XEPHEN SONDHEIM STEPHEN SONDHEIM (Composer) wrote the music and lyrics for SUNDAY IN THE PARK WlTH GEORGE (1984), MERRILY WE ROLL ALONG (1981). SWEENEY TODD (1979), PACIFIC OVERTURES (1 976), A LITTLE NIGHT MUSIC (1 973), THE FROGS (1974), FOLLIES (1971), COMPANY (1970), ANYONE CAN WHISTLE (1964) and A FUNNY THING HAPPENED O N THE WAY TO THE FORUM (1 962), as well as the lyrics for DO I HEAR A WALTZ? (1 965), GYPSY (1 959) and WEST SlDE STORY (1 957), and additional lyrics for CANDIDE (1973). SlDE BY SlDE BY SONDHEIM (1976), MARRY ME A LITTLE (1981) and YOU'RE GONNA LOVE TOMORROW (originally presented a s A STEPHEN SONDHEIM EVENING on March 3,1983) are anthologies of his work as composer and lyricist. He composed the film scores for STAVISKY (1974) and REDS (1981), songs for a television production, EVENING PRIMROSE (1966), and co-authored the film THE LAST O F SHEILA He provided incidental music for Broadway's TWIGS (1971), GIRLS OF SUMMER(1956) and INVITATION TO A MARCH (1961). He won Tony Awards as Best Composer and Lyricist for SWEENEY TODD. A LITTLE NIGHT MUSIC. FOLLIES and COMPANY. All of these musicalswon the New York Drama Critics' Circle Award, as did PACIFIC OVERTURES and SUNDAY IN THE PARK WlTH GEORGE, the latter also receiving the Pulitzer Prize in 1985. Mr. Sondheim was born and raised in New York City and graduated from Williams College, winning the Hutchinson Prize for Music Composition. After graduation he studied theory and cornposition with Milton Babbitt. H e i s o n the council of the Dramatists Guild. the national association of playwrights. composers and lyricists, having served as its president from 1973 to 1981, and was elected to the American Academy and Institute of Arts and Letters in 1983. Photo: FlNN CHWFlTSKY
ALL MUSIC AND LYRICS BY STEPHEN SONDHEIM
Contents All Things Bright And Beautiful . . . . . . . . . . Marry Me A Little Fear No Mom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Frogs Finishing The Hat . . . . . . . . . . Sunday In The Park With George Girls Of Summer. The . . . . . . . . . . . . . . . . . . Marry Me A Little Glamorous Life. The . . . . . . . . . . . . . . . . . . A Little Night Music Good Thing Going . . . . . . . . . . . . . . . . . . Merrily We Roll Along I Do Like kbu . . . . . . . . . . . . . . . . A Funny Thing Happened On The Way To The Forum Invocation And Instructions To The Audience . . . . The Frogs Isn't It? . . . . . . . . . . . . . . . . . . . . . You're Gonna Lwe Tomorrow Little White HouseIWho Could Be Blue? . Marry Me A Little Marry Me A Little . . . . . . . . . . . . . . . . . . . . . . Marry Me A Little Not A Day Goes By . . . . . . . . . . . . . . . . . Merrily We Roll Along Old Friends . . . . . . . . . . . . . . . . . . . . . . . . Merrily We Roll Along Silly People . . . . . . . . . . . . . . . . . . . . . . . . . . . Marry Me A Little So Many People . . . . . . . . . . . . . . . . . . . . . . . Marry Me A Little Sunday . . . . . . . . . . . . . . . . . . Sunday In The Park With George Take Me To The World . . . . . . . . . . . . . . . . . . Evening Primrose Uptown. Downtown . . . . . . . . . . . . . . . . . . . . . Marry Me A Little What Mom Do I Need? . . . . . . . . . . . . . . . . . .Marry Me A Little
Vocal Selections Prepared By: PAUL McKl661NS WARNER BROS. PUBLICATIONS All Rights Reserved Any duplication. adaptation or arrangement of the compositions contained in this collection requires the written consent of the Publisher. No part of this book may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law.
g k o m the dusicaP CPkodu~tion " 3 h e %ogs"
by Stephen Sondheim
d a i c
Molto rubato
I
I
f ad lib.
-..ALL--
md g Y h i c s
(To the heavens)
Gods
of the thea - ter,
smile
on
us.
-
You
who sit
up
there
You who look down on
0 1974 RILTING MUSIC CORP. All Rights Administered by WB MUSIC CORP. All Rights Reserved
stem
in
judg - ment,
Smile on
us.
' (spoken) act - ors (And who doesn't?), Bless this year - ly
fest - i - val
and
I
I
smile
on
us.
rites
and
rev
,I
-
for
I
i
this
We
- els.
a
I
I
I
- fer you
-
who sit out there
I
Invocation And Instructions To The Audience: 2-15
dance,
grace and beau
We
- ty.
Smile
.
o f - fer you
on
us
on
us.
(To the audience)
A
while.
You
song a i d
of - fer you
We
I
c'
of
I
I
I
1
I
1
I 1
Gods
of the thea
stem
in
judg
-I
9
- ter,
- ment,
I
I
smile
Smile on
us.
I]='
l
We
gods and her
-
oes.
We
of-fer you
of-fer you
jokes and
of - fer you
paeans and
and
rev
-
els.
pa - geants,
bacch-an - ales
and
of-fer you
bacch-an - ales
and
-
1\-
We
in
- sults.
We
lI
so - cia1 com - ment.
Bless
our
play
and
smile.
1
so - cia1 com - ment.
Bless
our
play
and
smile.
I
rites
Invocation And Instructions To The Audience: 3-15
Yes,
but
puy
sa - ue - q d o ~ -
'qsno:,
s! -
1y JOJ
1,uop
pads - a1 auros
aAeH
ase a16
:sl'uop
I
'sl,uop pue s'op auros
thea- ter is a tkm -pie, not all have- n.'t oiled the seats
life word
If
and of
see
A You
gym. week.
part from be - ing per - i - lous t o would-n't want to miss a sing- le
a may be in the mid -dle of hard en -ough for us to hear each
limb, We Greek - It's
YOU
a
flaws,
Invocation And Instructions To The Audience: 5-15
please,
No
loud
sac - red 0th - er
guf - faws,
hymn, So speak - So
please,
I
On
-
ly
be
- cause,
please,
There are
po
-
li
- ter ways.
I
for
A1
- though we
ap
- plause,
please,
we1 - come praise,
Invocation And Instructions To The Audience: 6-15
When
The
ech
there's
- o
a
some -times
pause,
lasts
please.
for
days ...
f A
-
I
-94'
Days ... days ... days ...days ...days ...
I
I
I
DI
I
I , I I
I
I
#
#
I
#
I , I I I
I
Don't
days ... days ... days ... days..
take
I
v
I
I v
#
notes
I
dim.
I"
show us all you kndw the fa - mous
clear
I
n
-
your
r
4
-
7 C
t
P
sub.
-A I
I
d
1:
And
throw your crump-led pro - grams,
throats
w
I
4
quotes,
t
Invocation And Instructions To The Audience:
I
-
1:
when you dis - ap - prove, don't
coins
and
coats,
d
I
I
1:
r
i
?
-
I
u
an - y -thing that splat - ters, tell your neighbor scin - til- lat - ing
stains or floats, And an - ec - dotes,
grass.
please -
This
is
a
class - ic,
don't
curse.
class.
If
we should get rhet
-
or -
Invocation And Instructions To The Audience: 8-15
i - cal,
Please
not
a
If
1
I
if,
we should get
by a sud
I
I
- den
sa
-
mir
tir
- i - cal, Don't
- a - cle, A
hum
Invocation And Instructions To The Audience: 9-15
take
tune should ap-pear that's
A
- long.
it
wrong.
lyr
- i
- cal, Don't
And
I
I
1
When we are wax - ing
hum - or - ous,
jokes are ob-scure but
num - er - ous...
Please
don't
wane.,
-
-
Invocation And Instructions To The Audience: 10-15
We'll
ex
-
plain.
The
sig
- nal you when we're
ser
- i
- ous
(It's
in
the
s e c - ond
half ...)
>
I
I
But
first:
Please
don't
strip.
Please
~t's
don 't
leave.
It
tnp:
+
The
grieve.
auth
We
may have some-thing
Invocation And Instructions To The Audience: 11-15
- o r could have been bet
hot
but
o n - Zy
I
-
Eur
ter
-
it's
a
plea
makes the
i up
pi
our
-
- sure
-
ors
des.
So
sleeve,
So
act
please, please,
missed the
A
I
Don't Don't
plot
(Of
~bn't
strip. leave.
which I must ad - mit there's not an
(mouthed)
,
don't
Invocation And Instructions To The Audience: 12-15
Say,
"What?"
say
"What?".
aw
-
ful
(spoken)
What?
lot),
Still
Do
not
She's
there
in
.
we
Let's not
be
-
trude,
please,
for
mood,
please,
are
crude,
please,
too strait - laced -
Invocation And Instructions To The Audience: 13-15
When
some -
one's
And must - n't
Don't
The
auth - or's
sit
nude,
be
and
rep - u
please.
em - braced.
brood,
-
ta - tion
please.
is - n't
I
I
I
I
m J
based
On
don't
I
should we get
be - ing
fart
Ev
So
-
of - fen - sive,
smart.
taste.
-
Invocation And Instructions To The Audience: 14-15
don't lose
heart,
en- tual - ly we'll get
Pre
to
-
tend it's just the play - wiight
the cath - ar
- sis,
and
de -
I-
n
part.
now ...
So
But
(Thunder and Iigh tning) I
I
I
r
r
-
I I
I
I
I
I
I
I
m ,
-
T
r
first ...
I
-
"P I
I
We
start.
Invocation And Instructions T o The Audience: 15-15
I
t
I
I
4
and &ky'~~is by Stepken Sondkein
dhic Andante ( J = 144)
1
Or - din-ar -
--
Id
y
(Continue in octaves)
Keep the house and
O 1973 WTLNG MUSIC, LNC.
All Rights Administered by W B MUSIC CORP. All Rights Reserved
moth - ers
lead
Mend the clothes and
I
or
- din-ar
the child - ren.
tend
Or - din-ar -
y
moth - ers,
like
I
-
y
wives,
Make
:the beds
and
nt.
bake
the pies
and
- er on the vine. Not -.,"----.-.--------------------
with
2
r h.
P
I
The Glamorous Life: 2-1 7
-1
rit. I
I
A.
I.
1
Allegro (
I
J = 176)
mine.
I
p legato
I
glam
-
or
- ous
life !
re
73'The Glamorous Life: 3-1 7
-
cite,
What
a
I -
glam -
or
-
ous
life!
I
I
Or - din- ar - y moth-ers
nev
-
(
Or - din - ar - y moth-ers
nev
- er
I
Or - din - ar - y moth-ers
The Clamorous Life : 4-17
I
er
could - n't
get
get
cough
the
the
for
1
flow -
ers
and
urs,
main -
joys.
ho
I
-
I
1
tain
-
A
a
-
wants
I
Some
ing
their
poise.
when
she
wants.
-
I
-
times
The Glamorous Life: 5-1 7
it's I
rl
I
I I
lAne
---IY, rl
-
-
I
I
I 1 4 1 I
I
rl
but
I
I
w
I
she
-
I
meets
I
I
I
rl
rl
man
-
-
y
-. I
c,
1
L
I
11
:
I
hand - some
1 I
I
ar - y moth-ers
n
I1
U
n
II
r
I
es
But
I
I
don't
I I I
-
cas
of
I
I
go
diff
- 'rent
I I I
u
1
n u
I
I
pla
-
ces,
Which
I I
d The Glamorous Life: 6-17
-4. -
out
live
I U I
I
I
don't
\ Y
-
I
O L. -
--4.-
Or - din - ar - y moth-ers
or - din
I
I
gal - lants.
dm-
c,
I
I
I I
I
I
4' u4
I
I
I
they.
The Glamorous Life: 7-17
.
,
Mine's
a
And
she's
-
I
way,
real
-
in
a
er
than
L'istesso temvo
What
I
cos
What
least
if
- tumes
if
gets
her
un
her
to
broach
-
rav
-
On
-
ly
glass
And
her
sec
- ond
class?
She
at
el?
coach
trav
is
-
is
el.
cresc. poco a poco
D
I
w
dl
I
some - t i m e
And
-
I I
I
-
w
I
I
Some - time
new place
I
I
I
this
I I
-4
r
sum
-
I
sum - mer,
this
I
/
I
I
-w
-
I I
rl
May -
mer,
I
I
1
I I
m
be
Mean - ing
.
I
-
rl
June,
- -
-
i
I'm
the
I
1
rl
she'll see.
-
I P
I
I I
d
r r
I
I
rl
2 The Glamorous Life: 9-17
I
I
-*
rl
--t
r r
I I
Or - din - ar - y daught-ers, may
\
-
-
V
,J
think
I
I
Or - din - ar - y moth - ers
near
them
-
sel
- dom
I
or - din - ar
(
clos - ing
y daught-ers
re - views.
-
The Glamorous Life: 10-1 7
life
is
-
bet
ter
-
with
I
I
when
they
get
a
choose.
let
-
But
ter
en -
1
Gay
I
I
1
gla
and
re
- mor - ous
Speech
-
es
-
sil
- mor
-
The Clamorous Life: 1 1-1 7
ient,
with
ap
-
plause, .What
a
Shaw's, What
a
life !
are
brill
ous
life!
-
gla
-
- iant
If
they're
I
Or -din - ar - y moth-ers
or -din - ar
1I
need - n't
meet
com
-
mit
- tees,
But
ies.
No,
-
-y
moth-ers
don't
or - din - ar - y mothers
get
keys
to
mere - ly
see
their
1
cit
-
child - ren
dim. poco a poco
I
U.
I
\
I
I
I
r
C
1
I
I
m
I
I
r
Which
I I
I
The Glamorous Life: 12-17
all
is
love -
ly,
I
9 90gibe ' y o u Moderato, with a swing (
d = 88)
Good friend-
I'
II
Oh, to -day it's
I
you.
When you need
a
and
"friend ..."
want-
I
true,
do,
friend.
O 1962 (Renewed 1990) by. Stephen Sondheim BURTHEN MUSIC COMPANY, INC., owner of publication and allied rights for the world CHAPPELL & CO.. Sole Selline Agent All Rights ~eserved. used 6 y Permission
Want -
to
-
ship
"friend ..."
Yes, it's a1 -ways
to
wor
be
Like-
my
Do
friend.
I
II 1'
what-
you
"Friend, friend, friend, friend, friend.. ."
just
Well, good-bye,
I Do Like You: 2-10
Be
old
-
friend ...
ing-
must.
I'm
That's what I
a
co - py
of
in -
the
'
hap
-
tend ...
one
I
PY
PSEUDOLUS:
You climb
a tree,
You take
a jour - ney,
I Do Like You: 3-10
I
climb with
I'm
you.
with you.
You-
What-ev
give
-
a smile,
er you
do,
I
smile.
I'll ... -
I
I
1
No one
You're all
I
do
is per - fect, You - have your f l a w s l ~ u t
the things
like you
I
most
Be - cause I
ad -
mi - re,
do like
you.
I
All
don't-
I
care.
as - pi - re
.
to. -
PSEUDOLUS: m
I
I
I
L
I
I 1
I
a
And
I I I
the best
I
.L
1
you
HY STERIUM :
e Friend,
I 1
have ...
You've
Yes,
touched-
No,
know
I D o Like You: 5-10
you nev -
me
er
I
thought
I
would ...
I
SO.
did
-
n't
d o ...
Such
deep-
de
-
vo
-
tion-
ex
-
is
-
ted-
and
Deep - er than
you
think ...
die ... .
You don't have to
H. rath
I
1
an
er
say-
good-
feel ...
know how you
Friend, just -
bye.
"
-
I
as
soon
as
I
get
1'11
back,
I
I
cry.
I Do Like You: 6-10
I
I
I
PSEUDOLUS:
h
1
I
h
I
1
rl '
We each
I Do Like You: 7-10
have had
-
I
I
I
rl
I
a
I
I
I
fling
m
I
or
I
-
A.
two
h
l
h
rl'
I
I'
I
-
h
I
'
I
I
I
rl
I
uNo bo - dy knows but
-
we.
You tell
V
a
se
- cret,
I
-
Since you're the mod - el
I have
I Do Like You: 8-10
to do
2
like
tell
I
I
you
a
I
take
se -'cret
Twice
af - ter
That's what
like -
as - good.
I
On-ly
I'd have
be -cause
do -
to
I
do
like -
I
you.
--
rit.
-
I
I
I
1
-
Rubato
,
Re- ci - pro-ca - tion
in
the
end
is
why
a friend is
true.
A tempo
1
How could
( I Do Like You: 9-10
I
ev -
er
doubt
you,-
Know-ing
so much
a
-
bout
A
1
,I
molto rit.
(BOTH):
I
like you
do
And
still
.I
a tempo
like
do
mll. a1 fine
-
I Do Like You: 10-10
you.
ten. I
I
I
I
-
I I
-
Jot
d (Day
CBy
goes
Asic and Lfgnics
by
Stepken Sondkeim
I
P
1
I
a tempo
a tempo, molto rubato
Not A Day Goes Not A Day Goes
not not
By, By,
you're not some -where but you're some -where
O 1981 RILTING MUSIC,INC. All Rights Administered by WB MUSIC CORP. All Rights Reserved '
a a
part part
of of
my my
life life
a a
sin gle sin - gle
day day
,-
and and
I it
need you t o stay looks like you'll stay
As t h e d a y s As t h e d a y s
go go
I I
by, by,
keep think keep think
- ing
when when
- ing
does does
it it
end,end, -
u I
8
-
I
u\
that
it
-where's the
can't day
a tempo
A
I-
/
c7 / ~ b
Bbmaj 7
-?-
bet - ter think - ing
get much I'll have
poco accel. -9-
and strong - er and sweat -ing
and and
bet start
- ter - ed
much long for - get
3
deep curs
3
- er - ing
and and
near cry
-
er, t i n g ?
a tempo
ri t.
- er
- ing
but . But
it
I
on just
-
skp turn
- ler - ing
gets on
poco cresc.
7 - 3
and and
ly go
7
and fre - er and and reach - ing and
BY, BY,
not not
a a
bless - ed bless - ed
day day
but you some -where come but you're still some - how
Fmaj 7
crfsc.
D 7sus
And I have So there's hell
Gmaj 7
D # ~ G
Bm 7
P I I'll
'dim.
Not A Day Goes By - 4
'
,
rit.
D 7sus a tempo 7 3 -
day day
want die
/it.
1P
af af
la temno
G6 a ternno
..:.
if and
you an
do,
- ti1
I'll I
die. die,
7
7 3 --1
-
ter
- ter
day day
1
af af
- ter - ter
to to
day day
I / L
cresc. poco a poco
3
-
af af
7
- ter - ter
1
cresc.
3
day day
d
-3-
3
af af
- ter
-
ter
i
I
I"
day day
I -
I
af af
- ter - ter
Till Till
the the
I
day day
af . af
days days
the
days
1
day day
io go
by! by!
go
I
I
- ter - ter
by!
Till
I
I
1
I
till till
the days the days
I
go go
I
I
by! by!
I
Till Till
the the
days days
60
%.om the d u s i c a t CPhoduction " d a h n y d e
With a swing (
cff gittPe''
J.= 124) NOW'
I
tale
1
bot - tom.
of
a dame known as
Har - ri - et, - Who climbed to the
A beau- ti - ful
life
was
O 1979 RILTING MUSIC, INC., BURTHEN MUSIC COMPANY, INC.
RANGE ROAD MUSIC..INC. and OUARTET MUSIC. INC. All Rights ~drninistered'b~ H E R A L SQUARE ~ MUSIC,INC. AU Rights Reserved Used by Permission
her aim
and, to
top
of
var - y
it,
the heap
this is the
from the
She wanted the
sun
and the moon,-
from her-
I
sub
who
i
-
And she got 'em.
climb,-
ject
she -
Uptown, Downtown: 2-7
she does
of
is.-
this
She is-'A't the
look
ev
-
'ning's-
back
quiz-
from
least
ex
time to-
Is
who
-
haus
-
ted
time.-
she
was
and
I
I
I
UP
- she's step - pin' out with a
Down
-
I
Uptown, Downtown: 3-7
town,
-
town,
swell. -
she's hold - ing hands on the
Hy -phen- at - ed Har - ri - et, The
El. -
nou - veau from New-
Ro -
I
I I
I
I
I
I
r I
UP
j
i
-
she's got
Uptown, Downtown: 4-7
the Van - der - bilt clans. -
nI -
town,
1
-
She
nd starts
to
pine
sits
for
at
a
stein
the Ritz
With her
with
her
dim.
1
thinks
of
the Ritz.
Oh,
it's
so
schiz -
o.
(* Uptown, Downtown: 5-7
\
Y
I
v-
I
-
1
I
rJ
I
Down
-
/I
\
town
- It's strict - ly Zir - cons and beads.
I'
Uptown, Downtown: 6-7
uI
I
-
1
I
-1
-
-
4
1
-
4
I
two
She's
I
-
of
the most
mis' - ra
ble
-
girls
in
town.
I I
U
Uptown, Downtown: 7-7
--
-
m 14Y-
-
-
%on tke dusical 'Phoduttion
"dahhy
Andante moderato (
d e
d %de"
J = 138)
I
Once
I
I
Now
A Y
v
v
W
me
down.
- ed this
Slush
cit
-
-
y, hu
y.
- mid, and
p sub.
I
,
L.
e,
it can't - get
I hat
I
n -
I
I
I
-I
=
grit
V
- tY,
-
I
I
I
w
What a
I l
I
I
I
l
-
I
I
I
I
w
8
pret - ty
town!
O 1983 Steohen Sondheim BURTHEN MUSIC COMPANY, INC., owner of publication and allied rights for the world CHAPPELL & CO., Sole Selling Agent AU Rights Reserved Used by Permission
I
C
I
4
4-24 4 What, thought I, - could be
1
I-
I
dul -
Now
ore
de-press
col - or
is
ler,
my fav -
or- ite
-
ing, less
gay?
A wall of
gray!
Piu mosso
rain
grime
as
it turns
all
the
to
sleet,
time,
The lack
of
And what
sun
more
on
a
one - way
do
I
need?-
I
I
A
V
What More Do I Need?: 2-8
r> I
I
I i
w
I 0
I
I
I
I J
street;
-
-
I
I love
My
win
r
-
r
-
the
dow
I
pane has a love
1
see
half
-
ly
a
view:
An inch
tree,
And
of
sky
what
more
It
I
win - ter
ev
What More Do I Need?: 3-8
-
en
the
fall
-
ing
and a
fly
do
or
iwo.
I
need?
Why, I
can
The
sim - ply can
snow looks
used.
-
My
win - dow
pane
I
love
you, -
light,
I'll
pay
But I
the
see
dirt
you,
no
So the view
is
bright.
heed!
love,-
What
more
Some-one's shout - ing for
What More Do I Need?: 4-8
do -
qui - et,
I
need?
Some-one's start - ing a
If
I
can
With
-
your
1
maynotgive much
brawl.
A
cresc.
,
Down
mf
the block - there's a
ri
-
ot,
And I'll
I I
A
I
I
I
-
I
I
I
I
I
d
8
4
all !
Lis - ten now, -
buy
I'm
ec
-
sta
,
I
I
I
V0
WL d u d
it
0
-
tic.
cresc.
,
I
Hold me close - and be
1
drill !
What More Do I Need?: 5-8
Hear the love - ly pneu - mat - ic
still.
A
sub -
way
train
thun-ders through the
I
d. Bronx,
1
crane
I
stairs.
A tax
mak-ing street
What More Do I Need?: 6-8
-
i
re
Steam - pipes
-
horn
on the corn
-
er
honks,
pairs,
A two
-
ton
child
bang,
Si
rens
clang,
-
But I
a-
run-ning wild
up -
And
what
I
more
do
sum - mer,
I
loud
1
plane
I
The
I can't - hear the
roars a - cross
What More Do I Need?: 7 4
the
need?
land - lord yells-
plumber
bay,
in
pound the
But
The
neigh - bors yell - in the
the
fall,
wall!
I
can
An
hear
YOU
as clear
aer - o -
as
I cresc.
r
With
What More Do I Need?: 8-8
your
love, -
what
more
do-
I
I
I
Ausic and
&fyhics bg
Stephen Sondheim MAN:
who,
I
blue,
I
by?
O 1981 RILTING MUSIC, INC. All Rights Administered by WB MUSlC CORP. AU Rights Reserved
Know - ing there's
When
you
who- could be
some
-
near -
where
an
-
y - one
I
feels
your
their
So
I
now
low
how
could-
dim
to
my
has-
I
a1
to get
high. -
- low
An
eye?
With
- y -thing
you,
-
.
-
.
long - as there's
Little White House/Who Could Be Blue?: 2-5
I
you
with me,
The
on- ly
I
thing b l u e
is
the
II
We'll have
pick
r
-
ets.
lit - tle white house with a
a
A
Know - ing there's
blue,
house on a
hill Where, if
you
some
-
lit
- tle white 'fence
na - ture con - sents, We'll have
where
near -
-
simile I N
crick
-
ets.
Little White House/Who Could Be Blue?: 3-5
made of
-
r
rJ I
II
eas
-
feels
y
chair.
your
girl
are
there. We'll have
-
er:
low
"
Their
low
a
lit
So
high.
0th
fav - or - ite pipe and your
Your
8
Little White HouselWho Could Be Blue?: 4-5
-
y -thing
type
of
a
has - to get
- tle pink
boy, Then a
lit - tle pink girl,
how
A
an
fav - or - ite
now
I a1 -
could-
lit - tle snub nose and a
to
Then an -
lit - tle spit curl like her
dim
my
II I'
moth -
er.
eye?
YOU
We'll
stay
With
you,
with me, -
The
home nights with the
on - ly
P
I
\
7 C
thing blueI
is
as there's
the
I
-
f3
-
I
pers,
long-
a
I
-
nip
I
, I
house.
I Little White HouselWho Could Be Blue?: 5-5
I
I
I
I
J u s l c and
&l?yws by
Stephen Sondheirn Largo rnisterioso, poco r u b a t o (
Lie here
with
I
w
me
I
rJ
d = 120)
on
I
w
hrl v-
the
w
grass.
I
I
I
I
I
Let
w
I
rJ
I
w
I
hrl
the
I
I
I
XT*
0.
poco cresc.
wind
be
our words
O 1973 RULTING MUSIC, INC. All Rights Administered by WB MUSIC CORP. All Rights Reserved
As the night
smiles
down.
Don't
they
1
know,
A
.
1
they?
No,
they
don't,
W
dim.
Sil - ly peeple, -
sil - ly peo - pie,-
sil
pass.
Silly People: 2-6
don't
-
ly peo- pie.-
Voi-ces glide by,
Let
them
float
in
their words
let
Till they slow -
them
ly
drown.
Don't
they
know,
don't
they,
What
they
Pa - tient and pol-ite,
I cantabile
When
i Silly People: 3-6
now
it smiles,
it smiles
for
lov- ers.
When
fools.
I
I
them,
Sily People: 4-6
The
I
the 0th
-
ers,
I
the
I
re
-
next
I
last
men1
-
r
it smiles,
it smiles
for
it smiles,
it sIfiiles
for
1
ber - ers,
Y
The tru -
ly
1
Them
I
all
and
and
US
...
a tempo
-
4
4
Lie then with
4
w
me,
clo
-
I , I
v
I
-
d,
- I
I
I
I
float in my
S i y People: 5 4
-
I
I.
arms
?
I
I
w
-
ser
I
still.
You
can
cresc. i
-
rl
Till we gent -
1
A1
:y
I
-
Ik-
drown.
I II
Don't
I
nr
I
they
1
1
don't
know,
A
l
\lY
-
'
!f
I
I
I
I
1
1
What
it
means,
----
, I
they,
I
0
?f 1
-
I
1
I
0)
Sil - ly
peo
- ple, -
-
I
and
Float
b:$l>b-
Y
m.
-
I.
down
Silly People: 6-6
I
r
I
I\
-I
L
u
u
I
flow
L II
?
r
-
- -
A.
I
go
I
L I\
11
w
L-•
we
'
And
w
u*
I
I
I I
.
morendo
-
1
r
dy - ing?
- ly peo- ple ...-
sil
-
,
L
To
drown.-
g h o m tke d u s i c a t CPhodu~ti~n" y o u ' h e g m n a d o l i e
omo oh how"
Ausie and Moderately fast, brightly (
This
is
gyhics by
Stephen Sondheim
d.= 64)
Is - n't
nice,
it?
I mean,
the
&ic.
This
is
nice,
Is - n't
O 1983 Stephen Sondheim BURTHEN MUSIC COMPANY, INC., owner of publication and allied rights for the world CHAPPELL & CO., Sole Selling Agent All Rights Reserved Used by Permission
it?
I
mean,
the
I
ply
Isn't It?: 2-4
and
de
- mand.
I
SO
Are - n't
right,
we?
I
mean,
for
Hold
me
We're
! i
tight,
Cling to
me -
I
mean,
my
hand.
cresc.
I
I Isn't It?: 3 4
feel
fine.
I'm
a-
I-
glow with
a
sun
-
day
Could I
shine.
be
fall - ing
IA . -d-
I
mean
I
grand?
P' Isn't It?: 4 4
to
say,
Well,
an -
Y
in - I
colla voce I
- way,
Is - n't
it
gh0m
the
d u s i c a j 'Phoduction " d a h h y
d e cff
gittoe''
8tephen 8or;dheinrd Allegro appassionata (
I
Mar-ry
me-
d = 80)
a lit- tle,
Love me
O 1971 RILTINC MUSIC, INC., RANGE ROAD MUSIC, INC. and QUARTET MUSIC, INC. All Rights Administered by HERALD SQUARE MUSIC, INC.
All Rights Reserved
Used by Permission
just
e - iough.
Keep a
I
Do it
I'm
read
-
L I1
W'
I
-w
I
- tance,
-
So we'll both -
Mar-ry
y!
- 1 ,
u
I I
-
,
me
be free.
a lit-tle,
Make a
a will.
-rl
Marry Me A Little: 2-12
der dis
with
simile
u \
-
ten
few-
I
I
I
r
r
-
u-
- 4 '
L
I1
0-m
1 7
I
I
I
/
I
-
de-maids I'm
-
sive -1y.
Marry Me A Little: 3-12
ab - le
That's the
to
f i l - fill.
way
it ought
to
I
I
I'm
read
You can
I
I
can
Marry Me A Little : 4-1 2
-
I'm
y!
be -
.
I
be
my
best
your
right
I
.
I
read - y
now!
friend.
I
I
arm.
-
poco cresc. r
Y
43.-
-
I
-
if
I
I o
I
I
"
. 3 4
/43
No
look
,
*
Marry Me A Little: 5-12
f
r
harm.
not
too
not
too
I
A ' v
--
rJ
I
I I
w
-43
We'll
We'll
far.
We
I
won't
have -
stay who
we
.
give
up
a
,
We'll
Right?
I
-
kay, then,
I'm
read - y!
molto rall.
A
I'm
Marry Me A Little: 6-12
thing,
are.
I 0
-
to
read - y
now!
Some -
one,
a temwo
I
Mar~ry
me -
a lit -tle,
I
Keep a
ten
der dis - tance
i
Marry Me A Little: 7-12
Love me
just
So we'll both-
-
e - nough.
be free.
I
I'm
Bod-y,
heart -
Al-ways
in
Mar-ry
and soul.
I
sim.
Marry Me A Little: 8-12
read - y!
Pas-sion - ate
I
con-trol.
me -
. a lit - tle,
as hell, But
I .
Want me
first -
I
and fore - most,
I
-
A44
it ought t%
if.
I
I
I
I-
read
-
I
Oh, how
be.
I
I
-I
I
Marry Me A Little: 9-1 2
I
P
I'm
I
I
-
J~-;2
I
0 I 1
we'll
A
I
I-,
I
talk,
.,\
-
,
r r
-
\
V
now !
I
ly
I
# n
I w
read - y
I
7
1-
gent
f I
- y!
P
7 :.
-
-__ d -
4'
4
V
/-
7
I
Oh, how
I
I
-
soft
keep
ly
we'll
un
tread.
-
said.
We'll
-
V
build
Marry Me A Little: 10-12
a-
co
-
coon
re
I
prom
nev - er
ise
col -
what
-
ev - er
you
like,
I'll
Right?
0
Many Me A Little: 11-12
You
lect.
I
i
-
-
I
kay, then,
I'm
read
-
y!
molto rall.
I'm
1
-
I'm-
-
w. Marry Me A Little: 12-12
read
-
Y!
read -
y
now!
Some -
one,-
g h o m the
d u s i c a ! %oductiok
"Sunday
Maestoso e non rubato (
I
Sn %e Tahb CWith
Aur and Qyhyhics by Stephen Sondkeim
J = 66)
Sun- day,
' by
the blue - pur- ple yel- low red
I -
- on the green
pur - ple yel- low red
0 1984 W T I N G MUSIC, INC. All Rights Administered by WB MUSIC CORP. AU Rights Reserved
geohge"
-
-
grass,
-
wa - ter
/
Let us
sempre sim.
pass
'.
I
I
our per - fect
through
Sun - day
I
Paus - ing
park,
blue tri - an- gu - lar
by the cool
on the soft
green
el - lip - ti - cal
grass
on
a
wa- ter
As we
pass
-
I L
I
I1
I
4' 4
w
I
-----
#-
,
I
I
h
I1
I
I I
PI-
T
w
through
ar - range - ments
of
sha-dows -
4.P
Sunday - 5
I
towards
the ver - ti -cals of
poco rit.
7L
a tempo
ev - er... -
-
on the green -
or - ange vi
- o - let
dim.
I
In our per - fect -
I
8
w
Sunday - 5
mass
Of the
grass
RP)
park, -
Made of flecks of
light -
I
and
Y I dark, -
I
I Sunday - 5
I
poco I cresc.
I
--
cresc.
On an
I
is - land
94
rall. e cresc,.
,a
IU
-
I-
-
I
Sunday - 5
Sun - day ...
On an o r d - i n - a r - y
Sun- day ...
-
-
a tempo
Sun-day ... -
dkic
and &fYhics by
Stephen Sondheim Languid, but rhythmic ( J.= 100)
The girls
O 1956 Girls of Summer Co.
Copyright Renewed and Assigned to CHAPPELL & CO., INC. All Rights Reserved Used by Permission
of
sum - mer-
Get burned.-
un
I
I
Plus -
girls
of
-
done By-
They start
a
touch
the
of
sum - mer -
sun
Un -
con-cerned.-
in June,
a touch of the moon. -
sum- mer -
hey
The
Get fooled ,-
'Cause soon
the
sum - mer-
Heat
I
has cooled,-
And come
Sep - t e m - b e r
Things-
were hot
They can't
re
-
.mem -
ber why
in Ju - ly.
-
GI
--
.
I
Not
me!
.
'
I t ' s too
The
moon
-
lit
I
eas -
sand,
r
r
-
y - to
A
far-
A&-
,- ,
1
A
R
I
R nr
r
I
a
-
-
I
m
m
I
IJ
II
rl
way band And- that's
I
I
I
I
I
I
r r
.
I
A.
Not
all.
I - don't eas - i
rall. e dim. U
I
U
., 11
Nev
I
-
-
rl'
a tempo I
L
3'#'
1
I
er did, nev-er
--- --h
I I J 1 0 I
I
I
/
I
a.
I c3
b \
I
will.
The end
of
sum-mer's-
here
I
am
with -
the
same
-
un
dam
I
I
u u
-I I
That -
-
1
aged
heart -
I
poco cresc.
L
I\
I
I
I I
w
I had
-
-
h
I
4'
1
I
I
-*
at the start.-
-
I
The girls
of
sum - mer-
For - got
to run.
The
girls
of
sum - mer-
Were bound
to. lose.
The girls
of
a tempo
rall.
- .
all
I - have noth- ing but blues.
the fun. -
I
colla voce
1 a tempo
sum - m e r Have
Aaic and
&fYhics by
Stephen Sondkeim Larghetto ( A
slow,
Fmaj 9 (no 3 rd)
F
It start
1
= 72)
- ed o u t like a
with no
sur - prise,
O 1981 RILTING MUSIC, INC. All Rights Administered by WB MUSIC CORP. All Rights Reserved
song.
-
and then one morn-ing
We start - ed qui
I
woke
to
re
- et
- a1 -
and
ize:
we had
Fmaj
I
a good thing
(Polychord)
-
-
go
ing.
It's not that noth-ing went wrong.-
Bb/F
Some an- gry mo-ments of
course,
Gmll
more,
be - cause we knew
and on - ly mo-ments, no
but just a few,
Cl3sus
we had this Good Thing Go
-
ing.
Suict tempo, non piti mosso F7sus
I
And if
I want - e d
too
much,-
was that such
-
a
mis
- take
at
the time?-
G7
-
.- -
I
I
I
I
F a tempo
c 7 ( b 9 , b13) poco rit.
C~SUS
I---_ -- _
I
r
A
-
w
-~
that
a
crime.-
a - long,-
And while it's go - ing
I -
Good Thing Going - 4
you take for grant -ed
some
love
will wear a
-
way.
We took for grant-ed
a
lot
and still
in - stead o f
l
I
say
just kept
it could have kept on
on.
go
-
ing.. . -
L l V l L
?-'
n
I
k
I
Y
U
I
Fmaj9
gone.
Good Thing Going - 4
-
poco rit. I
I
grow -
-
rn I 1
I
dUSit and $!yhits
by
Stephen Sondkeim Adagio (
J = 96)
I
I
p
I sim.
sostenuto
MUS~ have
a
cast
-
le. -
01973,1986 Stephen Sondheim CHAPPELL & CO., INC., owner of publication and allied rights for the world A11 Rights Reserved Used by Permission
said the
es~ress.
man
for
I
A man of
I
means
he'd
man
I-
Who had-n't
'
y,
With-out
pen
a
-
ny
-
-
-----
his
To
a
I
@J
-
an
1
planned
I
So Many People: 2-5
I
from
I I
name.
I
rl
I
I
e
I
v d
all
t
I
- the mag- a I
r
d
had to
i
! 1
0
.
- zines.
-
I
I
go
u/
and
-4 L
-i
h
l
-
1
I should be
good
Non rubato (
and
sore:
I
What am
hap
py
I guess the
for?-
6 = 48)
nev - er know love
They'll
what can they do?
I I
u
So Many People: 3-5
-
.
I
2
I
I
I
I
I I
1
rJ
Like
..
I
r
I
I
1 I
I
I I
u
1
J
that's their
con - cem.
If just
a
few, say half
rit.
world
So Many People: 4-5
~on't
know what they've missed.
a
mil -lion or
so,
Could
a tempo
They'd
n
I
~
3
1
a
r
I
nev
- er
--/7
1
h
m
be
I
-
lieve
1 I
I
I
I
a
A.
I
I
I
I
rn I
-
4
1
?> I
I
+----A I
Such
joy
.razz.
So Many People: 5-5
/ a
r
a tempo
I
could ex - ist.
gh0m
the
d u s i c a t CPhoduction
"ghe%kegs"
Jutit
by
Stephen Sondheim Adagio (
WP i Pai rn shaiespeake
J = 104)
I
Fear
1
no
more
the
heat
o'the
Poco ru bat0
poco rit.
sun,
Nor
L~
I
the
fur
ious
-
L
I
Win
I I I
ter's
-
,k
I
ra
ges ;
I poco rit.
I
a tempo
hast
O 1974 RILTING MUSIC, INC. A11 Rights Administered by WB MUSIC CORP.
All Rights Reserved
done,
Home
art
poco cresc.
dim A
r
I
gone
np,
and
ta'en
I
I
1
I
D
all
girls
wa
dim.
----
m
I
thy
must,
-
ges:
-
Gold
-
As
I
I
1
I
I
I
J
I
chim
-
ney
I
t-
1
1
1
I
I
-
I
--
lads
I
I
- sweep
,
I en
P I
I
I
and
--t-
-
I V
ers,
come
to
P I I
----
I
I
d
dust.
I
I
I
I
d
Fear
I
I
I
f
0
no
more
the
p o c o cresc. I
I
--
I
light
( Fear No More: 2-3
-
ning
flash,
Nor
the all
u
-
1
I
w
dread
-
ed
thun
-
der -
1
stone;
I
-
not
slan
ish'd
joy
-
der,
cen
sure
-
rash;
i a tempo
ri t. ! 1
thee
I I
I
I
I
1
m
!
u
and
come
to
dust.
I Fear N o More: 3-3
--
w
4%
rall. I
-
I
- I
-
A I I
I u
by Stephen Sondkeim
dusic
Moderato ma poco rubato ( ] = 80)
--
Let me see the world __
with clouds,
Take me to the w o r l d . .
O 1966 Stephen Sondheim (Renewed) BURTHEN MUSIC COMPANY, INC., owner of publication and allied rights for the world CHAPPELL & CO., Sole Selling Agent All Rights Reserved Used by Permission
.___
and g Y h i C s
!
I 1
A I
I
world
~hat
1 - t -
I
'*
--
I
-
smiles,
With
-
1 d' I
h
-
1
in -stead of
streets
I
I
I
I
I
-
aides,
Where
ralI.
poco accel.
t !
4
-
I
a
---I
4
I
I
Teach me how to laugh,
Take Me To The World: 2-5
I
!
I
I 1-
I CJ
J
4
to
feel.
t
! 1
1
1
O
- -
I 0
r--I
A
1
I
I
A
w L - .
I
I
/
Move me to the sun. --__-
Just
n
dim.
--
I
I-
I can
Take me to the world Where
- 4' be a -
--
u
live!
I
I
Let me see the world
n
-----I
,
i !
t I
I
1
3 4 - o-, N Take me to the world. --____
1 Take Me To The World: 3-5
II
I
1
-
Some-where I
I
that
1 :
I
1
1
I
I
1
I
3
u \ / -
can w a l k -
smiles,
I
!
rJ
4
for miles,
I-
1
Take me to the world.
grow
-
-
ing in
the
With
ground,
Where
all
birds
a
that make
a
- round
Things
sound
are
I
0,
birds. -
V
8
I
I
I
/
We shall see the world _ _ _ _
"
come true.
I
il
h'
I
V
We shall have the world.
1
4
I
rl
Take Me To The World: 4-5
I won't be
a - fraid -
with you.
-
.
We shall have the world. --
I'll
hold
your
hand
And
,
cre sc.
I
-
know
I'm not a
-
We shall have the world -
lone.
_
to
.
keep.
r
cre FC. I
I
a
a
-
!
--
rubato m
-
I
-
We
dim. poco -- a
poco
-
1
-?-A-
I
own.
Take Me To The World: 5-5
-
--
for our
T I \a
r r
rn
4
118
%on the
Jllsicao
'Phoduction
"Sunday 8n 3 h e 'Pa& Wtk
geo,tge''
JUS~C ond LfYkics by Stepher Sordheivn
Moderato, rubato
Yes, she looks
for me- -
Con moto, poco rubato (
~ 3 - 3~
tell
3 ~ 13 - 79
me why she left
O 1984 RLLTING MUSIC, INC.
All Rights Administered by WB MUSIC CORP.
All Rights Resewed
me ... as 1
Let her look for me
good.
to
= 132)
a1 - ways knew she would. ---___
I had
poco rall.
a tempo, non rubato
an- y- bod - y could ... --
1
Fin - ish- ing the
fin - ish the hat. -
Finishing 7'he H a t - 8
:
& 'dim. f i P
hat,
'
how you have t o
How you watch the
rest
of the world
from
a
ten.
I
what you feel like,
plan- ning
-
I
What you feel when
dis- tance and die,
I
Finishing The Hat - 8
voi
- ces
that come:
through
u n - ti1 there's
-
a .
a
tempo
win - dow go un - ti1 they
the
noth
a sky.
-
ing but sky.
i-
And how you're
will - ing t o wait's-
I
night,
. Finishing The H a t - 8
not
the
a1 - ways
turn
ing
back t o o
find wait
kind that yod want
diz
-
-
zy from the
-
late-
from the
ing to re- turn y o u to the
height,
cam- ing from the
i
hat,
stud -
w
I
hat,
I
--
I
I
I
reach - ing through the
I
this one from that.-
Finishing Tile H a t - 8
I
en - ter - ing the world
t
v
-
i
, I
world of
1 I
-
of the hat, _
-
7
4
-+
A . i
the h a t like
-
y - ing the
I
I
I
-
I
Z r i
win - dew,__
I
a
I
ten.
I
1
I
-
i
rn a
-
Stud - y - ing
I
face,
back to
--
/
.-
step - ping back to
look at
a face.-
leaves
rall.
a tempo
rall.
a tempo cresc.
a
u
-
--
ra 11.
r1
a tempo
ten. a tempo I
1
It's
the on
- ly way to
that
you
see.
f worn
> Finishing The H a t - 8
- an
lit - tle
w a n t - ed
g o e s , you can
w
-
:
I
-
__what'
I give."
But the
worn
-
an
who
.won't
w i t for you knows-
that,
how
J
I I
map- ping o u t the
sky,
dim. c
/4
~ Y : ~ ~ $ L ! J J J ~: -y u *
I
Finishing The H a t - 8
n
- -
-
LmpJAJJ--JJ
8
-
8
fin
- ish - ing a
-
hat ...
J -A n n
J
Start
- ing on
a
hat ...
hat ...
Fin - ish - ing
Look,
I made a
I-
I
hat..
Where there nev
. -
hat ...
u
-$
Finishing T i e H a t - 8
a
>
- e r was a
1 26
g h o m the ,AusicaI qhoduction
''&ahkg
,AEcff $fittee'
by Stephen Sondkeim
d u s i c and Allegretto (
5fgiics
J = 108)
BEN:
I-
Here, -
kid. -
Look,-
1971 RILTING MUSIC, INC., RANGE ROAD MUSIC, INC. and QUARTET MUSIC, INC. All Rights Administered by HERALD SQUARE MUSIC, INC. All Rights Reserved Used by Permission
I bought you
flow
- ers. -
cresc. I
U
h
-
I
I
i' A -ww
All -
u
things -
I I
-
per
I I
You, -
kid, -
I
I
fect
For
poco rit.
-
-
r,- , I - , K
W
I
I
v
you.--
I I
a
r
I
m a - n e n t and
per -
poco
I
1
poco
I
I
__-
r
i
I
mean
u tempo
all
things
Bright
and
beau
I
Ev - 'ry - t h i n g f o r
All Things Bright And Beautiful: 2-12
-
ev
-
L
-
-
ti
L l
%(T
P I
I
er,
yours,
ful,
kid,
-
1
Ev - 'ry - thing for -
ev
-
come
all
er
======-
dim. 1
. 1
r;r ---
I
I
I
I
.
----
I
I TJ-
/
--
I
I
I /
1
rr
1
L
r r
true. --
SALLY:
I
'411
things
Ev-'ry -thing for -
All Thing Bright And Beautiful: 3-12
ev
bright
-
er
all
and
beau -
corn e
ti
-
ful,
1
true ...
I
BEN:
-
Wait,-
Ev
kid, -
'ry
-
-
1
-
I
c
I
w
Night, -
I
noon, -
Trust -
All Things Bright And Beautiful: 4-12
me,-
I
1 1 1 . I n
II
I
-O1 --
day. -
an
flow -
rnin- ute
T
I
I
I
ers,
r<
I
I_o __-A
-
y - thing you want
1
You
just
1
cresc.
poco
a
Poco
rall. I I
-
I
ma* 1
I
-
a t e m p o , poco ruhato I
I
things
,
r
I -
Bright
a tempo r
L I
,
&
lit
ll -
m 1
beau
and
L I
Ev - 'ry - thing for
All Things Brigllt And Beautiful: 5-12
have
poco rit.
f,. all
A
I
I
You'll
say. ___-
kid,
n
i
I
I
- ev -
-
er,
ask
-
ti
-
ful,
-
SALLY:
g.------------
I
I
I
All
II
Ben,
I
D-
I
I
-
things
can we go
to
Par -
bright
is?
and
beau -
ti
don?
Ben,
can we go to
Lon
-
course
we can go
to
Par
-
-
ful ...
BEN :
I'
Of
I
-
All Things Bright And Beautiful: 6-12
is
Or
I I I
SALLY I
\
Bright
BEN I
- don
I
I
things
Lon
a
I
f
r
1 I
and
m I
beau -
P
I
I
I
f
I
I
ti
I
-
ful ...
----I
I
Ri
or
o,
-
You
it ...
name
(SALLY):
I
Ben,
I get
so
ex
- ci -
I
ted
All Things Bright And Beautiful: 7-12
-
ly
can
breathe ...
a tem~o
rall. molto
I
hard
Let
them
laugh,
--
Just don't
leave
me.-
SALLY
li -
right,
Just don't
__
leave
-
me
gain.
-
Let
them
I Ben, we'll be
Ben, we'll be II
to
-
geth -
er
to
mor
row. --
I
won't
leave
you. -__
on
Mon
ir
ev -
to - geth - er
-
I
won't
day. -
I
-
All Things Bright And Beautiful: 8-12
Nev -
er
'a
-
gain. You'll
be
And we'll be
t o - geth -
mine.
I!
er
to
-
mor - row
and
hlon - day
and
Mine
to
-
mor - row
and
Mon - day
and
Ap
-
ril
and
Christ - mas
and
Look,
love,
Ap
-
ril
and
Christ - mas
and
Look,
love,
-
Ev- 'ry - thing is
flow - ers!
-
Red !
-
Pink!
I
Blue!
I
look will
Soon,
love,
Ev - 'ry -where I
BEN
be
you,
love,
you!
And that's
molt0 rit.
ff
BOTH
YAll Things Bright And Beautiful: 10-12
f-
Sos. ped.
/
a temuo
-,
~
-
-
Ev - 'ry -thing for -
Ev - 'ry - thing we
I
do!
All Things Bright And Beautiful: 11-12
ev -
nev -
er,
er
ours,
kid,
did,
we'll
I
And we'll be
And we'll be
-
to - geth
to - geth
-
er
er
on
Ap
- ril
molto rall.
next
year
and
All Things Bright And Beautiful: 12-12
a1
ways ...
and
Christ - mas
And
138
Shorn the d u s i c a P CPhoduclion "Aehhdy
Wc Qoee
&eong'
dusic
ad &fyhics-b9
Stephen Sondhei~ Moderato
(el
= 168)
Hey,
Friend,
are - y o u
o
II
kay,
-
I
O 1981 RILTING MUSIC, INC. All Rights Administered by WB MUSIC CORP. All Rights Resewed
sempre sracc.
Old
Friend?
I
Old
What-
do you
I
1
I
nique?
chang
Time
-
ing.
You
Most
1 I
gade.
New-
goes
ones are
and
we-
friends
quick
fade
-
-
ev
by,
ly
o
made
r
'ry- thing
get con
-
they don't
and,-
in
else
tin
- ued
make
a
pinch, sure
keeps
next
week.
the
they'll
--
But
Friend?
Here's
US,
to
I
Friends?
No
-
Old
us,
Hey,
one can
I
I
Who's
Old
say,
Friends,
Old
I Old Friends - 7
us?
./
what's-
to
r '
I
r*
Damn
how-
rir. e dim.
-
IT
I
Friend,
like
L
.*
I
do
I
I
m
I I
-I
dis
-
-
I
cuss,
Old
few.
we
Friends,
stay
Old
how-
an
old
friend - ship
sur
-
vives.
One
day
chums
-
hav
ing
.
a
I i
laugh
a
min
-
ute,
one
New
1
volv
ing
I
-
Old Friends 7
door.
friends
May
-
be there's
comes,
pour
one
and - they're a
through-
that's
I
the
re -
more.
I
Friends,
1
Two
'fI
'spe
you find
-
cia1
- ly
Old
Got
one,
you,
Old
Friends,
-
ta have
that
do.
'11
Friends, here's
few
to
-
But
us!
er won't
Who's
like
two
Old
us?
do,
Old
elp
-
lng you
J -
I
I
-
bal
braids
A
I
you-
foryour
mf I
-
A
per
I
-
I
Vl
that
Most
friends
fade
I
the
-
o
r
I-
-11
I
m
-
I
I
I
UP -
cies,
-
m
you-
I rl "
fan
and
I
I
I
One
"
suades
a
I
long.
faults
1
L
I
one
-
a
ance
-
I
I 1
I
-
r
i
4
r
t
ar
-
I
I
0th
-
I
I
1
they don't
er
I I I I I I ?J
1
make
wrong. -
one's
I
I
n
the
I
grade.
1
Friends?
I
New1
Here's
Damn
ones are
quick
to
few! -
-
ly
made,
per
us!
-
fect as
Who's
I
long
as
like
I
1
I
they're
us?
I'
I
+ 1
>
Old Friends - 7
- u
Index by Productions EVENING PRIMROSE Take Me To The World . . . . . . .
THE FROGS Fear No More
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Invocation And Instructions To The Audience .
. . . . . . . . . . . . . . . .
110
2
A FUNNY THING HAPPENED ON THE WAY TO THE FORUM I D o Like You
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
34
A LITTLE NIGHT MUSIC Glamorous Life. The
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
17
MARRY ME A LITTLE All Things Bright And Beautiful Girls of Summer. The
. . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
126 95
Little White HouseIWho Could Be Blue? . . . . . . . . . . . . . . . . . . . . 63 Marry Me A Little Silly People
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
78
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
68
So Many People
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Uptown. Downtown
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
What More Do I Need? .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
105
48 55
MERRILY WE ROLL ALONG Good Thing Going
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Not A Day Goes By Old Friends
101
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
44
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
138
SUNDAY IN THE PARK WITH GEORGE Finishing The Hat Sunday
. . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . .
YOU'RE GONNA LOVE TOMORROW Isn'tlt?
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
74
From the stage'to