; Bs.
I
c?i'n
;
c1i3
c?13
ob.zlsn
A
(3/03)
-r92-
Dbz($ttt
3. CARAVAN
Swing
31 Gtr. Rockabilly
b
.:i,
{Nrt
$yx1l;
pno. Solo
fft
d-d
I
+Alto - strongly
1'bn; Ten.
s
+ +
ilhs
Swing
\ t-
ncknowledg.e audience
sim w/ Pno. l.h.
oh'i3
oh'i3
11K Y
c113
obllS
obliS
cil:
(3/03)
criS
-194-
I I a
7l Doubled-fisted run up
I
(smtLe)
|
) ) ) ) ) ) ) ) ) ) )
PIC
Swing
(Tpt
Hns.
tacet) 58
I+ +Trumpet Solo
rt7
x7(b51 trDt 97tbs)
( oztbsl;
E
D
)
I )(
)l ){
ll
(No Synth) Gm7
)\ )
Bs: walk, Drs: time
66
67
68
)-
t I
)1
rl D1 ll
Cm7
Gm7
ll\
D
I
69
I I I I I I
4n..7tbs)
p7(bst
Gm7
,
I t I
(3/03)
-195-
4117(b5)
DZ(bs1
6, CARAVAN
Swing
C C C
a e
I I
(+Tbn Solo)
a a
I I a I I I I I a
t I I I I I I C
4r7(bs)
417tfs)
q ,
(3/03)
(+Alro Solo)
97(bs)
I I I I I I I I I I I I
-196-
I I I I I
) ) ) ) )
93
l.
;t )l
Am7(bs)
){ )\ ) ) ) ) ) ) ) ) )
(+Tenor Solo)
D
)
I I
D
) ) ) ) ) ) )
(3/03)
-197-
D7$s)
8. CARAVAN
Swing
J,-
Play simple version of horn cues
4r7tbs)
(+Hom shout chorus)
Play simple version of horn cues to fatten up
t,
(3/03)
7
hits
'
nt (ri..)
I
-198-
D7
q?i; =,b'i3
Y7fi
l l, )
)' )'
qb'i3
t' ).
Y
)
7fi Y
11fi l/
)' ) ),',
f'
I
)-
): t,, '.i l,' I
l:
t
Dzi:,
h" rl-.,**r1,J**li*rb h
I
re
cDt t^ vY \
D.ri3
10.
Swing I
CARAVAN
7b* hZ A
cz(ilr
(3/03)
r, tbttllnrr
-200-
nbftflrrr
bz
,:finlro/Conductor
Swing
f-r',,
It
DANCERS IN LOVE
F..-
T
II ) )
I) I
D
) ) D D
V.S.
I )
3r )
t t D
) D D
) D
I
D D D D
I
3r I I
t
(3/03)
-201-
Piano/Conductor
Swing
2.
DANCERS IN LOVB
l2rl tl
Orch. by Harold Wheeler
l,
2,
L,2,3 (PLAY)
I
I
+ Drums ftrushes).
Gm7
(3/03)
tr
Moderate Swing
Bsl
Gm7
C7
-202-
C7
I I
lt/{'
Swing
t4
) )
I D
)
i t
I I
D
t I
D D
I I ,
D
t D ,
t I I
ebMajz c7
t , D
t t t I I I
t p t
lr
(3/03)
io
cTeb
4. DANCERS IN LOVE
abrl,ajt
F
6
Swing
czgb
e
Gm7
(3/03)
Gm7
C7
-204-
C7
FIA
C7
) ) ) ) ) )
T
t----l-J'
t.
.-1
R
;I IF
lh
r--I\l,
+'
.:
swing q
e e a e e a a a
Snaps (Brs,Gtr)
o a o e a a a a
(E Cmin
1l
tt^ (E
I
F7
eb u
I I
Bo7
e
I
C 70
-.
ab
u
Bo7
E7
Am D7
a a a a a a a a a a
I I
a a
I
a a
I I I
7. DANCERS
J:
IN LOVE
,)*
Snaps (Brs,Gtr)
w/Bs, Drs
) ) )
It
tl )\ )
Snaps (Brs,Gtr)
e e e
Swing
Piano/Conductor
C
CRYMEARIVER Orch. bv Harold Wheeler
"2r31 4"
e e o a o a a
t
Easy Slow Shuffle
a a
t
e a a a
Tbn solo
I a I I
rfimz(bsl
F
13
Ez(f,s
Fflmz(bsl
)
B7(f,sl
a a
E7(fis,
a
tr
I I a I
LAURA:
a Now-you
Well you
You cry the whole night
say you're
can
(Tbn)
' Am6
Az([sl
qf r I
Dlms
dl f[ czlo) cztilsl
Bm7
sus4
EZ($sl
l}.-
BsP
I
(3/03)
It
Drums play time
I I I I I I l I I ( I ( (
2. CRY ME A RIVER
cry-
E
m9
me
r rr Dm7
Az(flsl
aatl
l-l I
Now
you say you're
. +'-4 sor-ry-
'
lt
-
r
3 Az3
E7
ll
for
wa wa
(flutter) "+l
'rbn J
H
FIG
be -
ing so
un
' 1-'
you
true
can
=tJ
opr.Alto,Tnr w/Gtr.Dr hits
j
T. 'J.a
Am
Dm7
FlA
cry-
fan plunger I OJI
me a n-ver
I
G13
cried a ri-ver
o-ver
s7
(bs I
vou
I +o+@
All play time
A7sus4
I D
t
D
(3/03)
A7
Dm7
G11
| 1.. Bb13it' '
rfimz(bs) ez
You drove
me- near - lv drove me out
while
of
vou-ne-ver
shed a
tear-
w/Gtr.Dr hits
q"J
:
Em
F$mz(bsl
Cfimz(bsl
all
.
that you
cflmz(bsl
said-
"what"
: c9
cfimztbsl
Bz([s)
You told me love was too ple
I Rds
i'
r
-
bi -
an
(Tbn)
;
lt
told me you were through
Ffimz(bs)
with
me
--:
tui gz
3
4. CRY
Now-
t)
you say you
Ttrnl | -'+-
|
MEA RIVER
t;'"'.
Swing
to prove
come on
you
and
J
|
Rds -:t p
) ) )
w/Gtr.Dr hits
t
D D D D D D D D D D
Dm7
FtA
Am
cry_
G13
CMaiT
Ez(f,s)
Flugel,Alto
me
,,fi:
II I
D D D
Em9
I
Dm7
A7
) ) D B D D D D D
'Ilombone Solo
I
I
Less motion
, D c$mztbsl
I D D D
+Bs 8vb (3/03)
Fflmztbst
sub'P
",
G11
Ffimz(bs)r,
Swing
5. CRY ME A RIVER 51
I
re- mem - ber
all that vou said-
+.,,\ t)tJfi+).^J ,
,i'--UV+Alto
np,
Em
J
cfimztbst
'pstil'trt'-,
J-!
)J
you say you
Tbn ad lib
love
Tbn ad lib
,
a,
r3-
m7 su s4
as
'-+e me
F ffi zJt-JzJ Flugel,Rds
mf
Bs,Dr
Now-
Tbn
but
+o
il |)l" +'+l
Dr on
just to
,/
cI-'"
I l-i
I
,/
prove you
./
LJJ
bell Jr,n,
Dr
do
./
,/
3
./ l$ll
PAlto,Tnr w/Gtr
Dm7
bmg
)rt#rll Azt$sl
Dm7 (
CMajT
G 13
F/G
c
3
BmTsus4
773-
p'\'
E7
6.
CRYMEARIVER 63
wha wha wha wha wha
wha wha wha wha
A
) ) )
l ) } )
t
Dr,Bs
) )' ) )
l
-2r3-
I
V.S.
(3i03)
-214-
)
)
Swing
llinnolConductor
)
)
RHYTHM cRossovpR (cAITLIN's DILEMMA)
!| )) ) )
Orch. bv Harold Wheeler
Tpt. count off : "1.,2,3,4"
u"" tJ"lii," tr ,,^ ? )
,
rurti a !?<,
)Ft )
tl"t"t''nl]
) lg= 3J
Cm6iA
Ab 6
It ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
Bs'
c
ctsb
cm6/A
nb
o
tr
(3/03)
ar
<
c
co/R
3.
I
RHYTHM CROSS (CAITLIN'S DILEMMA)
a
I
a a
I
a e
I I
a a a a
I I I
Ab6
Segue as one
c13sus
to "Blues In The Night"
a a a
I I I a I a I I I I I I I I I I I I I
(3/03)
-216-
I I I (
Swing
BLUES IN THE NIGHT Orch. by Harold Wheeler
lj=.'
i'.
l=,'
),
i' ) .1
rJ
Bbg
F add2
tl
-t -}}'] 'rz4? r )t ,
--:f-
)
)
lr ) )
) )
-3-------
--l'Lo
Gtli,
F7
)
)
v.s.
) ) ) ) )
) ) )
(3/03) )
-217 -
L9l
Swing
2. BLUES IN THE NIGHT
PIC
Mod.
Slow Slues J
Ma - ma done
told
when
me
I
was
in
my
pig - tails
ma - ma done
rJ-
a F7
He's gon - na
man's son - na sweet - talk
give you
,-.14'
fiv
F.7bs
F7
o"
r it-lnt-I
'
3:,
man
but when the sweet talk - in's
Drs enter - brushes
A7[s nOzbn
1q67srsa
[gfis
is a
two -
face,-
told
me,
3. BLUES IN THE NIGHT 16
-3uor - ry - some
Swing
-3-
thing that
leaves
you to
sing
in the
the
From
night, -j-
Clars, Tbn w/harm.
Gm7
I I
Nutr:h-cz to Mo-bile,
from
Mem-phis to St.
Joe,-
ir.r wJ,J
where ev-er the four
^ C11
r--rL+r I
I've
+Tpt w/harm.
3
a{
{+lls)
I've
heard me some bis talk
but there is one thing Sxs,
47fs" 97bs
-219 -
Q pTsusn Q 9$s
4.
Swing
BLUES TN THE NIGHT
3
-J-
wor-ry-some thing thatleavesyou to sing the
obg
Now
the rains
a
fal-
lin'
hear the $ains a
czf,s
cal-lin'
whoo -
ee,-
my
ma-ma done told
me-
Sx, Tbn,
mp
<.
hear dat lone-some
whis-tle
blow-in' cross the tres-tle
ma-ma done told
me-
(GTR. FILL)
-
Gmzbs rr[?,
(3/03)
-220 -
A-
5. BLUES IN THE NIGHT
whoo ee a whoo
ee-
click-e-ty clack's ech-o-in' back
night
the
The eve-ning
Sxs, open Br.
DbTtG
Czf,s
Double Time
'll
'll
and the
start
hide
mp
Fme
you
(3103)
Abrs_-J_r
get
the
'\=...-_-
--,
nmzbs
ozbs
Abmg
blues-
G
Ebme
Czils
in
Abeo
Dmzbs
G zbg
the nisht
lgsusa GZbs
-22r-
C
6
AbMajT
DbH,ta;9
C7sus4
Swing
6. BLUES IN THE NIGHT
the
take my word,
in' bird-'ll
mock
sing the
kind of
sad - dest
song
3
3
-3-
Fm9
-J-
nl ,^
Abms
DPIr rf J
_-..t
56
he knows things
are wrong-
Ebme
Czils
nbts
Dmzbs
'
G zbg
Half Time
and he's right.
Sxs, open Br. poco cresc
nmzbs
Ozbg
G13sus4
Eboz
Gtsilrr
RIFF THROUGH HERE
ou
from
Natch-ez to Mo-bile.
Mem-phis to St. Joe,
-J-
where ev -
er the four
winds
blow
-3-
f
(3/03)
Cz/E"-,
7. BLUES IN THE NIGHT "64
?
:-/-
hccn in some big
towns-
I've
heard me some big talk
but there
is
one thing
I
v!
knoE=-/
,a. ).t=
)'..'
=-
)"
mf sfz
rf
47fis pTbs Gm7 cgils ro
i1 --3-
68
---/ man
is a two-face,-
wor-ry-some thing that leaves you
to sing the blues-
night.
Hmm-
-_
F7
czils
Abz
-JI
ma -
A
€
,{>
mp bc
fl
(3/03)
-
zzJ-
ma was right,
there's gon -
na
be
Swing
d e
t
'
:
e e a e e a a e e
iln
cz[s
a a
*1h
.-.E-\+
A s5$n
a e a a a a a a a a a a e a a
I I a I I a I I a a a a
(3/03)
-224-
I I
Swing
TAKE ME BACK
TULSA/ STAYA LITTLE LONGER TO
t D t D
t I
1
D D
Lap Steel Solo
D D
t
DJI"
| )l
D(E ) ) ) ) )
v.s.
I ) ) ) ) ) )
lr ) )
)
(3/03)
-225 -
2, TULSA/STAY A
LITTLE LONGER
Swing
a
t t
C C
e e a a a
I I I
e w/Bs (8vb)
(3/03)
-226-
3. TULSA/STAYA
Where's'
the gal-
with
the
LITTLE LONGER
red dress on
- 22"7
call her Di
-
4.
stole my heart
a
-
way
me back to
Tul
me back to
Tul
Swing
TULSA/STAYA LITTLE LONGER
me
way down
I'm-
too
young
too young
take-
|l
t ) ) )
5.
lryL:
TULSA/STAYA LITTLE LONGER
Swing
EO
Piano R.H. Tacet
Gz
Slap Bass Breakdown
Pull off' your
(3/03)
coat
in
the cor - ner
-229-
Don't see why you don't
cz(bsl
6.
TULSA/STAYA LITTLE LONCER
D
Swing
CG/BAm
Segue as one to " Boogie Woogie Country
"
'
I
Swing
Piano/Conductor
) )
)
BOOGTE WOOGTE COUNTRY
)l
Orch. by Harold Wheeler
Boogie woogie tempo
(Think "Johnny B. Goode")
Tbn,Bari (8vb)
I Piano Solo
w/Bs (8vb),Dr hits
v.s.
t -23r
-
Swing
2. BOOGIE WOOGIE COUNTRY
7
Barif 7 $r I-J_J-J
7 gldss.
Bari,Bs
big
band beat
I got two-
left
and a trip-pin' all the
feet
"ala lerrv Lee Lewis"
(Gtr,Dr play time) LI
w/Bs (8vb)
my
friend-
and
I tend-
-aI_3-?'
to step on
ev
-'ry-one's
toes.-
T$G
If
there
are
3. BOOGIE WOOGIE COUNTRY
Swing
19
- guinebe-gins,- youcan
ly one
boo A
gie
dance
that this
cow
- boy- knows.-
Give me
woo - gie coun - try
Yeah, that
Tpt,Tnr,Tbn
(Gtr,Dr play time)
w/Bs (8vb)
,
clum
betyour bot-tomdol-larthatl'll bruise-some shins,-'causethere'son-
Gtr
fill
some
dog-
4. BOOGIE WOOGIE COUNTRY
is gon-na hunt
{
Dut-
sir!
me down
in
feet.,
front
Bari
Tpt,Tnr,Tbn
Am7/D
c
J
I I I
just start a kick-'in when they
play-
the
vamp
and
I
hear
a
gui-tar pick-in'through
G (Gtr,Bs,Dr
I
play time)
sure 'nough hope
to
die
Fen-der
amp-'gatl5e I'm
a
I I I a I
A
+Tnr.Tbn
a
I I I
boo -
gie
woo -
gie
coun
try
champ.
Tpt,Tnr
Tpt {> {> o
I I I I I I I I I I I I I I I -a
a a (3/03)
I
5. BOOGIE WOOCIE COUn\TRY
'l'pt,'l'nr a+
,,-t
f+rbn
a
(Ctr fcatured)
Well bud - dy
'--V
Tbn
Tnr,Tbn
\-
+Bari,Bs,Gtr & Dr hits
root-in' toot-in' pas-de-doot-in' Fred As-taire with a coun
I de-clare. when vou crack
@ o
trem.
D
) ) )
w/Tbn,Bari,Bs (8vb) (Dr play time) (3/03)
-235
-
-
I
6. BOOGIE WOOGIE COUNTRY
_a
try groove and
a coupl - a'
ne -
ver
a a a
for - get.
Bs
(8vb) -r-
+Bari
>
Bs (8vb), Dr hits
New Orleans Rhumba feel co
mean to
brag
but
in my
sad-dle
bag
there's
a
half
144'+ v-
a
do-zen med-als and
some
first-place
swag,-but like
the
v
+Rhvthm Gtr
IFIAN-o-I A
w/Bari,Bs (8vb) (Dr play time)
fel -
la says,-
"You
ain't-
seen
yet!"
Give me Tbn
Tpt,Tnr,Tbn
w/Gtr,Bs,Dr
Tom
fill
somc
r
7. BOOGIE WOOGIE COUNTRY
Swing
) )
boo - gie woo - gie coun - try
gle woo-gle coun
-
try.
Tpt,Tnr,Tbn
D (Gtr,Dr play time)
- is
You can
gon-na hunt
Dut-
me down
in front
my
sir
feet
ns (svb) f,
just'start
Tnr,Tbn
A
1,1
t
a
kick-'in when they ;
(Gtr,Dr play time)
play-
the
vamp
and I
hear
a gui-tar pick-in'
through
a
Fen
- deramp-'causel'm
a
Swing
8. BOOGIE WOOGIE COUNTRY
sure
'nough hope to
Tnr,Tbn
die
-
try
champ.
i --
h; I
Doo-gre woo-gle coun
7? tl :
T
Bari (8vb)
Gtr solo
Dr hits (cresc)
a'
Tnr,Tbn,Bari (8vb)
Gtr ad lib solo D
(Bs,Dr play time)
sure 'nough hope
to
die
boo -
gie
woo -
gie coun
TpqTnr,Tbn
Bari (Svb)
Gtr: rhythm F7
(3/03)
-238-
-
try
champ.
t I I
e,
P/C
t]()t)cill wooctE couNTRY
Swing
o9
D sure 'nough hope
I I I
to
dic
Tpt,Tnr,Tbn
D D D D D
Bari (8vb)
I
D D
t
D
I I
sure 'nough hope to die
boo -
gic w(x)'Srf
e()un
t I D
t
D
+Bari
AtCtrl
(sim)
"
D D
I
D D D D D D
)
Ten,Bari,Tbn (8vb)
D D
) ) D
) )
Applause segue (]/03)
Swing
Piano/Conductor
BOOGIEWOOGIE COUNTRY PLAYOFF & TRANSITION Orch. bv Harold Wheeler
Drums: "lr2r3r4" (Tpt.)
mf (Saxes
arun.);-T)
--_>
(Drs. TIME)
r 'iof
' fi T'iol
7?
pl
Itlc
Swing
2. BOOGIE WOOGIE COUNTRY PLAYOFF & TRANSITION
tr
PIANO SOLO
(Bs. & Drs. TACET)
t )
-D7[PY, ,, ^.
I ) ) )
I ) I I t )
I ) )
I g--:
l.'.' E::1
:
I :r ;1rri l ! Fil:::l:Y!. .
p'.=..., .
at1
Dm7/G \
Swing
3. BOOGIE WOOGIE COUNTRY PLAYOFF & TRANSITION
(Saxes
& Brass)
1
G13
:'i
r^ileb
Bb13 Ab1
(Piano Solo)
cbvajznb
Segue to
(3i03)
-242-
"All of Me"
' Itiano/Conductor
Swing
ALLOFME/I WON'TDANCE Orch. by Harold Wheeler
1fr
T7
/ c
(Pno - tinkle sparsely)
Gtr - "Freddie Green"
?-
-t-
why not
?f tl
take
all of
me
ba-by
2. ALL OF ME/I WON'T DANCE
Swirtg
8
-J-
-Jcant you
good with-out-
see
you.
"You're no good, period."
EVr
13
-JTake my lips
are nlce
I .. llps
want
to
lose them
why should
I
choose them?
ANN: to (Spoken)
taKe
mv arms_
Ill-
use them.
I
should re - fuse them
'cause
3. ALLOFMBIWON'TDANCE
Swing
ANN
EV:
Your good-bye
(con't sparse
No,
.:-1-1
zo
your good-bye
lbft me with
22
21
eyes that
cry-
ANN: EV:
I
was
cry - ing too
fills)
EV:
you're al-ways late when we have a date
ANN:
I
took the -,, You -:- 3.-,
won-der
if
Icouldev - erlivewith
26
- out you, honWhur, done is done_
pafi
that
once
was my heart-
,!r"'
-3-"-'You took the
pan
was
that
(Optional Saxes)
(3/03)
Though
nA<
my
heart
Swing
4. ALL OF MVI WON'T DANCE
take
why
I I I I t I
all- of me.(ptay)
{
I I
+Tbn. (opt.)
-1-.>
Fm7
EV:
A7
'ebrs
( (
.JO
-J-
I'm so
qa - zy
a-
I would die with-out-
!3:
(3/03)
-246-
bout
you, ba -
You
I I I
bY
D
5. ALL OF MgI WON'T DANCE
P/C
Swing
, D D
43
I
if I
just wan-na kiss you,
to
hold you and squeeze you?
I
wan-na
please-
you
D
) D D D D D D D D D
4^
I I
but, frank-ly ba-by,
D D D
to
heat up
I
ro-mance-
just need
lit - tle dance.-
one
+Tpt.
(sexy)
p-
I ] D
t I
D
I I D I D t
52
51
-3.,J
I
won't dance,
'cause
I'd have
to hold
you.
Ioco
D D
I
t
t I I I
(3/03)
- 24't -
--
won't- dance.-
mon
ANN:
I
told you
6. ALL OFMryI WON'TDANCE
ANN:
Swing
3
you.
-.J-
_:--J__-_r
>>>
G13
'-J-
I
c/
|
AAA
AAA
c13
Ah1 3 _J
s9AAA
AAA
=
i )
tI
tvt:
7, ALL OFME/I WON'TDANCE
sl'
t
Bell of cym
) D ) ) ) D D D D D D D
69
I
D D D
D D D
t t I
D
t
I I D I t I I I a
I I I
Swing
e/03)
-249-
Swing
8. ALLOF ME/I WON'T DANCE
Oh
my
God,-
G 7 sus4
c
,o
EVERETT:
my
god!-
Slight
rit.
We're Br.
FA
e C e e e c d e e e e
5
73
e
Iead
-
ing
a o a e a a
"Fred and Ginger"
Tpt.
danc
e e e e e e e a e a o
Saxes
a a a a a a a a a a a a a
9. ALLOFMBIWON'TDANCE
r-
l, ) )' )' ) ) ) )
A tcmpo
'Iango
Solo
?t;r
l! ) )' ) ) ) ) ) ) ) ) ) ) ) ) ) ),
) ) ) )
r r (3/03)
11
A
,
'
AAA
IO. ALLOF
PIC
MgI WON'T DANCE
BOTH:
E
(both voices loco)
Your good -
left
bye
me with
:{g
How can
sbz
(slm
I,
how-
can I go on- with -
out
you?-
)
a
I
a know you -
you you took, you - took
know
you
took the pafi,-
\---
'/
took the part that once was my
heart-
a a a a a a a
I
(:l/03
)
-252-
a a a a
)
P/C
D
103
1I. ALLOF MVI WON'TDANCE
Swing
) ) ) ) ) ) ) ) ) D
)
t ) ) ) ) )
why
rt V why
I
ll I ] ) )
I l ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
--<.::
(3/03)
V.S.
(l/03)
-254-
fitHo/e orrductrlr
Swing
RHYTHM CROSSOVER ("BILL'S BOUNCE") ) ) ) ) ) ) )
Orch. by Harold Wheeler
"lr2 lr213,4" I
Fast Swing in 4
I ) ) ) ) ) , , , ) ) ) ) ) ) )
l ) ) ) ) ) ) ) ) ) ) ) ) )
V.S.
(3/03)
-255-
3.
RHYTHM CROSSOVER (''BILL'S BOUNCE'')
Ern7{bs) rbt
Ep7(as)
(+
G/D
Em7
Eb7
Gtr) G 6
,r+ Tbn
(Svb)
Swing
4. RHYTHM CROSSOVER (''BILL'S BOUNCE'')
Swing
Alto
,ufu----
=> ten
Country (use 4ths)
27
mf
32 ,--A
c
cfio
(Accordion out)
3e Alto
V.S.
5.
PIC
o
ClE
RHYTHM CROSSOVER ("BILL'S BOUNCE")
a. I
CmlEb
c/D
C
S'uving
cilo7
D7sus4
clD
G7
Segue ds one
to "Bill's Bounce"
(3/03)
-258-
Swing
BILL'S BOUNCE Orch. by Harold Wheeler
) ) ) ) ),
)[l
))l l' 3
1l(
) \I ) lb )'-
+Drs (HH)
3q
)ft
)t)t tfF
rtI \L
)
) ) ) ) ) ) )
I
) ) ) ) )
(3/03)
Swing
f'd
Br (Tbn 8vb)
-.r'A
e e C
I
a e e
I I I a I I I I I I I I I I I
3.
BILUS BOUNCE
Swing
Tpt
:t
-r
t:\lto $rrkrr $br:st ll'nr) . '- ,
+ Tbn 8vb
4, BILL'S BOUNCE
l-d;l
-
(Gtr Solo) Saxeq tacet
Tbn
50
Swing
) ) ) )
5.
PIC 6l
"Let's Go To The Hop"
BILL'S BOUNCE
Srving
63
llr
r(R
)Jl' ))l )(E ) D
1:
)R
)r )
l,
) (R DJI'
))l
) (E
il)RDr D
)l
3fF )11 D
lb \ t-z
) ) ) ) ) )
V.S.
-263 -
6.
BILL'S BOUNCE
2nd X Dr sn roll
t
I
(
(3/03)
-264-
Swing
) ) ) )
7. BILUS BOUNCE
P/('
Swing
v'
Tpt Solo n6
) )
t ) D
t I
Br (Tbn 8vb)
D D D
I I , I
Em6/G
Fm6/G Fm6/Ab
D D t99
l
+-l,_l
ebmztbz
1
l-l ++
103
Db 6
|
7fi l/
rbntabt
Db6
8.
'l I
BILL'S BOUNCE
SWrnq
Tpt, Tbn 8vb
1to
re1)
\ *'-.
Dh
6
Bbztflsl
obo cbo
ob
Ebmz
{
tt''' )
Swing
l* )t )(
rJ
r) r(
tt t
(Tpt Solo) Saxes
) ) D )( D
rl t' til ,
D
3 ) D
) ) )
I' )1 ) ) ) ) ) ) I
;1 3t )' ) )
Jr
tt-
-cl-
.--.o.
IO.
BILL'S BOUNCE
Swing
1448'
a
-r-
f)rrrm solo
-r-
Toms
I
h
1
I I I ( t I I I (
I
(
I I I (
I I I I ( ( ( (
I I ( ( (
I I /\ A
.D
IJ'uo
fr t-t
J] J J
155
I
I
\r-rl tl
I
I
I
I' I 11567t I
rl
( (
I I (
I
I I (
I (3r03)
-268-
I (
II. BILL
I
l-
hl
S BOUNCE
A
y -d tsg+ ? 14?
'f?
r
I
>
f{ff )11 '
Dgbs
ilh D\ry )
D
,u;
Dffi
Drf t)
)l
Ar
A
162
r-2"'-
A
3{F AJ
)
rlb D \F_ 1l
p I
Db6 I
.U V
I )
D
) )
I ) ) ) ) )
I I )
3r ) )
t
(3i03)
-269-
Segue
to "Stompin' At The Savoy"
Swing
Piano/Conductor
STOMPIN'AT THE SAVOY Orch. bv Harold WheeLer
"3, 4,
I,2
"
Swing grandly
Em7lG
ebraalrc, obr"rai(c
Dm7/G
a
l\v
I
(to 1)
obuajttc
(3/03)
DT7
ifimztbsl
n
eztilsr
2. STOMPIN'AT THE SAVOY
3
) ) ) ) ) ) )
Dm7
to
move to that hap-py
beat?-
Dm7
G13
-
-l--
-3How did those dan-cers leam
Swing
Gz(ilsl
Let's go back
Em9
3
in time-
to
the
A13
D
)
start -
UI
Eme
Em11
A7iry
room of
ball -
ed up
rooms-
caused
a
in
where the
ebrs
hell of a hul - la - ba -
nbr
t I I
D
(3/03)
Em11
g
abztflsl
loo.
D7ils
Swing
3. STOMPIN'AT THE SAVOY
Tempo-Easy Swing
the home
of
lt
sweet
won you
{ ( ( {
I
at
( (
I I I
+ Bs. Drs HH
( Db
-
6 nbrs Db
I
6
( (
They
to dance.-
gave hap-py feet
Db6
from
ev
-'ry - where a-
\
(3/03)
round-
Eo7
EbmT
to all that- swing-in' sound-
--l t ----------/
- 272-
came
Ah13
hip -
4. STOMPIN'ATTHE SAVOY
pest
dan-cers- ev-er found-
were-
How their hearts
when the
band-
was-
they
Ens - Tpt St mute
e br
g
nev -
E9
87
csbs
er tired-
stomp -
of
L-
F9"5
-273-
Ffimztbsl
in' all
night
at
the
Sa-voy.-What
joy,
5. STOMPIN'AT THE SAVOY
a
voy,-
per-fect hol - i-day-
Sxs, Tbn.
Swing
where they would glide and
sway-
voy,-
\?-.
-__---
------Z
Quasi double time 40
-
they all would stomp
a
way
dawn.
t
nr solo
-
R[9 susa nbr gbs
Let me tell ya'bout
(3/03)
the
crowd that would come for
-274-
the
songs they could
hum
Get four thou-sand peo-ple
mf Drs - tom solo- - -
Dg(ilr r
)
a[7lilsl
) ) D D
) D
I
Two great bands
La-dy Day and Ba
-
sie burn
in'-bright-
and when
A
D
D D
I I
t I I
D ,
I
t
The
Webb swang-
/---
T (Play with Ann)
nbr
s
nbr sbs
place was like a pow-der keg
a-
bout to ig-nite.
Chick-
Swing
7. STOMPIN'AT THE SAVOY
Ev -'ry - bo -
dy
ver the back
hip
side-
flip -
e e e a e a
pin'
Sxs.
cbrs
Gbrsb'
obrs
c?[:
o a a a e
Ffimztbsl
Toes were tap-pin' and
Ens.
r,--.
stm.
nbrg
And
(3/03)
e-ven the stars from
would
-276-
come out to play-
like
d e e
Gar-bo and
Db6
Die-trich
and
8.
catch the
STOMPIN'ATTHE SAVOY
sights,- to
watch
Whi-tey's Lin-dy-hop-pers hit those
Ens.
I ) )
I ,
tr ffi
D D
l^
)
l"
I
Instrumental
ffi
t, k t l" D
I
F
,
I t
79
D D D
King
I
+MildAltoSolo
D ,
I I I D I I
of
Swing
at-
the
----J
EbmT
(3/03)
nbrs
9.
Swing
STOMPIN'ATTHE SAVOY
J e e e e e a e a a a e
t
e
+ Ten'
solo
--
l3!'- pv was the girl
I a I I I I a I I I I I I
and bov
(
a
( think
that
syn
out -
- co-pa
I I a I
smart-ed Sxs.
Sxs.
I I I
p cbre
(3/03)
abrsbe
B
-278-
e
,l Ffimz (bs I
( ( ( ( (
IO. STOMPIN'AT THE SAVOY
HaIf Time
llll*:k
and
ard whitcs werc
stomp -
in' all
night
z_t' d,
'-.UP, I
*- A pcr-fcct hol-i-day-
voy,-where
they would glide and
6
sbztilsl
sway-
t:--'
Eb
I t II t I t) ) t)
they all would
-
) )
I ) D
Bbztflsl
(3/03)
Eb
till dawn.Ens.
It went
Eo7
on-
and
on-
Fm7
and
the
I
I. STOMPIN' AT THE SAVOY
Swing
109
108
beau
- ti - ful thing-
to
-
day
that the
t
r-3--spi-rit of
a e
Sa
-
voy
ls
Gm7
obz
e a e a e e e a
I I
a New Tempo
the
Sa
drive Sxs.
5
Ten, Tbn(8vb)
nbM^Fgb ebrs
(3i03)
-280-
-
voy
12.
{I3
A little faster
Sa
-
Sa
voy
+ Tpt.
Sxs.
.:
Swing
STOMPIN'AT THE SAVOY
a.,
BMajT/Bb
I
EMajT/Bb
llr<'
Eb13n"
=
Applause Segue
-281-
e Swing
Piano/Conductor
I
e e
FINALE lt
(Swing It, Brother, Swing/Sing, Sing, Sing/ Don't Mean A Thing If It Ain't Got That Swing)
Orch. bv Harold Wheeler
I
e e a e
I
a
t
I e I I a I I I I I I I I I I I
.6
I I I I I
I I (
I ( (
I ( ( (3i03)
-282-
(
Swing
Piano/Conductor
FINALE lt
(Swing It, Brother, Swing/Sing, Sing, Sing/ Don't Mean A Thing If It Ain't Got That Swing)
Orch. bv HaroLd Wheeler
I
e e e e e a
t t I t
t C
I I I I I I I t I
Mod. Fast 4 (Drums only)
t i I I
I t I t
I I I I I (
I I I
i
( (3/03)
-282-
t (
) ) ) )
Swing
lrlc
E
) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
--
) )
I D
) ) ) )
l )
I ) D
)
l ) (+Bs, Tbn Sva)
I
(3/03)
3.
Em6/G
Emo
(3i03)
B7lFfr
Em6/G
-l
)wlng
FINALE
Ffr"7
B7tFfi
-284-
Em6
rfioz ezrfr
Em/G
B7/Fil
I
t
Em6/G
a
I I
Filo7
F#o7 B7tFfr
D D D
I I I I
----
D
I
Em6
t
B7lFil
Em6/G
C7
B7lFfi
D D
I t I I D I
E Tpt, Tbn.
t D t
Sxs.
I
D (+Walking bass)
D
I
I
(3/03)
-285-
Bz(f,sl Emo
Ebz
Swing I
Tpt.
iun tsuu)
\j
Filo7
87tFil
(3/03)
Em6/G
C7
B7lFil
-286-
etrfi
Em/G
azrfr
,T-, ,rl-. B7(ic, E7tttc,l Am6
) ) ) )
6,
P/('
Swing
FINALE
E
Sop Sax
) ) ) ) ) ) D
Fflmztbsl
) ) D D
) D D D D Tpt, T Sax, Tbn.
D D
D
I , f I I I I t I t I I I I D I I
Am6/C
Am6/C
Bo7
65
Am6
(3/03)
Bo7
Am6/C
Bo7
-28'7 -
Bo7
Am6
7.
FINALE
swing C
a
I { I
e C C C C
e C C
t
Am6
(3/01)
E7/B
Am6/C
ET|B
-288-
) ) ) )
p1c
Swing
@
bum,
bum
(Drums on cymbal stand)
bum bum ba
ba ba dah ba dah ba dah
bum
ba
(Band snap on2 & 4 as long as possible)
bum bum bum ba bum
,
ba dah ba dah ba
bum
Dru
(B-)-
'l
t
E/JC 93
(loco, at pitch)
A/L
94
D D
Wad-dle
D
) ) )
I ) ) ) ) D
(3/03)
dah
Wad-
dle
dah
2i^
wah-
daht
9.
FINALE
AlL
Swing
A/L 99
Wad-dle
a/
z Bay
dah
J
doo
'-Q dah-
o,t,
@
Wad-dle dah
;,k!_l-!-
Wah
Wad-dle dah
Tpt.
ur
? i f,,lltt777
-r-{J
wah-
=
t-J
E&C; roe A
Wad-dle dah
Tpt.
(3/03)
Wad-dle dah
Wha
4>
doVdot
loo
Drum solo
)'.
) )
(Drums)
t ) ) ) ) ) ) ) ) ) ) ) ) )
I)
@ Ba da ba da ba doo da - ee va dee da
t
da ba doo day-
Ba da ba dot
dot
,-
(loco, at pitch)
) )
Drums continue
D
I ) ) )
Solo:
A:
118
Doo - dle - a
)
I L:
) ) ) ) )
Ba da ba da ba doo da - ee
,*
ya dee da
dot
t )
I ) ) D
(3/03)
-291
-
Doo ' Doo-
JC:
Swing
Ba da ba da ba doo da - ee va ba da dot
Ba da ba
dot
da ba doo day-
dot
il4 boom
Ba
da
ba
da
ba
boom
doo
da -
ya
ee
A: Doo-
dee
Doo129
L: Doo_
L:
JC: Doo
E:
(3/03)
DooJC: Doop. Doo
Doo
-292-
da
dot
Swing
wha-
ooo
Tpt. (w/plunger)
(Drum solo)
1g7
--J-------r
wha-
wha ooo wha wha
=-3<,
ooo
wha
i.-J
(Drum solo)
l-131
I
1
sub.P
Wha
wha wha wha
' ooo
p
r-
wha
Swing
wha wha wha
wha-
ba-
wha
PLAY (+ Tpt.)
JJ))
bilI,
dot -
tle
dot >
+ Horns (sust.)
(+Walking bass) (3/03)
tle
ba
doo
ba
dee - dle
oo
dah-
I )
I
t
14.
P/C
Swing
FINALE
@
I l'
doo
Tpt., AIto
ba doo ba doo lee ya doo ba
doo lee ya doo bop
l
ll,
I l l
Am
l'
ir}''''
I'
l'
l, l. -,
,u,
Ba
doo ba doo
ba
doo lee ya doo bop
ba doo lee ya doo ba
doo lee ya doo bop
ba
doo lee ya doo
;,
l
I
Am
}
I l' t-' l, !'
(Solo EVERETT)
Ba
163
doo ba doo
F'
F F.-
F
l' F
Am
15,
FINALE
Srving
Ba dah ba doo bee doo lee ya doo bee
Wha oo
-----\
Wha
wha
oo
--...-_-
doo lee ya doo bop
wha
(+ Tpt.)
Wah Wah
Wah
Wah
.,ltuop vocAl+ Latin Drums
Wha oo
wha
oo
wha
a Wah Wah Wah
Wah
Wah Wah Wah Wah-
I l
a a
I I I I I
a
I6. FINALE
179
\----l
Ba
) ) )
(3/03)
da ba
da
ba da
ba
dee - dle
- ee dop
Filo
Fo7
ba
da
ba
-297
-
Ba
da ba
da ba da ba
dee - dle
- ee
dop
bah
Swing
Ba da ba da ba da
dee - dle
ba
ee
-
Ffio
r:=r r,r I
I
goz
Fo7
rlloz roz elloz 'il 'il
AIL
gJc
Ba da
ba lda ba da ba
dee
-
dle - ee
Ff,"
Ba da ba I'da ba da
ba
dee
dop 'A
ba da ba
Ba da
ba ''da ba da ba
Fo7
-
r$'
(3/03)
dop
dle
- ee
dop
Fo7
Fo7
-298-
Ffro7 Fo7 Filo7
dee
-
dle - ee dop
I@
Swing
P/C
) )
Hot
Deep rhy - thm
Rhy - thm
Sxs.
2oo
-3Can't help byut
Swing
it,
bro - ther, swing.
fool -
I I I I
(3t03)
-299-
ish
{
I9. FINALE
I I I
Come
on and
swing me gate.
(Drum fill)
I I I I t a t I I {
-J
Makes
(3/03)
no
dif -'frence
-300-
mean
) ) ) ) ) ) ) ) ) ) ) ) ) )
Dm
a
thing-
swing.
Dm
Dm/cfi
do -
wah
do - wah
do-wah do-wah
do -
waht
al7(bs1
Ir
I )
I) I I I
Gm7
Gm/C
D D
)
t
@
D D
I
mean
a
thingAA
dl
you
D
, ,
I I D
Dm
Dm
DmiCfl
,
t t I
(3/03)
-301-
nbt(bsl
Su,ing
do -
wah
do - wah
do-wah do-wah
Gm7
-
wah
do - wah
-
wah
do -
waht
Gm/C
do - wah
v
FIA
(3/03)
BbmT
-302-
k
Swing
BOWS (Woodchopper's Ball)
) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
l, l,
Orch. by Harold Wheeler
2,
2,
3, 4
) ) ) D
) ) ) ) ) ) ) ) )
V.S.
-303-
2. BOWS
ril --
Swing
PLAY BLUES IN C MAJ Tpt, Alto, Ten, Tbn
DmTsus4
c
6
A?il:
Dm7
G11
Swing
Sxs,Brs
'-v
f
(Gtr, Bs - comp.)
>
(io 37)
4. BOWS
I I I I I I a a a
I I a I a a
I a I I I I a l I a
I I
a
I I I
(3/03)
- 306-
-307 -
(F
/t \tr
I
OY
,, Sxs,Tbn,Gtr ,r*Tp)
73 it
,_€
->
(3/03)
-308-
Swing
EXIT MUSIC (Shiny Stockings)
l
V.S.
) )" ) ) )' 7
) ) ) ) ) ) ) ) ) ) ) ) ) ) )
lr )
) )
,,,orl
-309-
Swing
Piano/Conductor
EXIT MUSIC (Shiny Stockings)
Bbmt Efilbsl
Ab
Bbnz
6
+:1 Ebttbst
nb.
Orch. by Harold Wheeler
ebzrbst
Ab
6
t"3
l' lil
t)1,l' itF
ebrs
ebrsob
F13
rrcil.b
3?b
il)r )
)l#
lI )
t
667(h5)
)
I D
)
t D
,
t I t D
L
Sxs,Brs
FZ(bs)
Swing
4. EXIT MUSIC
cn7 Ab6 cm7
rbr
Bbmz obrcb
.ril6?ij
s
aiircb
o ^j
Ab6
ebr siob
t:orr+ ebni.ab
Ebztbsr
nbu
e e q
I I
BbmT Walk
a
t
a a a
Swing
{$olo con't)
(Solo con't)
Alto,Flg,Tbn
'ilr?
Comp (Tenor Solo)
) )
t
11r(i.rt
- JIJ
-
6.
EXIT MUSIC
e e e e e C
e e e (Bass continues)
Alto,Flg,Tbn
,'
os
(Tenor solo)
rbr
I
s
obg lilr
rI
(Aho) Ala Marshall Royal oo
Sxs,Tpt
'-l'
=r?
v
l-
Ebztbgl
Ab
6
fDL obH,rajgrcb
tt.t
BsP LJ >>
(3/03)
-3r4-
e a e e
lixs,'l'pt (shake)
Sxs,Tpt,Gtr
i.
,.
7. EXIT MUSIC
=. Ten,Tpt
Alto,Gtr
rbvr"igr? F7([11)
?r
rr
+Trumpet Solo
tI
-A78Ab6 7TT= !t
D D
I
lt
I I I
t7
rbg(firl
obnrajgleb
Ab6
D D
rt
I
@
D D
ffi
t D I
I
D D D
I , I I
?tt?
tl
Sxs,Tbn
mf
l"
t
(Trumpet Solo)
obrcb
l"
ob+rcb
F rllass (Walk) tt4
D
nbvra;z
rl D\ D
L
(3/03)
nbo
obrcb
ob+rcb
obnb
ob+rcb
abrcb
ebzfls
8. EXIT MUSTC
Cm7 Ab6
Swing
Cm7
At6
9. EXIT MUSIC
ebrs
ehsrob
Sxs,Brs
t
(+Drum solo)
D D D D D
Bbm o)tb ,Frs^iliajt/Eb
ebnzab
D D D D D D D D
t
nbu
ebmznb zbz
I D I I I I I I I
ebztbsl
nb
u
>
lF-rNE]
(3/03)
- Jl / -
Music Copying by Emily Grishman Music prepararion (212) 76g-2550
@4..
G-'
ffi""' Ir. :
)=
p )'
t' },, ). ) ) ) ) ) ) ) ) D D
) )
t ) )
D D D
)
I ) D
I
D D D
) D
3r ) D D
ilI USICALS AvATLABT,E FRoNr RODGER'S AIWD
NntuItreRSTEIN
TEEATRE LIBRANY
!#n \t ALLET;R}' A'vxtE Ger L'or,'n GLt^'. As Tnous.4,\D.t Cue en. Aspecrs oF Lot,E. B,csES I*, ,^{Rl{s ' BecutED AGAIN: Tne SoNcs or Raocens & n,,tnr. BtG Rn;n,n, THE Bor.s Fnopt
.Itevts . Bt'JLJpITER . C,tzt Mn tr'f,to,t.+I . CARtrtEN JclNts . C.tRousEL . C,lrs' A Cgnrcrpt,ts C,qnot . CtxpE,nELLA t I Cuss,4cr . Tnr CocoANt;TS . A coxxtcrtcur Y.sNree . THE Decttxt: axn F;ttt oF THE ENAne lyonzn as ,s^e'r',v Tunrtcctt rnt Ercs or Corc Ponrnn , Do I Htan A ll/ttrz? . DR. Snravy,s Mtcrc TureTRE' E*'rrn run GutnDSr[AN . Ey'ITA . FLoweR Dnuu Soxc . Ftoyn CoLL]**s . Foo'ruoasn . Fnnr ro Br...you ,sNn ME . Tun Gn,tss llqnp . H.M.s. pneroRe . St'nqct'se " BY
HrtnrngsT's
' I Lrtvn You, YoU'RE PERFECT, Non'Cn.txcti . I Xf.,tnrueo an ,qNcrr. I
Rnlteusnn fuLttte. I'D Rarann Bn Rrcar. Avezrn'c TtcnNtcorca@ Dnrt*tcoeT
.
JESLT;
Cnntsr
TttE KtNc ,qxn
SupeRSTAR
. Josepu
AND
.rHE
I . KNmnRBocKER HoLmlty .
rin Dsnx. L|ES & Ler;nx'as: THE trfustcst Srorurs or; I-Itnny Caepw . Losr IN THr Sr.4n"s ' LourcLlivA P(;RCH.4|E . tr[.,tnrc Cnrusrmr . I,[g e\o Juunr. THE ]l[rtooy
L,tov I:t
Ltxctns ON: Trun So.,vcs or Invtxc Bnntw . TttE fuImorc ot' Now'ue RE . TnE Mrcrtno . !l[t,ss Ltnenrv ' xrn, Pnnsnnn'T . MyrHS & Ht'tvtxs . No SrRtt'Gs . Oxreno*u! . ON I'oun T'ors ' ONCE Upoiv,s tr'[trrnrss
.
or VnNus . p,.qL Joev. pINoccHIo o Pnn DnntilI ' PIPPI LoNcst'ocrtivc . TttE Ptntres or peNz.qyrcE . RAGS . Roocens & H,sMuensrEIN's A Gnaxn Nrcsr ron Stx'crxc . RoDGEns & H,q,nr: A CrrcrkrTroN . Snor'v Bortr' SMoKEt'Joe 's Cttrz: Tup Soxos or Le innn & Srourn , SoMe Ei,tcuaNrnn EvnNwG: Tun .So,r,cs
or
Roocnns
Euucrox's SoputsrICAr-ED Laotes .
Fan'
ONE Touca
&
.
Solyc & D,Axct THE SouNn or; Mustc . SIL'TH p,qctrtc Hrtruuonsr.ElN
.
Duxe
. Srtrn
. SLi't'[tr{ER Srocx Munnnn . Sw'rtic! . T,qKtxG a Cn,svcr oN LoyE . Tur TnnteprxNv'Opena . t TIME Fon Smctivc o Tun Ttiv Pex Aunv RrtG n Toucn or rnn Curcn' Two Bv Tpt'o. lllutsrLn Dowx rttn lWxn. THE lllto p,sR'ry. I;VtNo Itv rur Wnrow's . Il txGS . A ll/o:soERl'uL Llre . lroLRS, Axxt Srne cr SCE+'E