A SfEVEN SPIELBERG FILM
The
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Alice Walker's Pulitzer Prize Winning Story
WARNER BROS. Presents A STEVEN SPIELBERG FilmTHE COLOR PURPLE Starring DANNY GLOVER ADOLPH CAESAR· MARGARET AVERY· RAE DAWN CHONG and Introducing WHOOPI GOLDBERG as Celie of Photography ALLEN DAVIAU Production Designer J.MICHAEL RNA FilmEditor MICHAEL KAHN, AC.E . Music QUINCY JONES Based upon the novel by ALICE WALKER Screenplay by MENNO MEYJES Executive Producers JON PETERS and PETER GUBER Produced by STEVEN SPIELBERG· KATHLEEN KENNEDY· FRANKMARSHALL · QUINCYJONES
@Miiii:iN DOl COlBYSTERED1* Directed by STEVEN SPIELBERG
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NSElECTEO TI-EATRE$
So -u-n-:-dtra-:-k-on -c -Qw =--est - R =-e-co-rd7""" s -an-:" d=Ta pes-'I
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© 1986 WARN ER BROS. PUBLICATIONS INC. All Rig hts ReseNed
The score for THE COLOR PURPLE reflects the beauty of Qu incy Jones ' personal comm itment to both the f ilm and his own art istry. To successfully accomplish his assignment Qu incy spent numer ous days an the set of the film, in da il ies, and several weekends w ith me in the ed iting room attemp ting to discover wha t secrets lay at the heart of THE COLOR PURPLE and search ing for the inspi ration tha t wou ld provide us both w ith the musica l vo ices of Celie, Mr., Ne ttie, Shug, Sofia , Harpo, Old M r., Squeak, Grady, M iss M ill ie and that old dilapidated ma ilbox wh ich became the eleven th characte r in THE COLOR PURPLE. Even that begged fo r a theme. Qu incy did us a ll proud. He and a gifted armada of musicians, arranger/conducto rs, vocal ists and technicians went to work in a fever pitch and one day return ed w ith over 100 minutes of source music, songs and score . The resul ts for me were tear inspi ri ng. It is music so lucid that one not only hears it, but sees it too . Quincy Jones has added another milestone to a career already unpara lle led in today's reco rd ing industry. He has again g iven us all someth ing to sing about.
STEVEN SPIELBERG
A SfEVEN SPIEI.BERG FII.Jv1
~
Alice WaIkerl; Pulitzer PrizeWinning Story
THE DIRTY DOZENS
MISS CELIE'S BLUES (SISTER)
By J. Maya Williams and Rufus Perryman
Mus ic by Q uincy Jones and Rod Temperton Lyrics by Quincy Jones , Rod Temperton and Lionel Richie
I Wa nt All You Men Folk, to Fall in Li ne Shak e Yo ur Shimmy, l ike I'm Sho kin' Mine You Shak e Your Shimmy, an d You Sha ke it Fas t If You Can 't Sha ke Your Shimmy, Sha ke Your Yes, Yes, Yes ' Ca use He's a Dirty Mistreater, 0 Robber and a Cheater I'll Slip You in the Doze ns, Your Papa Is Your Co usin And Your Ma ma Do the l a wdy lawd Yon der Go Your Papa Runnin' Down the Field Slippin' a nd a Slidin' l ike a n Automobile I Holler ed a t Papa a nd Told Him to Wait He Slipped Away From Me Jus t l ike a Cadillac Sna ke 'Ca use He' s a Rotten Mistreater, a Robbe r and a Cheater I'll Slip You in the Doze ns, Your Papa Is Your Co usin And Your Ma ma Do the l aw dy l aw d I l ike Your Uncle, l ike Your Brothe r Too I Did l ike Your Papa, But Your Papa Wouldn't Do I Met Yo ur Daddy an the Co rne r O ther Da y You Know 'bout Tha t, That He Was Funny That Way ow He' s a Funny Mistreat er, a Robber a nd a Cheater Slip You in the Dozens, Your Papa a nd Your Co usin And Your Ma ma Do the lawd y l aw d ow Go d Ma de Him a n Elepha nt, Ma de Him Stout Wa sn't Sa tisfied Until He Ma de Him a Sno ut Ma de Him a Sno ut Jus' as l on g as a Rail He Wa sn't Sat isfied Until He Made Him a Tail Ma de Him a Tail Jus' to Fa n the Flies e Wasn't Sa tisfied Until He Ma de Him Sa me Eyes
ode Him Sa me Eyes Jus' to l ook on the G rass
e Wasn 't Sat isfied Till He Made His Yes, Yes
ode His Yes, Yes, Yes
id He Ge t It Fixed
e Wa sn't Sa tisfied Till it Ma de Him Sick
Ma de Him Sick, lawd it Made Him Well
You Know 'b out That, the Elep ha nt Caught Hell 'Ca use He' s a Dirty Mistreater, Robber a nd a Cheater .p You in the Dozens, Your Papa Is Your Cous in a Do the l aw dy lawd _ 9'29, 1930 by MCA MUSIC
. 'sion 01 MCA INC., New York, N. Y.
C:>oyright renewed . Used by perm ission. All Rights Reserved.
Siste r, You 've Been on My Mind Siste r, We're Two of a Kind So Siste r, I'm Kee pin' My Eyes a n You I Betcha Think I Don't Know Noth in' But Singin' the Blues O h Sister, Ha ve I Go t News for You I'm Somethin'
I Hop e You Think That You 'r e Somethin' Ta o
MAKI DADA (is ba sed an the Swa hili word for little sister) Music by Qu incy Jones Lyrics by Qu incy Jone s, Menno Meyies and Rod Temperton
Me a nd You Us Never Part, Makidada Me a nd You Us Hav e O ne Hea rt, Ma kidada Ain't No Ocea n, Ain't No Sea , Maki dada Keep My Siste r Away Fro m Me, Makida da © 1985 WB Mu sic Corp./ Rodsongs (ASCAP) Used by pe rmission. All Rights Reserve d.
Scufflin' I Been Up That lonesome Road
And I See n a Lot of Suns Goin' Down
O h, But Trust Me
No l aw Life's Go nna Run Me Aro und
So l et Me Tell You Somethin' Siste r
Rem ember Your Nam e
No Twister, Go nna Stea l Your Stuff Away
My Siste r
She ' Ain't Go t a Whal e l ot of Time
So Sha ke Your Shimmy,
Siste r
' Cau se Hon ey This Shug Is Fee lin' Fine
© 1985 W B Music Corp./ Rodsongs/Brockman Mus ic (ASCA P) Used by perm ission . All Rights Reserved.
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" The Co lo r Purp le" movie is a dreom co me tru e! I w as given
blac ks as exemp lif ied in this f ilm. The African der ivat ive of juke
the boak a mo nth befo re I w ent on a vacati on by a very dear
joint is " dzuqu" and mea ns w icked, 'house of sin; where one
fr iend , Else Blangsted . I read it later and w as ecsta tic when Peter
goes just to have a good 01' time. " The Dirty Dozens " has endless
Guber approached me to be a line prod ucer and not a spectat or
verses and cho ruses of half sung, half spo ken insults and is
because I real ized the pote ntia l cinematica lly and musicall y w ith
clearly recogniz abl e as one of the " granddaddies of rep"
this lyr ical portrayal of a per iod spa nning 1909-1943, wh ich was
Find ing the rig ht fee l for the sing ing vo ice of the character,
also a very specia l ti me in blac k music hi story. I co nside r this in
Shug Avery, was cruc ia l. It was a blessing to discover that the
terva l to be the blac k music rena issance fo r the music ran ges
vi brant voi ce of Tata Vega was pe rfec t. A lso, there were g ifts as
from jazz, blues , gospel, Afr ican to leg itimate orchestra. The
prec ious as the birt hs of the two child ren bo rn during the produc
scope of the music w as the w idest range I can ever reca ll and
tio n, M ax Spielberg and Qu incy Thomas Bahler (my godson).
cou ld on ly have bee n accomplished w ith the help of on ly the best: on 89-p iece orc hestra , 60-vo ice fema le choir and virtu oso
To be involv ed with something so close to my hea rt has been mo re than an emotiona l adventure, it has also bee n an oppor
solo artists; voca l and instrumental , legendary blues harm o nica,
tunity to learn the intr icate artwork of f ilm ma king from the best
voca lists, Af ro-Ame r ican master drummers, music consultan t,
- at USS, the Un ivers ity of Steven Spielberg. Steven's pat ience,
music supervisor, o rchestrators, conductors, composers, song
friendship , w ar mth and trust gu ided me, along w ith the expertise
writers, music ed itors , reco rdi ng and mixing eng ineers , con trac
of Kathy Kennedy and Frank Marshall, who taught me the bottom
tor and copyists. Add itiona lly, the never-ending love, energy and
li ne in li ne produc ing , name ly suppo rt the sing le vision of the
devotio n of the staff at Qu incy Jones Product ions in assoc ia tion
d irecto r. It tak es a lot of people and most importantly a lot of love to
w ith the staff at Amb lin helped to crea te this sound track, a labor of love. One of the songs that is a pleasu re to include in this unde rta k
make a film. The best cast and crew on the plane t so beautifu lly
ing is " Body and Soul:' recorded in 1939, featur ing a class ic jazz
as a part of my fa mily and we all grew so much together. Most of
tenor sax solo by Co lema n Ha w kins an d his orchestra used in the
all, however, it tak es a lovi ng creator to wr ite such a special
f ilm as the tr an sition piec e to 1943. " Hawkins' ' Body and Soul'
sto ry as this one. I thank Alice Wa lker for her crea tive spir itua lity,
was that rare except ion , a reco rd ing that was bo th an art istic
fr iends hip, guida nce and always at just the ri ght moment. This
success and influ ence among musicia ns, and a popu la r hit
pro ject was directed by God, love, fri endship, the tota l commit
gave of themselv es and their tal ent. I w ill a lways consider them
indeed, it was still found in Ame r ica n jukeboxes w ell into the
ment of the spirit of the 'pur ple people' and the cinema tic vision
1950s~ " The other song is " The Dirty Doze ns;' the anthem jukejoint
and leadership of my dea r fr iend and brother, Steven Spielberg .
song of its ti me wh ich w as played in 980 authentic jukejoints. The juk ejoi nt w as the on ly place of enterta inment and recreation for
' Smithsonian Collection of Classic Ja zz 1973
Liner notes © 1986 Q west Records
These last months have been and w ill always be remembered as a celeb ra tion of love, lif e and " The Co lo r Purple"
CONTENTS DON'T MAKE ME NO NEVER MIND (Slow Drag) • HEAVEN BELONGS TO YOU • J.B. KING (Road Gang Chant) • KATUTOKA CORRINE (Corrine's Funeral) • MAILBOX / PROUD THEME (Soundtrack Version)· MAILBOX / PROUD THEME (David Foster Version) • MAYBE GOD IS TRYIN' TO TELL YOU SOMETHIN' • MISS CELIE 'S BLUES (Sister) • SCARIFICATION CEREMONY • SISTERS THEME (Nettie Teaches Celie) • SOPHI~S WALK •
18 25 23 27 8 42 32 14 29 11 12
8
MAILBOXIPROUD THEME
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SISTERS THEME (Nettie Teaches Celie) By QUINCY JONES, JEREMY LUBB OCK, ROD TEMPERTON and JACK HAYES
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4· r()l)p
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L
SOPHIA'S WALK
By
QUINCY JONES, RANDY KERBER
and JERRY HEY
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MISS CELIE'S BLUES (SISTER)
Music by QUINCY JONES and ROD TEMPERTO
Words by
QUINCY JONES, ROD TEMPERTON and LIONEL RICHIE
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© 1985, 1986 WB MUSIC CORPJRODSONGS/BROCKMAN MUSIC
All rights administered by WB MUSIC CORP.
All Rights Reserved
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(n = J ;.)
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© 1985, 1986 WB MUSIC CORP. & WARNER-TAMERLANE PUBLISHING CORP.
brigh t like day ._ 3
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and moon - shine _
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~ r'
··
3 ='=
J
~ I
3
·
23
J.B. KING (Road Gang Chant) Traditional
- -
Road Gang Chant 1\ ~ ++
@)
No Chord
Oh , _ _
,
1\
I
~ Ii
@)
got - ta
ride
a
..
I
-
-
1\ ~ ++ @)
pro m - ised
when she
1\ ~ ~
, /
me
,
died she' d
-
<
I
·
\
1\ ~
I
-
-
set
me
free .
so
Been
long,
( Chain gang answer)
b:.r--.
-
-
-
Ii
.... got
God _
bald
-
~ ~
I
know she's good
-
I _ _ know it'
all
-
@)
< I
-
mis - sus
,
head
tI
old
u
@)
1\
My
-
@)
I
gain. _ _
-...
mf
<
-
··
tl
b:.r--
b:.r---
--
:-
© 1986 WB MUSIC CORP.
All Rights Reserved
~r---
--
I
..:
~ •
, /
.
rg~-.
E
• horse
mov-in '
is
pain's tak-In '
-
1\ .. .. ' "
.
,.
-
0-
.
.
g~
ver
ties
.
go - in' no - whe re
get-tin' heav - y
-
·· .' .
'rt.r--
'rt. ........
'rt.r---.
'rt.r---.
-
-
-
:--
"
"
-
1\ ..
.. '
...-
~
he's
L
-
,
1\ .. "
I
the
los - er,
\
-
~
I
had-a
-
1\ .. ~
'rt.r--
b-~
'rt. ........
-
-
-
·
<
more .
b-r--.
'
-
"
-
horse
.. .
1\ .. ~
is
. , mov-m
pain's tak -in'
-
~
< .,
· .',.
-
.
-
b-r---.
-
-
ver
--
· 'rt.r--
0 -
might - a been dead
'rt. ........ I
@)
liv - in ',
r
'rt. ........
"
I,
might - a been
·
start fading out from here:
,
sins
•
,.
1\ .. +i .. .
/
no
r
save your
lis - ten
~
·..
ain't
,
"
,
-
Airi't .; gon -na be,
you know?
"
1\ .. +I
I
don't
·
•
··
I
·
•
~
/
-
.
~
<
I
E
Ties
,
-
-
·
get-tin' heav -y
-
'rt. ......
go-in' no-where . . .
-
·
'rt.r---.
'rt. ........
-
.
b-~
-
I
25
HEAVEN BELONGS TO YOU
Words and Music by ANDRAE CROUCH and SANDRA CROUCH Fast fo ur , Gospel styl e
•
A 7(13 )
Em7
1\ lJ.
@)
l
I)
mf
..
-
m D
@)
rI 1.L
I
I t)
I
..
..
~
··
U --- ~
I
.. ..
r--~ ~
~
be - longs
~
~
~
to
~
~
·· ..,;.
~
....
~
you _ _
...-
-
r
you you you sweet
If If Oh
live pray walk heav
. -'1
....
....
~
-
en
be
-
longs
to
ff
you you you sweet
If If Oh
you
live pray walk heav
I• \
..;;
-
right ,, ___} right right , _ en , _ _
-
1\ lJ.
<
~
I
heav
~
·· ...
~
~
~
~
~
4
~
--
I
l-
.
© 1985, 1986 WB MUSIC CORP.
All Rights Reserved
}
-
(Solo)
(Grp. )
@)
=
-
right , _ right, right , _ en , _ _
I
.......
II
.'
;;;;;;:::::::-.
I
A7/E
1\ lJ.
-
(Solo)
<
\
right. L
I
·· ·
-
you live
If
-
( Grp.)
heav - en
/
(Solo)
I
•
(
1\ lJ.
m
g
'\ lJ.
I,
D
~
4
~
26 D
1m
(Grp.) f\
jJ,
m
D 7 /F ~
,
~
Heav - en
f\
be - longs
---
to
• •
~
•
•
II
you _
.-
oh ,
heav - en
··
...
I'
f\ ~
_.
~
__
...
~
(So lo)
""
•
. ;::=:::.
::
•
T
{If
If Oh ,
righ t. L, } right ._ en . _
~
•
it
•
:-
Oh,
you .;
T
~=
A 7(13)
m .
heav - en
be - longs
""
..:::::::..
I=~
.
to
•
,
·· -
I
it
Em 7
-
-
f\ jJ,
-:::::
...
-- ··I_.r
I
you pray you walk sweet heav -
•
~
•
be - longs
I
<
t,
A 7(13)
-
",..,....
jJ,
m
Ern7 /G
~
it
~
..
•
it
.
to
you. i.
T
=':::
<
~ ·· \
..,;.
...
~
··. ...
~
D
f\
_.
~)
-f\ ~
I
,
. _...
._ .
<
I \
D
• -
heav
='
T
1m.
1m -
u
en
be
...
""
--~
!.J
---
Oh,----
...
A 7(13)
Em 7
1m
jJ,
..,;.
~
•
T
-
longs
to
1":\
,
.
you.
T
# 1":\
··
;
T
,
...
...
~
...
,
...
U
--
27
KATUTOKA CORRINE
(Corrine's Funeral) Words a nd Music by CAIPHUS SEMENYA
Slowly
Choir No Ch ord
f\
@)
Ka
-'
tu
-
-
to
ka
f\
I
, @)
,
Dr .
<
~
I . i I .
-- ·
f\
@)
da /
\
-
da _
-·
,
1'\
@ !J
I
··
I,
T T T
T3 ] T3 ] T3 ]
3
3
]
r
~
~
f
Solo N C ~
ye
(rhythm continu es)
-. -
Ka
tu .
-
fa
ri
•
-
ki
-
----
.
•
I " pu _ _
ka
m
•
I
· iooooooooi
-.
Choi r
@)
"I
zi
-
ka.
Ka
-
fa
-
ri
-
ki
-
ka
I
•
pu
m
I
•
-
f\
"I"
@)
<
I
]
~
f\
I
3
]
··
~
.
~
h. ~
© 1985, 1986 WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
28 Solo
fI @)
-
-
Na
ka.
~
•
na
ma - mao
I I
•
~
<
m
Cor - rine. cs:
....
..
<:»
,--~
twa
-
-
ku
•
Ii - Ii
3
...
~
- _. ...
-
~.
Na
na - na - na
-
-
mlz
m
Cor - rine. :.:
- ....
~.
-
r
---...- . ... -
-
twa
ku
...
=' ~
~.
· · ~
...
Na
ar
ma - mao
na
~
-
~
...
dhi
ye
• ya
..
..
~
mwa -
3
•
~
•
T
!"llo..
3
-
---..-
..
~
-
tu
I
~
•
me
_..
..
kwe -n
L.H. 2nd time on ly
fI
~
@)
<
··
•
-
·· ~
-J:.
•
...
~
.
··
.
.... . .... ~
.
~
I
1st time solo
2nd tim e choir
N C
fI
@)
:? da.
fI
,
@)
:?
<
,
~
mwa
•
Ii - Ii
N C
.
I
ya
-
~
··
fI
I
-
...
•
1st tim e solo
2nd tim e cho ir
t
..
3
,,-~
fI ~'
-
mlz
. ...
---
I
Choir
t
na - na
3
"t'
fI
@)
-
-
na
1\
··
I
"t.
zi
@I)
-
N. C.
··
·· ··
'i
•
-J:
Twa - si - ki L.H. 2nd time only
·· ·· ·· ··
~
••
-J:
,
... ti
•
-
~
•
ka
ar
-J:
.
....
'-
-
dhi- ya
en
.... .
I
-.....I
....
.'--
:?
-
.... ""'-
.
··
da.
:?
··
·
·
30
1\ @)
~haker I II
II I
**
4 4
J
Triangle
J
J
M-t
4
4 Conga
J
4
J.
4
J
J
J
J
J
J
J
.J
J
J
,
J
J
J
--
J
J
J
J
J
J
M-t
J
.~
J
J
J.
1
J
J
J
J
J
J
J
J
J
J
J
J
J
.J J
.J J
J
.J
J
J J
1
J9-t
~
I
I.
J
J
J
J
J
.J
I
I
J
I
J
J
M-t
J
jj
J
J.
--
1
r
'"l
J
.J
, rJ-
1\ @)
I
J
J
J
J
II
J
II
J
J
19-1
M
J
J.
II
II
--
J
j
J
J
J
J
J
J
J
J
J
J
J
]
M "f
--
M
J
J.
oj
eeh .
Ih
yeh ,
_
wo
ye
e eh .
e eh.
Ih
yeh ,
_
wo
ye
e eh.
Ih
yeh,
_
wo
ye
e eh .
J
J
J
J
J
J
J
J
J
--
.J
J
.J
N. C.
Ih yeh, wo ye (**Play this 4-bar percussion pattern for section
Ih
yeh,
Ih
yeh,
_
wo
ye
wo
ye
@.,'
_
1]] )
e eh .
.J
.J
:l
31
-e
e Ih
ye
wo
yeh,
eh .
yeh ,
Ih
wo
ye
eh .
""
CJ
N. C.
------
yeh,
_
ye
Ih
***
yeh,
ye
wo
ih,
e
_
wo
ye
e eh.
eh .
ye h ,
Ih
Ih - ye ih, wo ye eh . r***Play this 3-bar percussion part throughout section [QJ
_
Ih - ye
wo
...
-e
ye
eh .
wo
ih,
ye
""
I Ih
yeh,
_
Ih - ye
wo
ih ,
ye
.e eh .
&
Ih
wo
ye
eh.
-
yeh,
_
Ih
- ye
wo
ih .
ye
eh.
eh.
32
MAYBE GOD IS TRYIN'
TO TELL YOU SOMETHIN'
Freely
•
D
/ 1\
D7
1m
~
~
Solo :
G7
~~
II
/~
.-.---- -
Choir:
I\ ~
I
I
<
I
~
m
~
@)
I
1\ ~
I~ ~
==1= _ ~-t-
ti.
~
~
I::;:;:::l
-----
~.
I
I
E9
yes , _
Whoa,
~
.
-.
~@....
--
~
'-----*_
~
_
.....
=....
~==
m .-::..-.
-
3
Lord !_
yes ,
-.
I
yes,
I
D
/1\
-
mp
..
.
.
Yes, _ _
i ::: · ----
~
,
r
1\ ..
\~
.
yes,
yes,
Yes,
--""""!
Yes.L,
yes.
1\ ..
.
I : ~
~
-~:
-
~ e_
<
i
·· A7
D /F ~
1m
""""""'"
@)
i .iI
D
mE
-
mysoul. .., my
e
A
E9
g
~GJ
.
r
i'@) yes, _ I\ ~
~,
@...'
,
G6
ht~
says yes,
soul
I\ ~
<
....... ::t-t-::
J~
•
'0_ _ _ _ _"11
1\ ..
l
...
·
~:
.... -....
1 ~ p:
. c:.
Yes, _
lis - ten .
~DJ:
i
~
w r ~~
• © 1985, 1986 WB MUSIC CORP.
All Rights Reserved
~ e
.
r yes,
33
m D
/ 1\
--
/-
~
Easy shuffl e (play with a Gospel Feel)
-
~
r yes ,
@)
~
@)
<
I
-
yes.
1\ Jol,
~T·
... 1
··
I
\
U
:;)7+9
. /1\
-,J
Lord.L;
Speak
-·
1\ ..
·
Lord ,
...
•
@)
···
•
~
<
~
Oh, _
me. _
"::
~ ~
--
Lord ,
Speak
.
• qT'+
3
I
.---.
•
speak ,
•
-
3
~
··
I
./fI ..
~:
Lord, _ _
won 't you speak to
-·
fl Jol,
....
.--..Y ma. L;
. . T '::
~~
[\@)
fI ~ @)
-
speak
.
-···
. q T~
Speak 3
+
• • +
<
··
I
•
3
~ l'''
blind, _
-·
·
':: Lord ,
I
•
.
3 ~
~
I was so _
~ .
to me.
~
-
3
3
~
@)
I
_
me.
to
-
I
3
T "~
speak
/
11 •
.. ..
..
speak to
q-••
'::
~ '"* Speak
\ @)
-== :
3
~_:
---------
.-..-.-Y
fI ..
I,
..
-
..
r- .. . -
3
@)
II
qDJ:
0$ "
~
yes.
I were you, I wou ld say
If
-
,,@)
I
•
----_.:-_~::::=:=:=::.y
Lord.
I\ Jol,
3
-
-
q ~.
T '~
speak
to me .
···
3
~~
~
•
I
1_ _ was
.
..
~ '~ .
. -d
~
-d
~.
-~ q.t
34
.. '
.'
~
1\ ..
.
-
"-'
So_
.
3
-
. .....--. .
...
lost _
~f -"-" I\~
-
I\ ~
I
TO'" =i
q~
,·
Speak
3
T
~
·.
speak
-
•
~
-·
q~
Lord,
I
........
', --
un - til you spoke, to me. _
• T
_.. .-
. ----7
speak , Lord. i;
Oh,
,
to me.
···
TO~
~ -. Speak
... TO::
~
,
speak
. ..
• ''4
Lord,
,
I
•
•
~
<
I
'\
....~........
~
-d
~.
' 1\ ..
.-..-..v
~
Lord
~
1\ ..
~ ~.
I\~
speak
, I
t
r-
1\ ~
··
•
~
"11
• q '~
~
3
- 3.
3
.
•
- - -
Lord,
3
~ ~
.." ,~
speak
to me.
···
..
~
Oh.c, speak , oh
Lord . L,
,
1\ ..
~
~
"=,
q
Speak
Lord, ~
speak
•
~
<
l.
--3
·
.,- . C;;
-
··
q~
I
.
. q'!4 =
3
71 •
•
#--
:::::::-
/ 3
••
soul ....
I\~
-
T~""-:J~
~
~.
-.
~ ....J · and heal.; my
~
~
-d
-.
I\ ~
'\
.
. ~
~
-d
.,-~
~
I
'::
I
~
1\ ..
,
Speak
T •
. P
Oh .L, with your words,
~'*
-
'd
"
mind.c,
to me.
··
-
~~
'::
<
f
.
and heal my
-·
L
....
~~
~.
~ ~~
....
~ .
me .
Speak my
T '~
q'*
to me .
Speak
~
··
speak to
••
..... -:J ~•
~
I
• 3
~~
'~ ~
Lord,
-d
~
~
35
/
~
f\
@)
e;--'
"-Y
Lord,_ f\ ~
~ ~.
,,@)
f\ ~
t,
.,
@)
< I
-·
+
'II
....
""'"
save my
soul.
"" ~
':: Lord ,
q ~
Speak
,
•
@)
•
-
.--3 ----,
~
=i:qi.
·
I
"
I
.__. -··
- -
... '::
..
···
.q:f
q ~.
it '::
speak
to me.
···
-- -•
"
. q '~
~
-.
"-....;
;:...
=
f
....
-d.
~
f\
night .,
.
-r::::::;
~
:1
.
@)
f\ ~
--
I\@)
. and
--
1\ ~
L.
@!J
I
··
:::::::;~
...
•
..:.!
I <
.
y
~
...
I
y
you won - der
.
y.
-
.
why. _ _ L.
I
~
• ..:::= f: "'"
y
.
y
-. .
-
~
~.
II
.'
-
sleep at
G7
/
•
~
Can't
,
~
•
mm
~
•
e;-
-d
-··
•
I
I love you
p-d
< I
..
speak to me. ~
-.......J
. ro' .
•
. ._~
A little faster D7
.-..JY
Lord. L
I
..
- -
I
Lord,
oh,
-
q - ~.
I
~
f\ ~
Speak
~
./f\ ~
I'\ !J
'~
. ............ ..
-d-
@)
r~
3
··
I
oen.;
'::
, ~I
-.......J
+ .....-/0
yeah , speak to me._
speak to me. ~ ....
··
+
.--3 ----,
3
~
•
36
•
E7+9
Bm7
1m fI ""
.' ""
1m
Oh ,
-
,
fI ""
~
A7
May
-
be
God
tryin'
is
to
you
tell
" ..
I
,· ,
@u
::
'~
·
\
::
::
....
thing.
.
::
::
.
... .
....
:::-
-=.
-
some
!f
.
·
-
.
-
@...'
D7
@)
1m
-
./fI ..
~
. .
.
""'-
you cry
all
_ ~
some-thing 's gone _
night,
1\ ..
-- ·
, @)
,
fI loI
, I
all night
Cry
--
I
-- :s . . - I
@!)
\
.
~
·
.
...
....
long , _ _
...
~
...
~
_-6 ~
:....: e
...
....
~
~.
.
G7
II :;....- -
./fI ..
Bm7
3 ~ - I
I
~
wrong
3_
.
.
-
@...'
I
I
I \
some-thing has gone
··
.'
I I
·
..- ..-
....
~
mit " --=...."
wrong . __
"'1 --.= c;;......
..,
.
is
May
3
,.
God
.
r. .. @;
--
..
and may-be _
fI ..
v
...
~
.
...
...
.
"::
.
-
be
God
is
::
::
::
.
37
•
..
tryin '
to te ll
E7+9
fI ~ ~
D7
1m
--
tell_ you
tryin ' to
-----
-
some
thing.
fI ~
/
I
, f I ·· ....
I
Oh , you can 't sleep
thi ng.L,
I
I
V -f
f'
.'
\
D7
1m
•
04-_
.
night_
and you
fI ~
.
"I
Can 't sleep
1\ ':':
at
I
··
\
T.
T ~.
May - be _
--
, /
1\ ~ o
~
<
I ·..\
-~
be
God
•
T
•
'::
~
.
::
I
tryin '
~
T
I
<:»
to
tell_
you
some
tell
you
some
tryin ' to
is
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DAVID FOSTER VERSION
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