Fake Book 1 pre 1923 Ver. 1.1
† C Treble
The Creole Jazz Band wordmark was created by Madeline Koeberling. Thanks to Madeline’s patience with us, her incredibly thorough analysis of our needs, her research, and of course her creativity, she was able to develop this outstanding logo. Madeline can be contacted through her website at: www.madelinekoeberling.ca
This Fake Book has been assembled with tunes that have all been written prior to 1923. Therefore these are all out of copyright in the USA. I hope you enjoy the tunes. This fakebook has been produced in the following versions: C Treble Bb Treble Eb Treble Bass Clef Tuba (bass clef one octave lower) If you want versions in other keys or want more tunes added, feel free to contact me. Kevin Yeates The Creole Jazz Band
[email protected]
12th Street Rag ................................................. 1 A Good Man Is Hard To Find ............................. 2 Afghanistan .................................................................. 3 After The Ball Is Over .......................................... 6 After You’ve Gone ................................................... 4 Aggravatin’ Papa ......................................................... 8 A’int We Got Fun ....................................................... 7 Alabama Jubilee .........................................................18 Alcoholic Blues ....................................................... 10 Alexander’s Ragtime Band …….......................... 12 Alice Blue Gown ................................................. 16 All The Girls Go Crazy ….......................….……. 14 Amazing Grace .......................................................... 17 American Patrol ……………….............................…. 20 And They Called It Dixieland ......................... 19 Any Time ..…………………………........................……… 21 April Showers ………………….......................…….…. 22 At a Georgia Camp Meeting .......…................,,,. 23 At The Devil’s Ball ................................................ 24 At The Jazz Band Ball ........................................ 26 Aunt Hagar’s Blues ……….......................….……… 27 Avalon …………………………………….......................… 29 Baby Won’t You Please Come Home ............... 32 Back To Storyville …............................…….…….. 30 Ballin’ The Jack ……………............................…… 34 Beale Street Blues ….………......................……... 36 Blue and Broken Hearted ………......................... 33 Blues My Naughty Sweetie Gives to Me . 40 Bluin’ The Blues …………….....................…..…...… 38 By The Light of the Silvery Moon …..…...... 42 Careless Love ……………………………….....……… 44 Chicago ….…………………………………..................…… 45 China Boy …………………………………………....…….. 48 Chinatown, My Chinatown …………….............… 46 Cleopatra Had a Jazz Band ............................... 50 Creole Belles .………………………………….....……. 52 Curse of An Aching Heart .................................. 49
Dardanella …………………………….......…….....……. 54 Darktown Strutter’s Ball ................................ 56 Dear Old Southland ............................................... 58 Dixieland Jazz Band One Step ........................ 59 Down Among The Sheltering Palms .............. 60 Down By the Riverside ......................................... 61 Down Home Rag ........................................................ 64 Down In Borneo Isle ............................................. 62 Down IN Honky Tonk Town ................................ 66 Down in Jungle Town .......................................... 65 Down Yonder ............................................................. 68 Easy Rider’s Gone ................................................... 70 Eccentric ..................................................................... 72 Eh La Bas ..................................................................... 71 Fidgety Feet .............................................................. 74 Flee AS A Bird .......................................................... 80 Floatin’ Down That Old Green River ........... 76 Floatin’ Down TO Cotton Town ..................... 82 Foolish Questions ................................................... 84 Frankie And Johnnie ............................................... 81 Grizzly Bear Rag ..................................................... 86 He May Be Your Man ............................................ 88 Hesitating Blues ..................................................... 90 High Society ............................................................... 92 Hindustan .................................................................... 95 Hot Lips ........................................................................ 96 I Ain’t Gonna Give Nobody None of My Jelly Roll.... 98 I Can’t Let ‘Em Suffer ...................................... 100 I Never Knew I could Love Anybody .......... 102 I want to do the Bear Cat Dance .............. 103 I Wish I Could Shimmy Like My Sister Kate ..... 104 Ida, Sweet As Apple Cider .............................. 106 If You Were The Only Girl IN The World 110 Indiana ........................................................................ 108 Ja Da ......................................................................... 111 Japanese Sandman ............................................... 118
Jazz Baby ................................................................. 112 Jazz Me Blues ...................................................... 114 Jelly Roll Blues ................................................. 116 Just a Little While to Stay Here ............. 119 King Chanticleer..................................................... 120 Lasses Candy ......................................................... 122 Lassus Trombone .................................................. 123 Lazy Daddy .............................................................. 124 Limehouse Blues .................................................... 126 Livery Stable Blues (Vocal) .......................... 128 Livery Stable Blues ............................................ 130 Long Gone ................................................................. 132 Love Nest .................................................................. 136 Lovin’ Sam .................................................................. 134 Ma, He’s Making Eyes At Me ........................... 137 Mama Don’t Allow ................................................. 138 Mandy .......................................................................... 139 Margie ......................................................................... 140 Memphis Blues ........................................................ 142 Midnight in Moscow ............................................ 143 Missouri Waltz ..................................................... 144 My Bucket's Got a Hole In It ....................... 150 My Daddy Rocks Me ........................................... 146 My Honey’s Lovin’ Arms ..................................... 148 Oh ................................................................................... 153 Oh By Jingo .............................................................. 152 Oh Didn’t He Ramble ............................................. 151 Old Rugged Cross ................................................ 156 Ole Miss ..................................................................... 154 On The Alamo ........................................................... 157 Ory’s Creole Trombone ...................................... 158 Ostrich Walk ........................................................... 160 Over The Waves ..................................................... 162 Panama ......................................................................... 164 Pearls .......................................................................... 166 Poor Butterfly ...................................................... 163 Pretty Baby ............................................................. 168
Riverside Blues....................................................... 169 Rock A Bye Your Baby ........................................ 170 Rose of Picardy ..................................................... 172 Rose OF Washington Square ........................... 174 Rose Room ................................................................. 173 Royal Garden Blues ............................................ 180 Rufe Johnsons’ Harmony Band ....................... 176 Runnin' Wild ............................................................. 178 Sailing Down Chesapeke Bay .......................... 182 San ............................................................................... 184 Satanic Blues ......................................................... 181 Second Hand Rose ............................................... 186 Sensation .................................................................. 191 Shake It and Break It ......................................... 188 Sheik of Araby ......................................................... 192 Singin' The Blues .................................................. 190 Sister Kate .............................................................. 104 Skeleton Jangle ................................................... 194 Sobbin' Blues ........................................................... 196 Some of These Days ........................................... 198 Some Sweet Day ................................................... 199 Somebody Stole My Gal .................................. 202 Someday Sweetheart .......................................... 200 St. James Infirmary ............................................ 203 St. Louis Blues ..................................................... 207 Stockyard Strut ................................................. 204 Storyville Blues .................................................. 212 Strut Miss Lizzie ................................................ 208 Stumbling ................................................................. 211 Suez ........................................................................... 212 Swanee ....................................................................... 214 T'aint Nobody's Business If I Do ................. 216 Tain’t Nothin Else But Jazz .......................... 215 Take Me TO The Land Of Jazz ..................... 218 That Da Da Strain ............................................... 225 That Dixie Jazz .................................................... 220 That’s A Plenty .................................................... 222
There'll Be Some Changes Made .................. 228 Tiger Rag ................................................................... 226 Til we Meet Again ................................................ 229 Tishomingo Blues .................................................. 230 Toot, Toot, Tootsie ............................................. 232 Tuck me to Sleep................................................... 233 Under The Bamboo Tree ..................................... 234 Wabash Blues .......................................................... 236 Waitin’ For The Robert E Lee ......................... 238 Walkin' the Dog ..................................................... 235 Washington and Lee Swing ............................ 242 Way Down Yonder in New Orleans ........... 240 When Ragtime Rosie Ragged The Rosary... 244 When The Midnight Choo Choo Leaves ...... 246 When The Saints ................................................... 243 When You Wore A Tulip ................................... 248 When You’re A Million Miles From Nowhere .... 249 Where Did Robinson Crusoe Go .................... 250 WhiffenPoof Song ................................................. 252 Whispering ................................................................ 253 Wild Cherries Rag ................................................ 254 World IS Waiting For The Sunrise ............. 256 Yama Yama Man ....................................................... 257 Yellow Dog Blues ................................................ 258 You‘ve Got TO See Your Mama Ev’ry Night ...... 260
C TREBLE
1
12th Street Rag
Euday L. Bowman - 1914
B¨7 B¨7 B¨7 B7 B¨7 5
A E¨ B¨7
9
B¨7 E¨
13
E¨ B¨7
17
F7
B¨7
21
B E¨ B¨7
25
B¨7 E¨
29
E¨
E¨7
E¨ F7
33
B¨7
A¨
A¨7
E¨
B7
E¨ Back to top with INtro
B¨7 Etc
37
Doo Wack-a-doo chorus A E¨ Standard
q = 100
C TREBLE
A Good Man is Hard to Find A Bb
C9
My heart's sad and I am
5
Bb
Bbm
F
I re
C7
Bdim
good man
F7
17
with some oth - er gal
23
C7
see
27
he's your
pal,
then you
C7
Bb
oh
G7
Bb
the oth - er kind
G7
Bbm
crave
Bb
just
look to find him fool - in' "round
Bb
so if your man
and you all
F7
rave
Lord a
C7
get
you
him in his grave
Bb
you al - ways
20
F
F7
C7
F7
when you think that
mean.
my heart is broke and that is why I say.
is hard to find
me
that man I ev - er seen
G7
B G7
13
and
C
my hap - pi - ness is less to- day,
treats
- gret the day that I was born,
my man
C7
F
Bb BdimF7
all a - lone
9
F7
is
nice take
you wan - na
Bb F#7
F7
my
F#7
ad - vice
F7 Bb
and
hug him in the morn - in' kiss him ev' ry night
31
C7
good
man now
F7
- a - days is
give him plen - ty lov in' treat him right cuz a
Bb
hard to
find,
F7
Bb
so
hard to
find.
F7
C TREBLE
Afghanistan William Wilander & Harry Donelly - 1920
A
F‹
In the land of Af- ghan- is-
tan,
Fº
B¨‹/F
F7 B¨‹
B¨‹ F7
In
B¨‹
21
by
Af-
'Cross
In
the
o-
a-
E¨Œ„Š7
the
des -ert
to
sis,
F‹
A¨
There's
a
A¨
Bº
Wait- ing
for
E¨7
sand,
A¨
you,
we
will
to
dol,
in
way.
E¨7
her.
A¨/C A¨‹/C car- a-
van
Break - Unison 1 bar
And for you on-
ly.
G7/B find a
tem-
B¨‹ F‹ B¨7 E¨7 A¨ C7/E day for you,my i-
29
There will be a bri- dal
love her.
F‹
a-
his dreams he's call- ing
tan,
C7
ghan- is-
fair
C7/E
E¨7
B¨‹7 E¨7
25
E¨7
one
stole his Hin- du maid-en
Hin- du man is lone- ly and blue.
was the
day,
E¨Œ„Š7
B¨‹/F
13
B E¨7
that he
man.
C7 Break
Break
her
Fº
But there came an- oth- er one
17
F‹
She swore by the stars up a - bove
F‹
There's a Hin- du maid and a
5
9
F‹
Af- ghan- is-
tan.
ple,
C TREBLE
After You've Gone
q = 110 - 120
A
1916
F7
Bb
Bb
Now won't you list - en hon - ey while I say
4
F7
8
Cm7
Gm7
Don't say that
F7
ba
11
by's heart.
Dm
Loved you
14
Cm
see
my
Don't you break your
You know thatI've loved you for these ma
and
ny years,
Bb7
Cm7
en
Gm7
Oh hon - ey
F7
-
-
Eb7
Day
List
Bb7
F7
tears?
must part,
G7
F7
both night
we
F7
3
Bb
G7
How could you tell me that you're
D7
goin' a - way?
while
I
ba - by can't you
Bb
say.
Eb B
Ebm6
17
Dm7
G7
23
de
- ny -
F9
in'
You'll feel
Ebm6
Ab9
You'll feel
blue
Bb
Bb6
G7
Af -ter you've gone
time
G9
Cm7
F
There'll come a
Dm7
Ebm6 Ab9 Bb
When you grow lone - ly
sad
had.
now don't for - get it, There'll come a time,
Cm7
Eb
33
Bb7
you'll miss the dear - est pal you've ev - er
30
Af - ter you've gone,
C
26
and left me cry - in'
there's no
Bb
Af - ter you've gone,
20
Ab9
when you'll re - gret it.
Am7
D7
Some
Gm7
Cm7
F7
Bb6
Af -ter you've gone A
-
way.
you'll
day
want me on - ly
Bb7
Edim7
Your heart will break like mine and
G7
Solos at "B"
C TREBLE
After The Ball
q = 100
Ab
9
E¨7
17
25
Db
A¨
A
Ddim7
33
Fm
F7
C7
51
A¨
58
Dº
65
C
A¨
A¨
E¨7
73
D A¨
89
A¨
81
F7
B¨7
C7
E¨º7
E¨7 A¨
C7
B¨7
E¨7
Db
E¨7
Fm
Ab
Ab
A¨
E¨7
F7
B¨7
E¨7
Ab
D¨
E¨7
E¨7
F‹
Ab
E¨7
E¨7
B¨7
41
B Db Ddim Ab
Ab
Charles K Harris - 1891
A¨
B¨7
A¨
Ain't We Got Fun
C TREBLE
Kahn & Egan Whiting 1921
q = 185
F
E
5
F
Ev - 'ry
morn - ing,
B7 C7
much
mon - ey,
Not
Bb
9
Ev - 'ry
E7 Am Am
E7
But
way,
17
F
E
E - ven
we
owe
Tax
Bb
There's noth - ing
get - ting
A7
F E F In the
Dm Gm
sur - er,
29
mean - time
clos - er
got
fun!
car,
Don't
F
F7
have'nt
stay as we
gro - cer
fun!
We'll
C7
got
F
C7
E
B7 C7
col - lec - tor's
We
E the
Ain't we
F
dear.
B7 C7
21
25
if
F
F
dear,
B7
Ain't we
hon - ey
The rent's un - paid,
an - y
eve - ning,
Oh, but
13
C7
B7 C7
E F
Still
a
Am
C7
are,
B7
C7
we
fun?
have
E we
have
F
F7 fun!
Bb C7
the rich get rich and the poor get poor - er
G7
in be - tween time
C7
Am F
Ain't We Got Fun!
Aggravatin' Papa
C TREBLE
Roy Turk & Russell Robinson - 1922
A
E¨ I know a trif-
5
E¨
9
B¨7 oth- er
night,
They call him "Trif-
lin' man,
He lives in Birm-
E¨
A¨
ing- ham,
lin'
E¨ Eº
B¨7
'Way down in Al-
a-
had a
fight
with a
Now the
bam'.
B¨ C7 F7
He
Sam".
gal named Man- dy
F7
Brymm,
13
F7 C‹7 F7 B¨7 B¨ plain- ly sta-
ted she was
ag-
gra- va-
ted, An she shout- ed
out to
him:
And she
Aggravatin' Papa
B E¨ C7 F7 B¨7 E¨
17
"Ag- gra- va- tin' pa- pa, Don't you try to two- time
me,
21
E¨ E¨ C7 F7 B¨7 Ag- gra- va- tin' pa- pa,
Treat me kind or let me
25
A¨ E¨ E¨7
A¨
29
B¨7
List- en while
I
E7
C E¨
high brown ba- by,
C7
Ag- gra- va- tin' pa- pa,
F7
I'll smack you down and I
E¨
I'll do an- y- thing you
roll.
If
say,
Do your strut- tin' round my
don't mean may- be!
E¨7
yes, an- y- thing you say.
G D7
But when you go strut- tin',
jel- ly
B¨7
A¨
E¨ C7
Break 2 bars
37
I mean just let me be.
Stop mess- in' 'round, sweet
33
E¨7
get you told,
you step out with a
be,
I said don't two- time me.
way.
B¨7
So
pa-
pa,
Now
pa-
pa,
Now
pa-
pa,
Stop Time - Play beats 1 & 4 as marked
41
E¨ E¨7 E¨7 E¨7 A¨ A¨ Aº Aº Just treat me
pret- ty,
You best be care-ful,Once you werestead-y
45
E¨
C7
Ag- gra- va- tin' pa- pa,
I pos- sess
As yon can
I can beat you do - in'whatyou're doin to
be, 'Cause
Once you were true,
F7
But
a
fort - y four that don't re- peat!
Be nice and sweet, 'Cause
pa- pa, now sweet ma- ma can't de- pend on you,
B¨7
E¨ E¨7 A¨ A¨‹ E¨
Don't you try to two- time
-2-
me,
me!
B¨7
1
Alcoholic Blues
C TREBLE
A F 6
F7
Bbm
F
C7
9
Albert Von Tilzer 1919
F
Bb
Db7 C7
F
Vamp
B
F
C7
C7 F
13
C F
17
Pro - hi - bi - tion, that's the name,
Gm
21
I'm so thirs - ty
just
27
soon
C
dry.
When Mis - ter Hoo - ver said to cut my
din
- i - tate I
I cut my
sim - ply gon - na 'vap - o - rate or
C7
C7
did - n't hes
coal,
I'm
I'll die,
F
I
30
run
drives me in - sane.
pro - a - bi - tion
F
C7
G7
C7
24
G7
G7
- ner down,
G7
did
- n't frown.
but now
I
C7
cut my sug - ar
they've cut deep in - side my
soul. I've got the
11 Alcoholic Blues
2
DF
33
37
blues,
I've got the Blues,
blues,
I've got the
no Bars
I've got
Blues,
Bb
the
al
- co - hol - ic
since they am - pu
Bbm
more beer are
closed
what
to
booze.
- bye
whis - key
lord
- y
lord
night clubs too,
do,
- ta - ted
good
and
- ky.
There's
to
cheer,
C7
used to make me fris
blues.
heart
my
40
F
F7
So
long
hi - ball,
good - bye gin,
So
long
hi - ball,
good - bye
- y
gin,
Solos at "D" 43
F
Db7
C7
F
tell
me
when you're
com
- in'
back
a
- gain.
tell
me
when you're
com
- in'
back
a
- gain.
1
Alexander's Ragtime Band
C TREBLE
Irving Berlin, 1911
VERSE C
C7
Oh, ma hon - ey, Oh, ma
4
7
hon - ey,
G7
- ter hur - ry
and
Oh, ma hon - ey,
Bet
Oh, ma hon - ey,
There's
a fid - dle
with
C
let's
me
- an - der,
Ain't
you go
notes that screech - es,
Like
D7
G7
To
the
lead
- er man,
10
Oh, ma Come
C
Ain't you
a chick - en,
rag - gedme
F
Oh,
is a col - ored pet,
Come
To a
class
to
Al
C0
C
G7
band,
Ain't
some - how,
Bet - ter
and
lis - ten,
- ex -
an
- der's
- i - cal band what's peach - es,
F
you
ma hon - ey,
G7
C7
now,
- in'
- ter man?
Let me take you
and lis - ten,
go
Like a chick - en,
hon - ey,
grand - stand, brass come
- in',
C
clar i - net
the
And
13
F
C
com- in'a - long? hur - ry a - long.
C7
Come on and
1 Alexander's Ragtime Band
F
17
F
hear,
Come on and
Come
- der's Rag time
It's
na
just
al
-
long.
band
in
the
gle call like
you ne
- ver heard be - fore.
that
you
want
to
go
to
war.
the
best - est
am,
ho
lamb.
band
what
F
Come
long.
on a
man.
Up to the
F7
hear
the
man!
F
Let
me take
Who's the lea
Ri
- ver played
F
Come on and
hear,
- der
in
of the
Come on a
the hand.
by
Bb
nee
you
Bb
Bb
Swa
ney
C7
F7
F
hear,
best
C
Bb
C
Bb
care to
G7
F
33
the
tur
-
That's
on and
F
G
29
Come
F
They can play a bu -
So
Band.
hear!
Bb
F
27
F
land.
45
Al ex an -
on and
Bb
41
hear,
hear,
37
Bb
24
F
Bb
21
C7
Up
to the
band.
And if
you
Fdim
rag
time.
C7
F
Al - ex an der's Rag time
Band,
Come
on
and
1
C Treble
All The Girls Go Crazy Stop Time-2 Bars:................................
Kid Ory
h = 100
Eb Eb Eb Bb Eb
F7
A
1916
Stop Time-2 Bars:.........................................
Bb
Bb7 Eb Eb Eb Eb Bb
6
F7
Bb
12
Bb7
All the
Solos Begin Here
B Bb Eb
F7
17
22
girls
go
craz
on
their
knees
- y 'bout the way that I walk say - in'
Bb
"Ba
-
The
by,"
Bb7
Sayin' "Ba
walk
Yes,
Craz - y 'bout the way I
walk.
Yes, they fall
Bb craz
knees
-
y 'bout the way that
plead - in'
"Ba
-
walk,
Hon - ey 'bout the way
I
walk
Craz - y 'bout the way
I
walk
Bb
go
on
their
F7 Say - in' "Ba
Bb7
by,"
girls
-
'Bout the way
by,"
30
all the
-
Eb
Hon - ey'bout the way I
26
way thatI walk
that I walk,
-
by,"
On to "C" after last solo:
They fall
1
Chorus: 1st Time Soft:
The Grils go Crazy "bout the Way I Walk C Treble
C Eb Bb
33
F7 Bb Bb7
37
Eb
Bb
42
F7 Bb Bb7
45
Climax Chorus: ad lib:
D Eb
49
Bb
55
60
Bb7
Bb
Eb
F7
F7
Bb
Bb
Eb7 Bb
1
C TREBLE
Alice Blue Gown (4/4) A
In
5
my
C
sweet
lit- tle
C7
B7 B¨7
A7
A
D7
first
9
wan- dered
both
down
in-
to town,
proud and shy,
As
I
felt
C
man-
'ry
win- dow
shop
C7
ner
of
fash-
21 D‹
world
25 D‹
D7/F©
I
was
I'd
primp,
ion
seemed to
wilt-
ed
I
D‹
I'd frown,
smile
all
a-
wore
it,
I'll
G7
lit-
tle
A-
lice
by;
But
in
Then
E7
D©º
in
A7
pass- ing
B¨7
sweet
B7
When I
Fº
ev- 'ry eye,
G7
A7
G7
ev-
17 B
D7
29
E‹7
C
G7
13
- lice Blue Gown,
D7
McCarthy/Tierney - 1919
F©‹7
Gº
round.
C/E
al-
ways
Blue Gown.
C F‹
B¨9
A7
a-
dore
And
E7/G©
the
'Til
it
it,
My
C
1
Amazing Grace
F
F
saved grace have
9
F
once pre grace
13
Dm
blind hour grace
Bb
A - ma Twas grace Through ma
5
F7
3
grace, taught dang
zing that ny
-
3
a my al
-
3
how my ers
-
sweet heart toils
wretch fears rea
like re dy
-
the to and
C7
lost did brought
but I will
but that us
now grace safe
C
now first lead
I be us
-
see. lieved. home.
That And we
I How T'was
F
am ap thus
found, pear, far,
-
F
sound, fear, snares,
me. lieved. come.
-
Bb
was cious that
F
was the and
1
C TREBLE q = 160
Alabama Jubilee
A Bb 5
Man - do - lins,
Bb
Com ethis way,
9
Bb
Gb7
15
Bb
to your
feet.
C7
nights down
17
B G7
Bb
26
re
- mind -
Al
G7
F F7
Goes right to you head and trick - les
er
-
F7
a
a
F7
mem - o
ry
bam:
rat - tles them bones,
-
You
find
-
er
of
3
ought
to
C7
Old Par - son Brown
danc - in'
F7
F7
clown,
Bb
Aunt Jem - i - ma who is
o' pep! Wtach yo' step,watch
Cmin
past eight - y three
G7
yo' step!" One leg - ged Joe danced a -
Cmin
C7
Bbgo!" Oh Hon - ey
round his toe, Bb on D7
Hail,
Bb
treat,
It's a
when he
F7
Bet - ter hur - ry hon - ey dear, or you'll be miss - in'
Shout - in' "I'm full
F
old
F7
Ev - 'ry - bod - y tun - in' up, the fun be - gins,
C7
Bb
rag - time
in
G7
29
F7
C7 'round like a
C7
Gb7
see Dea - con Jones
20
- lins,
don't de - lay,
Mu - sic sweet,
12
23
vi - o
Bb
Gm
George CObb - 1915
Hail,
Eb
Threw Bba - way his C7 cane and hol lered, F7 "Let her
thegang's all here for an
Al - a bam - a Jub - i
-
lee.
1
And They Called It Dixieland
C TREBLE
Raymond Egan & Richard Whiting - 1916
A B¨ They built a
5
C7 B¨
lit- tle gar-den
F7
fin-
13
keep the
G7
for the rose,
est place I've
known,
When they built
land.
my home sweet home,
F C7 F7
25
Noth-ing
comb, And then they
B B¨
took an
C7
B¨ D7 G7 C7
21
They built the
C7
was for-got- tenin the land of cot- ton, from the clo- ver to the hon- ey
17
land. They built a
G‹7
A¨
snows far a- way from Dix- ie-
C‹
And they called it Dix- ie-
B¨
sum- mer breeze to
9
D7 G7
an- gel
F7
bit
of heav- en
G7
from the skies,
And they gave her heart to
in her eyes,
be.
Just as blue as blue can
me.
D7
She had a
They put some
C7
fine spring chick- ens
29
F7 twice as
nice
as
in the land, And taught my Mam- my how to use a fry-ing pan.They made it
B¨
D7 G7 C7 F7
Par- a- dise,
And they called it
Dix- ie-
B¨
land.
C TREBLE
American Patrol F.W. Meacham - 1891
5
F A
C7
F
G7
C7
F7
9
F
13
B¨
G‹7
17 B
C7
C7
21 C7
F
F
F
29 B¨
25 B¨
F
F
C©º
C7
F7
D‹
F
1
C TREBLE
Any Time Herbert Lawson ? in 1921
D7
G7
An - y
8
time
Bb
blue,
14
An - y
time
That's the
So
you.
Thatwill
An - y
time
time
you'rethink ing
3 I'll bethink ing of
an - y
time
you
say
you
C7
want me back
D7
G7
F
me,
you,
1.
D7
C7
32
F
D7
A7
you'refeel ing
time
youfeeldownheart -ed,
G7
'bout
28
An y
your lovefor me is true.
24
C7
20
Bbm
G7
prove
you'refeel ing lone - ly,
F
C7
a - gain,
F#0
C7
that's the
time
2.
An - y
F you.
I'll
Bb
come back home to
F
April Showers Louis Silvers & Bud DeSylva 1921
C TREBLE
D7
Tho' A - pril Show - ers
7
that bloom in
They bring the flo - wers
So if its rain - ing
Am
have no re - grets,
A7
E7
May.
Be causeit
24
D7
D7
13
18
may come your way,
G
G
G
see
clouds
Am
dils,
E7
up - on the
hills,
A7
when ev - er
you soon will see
C
D7
E7
So keep on look ing for a
29
song,
is - n't rain ing rain you know,it's rain ing vi - o - lets. And where you
Cm
blue bird,
G
A - pril Sho wers come a - long.
crowds
G
of daf- fo -
and list 'ning for his
At a Georgia camp Meeting 2 bars unison w/ Clarinet trill
C TREBLE
5
Bb
F7
Bb
A
Eb
Bb7
11
Bb
C7
F7
Bb F7
Bb
Bb
Bb7
17
Bb
Eb
Bb
F7
Bb
2 bars unison
Fine 21
Bb
B F7
F7
Bb
Eb
Edim
27
33
Gdim
F7
Bb
Bb
G7
C7
F7
Bb
Bb7
Bb
Back to "B" for solos, after last solo play "A" once
C TREBLE
At The Devil's Ball Irving Berlin - 1913
A
I had a
4
A‹
dream last night, - That filledme full
A‹
G7
Dev - il
7
be - low.
In
C
Dev- il was giv-
10 A‹
gaz- ing
13
D7
ing
a
at
the mer-ry
must con- fess
to
you,
his
great
big
E7
Ball.
crowd
of fright: - I dreamt that I
fier-
y
hall,
A‹
I checked my
that came to
G7
There were ma-
Where the
hat and
start-ed-
wit-ness the show.
ny there
coat and
was with the
I
knew.
And I
At
the
2
At The Devil's Ball
B
C
17
Dev-il's Ball,
At
21 G7
cute Mrs. Dev-
25
D7
C
il, so pret-ty- and fat,
the Dev-il's Ball,
D7
Eph- re-ham, the lead-er
C C
29
Dev-il's
33
Ball,
In
G7
fun-ni-est dev-
led the band last
il that
C
I ev-er saw,
theDev-il's-
tle red
C©º
fire- man's hat.
G7
Fall,
He played the mu-sic at the
D7
37
man,wha
I saw the
C
C©º G7
Dressed in a lit-
Hall.
G7
I saw the
C
C7
Tak-ing the tick- ets from folks at the door,
E7 A‹ D7 D7 G7 D7 G7 F
I caught a glimpse of mymoth-er in- law,
41
G7 C D7
Danc-ing-at the Dev-il's-Ball. At the
Danc-ing with the Dev-il,
Oh! the lit tle Dev - il,
At The Jazz Band Ball
C TREBLE q = 180
Original Dixieland Jazz band - 1918
A Gm
5
F7
Bb
G7
C7
F7
Gm
9
C7
13
F7
G7 B
17
C7
Bb
23
33
Eb
Edim
F7
Bb
Bb
G7
C7
C7
Bb
C7
Eb
Edim
F7
43
C7
G7
38
G7
F7
28
G7
Bb
G7
C7
F7
Bb
Aunt Hagar's Blues
C TREBLE
W.C. HANDY 1921
A
Eb
Bb+ Eb
Old dea - con Spliv - in,
5
Ab7
Said he "No
9
Fm7
Up
jumped
swing
Bb+ Eb Eb7
His flock was giv - in'
Fm
- in',
Bb7
Eb
No rag - time sing - in' to - night".
Eº
Bb7 Eb Eb7 Ab Abm EbBb7
Aunt Ha - gar
and shout - ed out with all hermight:
13
B Eb "Why
the way of liv - in' right.
all this razz - in', a - bout the jazz - in'?
17
Ab7 With la - test mu - sic,
21
Eb
They play it on the sax - o phone".
Eb Ab7
the dea - con shout - ed with a moan.
Eb7
My boys have just come
Bb7
Bb7 Ab7 Oh my, just lis - ten!"
home,
Eb
2
25
Eb Eb7 Ab
C
Aº Eb
Bb7
Eb
B7 Bb7 Eb
Hear Aunt Ha - gar's chil - dren har - mo - niz - ing. Hear thatsweet mel
Eb7 Ebm
29
like a
choir
33
Ebm Eb7
B7
from on
Aº
Eb Eb7 Ab
41
broke
Lawd sent
Eb
Bb7
con - gre - ga - tion join
If the
Bb7
it right
down
Eb B7
Eb
to me.
while I sing those lov - in' Aunt Ha
D
It's
loose.
B7
dev - il brought it, the good
37
high
Bb7
- o - dy,
Let the
Bb7
Eb
- gar's Blues.
Eb7 Ab7
Oh,'taint no use you preach - in', Oh,'tain't no use o' teach - in' Such jazz - a - pa - tion
46
Eb
G7
such mod - u - la - tion,
50
Bb7
C7
F7
When my feet say dance, I just can't re - fuse,
Eb
Bb7
that mel - o - dy they call the blues, Aunt Ha - gar's Child
When I hear
Eb
- ren Blues.
C TREBLE
Avalon
I
5
A C7
found
my
love
in
A - va - lon,
F
C7
the
Be
bay,
I
C+7
left
my
love
in
F
A - va - lon,
C+7
and
F
E7
sailed
a
way.
-
Eb7
I
17
B D7 dream
of
her
and
21
Gm
I
think
I'll
Gm7 A
va
D7
-
And
on,
-
lon.
to
F
-
from
trav - el
C7
-
dawn.
E7 Eb7
Bbm6
'til
F
A - va - lon
so 29
D7
dusk 25
-
C7
13
1920
F
side 9
AL Jolson
C TREBLE
Back To Storyville Louis Armstrong
A
E¨7 Go- in' back to
3
3
B¨‹7
3
Sto- ry-ville, that's
to ask me why.
6
just a part of me,
B E¨7
12
Noth-
15
street
Ev-'ry-thing'bout Sto-ry-ville
is
3
B¨7 E¨
Since
I was just
I know my way
B¨7
I'll take
Friends I knowwill
3
in' changes on De-
sire,
my
this high.
3
a- round,
B¨7
Go- in'
E¨7
A¨7
where
be,
E¨
B¨‹7
3
to
A¨7
back to ol' De- sire,
E7
where I long
E¨7
Ain't notime
9
shake my hand.
A¨7
that streetof my home town,
stand.
E¨
B¨7
the
There's
a
1
2
Back To Storyville
17
C A¨ ca-fe-
called
"The
19
F‹7
A¨
la-
Pup" that's
drop a round -
21
C
G7
B¨7
most
tailored-
up
shut,
an-y-time
G7
dy
nev-er-
so
E¨
you
in
some-thin' cut
E¨7
choose.
C‹
you
There's a
low,
she
23
CØ7 F7 B¨7 rolls the
25
ol'
pi-
an- o
with the"Jel-ly-
Roll
can
Blues".
Goin'
D E¨7
B¨‹7 E¨7 3
back to Sto-ry- ville,
28
I'm gon- na' take my horn,
A¨7
3
Oh I justcan'twait un - til
31
E¨
My
B¨7
Sto - ry -
ville,
my
3
my nif-ty suit, my brush and comb.
I'm back where I was
home.
E¨
born,
B¨7
Baby Won't You Please Come Home
C TREBLE
Bb Dbº I've got the blues,
C7
I
feel so
4
C7 F7 Bb D7 D7b5 I could on
F7
lone
Bb
-
Clarence Williams and CHarles Warfield - 1919
Dbº
ly,
I'd give the world
Gm D+ Gm7
C7
- ly make you un - der - stand.
Itsure - ly would be
Bb Dbº C7 F7 Bb7
9
I'm goin'to tel - e
- graph you ba
13
Gm7 C7 when you're gone
I'm
by,
F7
all for
- lorn,
17
A Bb D7 Ba
C7 lone.
25
Bb
Gm F#º D7
When you left you broke my
in
vain,
"Cause
long.
Gm7
'cause your mam - ma's all
a
C7
Gb9
3
F7
all day
grand.
-
F7
nev - er no more to call your name.
G7
Cm7 Eb D7
heart,
Ev -'ry
29
Eb Eº Bb Ab7b5 G7 hour in the day,
- ry
C7
home,
F7
I have tried
wor
- by won't you please come
20
I
G7
F7
Eb
C7 Gm7
F#º
if
As you won't you please come home,
you will hear me say,
Be - causeI nev - er thought we'd part.
C7
F7
Ba - by won't you please come
Bb
home.
C TREBLE
Blue (And Broken Hearted) Lou Handman - 1922
A
B¨
5
9
Blue,
D7
C‹
B¨
You
17
was
a
25
C‹
We made
29 E¨‹
you're
bro-
son
I'm
and
oh!
blun- der
so
ed.
E¨‹
F7
jol-
ly,
F7
mel-
an-
chol-
Gº
F©&
y.
lone-
ly,
G7
want
you
E¨‹
and
B¨
blue
too.
on-
B¨
F7
heart-
C7
a
ken
I
was
rea-
True,
I
the
ed,
G7
time
know
part-
we're
B B¨ D7
cause
Blue,
21
be-
and
There
13
Blue,
Gº
ly.
G‹
lots
time
I
of
E¨‹
B¨
E¨
won- der
if
C TREBLE
Ballin' The Jack
A
G
Folks
in
It's
A7
being done
'bout to
at
G7
down in Geor- gia came;
I'm
the
on-
ly
now has got the craze,
It's
the
I'm
the
par-
ty
in-
That
is
why
I
rave
B G
Give
cre-
dit
Play some good
Rag
B
me
C7
F©º
12
a-
all
E¨7
try
to
do
When
I
do you'll
Once
a - gain
the
bout
A7
to know
a
that will make
there,
it
so!
D7
thing or
two,
you prance;
now
D
say
that
it's
a
bear!
steps
to
you
I'll
show:
- ty
D7
it
the dance, Join right in
cie
mod- ern days,
D
will show this
I
new dance
so-
done in
All
per- son who's to blame,
G¨7
F7
tro- duced
Since that
best dance
for spring- ing some- thing new;
15
in- sane
9
go
E¨7
all the ca- bar- ets,
F©º F7 C7
E¨7
Geor- gia's
4
7
D7
Chris Smith - 1913
so!
E¨7
Give
me
cre-
dit
Old
folks, young folks,
lit- tle dance to
you,
while you got the chance,
F7
2
Ballin' The Jack
C G7
17
C7
First you put your two knees close up tight,
20
23
D7
C7
F7
sway'em to the right,
B¨
Twist
25
a- round and twist
D
Stretch
28
le
31
that's
G7
G7
Swing your foot
what
I
E¨7
a- round with
nice and light,
D7
Then you
your might,
C7
Then you
do the Ea- gle Rock with sty-
B¨
way 'round then
F7
call
"Ball-
in
E¨‹
all
lov - in'armsstraight out in space,
and grace
C‹
Step a-round thefloor kind of
G7
Then you sway 'em to the left then you
bring it
Solos at "C" B¨
the
D7
Jack".
G‹
back,
G7
Now
C TREBLE
Beale St. Blues Bb F7 Bb F7
Bb F7 Bb
You'll
Bb A
3
see
pret
see
Hog
- ty
Browns
- Nose rest -'rants
Beale Street Could
5
Eb
or
-
- mades and
men_would
of
tell
that
Jugs
talk,
have_to pack their
Eb
pick - pock- ets
skilled,
Now
sham,
nev
a
1.
bod
- y
New Je
hets
in
beau
- ti - ful
and
Chit
- lin
If
Beale Street could
hand - me
- downs.
Ca
bags
You'll see And the
Bb
killed.
- ru - sa - lem.
You'll If
Ex
gowns,
You'll see
- fe's,
You'll see
talk,
Mar - ried
-cept one or
bus'- ness nev
Beale
Street
-
es, Who
two,
- er clos - es Gold - en balls e - nough to blind man on
And
men,
plac - es, once plac
Bb
2.
Bb Bb7
And
and walk.
You'll find that
You'll meet hon - est
by - gone days.
- er drink booze,
F7
10
Ebm
8
just
Bb F C7 Cm F7
Bb
tail
'til
some -
pave
the
the corner who sings these
F7 Bb Bb7 Blues..
Well I'd
2
Beale St. Blues
Eb
12
Bb7
B
rath - er be
here,
rath - er be here, goin' to the river, rath - er be there,
20
Bb7 take riv
-
York
Eb
22
Than an
Abm
Ab
I'd I said I'm I said I'd
- y place I know
Eb
Than an - y place I know. And there's a rea - son why: Than an - y place I know
For
to
make
me
go.
Street's done
gone
dry.
Street's paved
with
gold.
the
ser
er's
wet
and
Beale
may
be
all right,but
Beale
-
geant
Ab
Abm
Eb
It's gon - na Be - cause the New
Eb7
- y place I know. May - be bye and bye.
there,
16
Eb7
Than an
goin' to the river, rath - er be
Eb
E7 F7 íf going back to "A"
Well
I'm I'd
C TREBLE
Bluin' The Blues
q = 120
Bb7
Bb
Henry Ragas 1918
Eb
F7
pp
5
f
Bb7 A Bb Eb7
9
Gb7
Bb
A7
C7
13
B Bb
F7
Ab7
G7
Bb
F
Bb
Gb7
Bb
Bb7
17
pp 21
25
Eb7
C7
f
Gb7
F7
Bb
Bb
A7 Ab7
F7
G7
Bb
2
C Bb
Gb7
Bb
Bb7
Solos
29
pp
Eb7
33
37
45
Gb7
C7
41
f
Bb
Eb7
Gb7
G¨7
A7 Ab7
G7
F7
pp
Bb7
Bb
A7 Ab7
G7
Bb
B¨
F7
F7
F7
53
Bb
Bb
C7
B¨ E
Bb
F7
49
F7
D
Bb7
B¨
f
C TREBLE h = 100
Blues My Naughty Sweetie Gives To Me D7
Gm
Ebdim
There are
Blues Blues Blues
Cm
that you get from that will give you to an - th - er
11
pain, pain, guy,
Gm
A7
17
Gm
Blues Blues Blues
24
on on mon
-
ly, ly, ey,
The The And
Blues Blues Blues
Ebdim
D7
And there are And there are And there are
Blues Blues Blues
when you're lone when you're lone when your hon
that you get from long that you get from long that you get when mar -
nev nev tells
of of of
Blues that's Blues that Blues that's
F7
blu some that
-
C7
mind, stabs, blue,
F9
Bb
28
mean - est tax - i wine for
kind, cabs, two,
The Blues my naught - y The Blues my naught - y The kind of Blues my
sweet - ie sweet - ie sweet - ie
gives gives gives
to to to
For For spends
There are There are There are
D7
on my al - way good and
plain; plain; lie;
-
Cm
But the To hold Wish - ing
ing ing ried
sort kind kind
er ex er ex you a
ly ly ey
-
G7
Are the But the But the
-
Blues Blues phones
D7
G7
Gm
Eb7
you can you can when she
There are There are When she
ry gle ie
Cm
your one and your one and of your all
that you get from wor that you get when sin that you get from sweet -
Abdim
6
G7
Gm
1919
me. me. me.
est Blues that one on your you could be
C7
be knee, free,
They're the Come from Comes from
(D7)
ve - ry hi - ring hav - ing
There are There are There are
1
This page has been intentionally left blank. You have not been ripped off. This had to be done in order to avoid page turns in the middle of a tune. You might think this would be a good to place to make jokes or witty observations such, “Did you ever notice that Peter O’Toole is the only Hollywood actor to have a first and last name with a phallic reference?” But I won’t be doing any such thing. So stop reading this. It is a waste of your time. I won’t waste your time with other foolish jokes. It is just a blank page. So why are you reading this? I told you earlier to stop. You are wasting your time. Well since you can’t just turn the page, then I will take advantage of your reading interest to see if you might be interested in buying my time machine. It is 100% operational and fully functioning. Everything works just fine and it runs very smoothly. The unit has a minor design flaw in that it plugs into the wall to operate. As a result, when the time travel starts the machine immediately loses its power source and you land back in the present. I have been developing this time traveling machine for years and am now too tired to do the work involved in converting it to run off batteries. It should be an easy fix for a home handyman.
C TREBLE
A C
By the Light of the Silvery Moon Cdim
G7
C
C
Cdim
park
scene
dark,
Sil - v'ry
moon
Act
two,
scene
new,
Ros
bloom
A7
Dmin
G7
E7
9
- es
me,
you,
Sound
Cast
three,
you,
me
Preach
Cdim
G7
bell
D7
G
- ing all
a - round
the
place.
G7
Dm7
- er with
a
sol - emn
look
My
cue,
with
you,
more."
Act
two,
all
through,
breeze. face.
Cm6
-
a
- er,
-
logue,
"where
woud
you
like to
are
wed
for
e - ver
"You
Un - der - neath the Ev
- r'y
Am
spoon?"
G7
- ing
C
Em
C
the
Preach
sings,
trees,
on
rings
Choir
the
of kiss - es float - ing
Di
-
thru
gun
be
one,
Act
G
C
is shin - ing
two,
C
Dm7
Cast
12
Place
Dmin
5
Gus Edwards & Edward Madden Dmin 1909
night
Am7 D7
G7
sil - v'ry
moon.
the same en
-
core.
By the
2
By the Light of the Silvery Moon
17 B C
D7
Light
of
G7
21
the
spoon,
to my ho - ney I'll
C
croon
Keep
a shin
29
C
C7
D7
beams
will
bring
love's
31
E7
soon,
C#0
G7
love's
F
moon,
Moon,
C
25
sil - ve - ry
E7
A7
Fm
Am
dreams,
we'll
G7
C
D7
C
By
the sil
- ve - ry
Moon.
Ho
be
cud
Dm
sil
- v'ry
-
- ney
A7
Your
to
June,
want
Dm
- in' in
I
tune;
A7
dl
- ing
Careless Love C TREBLE
A
F
C7
Love,
love
oh
6
D7 thru
Bb
Bbm
ma - ny
a
gal,
B F
If
24
were a
F
Now
40
and you near
I
F
the
heart
of
bird,
I'd
fly
way
up
C7
could
not
F
to
Bbm
the
air
Now
Bb
Bbm
Now
I
wear
my
a
pron
high,
er,
nev
- er
pass
tree.
where the
C7
I wear my a - pron high,
F7
D7 G7
G7
F
C7
me.
F
my a- pron high,
tree
- er
in
C7
mine.
F
both
from
nest
F
D7
my
-
F
build
wear
F7
broke this heart of
ly
-
Bb
right
C7
nev
F7
C7
fly
C7
boys
45
F
bad
F
lit - tle
You
You've broke
I
F
F
C7
C F
C7
F
love.
G7
I'd
33
care- less
C7
29
my head like wine.
11
17
oh
F
F
- es
by.
and
C7
he
Chicago
C TREBLE
Fred Fisher - 1922
A
E¨ Chi
5
- ca - go,
F‹7 B¨7 F‹7 B¨7 G¨º
Chi-
ca-
B¨7
F‹7
ca-
go,
Chi-
go,
That tod- dl'-in' town,
tod dl'- in' town,
E¨
ca-
go,
I'll
F‹7
13
F‹7 B¨7 town that
17
Bil- ly
B E¨
B¨7
Sun- day
could not
G¨º
State Street, that great street,
21
D‹7(b5)
do
things
G7
they
Chi-
E¨/G Eº/G¨
shut
B¨7
just want to say,
don't
do
on
Broad-
B¨7
F‹7
ca
-
go
Chi
F‹7
- ca - go
B¨7
F‹7
just want to say,
my
home
town!
E¨º
They
C7
way,
I saw a man, he danced
B¨7
E¨
On
A¨‹ E¨ F‹
29
The
B¨7
C‹
of their life,
go,
down!
25
They have the time the time
ca-
F‹7
F‹7
I
go,
love it,
F7 E¨ in Chi- ca-
I
9
Bet your bot-tom dol- lar you lose the blues
B¨7
show you a- round,
Chi-
Say,
Gº
with his wife, In Chi-
F‹7
B¨7
C TREBLE
Chinatown, My Chinatown Jean Schwartz & William Jerome - 1906
C
E‹
the
town
is
fast
a-
sleep,
C
And
it's
When
5
9
C
That's
13 D‹7
Starts
17
D‹
La-
mid- night
the
time
the
A‹
G7
to
Starts
21 D7
wink
to
wink
zi-
ly
in
the
fes- tive
E‹
G7
sky,
E‹
Chink,
C
his
oth-
er
eye.
his dream- y
you'll hear
him
eye,
G7
sigh:
G7 G&7
2
Chinatown, My Chinatown
25
A C
Chi-
29
town,
my
Where
the
lights
are
G7
Hearts
that
D7
41 B
C
Dream-
45
ing
y,
dream-
y,
C
mond
F
Hearts
seem
D7
dream-
C7
y
eyes
F‹6
light
and
G7
Chi-
na-
town,
er
land
G7
G&7
fro.
C
Chi-
na- town,
C&7
Al-
49
and
oth-
to
na
Chi-
A‹
G&7
low,
no
know
C
G7
E7
Drift-
53
na
37
G&7
C
33
F
of
brown,
C
A7/E
G‹6/B¨
D‹
A7
life seems bright,
C
town.
C©º
In
D‹7
G7
C TREBLE q = 160
China Boy
A F
na
boy
go
sleep,
Chi
5
-
F
Close
9
G7
Sand
13
-
Bbm
17
Bud
21
Ab
Moon
25
Ab
while
F
Eb7
dha
man
their
F
Chi
peep,
29
don't
man
-
na
D7
eyes
-
E7 Eb7
your
-
F
I
B Ab
F
While
Winfree/Boutelje - 1922
soon
will
soft
ly
-
Eb7
come,
hum.
Ab
smiles
on
Eb7
loves
you
Eb7
watch
they
boy
go
you,
Ab
C7
too.
So,
Ab
C7
keep,
F
sleep.
The Curse of An Aching Heart
C TREBLE
Al Piantadosi - 1913
E¨
E¨‹
5
A
B¨
made
me
you're
I
am
is-
me
C7
down
with-
B B¨
tered
E¨
each
A7
fooled
me
though
C7
curse
you're not
of
an
true
I
F7
ev-
'ry
D7
E‹
the
Eº
B¨/F
D7
still
love
ach-
ing
til
the
You
B¨
heart.
dream,
Fº
start.
B¨7
from
29
E¨
died.
and
B¨
B¨
un-
me
B¨º
in
F7
I
You
F7
down
21
and
day,
fied.
You
to-
B¨
sat-
dragged
shat-
B¨
soul
33
what
B¨7
F7
25
17
F7
B¨
E¨‹
hope
13
B¨º
B¨º
9
E¨
B¨
G7
You
D7/F©
And
you,
That's the
Cleopatra Had A Jazz Band
C TREBLE
Jack Coogan & Jimmy Morgan - 1917
E7 A7 A G His-
G
to-
5
ry
re-
G In
a
E7
be-
dream
it
goes
So the wise
self,
cause last night
A7
takes me
E‹6 A7 E‹6 ly
G
men
say.
to
prove that
I
back
A7
two
E‹6
E¨º
thou- sand years
A7
E-
heard pe- cu- liar mus- ic
D7
gyp- tians were not
D7
I
be -
D7 Dº D7 D&
A7
13
on-
B¨ A‹
B‹
lieve they're right
9
peats it-
D7
play.
a-
E‹
F©º
go.
Which
B‹
B¨
slow. Cle- o- pa- tra had a
1
Cleopatra Had A Jazz Band
2
B
A7
17
G
D7
jazz
band,
A7
21
In her cas- tle on the
jazz
dance,
In
her queer E
Nile.
-gyp- tian
Ev- 'ry night she gave a
style.
She
G/B A‹ E‹6 E¨7 D7 With her syn- co- pa- ted
ny,
Fº
29 D7
A7/E
played,
She
D7
37 A‹7
G7
C
pyr- a-
'Neath the old
mids,
D7
look- ing
41
E7 real
45 A‹6
on
and
his-
ic
tor-
won
Marc
And while they
D7
G
E7
B‹/F© E‹7
G
ny.
B‹
B¨
She knew she had him all the while. In the sha- dow of the
A7
33
har- mo-
A7
swayed.
E&
25 A7
An- to-
B¨
G7
D7
B‹
B
scan-
D7
dal,
was
A‹6
D7
Cle-
o
D7
danced to the strains of the
E-
gyp- tian
A
Bº
B7
jazz
band
lost
G
tune.
Sphinx was
C7
But
her
B7
a wed - ding soon".
said: "There'll be
A7
gyp- tian moon,
E
F©7(b5)
B¨º
G
san-
dal
B‹
as
the
B¨
she
C TREBLE
Creole Belles F
Bb 5
C7
9
Bb
13
G7
A 17
Bb
F7 C7
26
C7 F7
31
1.
C7
F7
C7
D7
F
E7
Bb
F7
Bb
Bb Bb
Bb
G7 C.
Bb
G7
C#7
F7
F
22
F
C7
1900
2.
C7 F7
Bb
2 Interlude 35 F7
Creole Belles
39
B
B¨
My
F7
I love her well I'll call her mine,
ba dar
-
cre - ole belle When stars shine
by lin'
I love her I'll call her
my my
C Bb C7 F7
66
Bb
Bb
Cre Cre
- ole - ole
G7 C.
NC
C7
My Cre - ole When stars
Bb
my Cre- ole Belle my Cre - ole Belle.
- lin' - by
Bb
well mine,
my my
dar - lin' lit - tle
Belle. Belle.
Bb Bb
Bb7
Bb
F7
55
61
F7
My lit - tle dar my dar - lin' ba
Eb
Belle shine
51
F7
Bb
Eb
46
Fº
Bb
F7
C7 F7
F7
Bb
Solos at "C"; Out Chorus use Melody from "A."
C TREBLE
Dardanella
Felix Bernard & Johnny Black - 1919
C C C C
5
A C
be-side the Dar-da- nel- la
G7
play,
13
sighs,
25
I
C
I
will
She looks a- cross the seas and
3
re-
ni- an.
E¨7 A¨
B¨7(b5)
shall re - turn to Turk- e-
A7(b5)
ni - an
And weaves her love spell so si-
G
3
the Dar- da-nelles with glow-ing- eyes,
G7
Soon
Where Or- i- en- tal breez-es
By
Bay,
C
C
21 B A¨
There lives a lone-some maid Ar- me-
17
Down
9
D7
ask for her heart
and
stan.
G
hand.
G7 Break
Bass
2
Dardanella
29
C C
G7 C
Oh,
33
sweet Dar-da- nel- la,
C
I'm
37
knows my love for you,
41 D7
nel-
la,
F
A7
tent
57
Oh,
hear my
girl
in my
ha-
just
Oh Al-lah
to be true,
Dar-da-
Break 1 bar
G7
sigh,
My Or- i- en- tal,
Pre-parethe wed-ding wine,
E7
like
C
sweet Dar- da- nel- la,
53
C A7
To cap-ture-such a prize.
C G7
Oh,
one
And he tells you
oh
45 D C
49
C
a luck- y fel-low
F
I love your ha-rem eyes.
G7
the chil-dren-
of
We'll build
the
Or- i-
be
E7/G©
E¨º
a
ent.
C G7
sweet Dar- da- nel- la,
There'll
F©‹7 Gº
rem when you're mine.
D7
My star of love di- vine.
C TREBLE
Darktown Strutter's Ball A B¨
C‹7
B¨º
I've
got
some
We'll meet
our
good news hon
- ey,
It's
"ba
Dolls",
And each
"high - browns" will be out
- class
- y
swell
will
D‹
- hi - bi - tion of the
fair,
-
their
B¨
All the
best,
Just to
F7
B¨º
wear my high silk hat and a frock tail
coat,
You
And there'll be danc - ersfrom ev-'ry for eign
land,
The
I'll
and your
new silk
F7
bout it
babe,
We'll be
the
dol - lar
prize
When we step
F
clas - sic, buck and wing, and the wood - en
14
ex
af
do
G‹
wear your Par - is gown
An
one
D7
- vi - ta - tion to the
all the rest.
in
F7 E¨7 D7
ver
there.
An
F7
F7
C7
G‹
a
B¨º
high- toned neigh - bors,
Ball.
7
Dark town
- by
B¨
F7
4
11
F7
Sheldon Brooks - 1917
a
There
ain't
no
doubt
clog.
We'll
win
that
fif
C7
best dressed
in
hall.
out
"Walk the
the
-
- ty
F7
and
shawl,
G‹
F&7
Dog".
I'll
be
2
Darktown Strutters' Ball
17
G7
B Bb
C7
down to get you in a tax - i hon - ey, You'd bet ter be read -
Bb/D
F7
21
Now dear - ie
25
late
C Bb
G7
I want to
Cm7
be there when the
band starts play - ing, Re -
C7
get there hon- ey, The two steps I'm goin'to have 'em
Eb
Eº
Bb
A7
dance out both my shoes,
33
C7
When they play the"Jel -
F7
night
at
the Dar town Strut ter's Ball.
all.
Goin' to
G7
ly Roll Blues"
Bb B¨dim Cm7
mor- row
F7
mem - ber when we
29
Bbº
don't be
y a bout half past eight.
To
-
F7
I'll be
Dear Old Southland
C TREBLE
Henry Creamer & Turner Layton - 1921
F‹ C7/E F‹ E& A¨/E¨ C7/E E& A¨/E¨ I want to stray
B¨‹ D¨
5
I want
B¨‹7
born,
C7
to play
E&
corn,
To feel
in the cot- ton and
F‹ E&
A¨/E¨
A¨7
to hear
My home town,
F‹
9
I want
to the town I was
dear old Moth-er- each
D¨
"Go long,
17 A F
go long,
F&
Dear,
21
Dear,
F
25
B¨
go long
B¨
morn,
to
Dear
Old
Sputh
land,
Dear
Old
South-
land,
I used to steal
C7
D7
G7
I
C7
I
ing
to
me.
And
you
my
heart
is
yearn-
ing.
And
long,
how
I
long
just
to
F
A¨º
to
my
old
land
I
love
C7/G
B¨
long
to
roam
see
once
more
C7
F
Ken-
tuck-
y
home.
that
Swan-
ee
shore.
B¨7
for
call-
F&
Bº
you
F
it.
Tuba
it,
school".
F
hear
29
go long,
C7/E
F‹ B¨‹7 C7 F‹ A¨º ing
A¨/E¨
Dº
13
say-
My lit- tle home town.
I
Bº
back the
F
C TREBLE q = 200
Dixieland Jazz Band one Step A Bb
Bb
F7
F7
C7
F7
Bb Bb7 F Bb Bb
Bb
6
F7
F7
C7
F7
Bb
Bb7
F
11
16
Bb
B Bb Eb Cm7
22
Bb
28
Cm
Fm7
Eb Eb Bb Eb C7 Fm F#dim Eb Bb7 Eb7
C Ab Ab C7 C7 F7 F7
33
Bb Bb7
Eb
39
Eb
G7 Cm Cm
Ab
F7 Eb7
45
D Ab Ab C7 C7 F7 F7
49
55
Bb
59
Ab
F7
Bb7
Db
Bb7
Eb
Ddim
Ab
3
Ab
C TREBLE
Down Among The Sheltering Palms Abe Olman - 1914
A B¨
Down
5
C7 wait
9
F7 Meet
13
B¨ Out
17
for
How
me;
me
where
Down
29
C9
wait
hon- ey
wait
the
C9
my love
my heart
E¨
is
is
A - mong the
for
me;
a- bout eight.
F7
burn- ing,
F7
Gº
yearn-ing, yearn-ing, yearn- ing
to
be
B¨7
A7 A¨7 G7
Shel- ter- ing Palms,
F9
B¨
for
me.
Oh hon- ey
burn- ing, burn- ing,
C7
old Gold- en Gate,
the sun goes down
down by
25
B¨
shel- ter- ing palms,
Oh
How
G7
B B¨7
21
a- mong the
A7 A¨7 G7
B¨7
Oh hon- ey
1
C TREBLE
Down By The Riverside
q = 180
F
Gon - na
5
F
F
lay down
my sword and shield
C7 C7 down by
9
C7
er
-
F Down by
side.
F
C7
my sword and shield
down by
24
dy
F
side.
Ain't
war no
more
I
ain't gon - na
stu
Bb
28
ain't gon - na
F
stu - dy
C7
more
you know I'll
stu
-
war no
riv - er side
A Bb stu
-
Gon - na
down by
the
Bb
gon - na
F
I
the
the
-
F C7 -
riv - er - side,
riv - er
F
stu
the
F
side,
riv
down by
F
F
19
riv - er
F
lay down
14
the
F
F
dy
war no
C7
dy
more I ain't gon
that war
no
Bb
-
na
F
more
F
more
I ain't gon
C7
F
dy
war
no
-
more.
2. Gonna stick my sword in the golden sand 3. Gonna put on my long white robe 4. Gonna put on my starry crown 5. Gonna shake hands around the world
na
stu - dy
war
no
C TREBLE
Down In Borneo Isle Herny Creamer & J. Turner Layton - 1917
C‹ A
Far
5
F‹
a-
way
in
Jun- gle
G7
land,
Jun- gle,
C‹
C‹
Jun- gle land,
Where
they
play
up-
on
the
sand,
13
B¨7
Jun- gle,
17
B¨7 B
the
eve-
E¨
ev- 'ry-
25
C‹
Jun- gle,
In
21
bod-
y
And
they
say
that
B¨
Tum- bles,
F7
Stum- bles,
does the
when the
Tuba- Toms- etc
B¨7
ning
Toms
Jun- gle sand.
29
F‹7
Tuba-
9
Tuba- Toms- etc.
Jun- gle,
B¨& day
is
Boo-
cool- er
la
Boo-
la.
mon- key band,
B¨7
As
they bun- gle
thru the
jun- gle.
2
Down In Borneo Isle
33
C B¨7
Down
37
41
in
Bor- ne-
Down
in
Bor-
ne-
o
B¨7/F
B¨7/D
E¨
see
those
45
E¨
real
wild
B¨7 D
56
C7
in
Bor- ne- o,
62
Oh, Oh, Oh,
To
Down
in
B7/F
danc-
ing
a-
wo-
men
in
Oh,
the mus- ic slow,
Oh,
Oh, Oh, Oh!
F7
Down
love
to
B¨7
round,
swim- min'!
C7 Cº All
they wear is a smile,
eve-ning when the
E¨
Where I want to go,
And ev-'ry
o,
Eº I
E¨
Bor- ne-
Isle.
E¨
F‹
67
men
D7
those
Down
wild
And
Eº
o,
E¨
49
lights
are
B¨7
How
B¨7
C‹
low,
Oh,
Oh,
they toad- al-
E¨ A¨7 E¨
in
Isle.
Bor- ne- o
o,
Down Home Rag C TREBLE Wilbur C. Sweatman - 1911
B¨7 F7 5
A¨‹6/F E¨ C‹7 F7 B¨7 AE¨ F‹7 E¨/G E¨ F‹7 A‹6/F E¨/G E¨ C‹7 F7 B¨7 E¨
9
13
B E¨6
18
21
E¨7
G¨7
B¨7
E¨6
E¨
F7 B¨7 E¨
B¨‹
F7
G¨7
E¨7 D6 F©º G¨7 E¨7
E¨7
A¨7 D¨ D¨‹ A¨ A¨ B¨7 E¨7
25
A¨
C
D¨ D¨‹ A¨ A¨ A¨7 D¨ A¨ B¨7 E¨7 A¨ A¨7
29
A¨
33
D A¨
D¨‹
A¨
A¨
D¨‹
B¨7
37
A¨
D¨‹
A¨
A¨
D¨‹
B¨7 E¨7 A¨
E¨7
Play "A" Once and end
A Gm
9
F7
D
25
F
in jun - gle
soon.
-
ty
mon
F7
ser
- en -
ade,
a
F7
- key
Cm7
Sings that mel
F7
- zee
up
D7
doo
in
the
tree,
Bb
- o - dy.
a
F7
I'll
B¨
mon- key
To
maid,
that chim - pan
C7
Bº
is com - ing
C Bb
When
51
Bbº
Bb
A hon - ey - moon
F7
46
town,
Then you'll hear
F7+
F7
F7
Bb
pret
C7
C7
41
A7
Chorus B Bb
Bb
D
Down
37
A7
31
A7 A7b5 D7
17
Edward Madden and Theodore Morse - 1908
Down in Jungle Town
C TREBLE Verse
- dle - doo way
be
true
C7
F7
Bb
Down
In Jun
gle
Town.
-
to
my
C TREBLE
Down in Honky-Tonk Town Chris Smith & Charles McCarron - 1915 A
E¨
D7
Bill John-son said one day,
5
E¨
To his E - li- za May,
D7
"We've been to
near-ly
A¨
A¨
17
We both will
B
E¨
C‹
It's Hon- ky Ton-
29
D7
That's
where the
mu-
sic
D7
who brings the
brown!"
E¨ D7
D7(b5)
there is this place I hear,
D7
ky Town,
C‹
nov- el- ty,
E¨
I got it straight from Mose,
25
A¨ G7
the thing up
D7
town.
G7
His sweet-tie said, "My Dear,
21
place in
some oth -er
go and do
ry
G‹
G7
D7
A¨
If you sug- gest to me,
13
E¨
ev'-
G7
9
D7
E¨
grows.
clothes.
down where the gals
G7
G‹
are brown.
2
Down in Honky-Tonk Town
C C
33
37
Come, Hon- ey, let's go down
to Hon- ky
Ton-ky Town,
D7
where all the
it's un- der-neath the ground,
41 G7
There'l! be
45
D7
danc - cin'
sing- ing
to
pi-
a-
no played by
You want to
ev-
en start
Down
in
61 D7
stay a year,
a
Hon - key
G7
Ton - ky
pa- ters,
G7
Brown.
He on- ly
plays by ear,
The mu- sic that you hear, would
danc- ing with
Mis- ter
mon- key,
fun is found.
syn- co-
a- no queer,
D7
G7
sing- ing
He plays pi-
C
57
wait- ers,
49 D
53
C
Town.
a
don- key,
Down Yonder
C TREBLE
L. Wolfe Gilbert - 1921
A
E¨
Rail- road train,
5
Put
a
lit-
tle
on,
B¨7
F7
Rail- road train,
E¨
Hur-
ry
E¨
Hus-
13
some more.
B¨7
F7
9
tle
steam on
just
like
nev-
er
E¨
be- fore.
B¨7
F7
Bus-
E¨
tle
on,
I've
got
the blues.
B¨7
F7
for
my
Swan-
ee
er
if
you
Yearn- ing
shore,
17
F‹
Broth-
21
F7
You'd want
to
hur-
ry
on-
ly
knew,
B¨7
up
too.
2
Down Yonder
B
25
E¨
B¨
E¨
E¨7
A¨
Down
yon-der some- one beck- ons to me,
31
A¨
E¨
Down
B¨7
I seem to
more
and more,
Ev- 'ry day, my mam-
Yon- der when the folks getthe news,
my land, You're
A¨
sim-
E¨7
ply grand.
A¨
Don't
won- der at the Hul- la- ba- loos.
E¨
There's dad- dy
60
I miss you
C E¨ B¨7 E¨ E¨7
56
BReak 2 Bars
49
Down
ry,
Swan- ee shore
B¨7
B7/F
F7
Be-tween theNatch-ez and the Rob-ert E. Lee.
Eº
see a race in mem- o-
E¨ B¨7 E¨
yon-der some- one
E¨
37
reck-ons on me.
43
E¨7
C7
my,
and mam-
my,
F7
B¨7
Wait- in' down yon-
der or
There's Eph- raim and Sam-
E¨
me.
B¨7
Easy Rider's Gone
C TREBLE
Shelton Brooks
q = 120
won - der
I
5
Eb7 ne
Bb7
- ver
told
where
my
me
he
Ea- sy Ri der's gone to
was
a
he was here he'd win the
race
17
Bb7 los- ing
21
Eb7 win
all
a
he
race
put all
29
my junk in
won - der where my
Gm
If not first he'd get
a
place.
Cash
a
F7
knows just what
to
- way
I'm
mon - ey that is why I'm
pawn
to bet on
F7
1.
Ea - sy Ri - der's gone.
To
Bb
do.
I'd
D7
blue.
Bb C7
If
25
F7
jol - ly joy ride right
my
C7 F our tick - ets for a
13
in
He
way.
-
D7
- day
9
F7
Bb
goin'
an- y horse that Jock ey's
2. Bb I
gone
Gmin
on,
Oh I
1
C TREBLE
Eh Las Bas Traditional
A Ab
Eh
la
Aº
bas, (band sings echo)
Eh
E¨7 Ab
la
Bas,
6
Eh
12
A¨
bas,
Eb7
B
la
la
Sis
Ab Eh
bas,
Boom
Bah
la bas
Well I
Solos here after Vocal
can't Or
20
But
French,
not
in
y
sang
that
Ca - jun
-
Ab
it sounds
but the on
speak
Eb7
24
la
bas,
B Ab
la
Tra
Aº
Eh
17
la
Eh
Ab
Eb7
real
good,
ly
Ca
-
a
So
love
in
French
so
I
don't
a
fine
ol'
like I knew
-
jun
it
I
would,
can say
know
what
down in
like is Lais
-
it
means.
Cre
E¨7
I
pinch
ole way,
New
sez les bon
Or
leans,
-
temps
rou -
lez!.
to
hear
that
clari - net
burn
and hear them
trom
let the
good
times
roll
my
friends,
and
mus
like
to
sing
French
row
may
nev
let the
bone
-
28
Eb7 gliss
-
es
I'd
play,
30
To
-
mor
-
E¨7
take my
turn
but that
come to
be,
so let's
ain't the love
when I
-
er
Ab
kinda
band
that
it
up
to
this
-
is
day
Vocal Back to Top
Eh Eh
la la
ic
C TREBLE
Eccentric
F Fº 5
F
J. Russell Robinson - 1921
G7
C7
F
C7 A B¨
9
F7
17
3
B¨
F7
21
B¨
F7
B E¨
B¨
F7
B¨
B¨7
B¨7
25
B¨7
E¨
E¨
E¨
B¨
F7
G7
3
29
33
F7
B¨7
E¨
C7
13
F7
B¨7
E¨
B¨7
E¨
B¨7
B¨
C‹
E¨
Solos: F7
Eccentric
2
C
Solos Begin Here first time
C7
37
41
B¨
F7
49
F7
B¨
F7
53
D B¨
B¨º
61
65
B¨
3
B¨ F7 B¨ F7 B¨
57
3
B¨
C7
45
B¨º
D7
After last solo play "C" as written then on to "D"
B¨
C7
F7
B¨
B¨
C7
F7
Tag 69 F7 B¨ B¨ B¨º B¨ C7 B¨
pp
B¨º
B¨
C7
f
F7
B¨
C TREBLE
Fidgety Feet
F7 5
The Original Dixieland Jazz Band - 1918
A B¨ B¨7 E¨ Eº B¨ F7 B¨ B¨ C7 F7
9
B¨ B¨ B¨7 E¨ Eº B¨
13
1. B¨ C7 F7
17
22
Bº 2 Bar break
Stop time - 4 bars B E¨ G7
A¨
E¨
F7 B¨7 E¨
28
3
33
E¨
B¨7
E¨
C7
2. B¨
B¨7
3
E¨ C7
B¨7
G7
A¨
B¨7 E¨ E¨7
F7
Fidgety Feet
2
38
C A¨
42
46
E¨7
E¨7
D¨
54
A¨
E¨7
58
D¨ D¨
66
B¨7
A¨7
A¨
F‹7
C7
F7
A¨
1.
A¨7
A¨
D¨7
A¨
E¨
A¨
E¨7
62
A¨
D¨‹
50
B¨7
E¨7
2.
C TREBLE
Floatin' Down That Old Green River Cooper - 1915
A F
Concert pitch
I've been
5
float
wad
ship
"Rock
and
Riv
- er
Rye,"
too
far,
I
got
stuck
all
a
on
a
on
the
But
I
bar
I
- lone,
Wish
was
- in'
that
The
ship
got
wrecked with
the
cap
to
G7
get
I
was
home.
and
crew,
- tain
G7
on
- ly
one
thing
I
could
do;
drink
that
back
I
F7 E7 Eb7
D7
whole
Green
Riv
- er
dry
to
C7
C7
F
had
Bb
And there was
D7
29
Green
F7
25
old
F
there
21
that
- ed
17
down
D7
C7
13
good
9
in'
-
G7
F7 E7 Eb7
F
F
home
to
you!
No Repeat First Time - On To Vocal
Solos at "A"
Verse Interlude:
2
Floatin' Down That Old Green River
F#º
C7
F
F#º
C7
F
F#º
C7
F
F#º
C7
past
four,
Dan
Mc
33
F
Verse - Vocal:
B 37
Half
41
F
45
49
G7
He
came
a'
creep
his
wif
Eb7
D7
She
had
been
waitin'
up
half
the
night
-
to
come
home
and
go
to
bed.
For
F#º
C7
F
F#º
C7
ny
smiled,
like
a
child,
G7
But
then
his
wife's eyes
grew
ve
-
ry
wild!
F
you
been
all
"Where have
night?"
G7
this
C7
C7
door.
F7 E7
F
ey's
F
-
F
G7
Dan
65
to
61
- in'
Dan
57
53
C7
Graw,
-
C7
is
what
Dan
- ny
re - plied:
D7
she
cried,
And
D.S. to "A"
I've been Back to "A" for Vocal and Solos
Floatin' Down To Cotton Town
C TREBLE
F. Henri Klickman - 1919
A B¨ I
5
just dropped in
leave
to-
B¨
13
I'm
go-
in'
F7
F
C7/G
To
I
on
my
way.
F©º
F
B¨‹
back
to
sun-
ny
Dix-
ie-
I
came
to
when
I
land,
shake you
C7
F7
B¨
won't
that
me,
by
the
hand.
ie
No
Line,
D¨º
be
F
just
hur-
CØ7/G¨
D¨º
Dix-
F&
D¨º
F&
cross that
pine,
say,
B¨
I'm
F©º
and
Cap- tain, don't fail
29
all
more I'll
you
F7
The min- ute
25
B B¨
see
D¨º
C7 That's why
21
to
day,
C7/G
17
F7
F&
F7
9
D¨º
fine?
Mis- ter
C7
ry
and
sail
me,
F7
that
gal
of
mine:
2
Floatin' Down To Cotton Town
33
C
B¨
Float- in'
37
F7
Float- in'
on
the
whis-
45
C7
tle
toot!
toot!
53
57
61
F7 I'll
ey
sing-
in',
come back
to
E¨
toot-
in'
a-
way,
ban- jos
my
C7/G
lit-
And
those
F7/A
you
and
Al-
a-
hon-
ey
fields
of
sug-
ar
cane
seem
to
G¨7
To
Cot-
F7
ton
B¨
B¨7
bam;
While
G7
wel- come
B¨
Town.
day.
lamb,
B¨
ring-in''til the break of
tle
Down
C7
in'
Just hear that
Float-
G7
G¨7
C7
Town.
Cot- ton
G7
lamb,
F©º
49
Hon-
down,
F7 Break 2 bars
float- in'
B¨
C7
D B¨
B¨
ies
ey,
er down to
dark-
Cº
hon-
F7/A
riv-
C©º
41
my
C7/G
C7
down,
F©º
G7
me
a-
gain,
F7
C TREBLE
Flee As A Bird Mary S.B. Dana - 1857
A D‹
A7
Flee
as
He
5
9
a bird
to your
moun-
er,
to
He
will for- sake thee oh
the clear flow- ing foun-
B F
tain,
nev-
C7
for the aven - ger is near
Haste then, The hours are
13 C D‹
fly-
thee, ing,
A7
He
on
his bos- om will bear
Cease from your sor- row and cry-
17
D‹
A7
D‹
thou who art wea- ry- of
sin.
Sav- iour will wipe- ev-'ry tear.
ev- 'ry
thee, ing,
fall- ing
sin.
tear.
A7
D‹
Where you may wash and Shel- tered so
F
be clean.
ten- der- ly there.
G‹6
D‹
Call
and the Sav-
Spend not the mo-
D‹
iour will hear ment in
A7
thee. ing.
D‹
G‹
The Sav- iour will wipe
A7 D‹
sigh-
A7
Thou who art wea- ry
A7 D‹
of
er.
Fly
Wipe
D‹
A7
Thou who art wea- ry
A7
Go
G‹7 B¨7
tain,
will pro-tect thee for- ev-
D‹
D‹
of
sin.
ev- 'ry tear,
A7
D‹
Oh The
1
C TREBLE
Frankie And Johnnie Traditional
F
C7
F
C7
Frank-ie and John- nie were lov- ers.
Frank-ie went down to the cor-ner,
5
B¨
8
swore to be true
to each
said to the fat
bar-
F
G‹7
B¨7
F
C7
F F7
Oh, Lord-y how they could love! Just for a buck- et
B¨
oth- er,
Just as
true
ten- der,
"Has my
lov-
C7
F
They She
of beer.
Bº as the stars
a- bove.
in- est man been here?
B¨7
He was her
man,
But he done her
wrong.
He was my
man,
Buthe'sdone me
wrong".
F
C7
Floatin' Down To Cotton Town
C TREBLE
F. Henri Klickman - 1919
A B¨ I
5
just dropped in
leave
to-
B¨
13
I'm
go-
in'
F7
F
C7/G
To
I
on
my
way.
F©º
F
B¨‹
back
to
sun-
ny
Dix-
ie-
I
came
to
when
I
land,
shake you
C7
F7
B¨
won't
that
me,
by
the
hand.
ie
No
Line,
D¨º
be
F
just
hur-
CØ7/G¨
D¨º
Dix-
F&
D¨º
F&
cross that
pine,
say,
B¨
I'm
F©º
and
Cap- tain, don't fail
29
all
more I'll
you
F7
The min- ute
25
B B¨
see
D¨º
C7 That's why
21
to
day,
C7/G
17
F7
F&
F7
9
D¨º
fine?
Mis- ter
C7
ry
and
sail
me,
F7
that
gal
of
mine:
2
Floatin' Down To Cotton Town
33
C
B¨
Float- in'
37
F7
Float- in'
on
the
whis-
45
C7
tle
toot!
toot!
53
57
61
F7 I'll
ey
sing-
in',
come back
to
E¨
toot-
in'
a-
way,
ban- jos
my
C7/G
lit-
And
those
F7/A
you
and
Al-
a-
hon-
ey
fields
of
sug-
ar
cane
seem
to
G¨7
To
Cot-
F7
ton
B¨
B¨7
bam;
While
G7
wel- come
B¨
Town.
day.
lamb,
B¨
ring-in''til the break of
tle
Down
C7
in'
Just hear that
Float-
G7
G¨7
C7
Town.
Cot- ton
G7
lamb,
F©º
49
Hon-
down,
F7 Break 2 bars
float- in'
B¨
C7
D B¨
B¨
ies
ey,
er down to
dark-
Cº
hon-
F7/A
riv-
C©º
41
my
C7/G
C7
down,
F©º
G7
me
a-
gain,
F7
Foolish Questions
C TREBLE q = 152
1915
F
D7
G7 C7 F Now
you've
Now Now
5
FA
all heard fool then say
-
no
you
and
ques - tions
ish
al - ways
there's that
per
-
son
who's
ele - vator
per
-
son
should for - get
the
F
B¨
doubt
won
hanging
one
will
he
watch
ask you
-
a
es you take hap
pen
fool - ish
ques - tion
your shav
-
ing
to tumble
but
down
the
door,
And
close
you
as
give your
when
you
first thing she'll do that will
fool
is will
stick his stick
ex- pect a
sen - si ble re - ply up your
se
ven
hit
his
ar
-
y
wave
You
ert
Some
bot
tom and
up
-
in
-
you're lying there
G7 ask "Is
you
ask "Are
and
down the shaft and
in
ask,
it
-
F
C7
her nose and to
The
prelim
come
F tea
its
wrin - kle up
And
ter
zor
floors.
-
ra
D7
And
af
just
the
face.
Say
-
Like
can - dy
F
B¨
C7
let's say for - ty
when you take your girl some
fool
And
B¨
Some -
place
brush and start to lath - er
F
know
why
der
you should
17
-
G
13
'around the
to
9
let's
for
me?"
you gonna shave? "Are
you
hurt?"
2
Foolish Questions
21
B F
B¨
Foo
lish
-
ques - tion
26
or
your
Pa
or
it's
pared
for
shav - ing
I
just love
he'd an
have the fu ne aw
ful
hurry
see
it
ing brush gi
-
of
35
nal
-
you re - ply
No it's for
your
your
reply
is
No I'm not
pre
I hope
that
you re - ply
No, he just
though
You
utter your
dy - ing
No,
for the
47
F
taste of
soap.
I
like
to
on.
Ned
was
al - ways so
slow.
It
die
la - ter too
saves a
take it
and
paint
my - self up this
have want - ed com - ing
a
way.
-
no - ther fool - ish
-
D7
ques - tion
You'll
way.
it that
down
A
F
lot
F
way. way.
this
C7
F
D‹
G‹
Then
there's this
fel
D‹
way,
And
he
-
low
who meets you on your
A7
asks
you
why you're
all dressed up
and
D‹
this is what you
say.
You're
G‹
re
-
turn - ing
from the
fu
-
ner
-
ral
of
dear
old
bro
D‹
Ned
ori -
B¨
hear them ev' ry day.
to
take my shav-
usual - ly
B¨
you
3.
G7
just
-
in
just want - ed
ele vator's just
1.2.
was
I
and
I'll
44
I
guy
then
40
moan
some oth - er
and
now
time
hope
And
he would
I
C7
ral - now this
doubt
G
Ma
no
30
F
-
Back To "B"
A7
And
as you're
ring - ing
out your hank - ie
he'll ask
ther
"Is
Ned
dead?"
C TREBLE
Grizzly Bear Rag F
D7
G7
George Botsford - 1910
C7
F
Bass 5
A F
C7 F
9
F
13
F
17
F
21
B C7
25
C7
C D7 G7 C7 Break C7 F D7
G7
C7
F
F
29
33
C7
F
B¨
Bº
F
C7
F
Fine
2
Grizzly Bear Rag
37
CF
41
F
45
F
49
F
C7 F C D7 G7 C7 C7 F D7
G7
C7
F
D B¨ B¨7 G7
53
57
F7
B¨
61
Fº
B¨7
C7
B¨ Break
F7
G7
C7
E¨
G¨7
Stop time as Marked 65
B¨
B¨ B¨ E¨ B¨ C7 1. B¨ F7 F7
2. B¨ Break
Back to "B" - Play to Fine
C TREBLE
He May Be Your Man (But HE Comes To See Me Sometimes) Lemuel Fowler - 1922
Eb
F7
Bb7
Eb Ab7
5
A Eb
Eb
Cº
Min - nie Lu - dy
9
from Ten - nes was some l'il
Lee Green
Ab
Eb
An - y - time and When her man went
Eb
Cº
Sa- die at the
Snow, ball,
F7
Un - til Min - nie Was Miss Min - nie,
21
Bb7
she had a beau at Moon - shine Hall,
17
She would al - ways strut her They would al - ways dis - a
night
B7
Eb7
quite rough. could be.
be as
Bb7
- where
Eb
Miss Miss
F7
an - y out at
was known to and jeal - ous
queen,
stuff.
she loved him night where ev - 'ry - bod-
Now Down
- gree.
Eb
Bb7
Eb
- see
C7
Bb7
Eb
13
B7
Eb
Eb7
and y'd
day. go,
F7
Bb7
shook a shim - my and stole his heart a - way. drink - in'plen - ty and hug - gin' Lu - dy's beau.
Poor Sa - die near - ly dies, but Min - nie on Lu - dy was mad as well, Min - nie said "I
Bb7
Gº
Bb7
ly sighed,then I heard her say: will tell you now so you'll know"
He
He May Be Your Man
2
25
B Eb
Bb7
may
29
F7
be your man but he comes to see me
Ab
Ab7
33
G7
37
that is
Bb7
Bb7
no
45
need of cry
ture,
But
F7
Bb7
- in' and it's no use to weep and
I love you man and I'm gon - na take him for my
I don't mean, Ain't no need
53
Eb
his mind.
I
man from you.
Bb7
Eb
Eb7
mourn.
Eb
to be so bold, of get - tin' rough,
F7
own,
my
own.
but I just want, 'cause I'm just right
be your man but he comes to see me
Eb
some - times.
Bb+
Bb7
G7
F7
may
Eb
My wick - ed walk, I've got the kind of eyes that seem to talk, It's
Ab
C7
I can cert' nly take you
49
Ab7
C Eb
al - ways got me on
Eb
Eb
My wick - ed smile,
41
vam - pire
Cm
ain't no
Eb7
some - times.
And when he's with you he's
Eb
Ab7
to get you told, He to do my stuff
Eb
Bb7
C TREBLE
Hesitating Blues A Fº
- lo
Cen
Sun
- day
night
my
was
whis
Fº
I
want to talk
6
this
line?
Dm
High Brown
mine.
- ie I'd be
to the bot - tom
and
nev
- er come up,
F
me. cup,I'd
a
Bb
Tell
me
how
long
Said
he, "How
long
Oh, How
long
will
I
have
to
wait?
Please give me
will
I
have
to
wait?
Come
be
do
I
have
to
wait?
Can
I
get it
with
were
wif
- 9 - 8
B Bb
you
C#º
F/C
to
if his
wife my
and
F
- posed
py
13
- key,
- ter
that
C7
2
pro
mat
to
Said she'd be hap dive
beau
Fº
- tral what's the
F
I
9
Hel
If
3
F
W.C. Handy - 1915
What you
F
or
say can't
I
de - clined him
I
had
wo
- man,
C7
F
Kate, now,
G7
Why do you hes
-
i - tate?
Why do you hes
-
i - tate?
do
I have to hes -
Bb
F
talk
to my
just for She
a
F
F7
i - tate?
Bb
Brown?
A
storm
stall,
He
left
was tall.
Bb7
my
She
make
F
last night
blowed the
that
night
on
the
me
think
'bout
my
1 Hesitating Blues
2
F/C C#º
Bb
Dm
F
16
wires
all
down.
Can - non Ball. par
Tell me how long Hon - ey
G7
me
now,
get
25
it
C Bb
na - tion is
30
put
37
D
Bb
I'd
be his,
42
45
F7
left
me
WIll
he
do
I have to
wait?
Can
I
F
Bb7
F
F7
i - tate?
To - mor - row's not to
Some - bod - y's bound to
Bb7
Eb
"one stitch in time
Bb
- day.
Bb
lose.
Bb7
And I'dbe feel - ing gay.
My best friend's gone a
The Hes
- i - ta - ting
Bb
Blues.
Eb7
Left
Bb7
a - lone
-
And if you
F7
Eb
He'd be mine,
Pro - cras - ti Pick-up to Chorus
to grieve and pine,
wait?
So all the wise owls say,
off,
I have to
the thief of time,
will
hes
may save nine",
F7
Oh, won't you
- i - tate? do I have to hes i - tate?
33
wait?
C7
or will he
now,
I have to
Why do you hes -
come back now,
will
tell
how long
Oh, How long
- a - sol.
C7
21
way,
Bb
He's gone and
High Society
C TREBLE
F7
Bb
5
11
1901
A F7
Bb
F7
Bb
D7 Gm
Gm
16
21
F7 B
29
Bb
D7
Gm
Bb
Gm
C7
F7
D7
C7
F7
35
Bb7
Eb
Edim
Bb
Bb
C7
F7
Bb7
3
Ab
Eb
C Eb
41
49
Solos Here
Bb7
D7
65
Ab
Adim
Eb
Eb
58
F7
Bb7
Bb+7
Eb
Bb7
Eb
Ab
Eb
Eb7
C7
F7
Bb7
Eb
2
High Society
G7
D Cm
73
Fm
80
87
G7
94
Tuba
3 Bb7
Ab
Eb
Ab7
E Eb
Bb7
D7
Eb
110
Ab
Eb
Eb7
115
Eb
Bb+7
Eb
C7
G7
Cm
Bb7
102
Cm
F7
Bb7
Eb
Ab
Adim
F7
Bb7
Eb
High Society
Bb Clarinet Solo as played By Alphonse Picou
C7
121 C F
3
3
125
F
129
C7
3
Bb
3
F
133
3
G7
F
C7
3
F
F C7 F C7
138
Bb
Bb
142
F
Bº F D7
146
3
149
G7
C7
3
F
3
C TREBLE
Hindustan Oliver Wallace & Harold Weeks 1918
q = 185
Bb Hin
5
Bb
-
stopped to
-
rest
our
tir
F7
F7
Hin
paint
- ed
pea
- cock
Bb
21
Bb7 pur
25
- ple
sun
- bird
-
met
her
- a -
-
- ly spreads his
fan
flahsed
a
stan,
Eb
- cross
the
F7
and
the
world
be
Ebm Bb
-
where
the
F7
where
the
Eb
stan
-
we
sand,
Ebm
du
Bb
where
Bb
Bb
-
F7 Bb
-
van,
F+7
F7
stan,
-
Bb7
C9
F7
F7
du
29
C7
car
F+
-
C9 Hin
proud
Bb -
- ed
F7
17
Hin
Fdim
du
13
Bb
stan,
-
-
Bb
du
-
9
F7
F+
gan.
where
I
Hot Lips
C TREBLE q = 180
A
1922
Db7
There's a
5
boy that's
C7
in our
Fin - est since you're
call
him
G7
13
ev' - ry
B
17
bo - dy
steps,
C
when
he plays
like
Eb+7
no
one
jazz,
gone.
Cº
notes,
Eb7
And
Eb+7
say: He's got hot
Eb7
blows real red hot
horn,
F
floats that's what they
he blows that
He
Dº
Eb7
for
on the floor just
how
When he starts you're
Ab
lips,
21
Hot lips
F
They all
And
born,
Db7
9
band,
F
He
draws out
Ab
Eb+7
You're
on your
has.
Hot Lips
2
Abm6
Ab
25
toes
Eb
Bb+
Eb7
and shakes your
shoes,
Boy
Ebº
how he
Solo Break
Bb7
29
Bb+7
goes,
33
C
WHen he plays
Ab
Eb+7
Blues .
I watch the
Dº
crowd,
37
Eb7
un
Eb7
proud,
-
Eb7
til he's
through,
Eb+7
Ab
C7
rare
you
must
too.
his
Time: Fm Dº
45
C7 Fm
boy
is there,
de - clare
Eb7
THey're cu- ckoo
D Ab
He
Ab7
Stop Time 41
with two hot
Ab
lips.
can
be
Eb+7
mus- ic's
you know the
Eb+7
Solos at "B"
C TREBLE
I Ain't Gonna Give Nobody None of My Jelly Roll Clarence Williams & Spencer Williams - 1919
Lit
tle
His sister
5
C©º F7 B¨ F7 B¨
B¨
Wil ly
Green
from New Or leans,
Til ly
Green
was real ly mean, and ver
D‹ F He al - ways She al - ways
want ed lots of want
F7
kids
Toot
When her mom bought her a
B¨ F
When the kids
21
gy, too.
C7
just to keep him
C©º
F
com pan - y.
sie Roll,
jel ly
to you.
the best
roll,
One
F7
to
can - dy that was made. hide
it
she would try.
be
lit
tle Wil ly said:
I
you'd hear Til ly cry:
I
D‹
F©º C7/G
gan to hang a round,
C‹7(b5)/F©
A B¨
G7 C7 ain't gon na' give no
bod y
ain't gon na' give no
bod y
F7
stin
When the kids would ask her for a bite,
17
was he.
B¨
his mom bought him a
12
-y
boy
ed some of what you had but gave she noth - ing
9
day
E¨º
a greed y
none
of my Toot sie
none of my
jel
ly
Roll, roll.
B¨
would - n't give you a piece of my sweet, not to save your soul!
F7
(Toot sic (jel
ly
Rol!)
I
roll)
I
(save your soul!)
2
I Ain't Gonna Give Nobody None of My Jelly Roll
25
G7
C7
Dad dy told me to
day,
Just be fore he went a
way,
Mom ma told me to
day,
Just be fore she went a
way;
29
C7
be a good boy, He'd bring me a If I'd
33
B¨
be
a
F7
know you
41
G7
want it,
but
She
my Dad - dy's pride
might
put
I'm- a
gon- na' turn
and joy!
my hair
C7
in your just hang- in' a- round,
in curls! You
(hang- -in'- a- round)
D7 you
You
I
down.
My
G7
B¨ And you know it
can't
be beat!
I
ly roll is sweet!
Eº
B¨/F
G7
know you want it, but you can't have it! I
49
Eº
Toot sic Roll is sweet!
E¨
And I'm
45
Two Bar Break
E¨
jel
toy;
good lit tle girl,
know there ain't no need
37
If I'd
F7
Interlude to Second Verse B¨ D¨º C‹7
F7
C7
F7
B¨
Back TO "A"
ain't a gon -na' give you none!
B¨
D¨º
C‹7
F7
1
C TREBLE
I Can't Let 'Em Suffer Henry Creamer & Turner Layton - 1918
A
E¨ I
love
to
F‹7
see
the
F‹ B¨7
5
Love to
9
E¨
B¨7
I
love
to
13
G‹ It's cru- el,
B¨&
E¨
hap- py
all
while.
fel - lows
E¨
see them smile.
E¨
G¨º
the
B7/F 'ry- thing.
That shows they're jol- ly and ev-
F‹7
B¨7
see
the
fel- lows
So
cru- el,
B¨&
E¨
hap- py
all
while.
D7
E¨
the
Eº B¨/F
G‹
To
let them
plead.
B¨7
Oh, I
1 1
2
17
I Can't Let 'Em Suffer
B
B¨7 can't let'em suf-fer
E¨ B¨7 E¨ for the want of love.
It's a shame to let'em plead.
No I
21
E¨ B¨7 E¨ B¨7 shan't let'em suf-fer
for the want of love,
E¨7
25
no
E¨7
use tryin'to stall,
I
When I know just what theyneed. Now there's
A¨
just can't save them all!
29
F7 cry:
33
B¨7
just got to take'em
37
C
B¨7 just got to make'em
F‹/C D¨7 B¨7/D
E¨7
Then I've
G‹/B¨ B¨7/A¨
I'll pro- vide,
My hon-ey
love!
Then I've
love.
E¨/G
C‹7
Un- til they're sat- is- fied.
E¨
For the want of
be my tur-tle dove,
F7 B¨7 can't let 'em suf- fer,
fall.
Got to keep'em out of harm.
in my lov - in' arms,
A¨ C7/G F‹
45
I'mbound to
E¨ B¨7 E¨
41
Lov- in' kiss- es
But when they
B¨7
"Oh, Come and kiss me, Sweet- ie",
'Cause I
1
C TREBLE
I Never Knew I Could Love Anybody
h = 84
1920
AG
5
A
A7
9
13
BC
C G7
C
17
21
C
29
A7
G7
C
D7
Cm
G7
E7
G
Cm
F6
D7
G6
E7
D7
G7
G+
F7
A7
G
E7
G
Cm
F6
D G
D
25
G6
D7
A7
G+
1
C TREBLE
I Want To Do the Bear Cat Dance
q = 164
A D7
G
Shelton Brooks (1913)
G7
C7
Miss
6
Sa - die Hall
C7
11
to a
played a rag
G7
chance.
So she
25
it
time tune.
Miss
C
floor,
then
C7
G7
C
it
for
a while
I don't care
I
G7
up,
keep
it
up,
want to do it an - y
dance!
C7
'cause
I
she
be - gan
I want to do
C7
how.
to
do
to
roar,
it
F7
now!
F
It's a
C7 F That tune is snap py
D7
Oh pro -
want
G7
You feelyou want to
C7
C7
F
C7 F C7 F7
34
G7
to
thenthought she'd take a
30
It makes you hap py
the schol- ars how
G7
bear, its' a bear, but
tered
D7
D7
Dm
F
I want to do
as she en
the
Just
teach - ing all
F/C
Sa - die watched them
on
June.
They were
Db
walked out
I want to do
in
D7
G7
B F
D7
night
C
C7
21
-
Dm
Cat Dance.
F
balm - y
F
16
one
they
do the Bear
ball
F
in the hall
went
the Bear Cat
fess - or keep it up, keep it
F
dance.
1
C TREBLE
I Wish I Could Shimmy Like My Sister Kate A.J. PIRON - 1919
A¨
Aº
E¨/B¨
C7
F7
B¨7
E¨
5
A B¨7
E¨
E¨ G‹7 G¨º F‹7
B¨7
Went to a dance with my
sis-ter Kate,
ev-'ry- one there said she
13
B¨
a
B¨7
Looked at Kate, she was in a trance,
C7
All the boys are
21
B B¨7
F7
go -ing wild
wish I could shim my like my sis -ter
B¨7 25
E¨
17
Eº
then I got wise to some- thing new,
thing or two,
F7(“4)
danced so great.
B¨&7 E¨
9
I re- al -ized-
and then I knew it was in her dance.
B7
o- ver Ka- tie's
B¨7
E¨
Eº
danc-ing- style.
I
E¨
Kate, she shiv -ers like the jel- ly
E¨ Two bar break:
on a plate.
My mam -ma want -ed to know last night, why all the boys treat sis-ter
Kate so nice.
1
2
I Wish I Could Shimmy Like My Sister Kate
29
B¨7
Ev -'ry boy
32
in our
neigh
E¨7
hood,
knows
that she can shim -my and it's
Aº
E¨/B¨
C7
F7
A¨
un- der- stood.
35
-bor
E¨
I know I'm late,
B¨7
shim -my like my sis- -ter-
E¨
but I'll
C7
be up to date,
B7
when I can
B¨7
E¨
Kate, I mean,
Shim -my like my sis - ter Kate.
solos here: Play as Written for out-chorus
C
B¨7 E¨
39
2 bar break
B¨7
All
E¨ Trombone
43
47
sfz sfz sfz
B¨7
E¨
51
A¨
Aº
55
F7
B¨7
E¨/B¨
C7
F7
1.
E¨
B¨7
E¨7
E¨
C7
2.
E¨
1
C TREBLE
Ida, Sweet As Apple Cider Eddie Munson & Eddie Leonard - 1903
A E¨
In
5
F‹7
the
Breath-ing
9
E¨ Lives
13
C7 For
17
B E¨
a
I
When the
21
B¨7
Lit- tle
25
E¨ Then
29
C7
Ev-
I
'ry
G¨º
re- gion where the
B¨7
out
up-
dus- ky
know my
sun
is
on
the
ev'n- ing
E¨
B¨7
my
maid
I
long
to
call
B¨
her
will
nev- er
G¨º
B¨7
F7
love for
B¨7
own,
die;
B¨7
that
E¨
to
seek their nests.
B¨7
that place
gold- en West,
I
love the best,
there
a-
lone
I
F7
B¨7
in
to
air their sweet per- fume,
Red Breast gone
al- ways bloom,
B¨7
G¨º
sneak down
F‹7
ros- es
sink- in'
Rob- in
B¨7
B¨7
sigh:
B¨&7
1
2
Ida, Sweet As Apple Cider
C
33
E¨
I-
37
da,
41
B¨7
Sweet-
er
C7
49
F7
per,
D
B¨7
57
C7
love
know.
moon-
light,
B¨7
da,
Oh,
Hon-
ey
I
i-
dol-
out
love we'll
low.
of
B¨7
and
soft
G7
F7
can't live with-
I-
E¨
I
ten
61
all
so
Lis-
than
tho',
53
E¨
der,
in the silv- 'ry
whis-
Seems
ci-
E¨
ple
out,
B¨7
Sweet as ap-
Come
45
you,
E¨
G7
do!
F7
ize
ya,
E¨º
F‹7
B¨7
E¨
you
I-
da,
'deed
I
do.
I
B¨7
Solos at "C"
1
C TREBLE
Indiana
q = 200
A
F
Bb
I
5
have
al
Bb
ver
-
9
F
a
land
and
sea
Casts
a
spell
21
gain
F
on
the
wa
-
ter
C7
o'er
me
C7
ion
fair
I
see
Fº
Gm7
I
seem
to
be,
A
Gm
Bbm6
F
F
F#º
-
'rer
vis
-
F
wand
G7
Gm
a
F7
F
moon - beam
G7
F
17
- ways been
Bb
Yet
13
Bbm
O
A
-
C7
Back home
a
-
1
2
Indiana
25
E7 Eb7 D7
B F
gain
C7
29
seems
that
Bb
can
- dle
syc
C F
45
in
- di
a
-
see
F
still
shin
hay
sends
all
its
fra
A7
A7
dream
a
- bout the
F
long
C7
-
to
roam.
for
my
In
on
the
Wa
- di - an - a
thru
the
Dm7
- ing
grance
Dm
used
C7
gleam
Dm
moon- light
the
The
it
bright
C7
And
new - mown
G7
- ing
G7
A7
me.
for
F
D7
I
can
- a - mores
F7
I
E7 E¨7 D7
F
na
-
G7
fields
light
49
G7
53
in
G7
41
Bb
37
G7
C7
33
From
the
When
I
Dº7
-
bash,
then
F
(C7)
home.
I
If You Were The Only Girl In The World
11
C TREBLE Clifford & Nat Ayer - 1916
A C
If
7
C
D7
A7
you were the
E¨º
on-
17 B C
D‹7 G7
A‹
33 C
you
37
F&/C©
would
would
G7/D be
were
the
D7
I
F‹
on
lov- ing
in
in
on-
were
the
on-
were the
to-
say
such
won-
C/E
such
won-
ly
ly
noth- ing to mar
our joy.
der- ful
things to you,
A7
der -ful
girl
in
boy.
A
G‹6
C
way.
things to
C
G7
E‹
G&7/E
day.
C E¨º
With
ly
old
on-
D‹7
the world
same
G7
the
G7
D‹
- den just made for two,
I
There
D7
E
could go
A7
gar- den of
F
I
G&7 C
We
29
And
G7
Noth- ing else would mat- ter
12
24
in the world,
boy,
girl
C
ly
D‹7 G7
G7
E¨º
do,
If
A&
A7
the
world,
G7
D‹7
and
C TREBLE
Ja Da
Bob Carlton - 1918
q = 132
F
E7 Eb7 D7
E7 Eb7
Ja - da
F
That's a
11
F
It's
13
so
F
16
F
Jing,
Ja - da
Ja - da Ja - da Jing,Jing,
Jing.
lit - tle
bit
of
mel - o -
Oh
and
ap - peal - ling
D7
yeah!
dy,
G7
to
me,
It
goes
C7
Ja - da
C7
Ja - da
G7
Ja - da
C7
E7 Eb7
D7
C7
sooth - ing
Ja - da
Jing.
Dº
G7
D7
fun - ny
F
Ja - da Ja - da Jing,Jing
Dº
C7
Ja - da
F
9
G7
Ja - da
5
111
Ja - da Jing, Jing,
Ja - da Jing, Jing,
F
Jing!
11
Jazz Baby
C TREBLE
M.K. Jerome & Blanche Merrill - 1918
C
Cº
G7
C Cº G7
My dad- dy was a rag- time trom- bone play-er,
5
My mam- my was a rag- time cab- a- ret- er.
C
E7 Eº A‹ D7 G7 They met one day at
9
a
tan- go tea, There was a
syn- co- pa- ted wed- ding and then came me.
C7
F F7 D7 G7 Folks think
13 A
the way I walk is a fad,
C
C C G7
Jazz
17
But it's a hirth- day pres- ent from my mam- my and dad.
Ba- by,
I
want to be jazz-
I'm a
Cº
ing all the time.
There's
some- thing
G7
C D7 G7 G& in
the tone of a
21 B C
Jazz
sax- o- phone,
F "Walkthe
28 C
Dog" and "Ball
G7
all my own. Cause I'm a
C7
Ba- by,
25
that makes me do a lit- tle wig- gle
F
Full
of jazz- bo
har- mo-
ny.
That
D‹7 C Cº theJack" that caused all the talk,
G&
C
nat- 'ral- ly walk! 'Cause I'm a Jazz
is
just a
cop- y
of the way I
D7 G7 C Ba- by,
Lit- tle Jazz Ba-
by that's me!
11 Jazz Baby
2
33 C
F F©º C A7 Rocked to sleep while the cra- dle went to
37 D7
To and fro
G7
Ev-
and fro,
er
since
I
40
C
start-
ed
D7
in
to grow, I'd
F
See my dear old mam- my sway- in'. Jazz, jazz, jazz, that's
44
A7
to the tune of the "Tic-
D7
G7
Cº
love
to hear the
D
C
Jazz
Ba- by,
53
all
I ev-
Dog" and "Ball
er knew,
C CºG7
All day long
C G7
I
G&
a lit- tle jazz!
C7
Full of jazz- bo har- mo-
F
'Cause I'm a
ny.
That
C Cº D‹7
F "Walkthe
mu- sic play- in',
F©º C
nev- er would get thru. Jazz, jazz, jazz, That's all I want to do, Play me
49
kle Toe".
theJack" that caused all the talk,
is
just a
cop-y
of the way I
Solos at "D"
56 C
G7 G&
C
D7 G7 C
nat- 'ral- ly walk! 'Cause I'm a Jazz
Ba- by,
Lit- tle Jazz Ba-
by that's me!
After last solo play "C" to end
11
The Jazz Me Blues
C TREBLE
Tom Delaney 1921
Eb
Down in Louis - i
- an - a in that sun - ny
F7 Bb7
4
su - per
fine
clime
hear that
9
A
- They play a class of mu- sic that is
Eb
- And it makes no dif - fer - ence if its
Break 1 Bar
Eb
7
jazz band
mu
- sic
play
- ing
all
F7 Bb the
air
Eb Then
to
Eb Break 1 Bar
14
be in
rhyme
shine
Eb
the
- You can
time
it
sounds so pe- cu - liar 'cause the mu- sic's queer
12
rain or
Bb7
Eb
fill
Howits sweet vi- bra - tion seems to
you
the whole
world
seems to
Bb7 Eb
You want noth - ing else but jazz - band mu- sic
all the
time
11
2
The Jazz Me Blues
Bbº Bb7 Bbº Bb7 B Bb7
G7
17
Ev -'ry
one that's nigh
C7
21
to sigh Hearthem loud - ly
man
Don't stop the mu - sic it's
Bb7 know I want to hear it
both
day and
night
Eb7 D7 Db7 C7 F7
31
jazz
right
Now if it's
- time
Cmin
rag
C7
Take your time don't rush
it
play
it
sweet and
F7
37
dog - gone real - gone
Bb7
jazz - band "Jazz
Me"
Eb Ab7 blues.
in
G7
Don't want it fast
35
(Jazz-man!) You
Please Sir will you play it
Eb
(Jazz Time)
man
- time
and if you don't blow it hot then I
don't feel
Jazz
Oh!
Eb Break 1 Bar
25
28
cry:
F7
c
Jazz
nev - er seems
Don't want it slow,
low
I've
Eb
got those
D7 Db7 Solos at "C"
11
C TREBLE
Jelly Roll Blues
Jelly Roll Morton - 1905
G¨
Ensemble
Stop Time Banjo Solo - 7 beats 5
A B¨
G‹
3 3
Cornet solo 3 beats
B¨º B¨
B¨
F7
F7
Trombone Solo 3 Beats
B¨7
Ensemble 9
E¨
B¨
13
F7 C7 F7 B¨ B¨7 E¨ E¨‹ B¨ F7 3
17
B
Stop time 3 bars - ad lib breaks
B¨
21
E¨
F7
25
3
D7
D7 G‹ B¨7
G‹
B¨ Eº
F7 B¨ B¨7 E¨ E¨‹ B¨ F7
C7
3
3
11
2
Jelly Roll Blues
Stop time 3 bars - ad lib breaks
C B¨
33
E¨
37
F7
41
B¨
B¨
B¨7
B¨ Eº
29
C7
B¨ B¨7
F7
E¨ E¨‹ B¨ F7 3
3
4 bar interlude - clarinet trill, drum roll B¨7 B¨7 B¨7
B¨7
B¨7
45
D E¨ G7 E¨ E¨7
A¨ E¨ Aº
49
53
B¨7
F7
B¨7
B¨7
E¨
Back to "D" for Solos
11
C TREBLE
Japanese Sandman Raymond Egan & Richard Whiting - 1920
A E¨
Here's the Jap- an-ese
5
F7 hand
9
E¨
sor-
13
D7
mor
17
old-
25
A¨‹
bold-
E¨
Sand
29
man,
F‹7
hand
E¨ He'll buy your old day from
row
of the day that is
E¨7
er
with the new day you
man,
man,
you.
He will take ev-'ry
through,
In the dawn when you
G
Just to startlife a
er
Just an old sec- ond
B¨7
row
Sand man, Sneak- ing in with the dew.
B E¨
21
C7
And he'll give you to-
G
B¨7
new.
trad ing new days for
Then you'll be
A¨
a bit
wake,
And you'll be
F‹
B¨7
make.
a bit
Here's the Jap- an- ese
E¨º
Trade him sil- ver for
B¨7
Just an old sec- ond
E¨
old.
A¨7
E¨
B¨7
11
Just a Little While to Stay Here
C TREBLE
Just
a
lit
Ab
to
stay
here,
be
o
Db
wait
Just
a
lit
- tle
while
end.
Soon we'll take our
hev'n
Fm7
Bb7
bor,
in
ney,
Be
B Ab
Just
a
at
home
a
Heav - en's gates are stand - ing
Ab
state.
Bb7
march - ing All
the
-
Then
we'll
all
Eb7
thru
the
Pearl
- ies
there
beaut
-
ly
jour
-
Eb+7
Db Ab Eb7
In
this low and
Wait - ing for our
pen,
-
straight,
Dbm
la
Ab
ble
go march
Some sweet day we'll
there.
29
o
to
friends.
Db
Ab7
-
Ab
and
trou
-
with
Ab
Dbm
Eb7
nar - row
- gain
Db
- tle more hard
the path that's
Ab
lit
lit
23
ver,
-
- tle while to And our trav - els here will a
Just
Db
17
Ab7
12
all
- tle while
Soon this life will
7
Db Ab Eb7
Ab
Ab
Db
Ab
Ab
A
all
Ab
- ing
o
go
o
sin
- ful
en - trance
F7
-
ver ver,
Ab
y
Gate.
to
share.
1
King Chanticleer
C TREBLE
Nat D Ayer & Seymour Brown, 1910
A
B+
C‹
Ab7/Gb
C‹/G
C‹/Bb
D7
C‹/A
Ab
C‹/G
G7
C‹
C‹
4
9
B G
D7
15
D7
19
D7
25
C C‹
Ab7/Gb
G
C‹/Bb
D7€5
C‹/A
D7
G
B+
C‹/G
28
G7
D7
Play cues 1x for Repeat:
G7
Ab
D7
G7
C‹
C‹/G
1 1
2
33
D F‹
39
C‹
44
King Chanticleer
Trombone Solo - 16 Bars
F‹
F‹
C‹
D7
D7€5
G7
Bb7
CHORUS:
49
E Eb
55
Eb
60
G‹
65
F Eb
71
Eb
F7
75
Ab
Bb7
Eb
Bb
F7
Bb7
Eb
F7
Bb7
G‹
F7
Bb7
Eb7
Eb Ab7
Eb
Solos at "E":
1
C TREBLE
Lasses Candy A
A¨ 5
A¨ F7
A¨º
9
A¨º
E¨7
E¨7
21
25
F7
E7
B¨7
B¨‹
E7
E¨7
E¨7
B¨
B¨‹
B¨‹
A¨
A¨
A¨º
Eº
E¨7 A¨º
29
B¨
B¨7 B A¨
B¨‹
13
17
Nick LaRocca - 1919
G7 G¨7 F7
B¨‹7
E¨7
1
C TREBLE
Lassus Trombone
3
A F
C7
Trombone Solo C7
Henry Filmore - 1915
7
F
D7 C7
11
F
15
D¨7
20
B G7
F
25
C7
1.
C7
F
C7
2. F
F
C B¨ Solos Here mp
G7
F
30
F
Fine
F7 B¨
34
38
42
B¨
B¨7
E¨‹
E¨
B¨
F7
B¨
E¨7
B¨
After Solos Play "A" once
1
C TREBLE
Lazy Daddy Bb7
A Bb
Eb
ODJB, 1918
Bb
Bb
Bb7
Eb
C7
9
Bb
Bb7
Eb
Bb
13
Eb
Eº
5
Bb/F
G7
F7
F7
C7
C7
C7
F7
F7
B 17
23
Bb
Bb
Bb
Clarinet Break - 2 Bars
28
Eb
Clarinet Break - 2 Bars:
G7
F7
Bb
C7
F
F7/C
F7
1
Lazy Daddy
2
33 C Bb
Bb
Bb
39
44
Clarinet Break - 2 Bars
Clarinet Break - 2 Bars
G7
Eb
F7
Bb
C7
D
Eb
Ebº
F7
Bb
Ebm6
Bb7
Eb
Eb
Bb
Eº
Bb
fine
Bb7
49
53
E
58
Eb
Eb
Trombone Break Eb
Eb
F7
Eb
Trombone Break Bb7 Bb7
Eb
Eb
63
66
Eb/Bb
Eb
C+
F7
Trombone Break
Bb7
Eb
Trombone Break
Ab
Aº
Eb
F7
Back to "B" al fine
1
C TREBLE
Limehouse Blues
q = 184
AF
Eb
9
Lime Dear
In
And
they
And
Those
25
Dear,
Right here in
F
F
or
Am
Am
E7
Am
'Cause no one seems to
un - der
day,
- stand.
Dm
Db
a - round,
Like
a
weird Chi - na blues,
Nev
- er
Eb
long, long sigh. a
go
F
- way.
F
F
Queer
sob
sound,
Oh, Hon - ey lamb they seem to say:
Sad,
mad
blues,
For all the while they seem to say:
C7
A7
Eb
play,
Where you can hear those blues all
Bb seem all
to
- ange blos - som land,
E7
- house, wear - y
B F7
Eb
Where yel - low Chin - kies love
Lime
I'm
17
- house
Oh
Am
F
In Oh
F
Bbm7 Eb7 Ab7
1 Limehouse Blues
2
33
C Db7
Oh! Lime - house
Oh!
Oh!
kid
Db7
C7
That
the rest of them did
Fm7
kid.
Poor bro - ken blos
Eb7
Haunt - ing and taunt
blues
I've
the
real Lime - house
Bb7
- ing you're just kind o' wild.
and
Ab7 Oh! Oh!
Db7
Oh! Lime - house
- som
49
53
Bb7
no - bod - y's child,
D Db7
Ab
Go - ing the way
43
Oh! Lime - house
37
Bb7
C7 B7
C7 B7
blues,
Ab
Learned from the chink
- ies
those sad Chin - a blues,
F7
Rings on your fin -
gers and
Ab9 for repeat 59
Bbm F7 tears for your crown,
Bbm
Bbm7(b5)
Eb7
That is the sto
- ry
Ab
of
old
Chin - a
town.
1
C TREBLE
Livery Stable Blues (Vocal)
A E¨º
Way down in
Al-
3
E¨
E¨
Eº
a- bam,
It
F7
sta- ble
B¨7
brush
9
F7 on one string,
he
play,
B¨7
ming- ham,
There was
In-stead of work- ing all day,
E¨
Bir-
a
A¨
la- zy color-ed- fel- low named Lee,-
6
in
B¨&7
E¨7
was
E¨
to
up- on the
C7
the
hor- ses he'd sing,
this sad and lone-some- mel- o-
E¨
dy,
A¨7
and play up-
E¨
1
2
Livery Stable Blues (Vocal)
13
B
E¨
Oh hon-ey,- lis-ten- here,
16
ble
Oh hon- ey lis ten here
Aº
Oh how I miss your kiss,
19
E¨
hon-
ey
you
21
F7 ba- by
25
C
know
why
I
I've got those liv-'ry sta-ble
Oh, law-dy-
A¨‹
E¨
Al- a- bam- a
E¨
they're the
E¨
blues.
ba- by,
she'll drive a-
blu
B¨7
-
est
kinfd
of
B¨7
B7 B¨7 Those liv - 'ry sta - ble
way
she prom - ised that she'd mar-ry-
me some- day,
A¨7
those blues,
E¨
32
35
got
I've lost my pep com- plete,
me,
back to my
have
this,
B¨7 E¨ E¨7
A¨ E¨ G¨º C7
B7
29
I'se g'wine
C7
E¨
A¨
I was- n't born for
B¨7
mine,
E¨7
blues.
I've got those mean old liv-'ry
A¨
E¨7
sta-
E¨
blues!
blues
1
C TREBLE
Livery Stable Blues,
a la Muggsy Spanier
(Barnyard Blues)
Lopez & Nuñes, 1917
Eb Eb7 Ab Ab‹ Eb
B7
Bb7
Break - 1 Bar
Bass Drum
5
Eb
Bb&7
Eb
Eb7
A
10
14
Eb
Ab
C7
F7
Bb7
Eb
Ebº
Bb7
Eb
1st time Only
Bass, Trombone, & Bass Drum
17
B Eb
Eb7 Ab
21
Eb
C7
Last Time: To Coda
Eb
25
F7
Bb7
Eb
Coda:
Ebº Bb7
Trombone Gliss to "C"
Eb
29
Bb+7
Eb Fine
Bass Drum
1 1
2 Break! 3 Bars
C Eb
31
Ab
Cornet "Horse Whinny"
Clarinet Break
Harmonize
Trombone
37
Eb
40
Bb7
F7
Eb
Solos
Ebº
Bb7
Eb
Eb7
1 X Only - Trombone
Eb
43
Ab7
49
Eb
C7
F7
Bb7
Eb
Ebº Bb Eb
Break: 3 Bars: Clarinet Break
55
D Eb
Harmonize
Cornet "Horse Whinny"
61
Eb
C7
64
Bb7
Eb
Trombone
Ab
Ebº
F7
Bb7
Eb
Back to "B" - Take CODA:
1
Long Gone
C TREBLE
W.C. Handy & Chris Smith - 1920
A¨ A¨7/C D¨ E7/D A¨ E¨7 A¨
Did you
A A¨ E¨7
5
A bold bank rob-ber from Bowl -ing Green,
ev-er hear the sto- ry of Long John Dean? Long
John stood on the rail- road
A¨
tie,
Waitin' for
A¨ A¨7/C F‹7 D¨ E7/D A¨ to the jail- house
Freight train
B A¨
13
Long
17
A¨ Long
came just puffin' and flyin',
F‹7 Gone
A¨7/C
gone,
yes- ter- day,
B¨‹7
Late
Ought'a seen
E¨7
from
Ken- tuck- y,
D¨ E7/D
and
what I
last night he made
mean,
A¨
Long
Long
get- a- way.
his
John grabbin'
F‹7
by.
B¨7 E¨7 A¨
9
sent
to come
freight train
Was
that blind.
B¨‹7
Gone,
He was
E¨7
ain't
he
luck- y?
A¨ E¨7
A¨
Long Gone John from
Bowl- ing Green.
Interlude
21
A¨ F‹7 B¨‹7 E¨7
A¨
F‹7
B¨‹7
E¨7
1 Long Gone
2
A¨ E¨7 A¨
25
C
They
to bring him back,
caught him in Fris- co, and to seal his fate,
They
30
of- fered a re-ward
A¨
A¨7/C
on the o-
cean
A¨ F‹7
34
San
Quen- tin
D
E7/D
A¨
Now
E¨7
A¨
from Ken-
tuck- y,
Long
Gone,
Long
Gone
from San Quen-tin,-
Long
Gone
A¨7/C
D¨ E7/D
Long
gone,
and
Long
Gone
I'm
what I
tell- ing
the
F‹7
Gone
A¨
his track.
ev-'ning- late.
no- bod- y knows where Long- John went.
John es- caped, The guard for- got to close
B¨‹7
on
But
B¨7 E¨7 A¨
F‹7
Long
38
jailed one
D¨
Dog- gone blood- hounds lost his scent, out
E-ven put blood- hounds
and
Gol-
den
B¨‹7
gate.
He was John's
E¨7
Ain't
he
luck- y.
still
a' sprint- in'.
A¨ E¨7
A¨
mean,
Long Gone John from
Bowl- ing Green.
you,
Shut your mouth and
shut mine
too.
1
C TREBLE
Lovin' Sam (The Sheik of Alabam') C
A
Lis - ten sis Ev -'ry hus
ters and band and
bro lov
F
5
C
Cº
They say that he's the lov - in' Of course they say ad - vice is
9
D7
C
He's the great Keep your gal
F
est of un - der
lov cov
C
- ers - er,
There ain't a wo- man But if your gal you
D7
To be the bride of And in the morn - in'
he can't vamp, aim to keep,
C
know: on:
C
C7
C7
F
C
Who would - n't throw her dad - dy down Then you is out and Sam is in!
G7
Ev - er kissed a girl on the cheek. Sure as there's a deuce on the dice,
There ain't a high - brown gal in town If Lov - in' Sam gives her the grin,
21
a - bout a man I and you can pass it
Cº
17
champ, cheap,
C
But let me tell you Then here's my warn - in'
F
G7
13 B
C7
C7
I sup - pose you've heard of the Sheik. Bet -ter take a bit of ad - vice.
- thers - er,
C
1922
C
this col - ored Ro - me your lov - in' ma - ma's
-
o. gone!
C7
Peo - ple Peo - ple
1
2
Lovin' Sam (The Sheik of Alabam')
C F
25
G7
call
29
him
Lov - in'
Sam,
Al
-a
bam'.
-
a heart break - in'
He's a
man!
And when the
Am
go
stroll - in'
by,
G7
Does he
step?
Does he
down in Al - a
ba - bies
You could
have your eggs and
for Cas
Gm7
The
Sheik of
F7
bies cry
for
you like
F
-
ia!
They
all
love
C7
-
a
Lov
- in'
Sam,
F
Al
In the fin -est kit - chens
F
You'd make the high - brown ba
- tor
ham,
Bbm
D7
noth - in' else but! Could you
C7
A7
- bam'.
cry
eye!
Bb
wick - ed
G7
Sam,
46
a
That's what he does -n't do
DF
love like Lov - in'
rolls
Break for 2 bars
C7
strut?
Boy! He
54
He's the Sheik of
mak - in'
51
F
gals
41
F
37
C7
mean love
33
-
bam'.
Peo - ple
1
The Love Nest
C TREBLE
Louis A. Hirsch & Otto Harbach - 1920
E¨
Just
5
A
a
A¨
dove
love
B¨7
nest,
co- zy and
nest,
down on
a
9
B¨7 an-
13
da
with some
F‹
C
B E¨
small
sort
of
A¨
ram- bler
cling- ing
ros-
es
tea set of
E¨7
room,
than
29
F‹
love
twine.
G7
a
pal-
ace
with
a
gild-
ed
dome,
You can call
Then
a
home.
a
E¨7
Best
of
Bet- ter
G7(b5)
C7
E¨
ver-
two.
nest,
A¨
blue.
A
Then
B¨7
a
dream room for
G7/D C7
vine,
25
B¨7
E¨
Like
B¨7
B¨7
warm.
farm.
E¨
F7
room,
21
all
F‹
kit- chen where some
17
E¨7
A¨
E¨7
E¨
is
a
1
Ma He's Making Eyes At Me
C TREBLE
Con Conrad - 1921
A E¨ B¨7 E¨ Lit- tle Lil- ly was
C‹
Cº
and
coo.
7
bill
oh! So sil- ly and
F‹7
to
B E¨
17
"MA,
cud - dle
26
al
33
C
up
to
he wants to
41
mar-
B¨7
Ev-
'ry
min-
ute
Me,
I'm
meet-
ing
B¨7
on
my
should-er,-
for
as
-
sis- tance!
F7 Ma,
fel- low would
cry:
you
peek
A¨
Be
my
hon-
ey
he
gets
bold-
with
re
sis
he's
kiss
E¨
-
Mer- cy! Let his con - science guide him
B¨7
MA he's
B¨7
Can't you see I'm goin'
If
E¨
to me!
in,
side him,
B¨7
B¨7 B¨º B¨7
be-
-
E¨
I'm
She would- n't
some smart
he's aw- ful nice
ry me,
E¨º
44
B¨&7 E¨
MA,
B¨7
E¨
night
But she would
at me!
B¨7
- 'ry sin-gle-
her,
fel- lows knew,
F7
MA,
F7
- most break- ing my heart,
E¨
E¨
B¨7 F7
he's mak- ing eyes
Cº B¨7
And all the
Ev
try,
shy,
B¨7
11
E¨
B¨7
to
weak - en?
G7 C7 F7 B¨7 bee.
E¨º
er,
Now
he's
lean-
ing
tance
I
shall
hol-
ler
- ing
E¨ me!"
A¨7
E¨
1
C TREBLE
Mama Don't Allow
B¨ Ma-ma- don't 'low
5
no
Ma-ma- don't 'low
9
B¨
We don't
12
no
E¨‹
an- y how.
what
cor- net play'n 'round
here!
F7
cor- net play'n 'round
care
B¨
B¨7
Ma-ma-
here!
No
She Don't
No
don't 'low,he's
gon-na'-
B¨
F7
Ma - ma don't 'low no
cor net play'n 'round here!
B¨
She Don't
E¨
playthat
cor-
net
No
She Don't
1
Mandy
C TREBLE
Irving Berlin - 1918
A B¨
I was
E¨
hear some
bo - dy
9
F7 stopped a
13
B¨
Gº
stroll - ing out one
5
B¨
E¨
E¨
just some- bod - y
B¨
G‹
sing
-
ing
E¨ Man
-
C7
han
-
there's a min - is - ter
dy,
-
C7
er
F7
fa - mil - iar
I
B¨
-
dy,
If we'd let him make a
fee.
B¨
this.
Oh
now
and it sure would be
So don't you
G7
Gº
It was
B¨ fing
miss.
B¨7
here's the ring for your
G7
I
some - thing like
han
So
F7
B¨
tune.
want -ed to
B¨
ding - er?
C7
F7
E¨
29
word
ser - e - na - ding
25
ling
a
G‹
I could
F
Not a
moon.
lis - ten,
dy,
21
'neath the silv' - ry
C7
B
17
F7
B¨
-
B¨
ing
B¨
while to
B¨
even
F7
-
B¨
er
is - n't it
Gº
C7
F7
a hum -
B¨
Come a long and let the wed-ding chimes bring hap -py times far Man -dy
and me.
1
Margie
C TREBLE q = 160
Con Conrad & J. Russel Robinson
A F
C
can
You
5
F
Gm
talk
F
a - bout your
F
C7
I
must
tell
to
you;
long they
He holds her
FB
B
Eb7
sit
up -
on the
gie,
-
Mar
F
Don't
I
gie,
-
for
-
get
Gº
have
bought
EB7
G7
a
tell
think - ing
of
you
I
love
world
prom - ise
to
C7
Break 2 bars
lit - tle
the
F+7
D7
your
My
al - ways
C7
I'll
E7
F7
I'm
Bb
F
coo:
D7
stairs,
close and starts to
Gm
Mar
G7
Fº
C
F
C7
love af - fairs,
G7
17
Gm7
Bb
night
29
C7
D7
All
25
one
21
Here's
13
F
C
9
Bb
me,
home and ring and
you,
ev - 'ry - thing, For
1 1
2
Margie
33
C
F
Mar
37
Bb
nev
F
all
is
Mar
-
gie,
er
blue.
done,
C7
-
said and
Gm7
You've been
are
There is
Mar - gie
my
it's
you."
in - spir - a - tion,
Af - ter
F7
E7
Eb7
on - ly
one,
Oh!
real - ly
F
F+7
A7
Days
45
gie,
-
41
F7
D7
C7
"My
lit - tle
Memphis Blues
C TREBLE
6
1
B¨7
F7
W.C Handy - 1912
E¨ E¨7 A¨7 A¨‹6
B¨7
B¨7
B¨7
E¨ E¨ E¨ E¨7 D7 D¨7
10
14
C7
F7
18
B¨7 F7 B¨7 E¨ E¨7
22
A¨7
D¨7
A¨
A¨
27
E¨7 E¨7 A¨ A¨7 D¨7 D¨‹ A¨ B¨7
30
C TREBLE
1
Midnight in Moscow q = 160
Cm
Fm G7
Cm G7
Cm
Eb
8
Dm7 G7
Cm
G7
Cm
Cm
14
20
A Cm
G7
Fm6
Cm
Fm
Cm
Stop time- first beat of bar only
25
Cm
Cm
Dm7 G7
Eb
Fm
Ab Bb7
Cm
Cm
Eb
3
Time
30
Ab
Eb
35
Fm
41
Cm
Fm
Cm
G7
Cm
G7
Cm
Fm
Cm
G7
Cm
Dm7 G7
Cm
1
Missouri Waltz
John Eppel & J.R. Shannon 1914 F
C TREBLE
F
C7
Hush
F
5
Rest
9
a
-
ba
sigh
my breast while mom
- on
is
call
- in' where shad - ows are
fall
as
by.
days
long gone
tune;
strum,
hum,
- in' while the soft bree - zes
Way
down in Miss
- our - i where I
F
When
I was a tin
- y child up - on
F
hum - min',their ban - jos were strum - min' so
- o sweet
Cm
strum, strum, strum, seems
hum,
hum, hum,
C7
F
and
low.
A7
Dm
I
hear those ban -jo's play - in' once a- gain.
Dm
my mom - my's knee; The
G7
The
F0
Dm
Hum,
C7
old folks were
a
F
Bb
D‹
- my hums
in
soon;
C7
41
- in'
G7
heard this mel - o - dy.
Strum,
com
F
F
is
F
your head
up
- ber time
33
by, slum
C7
G7
25
-
sand - man
19
- bye, my
Bb
14
F
A7
Tha - t same
old plaint
Dm
- ive strain.
1
Missouri Waltz C TREBLE
2
49
Dm
57
A7
D‹
Hear
64
that mourn
Bb
D‹
A7
- ful
mel - o
-
F
77
F
Jour
81
Bb
Hush
F
Dix - ie
Dix
C7
-
F
ie - land
F
92
F
by,
97
Bb
old re
G7
C7
- frain.
in
dreams
a
- gain with
me;
G7
- gain,
Way
C7
down in
Miss
thestars were blink
F
Dm
C7
in
days long a
F
- our -
F
- in' and the moon
G7
It
and the old folks were strum - min. that
i, where I learned this lull
hear Mom - my Chloe, as
time
F
when
it seems when you hear that old
seems like your mom - my was there once a
same
long,
F
It just haunts you the wh - ole day
87
Dm
- a - bye my ba - by, go to sleep on mom - my'sknee.
C7
to
A7
- ney back
F
song.
Dm
dy,
and you wan - der in dreams back to
Dm
Dm
71
A7
was climb - in' high,
- go, sing - in'"Hush
C7
F
a
bye."
- a-
and I
1
C TREBLE
My Daddy Rocks Me J. Berni Barbour - 1922
q = 100
A
Fm
Bbm
I've got
5
a
Ab
me
on his
17
rocks
Fm
knee,while
B Fm Fm/Eb
me
py.
rock ing
C7
Aº
Ab
chair, and
Cm/Ab
Bb7
Cm/G
I'mglad to say
a great big
sosweetto me.
Eb
13
Cm
he's al ways gay. I've
Eb
ev - 'ry night you'll find us
G7/D
Bbm/Db
C
he rocks me to a rock- y
C
with onestead y
Bbm
roll.
I'm
mel - o - dy.
Fm
there.
Fm/C
Fm/Db
Fm/c
no one could be
hap -
Db6
G7
Bb7
got
Dº
Sweet - ie,
He makes
9
Fm
My ba by
Fm
Bbm
Fm
My ba by
1
2
My Daddy Rocks Me
21
Fm
Fm7/Eb
rocks
25
Db7
me
with all hisheartand
Fm
C7
Fm/C
soul.
C7
Gm7
We'll al ways spoon while the lights are Wrap'd in a blank et of love and
28
low. charns,
Fm7/Eb
Fm
Fm/c
C7
Dº
C7
Bbm/Db
He hates to
leave me when it's
I'm sit tingpret
ty when I'm
Most ev' - ry eve - ning at half past nine,
We get to geth
er and the
Talk a - bout row - boats and birch can- oes,
You need a
C7
time to
Gm7/D
go.
his
arms.
world is
mine.
in
C7/E
Fm
My ba - by rocks
Fm/Eb
chair to rock a -
Fm/Db
C7
me
with
onestead - y
way your blues.
31
Fm
roll.
Gº
C7
Fm
roll.
C7
Fm
1
My Honey's Lovin' Arms
C TREBLE
Herman Ruby/Joseph Meyer - 1922
F
You've heard lov-ers,
5
C7
Cº
C7
9
I'm
13
They
F
so
diff- 'rent,
love I
know
I
Love- sick
lov- ers
al- ways
Oh,
F©º
get
ro-
G‹7
man- tic,
Drive
so diff-'rent-
A
fret
F
A‹
now;
F©º
bout their
C&7
you fran-tic.
A7
While I'm in
G9
simp- ly
F
B¨7
D‹
C&7
pet;
F
B¨7
go
and
G‹ C&7
whis- per
low
to
Hon- ey
Ba-
by:
1
2
17
A F
I
21
love your
G7
place
to
nes- tle
com- fy
co- zy
G7
I
love
you
Seems to bless my
B¨7
find
G9
'Cause when the
my
love be-
C7
G7
Right
in
my
Hon- ey's
ly.
hap- py
longs
C7
Lov- in'
to
you
lit- tle
I
F
know that
B¨7
ey.
way
on-
hon-
D7
F7
pair!
C7
When years have passed a-
world seems wrong,
F
C‹6
You'll
45
F
a
G‹7
more each day,
lone-
Oh, what
world of charms,
chair,
Hap- pi- ness,
a
D7
am
BF
I
C7
One ca- ress,
41
when
37
They hold
A
33
lov- in' arms,
C‹6
A
29
F
25
My Honey's Lovin' Arms B¨7
ly;
B¨
B¨‹ I
F
be- long
1
My Bucket's Got a Hole In It
C TREBLE q = 174
F7
Bb7
5
F
F
C7
F7
Bb7
F
F
C7
10
13
Bb
F7
Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It I can't buy no beer. Well I'm standin' on a corner - With a bucket in my hand I'm waitin' for a woman - That ain't got no man. CHORUS 'Cause My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It I can't buy no beer. Well, I went upon the mountain - I looked down in the sea I seen the crabs and the fishes - Doin' the be-bop- bee. CHORUS Well, there ain't no use - of me workin' so hard When I got a woman - in the boss man's yard. CHORUS Well, me and my baby - we just bought a Ford And now we sit together - on the running board. CHORUS
1 1 C TREBLE
Oh, Didn't He Ramble Traditional
A B¨
6
F7 B¨
B¨ F7 B¨
B¨ F7
12
16
Drums
B¨
TO Dixieland 2-beat swing feel
F7
Well his
B B¨
20
head
24
B¨
28
35
ram
ket,
his
run-
ning
by
said:
ble, Didn'the
-
F7
B¨
mar-
40
the
C
town.
in
B¨ ram
was
girls came
B¨
Didn't he
ram-
-bled
'til
the
"Look at that
ble?
wo - men
in
the
street.
All
the
B¨
F7
mar-
ket
He ram-bled all
Didn't he
cut
him
B¨
down.
a- round,
ram-
ble?
he
B¨ All a-round the
meat!" Oh didn't
B¨ F7
ble,
F7
were
F7
ram-
feet
He
F7
Didn't
he
1
C TREBLE
Oh By Jingo
q = 180
F
F
C+7
C+7
F
Oh, by Gee! by Gosh, by
7
Juv,
love?
We will build for you
a
G7
AF
C+7
F
C+7
23
A7 Bm A7/C#
me."
28
So they
D‹
Juv, by
Jin - go,
F
Dm
You will be
Then we'll put them
F
by
F7
Oh, by Jin go said, by Gosh,
our fav'rite nut,
in the Fol-
Gee.
By Gee, you're the
"By Jim - in - y, Please don't both- er
all went a way sing ing Oh! By Gee, By
F#dim
lies,
Bb
D7
C7
We'll have a lot of lit tle Oh! by Gol - lies,
hear our
F
hut.
17
G7
Oh! by Jin go, won't you
Gdim
C7
G7
13
Gum By
G7
Albert von Tizler Gdim 1919
C7/G
C7
on
- ly girl for
F
me.
Bb7
Gosh by Gum, by
F
1
C TREBLE
Oh! A
B¨
F7
5
B¨
Byron Gay/Arnold Johnson - 1919
F7 B¨
10
E¨
C7
F7 Break: 2 Bars
14
3
3
17
B B¨
3
B¨ 3 3 F7
22
F7 B¨7
27
E¨
31
F7
B¨ B¨& B¨6 B¨&
B¨
1.
2.
B¨
B¨
1
C TREBLE
Ole Miss
A C7
5
F
F
9
C7
C7
13
C7
F
17 B B¨
21
C
A7
D‹
25 B¨
29
G‹
C7
W.C. Handy - 1916
F
F7
F
F©º
A‹
E7
A‹
F
F7
D7
F
F
B¨‹6
1 Ole Miss
2
33 C
37
C7
F
F
41
C7
F
C7
45
C7
49
D
F
53
C7
57
61
B¨
F7
F
F7
Bº
F
F
C7
B¨
D7
G7
B¨
D7
G7
C7
F
C7
A7
F
Back to "D" for Solos Then Play "C" and "D out.
1
The Old Rugged Cross
C TREBLE
George Bernard - 1913
A C
5
C
G7
C&
F
F F‹ C
B F Fº F C Cº C C7
C
D7
19
F
25 C G7
Fº
31 C
36
G7
C
F
C
B¨7
C
Ritard
9
14
C
G7
C
F F‹
C
G7
C
Cº
C7
C F7 C F
A7 C
F&
F6 G7
D F F‹ C
1
On The Alamo
C TREBLE
Isham Jones & Gus Kahn - 1922
A
CŒ„Š7
D‹7 C
Where the moon swings
5 D‹7
9
where
ros-
es
grow,
C
light
13 D7
B7
of
wan-
der
to
wait
D‹7
said
"I
love
A‹
dreams
29
D7
low,
mer
night,
and
fro.
the gar-
it
seems
D‹7
On
you
so".
I
G7 the
can hear
her
Break
I'll
D7
On the night
D‹7
E7
And
go
in
I
all
my
Where the moon swings
F7
Al-
der
F©º
C
A‹7
F‹
E¨7
A‹7
gate,
E‹7
C
the ten-
For she said
den
I
G7
G7
G7
In a gar- den
D‹7
D‹7
by
mo,
A7
D7
D7
In
C
the sum-
A‹7 F‹
E‹7
17 B CŒ„Š7 D‹7
25
E¨7
21
E‹7
CŒ„Š7 D‹7
On the Al- a-
G7
fair
D7
a-
mo.
C
Break
1
C TREBLE
Ory's Creole Trombone Edward "Kid" Ory - 1921
Trombone solo
A
6
12
G7
C7
28
G7 B
F
34
F
C7
D7
G7
C7
F
C7
F
F
D7
C7
F
G7
17
22
F C7 F
C7
C7 F
G7
C7
D7 F G7
C7
1.
2.
1
Ory's Creole Trombone C TREBLE
2
39
44
C B¨
C7
C‹
49
C7
55
C©º
B¨
F7
D D7
C7
83
TAG
B¨
C7
B¨
After last solo play "D" to end and then tag
Trombone
B¨ C©º C‹ F7 B¨
F7
F7
73
C7
C7
F7
G‹
B¨
79
B¨
F
Trombone solo
Trombone Solo
60
Solos
B¨
F7
67
F7
B¨
C7
F7
B¨
1
C TREBLE
Ostrich Walk F
C©7
Original Dixieland Jazz Band - 1918
G‹7
C7
5
G
D7
9
A
G7
C7
G
D7 G7 C7
F
F
14
F
F Trombone
21
F
26
B F
32
C7
F7
F
Stop Time 4 bars
17
G7 C7
G7
Cornet
D7
Fº Break
B¨
G‹7
C7 Break
C7
B¨‹
Clarinet
C7
1. F
F Break
F
Fº Break
C7 Break
Trombone
2. Fº F B¨
Fº
C7
Fº
38
F
F
Fº
F
C7
F
C©7
G‹7
42
F Break
C7
1 1 Ostrich Walk
2
46
C F
50
F
54
F
F
F7
Cornet
F
D7
62
D F
G‹7
66
F
58
D7
70
F
C7
Clarinet
B¨
G‹7
B¨‹
Trombone
C7
F
C7
F
C7
C&7
F
sfz
Fº
G‹
Fº
74
F
G7
Trombone
C7
Stop Time 4 bars
G7
C7
C7
F
F
Unison
78
F
F
F C&7
F
1
C TREBLE
Over The Waves
q = 120
Bb
F7
10
Bb
26
33
E¨
Bb
A¨
Eb
Bb7
Eb
B¨7
57
Bb
Eb
E¨
F7
49
41
Eb
B¨
B¨
19
F7
Ab
Bb7
Eb
C TREBLE
Poor Butterfly
q = 120
Ab E7 Bbm7 A Eb9
Poor But - ter
5
C+7
B Eb9
come
She
know that he
be
me
die.
-
C7
F9
by
and
by.
Then I nev
Poor
And
But
- er
Ab
- ments
as
E7 Bbm7
Ab
ful,
I'm
sure
But
cry,
I
Ab
- ter - fly.
he
if
Bdim
sigh or
Ab
she
The moon and
faith
mo
low,
Fm
Abmaj7
Eb9
The
- to years,
Dbm6
he don't come back
29
in
mur - murs
to
Bbm7
C+7
25
so.
Eb9
I
21
him
Poor But - ter -
Ab
smiles thru her tears,
17
- ing
The hours pass
Bb7
Ab
F7
Eb8
hours,
Abmaj7
F9
for she loved
in - to
Golden/Hubbel - 1916
'neath the blos - soms wait
Bb7
pass
13
- fly
fly
9
1
just must
Panama
C TREBLE
5
E¨
E¨
E¨ C7 B A¨
28
E¨
F7
E¨
A¨
Aº
2. E¨ E¨7
C7
F7
A¨
Aº
C7 B¨7 E¨ F7 C A¨ A¨&7
43
E¨
33
38
B¨7
E¨7
E¨7
E¨7
D¨
A¨
B¨7
1. E¨
Aº
E¨7
B¨7
E¨
E¨
18
22
B¨7
15
B¨7
E¨
B¨7
William H Tyres - 1913
E¨
A E¨ B¨7
10
1
E¨7
A¨
A¨
1
2
Panama
48
C‹
54
D A¨
C‹
G7
E¨7
A¨
70
D¨
Dº
A¨
A¨
84
A¨
A¨7
A¨
E¨7
pp ff
76
E¨7 A¨ E¨7
E
E A¨
59
64
E¨7
E¨7
1. E7
A¨ E¨7 A¨
90
E¨7
A¨7
D¨
2. E7
A¨
A¨
E¨7
A¨
A¨
E¨7
A¨
1
The Pearls
C TREBLE
Jelly Roll Morton - 1919
G
A G D7 E¨
G E
6
E7 A‹ E7 A‹ E¨
D7 G A7
11
G E¨
E7 A‹ E7 A‹ E‹ A7 D7 G E¨
16
B
G7
21
B‹7 E7 G
25
29
G7
A7
D7
C7
Break - 2 bars
G D7 G
33
Gº
C7
3
G
37
G7
3
Gº
3
G7
1
The Pearls
2
41 C Tuba Only
All
45
A‹
49
D‹7
G7
CŒ„Š7
E‹
D‹7
E¨º
G7
C
E‹7
3
G7
E7 A7 D‹7 G B7 E‹ D‹ C D E G7
53 D‹
57 D Tuba only
All
61
G‹7
CŒ„Š7 C
3
A7
F
3
D‹
F
F‹ C A7
65
69 D‹7
73
G7
Gº
C
G7
Tuba Only
G7
3
C9
1
Pretty Baby
C TREBLE
Egbert Van Alstyne & Gus Kahn - 1916
Ev-
5
B¨7
'ry-
E¨
bod- y loves a
ba- by that's why
B¨&
Ba-
by,
B¨&
I'm in love with you,
E¨
Pret- ty
Ba-
by.
Pret- ty
And
9
B¨7 like
13
to
E¨
by,
E¨7
come and
21
sis- ter, broth- er,
B¨&
Ba-
17
be your
C7
let
rne
cud-
Pret- ty
Ba-
by.
my
all
A¨
cra-
F7
dle
E¨
in
Pret- ty
Won't
dle of
love,
And we'll
B¨7
time.
Oh!
want
29
F7/C
a
lov-
in'
F7
I
B¨ Bº
25
B¨7
you
D¨7
the
B¨&
dad and moth-er too,
rock you
I'd
ba-
by
and
it
B¨7
Pret-
ty
Ba-
by
of
might as
E¨ mine.
well be
you,
Riverside Blues
C TREBLE
5
C‹
G7
C‹
9
A¨7 B¨7
3
C‹ F‹
E¨
B¨&7
E¨
A¨7
E¨
E¨ 2 bar unison break
3
F‹7
G7
Thomas A. Dorsey & Richard M. Jones
A E¨
13
1
E¨ E¨7 E¨ºA¨‹ 1. E¨ B¨7
B¨&7
2. E¨ B¨7
3 everybody plays this figure behind clarinet lead B B¨7 E¨ E¨
18
G7 A¨ A¨‹ E¨ 2 bar clarinet break
22
26
B¨7
30
34
A¨
F‹7
C E¨
38
B¨
B¨7
E¨7
E¨º A¨‹ E¨
E¨
B¨7
A¨
E¨
E¨7
2 bar unison on out-chorus E¨ Play
F‹7
B¨7
E¨ E¨7 E¨º A¨‹
Solos at "C" E¨
1
C TREBLE
Rock a Bye Your Baby Jean Schwartz - 1918
A C
C©º G7/D
E¨
Eº
Your lit-tle roll- in'stone thatrolled a- way,
B¨7
C
E¨º
G7/D
G7
Just
to
see
your
smil- in'
E¨
B¨7 E¨º
When I'm
in
E¨
Your roll- in'stone is roll - in' home to- day,
13
B7
Mam- my mine,
9
C
Mam-my mine,
5
G7
your
face,
fond em- brace,
C
E¨º
Smile
a
wel- come
G D7 Lis- ten
Mam- my
G&7
strolled a-
way.
G7
there to stay.
G7
sign.
G7
mine:
1 1
2
Rock a Bye Your Baby
17
B C Rock- A
21
- Bye Your
Ba- by
G7
when you croon,
croon a
G7
Just hang my cra- dle,
D7
And swing it
Weep no
37 D‹
more
my
G7
Old Black Joe,
41
ie
Mel- o-
dy,
D7 G7
tune
from the
heart
of
Dix-
ie.
C
A7
Mam-my mine,
from Vir- gin-
33 C C
Right on that Mas- on-
Dix- on Line,
G7
Dix-
C
29
a
With
25
Cº G7
la- dy,
ia,
To Ten- nes-see with all the love that'sin
Cº G7
sing
D‹
that
G7 F7
just as though
song
a-
E7
you
had
gain for
ya'
me,
And
me on your knee.
D7 E¨º A7
A million ba-by kiss-es I'll de-liv-
45
C
Rock- a-
bye your
er,
The min-ute that you sing the Swan- ee Riv-
A‹7
G7 rock- a- bye ba-
by with a
D7
Dix- ie
mel- o-
C
dy.
er,
1
C TREBLE
Rose of Picardy
F7
Ro-
5
F(“4)
hush
ing
F7
of
sil-
the
Ro-
13
C7
nev-
17
25
er
ing
a
G7
ses will die
with the
F7
may
be
far
Pi- car-dy,
I keep
but there's
F7
you!
B¨
D7
And
the
sum-mer time,
And our roads
But
not
Pi- car- dy!
in
F7 that
there's
C7
rose that dies
a- part,
like
C‹7
rose
in
the
D7
B¨
dew.
rose
F(“4)
one
29
ses are flow'r-
in
C‹
Pi- car- dy,
ver
F7
ro-
21
in
9
G7
B¨
ses are shin-
Haydn Wood - 1916
B¨
in
my heart!
'Tis
E‹6
the
B¨
1
C TREBLE
Rose Room
q = 140
5
In sun - ny
Ab7
the hon
May
all
- ing
the ros
- es are
- ing,
The moon when
Ab
is more than ev
- er
de
- sign
ing
-
Db
'tis
ev
- er then I
am
pin
- ing
Bb7
Rose
ing,
-
while the mead - ow brook flows.
Dbm
Eb7
For
Pin
F7
-
Ab7
ing".
-
sway
B Bb7
29
Eb7
shin
25
"A
Bb7
21
- ey bees are
-
Ab
Danc
17
ing,
Db
Dbm
Where sum - mer breez- es are play
- land,
There
13
Ab
Where
9
Eb7
A Bb7
Rose
Harry Wiliams and Art Hickman - 1917
- land,
ing,
-
Ab
F7
to be sweet - ly re - clin
Eb7
-
ing, Some - where in
Ab
Be - side a beau - ti
- ful rose.
1
C TREBLE
Rose of Washington Square A A‹
E7 A‹
D‹
A gar-denthat nev-er- knows sun-shine
5
A7
James F. Halnley - 1919
Onceshel-tered a beau- ti - ful rose.
D‹
E
B7
E7
sha-dows it grew with-out sun-light- or dew, as a child of the cit-
9
A‹
D‹
but- ter- fly flew to the
13
C
C©º
G
heart of the rose set a- flut-ter,-
17
D‹7
gar- den,
G7
told her of birds and of bees,
A‹ E7
E¨7
A‹
with a
D7
D7
won-der-ful tale
of
In the
y grows.
from out of the blue sky a-
A
bove,
the
love,
He
G
of the brooks and of mea-dows and
G7
trees.He whis- pered,
1
2
Rose of Washington Square
21
BC
Rose,
25
G7
Fair
29
E7
D7
37 C C
Rose,
G7
heart,
45
49
D7
be
I'll nev-
Rose
sun
shines,
mean
the
queen
er
part,
de-
Dº
love
the
not
to
so
did
flow-er
G7
G7
a
Cº
that
of
A‹
care,
you should
some fair
gar- den,
but dwell
in your
I'll
bring
the
F‹6 C A7
sun-beams from the Hea-vens to you,
D7
A‹
your
where
Na- ture
but
Square
C
G&7
for
G7
of Wash- ing- ton
blush un- seen
41
Cº
should blos- som
Rose,
33
G7
and give you kis-ses that spar-kle with dew
of Wash- ing- ton
C
Square.
my
1
C TREBLE
Rufe Johnson's Harmony Band Shleton Brooks & Maurice Abraham - 1914
F©7 Eº
A E¨
Rufe
E¨
9
he
comes
G¨º
B¨
the
street,
B¨7
one
er
man,
The
peo-
their
feet,
E¨
grand leadple
shake
F‹6
G¨º
B¨7
Sa-
van-
nah,
Down
in
Sa-
van-
nah.
They
all
keep
sway-
ing,
While
Rufe
is
play-
ing.
C7
real-
Old Rufe
17
down
He's
in
He
F7
band,
Down
B F‹
a
F©7 Eº B¨7
E¨
leads
F‹6
13
John- son
When
5
B¨7
ly
can't
can't be
beat,
Plays
read
note,
but
a
C‹7
Down
in
Sa-
van-
nah-
When
he
plays
'Man-
ci-
C7
F7
pa-
B¨
rag- time
mu- -sic-
he
get
will
sweet,
your
goat,
C‹ C©º B¨/D
B¨
A.
When
tion
Day.
The
G‹ B¨ Aº B¨
peo-
ple
say:
hear
them
say:
par- ade
each
hol-
i-
horse
and
they
act like
day, fools,
G.
B7
they
mules
F‹
You'll You
hear
the
al - most
B¨7
1
2
Rufe Johnson's Harmony Band
C E¨
21
G7
Here they
come,
Just
25
G7
beat-
29
D
in'
A¨
Lis-
some,
He's
ten
to
that
C7
37
toot
E E¨
41
C7
played
go-
to that
ing
rump,
toot-
te-toot.
Say
E¨7
ten
to
B¨7
bone
old
cor-
rump.
toot-
te-toot,
F‹7 B¨7
moan- ing, hear it
that
-te-toot,
A¨
he
Root
that trom-
ain't
C‹
G7
rump,
E¨
flute,
Hon, ain't
Boy
rump,
dog- gone
drum,
C‹
F7 F‹7
Lis
ten
32
toot-te-
lis-
groan-
ing,
net,
It's
-
Dº
by
C7
that
lead-
F‹
C7
er
F‹
He's
man.
45
F A¨ Aº E¨ C7 got
49
F7
a world
wide
rep-
B¨7
Old
Ruf-
us
John-
u-
son's
ta-
tion
Har-
mon -y
For
play-
E¨ Band
ing
syn-
co-
pa-
tion;
Solos at "C"
1
Runnin' Wild
C TREBLE
5
F
gal and I first
C7
F7
My
I met
Bb7
Eb
we
had a
that
gal of
Bb
fight
mine
D7
it
seemed
Gm
now
thatshe's gone
I'll
when she
thought
she
had me
she
Ma - ry
led
her
lit - tle
Bdim
won't sit home til the worm
F
just like
a
dream.
But
the
shelf.
I'm
- in'
mean.
Like
lay right on start - ed
act
Bb
wrong
no
lone - some stuff for
lamb
she
led
me
Gm7
C7
a - lone to turn,
I
Db7
all had
- self.
she's all
my
her
by
F7
Eb
show
C7
Bb7
gon - na
F
right
all
When
I'm
thinks
Bb
Bb
and
guess she
17
Gm7
Verse
13
Db7
A Bb
9
F
Bdim
She'll soon find that that's the rea - son
all
the
me
I
time,
Un
-
F7
I'm I'm
Runn - in' Runn - in'
[Patter, sung/spoken after chorus] No gal will ever make a fool of me, No gal! I mean just what I say; I ain't the simpleton I used to be, Wonder how I got that way. Once I was full of sentiment, it's true, But now I got a cruel heart; With all that other foolishness I'm through, Gonna play the villain.
wild, wild
1 Runnin' Wild
2
Chorus B Bb
21
Bb7
Eb
lost con - trol,
Bb
27
Cm6 D7
Reck - less
Feel - in' gay,
33
F
37
nev - er
time,
Bb C
no
- lone
Al - ways
Al - ways showin'
- bo
-
goin',
Idon't care,
F7
Bb
dy
F7
All a
Eb
C7
48
bold.
Care -free mind,
too,
blue.
G7
Don't love
Bbm6
Bb7
D7
Gm
don't know where,
43
might - y
C7
all the
Run - nin' wild,
F7
It's not worth
- while,
Bb
Run
-
nin'
Wild.
C TREBLE
F
5
A F
9
F&7
B¨
13
B
C7
29
C F7
3
F
B¨7
F
C7
F7 Trombone - ad lib 2 bars
F
3
F
B¨7
B¨‹
E¨‹
A¨º
B¨
41
B¨
D¨7 C7
D
E¨7
F&7
B¨
B¨
37
F7
3
B¨
33
A¨º C7
D¨7 C7
F7 Clarinet
Cornet F7
25
Clarence & Spencer WIlliams - 1919
Stop time - Play downbeats 4 bars
17
21
F&7
B¨
C7
1
Royal Garden Blues
F
C7
F
F7
B¨7
B¨
E¨7
G7
B¨ E¨7 B¨ E¨7 B¨ C7 F7
Back to "D" for Solos
Satanic Blues
1 1
C TREBLE q = 154
Bb
F7
Fdim
F7
A Bb
Bb7
5
Eb7
Edim
Bb
G7
9
F7
Bb
13
17
B Bb
Eb
Bb
Edim
F7
Bb Fine
Eb
Bb7
Eb
Bb
G7
C7
F7
22
Bb
27
Bb
F7
32
Bb
C Eb
C7
G7
F7
Eb
C7
Eb
From "A" to Fine
38
C7
F7
Ab
Eb
F7 Bb7
Eb
F
1
C TREBLE
Sailing Down Chesapeake Bay
Havez - Batsford - 1913
Verse A B¨7
E¨ Come on
Nan-
cy put your best dress on,
7
17
B
a- board for
Bal- ti- more,
Cap-
'n let us catch that boat,
E¨
30
Ban- jos
If we're late we'll
all
Ches- a- peake,
a good old tune,
A
Set-tle down close
Sail- in' down Ches-
'neath the
a- peake,
B¨7
Mis- ter,
Up on deck
to spoon.
B¨7
40
36
moon,
E¨
be sore.
'Cause we can't swim,
ring- in'
E¨
there's a place
E¨º B¨7
we can't float.
E¨
23
on the Ches- a-peake Bay,
E¨
B¨7
Come on
love- ly
cy'fore the
Ev- 'ry- thing is
E¨
All
Nan-
B¨7
steam- boat's gone.
12
Come on
sil-
v'ry
All
a- board for
E¨
Sail- in' down Ches-
a- peake
Bay.
No Repeat 1st time
1
2
Sailing Down Chesapeake Bay
45
C E¨
'Round the bend
49
I
think
I
see
E¨
57
to
this
it
Dom-
if
we
hur- ry,
Dear,
pier.
Nev- er
And
fear,
in-
ion
Line.
It's the
B¨7
pret- ty
as
65
Head-
E¨
Say, don't she look
G7
E¨
D B¨7
steam- er,
B¨7
F7
Old
69
a
here,
can make
E¨
53
we
E¨
B¨7
Head- in'
61
B¨7
she
hugs the
shore,
C‹
in'
for
Bal-
ti-
more.
Just
F7
hear the
pad- dles
73
C7
turn- in',
Hear my heart
F7
Queen of
the
a'
Ches-
a- peake Bay!
yearn- in', She's the
Solos on Verse
B¨7
1
C TREBLE
San Bass Intro
McPhail/Michels - 1920
A 5
D‹
G‹
9
King
San
One
day
A7 Sat Saw
13
of
Sen-
e-
gal
the
queen
came
home,
on San
D‹
the in
shore sad
may,
B D‹
G‹
Sing Told
21
A7
To
On
25
D‹
way. dore.
-
-
ing him
at ness
Buon
lathe
who'd
gone
she
would
A7
A7
On
the
shore.
a
sad
re-
she'd
no
more
his
dear
queen
ly
her
San
A7
may,
la-
-
Bu-
G‹
-
shore,
17
B¨7
A7
D‹
A7
D‹
frain roam.
D‹
This
was
his
lay:
Then
came
his
lore:
B¨7
A7
aa
C7
1
2
San
29
33
C F
F
F
41
D F
49
F
53
F
57
G7
have
you
gone
Have
you
come
back
You
said
you
F
me,
if
you
loved
I
knew
you
loved
this
way?-
I
knew
you'd
come
some
day.
If
I
had
What
you
have
But
my
heart
But
now you're
If
you don't
And you're for
ev-
er
been
un-
done would
D¨7
F7
aches, mine
G‹
- giv
-
be
the
F
dear, dear,
come
C7
C7
act
D7
But
you
did
C7
F
Why
F7
na,
-
B¨7
stay?
loved
Lo
way?
to
D¨7
dar- ling
a-
D¨7
F
My
C7
Why
na,
G7
F
Lo-
D‹
G7
45
D¨7
Oh, sweet-heart
37
me me,
B¨
D¨7
true
to
you
B¨
D¨7
thing
to
do.
D7
And
it
will
break
dear,
For
all
the
time
dear.
F
back
home a - gain
en
by your lov
B¨7
F
-
to
San.
ing
San.
C7
1
C TREBLE
Second Hand Rose James F. Hanley & Grant Clarke - 1921
F
C7
F
C7
F
Fath- er has a bus- 'ness, Strict- ly sec- ond hand,
5
F
C7
F
G‹
C7 G7
D7
G‹
It's no won- der that I feel a- bused,
13
A F Fº C7
C7
I
F
ond
hand
clothes,
Sec-
ond
hand
shoes,
Sec-
ond
hand
hose,
That's
why
they
call
me
All
the
girls
hand
me
E
- ven
our
E
- ven
my
ond
Hand
sec
-ond
hand beauxs.
F©º
G‹7
Rose.
C7
pi-
an-
o
in
the
par-
lor,
pa-
ja-
mas
when
I
don
'em,
C&7
F
C7
Sectheir
G‹
F
F
Fath-
er
bought
for
ten
Have
some-
bod-
y
else's
cents
I'm wear- ing
G7
nev-er- have a thing that ain't been used:
Sec-
C
C&7
hats,
G
E- ven things I'm wear- ing, Some- one wore be- fore.
G7
C7
D7
hand
25
A‹
ond
C7
Sec-
21
G7
17
G‹
Ev- 'ry- thing from tooth- picks, To a ba- by grand.
Stuff in our a- part- ment, came from fath- er's store,
9
Fº
on
the
dol-
lar.
'ni-
tials
on
'em.
1 Second Hand Rose
2
29 B
F Fº C7
33
hand pearls,
I'm
wear-
ing
sec-
ond
hand
curls,
I
Sec-
ond
hand
I'm
sick
of
sec-
ond
hand things
I
rings,
F7
F&7
nev-
er
get
nev-
er
get
Once
had
gle
thing
that's
new.
what
oth-
er
girl-
ies
do.
G‹
ven
Jake
the ing
C‹
B¨
sin-
G‹
plumb-
er,
he's
the
thru
the
Ritz
a
man
I
a-
dore,
He
girl
got
my
goat,
She
G7
the
nerve
to
tell
me
nudged her
friend
and
said
"Oh
F
F&
a
C‹
while stroll-
B¨
F
Fº C7
49
ond
37 G‹
45
Sec-
41
G7
F
he's
been
look! There's
F
C&7
mar-
ried
be-
fore!
my
old
fur
coat!"
G7
Ev-
'ry-
one
knows,
that
I'm
just
Sec-
ond
Hand
Rose,
From
Ev-
'ry-
one
knows,
that
I'm
just
Sec-
ond
Hand
Rose,
From
G‹7
C7
F
Sec-
ond
Av-
e-
nue.
Sec-
ond
Av-
e-
nue.
C7
I'm
wear-
ing
1
C TREBLE
5
Shake It & Break It F7 Clarinet Break: 2 bars
AF
9
C7
13
BF
17
B¨7
21
25
C7
C7
C F
F F7 B¨ B¨‹
F
F
F7
33
C7
F7
B¨7
F
F
29
B¨
Artie Matthews - 1915
F
F
F F7 B¨B¨‹ F
Break: 2 bars
F7
1
2
Shake It & Break It
37
Play "D" AS AWritten - Repeat for Solos D B¨ F7
B¨ B¨ F7
41
F7 B¨ B¨
45
G7
C‹
C©º
49
F7 B¨ B¨
After Last Solo play "D" once as written then go on
53
E F
57
B¨7
61
C7
Break: 2 bars
F
F F7 B¨ B¨‹ F
Fine
1
Singin' The Blues
C TREBLE
Con Conrod 1920
q = 120
Ab
5
A Fm7
9
Bb7
13
B
Ebmaj7
Fm
32
C7
Eb
Bb7
Eb
C7
Cm7
F7
Bb7
27
Fm7
C
Eb
21
Eb
Bb7
F7
17
Fm
G7
Gm
Bb7
Eb
F7
Fm7 Cdim
C7
Ebdim
2 - Bar Break
Gbdim
Bb7
Eb
3
Eb
3
3
1 1
C TREBLE
Sensation
q = 180
1917
A Bb
Gm
Cm
F7
Bb
G7
7
1.
C7
2.
F7
11
B Eb
16
Bb7
21
F7
C7
Cm
F7
B7
Fm7
Bb
Bb
Eb
F7
Bb7
Eb
Bb7
C7
Eb
Eb7
C Ab Db
27
Ab Db
Eb7
Ab
Eb7
Ab
38
Ab
Ab
Db
Ab Db
Bb7
33
Bb7
Fdim
Eb
Db
Ab
Db
Bb7
Ab Eb7
2.
Eb7
1.
Ab Eb7 Back to B
1
C TREBLE
The Sheik of Araby
q = 180
Bbm
Gb7
O
5
-
Bbm
Rides
9
the
Ebm
13
F
Fol -
Gb7
21
F
He
C7
F7
bold
Sheik
of
-
der
sings to
-
band
At
his
F
Cm7
Bbm
Cm7
Ebm
by
Bbm
the
Bbm
Ar - a
Cm7
free
Ebm
and
Bbm
Ebm
low his love's
Bbm Un
wild
Cm7
Bbm
des - ert
F7
ar - ab
17
the
His
ver
Gb7
C7
com - mand
F
car - a - van.
C7
F7
C7
shad - ow
Bbm
of
the
call
her
to
his
Cm7
Bbm
Cm7
palms,
F7
arms.
F7
I'm the
1 The Sheik of Araby C TREBLE
2
25
A Bb
Bb
Sheik
29
F7
33
to
Dm
Dbdim
your
that
light
G
rule
F7
Sheik
our
this
of
-
a
way
to
G
-
with
a
Gm
C7
Cm
F7
-
will
D7
D&
D7
you'll
C7
me
by
F7
bove
The
Cm
Bb
At
sleep
-
C7
land
Ar
love
F7
F7
D&
In -
F7
Cm
Bb
Bdim
shine
Bb
creep
a
me
Bb
F7 Your
F&
Bb
I'll
when you're
F7
tent
Cm
by
-
F7
Bb
stars
53
Cm
F7
F7
a
-
be - longs
night
49
Ar
love
45
to
41
Cm
37
of
Bdim
the
Bb
F7
1
Skeleton Jangle
C TREBLE
Nick LaRocca - 1918
q = 182
5
Bass
Ab
Eb7
Eb7
Eb7
A Ab
9
F7
14
Eb7
Eb7
Ab
Eb7
Bbm
Bb7
Eb7
Ab
17
Bb7
21
B C7
26
Eb7
Eb
Bb7
Ab
Aº
F7
F7
Bb7
C7
Bbm
Eb
Eb7
C7
Db
F7
30
Ab7
BReak
33
Eb7
Ab
Eb7
Ab
1 Skeleton Jangle
2
37
C
C7
Bb7
41
Ab
53
Bb7
65
Bb7
Ab
Unison 2 Bars
F7
Eb7
C7
Ab
Aº
61
Eb7
C7
D
57
Bb7
49
Unison for 2 bars
F7
Eb7
C7
45
F7
Eb7/Bb
F7
Eb7
Ab
Eb7
Ab Eb7 Ab
1
C TREBLE
Sobbin' Blues q = 164
F
F
C+
C+
Kassel and Berton - 1922
F
C+
F
C+
5
mf
pp
mf
pp
A F
F7
mf
9
Bbm
F
F
Cm6
F
Bb7
17
3
Bb
13
F
D7
G7
C7
Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars
C7
21
B F
F
Swing
26
31
Bb
C7
Bb7 A7 Ab7
F
G7
C7
F7
1 Sobbin' Blues
2
Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars
F C7
F
37
Swing
C7
42
Bb
47
53
CF
C+
62
Bb7
67
Bb7
C7
F
C+
pp
mf
DF
Bb7 A7 Ab7 G7
57
F
Bb7
F
F
Repeat only for Solos
F
C+
F
C+
mf
C7
F7
pp
F
F
F
C7
F
Bb7
F
70
F
Bb7
F
C7
F
Solos on "B" & "C" Section: After last solo play to bottom.
1
C TREBLE
Some of These Days q = 180
G7
G7
Some of these
5
your gon - na miss me
Cm
G7
you'll feel
so lone
-
Eb7
hon
ly,
just for me
on
-
-
cuz you know
leave
me
F7
hon
Adim
-
gin'
you'll miss my
Bb7
you'll
miss your ba - by
in'
-
Eb7
You'll be so
lone
-
C7
ly
Fm
you al - ways got your way,
Eb
know you'll
Bb7
grieve
me
you know
kiss
ey
I
F7
way.
C7
C7
-
Some of these days
C7
hug
when you're a
Ab
And when you
27
ly,
Fm
ey.
Bb7
Ab
23
you'll miss my
ey
Ab
-
-
Fm
F7
you'll miss me
hon
Cm
F7
F7
17
G7
days
11
Cm
oh some
Eb
of these days.
1
C TREBLE
Some Sweet Day q = 146
Tony Jackson - Ed Rose - Abe Olman - 1917
Al
- though it's
spring
Cm
not the
first
C/E
the
birds don't sing
Ebº
G7 G& C
14
G/D
E7
dis
17
pear,
Don't
ev
- en
for
me
some
- day,
But
cold
C7
wind does
blow
say good
soon will
melt
C
friends
G7
C7
turn a
-
I'll
C7/Bb
I'll have
be
far
a
-
way.
D7 and its
Ebº row
-
C7/Bb
way,
time will prove
Some Sweet Day.
snow,
Then your
G7/D
I have
felt.
And when your
D7
what I
C
heart
G7
D7/A
'Cause when the
ice
for each sor
you
Cm Eb
You're goin' to
mine
D7/A
In
- bye.
C
way.
G7
G7
G
with its
G&
But when sum- mer's near
D7
C
21 B
33
G7
long
29
It's
G7
my side,
- day.
G/D
D7
D7
25
Am
- ap -
kind, For - ev- er by
Cº G7
to
D7
win - ter time you'regood and
me
has been in pain this
Dm
C
heart
C#º
G7 G&
Am
my poor
G7/D
Dm
You're leav - ing
E7
time
C#º
G
9
G7/D
C
5
Ebº
C/E
A
C7 Cº
say.
Now's your
G7
(Yes, Some Sweet
time,
C
Day.)
C TREBLE
Someday Sweetheart AF
D¨7
F
You told me that you loved me true,
5
G‹
D7
broke your vow
9
I
in you.
it seems I'm al- ways blue.
F6
be- lieved
You
G‹7
and now some-how-
G‹
C7
13
and
Spike Brothers & Carter - 1919
When you'refar
a- way.
Butthere'll come a day
F
You'll
sit
a- lone
A‹
A‹ G7 C7 E7 and cry
for me you'll sigh
and the daysthathave gone by.
Some-day Sweet-
1
2
Someday Sweetheart
17
BF
C&7
F
heart,
21
G7
C7
done
25
F
C&7
33
did
now,
37
G9
F
C&7
G7
reap
sor-
to
my
made
A‹
us
drift
will make you
C7/G
bro-
ken,
and
can't
see
how,
C7
you.
E7 E¨7 D7
so
shall
you
reap,
You
may
weep some - day, sweet - heart.
re-
dear,
py
the
wear-
y
But
as
and
what
B¨7
You're hap-
part,
C7
a-
what you've
The
A‹
B¨6
C7
for
heart.
vows you've
F©º
poor
ry
F
F
sow
be
will ev- er come to
45
may
blues
41
the
that
C F9
E7
things you
you
F
gret
29
E7 E¨7 D7
you
you
C7
Some - day Sweet -
C TREBLE
Somebody Stole My Gal Leo Wood - 1918
A E¨
Some-
bod-
y
G¨º
B¨7/F
stole
my
gal.
B¨7
Bass Pickups
5
B¨7
9
13
C7
17
F7
25
Some-
B¨7
bod-
y
stole
Some-
bod-
y
came
my
and
She
did-
n't
ev-
en,
took
her
a-
B¨7 2 bar break say
I
Iove
so,
The
kis-
ses
He's
get-
tin'
now
A¨7
me,
I
know.
I
know
that
if
E¨ Aº A¨º C‹/G F7 ed,
lone- some
pal.
was
leav-
in'.
would
A¨‹
see,
Some
But
she,
F‹7
could
33
way.
B¨7
E¨7
she
B¨7
G7
she
heart-
B¨7/F
ken
G¨º
Gee!
bro-
pal.
A¨
E¨7 D7 D¨7
29
E¨
F7
E¨
B¨&7
B E¨
21
come
to
her
B¨7
bod- y
stole
E¨ A¨7 E¨
my
gal!
St. James Infirmary A
Dmi
Bb7
A7
Dmi
A7
Dmi
Bb7
A7
Dmi
When will
5
Gmi
I
- er stop
D7
My
I
- er
smile?
A7
me,
She'll be gone a long
long
while.
Dmi
A7
Dmi
Bb7
A7
Dmi
ba - by went and
Dmi
17 B
ev
left
feel so blue and heart
My
I
A7
Gmi
13
When will
Bb7
and
Bb7
moan - in'?
Gmi
ba - by went
Dmi
9
ev
- bro - ken
What am
I
liv
- ing
for?
Gmi Dmi
Bb7
A7
left
A7
me
Ne - ver to come back
Dmi
Dmi
no
Bb7
more.
"What go,
21
Dmi
to the Saint James In - firm -'ry is my
ba
let her
go
A7
-
- by there she lay, by's chan - ces" I asked old Doc - tor Sharp, God bless her - Wher ev - er she may be.
Dmi
F7
-
My
Bb7
ba
A7
on a cold mar - ble ta - ble by six o' clock this eve' nin, this - wide - world o - ver
La - id
She can
Dmi
out "Boy, hunt
I went
A7
down
- Well, I looked and I turned a - way. - She'll be play - in' her gol den harp. But she'll ne - ver find a man like me.
Let her
C TREBLE
Stock Yard Strut
q = 195
A Ab Ab Bb7 Bb7 Eb7
Eb7
Ab7
G7
Ab
Eb7
6
Ab
Ab7
11
15
Eb7
B Ab
Eb7
24
Ab
29
Eb7
Bb7
Ab
Ab
Ab
19
Bb7
Eb7
Ab
Ab
Eb7
Ab
Eb7
Eb7
Eb7
Eb7
Eb7
Ab
3
Ab
Ab
Break
Ab
Ab
Db
Ddim
34
Ab7
Ab7
Db
39
V.S.
2
Stock Yard Strut
44
Ddim
Ab
F7
3
48
Eb7
Ab
53
Fm
Ab
59
Eb7
Eb7
64
Eb7
Ab
Ab
Ab
Db
Ddim
F7
Bb7
Bb7
Ab
Ab
Ab
Ab
Ab Adim
Eb7
Eb7
Eb7
Eb7
Eb7
3
Ab7
Ab
Ab
Ab7
69
Ddim
Db
Ab
74
Eb7
Ab
Eb7
78
3
Stock Yard Strut
83
C
Ab
Ab
Fm
Ab
Ab
Ab Adim
89
Eb7
94
Eb7
Eb7
Eb7
Eb7
Eb7
Eb7
Eb7
Ab
Ab
Ab Ab D Ab Ab
99
Ab7
Ab7
Db
Db
Ddim
103
Ddim
Ab
108
F7
Bb7
Eb7 Ab7 Abdim Dbm7 Ab Ab7Abdim Dbm7 Ab
112
C TREBLE
St. Louis Blues
q = 100
Gm
Cm
D7
F
Eb
Gm
D7
There with her dia - mond
D7 by her a - pron
A7 A7b5 D7
St. Lou - is Wo - man
6
D7
strings.
W.C. Handy 1914
rings,
D7
Pulls that man a - round,
Gm
D7
A G7
Ex - cept for pow - der
and for store bought
G
G7
the eve - nin' sun like I feel
D7
Eb7
26
B G
29
he done make my
go to
-
left get
-
this a
34
Am
rock
38
town. way.
C7 in
me.
- 'cause
my I'll pack my
ba - by trunk
Am
Feel Got the
C7
That
man got a heart like a
D7
else
he
G
Got the
me.
wouldn't have gone
2.
G
from
Or
1.
far
C G7
O - h,
be.
the sea,
D7
so
can
- where.
G C G C G C G7
G CG C G
cast
I
C
St. Lou - is Blues, just as blue as
no
D7
G
-
Db7 Be
D7
see I hate to feel to - mor - row,
down. day.
A7
down. day.
-
G
Gm
would not have gone no - where,
the eve - nin' sun go I feel to like
C
22
C
I hate to see, to mor - row
Gm
You know the man I love,
17
Cm
hair.
Eb7
11
Cm
Strut Miss Lizzie
C TREBLE
Turner Layton & Henry Creamer - 1921
A Gm
D7
Gm
Cm
Gm
5
Bb
C7
B Eb
C7
Get bu - sy
I want to see you
meet
26
C7
Strut Miss
Gm
like
the
way
F7
Bb
Liz - zie
Is the whole town
Gm
you shake your
Bb7
Eb
for the
Bb7
talk.
When you
Gm
D7
But the men
you
Bb
feet,
D7
F7
The oth - er girl - ies frown.
G7
Bb
D7
walk,
Bbº
Bb
It'sa pi - ty,
Cm
Bb7
Won't you
Bb
Ebm
Gm
22
Bb
the way you syn - co - pate
move so pret - ty,
F+
Eb
Eb7
Gm
Bb
F7
folks all state
17
strut Miss Liz - zie
Bb
Ebm
9
13
F7
D7
Oh, you knock 'em
Ebm
Vocal to "C"
Bb
Brown.(I'll betyou'vegot the cut - est
diz - zy,
lit - tle strut in town!) Go
2
Strut Miss Lizzie
29
C
Bbº Bb
Bbº
Bb
Bb
C7
By the
school,
Pat your feet you
F7
down the
33
Bbº
street,
Bb
Bbº
Bb
Strut your stuff,
37
Bb
Bbº
Bb
use your "Kerch",
Bbº
Bb
G7
step - pin' fool.
C7 F7 Bb
Trot your toot - sies
Bb
by
the church.
C7
F7
Thru the
41
Bb
al - ley,
Bb7/Ab
Dodge the
Eb/G
cans,
Gb7
Bb
Cool your dogs we're com - in'
thru,
Shake Miss Sal - ly's
Get
set for len - ox
pots and
C7
F7
pans.
Bb Bb7
Av - en
- ue.
Won't you
Back to "B: for Solos
1
C TREBLE
The Storyville Blues q = 132
5
Ab
Eb7
A Ab
Ab7
Db
Trad.
Ab Ab7 Db Dbm Ab
Ab Eb7
Ab
11
Bb7
21
B
33
Ab7
F7
Bb7
Ab
Ab7
Bb7
Db
Db
Db
27
Ab
Ab
16
Eb7
Dbm
Eb7
Ab
Eb7
Ab
Eb7
Eb7
Ab
Ab7
Db
Dbm
Ab
Ab
Eb7
Ab Ab7 Db Dbm Ab
Eb7
Time
37
C Ab
Ab7 Db D¨m Ab Ab
F7 Bb7
Drum Roll - Piano Roll - Sustained Bass
45
Ab
51
Db
Ab Dbm
Eb7
Ab
Tag
Ab Ab7 Db Dbm Ab
Ab7
Back to "B" for Solos
Ab
Db
Eb7
Ab Ab7 Db Dbm Ab
rit.
Eb7
11
Stumbling
C TREBLE
Zez Confrey - 1922
G
G
G7
Stum- bling all a- round, Stum- bling all a- round, Stum- bling all a- round
so
A7
5
D7
E¨º
on her
A7
13
when
17
I
toes,
And when
rose,
AG
she
I
a-
felt
That's the la- test step, That's the
And
la- test step, That's the la- test step,
A7 No- tice
25 C‹6
bling,
all the pep,
tho'
you are
No- tice all the
pep.
stum-
bling,
D7 G A7 lit- tle bit,
just a
lit- tle bit, quite a
fell
told
and
her:
E7
My
hon-
ey,
G7
She said: Stop mum-
G
29
just a
I
shamed.
21
No- tice all the pep,
ny,
D7
G
fun-
nose,
I stepped right
E‹
bumped my
Stumb- ling here and there, Stum- bling ev- 'ry- where, And I must de- clare:
9
E7
lit- tle
bit.
I
like
it
1
Suez
C TREBLE
Ferdie Grofe/Peter DeRose - 1922
D7 D7 G‹
5
Rhythm Vamp 4 bars G‹
E¨
9
E¨
G‹
G‹
D7
G‹
D7
G‹
D7
G‹
D7
25
D7
13
17
21
29
B G‹ G‹
D7
G‹
D7
33
A
D7
G‹
G‹
C‹
Rhythm Vamp
C‹
G‹
C‹
G‹
D7
G‹
G‹
G‹
G
G‹
Rhythm Vamp:
1
2
Suez
37
G C
41
Solos Here B¨
45
49
B¨7
C‹
53
C7
D
E¨
C‹
D7
61
B¨
Cº
G7
F7
C7
G7
F7
C7
G7
F7
B¨
A&
E¨
C7
F7
B¨
G
G7
B¨7
67
A&
57
D7
B¨
A&
Swanee
C TREBLE
F
-
ee
How I love you
How I love you
My
dear
C©7
I'd give the world
to
in
D
F&
- i -x - i
B¨
Wait- in' for me Pray - in' for me Down
will
see me no
more,
Mam
the
Swan - ee.
The folks up north
Swan
45
- ee,
G7
C7
love
the
old
folks
Swan
- ee,
F
at
home.
to
Swan - ee.
F
F
F
shore.
I am com ing back
C7
C7
Swan -ee,
40
F
When I get to that Swan - ee
- my's
F
Swan -ee,
I
F
F
B B7 C7
by
a mong the
B¨
Trio: C7
- e - ven know my
G‹7 C7
be
folks
old
C7
F C7
33
C9
26 C©7
C7
F
G‹7
13
19
B¨
Swan - ee.
Gorge Gershwin - 1919
F&
Swan
7
1
D¨7 C7
F
1
C TREBLE
Taint Nothin Else But Jazz Maceo Pinkard - 1921
A E¨ A¨7 E¨ A¨7 E¨ I'm blue,
5
G7
'Cause they're gon-
B¨
Can't you see
B¨7
it's wrong
to con-demn
a song. Jazz has sim-ply got to
B
High-brow mu-sic real-ly
is
F7
a treat,
In
17
B¨7
But what makes you wan-na shake yo' feet?
21
E¨
25
so-
ci- e- ty of style and grace,
E¨/B¨
B¨&7
lit- tle bit of wob- blin',
an
E¨
Ev- 'ry lit- tle move-ment
E¨
B¨&7
Lit- tle bit of tod- dlin'.
E¨ C7 Babe!
F7
B¨7
'Tain't noth- in' else but
jazz.
Babe!
A¨
Aº
has
just a
F©º
Waltz-in'- round is might-y
an- y time?
E¨
jazz,
E¨
Gli-din' sure-ly is de- vine. Still what makes you shiv-er
Now!
B7/F© F‹7 B¨&7
'Tain't noth- in'else but
E¨7
stay,
op- 'ra house it can't be beat.
E¨/G F©º E¨/G E¨ C‹7
32
say:
28
jazz,
jazz a- way.
D¨7 B¨7 B¨&7
E¨
In
na take
B¨&7
Just to pay at- ten-tion to me while I
I'm ask-ing you please,
13
C7 F7
E¨‹ B¨ F7 B¨ E¨ A¨
On my knees,
9
Thru and thru,
A¨7
F7
fine,
B¨7
'Tain't noth- in'else but
1
C TREBLE
Tain't Nobody's Biz-ness If I Do Porter Grainger & Everett Robbins - 1922
A B¨
5
D7
G‹
D7
There
ain't
noth-
in'
I
can
do,
nor
noth-
in'
I
can
say,
Aft-
er
all,
the
way
to
do
is
do
just
as
you
please,
G7
D‹7
G7
C‹
G7
That
folks
don't
crit-
i
cize
me
Re-
gard-
less
of
their
talk-
in'.
9
13
G7
G7
C‹
na'
do
just
as
I
want
to
an-
y-
way,
the
ones
that
talk
will
get
down
on
their
knees,
But
I'm
gon-
Of-
ten
times
And
don't
care
if
they
all
And
beg
your
par-
don
for
C7
C
F7
G¨7
de-
spise
me.
their
squawk-
in'.
B 17
21
B¨º B¨
D7
If
I
should
take
If
I
dis-
like
B¨
'Tain't
B¨º
No-
bod- y's
a
G‹
B¨7 Eº E¨
no- tion
my lov -er
F7
Biz- ness
F&7
To
jump
in
And
leave
him
D7
If
I
Do.
G7
to
the o- cean,
for an -oth-
C
er,
F&7
1 Tain't Nobody's Biz-ness If I Do
2
25
B¨º
B¨
Rath- er If
I go
29
B¨ Tain't
33
37
than
per-
to
church
Bº
no
B¨º
D7
-
se- cute on
Sun
B¨7
E¨
that
you
would
shoot
me,
-day,
Then
cab-
a-
ret
on
Mon-
day,
F&7
biz - ness
if
B¨
C‹7
I
the
the
feel- in'
To
dance
up-
on
If
my friend
ain't
got
no
mon- ey
And
I
say
"Take
'Tain't
No-
F7
F&7
bod -y's
Biz- ness
D7 G7
If
I
Eº
get
B¨º
B¨/D
E¨
should
C©º
do.
I
B¨
choose
If
I
D7 G‹ B¨7
E¨º
me,
F7
bod - y's
B¨
G‹
all
ceil-
mine, Hon
C7
F&7
in',
-ey",
If
Do.
If
41
45
B¨º
B¨
I
let
I
give
B¨
'Tain't
No-
D7
my
best
com-
pan- ion
him
my
last
nick- el
B¨º bod -y's
G‹
F7
Biz- ness
B¨7
E¨
Eº
Drive
me
right
in- to
And
it
leaves
me
F&7
B¨
If
I
Do.
B¨º
in
C‹7
the can -yon, a
pick
F&7
-le,
1
C TREBLE
Take Me To the Land of Jazz Bert Kalmer, Edgar Leslie, Pete Wendling - 1919
C7 F7
B¨
There's mu- sic in the breeze,
5
C7
C7
moan-
in'
and
groan-
9
C7 F7 B¨ ev- 'ry
ca- bar- et,
C7
in'
and
tune- ful
it's the
to hear it,
I
must be near it,
on- ly
You hear
F7
har- mo- nies.
C7 F7
B¨‹
long
G¨7(b5)
G¨7
13
B¨
and trom- bones grow on trees.
G¨7
F7
In
B¨
thing they play!
C7
G¨7(b5) F7 and that's why
I say:
Well, I
1
2
Take Me To the Land of Jazz
17
Chorus: B¨
C7
Take me to the land of jazz,
Play the
Take me to the land of Jazz,
Let me hear the music New Or- leans has,
21
F7 I
wan' na step,
I
like it
C7
to
of
and you know that's what that
hot,
a tune that's full
25
B¨
kind-a' blues like Mem- phis has,
G‹
Pickin' 'em up and
layin' 'em down,
Come and take the
lat- est dare,
C7
F7
gen -u- ine pep! ci-
ty's got!
D7
Teach them how all
o- ver
Learn
to
do the "Griz-zly-
town, I
Bear".
29
G7 C7 F7 I'll give you fair warn- in',
love that syn- co-
33
B¨
I won't be home- 'til mornAt
pa- tion,
Bº
F7
my
des-
tin-
a-
sun comes up,
In the lov - in' land of jazz.
run - nin' wild and
livin'
it
In the lov - in' land of jazz.
I'll be
tion!
B¨
dan - cin' 'til the
up,
in'.
Just
That Dixie Jazz
C TREBLE
James P. Maguire & Warren DeWitt - 1919
A E¨ B7 Have you heard the la-teststrain?
5
B¨7
rag-gy new mel-
o- dy,
E¨
It will
lin-ger
B¨7
So full of har-
Oh,
a brand new South-ern drag,
B¨&
babe,
E¨
in your brain.
For it's a
C7 F7 B¨7
E¨ B7
13
E¨
mo- ny, You'll want to hear
9
It's
E¨
B¨7
C7
What do you say?
E¨
It's a
dan- dy
F7
it a-
Come let us hear
gain.
B¨7
E¨
Dix-
ie
rag.
B¨7
the band
play.
1
2
That Dixie Jazz
17
B
E¨ That
C7
Dix- ie
jazz!
That
Dix- ie
jazz!
B¨7 E¨ F7
G7
21
My how I love to hear that Dix-ie jazz!
25
C7
From left to
right,
Hold
to me
tight.
29
B F7 want to do the shuf-fle and the tick-le toe.
33
C E¨7
Lis-
37
F7
Lis-
41
E¨
ten can't you hear that man just
coax a
moan
That
Dix- ie
It's the
C7
jazz!
best
That
B¨7 E¨ F7 ie
let's
ing.
It makes me
B¨7
go!
jazz.
from his trom- bone.
I've ev- er known.
45
My how I love tohear that dear old Dix-
A¨
B¨7 ten to that syn- co- pa- tion
B¨º
Oh, Hon- ey! Come,
Oh, just see'em sway-ing when they're play-
F7
Dix- ie
jazz!
B¨7
E¨ That Dix-ie Jazz!
C TREBLE
That's A Plenty
Lew Pollack / Ray Gilbert 1914
Dmi
5
A7
Dmi
Dmi
9
A7
13
17
A7
Dmi
C7
A
21
C7
26
C7
F
F#º
F 2 bar break
C7
30
F
F
F7
D7
G7
C7
Bb
F
Bº
A7
2
That's A Plenty
33
Dmi
B
A7
bass
Bass
Dmi
A7
38
A7
D‹
43
Dmi
Bass
A7
Bass
Dmi
A7
46
49 C
Bb
F7
Bb
59
G7
65
70
Bbº
Cmi7
F7
C7
G7
Bb
A7 Ab7
F7
Bb
Cornet, Clarinet, etc.
F
Trombone, Bass, etc
F
C7
D D
F7
A7 Ab7 G7
54
F7
Segue to Solos:
81
A7 Ab7
E Bb
77
C7
F7
86
G7
Bb
A7 Ab7 G7
F
3
That's A Plenty
Solos - ad lib:
Bbº
Cmi
F7
C7
Bb
F7
Bb Eb7
Continue after last solo
92
Bb F7
D
F
FINE
98
F
105
G Bb
F7
109
mp
G7
Soft "Shuffle Chorus"
C7
F7
Bb
Cmi7
After "shuffle chorus" Play "E" (16 bars) Once as out chorus:
F7
That Da Da Strain
C TREBLE q = 152
Smith and Medina - 1922
D7
A Gm
5
D7
9
Gm
13
F
C7
F7
17
B
Bb
21
C7
25
Bb
D7
G7
F7
29
C7
D7
Bb
Cm7
F7
G7
F
Bb
Eb7
Bb
Solos on "B"
C TREBLE
Tiger Rag A
B¨ 5
B¨
10
18
B¨
22
B¨
F
26
C E¨
30
37
E¨
33
1.
2.
B Cues are Trombone/Tuba C7 F
C7
F7 B¨ F7
14
The Original Dixieland Jazz Band - 1917
B¨7
B¨
C7
F
F7 B¨7
Solo Break
F
F7 B¨
C7
B¨7
Solo Break
E¨
Solo Break E¨
2
Tiger Rag
42
D B¨
46
A¨
50
E
C7
54
A¨
A¨
F‹
E¨
62
E¨7
66
F A¨
B¨7
E¨7
E¨7
A¨
B¨7
Solo Break
A¨7
D¨
Dº
E¨7
A¨
E¨7
D¨ F7
E¨
73
77
E¨
F©º
58
E¨7
A¨
Solos at "E" A¨
There'll Be Some Changes Made
C TREBLE
G7 A
Forthere's a
5
C7
so
9
D7
walk
13
25
B G7
C7
D7
no-
from now
will
be
C7
C7
a
is
way
of
liv-
in',
bod-
y
wants
way that
There'll Be
Some
Chan-
F7
Some
in
me,
that
I
Chan-
ges
ges
I'm goin' to
ain't
e-
nough,
G7
old
and
gray,
Made
to-
day,
Made.
E¨7
stuff,
B¨
B¨
name,
strut my
My
same,
sea,
the
and my
be
the
you when you're
F7
if
change
F7
in
talk
goin' to
change
my
G7
on there'll be
There'll Be
33
me
the weath-er there's a
dif- 'rent,
a- bout
in
Then I'll change the
29
change my
21
change
C7
Noth- in'
17
Higgins/Overstreet - 1921
B¨
'cause
G7
B¨7
A7
A¨7
C TREBLE
'Til we Meet Again 1918
Ab
A
Smile
Ab
7
I'll come
seem
more
blue,
Ab
Wed
Ab
be
28
to
F7
B
you
Ab
11
23
while
F7
me,
-
ding
bells
a mem
-o -
kiss
will
'Til
me sad a - dieu
When
the clouds
roll
Db
you.
Then
the
skies
will
Dbm
Eb7
down
in
lov
-
ers
land
my
dear
Eb7
Eb7
so mer - ri
Ev
ring
Ab7
-
ly,
Db
-
'ry
tear
Dbm
Ab
ry.
So
wait
and
pray
each
Eb7
night
Ab
we
meet
a
-
gain.
Eb+7
Bb7
Ab7
Bb7
Eb7
by
17
the
Eb7
-
ie
will
for
C TREBLE
Tishomingo Blues
q = 132
Spencer Williams - 1917
Ab
Eb7
Ab
A
Eb7
Oh Mis - si - sip- pi, To - night I'm say in'
Db
Dbm
13
I want to be where, To Tish - o - min - go
Down where the South - ern Where South - ern folks are
Ab
Ab7
B
E7
Ab
way down old Dix - ie
be - cause I'm sad to
way.
go. say,
I'm I'm
I wish to lin - ger,
Aº
Db7
Ab7
- day.
Ab
Eb7
moon swings low, That'swhere I want to al - ways gay, That's why you hear me
Db
goin'to Tish - o - min - go
22
17
Aº
Ab
Bb7
the win - try winds don't blow. way down old Dix - ie way,
Eb7
My heart cries out for Oh Lord please bless the
you in sad - ness train that takes me,
Ab7
Oh Mis - si - sip - pi, To - night I'm Pray - in'
8
Ab
5
Eb7
Bb7
Eb7
Oh my wea - ry heart cries
1 Tishomingo Blues
2
Ab
26
out in pain,
Oh
Aº
how I wish that I
was
Eb7
back a
- gain,
with a
race,
Opt. Break on Solos
Bb7
30
in
33
a
place,
Ab
C
Bb7
Eb7
Ab7
Db
down in Mis - si - sip - pi,
A - mong the cy - press
Db
They get you dip - py,
42
C7
ta
46
-
tion,
Fm
I
just can't re
Eb7
lin - ger,
Bb7
Ab7
trees.
Ab
E7
Way
Ab
C7
with their stange mel - o
I wish to
where they make you wel - come all the time.
37
Eb7
To re - sist
- dies.
- fuse
temp
Ab
In Tish - o - min - go
Eb7
Where they play the wea - ry
Ab
blues.
Toot, Toot, Tootsie
C TREBLE
Gus Kahn, Ted Fiorito - 1922
A E¨
6
B¨7
Toot, Toot,
12
F‹7
Toot-
sie,
B¨7
me,
B E¨
Toot-
sie,
Good -
E¨
don't
Bye!
E¨
The choo choo train
F‹7 B¨&7
E¨
you
G¨º
F‹7
no
words can tell how
Watch
30
for
the
E¨
you
34
C
38
don't
E¨
Tut,
B¨7
get
mail,
o- ver
I'll
a-
a
let-
ter
then
you
er
know
I'm
in
jail,
Tut,
Toot-
sie
don't
Toot,
toot,
Toot
-
sie,
Good
fail,
If
B¨7
cry.
-
gain.
F7
E¨
nev-
it makes me
Do it
and then,
that
E¨9
26
A¨7
B¨&7
sad
B¨7
Eº
F7
Toot - sie
cry,
a- way from
Kiss me,
Toot, Toot,
F7
E¨
B¨7
takes
18
bye.
B¨7
Tuck Me To Sleep In My Old 'Tucky Home
C TREBLE
George W. Meyer - 1921
AF
Tuck
5
9
me
to
cov-
er
me
with
C
kiss-
let
the
G7
I
25
in'
in
my
old
can
Tuck
D‹
a
me
to
skies
leave me there a-
B¨
Bº
sun
kiss
my
cheeks
ev-
in'
F/C
'ry dawn,
B¨
rest,
since
I
left
her
B¨
like the
sleep
in
my
old
lov-
no more
to roam.
C7 in' arms.
F/C
'Tuck- y
mam- my's nest.
Bº
my
in
F7
nev- er
F
from my mam- my since I'm gone.
rest the best
lay there stay there
lone.
G7 C7
F
C7
home,
C7
and
F
'Tuck- y
al- ways
bit of
F/C
G7
F
sleep
I've been miss-
ain't had
29
21
F7
B F7 I
Dix- ie
Bº
F
B¨
F7
F
Just
17
C7
13
F
home,
let me
G‹7
C7
C TREBLE
Under The Bamboo Tree Bob Cole - 1902
q = 164
A Ab
Bbm
Eb7
Ab
Down in the jun - gles lived a maid,
5
C7
Fm
Ab
Bbm
And ev-ry morn - ing
he would be
13
a - wait - ing there his
17
B Ab
you like
21
- a me like
Eb7
I like
25
- a say,
I love
29
- a you and
Eb7
One live
as two,
- ry day,
we like
I like
- a chnage your
a love
un - der the bam - boo
same,
Ab
Eb7
name.
if you
If
- a both the
sing:
you true and
as one,
Eb7
and then to her he'd
two live
bam - boo tree,
- a you and
Eb7 Db
Bb7
Bbm
down un - der - neath a
love to see.
love - a
from Ma - ta - boo - loo
this ve
Ab
up - on a Zu - lu
Fm
I like
Eb7
Ab
Eb7
C7
Bb7
a marked im - pres - sion once she made ,
Eb7 Db
of roy - al blood though dusk - y shade.
9
Bbm
'Cause
a
me,
Ab
tree.
Walkin' the Dog
q = 164
C TREBLE Bb
Bbº
F7
4
new dance "Bunn - ny
F#º C7
Bb
9
Bbº
Been 'rig - i - na - ted for Most ev - 'ry bod - y was
craze, Hug",
And it's a new step The fun - ny Dog walk
ev - 'ry cab - a - ret and danc - ing ev - 'ry pri- vate home this dance is
You see them do - ing it, yes, I called a friend of mine up
D7
G7
one and on the
17
all, phone,
If you'll just give me a Hear - ing on his Gram - o
Get 'way
21
Bb
Eb
Grab your
25
Bb
Do that
29
Bb
slow,
step,
Bb7
the "Tex - as Tom -
Eb
that will
show,
Eº
the
my",
Bb
Do that
slow
Bb
Drop!
F7
Get o- ver Sal - ly,
one and all,
F7
and don't you lin - ger
Eb
Bbº
C7
gal,
and snap your fin - gers,
back,
F7
I'll in - tro- duce this dance: This "Dog - gone" rag - gy tone:
Bb
C7
chance, phone:
Eb
Bb
A
Bbº
hall, known.
F7
a fun - ny two step. is all the town talk.
Bb
F7
F7
12
-
F7
In In
a a
It's these, It's a bear!, But now, and some- how,
days, bug!"
Bbº
F F#º C7
bout ten "Tan - go
Bb
F7
Now lis - ten hon - ey 'bout a You all were craz - y 'bout the
Shelton Brooks - 1917
drag 'round the
hall.
F7
Like you're sit ting on a log, Rise
F7
Bb
dance called "Walk - in' the
Dog".
C TREBLE
Wabash Blues q = 120
Near - ly
3
F7
Bb
bash
home,
6
-
Gm
Bb
C7
Bb7
13
Bb
Now
ev
Solos
17
B Bb7
Oh,
23
Eb
dues.
- 'ry
In
I
had
roam,
Bb7
girl was
G
day I'm so lone
a
some it's
-
from my
D7
- di - an - na's sweet and it's
Bb
now can see,
once start - ed
F7
to
I
Bb
Eb
I
day that
place that'shard to beat but then I longed
10
bro - ken heart - ed since the
C7
Wa
Bb
Gm
Bb
A
My old home- stead
F#7
as
C
sweet as could be,
F7
mis
a
Bb
-
er
-
y.
at B
Bb7
Bb7 Eb
those Wa bash
Eb
Eb Gm Ab A
Blues
F#dim Eb7 Ab
A
lone
I
know
Ab
-
Bb7
some soul am
Eb
I,
Bb7
Bb7
I
got my
Eb
I
2
B7
B7
29
feel
33
that
Bb7
-
Bb7
-
Bb7
Haunts
Eb
Thru the 'Xpect to
F#
syc see
F#dim Eb7 Ab
Bb7
Bb7
lose
those Wa bash
can on
- dle
the
C7
I Ma
55
Bb
am
- king
I'll But
be un
start - ing up my
leav
- til
F
for that mind to
Bb7
spot see
no that
- ing hoof prints t'ward the that hap - pens here's the
Eb
Eb
Gm
shin an
hay turn
to me
me to
C7
need home
Eb
old home road best that I
Db7
each night, the right,
F
ask far
- ing bright, - y night,
to so
Bb
F#
my walk - in'
Blues.
light is Wa - bash
A
Mem - 'ry brings the scent of new mown Seems that such a pic - ture's bound to
53
Ab
I'll pack
gleams.
D
Db7
Gm
Eb
the moon- shine
Eb
- a - more the
die.
Eb
dreams,
To
51
light that
Bb
C
dle
in my
shoes
49
Eb
could
Bb7 Eb
me
Bb7
Bb7
Bb7
Can
43
I
Bb7
37
Wabash Blues
me when, a - way,
Bb
a - gain. can say:
Back to B
C TREBLE
Waitin' For The Robert E Lee Lewis F. Muir & L. Wolfe Gilbert - 1912
A
C 5
Way
down
The
whis- tles
F
9
13
on
lev-
are
blow-
dy
and
Mam-
my,
ropes
they
are
throw-
in',
C
E7
y,
There's
in',
The
and
Eph-
riam
and
Sam-
my,
On
a
ex-
cuse
me,
I'm
go-
in'
to
the
F
C
moon
light
night
you
can
find
them
all,
place
where
all
is
har-
mo-
ni-
ous,
17 B
they en
are the
waitpreach-
C
F
in' er,
the He
G7
banis
While
they
keep
play-
you
ev-
er
go
C&
in', there
ways
be
found
Rob-
ert
dog-
gone,
Here
comes
car-
ry
the
good
old
cot-
ton
a-
way.
Rob-
ert
E.
Lee.
tin'. er.
my
C
in'? there?
al-
sway-
ship
pateach-
and
you'll
coing
min'
good
G7
syndance-
hum-
F
E7
What's that they're sayWere you around
C
D7
arc the
C7
in'? there?
jos
C
G&
What's that they're sayHave you been down
29
bam-
show-
Al-
While Ev-
a-
F
smoke-stacks are
old
the
C7
25
C&
in
in',
C
ee
Dad-
D7
21
the
G&
If
in',
U's
the
there, Why,
Lee
that's
come
to
ba-
by
on
the
C
G7/D
C7/E
Waitin' For The Robert E Lee
2
33 C
F
Watch
37
them
shuf-
them
shuf-
flin'
a-
long.
a-
long.
best
gal
real
pal,
F
down
49 D
F
join
to
lev-
the
that
shuf-
ee,
Hear
that
great,
I
said
mus-
C7
F
ic
take
to
lev-
Go
the
ee,
And
throng.
and
song.
mate,
Wait-
in'
on
It's
your
C7
flin'
C7
C&
Go
45
C7
57
flin'
See
53
C7
41
sim-
the
lev-
ee,
ply
For Repeat:
61
C7
Wait - in'
for
the
Rob - ert
E.
Lee.
F©7
G7
Way Down Yonder in New Orleans C TREBLE
A
Henry Creamer & J. Turner Layton - 1922
F
F©º
C7
3
5
Gucss!
Where do you think
Guess!
What do you think
D‹
9
Where do you
Guess!
What do you
F
I'm go
in' when the winds start blow in' strong?
I'm think in' when you think I'm think in' wrong?
A7
3
Guess!
F
think I'm think in' when I'm
think
think I'm go
in' when the nights start grow in'
B¨
in'
F
D‹ long?
I I
all night long?
G7(b5)
C7
ain't go
in' East,
ain't think in' this,
13
I ain't go
I ain't think in' that,
B¨
F
in' West, I ain't go in' o I
can not be think in'
that
heart does not start
to
I Iove best,
pit
a - bout your hat.
D7 D7(b5) G7
bound for the town
ver the cuck oo's nest.
a
pat
un
less
My
C7
Where life
I'm
is
one sweet
song;
I
hear this
song;
1
2
Way Down Yonder in New Orleans
17
G‹7
B C7
Way down you
21
der in
New Or
F
F&7
leans,
there'sa gar den of
C7
Cre- ole ba
29 F7(“4)
E
den,
-
G‹7
C&7
F7
B¨6
la - dy
37
you bet your life you'll lin - ger
F
There
is
They've got
41
F
way down
an
yon -
der
in
a
lit tle smile.
C7
there,
a
lit - tle while.
F
D¨7
here on earth,
with those beau
- gels right here on earth,
F©º7
B¨
ven right
hea
ten der sighs,
C7(“4)
D‹
F&7
fair,
G7
Stop!
mean.
soft ly whis - per with
33
F©º7
F&7
C7
Oh won't you give your
scenes,
F
that's what I
- bies with flash- ing eyes,
Stop!
of dream - y
in the land
G‹7
C7
25
C7
wear - ing
G‹7
C7
F6
New
Or
-
leans.
lit
ti - ful queens,
- tle blue jeans,
A7 A¨7
C TREBLE
Washington and Lee Swing T. Allen and M. Sheafe - 1910
q = 240
6
Bb
F7
Bb
G7
F7
Eb
Eº
C7
Bb7
Eb
30
F7
Bb
26
Dº
B Bb
22
F
18
F
14
Bb
10
Bb
A
Bb
C TREBLE
When The Saints F
F7
I
7
a
wea
- ry to
Well I
pray
each day
Want to
join
the
G7
Bdim
12
When the
saints
come
When the
saints
come
When the
saints
come
F
saints
Gm7
for
that
ci
be
in
that
pro
hear
the
trum
- pets
march
march march -
Bb
- ber
ing
in.
ing
in.
ing
- ty, cess - ion, blow - ing,
in.
go march- ing
in
Oh when the saints
F
F
F#dim
go
march
- ing
F7
Oh
lord
I
want
to
be
in
that
Bbm7 When
-
Oh when the
- el
F
in
ang
F
F
me
Bb
y
-
help
the
C7
play in
F
of
strength to
Want to
C7
this land
read
the
F
A F
For
thru
Gett - ing Want to
F7
I want to
band,
Plod - ding
band,
win,
num
- grim heav - en,
F
F
pil
heav'nly
sin;
10
C7
6
am just
B dim
Bb
F
Dm7
Gm7
C7
F
go
march
- ing
in.
the saints
When Ragtime Rosie Ragged The Rosary C TREBLE
Lewis Muir & Edgar Leslie - 1911
F7
A7
C‹
A¨7
Lee
in
F7
A¨7 C‹ A¨7
F7
F7
Verse: 5
A B¨ Par- son
9
B¨7
Ten- nes- see
in
ac- cents loud and clear,
E¨
"Folks I'm
aw- ful
sor-
ry
but
our
or- gan man ain't
here.
B¨ F7
17
to stand
B B¨
gal named Rag- time
21
Now I'd
B¨
up and vol- un- teer
to help us
B¨7
Ro- sie stood up
out".
When a
and said that she could play,
E¨
The
B¨
par- son seemed de-
25
said
B¨
13
like some- one
light- ed
and
he
said "Just step this
way",
F7
B¨ con- gre- ga- tion all
sat down to pray,
F7
And the
B¨
Then
came a shout!
F&
When
2
When Ragtime Rosie Ragged The Rosary
29
C F7 Break for Spoken Vocal B¨ Rag- time Ro- sie ragged the Ros- a- ry,
33
B¨
B¨
E¨
so sweet,
It was
danc-
D B¨
B¨
to
that
B¨
to know
Rag- time
Ro-
sie
E¨
that this ain't
C7
F7
ragged the
ros-
to the
a-
ry.
Then
he
said
"I
Eº
no
B¨
F&
F7
o- dy.
pran- cin'
Why, he forgot the sermon and began to speak in German
low- down mel-
E¨
B¨7
want you folks
57
a treat,
and
B¨7
List- nin'
53
in'
F7 Break for Spoken Vocal
Rag-time two-step 'til that Par- son Lee,
such
B¨
F7
It charmed their feet and set'em
49
That instead of prayin' Rosie got the folks to swayin''
41
C7
to see:
B¨7
To that tune
45
Break for Spoken Vocal
Then he turned a- round on- ly
37
Deacon Alexander Started in to reprimand her
F7
show"
When
min- strel
E¨7 B¨
C TREBLE
When The Midnight Choo-Choo Leaves For Alabam' Irving Berlin - 1912
A E¨ B¨&
E¨
I've had a might-y bu-sy-
B¨& E¨
day,
The minute that I reach the place,
5
A¨ E¨ give the land- lord back have n't had
a
E¨ B¨& kiss
13
his
E¨
my drear-y-
flat,
my
Ma,
Pa and
F7
of
the
o-
ver
Al-
a-
B¨7
folks down
17
why you'll hear
me
glad
to
e-
nough
way.
I'm goin' to ov- er- feed my
face, 'Cause I
rust- y
key,
The ver- y
F7 sing-
ma's
new mown
ing
mer- ri-
throw my-
That opened I'm
E¨
ma- ny wear- y nights I
home who think of ba-
key,
B¨&
Where
self
a-
B¨
ev- 'ry
B¨º
I went a- way.
day
a doz- en times for
Now I'H
E¨
good meal since the
9
up
I've had to pack my things a-
A¨‹
goin' to
Eº
sat,
Think- ing
star,
Shin- ing
B¨
me.
That is
hay.
I'll be
B¨7
ly; way.
B¨º
B¨7
When that
2
When The Midnight Choo-Choo Leaves For Alabam'
21
B
E¨
B¨7
mid- night choo- choo
leaves for
there,
E¨
see
B¨7
that dust-
y
33
F7
stop this train,
I'll
45
haired con- duc- tor-
re-
main,
my hon-
E¨
I
49
B¨7 board!
will
be right there with bells,
All a- board!
When
I
man,
I'll
grab
That's where you
Back home where
F‹
B7
ey-
lamb
am.
C‹
G7
When that old con-
All a- board for
him
home a- gain.
Where
be right
E¨
A¨
I'll
"Al- a- bam! Al- a-bam!"-
That's takin' me
fare.
C E¨7
my
And I'll hol - ler,
C7
bam',
B¨7
by the col- lar
41
got
E¨
I've
29
37
Al- a-
25
B¨7
E¨
Al- a-
duc-tor yells,
"All a-
E¨
B¨7
bam'.
When that
When You Wore A Tulip
C TREBLE
Percy Wenrich & Jack Mahoney - 1914
A B¨
you wore
When
5
E¨ I
a
tul- ip,
a
sweet yel-
low
tul- ip,
and
B¨7
wore
a
big
red
rose,
E¨‹
When you
13
B¨
9
E¨
B¨7
B¨
ca - ressed me,
C7
bless - ing
'twas
no
one
then Heav
G7
-
en blessed me, what
You made
21
E¨
knows.
cheer- y,
when
the
blue
grass
G7
than
jul-
ep,
when
F7
I
you called
B¨7
me
dear- ie,
'twas
grows,
Your
lips were
C7
sweet- er
29
life
a
D7
down where
25
F7
17
B B¨
you wore
that
tul-
ip
and
B¨
wore
a
big
red
rose.
C TREBLE
When You're A Millioin Miles From Nowhere Walter Donaldson - 1919
A G‹7
mil-
lion
You're a
5
C7/G
one
9
lit-
tle
G‹7
song
of
mile
the
Moth- er's
arms
mil-
lion
one
miles
A¨º
C7/G
lit-
tle
mile
tears,
It's
the
That
keeps
to
heav-
A¨º
from
no-
C7 from
en,
You
just
When
G7
you
a
G©º
where,
F
B‹7 Cº A7/C© You're
home.
roam.
A¨º
A7
G‹
ears.
D7
F/A
your
of
C7
E‹7
when you're
G‹7
gates
where,
home.
FŒ„Š7
C7
leave
29
F
C7
25
er's
B G‹7
from
moth-
in
no-
A¨º
F
ing
from
ring-
21
miles
A‹/C
FŒ„Š7
C7
13 B¨/F
leave
C7
17
C7
When you're
B¨7
F
C TREBLE
Where Did Robinson Crusoe Go?
Verse
F
Thous ands of
5
out
on
an
D7
9
Rob - in - son
no
17
-
Cru
-
a - go
or
may - be
land
on
a
rent
to
C7
on
fine
and
no
wife
Fri
day was
-
to
Fº
his
on - ly
day,
o -
bey,
C7
friend,
B¨
bor - row
lit
-
or
D7
They built a
tle hut,
lend,
G
livedthere 'til
G7
shore,
G7
pay
more,
south - ern
soe land - ed
they didn - 't
G
Fº
F7
29
C7
His good man
25
is
A F
21
years
G7
13
C7
Fº
Young/Lewis/ Meyer - 1916
Fri -
D7
day, but
C7
Sat - ru - day
night
it
was
shut.
And
1
2
Where Did Robinson Creusoe Go?
33
B F
Where did
Rob
-
D7
in - son
Cru - soe
Fri - day
C7
41
on
Sat
-
go
With
G7
45
day
night?
would start in
to
roam,
Then on Sun - day morn- ing they'dcome stag - ger - ing
C D7
is - land lived wild
G7
53
wherethere are
men
wild
Where
G7
did
Fri - day
men
Rob
on
Sat
-
C7
in
can - ni - bal
in - son
-
ur - day
C7
On this
trim
-
min'
and
C7
there must be wild
home.
G‹7
F
57
Ev - 'ry
G‹7
they
ur
Sat - ru - day night
61
G7
37
49
D7
F
night?
wom
Cru - soe
-
men,
go
so
With
Solos at "B"
The Whiffenpoof Song
C TREBLE
Tod B. Galloway - 1909
A E¨
We're poor
5
F‹7
E¨ lit-
13
B C‹ Gen
25
B¨7 Doomed
have
B¨7
Baa.
here
cy
to
e-
a-
stray,
E‹
Off
on a spree,
ter-
ni-
E¨
on
such
as
Baa!
A¨‹6
E¨7
D7 D¨7
ty.
F‹7
E¨
Baa!
We're
who have gone
B¨&7
B¨7
mer-
way.
- tle-men song - sters
from
our
E¨
Eº
Baa!
E¨
Baa!
B¨7
Baa!
B¨7
C7
Lord
29
F‹7
who have lost
tle black sheep
Baa!
21
lit-tle lambs
B¨7
Baa!
17
Eº
B7
Baa!
9
we,
E¨
B¨7
C TREBLE
Whispering Schonberger - Coburn - V. Rose - 1920
5
A E¨
Whis-
per- ing
E¨
Whis
9
- per- ing
so
no
lit-
tle
I
17
21
B E¨ whis-
E¨
Whis-
25
per- ing
F7
Whis-
29
per- ing
can
hear
me,
one
why you'll nev-
cheer
me,
er
B¨&7
dear, but
you,
You're
D7
leave
me,
C7
er
grieve
me,
B¨7
that
you
and
say
A¨‹
E¨
I
love
you.
Whis- per- ing that
C&7
why you'll nev-
per
F‹7
one
B¨7
C7
true, there's no
me,
know it's
near
whis- per seems to
13
E¨
B¨7
cud- dle
D7
C&7
while you
F7
Each
be-
lieve
me,
Wild Cherries Rag
C TREBLE
Ted Snyder - 1909
F A7 E7 A‹ E‹ D‹ A C
5
9
13
G7
C
G7
E7
A‹
B 17
A7
21 G7
C
F
E‹
Cº
C
A7
D‹
C
A7 D‹ D‹ C
G7
C
25 A7
A7 D‹ D‹
29
F
C
G7
C
2
Wild Cherries Rag
@ 33 C
F
37
F
41
F
45
F
A7
49 D D‹
53
F
C7
57 D¨7
C7
3
D‹
D¨7
C7
ø
3
F
A7
F
F
A7
C7
C
A7
D‹
C7
D‹
F
C7
C7
D¨7
F
C/E
C7
Bass Solo - Stop Time
61
C7
D‹
C/E
C
D¨7(b5)
D¨7
C
F G7
G7
65
C
G7 C7
D.S Back to "C" al Coda
Coda
C TREBLE
The World Is Waiting For the Sunrise Eugene Lockhart & Ernest Seity - 1919
A
F&
B¨
ing
for
the
heav-
y
'ry
rose
G7
with
dew.
B¨
is
on
high,
B¨
-
y
mate
is
E¨
The
E¨‹6
F7
-
-
ing
call-
my
heart
ing,
F‹
G7
you.
is
B¨
His
D7
B¨
And
call
F&
F&
sleep
rise,
F7
thrush
21
F‹
is
sun-
B¨
D7
C7
B
29
world
Ev
the
E¨
13
25
17
one,
wait-
9
F&
Dear
5
B¨
The Yama Yama Man
C TREBLE
Collin Davis & Karl Hoschna - 1908
A¨/C
B¨‹
B¨‹/D¨ F7 F7 B¨‹ B¨‹
5
Ev
'ry
lit tle tot at night is
Great
big
sca ry eyes you see so you cov er up
A¨/C
B¨‹
9
Some
big
But
that
B¨‹/D¨
Ya rna man they see,
a fraid of the dark, you know.
up your head,
F‹ C7 F7
when
off to bed they go.
Ya ma man is there,stand ing right be side your bed!
B¨
F7
Ya- ma, Ya- ma, the
13
E¨
If
17
B¨
you don't
Ya- ma man,
E¨‹
B¨
B¨
Ter- ri-ble eyes
F7
E¨
Run to your Ma-
a doubt, If
he
F7
F7
can!
B¨
B¨7
in' be-hind the chair,
Read-y- to spring
21
B¨7
and a long bo- ney hand.
C7
G‹7
watch out he'll get you with-out-
May-be- he's hid-
F7
B¨
G‹7
ma cuz' herecomes the Ya-
ma
out at you un- a- ware!
F7
F7
B¨
Ya-
ma
man!
C7
C TREBLE
Yellow Dog Blues A C
E'er since Miss Su - san John son lost her Yel - low
4
more to
9
F
C7
be;
You can hear her
Ri - der took.
Ev - 'ry cross tie
13
G7
Won - der where
my
Way down where
the
Ca - ble grams come of Mon - ey don't 'xact - ly
17
F
Let
F7
21
G7
Has
e - ven a
Down
where the
book, In - deed I know the route that
morn.
ba - you, burg
and
bog.
trees, On
F7 F
no grand stand
ru
- ral
South ern
C
der's
gone?
the
Dog.
And Is
cross the
C7
No
ev
Un
C
- 'ry where that
like Old Back an'
C -
y. Dog.
in qui - ry
of
cot ton stalks it growns with ease,
de - lie - ver
G7
Te - le grams go
sym - pa - thy
"Bam"
and
- sy Ri South- ern cross
grow on
C
night
Ea
- ters come from down in
racce horse, race track
moan - ing
a
B C
like
F F7
F7
Jock- ey Lee, There has beenmuch ex - cite ment,
Dis trict
Dog
W.C Handy 1914
- cle Sam Buck - shot land.
G7
All day the Ev
- e - ry
Yellow Dog Blues
2
25 C
F
C
phone rings kit chen there
F
34
D7
from the
37
D F
Ea
42
Ten live
F
D7
Bb
Bdim
- sy
Ri
- der
see. day.
F
hog.
struck this burg
Bb7 had to
57
C7
vamp
it
gone where the South- ern
to - day,
F
Ab7 Bb
Dear
Sue
your
-
sy
Ri
a
Seen him here,
- der's
ain't
cross the Yel - low
Blues
C7
south bound'ratt - ler
Bdim
but the hike
On
C7
Ea
53
F7 Bb7
man car.
C7
G7
F
B¨7
side door Pull
C
- nes - long
This mes - sage comes, Dog This Yel - low
G
F
47
At last good ti - dings, Down where the boll wev'l works
glee, play.
F7
F
Fill our hearts with While the far - mers
C7
But it's not for me, a cab a - ret, is
30
C
and he was on the
F7 F
got a stay
F
far.
F
Dog.
a - way,
C7
F
so he
He's
C7
Solos at "D"
You've Got TO See Your Mama Everynight Billy Rose & Con Conrad - 1923
A Bb
Bb
Bbdim
Bbdim
Dadd - y
5
dear
list - en
here
Bbdim
Bb
9
and that will ne
Bbdim
Once a
week
I'm not show -
17
B Bb
see
21
kiss
in'
Bb
Needs a kiss or
Bb
you
the door
Mam-ma
C7
but I must lay down the law.
Mam- ma,
Bb
Or you can't see Mam- ma at all.
you want my
see
Mam-rna
F7
com- pan- y,
Eº
You can't fif- ty
fif- ty
Or you can't see Mam-ma at all.
me.You've
got to
Bb
ev-'ry night,
F7
You've got to
Or she won't be home when you call.
E¨7
Bb
Treat her right,
You've got to
C
F
ev-'ry- night,
B7
two.
B¨7
If
Bbdim
F
- ver do.
F7
29
Bb
25
Bb
Ma -ma's cheek
C7
13
Bb
you,
your mam - ma's feel - in' blue.
F7
I don't see much of
Bb
1
2
You've Got TO See Your Mama Everynight
C 33
Bb
F#
F7
Bb
Mon - day night
37
Bb
I
sat a - lone.
Tues - day night
Cm7
Bb
F#m7 F7
Bb
did not call
you
did not phone
Bb
F7
F#
and thurs -day night it was the same old stall
F7
Bb
Fri - day night
45
F7
Wednes - day night you
41
F#
Bb
Cm7
F#m7 F7
Sun - day night
F7
you dodged my path
F#
Sat - ur - day
Bb
you
took your bath
F7
Bb
you called on me but you brought three girls for some com - pan - y you've got to
49 D Bb
F7
Bb
see your ma - ma
53
ev - er - y night
or youcan't see your ma - ma at all
Bb
C
Kiss your ma - ma
57
and treat her right
Bb
or she won't be
Eb
You've go to
F7
at home when you call
Now
Eb7
I don't want the
61
kind of man
who gives his love
Bb
see your ma - ma
on the in - stal - ment plan you've got to
F7
Bb
ev -er - y night
or you can't see your ma - ma at all
