Fake Book 1 pre 1923
‡ Bass
The Creole Jazz Band wordmark wor dmark was created by Madeline M adeline Koeberling. Thanks to Madeline’s patience with us, her incredibly thorough analysis of our needs, her research, and of course her h er creativity, she was able to develop this outstanding logo. Madeline can be contacted through her website at: www.madelinekoeberling.ca
This Th is Fake Fak e Book B ook has ha s been b een assemb ass embled led with wi th tunes tu nes that th at have hav e all a ll been bee n writ w ritten ten prior prio r to t o 1923. 192 3. Theref Th erefore ore these the se are all out of copyr co pyrigh ightt in the USA. US A. I hope h ope you enjoy enj oy the tunes tu nes.. This Th is fakebo fak ebook ok has been bee n prod p roduce ucedd in the th e fol f ollow lowing ing version vers ions: s: C Treble Bb Treble Eb Treble
Bass Ba ss Clef Cle f Tuba Tu ba (bass (ba ss clef cle f one octave oct ave lower lo wer)) If you want versions in other keys or want more tunes added, feel free to contact me. Kevin Yeates The Creole Jazz Band
[email protected]
12 th Street Rag ............... .................... .................... ............... .............. ......... 1 A Good Man Is Hard To Find ............................. 2 Afghanistan .................................................................. 3 After The Ball Is Over .......................................... 6 After You’ve Gone ................................................... 4 Aggravatin’ Papa ......................................................... 8 A’int We Got Fun ....................................................... 7 Alabama Jubilee .........................................................18 Alcoholic Blues ....................................................... 10 Alexander’s Ragtime Band ……............ ……...................... .............. .... 12 Alice Alic e Blue Gown Gow n ................................. ................................................. ................ 16 All The T he Girls Go Crazy …........... …............... ......... ........….……. ...….……. 14 Amazing Grace .......................................................... 17 American Patrol ………………........ ………… ……............. ......... ......... .......... .......…. ..…. 20 And They Called C alled It Dixieland Dix ieland ............. .................. ......... .......... 19 Any Time T ime ..…………………… ..………… ………………........ ……............ ......... ......... .......……… ...……… 21 April Showers S howers ………………… ………… ……….... ......... .......... .............. .........…….…. …….…. 22 At a Georgia Geo rgia Camp C amp Meeting M eeting .......…... .......…........ ......... ........,,,. ....,,,. 23 At The Devil’s Ball ................................................ 24 At The Jazz Band Ball ........................................ 26 Aunt Hagar’s Blues ……….............. ………................... .........….……… ....….……… 27 Avalon …………………………………….......................… 29 Baby Bab y Won’ W on’tt You Yo u Pleas Pl easee Com C omee Hom H omee ........... .. ............. .... 32 Back Bac k To T o Storyv Sto ryvill illee …............ …... .................. ................… .......…….… ….…….. ….. 30 Ballin Bal lin’’ The T he Jack Ja ck ………… …… ………... …........... ................. .................… ........……… 34 Beale Bea le Street Str eet Blues Bl ues ….……… ….… ……........ ................. ..............… .....…….. ….... 36 36 Blue Bl ue and Broken Bro ken Hearte Hea rtedd ………... …… …............ .................. ............. .... 33 Blues Bl ues My Naugh Na ughty ty Sweet Sw eetieie Gives Giv es to Me . 40 40 Bluin Bl uin’’ The T he Blues Blu es ………… …… ………... …............ ................. .........….. .…..…... …...…… 38 By The Th e Ligh L ightt of o f the t he Silver Sil veryy Moon M oon …..…...... …..… ...... 42 Careless Love ……………………… ……….....……… ……….....……… 44 Chicago ….…………………………………..................…… 45 China Boy …………………………………………....…….. 48 Chinatown, My Chinatown …………….............… 46 Cleopatra Had a Jazz Band ............................... 50 Creole Belles .……………………… ………….....……. ………….....……. 52 Curse of An Aching Heart .................................. 49
Dardanella …………………………….......…….....……. 54 Darktown Strutter’s Ball ......... .............. .............. .............. ......... .... 56 Dear Old Southland ............................................... 58 Dixieland Jazz Band One O ne Step ......... ................... ............... ..... 59 Down Among The Sheltering Palms .............. 60 Down By the Riverside ......................................... 61 Down Home Rag ........................................................ 64 Down In Borneo Isle ............................................. 62 Down IN Honky Tonk Town ................................ 66 Down in Jungle Town .......................................... 65 Down Yonder ............................................................. 68 Easy Rider’s Gone ................................................... 70 Eccentri Ecc entricc .................................................... ..................................................................... ................. 72 Eh La Bas ..................................................................... 71 Fidgety Feet .............................................................. 74 Flee AS A Bird .......................................................... 80 Floatin’ Down That Old Green River ........... 76 Floatin’ Down TO Cotton Town ..................... 82 Foolish Questions ................................................... 84 Frankie And Johnnie ............................................... 81 Grizzly Bear Rag ..................................................... 86 He May Be Your Man ............................................ 88 Hesitating Blues ..................................................... 90 High Society ............................................................... 92 Hindusta Hind ustann ................................................. .................................................................... ................... 95 Hot Lips ..................................... ......................................................... ................................... ............... 96 I Ain’t Gonna Give Nobody None of My Jelly Roll.... 98 I Can’t Let ‘Em Suffer ...................................... 100 I Never Knew I could Love Anybody .......... 102 I want to do the Bear Cat Dance .............. 103 I Wish I Could Shimmy Like My Sister Kate ..... 104 Ida, Sweet As Apple Cider .............................. 106 If You Were The Only Girl IN The World 110 Indiana India na .................................. ..................................................... ...................................... ................... 108 Ja Da ................................... ...................................................... ...................................... ................... 111 Japanese Sandman ............................................... 118
Jazz Baby ................................................................. 112 Jazz Me Blues ...................................................... 114 Jelly Roll Blues ................................................. 116 Just a Little While to Stay Here ............. 119 King Chanticleer..................................................... 120 Lasses Candy ......................................................... 122 Lassus Trombone .................................................. 123 Lazy Daddy .............................................................. 124 Limehouse Blues .................................................... 126 Livery Stable St able Blues (Vocal) ......... ................... ................. ....... 128 Livery Stable Blues ............................................ 130 Long Gone ................................................................. 132 Love Nest .................................................................. 136 Lovin’ Sam .................................................................. 134 Ma, He’s Making Eyes At Me ........................... 137 Mama Don’t Allow ................................................. 138 Mandy Man dy .................................... ....................................................... ...................................... ................... 139 Margie Marg ie .................................. .................................................. ................................... ....................... .... 140 Memphis Blues ........................................................ 142 Midnight in Moscow ............................................ 143 Missouri Waltz ..................................................... 144 My Bucket's Got G ot a Hole In It ............ ................ ......... ......... 150 My Daddy Rocks Me ........................................... 146 My Honey’s Lovin’ Arms ..................................... 148 Oh .................................... ....................................................... ...................................... ............................ ......... 153 Oh By Jingo .............................................................. 152 Oh Didn’t He Ramble ............................................. 151 Old Rugged Cross ................................................ 156 Ole Miss ..................................................................... 154 On The Alamo ........................................................... 157 Ory’s Creole Trombone ...................................... 158 Ostrich Walk ........................................................... 160 Over The Waves ..................................................... 162 Panama Pana ma ..................................... ........................................................ .................................... ................. 164 Pearls Pearl s ................................. .................................................... ...................................... ......................... 166 Poor Butterfly ...................................................... 163 Pretty Baby ............................................................. 168
Riversi Riv erside de Blues Bl ues........ ................ ................. .................. .................. ................. ............ .... 169 Rock Roc k A Bye Your Yo ur Baby Ba by ................. ......... ................. .................. .............. ..... 170 Rose Ros e of o f Picard Pic ardyy .................. ......... .................. .................. ................. ................. ......... 172 Rose Ros e OF O F Wash Wa shing ingto tonn Square Squ are .................. ......... ................. .......... 174 1 74 Rose Ros e Roo R oomm .................. ......... ................. ................. .................. .................. ................. ............ .... 173 Royal Ro yal Garden Gar den Blues Bl ues ................. ........ .................. .................. ................. .......... 180 1 80 Rufe Ru fe Johns Jo hnsons ons’’ Harmo Har mony ny Band Ban d ......... . ................. .............. ..... 176 Runni Ru nnin'n' Wild W ild ................ ........ ................. .................. .................. ................. ................. ........... 178 1 78 Sailing Down Chesapeke Bay ............. .................. .......... ........... 182 San ................................... ...................................................... ...................................... ......................... ...... 184 Satanic Blues ......................................................... 181 Second Hand Rose ............................................... 186 Sensation .................................................................. 191 Shake It and Break It ......................................... 188 Sheik of Araby ......................................................... 192 Singin' The Blues .................................................. 190 Sister Kate .............................................................. 104 Skeleton Jangle ................................................... 194 Sobbin' Blues ........................................................... 196 Some of These Days ........................................... 198 Some Sweet Day ................................................... 199 Somebody Stole My Gal .................................. 202 Someday Sweetheart .......................................... 200 St. James Infirmary ............................................ 203 St. Louis Blues ..................................................... 207 Stockyard Strut ................................................. 204 Storyville Blues .................................................. 212 Strut Miss Lizzie ................................................ 208 Stumbling ................................................................. 211 Suez .................................. ...................................................... ....................................... ....................... 212 Swanee Swa nee .................................... ....................................................... ................................... ................ 214 T'aint T'a int Nobo No body's dy's Busin Bu siness ess If I Do D o ................. ......... ........ 216 Tain’ Ta in’tt Noth No thin in Else Els e But B ut Jazz Ja zz .................. .......... ................ ........ 215 21 5 Take Ta ke Me TO The Th e Land Lan d Of Jazz Ja zz ................. ......... ............ .... 218 That Th at Da Da Strain Str ain ................. ......... ................. .................. .................. ............... 225 That Th at Dixie Dix ie Jazz Jaz z .................. .......... ................. .................. .................. ................ ....... 220 22 0 That Th at’s’s A Plen P lenty ty .................. ......... .................. .................. ................. ................ ........ 222 22 2
There'll Be Some Changes Made .................. 228 Tiger Rag ................................................................... 226 Til we Meet Again ................................................ 229 Tishomingo Blues .................................................. 230 Toot, Toot, Tootsie ............................................. 232 Tuck me to Sleep................................................... 233 Under The Bamboo Tree ..................................... 234 Wabash Blues .......................................................... 236 Waitin’ For The Robert E Lee ......................... 238 Walkin' the Dog ..................................................... 235 Washington and Lee Swing ............................ 242 Way Down Yonder in New Orleans ........... 240 When Ragtime Rosie Ragged The Rosary... 244 When The Midnight Choo Choo Leaves ...... 246 When The Saints ................................................... 243 When You Wore A Tulip ................................... 248 When You’re A Million Miles From Nowhere .... 249 Where Did Robinson Crusoe Go .................... 250 WhiffenPoof Song ................................................. 252 Whispering ................................................................ 253 Wild Cherries Rag ................................................ 254 World IS Waiting For The Sunrise ............. 256 Yama Yama Man ....................................................... 257 Yellow Dog Blues ................................................ 258 You‘ve Got TO See Your Mama Ev’ry Night ...... 260
12th Street Rag
BASS CLEF
1
Euday L. Bowman - 1914
B¨7
B¨7 B¨7 B¨7 B7 A E¨ B¨7 B¨7 E¨ E¨ B¨7 B¨7 F7 B E¨ B¨7 B¨7 E¨ E¨ E¨7 A¨ B7 E¨ F7 B¨7 E¨ A¨7 E¨ Standard Doo Wack-a-doo chorus Back to top with INtro A E¨ B¨7 Etc
5
9
13
17
21
25
29
33
37
q = 100
A Good Man is Hard to Find
BASS CLEF
Bb
A
C9
F7
My heart's sad and I am
Bb
5
Bbm
F
all a - lone
my man treats
Bdim
C7
I re - gret the day that I
C7
9
F
Bb Bdim F7
was born,
C
me
mean.
F
and
oh
that man I ev - er seen
F7
my hap - pi - ness is less to- day, 13
G7
B
G7
good man 17
F7
is hard to find
my heart is broke and that is why I say.
C7
C7
you al - ways
F7
he's your pal,
when you think that
you
G7
20
with some oth - er gal then you
C7
C7
23
see
Bb
the oth - er kind
look to find him fool - in' "round
G7
and you all
F7
just
rave
Bb
crave
Bbm
so if your man is nice take
you wan - na
Bb F#7
F7
my
ad - vice
and
Bb Bb F#7 F7 Bb
27
Bb
him in his grave
get
Lord a
hug him in the morn - in' kiss him ev' ry night
F7 Bb
31
C7
give him plen- ty lov in'treat him right cuz a
good man now - a - days is
hard to
find,
F7
Bb
so
hard to find.
F7
Afghanistan BASS CLEF
William Wilander & Harry Donelly - 1920
F‹
Fº A
In the land of Af-ghan- is-
F‹
She swore by thestars up a - bove
her
F‹
But there came an- oth- er one
F7
13
B
E¨7
day,
E¨Œ„Š7
In
21
25
B¨‹ by
29
the
'Cross
the
fair
o-
a-
des - ert
C7/E
There will be a bri- dal
F‹
E¨7 sand,
C7
F‹
to
a
car- a-
There's
A¨
Bº
Wait- ing
for you,
A¨
we
will
F‹
B¨7
day for you,my i- dol,
E¨7
in
way.
E¨7
A¨
tan,
sis,
C7/E
his dreams he's call- ing
E¨Œ„Š7
B¨‹
In
B¨‹7 E¨7
E¨7
ghan- is-
one to love her.
stole his Hin-du maid-en a-
E¨7
Af-
that he was the
Hin- du man is lone- ly and blue.
17
B¨‹/F
B¨‹
man.
C7 Break
Break
Fº
9
There's a Hin-du maid and a
B¨‹
F‹
tan,
F7
5
B¨‹/F
her.
A¨/C A¨‹/C van
Break - Unison 1 bar
And for you on-
G7/B
find a
Af- ghan- is-
ly.
tem- ple,
A¨
tan.
BASS CLEF
After You've Gone
q = 110 - 120
1916
Bb
Bb
F7 A
Now won't you list - en hon- ey while I say
How could you tell methat you're
F7 D7 Gm7
F7
4
3
goin' a way?
Don't say that
we must part,
Don't you break your
F7
9
Bb
You know thatI'veloved you for these ma - ny years,
12
F7 G7 Bb7 Cm7
Eb7
Day
Bb7
Gm7 Cm F7 Ohhon- ey ba by can't you see my
ba by'sheart.
Dm
G7
Loved you both night
Cm7
F7
tears? List - en while I
Bb say.
and
BASS CLEF 17
B Eb
Ebm6
Ab9 Bb
Af -ter you've gone,
C
21
F9
You'll feel blue
Eb
25
and left me cry- in'
You'll feel sad
Cm7
G7
Some
day
Edim7
Dm7
Cm7
Ebm6 Ab9 you grow lone - ly
you'll want me on - ly
Bb6
Af ter you've gone
G9
now don't for - get it,There'll comea time,
F
there's no de- ny- in'
you'll miss the dear - est pal you've ev- er had.
Ab9 Bb
When
when you'll re - gret it.
Bb
Am7 D7 Your heart will break like mine and
G7 Cm7
32
Gm7
G7
Bb7
Ebm6
There'll come a time
29
Af -ter you've gone,
Dm7
F7
Bb6
Af ter you've gone A - way.
Bb7
Solos at "B"
BASS CLEF
After The Ball
= 100
Ab
E¨7
A¨
Ab
C7
9
17
25
A
Db
33
Fm
41
B Db
51
Dº
65
Ddim
C A¨
F7
A¨
A¨
F7
81
89
E¨7
C7 B¨7
E¨7 E¨º7 E¨7 A¨ D E¨7 A¨
73
E¨7
B¨7
E¨7 Ab C7 Fm B¨7 E¨7 Ab Db
Ab
A¨
58
Ddim7
Charles K Harris - 1891
F‹
Ab Ab
E¨7
D¨
A¨
E¨7 A¨ F7 B¨7 B¨7
E¨7
A¨
BASS CLEF
Ain't We Got Fun
Kahn & Egan Whiting 1921
q = 185
F E Ev - 'ry
5
9
F
morn - ing,
Bb
an - y
F E F
E7 way,
17
E - ven
if
we
Tax
25
col - lec - tor's
Bb
F E F
fun!
E
F7
Ain't we
got
have'nt
fun!
a
We'll stay as we
E F
C7
B7 C7
F
gro - cer
get - ting clos - er
car,
Am
C7
are,
B7 Don't
we have
E Still
we have
C7 fun?
F7 fun!
A7 Dm
Gm F Bb C7
sur - er,
the rich get rich and the poor get poor - er
There's noth - ing
got
F
We
dear.
owe the
B7 C7
21
dear,
C7
F
The rent's un - paid,
Am
Ain't we
B7 C7
Oh, but hon - ey
mon - ey,
B7
eve - ning,
much
But
C7
E7 Am
13
Ev - 'ry
B7 C7
Not
E F
29
In the mean - time
G7
in be - tween time
C7
Am F
Ain't We Got Fun!
Aggravatin' Papa BASS CLEF
Roy Turk & Russell Robinson - 1922
A E¨
A¨
E¨
I know a trif-
lin' man,
5
E¨ He lives in Birm-
ing- ham,
They call him "Trif-
lin' Sam".
B¨7
Eº E¨ 'Way down in Al-
a- bam'.
F7 B¨ C7
9
B¨7
oth- er
night,
He
had a
with a
gal named Man- dy
C‹7 F7
13
B¨
fight
plain- ly sta-
F7
ted she was
ag- gra- va-
ted, An she shout- ed
out to
Now the
F7
Brymm,
And she
B¨7
him:
Aggravatin' Papa BASS CLEF
2
B E¨
C7 F7 B¨7 E¨
17
"Ag- gra- va- tin' pa- pa, Don't you try to two- time me,
I said don't two- time me.
E¨
C7 F7 B¨7 E¨ E¨7 A¨ E¨ E¨7 A¨ E¨ C7
21
Ag- gra- va- tin' pa- pa,
Treat me kind or let me
be,
I mean just let me be.
25
List- en while
I
get you told,
Stop mess- in' 'round, sweet
E7
29
you step out with a
high brown ba-
by,
jel- ly
roll.
If
B¨7 Break 2 bars
I'll smack you down and I
don't mean may- be!
C7 F7 B¨7 E¨ E¨7 A¨ G D7 B¨7
33
E¨
C
Ag- gra- va- tin' pa- pa,
I'll do an- y- thing you
say,
yes, an- y- thing you say.
37
But when you go strut- tin',
Do your strut- tin' round my
way.
So Now Now
papapa-
pa, pa, pa,
Stop Time - Play beats 1 & 4 as marked 41
E¨
E¨7 E¨7 E¨7 A¨ A¨ Aº Aº Just treat me
pret- ty,
You best be care-ful,Once you were stead-y
45
E¨
C7
Ag- gra- va- tin' pa- pa,
Be nice and sweet,'Cause I pos-sess
As yon can
fort- y four that don't re- peat!
be, 'Cause I can beat you do - in' what you're doin to me,
Once you were true, But
F7
a
pa- pa, now sweet ma- ma can't de- pend on you,
B¨7
E¨E¨7A¨A¨‹ E¨ B¨7
Don't you try to two- time me!
1
Alcoholic Blues
BASS CLEF
Albert Von Tilzer 1919
A F F7 Bb 6
Bbm
F
C7
9
F
Db7 C7 F
Vamp
13
B
C7
17
C
G7 C7
F C7 F Pro - hi - bi - tion,
21
Gm
that's the name,
24
C7
I'm so thirs - ty
just
27
run
dry.
F
pro - a - bi - tion
G7
soon
I'll die,
I'm
When Mis - ter Hoo- ver said to cut my
C7
30
C
did - n't hes - i - tate I
I cut my coal,
sim - ply gon - na 'vap - o - rate or
F C7
F I
drives me in - sane.
G7
did - n't
frown.
din - ner
down,
G7
C7
I
cut my sug - ar
but now they've cut deep in - side
my soul. I've got the
Alcoholic Blues
11
BASS CLEF
33
D
F7
F
blues,
I've got the Blues,
blues,
I've got the
Blues,
37
Bb no Bars
are
closed
the
al - co - hol - ic
blues.
since they am - pu - ta - ted
booze.
F
my
heart
good - bye
whis - key
and
night clubs too,
lord - y
lord - y
to
cheer,
C7
40
used to make me fris - ky.
So
long
hi - ball,
good - bye gin,
what
So
long
hi - ball,
good - bye
to
do,
gin,
Solos at "D"
F
Db7
tell
me
when you're com - in'
back
a - gain.
tell
me
when you're com - in'
back
a - gain.
43
There's
Bbm
more beer
I'vegot
C7
F
BASS CLEF
1
Alexander's Ragtime Band
VERSE
C
G7
5
C7
Irving Berlin, 1911
F
Oh,ma hon - ey,
Oh,ma hon - ey,
Oh, ma hon - ey,
Oh, ma hon - ey,
Bet - ter hur - ry and let's
me - an -
der,
There's a fid - dle with notes that screech - es,
C
D7
Ain't you go - in',
Ain't you go - in'
Like a chick - en,
To
Like a chick - en,
the lead - er man,
And
clar i - net
the
C F
8
G7
rag- gedme - ter man? is a col - ored pet,
12
Al band
Oh,ma
C
-
ex what's
an - der's
-
peach - es,
C
ma hon - ey,
Come and lis - ten,
G7
15
Oh,
Bet - ter
you
Come and lis - ten,
To a class - i - cal
F
stand,
brass
band,
now,
some
come
G7
Ain't
-
Let me take you to
C7
grand
hon - ey,
C
com -
in' a -
long?
hur - ry
a
long.
-
C0
-
how,
C7
Come on
and
Alexander's Ragtime Band
1
BASS CLEF
2 17
F
F
hear,
21
Come on and
Bb
hear, 24
Bb
F
G
F
33
long.
37
Bb
man. 41
F7
na
-
just
-
hear,
al
Bb
It's
gle
that
the
call like
best
band
Come on and
in
the
best - est
you
Come on a long.
Bb
Up to the man!
the
F7
band
F Come on and
nee
hear,
to
C
go
to
war.
ho
ney lamb.
C7 F Let
me take
you
by
Ri -
Bb
ver played
der
the hand.
C7
in
of the
Fdim
Come on a
Bb Bb Who's the lea -
C
what am,
Swa
want
the
you ne - ver heardbe - fore.
F
G7
F
care to hear
F
tur
45
der's Rag time Band.
on and hear!
That's
Al ex an - -
They can play a bu
29
F
F F
land.
So
hear,
Come
27
Bb
C7
band.
Up
to the
And if you
rag - time.
F
Al - ex an- der's Rag - time
Band,
Come on
and
C Bass
1
All The Girls Go Crazy Stop Time-2 Bars:................................
Kid Ory
h = 100 A
Eb Eb
Eb
Eb
Bb
1916
F7
Stop Time-2 Bars:.........................................
Eb Eb Eb Eb Bb Bb Bb7
6
F7
12
Bb
Bb7
All the
Solos Begin Here 17
Eb Bb
B
girls
go
on
their
F7
craz - y 'bout the way thatI walk knees
say - in'
22
Bb
"Ba
-
The
by,"
Sayin' "Ba
walk
Yes, all
Craz - y 'bout the way I
walk.
Yes, they fall
26
craz - y 'bout the way that knees plead - in' "Ba - by," 30
Hon - ey 'bout the way I Craz - y 'bout the way I
walk walk
walk,
Bb
-
by,"
-
Bb7 Eb
Hon - ey'bout the way I
Bb
way thatI walk
the
girls on
go their
F7 'Bout the way that I walk, Say - in' "Ba - by,"
Bb7
They fall
On to "C" after last solo:
1
The Grils go Crazy "bout the Way I Walk
Chorus: 1st Time Soft:
C Bass
C
Eb Bb
33
37
F7
Bb
Bb
42
45
F7
Bb7
Eb
Bb Bb7
Climax Chorus: ad lib: 49
D Eb
55
Bb
60
Bb
Bb7
F7
Eb
F7
Bb
Bb Eb7 Bb
Alice Blue Gown (4/4)
1
McCarthy/Tierney - 1919
BASS CLEF A
In
D
5
9
A
D
ev-
B C
man-
world
in-
to town,
shop
win- dow
C
B
ner
of
fash-
ion
wilt-
ed
I
D‹ sweet
felt
G
I'd
all
a-
wore
it,
I'll
lit-
tle
A-
by;
was
I'd frown,
smile
pass- ing
But
in
Then
in
And
the
A
G
D/©
ev- 'ry eye,
primp,
B¨
º
A
I
D©º
I
G
'ry
D‹
As
‹
C
seemed to
When I
D
down
Blue Gown, - lice
A
proud and shy,
D‹
B7 B¨
29
lit- tle
G
13
25
sweet
C7
wan- dered
both
21
first
17
my
C
©‹
Gº
round.
C/
al-
ways
C F‹
lice Blue Gown.
B¨9
A
a-
dore
/G©
'Til
it
it,
My
C
1
Amazing Grace
F
F7
3
A - ma Twas grace Through ma
5
grace, taught dang
-
saved grace have
F
9
once pre grace
Dm
blind hour grace
a my al
3
-
was cious that
wretch fears rea
how my ers
sweet heart toils
the to and
sound, fear, snares,
That And we
3
like re dy
I How T'was
lost did brought
now first lead
F
but that us
me. lieved. come.
Bb
C but I will
C7
-
F
F
13
zing that ny
Bb
now grace safe
am ap thus
found, pear, far,
was the and
F
I be us
see. lieved. home.
BASS CLEF
= 160
Alabama Jubilee
A Bb
Gb7
Man- do
5
Bb
Bb
Mu - sic sweet,
Bb
15
nights down
17
Bet- ter hur- ry hon- ey dear,or you'll be miss in'
Gb7
Bb
F7
Goes right to you head and trick - les
treat,
F F7
in
It's a
re
mind - er
mem - o - ry
bam:
You
B G7
Jones when he rat- tles them
seeDea con
20
C7 'round like a
23
clown,
find - er
F7
Al - a
old
a
G7
F7
C7
feet.
C7
F
lay,
rag time
12
Bb
C7
don't de
F7
Ev-'ry - bod- y tun - in' up,the fun be - gins,
Gm
Com ethis way,
to your
F7
vi - o- lins,
9
Bb
lins,
1
George CObb - 1915
bones,
of
3
ought
to
C7
Old Par son
Brown danc in'
F7
F7 Aunt Jem - i - ma who is
past eight - y three
Bb
Bb G7 Shout - in'"I'm full o' pep! Watch yo' step, watch yo' step!" One leg gedJoe danced a G7 Cmin Cmin C7
26
round on his toe,
29
Bb
D7
Hail,
Hail,
Threw a- way his cane and hol lered,"Let her
Eb Bb C7 F7 Bb thegang's all here for an
Al - a - bam a Jub - i - lee.
go!"
Oh Hon ey
And They Called It Dixieland
BASS CLEF
1
Raymond Egan & Richard Whiting - 1916
A B¨ B¨ G C They built a
lit- tle gar-den
for the rose, And they called it Dix- ie-
land. They built a
5
B¨ sum- mer breeze to
keep the snows
9
G
C‹
fin- est place I've
known,
far a- way from Dix- ie-
A¨
land.
G‹
They built the
C
When they built my home sweet home,
Noth-ing
13
C C was for-got- ten inthe land of cot- ton, from the clo-verto the hon- ey
17
B B¨
B¨ G C
took an
an- gel
from the skies,
And they gave her heart to
comb, And then they
me.
She had a
21
bit
of heav- en
in her eyes,
Just as blue as blue can
be.
They put some
C
25
G
fine spring chick- ens in the land, Andtaught my Mam- my how to use a fry-ing pan.They made it
B¨ G C
29
twice as nice as
Par- a- dise,
And theycalled it
Dix- ie-
B¨
land.
American Patrol BASS CLEF
F.W. Meacham - 1891
A
F
5
C7
G7 C7 F
9
F
F7
G‹7 C7 F
13
B¨
B
C7
17
21
C7
F
F
F7
F C©º D‹
25
B¨
F C7 F
29
B¨
1
Any Time
Herbert Lawson ? in 1921
BASS CLEF
D7
An - y time
8
G7
you'refeel ing lone - ly,
An - y
you'refeel ing
F
Bb
blue,
Bbm
'bout 24
A7
you,
28
So
G7
want me back 32
1.
F
you.
F#0
C7
That'sthe time
me,
a - gain,
C7
Thatwill
An - y time
your lovefor me is true.
D7
G7
D7
youfeeldownheart -ed,
20
F
An - y time
C7
prove
time
G7
14
C7
an - y
that's the
An - y
you'rethink ing 3
I'll bethink ing of
D7
time
you
say
C7 time 2.
F
you.
you
I'll come backhome to
Bb
F
April Showers Louis Silvers & Bud DeSylva 1921
BASS CLEF
D7
G
Tho' A- pril
Show - ers
may come your way,
G
7
E7
that bloom in
May.
They bring the
D7
flo - wers
Am
So if its rain - ing
have no re - grets,
A7 D7
13
Be causeit
G
18
see
clouds
Am
dils,
29
song,
up - on the
hills,
when
yousoonwill see
look ing for
A7
C
So keep on
E7
E7
24
is - n't rain ing rainyou know,it's rain ing vi - o - lets. And where you
D7
ev - er
A - pril
a
crowds
blue bird,
of daf- fo -
G
Cm
and list 'ning for his
G
Sho wers come a - long.
At a Georgia camp Meeting 2 bars unison w/ Clarinet trill
BASS CLEF
Bb
5
Bb
F7
Bb
A
Bb7
Eb
C7
11
F7
Bb F7
Bb
Bb
Bb7
Eb
Bb
2 bars unison
Bb
F7
Bb
17
Fine 21
27
B
33
Bb
Gdim
Eb
F7
Bb
F7
Bb
Edim
F7
Bb
G7
C7
F7
Bb
Bb7
Bb
Back to "B" for solos, after last solo play "A" once
At The Devil's Ball BASS CLEF
Irving Berlin - 1913
A‹
A
I had a dream last night,-That filledmefull
4
of fright: - I dreamt that I
A‹
G7 Dev - il
7
be - low.
In
C
Dev- il was giv-
10
ing
a
his great
E7
Ball.
A‹
gaz- ing
13
was w ith the
at
the mer-ry crowd
D7
must con- fess
you,
to
big
fier-
y
hall,
Where the
A‹
I checked my coat and
hat and
start-ed-
that came to
wit-ness the show.
G7
There were ma-
ny there
I
knew.
And I
At
the
At The Devil's Ball BASS CLEF
2
B
17
C
D7
Dev-il's Ball,
At the Dev-il's Ball,
I saw the
21
G7 C C©º G7 C cute Mrs. Dev-
il, so pret-ty- and fat,
Dressed in a lit-
C©º
tle red fire- man's hat.
25 D7
G7 Eph- re-ham,thelead-er man,wha led the band last
C
29
C
In
33
G7 C E7
I ev-er saw,
theDev-il's-
Hall.
I saw the
G7
C C7
Tak-ing the tick- ets from folks at the door,
D7 D7 G7 D7 G7
37
F
il that
He played the mu-sic at the
D7
Dev-il's Ball,
fun-ni-est dev-
Fall,
A‹
I caught a glimpse of mymoth-er in-law,
G7 C
41
D7
Danc-ing- at the Dev-il's-Ball.
Atthe
Danc-ing with the Dev-il,
Oh! the lit tle Dev - il,
BASS CLEF
At The Jazz Band Ball q = 180
Original Dixieland Jazz band - 1918
A
Gm
F7 Bb G7 C7 F7 Gm C7 F7 G7 C7 F7 B
5
9
13
17
G7 C7 Eb Edim Bb G7 C7 F7 Bb G7 C7 F7 Bb G7 C7 Eb Edim Bb G7 C7 F7 Bb
23
28
33
38
43
Bb
Aunt Hagar's Blues
BASS CLEF
W.C. HANDY 1921
A Eb
Bb+ Bb+ Eb7 Eb Eb Old dea - con Spliv - in,
5
His flock was giv - in'
the way of liv - in' right.
Ab7
Fm Bb7 Eb Saidhe"No swing - in',
Eº
No rag- time sing - in' to- night".
9
Eb Fm7 Bb7 EbEb7AbAbm Up jumped AuntHa gar
13
B
Bb7
and shout - ed out with all her might:
Eb
Eb7 "Why all this razz- in',
17
Ab7
a- bout the jazz- in'?
Eb
Bb7
With la- test mu - sic,
21
Ab7
Oh my, just lis - ten!"
My boys have just come home,
They play it on the sax - o phone".
Bb7
Eb thedea- con shout - ed with a moan.
Ab7
Eb
BASS CLEF
Eb B7 Bb7
25
C
Eb Eb7 Ab Aº
HearAunt Ha gar's chil - dren har - mo- niz - ing. Hearthatsweet mel
29
o - dy,
-
B7 Bb7
like a
choir
from on
high
It's
If the
it right
down
Aº Eb Bb7 Eb B7 join
to me.
Eb Eb7 Ab
con - gre - ga - tion
broke loose.
Ebm Eb7
dev - il brought it, the good Lawd sent
37
Eb
Eb7
Ebm
B7 Bb7
33
Bb7
Eb
Bb7
Let the
Eb
while I sing those lov - in' Aunt Ha - gar's Blues.
Eb7 Ab7
41
Eb
D
Oh, 'taint no use you preach - in', Oh, 'tain't no use o'teach - in'
Such jazz - a - pa - tion
46
Eb G7 C7 F7 such mod - u - la - tion,
50
Bb7
Whenmy feet say dance,I just can't re- fuse,
Eb
that mel - o - dy they call the blues,
Bb7 Eb Aunt Ha gar's Child - ren Blues.
WhenI hear
BASS CLEF
Avalon A
I
C7
found
F
5
my
love
in
A - va - lon,
C7
F
side
AL Jolson
the
bay,
I
C7
left
my
love
in
A - va - lon,
F
C+7
sailed 17
B
D7
dream 21
a
of
her
and
so
I
think
29
Gm7 A
I'll
-
va
E7
from
dawn.
D7
Eb7
And
on,
to
F
-
trav - el
C7
and
I
E7 Eb7
Bbm6
'til
F
A - va - lon
dusk 25
D7
C+7
way.
-
Gm
F
Be -
9
13
-
-
lon.
1920
Back To Storyville
BASS CLEF A E¨7
B¨‹7
E7
3
Go- in' back to Sto-ry-ville, that's
where I long
3
E¨7 3
Ain't notime
be,
3
Ev-'ry-thing'bout Sto-ry-ville
E¨
E¨ B¨7
6
just a part of me,
to
A¨7
to ask me why.
Louis Armstrong
Since
I was just
B¨7
is
this high.
Go- in'
E¨7 B¨‹7 E¨7
9
B
3
backto ol' De- sire,
12
15
street
3
I know my way
a-round, Friends I knowwill
A¨7
A¨7
Noth-
3
in' changes on De-
sire,
I'll take
my
thatstreet of myhome town,
B¨7 where
shake my hand.
stand.
E¨
B¨7
the
There's
a
Back To Storyville 1
BASS CLEF
A¨ G7 C
2 17
C
ca-fe- called
"The
Pup"that's
nev-er-
shut,
B¨7
19
F‹7
drop a - round
most
an-y-time
G7 la-
dy
tailored-
up
in
so
E¨7
you
A¨
21
E¨
choose.
you can
There's a
C‹
some-thin' cut
low,
she
CØ7
F7 B¨7
23
rolls the
ol'
pi-
an- o
with the"Jel-ly-
Roll
Blues".
Goin'
E¨7 B¨‹7 E¨7
25
D
3
backto Sto- ry-ville,
28
E¨
3
Oh I just can't waitun - til
My
B¨7 Sto - ry - ville,
3
my horn,
A¨7
31
I'm gon- na'take
my nif-ty suit, my brush andcomb.
I'm back where I was born,
E¨
my
home.
B¨7
Baby Won't You Please Come Home
BASS CLEF
CHarles Warfield - 1919
Bb
F7
Dbº
I've got the blues,
C7
I
feel so
lone
C7
F7 Bb D7 D7b5 Gm
4
Clarence Williams and
I could on - ly
-
Bb
Dbº
ly,
I'd give the world
D+ Gm7
C7
make you un- der - stand.
Itsure - ly would be
if
F7
grand.
Bb
Dbº C7 F7 Bb7 Eb
9
I'm goin'to tel - e - graph you ba
by, As you won't you please come home,
Gm7
C7 F7 F#º Gm7 C7
13
when you're gone
I'm
all for - lorn,
Bb D7
Ba - by won't you please come
C7
20
F#º Gm
lone.
25
Bb
I have tried
Eb
vain,
all day
long.
Eº
heart,
Bb Ab7b5 G7
hour in the day,
you will hear me say,
Gm7
'cause your mam - ma's all
a -
C7
Gb9 F7 3
nev- er no more to call your name.
D7 G7 Cm7 Eb D7
When you left you broke my
29
in
C7
home,
F7
wor - ry
G7
A
17
I
F7
"Cause
Be causeI nev-er thought we'd part.
C7
F7
Ev -'ry
Bb
Ba - by won't you please come home.
Blue (And Broken Hearted)
BASS CLEF
Lou Handman - 1922
B¨
A
Blue,
5
D7
cause
and
There
was
a
time
B¨
13
You know the
B¨ B
D7
21
you're
part-
ed,
G7
bro-
ken
heart-
ed.
I
was
F7
jol-
C7
rea- son
I'm
mel-
and
oh!
a
E¨‹
ly,
F7
F©&
an-
chol-
so
lone-
ly,
y.
G7
want
you
on-
ly.
E¨‹
We made
we're
I
C‹
E¨‹
True,
25
Gº
Blue,
29
be-
C‹
17
Blue,
9
Gº
blun- der
F7
blue
B¨
G‹ E¨
and
lots
B¨
too.
of
E¨‹
time
I
won- der
B¨
if
Ballin' The Jack BASS CLEF
Chris Smith - 1913
G
A
A7
Folks
in
4
C7
'bout to
at
F©º
E¨7
Geor- gia's
It's being done
D7
go
in- sane
G7
7
I'm
the
now has got the craze,
It's
the best dance
9
I'm
the
par-
ty
in-
That
is
why
I
rave
B
G
bout
A7
Give
me
cre-
dit
to know
a
that will make
D
15
E¨7
to
do
it
there,
it
so!
so!
E¨7
thing or
two,
you prance;
I
will show this
the dance, Join right in
now
D
When
I
do you'll
say
that
it's
a
bear!
Once
a - gain
to
you
I'll
show:
- ty
D7
G¨7
F7
for spring- ing some-thing new; try
cie
done in mod- ern days,
all
so-
per- son who's to blame,
D7
F©º
C7
new dance
Play some good Rag 12
tro- duced a-
ly
All
down in Geor- gia came;
E¨7
on-
Since that
all the ca- bar- ets,
F7
the steps
Give
me
cre-
dit
Old folks, young folks,
lit- tle danceto
you,
while you got the chance,
F7
Ballin' The Jack BASS CLEF
2
G7
17
C
C7
First you put your two knees close up tight,
20
C7
F7
sway'em to the right,
Step a-round thefloor kind of nice and light,
D7
23
B¨
Twist
a- round and twist
G7
25
Then you sway 'em to the left then you
D
Stretch
E¨7
D7
a- round with
all
your might,
G7
C7
lov - in' armsstraight out in space,
Then you
G7
28
le and grace
Then you
Swing your foot
way 'round then
do the Ea- gle Rock with sty-
B¨
D7
G7
G‹
bring it
back,
Now
Solos at "C" 31
C‹
that's
what
I
E¨‹
call
F7
"Ball-
in
the
B¨
Jack".
Beale St. Blues BASS CLEF
Bb F7 Bb F7
Bb F7 B b
You'll
A
Bb
3
see
pret - ty
see
Hog - Nose rest - 'rants
Browns
in
Beale Street Could talk,
5
Eb tail
Bb Cm -
Jugs
Bb F
or - mades and that
tell
of
men_would have_to pack their
8
Eb
skilled,
Now just
sham,
ful
and
Chit - lin
Ca - fe's,
You'll see
If
Beale Street could talk,
Mar - ried
C7
F7
gowns,
You'll see
Bb Bb7 You'll meet hon est men,
by - gone days.
And plac - es, once plac
bags
and walk.
F7 Bb You'll If
blind man
2.
Beale
on
And
-
two,
es, Who
bus' ness nev - er clos - es Gold - en balls e - nough to
You'll see And the
Ex -cept one or
Bb
You'll find that
1.
bod - y hets killed. New Je - ru - sa - lem.
hand - me - downs.
nev - er drink booze,
10
beau - ti -
Ebm
pick- pock - ets a
'til pave
some the
the corner who sings these
F7
Bb Bb7
Street Blues..
Well I'd
Beale St. Blues BASS CLEF
2
12
B
Eb
Bb7
rath - er be
here,
Ab
Abm
riv
-
York
22
Eb
I said I'm I said I'd
Than an - y place I know. And there's a rea - son why: Than an - y place I know
rath - er be there,
take
I'd
Eb
goin' to the river,
Bb7
Than an - y place I know
rath - er be here,
20
May - be bye and bye.
there,
16
Eb7
Than an - y place I know.
goin' to the river, rath - er be
Eb
It's gon - na Be - cause the New
For
to
make
me
go.
the
ser
er's
wet
and
Beale
Street's done
gone
dry.
may
be
all right,but
Beale
Street's paved
with
gold.
Eb7
-
Ab
geant
Abm
Eb
E7 F7 íf going back to "A"
Well
I'm I'd
BASS CLEF
Bluin' The Blues q = 120
Bb
Henry Ragas 1918
Bb7
Eb F7 pp
A
5
f
Bb
Bb7
Eb7 Gb7 Bb
9
C7
13
F7
A7
Ab7
G7
Bb
F
Bb
Gb7 Bb Bb7
17
B
Bb
pp
Eb7
21
f
Gb7
Bb
A7 Ab7
G7
C7 F7 Bb F7 Bb
25
2
C Bb
BASS CLEF
Gb7
Bb
Bb7
Solos
29
pp
Eb7
33
Gb7
C7
37
41
f
D
Bb
F7
Bb
Eb7
45
Bb7
Gb7
A7 Ab7
G7
F7
Bb
F7
Bb
Bb7 Bb
A7 Ab7
G7
C7
F7 Bb F7
49
B¨
53
E
B¨
pp
G¨7
B¨
F7
f
BASS CLEF h = 100
Blues My Naughty Sweetie Gives To Me D7
There are
Gm
Ebdim
Gm
Blues Blues Blues
that you get from that will give you to an - th - er
pain, pain, guy,
And there are And there are And there are
Gm
your one and your one and all of your
ly, ly, ey,
-
The Blues you can The Blues you can And Blues when she
Ebdim
Gm
G7 Are the But the But the
28
mean - est tax - i wine for
F7
sort kind kind
of of of
-
er ex er ex you a
-
Cm
that you get from long - ing that you get from long - ing that you get when mar - ried
nev nev tells
Blues that's Blues that Blues that's
But the To hold Wish - ing
-
on my al - way good and
mind, stabs, blue,
Bb C7 F9
kind, The Blues my naught - y sweet - ie cabs, The Blues my naught - y sweet - ie two, The kind of Blues my sweet - ie
gives gives gives
to to to
plain; plain; lie;
blu some that
me. me. me.
ly ly ey
-
Blues Blues phones
D7
G7
Blues Blues Blues
on on mon
Gm
24
There are There are When she
Blues when you're lone Blues when you're lone Blues when your hon
A7
17
Cm
Eb7 D7
6
11
G7
that you get from wor - ry that you get when sin - gle that you get from sweet - ie
Abdim Cm
1919
For For spends
There are There are There are
D7
est Blues that one on your you could be
C7
be knee, free,
They're the ve - ry Come from hi - ring Comes from hav - ing
(D7)
There are There are There are
1
This page has been intentionally left blank. You have not been ripped off. This had to be done in order to avoid page turns in the middle of a tune. You might think this would be a good to place to make jokes or witty observations such, “Did you ever notice that Peter O’Toole is the only Hollywood actor to have a first and last name with a phallic reference?” But I won’t be doing any such thing. So stop reading this. It is a waste of your time. I won’t waste your time with other foolish jokes. It is just a blank page. So why are you reading this? I told you earlier to stop. You are wasting your time. Well since you can’t just turn the page, then I will take advantage of your reading interest to see if you might be interested in buying my time machine. It is 100% operational and fully functioning. Everything works just fine and it runs very smoothly. The unit has a minor design flaw in that it plugs into the wall to operate. As a result, when the time travel starts the machine immediately loses its power source and you land back in the present. I have been developing this time traveling machine for years and am now too tired to do the work involved in converting it to run off ba tteries. It should be an easy fix for a home handyman.
BASS CLEF
By the Light of the Silvery Moon A
C
Cdim
C
C
is shin - ing thru the trees,
Place
park
scene
dark,
Sil - v'ry moon
Act
two,
scene
new,
Ros - es bloom - ing all
Dmin
5
G7
E7
A7
Dmin
G7
9
you,
Sound of kiss - es
Cast
three,
you,
me
Preach - er with a
C
Cdim
G7
C
one,
Choir
sings,
D7
be bell
gun
C
on
the
Preach - er, "You
Em
My
cue,
with
you,
Act
two,
all
through,
are
face.
Cm6
G
wed
Am
Ev - r'y
for e - ver
Am7 D7
G7
Un - der - neath the
breeze.
sol - emn look - ing
G7
Di - a logue, "where woud you like to
rings
G
Dm7
float - ing
C
a - round the place.
me,
Dmin
G7
two,
Act
Dm7
Cast
13
Cdim
Gus Edwards & Edward Madden 1909
spoon?" more."
sil - v'ry moon.
night the same en - core.
By
the
By the Light of the Silvery Moon BASS CLEF
2 17
C
B
Light
of
the
sil - ve - ry
G7
21
spoon,
to my ho- ney I'll
C
25
moon,
C
29
beams
31
E7
soon,
Keep
D7
will
bring
love's
A7
Fm
D7
C#0
G7
croon
love's
F
A7
dreams,
we'll
the sil - ve - ry
Ho - ney
Dm
A7
June,
be
cud
-
Dm
Your
to
want
tune;
G7
I
Am
C
By
C
a shin - in' in
C7
E
Moon,
D
sil - v'ry
dl - ing
C
Moon.
Careless Love BASS CLEF A
F
C7
Love,
F
oh
love
oh
D7 G7
care- less
6
love.
Bb
ma - ny 17
B
a
F
If
C7
I
F
I'd
build
29
F bad
33
C
F
Now 40
boys
C7
I'd fly
nest
45
F
-
er,
I
wear
C7
nev - er
F
Now
F7
a
F
pass - es
by.
in
to
the
air
tree.
where the
C7
D7 G7 I wear my a- pron high,
Bb my
me.
I wear my a- pron high,
Now
C7
Bbm
F
up
both - er
F
of
mine.
from tree
way
C7
nev
my
not
heart
D7 G7
Bb
could
F
F7
F
ly broke this heart of
bird,
F
C7
F
right
F7
the
C7
and you near -
were a lit - tle
fly
You've broke
C7
24
gal,
F
Bbm F
F
You
C7
thru my head like wine. 11
Bbm
pron
high,
and
C7
he
Chicago
BASS CLEF
Fred Fisher - 1922
F‹7 B¨7 F‹7 B¨7 A E¨ G¨º Chi - ca - go,
Chi- ca-
go,
That tod- dl'-in' town,
tod dl'-in' town,
F‹7 B¨7 E¨ ca-
9
go,
Chi-
ca-
go,
I'll
Chi-
B¨7
show you a- round,
I
love it,
F7 E¨
Bet your bot-tom dol-lar you lose the blues
F‹7
13
B¨7
F‹7
town that
in Chi- ca-
B¨7
Sun- day could not
Chi-
E¨/G Eº/G¨
Bil- ly
go,
shut
ca-
F‹7
go,
The
B¨7
down!
On
E¨ G¨º F‹7 B¨7 F‹7 B¨7
17
B
State Street, that great street,
21
D‹7(b5)
do
things
just want to say,
G7
they
don't
do
C‹
on
just want to say,
Broad-
They
C7
way,
Say,
F‹
2
A¨‹ E¨ Gº
They have the time the time
29
I
F‹7
ca
-
oftheir life,
I saw a man, he danced
F‹7 B¨7 B¨7
E¨ E¨º
go
town!
Chi - ca - go
my
home
with his wife, In Chi-
F‹7
B¨7
Chinatown, My Chinatown BASS CLEF
C
When
Jean Schwartz & William Jerome - 1906
E‹
the
town
is
fast
a-
sleep,
C
5
And
E‹ it's
mid- night
in
the
sky,
9
C That's
13
D‹7 Starts
17
D‹
the
time
the
A‹
G7
to
wink
his
oth-
er
eye.
to
wink
fes- tive
La-
zi-
ly
Chink,
his dream- y
you'll hear him
eye,
G7
G7
C
D7
E‹
Starts
21
sigh:
G7 G&7
Chinatown, My Chinatown BASS CLEF
2
25
C
G&7
Chi-
na
town,
my
the
lights
are
A
C
Chi- na
29
C Where
33
G7 Hearts
37
that
D7
Drift-
C B
Dream-
know
41
ing
A‹
no
oth-
er
land
G7
to
and
fro.
C
y,
dream-
y,
Chi-
F
eyes
of
brown,
F
F‹6
Hearts
seem
light
and
D7
G7
C
y
Chi-
na-
town.
53
dream-
C
G&7
na- town,
mond
C&7
Al49
low,
town,
E7
C7
G&7
G7
C
45
A7/E
D‹
G‹6/B¨
A7
life seems bright,
In
C©º
D‹7
G7
BASS CLEF q =
China Boy
160
F
A
Chi
-
F
5
Close
G7
9
Sand
-
Bbm
13
While
Ab
17
B
Bud
21
Ab
Moon
25
na
boy
go
sleep,
-
while
F
don't
peep,
man
soon
will
come,
I
soft
dha
man
na
D7
eyes
-
E7 Eb7
your
their
29
F
F
Ab
Chi
-
Winfree/Boutelje - 1922
-
ly
hum.
smiles
on
Eb7
loves
you
Eb7
watch
they
Eb7
Ab
F
Eb7
C7
you,
Ab
too.
So,
Ab
C7
keep,
F
boy
go
sleep.
The Curse of An Aching Heart BASS CLEF
Al Piantadosi - 1913
E¨
E¨‹
B¨
B¨º
F7
You
A
B¨ made
9
B¨º
me
E¨
hope
what
I
B¨
dragged
17
you're
me
25
soul
with-
B B¨
is-
tered
E¨
fooled
E¨
though
33
me
C7
curse
down
each
and
true
I
of
an
ev-
'ry
D7
start.
you're not
B¨/F
ach-
ing
the
heart.
dream,
Fº
You
D7/F©
And
love
B¨
still
E‹
D7
til
B¨7
the
You
from
B¨
F7
I
died.
B¨
un-
F7
me
Eº
day,
You
and
A7
F7
in
B¨º
fied.
29
down
shat-
to-
sat-
C7
am
B¨
21
B¨
13
F7
E¨‹
B¨7
G7
you,
That's the
Cleopatra Had A Jazz Band
BASS CLEF
Jack Coogan & Jimmy Morgan - 1917 A
G E7 His-
5
to-
G
ry
re-
B‹
A7
D7
peats it-
self,
So the wise
men
B¨ A‹
A7 lieve they're right be-
cause last night
G
A7
E7
9
In
13
a
dream
it
takes me
A7 E‹6 ly
goes
to
heard pe- cu- liar mus- ic
E‹6
on-
I
prove that
back
two
D7
E¨º
thou- sand years
A7
E‹6 A7 E-
gyp- tians were not
a-
G
say.
I
be -
D7 Dº D7 D&
play.
E‹
F©º
go.
Which
D7
B‹ B¨
slow. Cle- o- pa- tra had a
Cleopatra Had A Jazz Band BASS CLEF
2
17
A7
B
D7
G
ja
21
band,
A7 jazz
29
A7
style.
She
With her syn- co- pa- ted
har- mo-
G
won
Marc
B‹/F© E‹7
ny.
And while they
D7
Fº
A7/E
D7 B‹ B¨
played,
She swayed.
She knew she had him all the while. In the sha- dow of the
C
A7
pyr- a-
A7
D7
G
mids,
A‹7
'Neath the old
D7
G7
look- ing
41
E& E7
G/B A‹
37
Ev- 'ry night she gave a
E¨7 D7
ny,
33
Nile.
In her queer E -gyp- tian
B¨
G7
dance,
An- to-
B‹
D7
E‹6
25
In her cas- tle on the
1
on
and
E7
real
45 A‹6
his-
tor-
ic
E
B
Bº
scan- dal,
was
B7
C7 B7
G
Cle-
D7
o
A‹6
gyp- tian jazz
band
lost
Sphinx was
But
D7
danced to the strains of the E-
A
a wed - ding soon".
A7
D7
gyp moon, - tian
F©7(b5)
said: "There'll be
B¨º
her
B‹
the
B¨
san-
dal
as
she
G
tune.
Creole Belles
BASS CLEF
Bb
1900
F C7
5
F
F C7
G7
13
A
Bb
F7
C7
31
1.
C7
F7
F7
E7
F7
Bb
Bb Bb
22
26
Bb
C7
D7
F
C7
17
Bb
9
G7
C#7
F7
G7 C.
Bb
Bb
2.
C7
F7 Bb
Creole Belles
BASS CLEF 2
Interlude
F7
35
Fº
F7
Bb7 NC
My Cre - ole When stars 39
B
Bb
Eb
Belle shine 46
51
B¨
55
Bb
-
by lin'
my Cre- ole Belle my Cre - ole Belle.
Bb I love her I'll call her
C7
Bb
My lit - tle dar - lin' my dar - lin' ba - by
My cre - ole belle When stars shine
C
I love her well I'll call her mine, mine,
Eb
F7
ba dar
F7
my my
Cre - ole Cre - ole
F7
well mine,
my dar - lin' my lit - tle
Bb Belle. Belle.
Bb
Bb
Bb
61
66
F7
Bb
Bb
C7 C.
G7
F 7
F7
C7 F7 Bb Solos at "C"; Out Chorus use Melody from "A."
Dardanella
BASS CLEF
Felix Bernard & Johnny Black - 1919
C C C C
A
C
Down
9
be-side the Dar-da- nel- la
play,
There There live livess a lone lone-s -som omee maid maid ArAr- me me--
3
By
sighs,
A ¨ Soon
And And we weav aves es her her love love spel spelll so sisi-
I
G
B¨7(b5)
will
rere-
3
ni- an.
E¨7 A¨
shall re -turn to Turk- e- stan.
A7(b5)
I
Sheloo elooks a- cro ss theseasand
C
B
the Dar- da-nelle lles with glow low-in -ing- eyes yes,
G7
ni -an
C
25
Where Or- i- en en- tal breez-es
C
13
21
Bay,
G7
17
D7
G
ask for her heart heart
and
hand.
G7
Break Bass
Dardanella BASS CLEF
2
C
29
C
Oh,
I'm
7 nel-
Oh,
swee sweett DarDar- dada- nelnel- la,
E7
one girl
A7
tent 57
Pre-parethe wed-ding wine,
F
My OrOr- i- enen- tal, tal,
C
53
G7
in my my
just
ha-
like
Oh,
Ther There' e'll ll
the chil-dren-
sweet sweet Dar- da- nelnel- la,
of
We'll build
the
be
E7/G©
D7 E¨º
C
F©‹7 Gº
rem when yo y ou're mine.
Dar-da-
Break 1 bar
oh hear my sigh,
C
D
Oh Al-lah
And he he tells you you to be true,
la,
49
A7
To cap-tur cap-turee-such such a prize. prize.
G7
45
C
knows my love fo for you, 41
C
a luckluck- y fel-low fel-low
I love love your your ha-r ha-rem em eyes eyes..
G7
F
37
C
sweet Dar-daDar-da- nel- la,
C
33
G7
Or- ii-
a
ent.
G7
C My star star of love love di- vine vine..
BASS CLEF
Darktown Strutter's Ball
B¨º A
B¨
I've
got
C‹7
F7
some
good news
We'll meet our
4
B¨
B¨º
hon - ey,
An
high- toned neigh- bors,
F7
Sheldon Brooks - 1917
An ex - hi - bi - tion of the
F7
F7 E¨7 D7
7
Dark town
Ball.
It's
"ba - by
Dolls",
And each
G‹
C7
11
ver - y
swell
one
do
will
F7
af -
all the rest.
fair,
their
best,
Just to
I'll wear my high silk hat and a frock tail
coat,
You
And there'll be danc - ersfrom ev-'ry for eign
land,
The
G‹
F
and your new silk
clas - sic, buck and wing, and the wood - en
F&7
shawl,
There
ain't
no
clog.
We'll
win
that
F7 G‹ C7 F7
14
All the
B¨
D7
wear your Par - is gown
B¨º F7
"high - browns" will be there. out - class
a
in - vi - ta - tion to the
doubt
a -
fif - ty
D‹
bout it
babe,
We'll be the
best dressed in
dol - lar
prize
When we step
out
and
the
"Walk the
hall.
Dog".
I'll be
Darktown Strutters' Ball BASS CLEF
2
G7 C7
17
B
Bb
down to get you in a tax - i hon- ey, You'd bet terberead -
y a bouthalf past eight.
F7
Bb/D Bbº Cm7 F7
21
Now dear - ie
don'tbe
late
I want to
be there when the band starts play- ing, Re-
G7 C7
25
C
Bb
mem - ber when we
get there hon- ey, The two steps I'm goin'to have'em
all.
Goin'to
Eº Bb A7 G7
29
Eb
dance out both my shoes,
When they play the"Jel -
F7 Bb
33
C7
mor- row
night at
the Dar town Strut ter's Ball.
ly Roll Blues"
B¨dim Cm7
To -
F7
I'll be
Dear Old Southland Henry Creamer & Turner Layton - 1921
BASS CLEF
F‹
E&
A¨/E¨
C7/E F‹ E& A¨/E¨ C7/E
I want to stray
B¨‹
5
D¨
born,
My home town,
My lit- tle home town.
B¨‹7
C7 F‹ E& A¨/E¨ C7/E
I want to play
F‹
9
to the town I was
in the cot- ton and
E&
A¨/E¨
corn,
A¨7
To feel
I used to steal
D¨
dear old Moth-er- each
morn,
Tuba
13
F‹ A¨º B¨‹7 C7 F‹ say-
ing
"Go long,
A
F
17
B¨
go long,
go long
C7
Dear Dear
Old Old
Sputh South-
F
to school".
B¨
F
Bº
land, land,
C7
G7
D7
I for
hear
you
call-
ing
to
me.
And
I
you
my
heart
is
yearn-
ing.
And
I
25
F
F&
long, long
29
go long,
F&
Dear, Dear,
21
it.
Dº
I want to hear
it,
F
A¨º
B¨
how just
I to
long see
C7/G
C7
Bº
to once
F
to
my
old
Ken-
tuck-
y
home.
land
I
love
that
Swan-
ee
shore.
roam more
B¨7
back the
F
BASS CLEF
Dixieland Jazz Band one Step q =
F7 C7 F7 Bb Bb7 F Bb Bb Bb F7 F7 C7 F7 Bb Bb7 F Bb Eb Cm7 Fm7 B Bb Bb Eb Eb Bb Eb Cm C7 Fm F#dim Eb Bb7 Eb7 C7 C7 F7 F7 C Ab Ab Ab Bb Bb7 Eb Eb Cm G7 Cm F7 Eb7 C7 C7 F7 F7 D Ab Ab Bb Bb7 Db Ddim Ab F7 Bb7 Eb Ab Ab 200
A
Bb
Bb
F7
6
11
16
22
28
33
39
45
49
55
3
59
Down Among The Sheltering Palms
BASS CLEF A
B¨7
Down
a- mong the
for
me;
Oh
9
F7
Meet
B¨
13
Out
21
B¨7
where
my love
How
my heart
is
wait
F9
for
C9
F7
a- bout eight.
E¨
is
burn- ing, burn- ing, burn- ing,
C7
F7
Gº
yearn-ing, yearn-ing, yearn- ing
A7 A¨7 G7
A - mong the
me;
old Gold- en Gate,
B¨7
Down
C9
for
the
B¨
29
Oh hon- ey
wait
the sun goes down
How
25
down by
G7
hon- ey
me
B
17
shel- ter- ing palms,
wait
A7 A¨7 G7
B¨
C7
5
Abe Olman - 1914
me.
be
Shel- ter- ing Palms,
B¨
to
Oh hon- ey
BASS CLEF q =
Down By The Riverside
180
F Gon- na
5
C7
F
C7 riv
19
my sword and shield
the
riv - er
Down by
- er
war no
Ain't
F
gon - na
I ain't gon - na
stu - dy
Bb
I
ain't gon - na
28
F
more
you know I'll
stu - dy
C7 stu
stu - dy
-
riv - er
side.
war no
that
war
Gon- na
C7
Bb
war no
C7
more
the
Bb
C7
F
the riv - er side
A
side.
F
down by
F
F
24
my sword andshield
stu - dy
F
the riv - er - side,
F F
F
down by
side,
F
F F
C7
lay down 14
F
lay down
down by 9
1
down by
the
more I ain't gon - na
no
F
more
Bb
F
more
I ain't gon - na
C7
dy
war
no
F more.
2. Gonna stick my sword in the golden sand 3. Gonna put on my long white robe 4. Gonna put on my starry crown 5. Gonna shake hands around the world
stu - dy
war
no
Down In Borneo Isle BASS CLEF
Herny Creamer & J. Turner Layton - 1917
A
5
C‹
Far
a-
F‹
C‹
Where
way
in
Jun- gle
they
play
land,
C‹
Jun- gle,
Tuba- Toms- etc.
G7
Jun- gle,
9
Jun- gle land,
Tuba-
Toms
up-
on
the sand,
Tuba- Toms- etc
13
B¨7
Jun- gle,
17 B
B¨7
In
21
the
E¨
ev- 'ry-
25
C‹
29
F‹7
Jun- gle,
eve-
bod-
B¨7
ning
when the
y
does the
And
they
say
that
mon- key band,
Tum- bles,
F7
Stum- bles,
Jun- gle sand.
B¨
day
Boo-
B¨7
As they bun- gle
B¨&
is
cool- er
la
Boo-
la.
thru the
jun- gle.
Down In Borneo Isle BASS CLEF
2
33
C
B¨7
37
own
Down
in
B¨7/F
ne-
o
E¨
Eº
wild
men
D7
And
o,
those
E¨
D
Bor-
those
real
wild
C7
Isle.
I
B7/F
danc- ing
a-
E¨
Oh,
wo- men
in
swim- min'!
Oh, Oh, Oh!
C7 Cº All theywear is a smile,
Down
in
C‹
lights are low,
B¨7
How
B¨7 the mus- ic slow,
E¨
F7
67
To
round,
to
eve-ning when the
Oh,
love
B¨7
o,
Eº
F‹
62
Oh, Oh, Oh,
Bor- ne-
E¨
Where I want to go,
And ev-'ry
in
56
Down
B¨7
Down in Bor- ne- o,
see
49
Bor- ne-
B¨7/D
45
in
E¨
41
Bor- ne- o
Oh,
Oh,
they toad- al-
E¨
Isle.
o,
A¨7 E¨
BASS CLEF
Down Home Rag B¨7
F7
Wilbur C. Sweatman - 1911
E¨ F‹7 E¨/G A¨‹6/F E¨ C‹7 F7 B¨7 A E¨ F‹7 B¨7 E¨ F7 E¨/G A‹6/F E¨ C‹7 E¨6 F7 B¨7 E¨6 B E¨ F7 B¨7 E¨ E¨7 G¨7 B¨‹ G¨7 E¨7 D6 F©º G¨7 E¨7 E¨7 A¨ A¨ A¨7 D¨ D¨‹ A¨ B¨7 E¨7 C A¨ A¨ A¨7 D¨ A¨ B¨7 E¨7 A¨ A¨7 D¨ D¨‹ A¨
5
9
13
18
21
25
29
D¨‹ A¨ A¨ D¨‹ B¨7 E¨7
33
D A¨
D¨‹ A¨ A¨ D¨‹ B¨7 E¨7 A¨
37
A¨
Play "A" Once and end
BASS CLEF
Gm
A
Bb
D
17
A7
Bb
C
ty
Bbº
a
ser - en -
Bb
ade,
Bº
To
maid,
Cm7
that chim - pan - zee
up
D7
B¨
F7
dy.
mon key doo - dle - doo way Down In
a
F7
is com - ing
F7
F7+
A hon - ey - moon
mon - key
Sings that mel - o -
51
C7
F7
F7
F7
Bb
When
46
Then you'll hear
-
F C7
in jun - gle town,
F7 pret
soon.
37
A7
C7
Down
31
D
Chorus B Bb
41
A7 A7b5 D7
F7
9
25
Edward Madden and Theodore Morse - 1908
Down in Jungle Town
Verse
Bb I'll
C7
F7
Jun
-
in
the
be
true
gle
Bb
Town.
tree,
to
my
Down in Honky-Tonk Town Chris Smith & Charles McCarron - 1915
D7
BASS CLEF A E¨
E¨
Bill John-son said one day,
E¨
5
A¨
To his E - li- za May,
D7
E¨
"We've been to
near-ly
ev'-
ry
G7
A¨
9
A¨
We both will
17
B
D7
C‹
29
D7
That's
where the
E¨ D7
It's Hon- ky Ton-
mu-
sic
nov- el- ty,
C‹
brown!"
D7
G‹
who brings the clothes.
ky Town,
D7(b5)
G7
there is this place I hear,
I got it straight from Mose,
25
town.
D7
G‹
E¨
E¨
A¨ G7
the thing up
His sweet-tie said, "My Dear,
21
place in
someoth -er
go and do
G7
D7
If you sug- gestto me,
13
D7
down where the gals
G7 grows.
are brown.
Down in Honky-Tonk Town BASS CLEF
2
C C
33
Come, Hon-ey, let's go down
37
D7
to Hon-ky
it's un- der-neath the ground, 41
G7
There'l! be sing- ing
D7
45
danc - cin' 49
to
sing- ing
pi-
a-
no played by
Mis- ter
C D7
61
D7
Down
en start
in
a
Hon - key
The mu- sic that you hear, would
mon- key,
G7
Brown.
You want to stay a year,
pa- ters,
He on- ly plays by ear,
53
G7
G7
a- no queer,
syn- co-
D
ev-
wait- ers,
57
where all the fun is found.
He plays pi-
Ton-ky Town,
danc- ing with
a
don- key,
C
Ton - ky
Town.
Down Yonder
BASS CLEF
L. Wolfe Gilbert - 1921
A E¨
F7
Rail- road train,
B¨7
Rail- road train,
Hur-
ry
5
F7 Put
9
a
lit-
Hus- tle
on,
E¨
tle
steam on
just like
F7
Bus- tle
on,
nev- er
B¨7
I've
got
13
F7
for
my
Broth- er
if
you
Yearn- ing
F‹
21
F7
You'd want
to
hur-
Swan- ee
17
E¨
some more.
B¨7
E¨
be- fore.
E¨
the blues.
B¨7
shore,
on-
ly
knew,
B¨7
ry
up
too.
Down Yonder BASS CLEF
2
25
E¨
B
B¨
E¨7
own
31
A¨
E¨
yon-der some-one beck-ons to me,
B¨7
C E¨
B¨7
Down
Yon- der when the folks getthe news,
E¨
E¨7
56
60
Ev- 'ry day, my mam-
E¨
There's dad- dy
Swan- ee shore
C7
F7
my,
Wait- in' down yon-
my land, You're
A¨
E¨7
B¨7
der or
sim-
ply grand.
A¨
won- der at the Hul- la- ba- loos.
my,
I miss you
BReak 2 Bars
Don't
and mam-
ry,
F7
B¨7
more and more,
49
E¨
E¨
Be-tweentheNatch-ez and the Rob-ert E. Lee.
yon-der some-one
see a race in mem- o-
43
Eº B7/F
B¨7
I seem to
E¨
E¨7
Down
E¨
reck-ons on me.
37
A¨
There's Eph- raim and Sam-
E¨
me.
B¨7
Easy Rider's Gone
BASS CLEF
Shelton Brooks
q = 120
Bb7
won - der
I 5
Eb7
ne - ver 9
told
where my
me
he
Ea- sy Ri- der's gone to - day
was
F7
a -
D7
C7 our tick - ets for a
los- ing 21
Eb7
win 25
all
jol - ly joy ride right
a
F7
a
he
race
put all
knows just what
F7
To
my junk in
C7
pawn
F7
to bet on 1.
Bb
won - der where my
Ea - sy Ri- der's gone.
do.
I'd
blue.
to
Cash
Bb
place.
I'm
D7
29
mon - ey that is why I'm
a - way
my
Gm
17
Bb7
If
If not first he'd get
F
in
way.
race
He
Bb
goin'
he was here he'd win the 13
an - y horsethatJock ey's
Gmin
on,
Oh I
2.
I
Bb
gone
Eh Las Bas
BASS CLEF
Traditional
A Ab Eh la
bas, (band sings echo)
Ab
7
Eb7
Eh la
la
Bas,
Eb7 E¨7
Eh la
bas,
Eh la bas,
A¨
la
Sis Boom
bas,
Eh
Aº
Bah
Eh
Ab
la
la bas
Well I
Solos here after Vocal
Eb7
17
Ab
Aº
Ab Tra
13
1
B
can't speak French, not Or
-
y
sang
that
in
a
pinch
so
Ca - jun French
in a
I don't know what it means.
fine ol'
Cre
ole way,
But
it
but the
E¨7 Ab
21
sounds real good, like I knew it on
ly
-
Ca
-
jun
would,
I can say
like
down in New
Or
-
is Lais - sez les bon temps
leans,
I
rou - lez!.
So
Eb7
25
love to
hear
let the good
that clari - net
burn
and hear them trom bone gliss
times roll
friends,
and let the
my
mus
-
ic
- es
I'd
play,
To -
E¨7 Ab
29
like
to
sing French when I take my turn
mor - row may
nev
-
er
come to
be,
but that ain't the kinda band that this is
Eh la
so let's
Eh la
love
it
up
to
-
day
Vocal Back to Top
Eccentric
BASS CLEF
J. Russell Robinson - 1921
F Fº F G7 C7 F F7 C7 A B¨
5
3
F7 C7 B¨
9
F7
B¨
13
3
17
F7
21
B¨ F7
B E¨
B¨7
E¨
B¨7
25
E¨
E¨
B¨
F7 B¨ B¨7 B¨7
E¨
B¨7
F7
B¨
C‹
29
G7
Solos: 33
E¨
B¨7
E¨
B¨7
E¨ F7
Eccentric BASS CLEF
Solos Begin Here first time
2
C C7 B ¨
37
3
F7 C7 B¨
41
F7
B¨
45
3
49
F7
53
B¨ F7
B¨
F7 B¨
After last solo play "C" as written then on to "D"
D B¨
B¨º B¨ C7 F7 B¨
57
B¨
61
D
65
B¨
C7 F7
B¨º
C7 F7 B¨ B¨
B¨º
B¨
pp
f
B¨º B¨ C7 F7 B¨
69
B¨
Tag
Fidgety Feet
BASS CLEF
The Original Dixieland Jazz Band - 1918
F7
5
B¨
A
B¨7
E¨
Eº
B¨
F7
B¨
B¨
C7 F7
9
B¨
B¨
13
B¨7
E¨
Eº
B¨
2 Bar break
2. 1. B¨ C7 F7 B¨ B¨7
17
Bº
3
Stop time - 4 bars
22
B
E¨
G7
A¨
E¨
B¨7 E¨
28
F7
3
33
E¨
B¨7
E¨
C7
F7
B¨7
E¨
C7
G7
A¨
B¨7 E¨ E¨7
Fidgety Feet BASS CLEF
2 38
C A¨
42
E¨7
E¨7
D¨
46
50
B¨7
54
A¨
58
D¨
62
66
B¨7
E¨
A¨
A¨7
C7 A¨
A¨
F‹7
A¨
E¨7
D¨
A¨7
D¨7
A¨
D¨‹
E¨7
A¨
F7
1.
E¨7
2.
Floatin' Down That Old Green River
BASS CLEF
Concert pitch
Cooper - 1915
A F
I've been
in'
5
ship
"Rock
too
all
ship
got
that
on - ly
one
Bb
had
to
G7
get
back
drink
that
bar
I
was home.
and
C7
I
whole
C7
home
to
you!
could do;
F7 E7 Eb7
crew,
G7
thing
I
D7
Green
F
was
cap - tain
F
I
I
the
a
the
stuck on
on
But
got wrecked with
And there was
Riv - er
Green
Wish - in'
D7
old
Rye,"
a - lone,
F7
The
29
25
that
I
21
down
far,
F
there
Eb7 D7
C7
wad - ed
17
and
13
good 9
float -
G7
F7 E7
F
Riv - er
dry
to
No Repeat First Time - On To Vocal
Solos at "A"
Floatin' Down That Old Green River BASS CLEF
2 Verse Interlude:
F
F#º
C7
F
F#º
C7
F
F#º
C7
F
F#º
C7
past
four,
Dan
Mc
33
Verse - Vocal:
B
37
Half 41
F
He
came
a'
creep - in'
to
his
wif
F
She
waitin'
up
half
45
49
C7
G7
had
been
G7
Dan
to
come
home
and
ey's door.
-
F7 E7
Eb7
D7
the night
For
C7
go
Graw,
-
to
bed.
F
F#º
C7
F
F#º
C7
smiled,
like
a
child,
53
Dan 57
F
-
ny
But
wife's eyes
61
then
his
C7
65
G7
"Where have
you
this
what
is
been
all
G7
grew
ve
Dan - ny
re - plied:
F night?"
C7
-
ry
wild!
D7
she cried,
And
D.S. to "A"
I've been Back to "A" for Vocal and Solos
Floatin' Down To Cotton Town BASS CLEF
F. Henri Klickman - 1919
A B¨
D¨º
I justdropped in
5
F7
leave
9
to-
day,
I'm
17
B¨
C7/G
see you
go-
C7
sun-
I
came
I
F©º
To
that
my
way.
ie-
F©º
land,
F7
by
the
hand.
F7
Line,
be
fine?
No
gal
of
mine:
hur- ry
F7
and
Mis- ter
C7
just
D¨º
F
D¨º
Dix- ie
that
F&
won't
CØ7/G¨
Dix-
B¨
me,
I
ny
C7
Cap- tain, don't fail
D¨º
F
F&
say,
cross that
and
D¨º when
to shake you
pine,
F
B¨‹
to
21
C7/G
on
back
The min- ute
29
I'm
in'
B
more I'll
B¨
That's why
F7
B¨
25
all
F&
13
to
F7
sail
me,
Floatin' Down To Cotton Town BASS CLEF
2 33
B¨
Float- in'
down,
C
37
F7
F©º
Float- in'
on
C©º
41
toot!
C7
Cº
C7
ies
sing-
in',
Hon-
ey
F7
C7/G
I'll come back
to
you
fields of
C7
Float-
toot- in'
a-
way,
ban- jos
G7
in'
lit-
tle
F7/A
and
Al-
a-
sug-
ar
cane
seem
to
To
Cot-
Just hear that
hon-
ey
G7
And
those
day.
lamb,
B¨
B¨7
bam;
While
B¨
Down
ring-in''til the break of
C7
Town.
G¨7
Cot- ton
G¨7
down,
2 bars
my
F©º
F7 Break
lamb,
B¨
toot!
B¨
riv- er down to
E¨
61
F7/A
tle
B¨
57
float- in'
whis-
D
ey,
dark-
53
hon-
49
C7
my
C7/G
the
G7
45
G7
wel- come me
a-
gain,
F7
B¨
ton
Town.
F7
Flee As A Bird BASS CLEF Mary S.B. Dana - 1857 A D‹
A7 Flee
as
He
9
A7 to
the clear flow- ing foun-
He
will for- sake thee oh nev-
F
Fly
Wipe ev- 'ry fall- ing
tain,
fly-
thee, ing,
A7
He
on his bos- om will bear
Cease from your sor- row and cry-
D‹
A7
thee, ing,
D‹
Sav- iour will wipe- ev- 'ry tear.
sin. tear.
A7 D‹
Where you may wash and be clean. Shel- tered so
F
ten- der- ly there.
G‹6
D‹
Call and the SavSpend not the mo-
D‹
iour will hear ment in
sigh-
A7
D‹
Thou who art wea- ry The Sav- iour will wipe
A7 D‹ A7 D‹
thou who art wea- ry- of sin.
of
D‹
er.
C D‹
17
er,
A7
Thou who art wea- ry
C7
for the aven - ger is near
G‹7 B¨7
tain,
Haste then,The hours are
13
moun-
Go
B
to your
will pro-tect thee for- ev-
5
D‹
a bird
D‹
of
sin.
ev- 'ry tear,
A7
D‹
A7
thee. ing.
G‹ Oh The
BASS CLEF
1
Frankie And Johnnie
Traditional
F
C7
F
C7
B¨
swore to be true said to the fat 8
F
to each bar-
G‹7
B¨7
oth- er, ten- der,
F
B¨
F7
Oh, Lord-y how they could love! Just for a buck- et of beer.
C7
C7
Frank-ie and John- nie were lov- ers. Frank-ie went down to the cor-ner, 5
F
They She
Bº
Just as true as the stars a- bove. "Has my lov- in- est man been here?
F
B¨7
He was her
man,
But he done her
wrong.
He was my
man,
Buthe'sdone me
wrong".
F
C7
Floatin' Down To Cotton Town TUBA
F. Henri Klickman - 1919
A B¨
D¨º
I justdropped in
5
to-
day,
I'm
C7/G
go-
in'
back
to
I
B¨
The min- ute
more I'll
F
came
sun-
ny
C7/G
To
Dix-
my
way.
F©º
ie-
land,
to shake you
I
hand.
D¨º
Line,
No
B¨
D¨º
won't
that
C7
me,
the
Dix- ie
by
cross that
F7
when
F&
D¨º
Cap- tain, don't fail 29
pine,
F©º
F
F&
I
F7
21
25
on
B
F7
C7
That's why
say,
B¨
I'm
and
B¨‹
17
all
B¨
13
see you
D¨º
F&
9
to
F7
leave
F7
be
fine?
F
just
CØ7/G¨
hur- ry
and
Mis- ter
C7
sail
me,
F7
that
gal
of
mine:
Floatin' Down To Cotton Town T UBA
2 33
C
B¨
G7
loat- in'
3 7
F7 F©º Float- in'
the
45
tle
C7
Cº
dark-
toot!
toot!
ies
sing-
in',
F7 F©º I'll come back
to
57
fields of
sug-
in'
Down
Just hear that
a-
ban- jos
way,
And
those
my
lit-
C7/G
ring-in''til the break of
tle
hon-
F7/A
ey
lamb,
B¨7
you
and
Al-
a-
bam;
ar
cane
seem
to
Cot-
ton
G7
wel- come me
B¨
Town.
While
B¨
F7
B¨
G¨7
day.
C7
To
Town.
G7
toot- in'
C7
Float-
Cot- ton
G¨7
lamb,
53
E¨
G7
ey
down,
B¨
D
Hon-
float- in'
F7 Break 2 bars
B¨
C7
B¨
61
F7/A
whis-
ey,
riv- er down to
hon-
C©º
41
49
on
my
C7/G
down,
C7
a-
gain,
F7
BASS CLEF
Foolish Questions q =
152 1915
F D7 G7 C7 F
Now you've Now Now
let's
A 5
F B¨ all heard fool then
-
ish
ques - tions
and
you
F
no
doubt
there's that
per
-
son
who's
al - ways
say the ele - vator
per
-
son
should for - get
won
der
why
Some -
hanging 'around the
place
And
door,
And
to
-
close
the
9
G C7 one he
will
ask you
a
fool - ish
ques - tion
watch - es you take your shav
you should
hap
pen
-
but
ex- pect a
sen - si ble re - ply
ing brush and start to lath - er up your
to tumble
down
let's say for - ty
se
ven
Like
face.
And
floors.
And
13
F B¨ F when you take your girl some as
you
when
can - dy
Say
just
give your
ra - zor
its
prelim
you
the
hit
bot
tom and
-
in
-
af
-
ter
tea
The
ar
-
y
wave
You
ert
Some
you're lying there in
-
17
B¨ F D7 G7 C7 F first thing she'll do know
that
fool will
is
fool will stick his stick
wrin - kle up come his
up
her nose and
ask "Is
to
ask "Are you gonna shave?
you and
down the shaft and
ask,
it
"Are
for
you
me?"
hurt?"
Foolish Questions BASS CLEF
2
21
B
F oo
B¨
lish ques - tion
-
F
no
doubt
you re - ply
No it's for
your
your
reply
is
No I'm not
pre
I hope
that
you re - ply
No, he just
though
I hope
You utter your dy - ing
moan
No, I
was
-
in
26
G C7 F Ma
or
your
Pa
or
pared for shav - ing
I
it's
for
just love
the
he'd have the fu ne - ral - now and
then
an
aw
ful hurry and
some oth - er
guy
I
taste of
soap.
I
like
to
on.
Ned
was
al - ways so
slow.
It
B¨ it
ing brush gi
-
of 35
nal
And
now
I'll take it
and
paint
my - self up this
he would
time
la - ter
this ele vator's just too
30
see
die
have want - ed com - ing
a
-
take my shavori -
usual - ly saves a
lot
way.
A
no - ther fool - ish
-
ques - tion
You'll
way.
this
1.2.
to
F B¨ F D7
it that
down
just want - ed you
way. way.
3.
G7 C7 F D‹ G‹
40
hear them ev' ry day.
Then
there's this
fel
- low
who meets you on your
D‹ A7
44
way,
And
D‹
47
just
re
-
he
asks you why you're
turn - ing from the
fu
D‹ Ned
And as you're
all dressed up
-
ner
-
and
ral
of
this is what you
G‹ dear
old
A7
ring - ing
out your hank - ie he'll ask
"Is
Ned
say.
You're
bro
-
ther
dead?"
Back To "B"
BASS CLEF
Grizzly Bear Rag F
D7
G7
George Botsford - 1910
C7
F
Bass
5
A
C7 F F C D7 G7 C7 Break
9
F
13
F C7 F F
D7
G7
C7
F
17
21
B C7
F
25
29
C7
C7
F Bº
33
B¨
F
C7
F
Fine
Grizzly Bear Rag BASS CLEF
2
37
C F
C7 F F
C D7 G7 C7
41
45
C7 F F F
D7
G7
C7
F
49
53
D
57
F7
B¨ B¨7 G7 Fº
B¨ 61
B¨7
F7
C7
B¨ Break
G7
C7
E¨
G¨7
Stop time as Marked 1. B¨ B¨ B¨ E¨ B¨ C7 F7 F7
65
B¨
2.
B¨
Break
Back to "B" - Play to Fine
He May Be Your Man
BASS CLEF
(But HE Comes To See Me Sometimes) Eb
F7 Bb7 Eb
5
A Eb
Cº
Eb
B7
Ab7
Lemuel Fowler - 1922
Eb
Bb7
Eb
Miss Miss
Eb
Eb7
Min - nie Lu - dy
Lee Green
from Ten- nes - see was some l'il queen,
Eb C7
9
Ab
An - y - time and an - y - where When her man went out at night
13
Eb
Cº
Eb
was known to and jeal- ous
be as
quite rough. could be.
F7
Bb7
She would al - ways strut her stuff. They would al ways dis - a - gree.
B7
Eb
Now Down
Eb7
Sa die at the
17
Snow, ball,
she had a at Moon - shine
F7
beau Hall,
Bb7
Un - til Min - nie Was Miss Min - nie,
she loved him night where ev - 'ry - bod-
and y'd
F7
day. go,
Bb7
shook a shim - my and stole his heart a - way. drink - in'plen - ty and hug- gin' Lu - dy's beau.
Bb7 Gº Bb7
21
Bb7
Poor Sa die near - ly dies, but Min - nie on Lu - dy was mad as well, Min - nie said"I
ly sighed,then I heard her say: will tell you now so you'll know"
He
He May Be Your Man BASS CLEF
2
Eb F7 Bb7
B
25
may
be your man but he comes to see me
Eb
Eb7
some- times.
Ab
Ab7 Bb7 Eb
29
And when he's with you he's al ways got me on
G7
33
ain't no
vam - pire
Bb7
37
My wick - ed smile,
41
Ab7
ture,
But
Eb
his mind.
I can cert' nly take you
I
man from you.
Eb Bb7 Eb
My wick - ed walk, I've got the kind of eyes that seem to talk, It's
C Eb
F7 Bb7
Eb
Eb7
no
need of cry - in' and it's no use to weep and
mourn.
45
Ab
I love you man and I'm gon - na take him for my
49
C7
I don't mean, Ain't no need
53
Eb may
Cm that is
to be so bold, of get tin' rough,
be your man but he comes to see me
G7
own,
my
own.
F7
but I just want, 'cause I'm just right
Eb
some- times.
Bb+
F7 Bb7
Ab7
to get you told, He to do my stuff
Eb
Bb7
Hesitating Blues
BASS CLEF
W.C. Handy - 1915
Fº
F
A
Hel - lo
Cen - tral what's the
Sun - day If
Fº
3
I
night
I
my
was
beau
whis - key,
want to talk
dive
to
that
py
if his
to the bot - tom
and
with
pro - posed and
this
line?
to
you
me.
were
a
wif - ie
mine.
cup,I'd
I'd be
me
how
long
Said
he, "How
long
Oh, How
long
nev - er come up,
Tell
F
will
I
have
to
wait?
will
I
have
to
wait?
Come
be
do
I
have
to
wait?
Can
I
C7
2 - 9 - 8 wife my it
C7
now,
Why do you hes or
say can't
I
de - clined him
I
had
wo - man,
F
Bb7
Kate,
B
What you
G7
Please give me
Why do you hes
Bb F
13
mat - ter
High Brown
6
get
F
Dm Bb F F/C C#º
Said she'd be hap -
9
Fº
do
I have to hes -
Bb
F
i - tate?
Bb
A
storm
just for
stall,
He
left
was tall.
i - tate?
Brown?
She
F7
i - tate?
-
talk to my a
F
my
She
F
make
last night
blowed the
that
night
on
the
me
think
'bout
my
Hesitating Blues
2
1
BASS CLEF
C#º Dm Bb F
16
F/C
wires
all down.
Can - non Ball.
Tell me how long
will I have to wait?
Oh, won't you
Hon - ey how long
will I have to wait?
WIll
he
do
Can
I
par - a - sol.
Oh, How long
C7
21
G7
I have to wait?
C7
F
tell
me
now,
Why do you hes -
come back now, get 25
C
it
Bb
or will he
now,
na - tion is
the thief of time,
may save nine",
put
37
off,
I'd be his,
He'd be mine,
to grieve and pine,
F7
left
me
i - tate?
Bb7 Eb So all the wise owls say,
Some - bod - y's bound to
Pro - cras - ti -
Pick-up to Chorus
"one stitch in time
And if you
Bb
42
45
To - mor - row's not to - day.
Bb
D
F7
Bb
F7
F
hes - i - tate?
do I have to hes -
30
33
i - tate?
Bb7
F7
lose.
Eb Bb7 And I'd be feel - ing gay.
My best friend's gone a -
The Hes - i - ta - ting
Bb
Blues.
Eb7
Left
a - lone
Bb7
way,
He's gone and
Bb
BASS CLEF
High Society Bb
F7
A F7
5
1901
Bb
Bb
D7 Gm
11
Gm
16
D7
F7
D7
Gm
Gm
C7
F7
Bb C7 F7
21
B
F7
Bb
Edim Bb C7 F7 35 Bb Bb7 Solos Here 41 Ab Eb C Eb 29
Bb7
Eb
3
49
Bb7
D7
58
65
Ab
Eb
Adim
Eb
Bb7
C7
F7
Bb7
Eb
Ab
F7
Bb7
Bb+7 Eb
Eb
Eb7
Eb
High Society
2
BASS CLEF
73
D Cm
80
Eb
Bb7 3
Ab
Eb
Bb7
110
115
Cm
94
102
Fm
G7
Cm
Tuba
G7 87
G7
Eb
Ab
Eb
Bb+7
C7
Bb7
D7
E
Eb
Eb7
F7
Bb7
Ab7
Eb
Ab
Eb
F7
Bb7
Adim
Eb
High Society
3
BASS CLEF Bb Clarinet Solo as played By Alphonse Picou
F
C7 C
121
3
3
3
F
Bb
3
F
12 5
F
129
C7
3
G7 133
C7
3
F
C7 F C7 F
138
Bb
F
Bb
142
Bº F D7
146
3
149
G7
3
C7 F
BASS CLEF
Hindustan q =
Oliver Wallace & Harold Weeks 1918
185
Bb
Hin
Bb
F+
-
-
du
-
stopped to
rest
our
F7
9
F7
13
21
29
Hin
C7
her
-
where
the
proud - ly spreads his
fan
F+
Bb
Bb
stan,
-
flahsed
a - cross
du
-
Eb
sun - bird
-
met
C9
F7
van,
F7
Bb7
C9
F7
du
we
Bb
-
where
F7
stan,
-
Bb
-
F7
F+7
Bb
pur - ple
25
F7
Bb7
stan,
pea - cock
car - a -
du
Bb
Hin
tir - ed
-
paint - ed
17
Hin
-
F7
Bb
Fdim
5
Bb
F7
and
the
world
be
the
sand,
Ebm
Ebm
Bb
-
where
stan
-
Eb
the
gan.
where
I
Hot Lips
BASS CLEF q =
180
A
1922
Db7
F
There's a
boy that's
in our
C7
5
Fin - est since you're
9
band,
And
born,
13
call him
Hot lips
for
He
G7
C
ev' ry bo - dy
17
B
Ab
Dº
lips,
Eb7
steps,
F
when
he plays
Eb+7 like
F
no one
horn,
gone.
Cº
notes,
blows real red hot
And
Eb7
Eb+7
on thefloor just floats that's what they
21
how he blows that
When he starts you're
Db7
They all
say:He'sgot hot
Eb7
jazz,
Ab
has.
He
draws out
Eb+7
You're
on your
Hot Lips
BASS CLEF 2
Ab
25
Abm6
toes
Eb
Bb+
and shakes your
Eb7
Ebº
shoes,
Boy
how he
Solo Break
Bb7
29
33
Bb+7
goes,
WHen he plays
Ab
C
Eb+7
Blues .
I watch the
Dº
Eb7
Eb7
crowd,
un - til he's
through,
Eb7
Eb+7
Ab7
37
THey're cu- ckoo
proud,
He
D
Ab
rare
can be
Eb+7
too.
his
mus - ic's
Time:
Stop Time 41
Ab C7
you
must
C7 Fm de - clare
Fm Dº
you know the
Solos at "B" 45
Eb7
boy
is there,
with two hot
Ab
lips.
Eb+7
I Ain't Gonna Give Nobody None of My Jelly Roll Clarence Williams & Spencer Williams - 1919
BASS CLEF
Lit
tle
His sister
B¨
C©º
F7
B¨
F7 B¨
Wil ly Green from New Or leans, a greed y Til ly
boy
was he.
Green was real ly mean, and ver - y stin
gy, too.
F
D‹
5
He al - ways
She al - ways 9
want ed lots of
want
C7 F
kids
just to keep him com pan - y.
his mom bought him a
B¨ Toot
When her mom bought her a
F7 C©º B¨ sie Roll, the best can - dy that was made.
jel ly
F
D‹ F©º
13
When the kids
be
gan to hang a round,
When the kids would ask her for 17
A
B¨
a bite,
roll,
to hide it she would try.
C7/G
C‹7(b5)/F© F7
lit
you'd hear Til ly
G7 C7
ain't gon na' give no
bod y
ain't gon na' give no
bod y
none
of my Toot sie Roll,
none of my
jel
tle Wil ly said:
ly
roll.
B¨
21
One
ed some of what you had but gave she noth - ing to you.
F7
day
E¨º
F7
would - n't give you a piece of my sweet, not to save your soul!
I I
cry:
(Toot sic Rol!) (jel
ly
roll)
(save your soul!)
I I
I Ain't Gonna Give Nobody None of My Jelly Roll BASS CLEF
2
25
G7
C7
Dad dy told me to
day,
Just be fore he went a
way,
Mom ma told me to
day,
Just be fore she went a
way;
If I'd
C7
F7 Two Bar Break
29
be a good boy, He'd bring me a toy; If I'd
be
a
She might
put
B¨ G7 C7 in your just hang- in' a- round,
F7
know you want it,
but
I'm- a gon- na' turn
you
and joy!
my hair
33
37
And I'm my Dad - dy's pride
good lit tle girl,
know there ain't no need
You
in curls! You
(hang- -in'- a- round)
D7
I
down.
My
G7
E¨
Eº B¨
41
Toot sic Roll is sweet! jel
And you know it
can't
be beat!
I
ly roll is sweet!
Back TO "A" G7 C7 F7 B¨
E¨
45
Eº
B¨/F
know you want it, but you can't have it! I ain't a gon -na' give you none!
49
Interlude to Second Verse
B¨
D¨º
C‹7
F7
B¨
D¨º
C‹7
F7
1
I Can't Let 'Em Suffer
BASS CLEF
Henry Creamer & Turner Layton - 1918 A
E¨
F‹7
B¨7
I
love
to
see
the
B¨7
5
F‹
Love to
9
E¨
I
13
love
G‹
It's cru- el,
hap- py
B¨7
see
the
So
cru- el,
the
while.
G¨º
B7/F
E¨
B¨&
fel- lows
D7
all
E¨
That shows they're jol- ly and ev-
F‹7
to
B¨&
fel - lows
E¨
see them smile.
E¨
hap- py
G‹
all
Eº
To
let them
the
B¨/F
plead.
'ry- thing.
E¨
while.
B¨7
Oh, I
I Can't Let 'Em Suffer BASS CLEF
2
1 1
B¨7 E¨ B¨7 E¨
17
B
can't let'em suf-fer
for the want of love.
It's a shame to let'em plead.
No I
E¨ B¨7 E¨
21
B¨7
shan't let'em suf-fer
for the wantof love,
E¨7
E¨7
A¨
25
no
F7
29
cry:
WhenI know just what theyneed. Now there's
use tryin'to stall,
I
just can't save them all!
But when they
B¨7 F‹/C D¨7 B¨7/D "Oh, Come and kiss me, Sweet- ie",
I'mbound to
fall.
Then I've
E¨ B¨7 E¨
33
B¨7
just got to take'em
E¨7
C
just got to make'em
A¨
C7/G
be my tur-tle dove,
F‹
41
Lov- in' kiss- es
45
Got to keep'em out of harm.
in my lov - in' arms,
B¨7
37
F7
can't let 'em suf-fer,
I'll pro-vide,
G‹/B¨ B¨7/A¨
Then I've
My hon-ey
love.
C‹7 Un- til they're sat- is- fied.
B¨7
E¨ For the want of
E¨/G
love!
'Cause I
BASS CLEF 1
h =
I Never Knew I Could Love Anybody 84 1920
G
A
G+
A7
G6
D7
5
Cm A7
13
G7
C
17
29
E7
D7
Cm
G7
F6
E7
G
Cm
D7
D7
F7
G6
G7
E7
G
G+
A7
C
G
G7
D
A7
C
21
25
G
C
B
9
F6
BASS CLEF
I Want To Do the Bear Cat Dance
Shelton Brooks (1913)
q = 164
A D7
G G7 C7
Miss
C7
6
Sa- die Hall
hall
to a
ball
one balm - y
F
played a
rag
-
time
G7
to
do the Bear
C7
F
C
thought she'd take a
chance.
C7 B F
bear, its' a bear, but 29
F
all
C
walked out on the floor,
D7 Dm
a
while
G7
then
C7
then she be- gan to
roar,
F7
I want to do it
I want to do it
now!
It's a
I don't
care
I
F
C7
C
G7 want to do
it
an
-
y
C7
how.
C7 F C7 F C7 F7 It makes you hap py
You feel you want to
D7
C7 G7
fess - or keep it up, keep it
the
F/C
Sa- die watched them for
G7
G7
That tune is snap py 33
Db
Miss
tered
So she
I want to do it
D7
They were teach- ing
Dm
F
21
25
Cat Dance.
as she en
tune.
G7
Just
D7
schol ars how
night in June.
F
they
D7
10
went
in the
15
1
up, keep it up, 'cause I
want to do the Bear Cat
dance!
Oh pro-
F
dance.
1
I Wish I Could Shimmy Like My Sister Kate BASS CLEF
A.J. PIRON - 1919
A¨
Aº E¨/B¨ C7 F7 B¨7 E¨ B¨7 E¨
5
A
Wentto a dance with my sis-ter Kate,
E¨
ev- 'ry- one there said she danced so great.
G‹7 G¨º F‹7
B¨7
E¨ Eº
9
I re- al -ized-
a
thing or two,
then I got wise to some- thing new,
B¨
F7(“4) B¨7
13
E¨
Looked at Kate, she was in a trance,
C7
17
All the boys are
F7
B¨&7
and then I knew it was in her dance.
B7
B¨7
go -ing wild
o- ver Ka- tie's
E¨
Eº
danc-ing- style.
I
E¨
21
B
B¨7
wish I could shim my like my sis -ter Kate, she shiv -ers like the jel- ly
25
on a plate.
B¨7
E¨ Two bar break:
My mam -ma want -ed to know last night,
why all the boys treat sis-ter Kate so nice.
I Wish I Could Shimmy Like My Sister Kate
1
BASS CLEF
2
29
B¨7
Ev
-'ry boy
E¨7
32
un- der- stood.
in our
E¨
neigh -bor hood,
knows that she can shim -my and it's
A¨
C7 Aº E¨/B¨ I know I'm late,
but I'll
B¨7 E¨ C7
be up to date,
when I can
F7
B7
shim -my like my sis- -ter- Kate, I mean,
35
B¨7
E¨
Shim -my like my sis - ter Kate.
solos here: Play as Written for out-chorus
B¨7 E¨
39
43
C
2 bar break
B¨7
E¨ Trombone
All
sfz sfz sfz
B¨7
E¨
E¨7
47
51
A¨
55
F7
Aº E¨/B¨ C7 F7 B¨7 E¨ C7 B¨7
1.
2.
E¨
E¨
1
Ida, Sweet As Apple Cider
BASS CLEF
Eddie Munson & Eddie Leonard - 1903
E¨
A
In
the
F‹7
Breath-ing
9
out
up-
E¨
Lives
13
a
dus- ky
C7
For
17
I
know my
E¨
B
When the sun
21
is
B¨7
Lit- tle Rob- in
25
E¨
Then
29
I sneak down
C7
Ev- 'ry
B¨7
re- gion where the ros- es
B¨7
5
G¨º
ev'n- ing
al- ways bloom,
F‹7
B¨7
on
the
E¨
B¨7
air their sweet per- fume,
B¨7 G¨º maid
I
long
to
call
my
F7
B¨
love for her will
nev- er
in
E¨
RedBreast gone to
lone
B¨7
B¨7
I
love the best,
a-
seek their nests.
F7
there
die;
gold- en West,
to that place
that
B¨7
B¨7
sink- in'
own,
G¨º
I
B¨7
sigh:
B¨&7
Ida, Sweet As Apple Cider
1
BASS CLEF
2
E¨
33
I-
37
B¨7
Sweet-
41
C7
know.
F7
moon-
light,
of
so
B¨7
Lis-
B¨7
Oh,
Hon-
I
E¨
E¨º I-
da,
F‹7
'deed
i-
dol-
B¨7
I
love we'll
low.
can't live with-
da,
you
and
tho',
I-
soft
ten
C7
per,
D
love
G7
I
in the silv- 'ry
Seems
61
der,
B¨7
E¨
57
E¨
F7
whis-
53
all
out,
49
than
ci-
Come
Sweet as ap- ple
er
45
da,
B¨7
out
you,
E¨
G7
ey
do!
F7
ize
ya,
E¨
do.
I
B¨7
Solos at "C"
1
BASS CLEF q =
Indiana
200
F
Bb
A
I
5
Bb O
ver
-
F
a
G7
21
Gm vis
gain
a
wand
land
and
sea
moon - beam
F
on
the
wa
-
a
spell
o'er
me
ion
fair
I
Fº
Gm
I
seem
to
-
F
ter
A
C7
see
Gm7
F
'rer
C7
-
Bbm6
F#º
F7
F
been
G7
Casts
17
F
F
Bb
Yet
Bbm
9
13
al - ways
have
be,
A
-
C7
Back home
a -
Indiana
1
BASS CLEF 2 25
F
B
E7
Eb7
7
gain
29
C7
seems
that
Bb
33
can - dle
in
in - di
I
can
see
light
still
E7 E¨7
7
hay
A7
fields
I
F
49
dream
53
a - bout the
F
long
shin - ing
sends
all
its
fra
A7
used
to
A7
The
G7
moon- light
the
C7
for
my
In - di - an - a
thru
the
new - mown
grance
-
Dm
Dm7
-
When
I
bash,
then
F
(C7)
home.
Dº7
Wa
From the
roam.
on
G7
Dm
it
gleam - ing
me.
And
the
bright
C7
C7
7
for
45
G7
F
F7
F
na
-
F
syc - a - mores
C
a
-
Bb
G7
41
G7
C7
G7
37
I
11
If You Were The Only Girl In The World
BASS CLEF
Clifford & Nat Ayer - 1916
A
C A7 D7 G7 If you were the on-
7
C
E¨º
D‹7 G7
girl
C
boy,
in the world,
And
G7
We
could go
on
lov- ing
in
gar- den of
E - den just made for two,
D‹7 G7
A‹
29
F
There 33
F&/C©
would
you
C/E
such
won-
be
the
D7
I
such
G&7/E
were
say
F‹ on-
ly
were
the
on-
ly
boy.
to-
day.
old
way.
A
our joy.
der- ful
G‹6
things to you,
A7
der -ful
things to do,
C
girl
in
C
the world
noth- ing to mar
G7
won-
ly
C E¨º
With
G7/D
C D‹
37
would
D‹7
on-
G7
E‹
I
were the
G7
the same
B
in
G&7 C
C A7 D7
24
I
Noth- ing else would mat- ter
12
17
ly
E¨º
the
A&
A7
world,
and
D‹7
If
G7
111
BASS CLEF
Ja Da q =
Bob Carlton - 1918
132
Eb7 D7
F
E7 Ja - da
E7
5
F
G7
Ja - da
Eb7 D7
Ja - da
C7
F
Ja - da Ja- da Jing,Jing
Jing.
G7
Ja - da
Ja - da Ja- da Jing,Jing,
Jing.
F Dº C7
9
That's a
F
11
fun - ny
It's
so
sooth - ing
F
Ja - da
16
F
Jing,
D7 Oh
bit
Dº
E7
13
lit - tle
yeah!
Eb7
and
D7
of
mel - o -
Ja - da
to
me,
It
G7
goes
C7
Ja - da Ja - da Jing, Jing,
G7
C7
Ja - da
dy,
C7
ap - peal - ling
Ja - da Jing, Jing,
F
Jing!
Jazz Baby BASS CLEF
11
M.K. Jerome & Blanche Merrill - 1918
C
Cº G7
C
Cº G7
My dad- dy was a rag- time trom- bone play-er,
My mam- my was a rag- time cab- a- ret- er.
Eº A‹ D7 G7 E7
5
C
They met one day at a
9
C7
syn- co- pa- ted wed- ding and then came me.
F F7 D7 G7
Folks think
13
tan- go tea, There was a
the way I walk is a fad,
C
A
But it's a hirth- day pres- ent from my mam- my and dad.
C G7 C
Jazz
Ba- by,
I
want to be jazz-
I'm a
Cº
ing all the time.
There's some- thing
17 G7
C D7 G7 G& in
the tone of a
B
C
21
sax- o- phone,
Ba- by,
F C
Dog" and "Ball
G7
Full of jazz- bo har- mo-
F
ny.
That
D‹7 C Cº
25
28
all my own. Cause I'm a
C7
Jazz
"Walkthe
that makes me do a lit- tle wig- gle
theJack" that caused all the talk,
G&
C
nat- 'ral- ly walk! 'Cause I'm a Jazz
Ba- by,
is
D7
just a cop- y
of the way I
G7 C
Lit- tle Jazz Ba-
by that's me!
Jazz Baby
11
BASS CLEF
2
C
F©º C A7
33
F
Rocked to sleep while the cra- dle went to
37 D7
and fro,
To and fro to the tune of the "Tic-
kle Toe".
G7
C Cº D7 Ev- er since I start- ed in
41
F
Jazz, jazz, jazz, that's
45 D7
to grow, I'd love to hear the mu-sic play- in', See my dear old mam- my sway- in'.
F©º
C
all
All
I
ev-
A7
er knew,
G7
C
day long
I
nev- er would
Cº G7
C
G7
Jazz, jazz, jazz, That's
49
D
C
all
Ba- by,
F C
Play me
a
lit- tle
Dog" and "Ball
jazz!
Full of jazz- bo h ar- mo-
G&
F
'Cause I'm a
ny.
That
D‹7 C Cº
53
56
to do,
C7
Jazz
"Walkthe
I want
get thru.
theJack" that caused all the talk,
G7 G&
C
nat- 'ral- ly walk! 'Cause I'm a Jazz
Ba- by,
is
D7
just a
cop-y of the way I
Solos at "D"
G7 C
Lit- tle Jazz Ba-
by that's me!
After last solo play "C" to end
11
The Jazz Me Blues
BASS CLEF
Tom Delaney 1921
Eb
Down in Louis - i - an - a
in that sun - ny
clime - They
play a class of mu- sic that is
F7 Bb7 Eb
4
su - per
Eb
7
9
Break 1 Bar
hear that jazz band
A
fine - And it makes no dif -fer - ence if
mu - sic
play - ing
all
F7
Bb
fill
the
air
shine - You can
Eb
time
it
How its sweet vi -bra - tion seems to
Eb Then
the
Eb
12
rain or
Bb7
sounds so pe - cu - liar 'cause the mu - sic's queer
14
its
to
you
the whole world seems to
Break 1 Bar Eb Bb7 Eb
be in
rhyme
You want noth - ing else but jazz- band mu- sic
all the
time
11
The Jazz Me Blues
2
Bbº Bb7 B
17
Bb7
BASS CLEF
Bbº
Ev -'ry
c
one that'snigh
nev - er seems
Bb7
to sigh Hear them loud - ly
F7 Jazz
man
Don't stopthe mu - sic it's
Jazz
25
know I want to hear it
both
day and
D7 Db7 C7 don'tfeel
31
F7
right Now if it's
jazz - time
35
rag
- time
(Jazz Time)
C7
37
play
F7
Bb7
dog - gone real - gone
jazz- band "Jazz
Please Sir will you play it
it
sweet and
Me"
Don't want it slow,
low
Ab7 Eb blues.
in
G7
Don't want it fast
Cmin it
Break 1 Bar
Eb
Take your time don't rush
(Jazz-man!) You
night and if you don't blow it hot then I
Eb7
28
Eb
Oh!
man
Bb7
cry:
C7
21
G7
I've got those
Eb
D7 Db7
Solos at "C"
11
Jelly Roll Blues
BASS CLEF
Jelly Roll Morton - 1905
G¨ F7 F7 Ensemble
Stop Time Banjo Solo - 7 beats
A
Trombone Solo 3 Beats
Cornet solo 3 beats
B¨º B¨ B¨7 B¨ G‹ B¨
5
3
9
E¨
13
F7
3
Ensemble
B¨
C7
F7 B¨ B¨7 E¨ E¨‹ B¨ F7
3
3
Stop time 3 bars - ad lib breaks 17
B
B¨
E¨
21
25
F7
D7
G‹
D7
G‹
B¨7
Eº B¨
C7
F7 B¨ B¨7 E¨ E¨‹ B¨ F7 3
3
Jelly Roll Blues
11
BASS CLEF
Stop time 3 bars - ad lib breaks
2 29
B¨
33
B¨
E¨
37
F7
B¨
B¨7
B¨ Eº
F7 B¨ B¨7 E¨ E¨‹ B¨ F7
C7
3
3
4 bar interlude - clarinet trill, drum roll
B¨7
1
B¨7
B¨7
B¨7
B¨7
E¨
E¨7 G7 E¨
5
Aº E¨
9
A¨
F7 B¨7 E¨ B¨7
53
B¨7
Back to "D" for Solos
11
Japanese Sandman BASS CLEF
Raymond Egan & Richard Whiting - 1920
A E¨ Here'sthe Jap- an-ese
F7
hand
man,
5
9
D7
17
B¨7
mor
old-
A¨‹
bold-
you.
of the day that is
Just to startlife a
E¨7
In the dawn when you
er
with the new day you
Sand
F‹7
hand
man,
man,
B¨7
new.
Then you'll be a bit
A¨
wake,
And you'll be a bit
F‹
B¨7
make.
Here'sthe Jap- an- ese
E¨º
Trade him sil- ver for
B¨7
trad ing new days for
And he'll give you to-
G
er
through,
He will take ev-'ry
row
E¨
29
He'll buy your old day from
21
25
E¨
row
E¨
B
Justan old sec-ond
G
sor-
Sand man, Sneak- ing in with the dew.
E¨
13
C7
Just an old sec-ond
E¨
old.
A¨7
E¨
B¨7
11
Just a Little While to Stay Here BASS CLEF
Ab Ab Db
Ab
A
Just
a
7
Ab
to
stay
here,
Just a
lit - tle while
to
be
o
ver,
And our trav - els here
will
Ab7
12
all
Db
Db
Just
lit - tle
while
end.
Soon we'll take our
hev'n
Fm7
and
in
the path that's
nar - row
ney,
Be
at home
gain
a -
B Ab
a
lit - tle more hard
Ab
Ab7
trou
-
o
-
ble
there.
Some sweet day we'll
march - ing All
thru
the
Pearl
the beaut - ies
there
all
-
jour
-
Eb+7
straight,
this low and sin - ful
Wait - ing for our
ly
In
pen,
Then
-
Dbm
Eb7
-
Db Ab Eb7
state.
Bb7
la
Ab
we'll
to
friends.
Db
Ab
with
Ab
Heav - en's gates are stand - ing
Dbm
Eb7
bor,
Just
29
a
Bb7
Ab Db
2 3
-
wait
17
Db Ab Eb7
lit - tle while
Soon this life will
Ab
go march - ing all
Ab
y
Gate.
to
share.
go
Ab
F7
o o
en - trance
-
ver ver,
1
BASS CLEF
King Chanticleer Nat D Ayer & Seymour Brown, 1910
A
C‹
B+ C‹/Bb C‹/A Ab C‹/G Play cues 1x for Repeat:
Ab7/Gb
4
C‹/G
D7
G7
9
B
G
D7
D7
19
C‹
D7
1
C‹
G7
G
G
D7
D7
D7€5
G7
B+ C‹/Bb C‹/A Ab C‹/G
8
C
C‹
Ab7/Gb
C‹/G
D7
G7
C‹
King Chanticleer
BASS CLEF 2 33
D F‹
39
C‹
Trombone Solo - 16 Bars
44
1 1
F‹
D7
C‹
F‹
D7€5
G7
Bb7
CHORUS:
F7
49
E
55
Eb
60
G‹
Eb
Bb
Eb
F
71
F7
Bb7
Eb
Eb
75
Ab
G‹
F7
65
Bb7
Bb7
Eb
F7
Bb7
Eb7
Eb Ab7
Eb
Solos at "E":
1
Lasses andy
BASS CLEF
Nick LaRocca - 1919
A A¨
5
A¨
9
A¨º
A¨º
F7
13
B¨7
17
B
21
B¨
25
E7
29
B¨7
E7
E¨7
B¨
B¨‹
A¨
E¨7
B¨‹
B¨‹
A¨º E¨7
F7
Eº
A¨
E¨7
B¨‹
E¨7
A¨
A¨º
G7
G¨7 F7
B¨‹7
E¨7
Lassus Trombone
BASS CLEF
C7
3
1
A
F
Henry Filmore - 1915
Trombone Solo
C7
7
F
D7 C7 F D¨7 F C7 F F Fine B G7 C7 F G7 C7 F F Solos Here C B¨ F7 B¨ B¨ B¨7 E¨ E¨‹ B¨ F7 B¨ E¨7 B¨
11
15
20
1.
25
2.
30
mp
34
38
42
After Solos Play "A" once
1
Lazy Daddy
BASS CLEF A Bb
Bb7
Eb
ODJB, 1918
Bb C7 F7 C7 F7
5
Bb
Bb7
Eb
Bb
Bb7
Eb
Bb C7 F7
9
Bb/F Eº G7
Eb
13
17
Bb
B
Bb
Bb
C7
F7
Eb
23
Clarinet Break - 2 Bars:
Bb
Clarinet Break - 2 Bars
F7
G7 C7 F F7/C F7
2 8
1
Lazy Daddy
BASS CLEF
2
33
C
Bb
Bb
Bb
39
Eb
Clarinet Break - 2 Bars
F7
Bb
Clarinet Break - 2 Bars
G7 C7 F7 Bb Ebm6 Bb
44
fine
Ebº Bb7 Eb Eb Eº Bb Bb7
49
D
Eb
Eb
53
58
E
Eb
Eb
Trombone Break
F7
Eb
Eb
Trombone Break
Bb7
Bb7
Eb
Eb
63
Eb
Eb/Bb
C+
66
Eb
F7
Trombone Break
Bb7
Ab
Trombone Break
Aº
Eb
F7
Back to "B" al fine
1
Limehouse Blues
BASS CLEF q =
184
F
A
Eb
17
B
Dear
Eb
Where yel - low Chin - kies love
Oh
Dear,
E7
Am
Right here in
Am
to
or - ange blos - som
E7
Where you can hear those blues all
I'm
wear
'Cause no one seems to
F7
F
they Those
-
y
Bb
F
F
C7
day,
un - der - stand.
A7
Dm
Db
seem all a - round, weird Chi - na blues,
Eb
land,
Lime - house,
play,
Am
In
And And
25
F
Lime - house
Am
9
F
In Oh
F
Like a Nev - er
Eb
long, long sigh. go a - way.
F
Queer
sob
sound,
Oh, Hon - ey lamb they seem to say:
Sad,
mad
blues,
For all the while they seem to say:
Bbm7 Eb7 Ab7
1 Limehouse Blues BASS CLEF
2
Db7
Oh! Lime - house
kid
Oh!
Oh!
Bb7
43
C7
Bb7
no - bod - y's child,
Poor bro - ken blos -
Eb7
C7 B7
Ab
That the rest of them did
Fm7
Db7
Oh! Lime - house kid.
7
Go - ing the way
som
and
Ab7
Haunt - ing and taunt - ing you'rejust kind o' wild.
Oh! Oh!
D 49
Db7
Oh! Lime - house
53
blues
I've
the
Db7
C7 B7
blues,
Ab
Learned from the chink - ies
Bbm
real Lime - house
Bb7
59
F7
tears for your crown,
Bbm
those sad Chin - a blues,
Bbm7(b5)
That is the sto
Rings on your fin -
Eb7
- ry
F7
Ab
of
old
gers and
Ab9 for repeat
Chin - a town.
1
Livery Stable Blues (Vocal) BASS CLEF
A E¨º
Way down in
3
6
E¨
Al-
E¨
Eº a- bam,
It was
E¨7
B¨7
sta- ble
brush
9
he
E¨
play,
F7 B¨7 on one string,
B¨&7
Bir- ming- ham,
There was
a
A¨
la- zy color-ed- fel- low named Lee,-
F7
in
E¨
In-stead of work- ing all day,
to
up- on the
C7 the
hor- ses he'd sing,
E¨
this sad and lone-some- mel- o-
dy,
A¨7
and play up-
E¨
Livery Stable Blues (Vocal) BASS CLEF
2 13
E¨
B
Oh hon-ey,- lis-ten- here,
16
E¨7 sta- ble
A¨
Oh how I miss your kiss,
hon-
ey
you
21
F7 E¨7
C
why
I
I've got those liv-'ry sta-ble
A¨‹
E¨
B7
me,
back to my
C7
blues.
B¨7
E¨
E¨7
Al- a- bam- a ba- by,
she prom- ised that she'd mar-ry-
B7 B¨7
she'll drive a-
35
they're the
E¨
B¨7
me some- day,
A¨7
those blues,
E¨
32
E¨
got
I've lost my pep com- plete,
A¨
I'se g'wine
this,
G¨º E¨
29
have
E¨
A¨
Oh, law-dy-
I was- n't born for
B¨7
ba- by mine,
25
know
C7
I've got those mean old liv-'ry
Aº
blues.
Oh hon- ey lis ten here
19
E¨
1
B¨7
blu - est
way
kinfd
of
Those liv - 'ry sta - ble
E¨
blues!
blues
Livery Stable Blues, a la Muggsy Spanier
1
(Barnyard Blues)
BASS CLEF
Lopez & Nuñes, 1917
Eb Eb7 Eb7 Ab Ab‹
Eb B7
Eb
Bb&7
Eb
A
5
Eb7
Bb7
Break - 1 Bar
Bass Drum Ab
Eb
C7 F7 1st time Only Bb7 Eb Ebº Bb7 Eb
10
14
Bass, Trombone, & Bass Drum
Eb
Eb7 C7 Ab Eb
17
B
21
Last Time: To Coda
Ebº Bb7 Bb7 Eb Eb
25
F7
Coda:
Trombone Gliss to "C"
Eb
29
Bb+7
Eb Fine Bass Drum
1 1
BASS CLEF
2
Break! 3 Bars Eb
Clarinet Break Cornet "Horse Whinny" Ab Harmonize
1
Trombone
F7
Eb
7
Bb7
Eb Ebº Bb7 Eb 1 X Only - Trombone
4 0 0
Solos
Eb
43
Eb7
Ab7
Eb
49
C7
F7
Eb
Ebº Bb
Eb
D Eb
Harmonize
Break: 3 Bars: Clarinet Break
55
Bb7
Trombone
C7 F7
61
Eb
Cornet "Horse Whinny" Ab
Eb Ebº Bb7 Eb
64
Bb7
Back to "B" - Take CODA:
1
Long Gone
BASS CLEF
W.C. Handy & Chris Smith - 1920
A¨7/C
D¨ E7/D A ¨ E¨7 A¨ A¨
A¨
Did you
E¨7 A¨
5
A A¨
ev-er hear the sto- ry of Long John Dean? Long
John stood on the rail- road
A¨7/C
tie,
Waitin' for
freight freight train train
Was
to come by.
E7/D A¨ F‹7 B¨7 E¨7 A¨
9
A¨
A bold bank rob-ber from Bowl -ing Green,
sent
to the jailjail- house
Freight train
13
D¨
B A¨
Long
came just puffin' andflyin',
F‹7
Gone
yes- ter- day,
gone,
Ought'a seen
Long
from Ken- tuck- y,
and and what what I
mean,
Long
his
John grabbin'
E¨7 A¨ F‹7
A¨
Long
last night he made
B¨‹7
A¨7/C D¨ E7/D
17
Late
get- a- way. He was that blind.
B¨‹7
Gone,
E¨7
ain't
he
luck- y?
A¨
E¨7 A¨
Long Gone Gone Joh Johnn fro from m
Bowl Bowl-- ing Green. Green.
Interlude
F‹7 B¨‹ 7 E¨7 A¨ F‹7 B¨‹ 7 E¨7
21
A¨
1
Long Gone BASS CLEF
2
C
A¨ E¨7 A¨
25
They
hey hey
of- fered a re-ward
to bring him back,
E-ven put blood- hounds
caught him in Fris- co, and to seal his fate fate,,
A¨
A¨7/C
D¨
E7/D
San San
A¨
Quen- tin
jailed one
F‹7
on his track. ev-'ning- late late.. But But
B¨7
E¨7 A¨
30
Dog- gone blood- hounds hounds lost lost his scent, out
on the o- cean
A¨ F‹7
34
no- bod- y knows where Long- John went. He was
John es- caped, The guard for- got to close
B¨‹7
E¨7 A¨ F‹7
D
Long
Gone
from Ken-
tuck- y,
Long
Gone,
Long
Gone
from San Quen-tin,-
Long
Gone
E7/D
38
Now
A¨
A¨7/C
D¨
Long
gone,
and what I
Long
Gone
I'm
tell- ing
and
the
Gol- den gate. John's
B¨‹7
E¨7
Ain't
he
luck- y.
still
a' sprint- in'.
A¨
E¨7 A¨
mean,
Long Gone John from
Bowl- ing Green.
you,
Shut your mouth and
shut mine too.
1
BASS CLEF
Lovin' Sam (The Sheik of Alabam') Cº C C7 A C Lis - ten sis - ters and bro - thers Ev -'ry hus band and lov - er,
F
C C7
5
They say that he's the lov - in' champ, Of course they say ad - vice is cheap,
D7
9
C
B
Cº
17
F
est of un- der
D7
There ain't a wo man But if your gal you
lov - ers cov - er,
C C7
know: on:
C7
Ev - er kissed a girl on the cheek. Sure as there'sa deuce on the dice,
F C Who would - n't throw her dad- dy down Then you is out and Sam is in!
G7
To be the bride of And in the morn - in'
C
he can't vamp, aim to keep,
C
There ain't a high brown gal in town If Lov - in' Sam gives her the grin,
21
C
a- bout a man I and you can pass it
He's the great Keep your gal
F
But let me tell you Then here's my warn - in'
13
I sup pose you've heard of the Sheik. Bet-ter take a bit of ad - vice.
G7
1922
C
this col ored Ro - me - o. your lov - in' ma- ma's gone!
C7
Peo- ple Peo- ple
BASS CLEF
2
1
Lovin' Sam (The Sheik of Alabam')
25
call
him
Lov - in'
Sam,
C7
29
gals
go
Does he
D
stroll- in'
G7
3
Boy! He
man!
And when the
Does he
F
love like Lov- in'
Sam,
for Cas -
The
noth- in'else but! Could you
ham,
In the fin est kit chens
You'd make the high brown ba -
Bbm tor
Gm7
eye!
F F7
Bb
D7
That's what he does-n't do
You could have your eggs and
down in Al - a - bam'.
cry
wick - ed
G7 C7
A7
ba - bies
a
strut?
6
Break for 2 bars
C7
step?
rolls
He's a
by,
5
bam'.
Am
Al - a -
F
a heart break- in'
F
33
5 1
He's the Sheik of
mean love mak - in'
1
G7
F
Sheik of
F
-
ia!
They
all
love
Lov - in'
C7
you like
Sam,
F
Al
bies cry for
-
a -
bam'.
Peo - ple
The ove Nest
1
ouis A. Hirsch & Otto Harbach - 1920
BASS CLEF
Just a
5
A¨
dove
9
A
E¨
love
nest,
nest,
down on
da
F‹
sort
B
E¨
small
21
all
25
ram- bler
room,
29
love
nest,
A¨
with
a
gild-
ed
B¨7
You can call
A
ver-
vine,
Then
E¨
two.
dome,
E¨
home.
a
E¨7
Best
A¨
Then
blue.
G7
a
twine.
dream roomfor
ace
a
G7/D C7
E¨
ike
farm.
E¨7
room,
pal-
es
tea set of
a
ros-
warm.
B¨7
F‹
F7
B¨7
than
cling- ing
B¨7
A¨
of
F‹
kit- chen where some
17
a
with some
C
13
co- zy and
E¨7
E¨7
E¨
B¨7
an-
B¨7
of
Bet- ter
G7(b5)
C7
is
a
1
Ma He's Making Eyes At Me
BASS CLEF
Con Conrad - 1921
E¨ E¨ B¨7
B¨7
A
Lit- tle Lil- ly was
oh! So sil-ly and shy,
C‹
Cº
7
bill
and
try,
to
B E¨
cud - dle
F7
"MA,
he's mak- ing eyes
to
41
E¨
F7
MA,
he wants to mar-
E¨
E¨º
MA,
Can't you see I'm goin'
Be
meet-
ing
with
re
for
as
-
sis tance!
Ma,
my
A¨ hon-
ey
to
weak - en?
G7 C7 F7 B¨7
bee.
E¨
I'm
should-er,-
in,
B¨7
Me,
my
peek
gets
on
B¨7
you
he
E¨
If
ute
MA he's
to me!
Mer- cy! Let his con - science guide him
min-
side him,
'ry
F7
he's aw- ful nice
E¨
be-
Ev-
B¨7
cry:
I'm
44
B¨º B¨7
ry me,
B¨7
some smart fel- low would
B¨&7 E¨
night
But she would
B¨7
B¨7
al - most break- ing my heart,
C
her,
at me!
B¨7
up
Cº B¨7
Ev - 'ry sin-gle-
She would- n't
B¨7
F7
2 6
E¨
coo.
And all the fel- lows knew,
B¨7
E¨
11
17
F‹7
E¨º
bold-
er,
Now
he's
lean-
ing
tance
I
shall
hol-
ler
-
sis
-
B¨7
he's kiss - ing
E¨
me!"
A¨7
E¨
1
Mama Don't Allow
BASS CLEF
B¨
B¨ Ma-ma- don't 'low
no
5
Ma-ma- don't 'low
9
no
B¨
We don't care
12
E¨‹
an- y how.
what
cor- net play'n 'round here!
F7
cor- net play'n 'round
here!
B¨7
Ma-ma-
No
She Don't
No
She Don't
E¨
don't 'low,he's
gon-na'-
playthat
B¨
F7
Ma - ma don't'low no
cor net play'n 'round here!
cor-
B¨
net
No She Don't
Mandy
BASS CLEF A B¨
Gº E¨ B¨ I was stroll-ing out one
B¨
E¨
5
hear some bo - dy
F7
9
stopped a
while to
even
B¨
G‹
sing
-
-
Irving Berlin - 1918
F7
B¨
ing
'neath the silv' - ry
C7
a
fa - mil - iar
Not a
word
I
Icould
So
I
B¨
lis - ten,
moon.
tune.
F7
F
ing
B¨
1
want -ed to
miss.
It was
B¨
E¨ B¨ G‹ C7 F7
13
just some- bod - y
E¨
17
B
Man 21
-
E¨
ling
there's a min - is - ter
han
F7
25
some - thing like
B¨
- dy,
C7
han
ser - e - na - ding
-
-
dy,
B¨
dy,
If we'd let him make a
ding - er?
F7
fing
and it sure would be
B¨7
fee.
B¨ here's the ring for your
So don't you
G7
-
er
is - n't it
a hum -
Gº B¨ Gº C7 F7 B¨
29
C7
er
Oh now
G7
this.
B¨
Come a long and letthe wed-ding chimes bring hap -py times far Man -dy
and me.
BASS CLEF
1
Margie Con Conrad & J. Russel Robinson
q = 160
C
Bb
can
talk
A F
You
F
5
Here's
Gm
9
F C7
All
F
one
I
must
tell
to
you;
D7
night
up - on the
close and starts to
Mar
gie,
-
F
Mar
F
Don't
G7
I
gie,
-
for
-
E7
EB7
get
your
Gº
G7
have
bought
a
F7
al - ways
I'll
tell
the
D7
prom - ise
think - ing
C7
My
coo:
I'm
D7
C7
Bb
Eb7
stairs,
B
Fº
Gm
C
F
29
long they sit
He holds her
25
C7
F
C7
love af - fairs,
Bb
21
a - bout your
G7
13
17
C
Gm7
F
world
I
to
Break 2 bars
home and ring and
lit - tle
F+7
of
you
love
you,
me,
ev - 'ry - thing, For
1 1
Margie BASS CLEF
2
F
33
C
ar
37
Bb
Days
F
41
all
45
is
nev
said and
Gm7
-
gie,
-
done,
C7
Mar
are
You've been
my
F7
F+7
in - spir - a - tion,
A7
gie,
-
er
blue.
There is
Mar - gie
Af - ter
F7
real - ly
E7
Eb7
D7
on - ly
one,
Oh!
F
C7
it's
you."
"My
lit - tle
1
Memphis Blues
BASS CLEF
WC Handy - 1912
6
B¨7
F7
E¨ E¨7 A¨7 A¨‹6
B¨7
B¨7
B¨7
E¨
E¨
10
E¨
14
C7
18
B¨7
A¨
22
2 7
0
E¨7
E¨7 D7 D¨7
F7
F7
B¨7
E¨ E¨7
A¨7 D¨7
A¨
B¨7
E¨7
A¨ A¨7 D¨7 D¨‹ A¨
BASS CLEF 1
Midnight in Moscow q = 160
Cm
Fm G7
Dm7 G7
8
Cm
G7
1
Eb
Ab Bb7 Eb Cm
Dm7 G7
Cm
2 0
Cm
Fm
Cm
Cm G7
Cm
Fm
G7
Cm
Cm
Stop time- first beat of bar only
Fm6 Cm Cm Eb
25
A
Cm
3
30
35
1
Time
Ab
Eb G7 Cm
Fm
Cm
Cm
Fm
Cm G7 Cm Dm7 G7
Fm Cm G7 Cm
Missouri Waltz
1 John Eppel & J.R. Shannon
BASS CLEF
1914
F
C7
Hush
F
a - bye,
-
my
ba
-
by, slum - ber
F C7
9
your head
up - on
my breast while
Bb
time
mom -
19
is
G7
sigh
a
days
tune;
F
by.
Way
down in Miss - our - i where I
F
heard this mel - o - dy.
Bb
fall - in' while the soft bree - zes
C7
When
F0
I was a tin - y child up - on
F
G7
C7
F
old folks were hum - min', their ban - jos were strum - min' so - o sweet
Dm
Strum,
strum,
4 1
D‹
Hum,
hum,
my mom - my's knee; The
33
The
F
long gone
call - in' where shad - ows are
as in
soon;
G7
C7
2 5
my hums
F
sand - man
com - in'
14
is
F
5
Rest
and
low.
Cm
A7 Dm
strum, strum, strum, seems I hear those ban -jo's play - in' once a- gain.
A7 Dm Dm
hum, hum, hum, Tha- t same
old plaint - ive strain.
F
1
Missouri Waltz BASS CLEF
2 4 9
Dm
D‹
A7
5 7
Hear
D‹
A7
Dm
that mourn - ful
A7
mel - o
-
dy,
Dm
Dm
A7 Dm
It just haunts you the wh - ole day
long,
G7 C7 Bb F
4
7 1
and you wan - der in dreams back to Dix - ie it seems when you hear that old
F
F
song. 77
F
C7
ney back
Bb
to
F
Dix
-
F
ie - land
C7
92
F
F
a - gain with
me;
G7
Way
C7
C7
F
down in Miss - our
-
F
when
Bb
Dm
thestars were blink - in' and the moon
F
G7
hear Mom - my Chloe, as
It
i, where I learned this lull - a -
and the old folks were strum - min. that
old re - frain.
by,
9
seems like your mom - my was there once a - gain,
same
in dreams
87
Hush - a - bye my ba - by, go to sleep on mom - my's knee.
Jour 8 1
F
time
was climb - in' high,
C7
in days long a - go, sing - in' "Hush
a
F
bye."
and I
1
My Daddy Rocks M BASS CLEF q =
J. Brni Barbour - 1922
100
Fm
Bbm
Fm
A
I've got
5
a
me
Bb7
got
Sweet - ie,
no one could be
C7
on his
hap -
py.
rocks
sosweetto me.
Ab
Cm/Ab
he's al ways gay. I've
Bb7
G7/D
knee,while he rocks me to a rock- y
me
with onestead y
Eb
ev - 'ry nightyou'll find us
Bbm/Db
C
Cm/G
I'mgladto say
chair, and
Fm/c
Aº
Fm
Db6
Eb
B Fm Fm/Eb Fm/Db
Cm
a great big rock ing
17
G7
He makes
13
Ab
9
Dº
Fm/C
mel - o - dy.
Fm Bbm roll.
C
there. I'm
Fm Bbm
My ba by
Fm My ba by
1
My Daddy Rocks M
2
Fm
2 1
Fm/Eb
Fm
C
rocks
2 5
Db
me
with all hisheartand
C7 Fm/c
C7
soul.
Gm7 C7
We'll al ways spoon while the lights are Wrap'd in a blank - et of love and
2 8
Fm/C
low. charns,
Fm
Fm7/Eb
Dº
Bbm/Db
He hates to
leave me when it's
I'm sit tingpret
ty when I'm
Most ev' - ry eve - ning at half past nine,
We get to geth
er and the
Talk a - bout row - boats and birch can - oes,
You need a
C7
time to
Gm7/D
C7/E
go.
in his
arms.
world is
mine.
Fm
Fm/Eb
My ba - by rocks
chair to rock a -
Fm/Db
C7
me
with onestead - y
way your blues.
31
Fm
roll.
Gº
C7
Fm
roll.
C7
Fm
1
BASS CLEF
My Honey's Lovin' Arms F
You've heard lov-ers,
5
C7
Cº
C7
C&7
They
F
9
I'm
Love- sick
pet;
so
diff- 'rent,
F
B¨7
al- ways
lov- ers
Oh,
F©º
B¨7
so diff-'rent-
F©º
A bout their
fret
F
get
Herman Ruby/Joseph Meyer - 1922
ro-
man- tic,
G‹7
C&7
Drive you fran-tic.
F
now;
A7
While I'm in
A‹ G9 G‹ C&7
13
D‹
love I
know
I
simp- ly
go
and
whis- per low
to
Hon- ey
Ba- by:
My Honey's Lovin' Arms
1
B CLEF
2
1
F
B¨7
love your
lov- in' arms,
F
1
C‹6
A place
to
nes- tle
G7
9
G7
33
G‹7
Hap- pi- ness,
3 7
love you
4 1
G9
'Cause when the
4 5
my
C7
in
my
G7 Hon- ey's
ly.
hap- py
C‹6
D7
you
on-
longs
to
F7
I
C7
Lov- in'
F
know that
B¨7
pair!
C7
lit- tle
hon-
ey.
When years have passed a-
world seems wrong,
F Right
love be-
more each day,
F
You'll find
B¨7
I
a
Seems to bless my
F
world of charms,
lone-
Oh, what
One ca- ress,
am
I
C7
co- zy chair,
com- fy
A
when
a
D7
5
They hold
way
ly;
B¨
B¨‹
I be- long
F
BASS CLEF
My Bucket's Got a Hole In It
1
= 174
F7
5
C7
Bb7
F
Bb7 F F7
F
10
13
C7
F
Bb
F7
Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It I can't buy no beer. Well I'm standin' on a corner - With a bucket in my hand I'm waitin' for a woman - That ain't got no man. CHORUS 'Cause My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It I can't buy no beer. Well, I went upon the mountain - I looked down in the sea I seen the crabs and the fishes - Doin' the be-bop- bee. CHORUS Well, there ain't no use - of me workin' so hard When I got a woman - in the boss man's yard. CHORUS Well, me and my baby - we just bought a Ford And now we sit together - on the running board. CHORUS
1 1
Oh, Didn't He Ramble
Traditional
BASS CLEF
A
B¨
B¨
F7 B¨ F7 B¨
6
B¨ F7
12
Drums
16
B¨
TO Dixieland 2-beat swing feel
F7 Well his
20
B
B¨ head
24
was
B¨
B¨ C
ram
3
town.
40
mar-
ket,
his
run- ning
by
-
Didn't he
ram-
B¨
ram
-bled
'til
the
the
"Look at that
mar- ket
All
B¨
F7
ble,
wo - men
Didn't he
cut
him
B¨
down.
the
meat!" h didn't
He ram-bled all a- round,
ble?
street.
B¨ F7
F7
in
said:
ble, Didn'the ram-
B¨
feet were
F7
F7
the
girls came
2 8
in
ram-
ble?
B¨
he
All a-roundthe
He
F7
Didn't
he
1
BASS CLEF q =
Oh By Jingo
F C+7 F C+7 F Oh, by Gee! by Gosh, by
G7
7
G7
180
Gum By
love?
Juv,
a
Gdim
Oh! by Jin go, won't you hear our
F
D7
We will build for you
G7
C7
Gdim
lbert von Tizler 1919
hut.
You will be
our fav'rite nut,
G7
C7
13
We'll have a lot of lit tle Oh! by Gol- lies,
F C+7 F C+7 F
1
23
Oh, by Jin go said, by Gosh,
by
A7 Bm A7/C#
Dm
me."
So they
Then we'll put them
F7
Bb
Gee.
all went a way sing ing Oh! By Gee, By Gosh by Gum, by
D‹
Juv, by Jin - go,
"By Jim- in - y, Please don'tboth- er
F F#dim C7/G C7
2 8
in the Fol- lies,
By Gee, you're the
on - ly
girl for
F Bb7
F
me.
1
Oh!
BASS CLEF
Byron Gay/Arnold Johnson - 1919
A B¨
5
B¨
10
F7
F7
E¨
3
3
17
B
B¨
B¨
C7 Break: 2 Bars
F7
14
3
F7
B¨ 3
3
F7 B¨7
22
27
3 1
E¨
F7
B¨ B¨ B¨& B¨6 B¨&
1.
B¨
2. B¨
1
BASS CLEF
Ole Miss W.C. Handy - 1916 F A C7
F
C7
5
9
C7
C7
13
F
B
B¨
17
C
21
A7
B¨
25
29
G
D
C7
F
F7
F
F©º A
E7
A
F7
D7
F
F
B¨
F
1
Ole Miss BASS CLEF
2
C 33
C7
37
F
C7
41
C7
45
C7
49
D F
53
C7
57
61
F7
F F
F7
C7 F
D7
F
B¨
7 B¨
F
C7 A7
Bº F D7 7 C7 F
B¨
Back to "D" for Solos Then Play "C" and "D out.
1
The Old Rugged Cross BASS CLEF A
C
5
C
C&
G7
George Bernard - 1913
C
F
F F‹
F F‹ C
Ritard
B
C
9
1 4
19
F
Cº
C
C7
F
C Fº
D7
Fº
G7
F C
G7 Cº
C
C
C7
F7 C
C 25
31
36
G7 C
C
C
F
C
G7
C
F
B¨7
A7 C
F&
F6
G7
D F F‹ C
1
On The Alamo BASS CLEF
Isham Jones & Gus Kahn - 1922
A
CŒ„Š7
D‹7 C
D‹7
fair
CŒ„Š7
9
wan-
where
ros-
es
grow,
D‹7
C
B7
of the sum- mer
der
to
and
CŒ„Š7 D‹7 C wait
by the gar-
D‹7
21
den
G7
you
so".
dreams 29
D7
low,
seems
D‹7
On
E¨7
her
Break
I'll
D7
On the night
D‹7
I
E7
And
in
all
my
F©º
it
can hear
F‹
gate,
love
A‹7
"I
I
For she said
D7
said
fro.
25
A‹7
A7
der
the ten-
G7
C
G7
D‹7
A‹
D‹7
night,
E‹7
In a gar-den
In
D7
mo,
E‹7
B
17
E¨7
light
D7
E‹7
13
On the Al- a-
G7
A‹7 F‹
Where the moon swings
5
D7
G7
I
go
C
the
Where the moon swings
F7
Al-
a- mo.
C
Break
1
Ory's Creole Trombone
BASS CLEF
Edward "Kid" Ory - 1921
Trombone solo
6
12
G7
C7
F
A
C7
G7
17
B
G7
2 8
F
F
C7
3 4
C7
C7
C7
.
D7 C7 G7
F
G7
F
D7 G7
F
F D7
22
F C7 F
C7
C7
2.
F
1
Ory's Creole Trombone BASS CLEF
2
C7
F7
B¨
C
39
B¨
44
49
C7
55
D D7
C‹
C©º
F7
B¨
F7 B¨ G‹
Trombone Solo
F
C7
60
solo Trombone Solos C7 B¨
B¨
C©º
C‹
79
F7
F7
C7
TAG
F7
B¨
After last solo play "D" to end and then tag
Trombone 83
F7
B¨
67
73
C7
B¨
B¨
C7
F7 B¨
1
BASS CLEF
F
Ostrich Walk
C©7
5
G
C7 D7 G7
G
F F
Trombone
F
2 6
B F
F7
Cornet
D7
G7 C7
F
C7
G7 B¨
Clarinet
G‹7
C7
1.
F
B¨‹
Trombone
. F B¨ Fº
Fº Break
C7 Break F Break F Fº C7
32
Stop Time 4 bars
F
2 1
C7
F
13
G‹7
D7 G7 C7
A
9
Original Dixieland Jazz Band - 1918
C7
3 7
F
4 2
F
Break Break C7 F Fº F Fº
Fº C7 F Break
C©7
G‹7
C7
1 1
Ostrich Walk BASS CLEF
F
2 46 C
F G7 C7 F
F
G7
C7
50
Stop Time 4 bars
F
54
Trombone
F7
F
58
D7
F
D
F D7
66
F
70
74
78
62
Cornet
G‹7
B¨
Clarinet
G‹7
Trombone
C7
F
C7
F
C7 C&7 F
Fº
sfz
G‹
Fº
C7
F
F
Unison
B¨‹
C7
F
F
F C&7
F
1
BASS CLEF q =
120
Over The Waves
Bb
10
F7
19
B¨
26
E¨
Bb
Bb
33
F7
Eb
B¨7
49
E¨
57
A¨
Eb
Bb Bb F7
41
B¨
Eb
Bb7
Eb
Ab Bb7
Eb
BASS CLEF
Poor Butterfly
q = 120
Ab E7 Bbm7 A Eb9
Poor But - ter -
fly
fly
Bb7
9
'neath the blos soms wait -
in - to
B
Eb9
for she loved
so.
The hours pass
he don't come 29
Eb9
die.
in - to
tears,
She
mur - murs
know that he
faith
and
Ab E7 Bbm7
low,
The moon and
ful,
Then I nev - er
by.
Poor
But - ter -
sigh or
I'm sure
fly.
if
Bdim
cry,
I
Ab
he
But
Dbm6 Ab
back
she
-
by
And as
F9
me
years,
Ab
C7
to
Eb9
be
mo - ments
Fm
Abmaj7
come
Bbm7
The
Ab
C+7
25
him
I 21
Poor But - ter -
17
ing
hours,
smiles thru her
F7
Bb7
13
Ab
F9
Eb8
pass
Golden/Hubbel - 1916
Abmaj7
C+7
5
1
just must
1
Panama
BASS CLEF
William H Tyres - 1913
E¨ E¨ A E¨ B¨7 B¨7 E¨ B¨7 E¨
5
10
F7
B¨7
B¨7
Aº
1. E¨
2.
E¨ E¨7 A¨ Aº E¨ C7 F7 B¨7 B E¨ E¨7 A¨ Aº E¨
18
C7
E¨
A¨
E¨ E¨7
15
E¨
B¨7
22
28
33
C7
F7
B¨7
E¨
E¨7
E¨7 A¨&7 D¨ C A¨
38
43
A¨
E¨7
A¨
A¨
Panama BASS CLEF
2
48
C‹
C‹
E¨7
G7
A¨
54
E¨7
D
A¨
59
D¨
Dº
64
70
E
A¨
A¨
E¨7
E¨7 A¨ E¨7
A¨7
A¨
E¨7
pp ff
76
1
1.
E7 A¨ D¨ E¨7
A¨
84
A¨
90
E¨7
A¨
A¨7
2.
A¨ E7 A¨ E¨7 A¨ A¨ E¨7 A¨
1
The Pearls BASS CLEF
Jelly Roll Morton - 1919
D7 A G G E7 E E¨ A‹ E7 A‹ G
E¨
6
11
A7
D7
G G
E¨
E7 A‹E7 A‹ E‹ A7 D7 G
16
E¨
G7
21
C7
B
E7
25
G
B‹7
G7
29
A7
D7
C7
Break - 2 bars G D7 G
33
Gº
3
37
G
G7
Gº
G7
3
3
The Pearls BASS CLEF
2
C Tuba Only
1
G7 CŒ„Š7
41
E‹7
All
A‹
E‹
E¨º
45
D‹7
3
G7
49
D‹7 G7 C D‹
53
E7
A7
D‹7
G B7 E‹ D‹
C D
E
G7
57
D Tuba only
CŒ„Š7 All
3
F D‹ A7 F F‹ C A7
61
G‹7
C
3
65
D‹7
G7
69
C Gº G7 G7
73 Tuba Only
3
C9
1
Pretty Baby
Egbert Van Alstyne & Gus Kahn - 1916
BASS CLEF
B¨7 Ev-
5
'ry- bod- y loves a
E¨
Ba-
13
17
to
E¨
be y our
Ba-
C7
let
rne
cud-
dle
F7/C
lov-
in'
F7
in
my
by
and
it
B¨7
Pret- ty
by.
A¨
cra-
Ba-
by of
Pret- ty
Won't
dle of
love,
And we'll
B¨7
Oh!
E¨ mine.
well be
you,
I
B¨ Bº
might as
you
D¨7
time.
ba-
the
dad and moth-er too,
F7
all
B¨7
a
rock you
I'd
B¨&
Ba-
And
Pret- ty
Pret- ty
by.
E¨
by,
29
sis- ter, broth- er,
E¨7
want
I'm in love with you,
Ba-
B¨&
come and
25
Pret- ty
21
E¨
by,
B¨7
like
B¨&
9
ba- by that'swhy
B¨&
Riverside Blues
BASS CLEF
C‹
1
G7
C‹
G7
Thomas A. Dorsey & Richard M. Jones
C‹
F‹
E¨
B¨&7
E¨ E¨ A¨7 bar unison break A¨7 E¨ 2 2. E¨ B¨7 F‹7 B¨&7 E¨ E¨7 E¨ºA¨‹ 1. E¨ B¨7 B¨7
5
A
E¨
3
3
9
13
3
everybody plays this figure behind clarinet lead 18
B
E¨ B¨7 E¨ G7
22
A¨‹ E¨ 2 bar clarinet break B¨7 F‹7 B¨7 E¨ E¨7 E¨º A¨‹ E¨ B¨7 E¨ A¨ E¨ E¨7 C Play 2 bar unison on out-chorus A¨ E¨ Solos at "C" B¨ F‹7 B¨7 E¨ E¨7 E¨º A¨‹ E¨
26
30
34
38
A¨
1
Rock a Bye Your Baby BASS CLEF Jean Schwartz - 1918
C©º A C
G7/D
Mam-my mine,
Your lit-tle roll- in'stonethatrolled a- way,
Eº E¨
5
Mam- my mine,
E¨º
13
Just
to
E¨
E¨º
When I'm
see your
in
B¨7
B7
E¨
your
G7/D
G7
smil- in' face,
B¨7
fond em- brace,
C
E¨º
Smile
G&7
strolled a- way.
G7
Your roll- in'stone is roll- in' home to- day,
C
9
G7 C
a
G
Lis- ten
wel- come
D7
Mam- my
there to stay.
G7
sign.
G7
mine:
1 1
Rock a Bye Your Baby BASS CLEF
2
B C
17
Cº
Rock- A - Bye Your
21
Ba- by With
G7
when you croon,
25
G7
Just hang my cra- dle,
29
a
Dix-
ie
tune
Mel- o-
C
croon a
G7
from the heart
of
dy,
D7 Dix-
Mam- my mine,
G7
C
Right on that Mas- on-
ie.
A7
Dix- on Line,
G7 D7
And swing it from Vir- gin33
C
C
Weep no 37
D‹
more my
G7
Old Black Joe,
41
ia,
la- dy, sing
that
G7 F7
just as though
you
A7
song
E7
a-
gain for
45
C
Rock- a- bye your
me,
And
had
me on your knee.
E¨º
The min-utethat you sing the Swan- ee Riv- er,
A‹7
G7 rock- a- bye ba-
er,
ya'
G7
D7
A million ba-by kiss-es I'll de-liv-
To Ten- nes- see with all the love that's in
Cº
D‹
by with a
D7
Dix- ie
mel- o-
C
dy.
BASS CLEF
Rose of Picardy
F7
Ro-
5
F(“4)
hush
9
G7 Ro-
C7
13
nev-
ses are shin-
of the
sil-
ing
ses are flow'r-
er
a
F7
ro-
F(“4)
25
G7
29
one
C‹7
rose
ing
Pi- car-dy,
may
be
far
that
but there's
you!
D7
And
the
But
not
Pi- car- dy!
F7
And our roads
in
sum- mer time,
C7
rosethat dies
B¨
I keep
in
my heart!
a- part,
with the
B¨
F7
F7
ses will die
D7
like
the
dew.
C‹
rose
in
B¨
in
Pi- car- dy,
ver
in
F7
Haydn Wood - 1916
B¨
17
21
1
there's
'Tis
E‹6
the
B¨
BASS CLEF
q =
Rose Room
140
A Bb7
In sun - ny
Ab7
5
Rose - land,
Dbm
9
Danc
B Bb7
shin
21
- ing
"A
May
29
Dbm
Rose - land,
-
ing,
-
is more than ev - er
ev - er then
I
The moon when
Ab
de - sign
ing
-
Db
am
pin
Pin - ing
Bb7
Eb7
Eb7
'tis
F7
while the mead - ow brook flows.
For
ing".
-
sway
- ing,
Ab7
Ab
are
ing,
-
Db
the hon - ey bees are
Where sum - mer breez- es are play
all the ros - es
25
Ab
There
Eb7
Bb7
13
Harry Wiliams and Art Hickman - 1917
Where
17
1
Ab
ing,
-
F7
Ab
to be sweet - ly re - clin
-
ing, Some - where in
Eb7
Be - side a beau - ti - ful rose.
1
Rose of Washington Square
BASS CLEF
James F. Halnley - 1919
D‹ E7 A‹ A A‹
A gar-denthat nev-er- knows sun-shine
5
A7
Onceshel-tered a beau-ti - ful rose.
D‹
E B7 E7
sha- dows it grew with-out sun-light- or dew, as a child of the cit-
y grows.
D‹ E7 A‹
9
Inthe
A‹
but- ter- fly flew to the
gar- den,
from out of the blue sky a-
bove,
A
the
C©º G E¨7 A‹ D7 G
13
C
heart of therose set a-flut-ter,-
with a
won-der-ful tale
of
love,
He
G7 D7 G7
17
D‹7
toldher ofbirds and of bees,
ofthe brooks and of mea- dows and trees.He whis- pered,
Rose of Washington Square BASS CLEF
2
BC
21
Rose,
G7
25
E7
33
for
37
C C
Rose, 41
where
the
sun
shines,
Na- ture
did
but
be
the
Cº I'll nev-
er
not mean
queen
de-
part,
Dº
heart,
your
love
that
to
you should
G7
so
G7
G7
A‹
blush un- seen
flow-er
D7
a
C
should blos- som
Rose,
Square
G&7
of Wash- ing- ton
Fair 29
G7
Cº
1
of
some fair gar- den,
but dwell
A‹
care,
I'll
in your
bring
the
F‹6 C A7
45
D7
sun- beams from the Hea-vens to you,
49
D7
Rose
and give you kis-ses that spar-kle with dew
G7
of Wash- ing- ton
C
Square.
my
1
Rufe Johnson's Harmony Band
BASS CLEF
Shleton Brooks & Maurice Abraham - 1914
F©7 Eº
B¨7
Rufe John- son
leads
When
down the street,
A
5
E¨
9
B
E¨
E¨
F©7 Eº
he comes
G¨º
a
band,
F‹6
He's one grand The
B¨7
E¨
in
Sa-
van-
nah,
Down
They
all
keep
sway-
ing,
While Rufe
F‹
He
real-
ly
Old Rufe can't
F7
can't be
beat,
read a
note,
F7
Down
in
Sa-
van-
nah-
When
he
plays
'Man-
ci-
B¨
B7
each
hol- i-
horse and
they
act like
he
B¨
G. pa- tion
lead-
fools,
man,
shake their feet,
F‹6
B¨7
van-
nah.
is
play-
ing.
will
C7
mu- -sic- sweet, get your
goat,
C‹ C©º B¨/D
B¨
A.
When
Day.
The
G‹ B¨ Aº
day,
er
Sa-
they par- ade
in
Plays rag- time
C‹7
mules
F‹
but
17
G¨º
Down
C7
13
peo- ple
B¨7
B¨
You'll
hear
You
al
-
the
peo-
ple
most hear them
B¨7 say: say:
Rufe Johnson's Harmony Band
1
BASS CLEF
2
1
E¨
C
Here they come,
Just
D
A¨
Lis-
C7
E
ten
to
that
dog- gone
toot- te-toot.
E¨
ten
played
F
ain't
C‹
rump, rump.
F‹7
that
Root -te-toot,
trom- bone
B¨7
toot-
te-toot,
F‹7 B¨7
moan- ing, hear it groan- ing,
A¨
that
old cor-
C7
Dº
net,
by
that
lead-
er
a world
wide
Aº rep-
F‹
It's
u-
ta-
Ruf-
us
John- son's
Har-
F‹
He's
E¨
tion
F7
Old
C7
man.
B¨7
49
G7
he
-
A¨ got
Boy ain't
rump,
E¨
Hon,
to
flute,
rump,
E¨7
Lis
Say
to that drum,
C‹
ing
F7
go-
C7
41
45
He's
toot-te- toot
37
ten
beat- in' some,
32
lis-
G7
5
9
G7
mon -y
For
E¨ Band
play- ing
C7
syn-
co-
pa-
tion;
Solos at "C"
1
Runnin' Wild
BASS CLEF
Bdim
F
F
Db7
Gm7
C7
F7
My
Verse
When
Bb
5
Bb7
A
gal and I first
I met
we
had a
that
gal of
Bb
9
guess she
thinks
now
when she
thought she
Bb
thatshe's gone
I'll
had me
she
she's all
Ma - ry
led
her
lit - tle
F
Bdim
the worm
right
her
til
it
Gm
show
won't sit home
mine
D7
gon - na
and
Bb7
13
17
fight
F
Db7
Eb
Bb
my - self.
I
I'm
all
by
seemed just like
a
dream.
But
F7
the
shelf.
I'm
act - in'
mean.
Like
Bb
me
I
C7
lay right on start - ed
Eb
wrong
no
lone - some stuff for
lamb
she
led
Gm7
me
C7
all
the
Un -
F7
all
a - lone
She'll soon find that
I'm
had
to
that's the rea - son
I'm
turn,
time,
Runn in' Runn - in'
wild, wild
[Patter, sung/spoken after chorus] No gal will ever make a fool of me, No gal! I mean just what I say; I ain't the simpleton I used to be, Wonder how I got that way. Once I was full of sentiment, it's true, But now I got a cruel heart; With all that other foolishness I'm through, Gonna play the villain.
1 Runnin' Wild
2
BASS CLEF
Chorus B
21
Bb
Bb7
Eb
lost con - trol,
Bb
27
F
33
C
Reck less
C7
nev - er
time,
D7
F7
48
All a - lone
too,
no - bo
-
Al- ways
Eb
Run -
nin'
Idon'tcare,
Bb
It's not worth - while,
Bb
Wild.
goin',
F7
dy
Care free mind,
Al- ways showin'
G7 C7 Don't love
don't know where, 43
Bbm6
blue.
Bb7
might - y bold.
Gm
Feel- in' gay,
Bb
Cm6 D7
all the
37
Run - nin' wild,
F7
BASS CLEF
Royal Garden Blues F
A F
5
C7
F7
9
B¨ F&7
13
C7 B
A¨º
Clarence & Spencer WIlliams - 1919 1
B¨
F&7 D¨7 C7
B¨
F&7 B¨ F
B¨7
F C7
Stop time - Play downbeats 4 bars
F7
Trombone - ad lib 2 bars F7 F 7 B¨ D¨7 C7 F A¨º C7 F B¨7 F C7
17
Cornet
3
Clarinet
3
3
21
25
29
CF7 B¨ B¨‹ F F7 D B¨ B¨ 7 E¨7 E¨‹ B¨ E¨7 G7 C7 F7 B ¨ E¨ 7 B ¨ E¨ 7 B ¨
33
37
41
Back to "D" for Solos
BASS CLEF
Satanic Blues
= 154
Bb
1 1
F7
Fdim
F7
Bb7
5
Bb
A
Eb7 Edim Bb G7
9
F7
13
Fine
B
Eb
Bb Eb Bb7 Eb Edim Bb G7 C7 F7 Bb F7 Bb C7 F7 C Eb
17
Bb
Bb F7 Bb
22
27
32
38
C7
Bb
Eb G7
C7
Eb From "A" to Fine
F7 Ab Eb F7 Bb7 Eb F
Sailing Down Chesapeake Bay
1
BASS CLEF Verse
B¨7 A
Havez - Batsford - 1913
Come on Na N an-
7
cy put yo your b beest dress on,
Come on Nan-
cy'fore the
B¨7
steam- boat's gone.
12
E¨
Ev- 'ry'ry- thin thingg is is
E¨
love love-- ly on the the Ches Ches-- a-pe a-peak akee Bay, Bay,
E¨
All
If we we'r 'ree late late we'll e'll
a- board for
Bal- titi- more,
all all
be so sore. re.
B B¨7
E¨
17
Come on
Cap-
'n le let us catch that boat,
'Cause we can't swim,
Mis-ter -ter,
B¨7 E¨ E¨º
2 3 3
we ca can't float.
Ban- jos
ring- in'
30
E¨ ther there' e'ss a pla place
to spoon.
36
moon,
B¨7
40
Che Ches- a- peak peake, e,
A Sail- in' down Ches-
a good old tune,
E¨
Set-tledow edown close
'neath the
a- peake,
a- peake
sil- v'ry
B¨7
Sailail- in' down Ches-
Up on deck eck
All
a- board for
E¨
Bay.
No Repeat 1st time
1
Sailing Down Chesapeake Bay BASS CLEF
2 45
E¨
B¨7
'Round the bend
I
E¨
think
I
see
a
Head- in'
53
we
57
can make it
F7
Old
61
to
Dom-
D B¨7
Say, don't she look
Head- in'
if
we
hur- ry,
in-
ion
Line.
pret- ty
for
pier.
hear the pad- dles
73
C7
Queen of
as
sh e
Nev- er
fear,
turn- in',
It's the
E¨
hugs the
shore,
Bal-
B¨7
ti- more.
Just
Hear my he heart
F7 the
And
69
F7
C
E¨
65
G7
this
Dear,
B¨7
E¨
here,
E¨
steam- er,
49
B¨7
Ch Ches- a- peak peakee Bay! ay!
B¨7
a'
yearn- in', She's the
Solos on Verse
BASS CLEF
1
San
McPhail/Michels - 1920
Bass Intro
5
A
D‹
G‹
King One
A7
San day
of the
Senqueen
ecame
9
A7
Sat Saw
on San
13
D‹
the in
B
D‹
Sing Told
G‹
-
-
A7
ing him
a she'd
To On
25
D‹
way. dore.
his ly
G‹
-
-
dear her
queen San
was came
his his
lathe
A7
may, shore.
This Then
Buon
lathe
at ness
BuOn
remore
sad no
A7
21
A7
B¨7
may, shore,
17
gal home,
shore sad
A7
D‹
D‹
frain roam.
who'd gone she would
D‹
lay: lore:
B¨ B¨7
A7
aa
C7
1
San BASS CLEF
2
29
F
D¨7
F
33
F
Oh, sweet-heart
Why Have
D‹
have you
you come
gone back
said
My
F
ato
way? stay?
D¨7
you
loved
me,
45
Why I
did knew
you you'd
act come
this some
F If
I
49
F What you
un-
have
done would
be
the
F
But But
57
been
F7
D¨7
53
er
my heart aches, now you're mine
G7
G‹
If you don't come back And you're for - giv - en
me me,
D¨7
true
to
you
B¨
D¨7
F
to
it all
will the
B¨7
home a - gain by your lov -
thing
And For
dear, dear,
loved loved
B¨
F
C7
way?day.
ev-
D7
F7
had
C7
C7
na,
-
F
But if you I knew you
D
B¨7
Lo
F
41
G7
dar- ling
C7
You
na,
G7
F
37
Lo-
D¨7
do.
D7
break time
F
to ing
dear, dear.
C7
San. San.
1
Second Hand Rose
BASS CLEF
James F. Hanley & Grant Clarke - 1921
F
F C7 C7
G7 C7
Fath-er has a bus-'ness, Strict- ly sec-ond hand,
F
G7
G‹
D7
G‹
F Fº C7
17
21
I
ond
hand
hats,
Sec-
ond
hand clothes,
Sec-
ond
hand
shoes,
Sec-
ond
hand
F
That's
why
they
call
me
All
the
girls
hand
me
Sectheir
F
E
- ven
our
E
-
my
ven
FathHave
er bought some- bod-
G‹7
Hand
hose,
Rose.
hand beauxs.
C7
pi-
an-
o
in
the
par-
lor,
pa-
ja-
mas
when
I
don
'em,
C&7
F
the tials
dolon
C7
ond
for y
ten else's
cents
on 'ni-
I'm wear-ing
G‹
sec - ond
F©º
Sec-
nev-er- have a thing that ain't been used:
C
C&7
G7
C7
25
C7
F
G
It's no won-der that I feel a- bused,
A
D7
E - ven things I'm wear- ing, Some-one wore be-fore.
G7
13
A‹
Stuff in our a- part- ment, came from fath-er's store,
9
G‹
Ev-'ry- thing from tooth- picks, To a ba- by grand.
C7 F C7
5
Fº
F
lar. 'em.
Second Hand Rose BASS CLEF
2
1
B
F F Fº C7
G7
29
hand pearls,
I'm
wear-
ing
sec-
ond
hand curls,
I
Sec-
ond
hand rings,
I'm
sick
of
sec-
ond
hand things
I
nev-
er
nev-
er
G‹
F&7
ven
gle
thing
that's
new.
oth-
er
girl-
ies
do.
what
C‹
G‹
had
plumb- er,
he's
the
man
I
a-
dore,
He
thru
Ritz
a
girl
got
my
goat,
She
G7
the
41
F
sin-
get
the
a
Jake
B¨
get
G‹
F&
C‹
B¨
Once while stroll- ing
the
nerve
to
tell
me
nudged her
friend
and
said
"Oh
F Fº C7 F
he's
been
look! There's
mar- ried
be-
fore!
my
fur
coat!"
old
C&7
G7
45
Ev-
'ry-
one
knows,
that
I'm
just
Sec-
ond
Hand Rose,
From
Ev-
'ry-
one
knows,
that
I'm
just
Sec-
ond
Hand Rose,
From
49 G‹7
ond
37
Sec-
F7
33
C7
F
Sec-
ond
Av-
e-
nue.
Sec-
ond
Av-
e-
nue.
C7
I'm
wear-
ing
1
Shake It & Break It
BASS CLEF
Artie Matthews - 1915
F A
5
F7
Clarinet Break: 2 bars
F
B¨
9
C7
13
B
F
17
C 7
C7
21
F
25
29
C
F7
F
B¨7
F F7 B¨ B¨‹
F
F
F
F7
Break: 2 bars
F
B¨7
33
C7
F F7B¨ B¨‹ F
F7
1
Shake It & Break It BASS CLEF
2
Play "D" AS AWritten - Repeat for Solos 37
D
B¨
F7 B¨ B¨ F7
41
B¨ F7 B¨ G7
45
C‹
C©º
After Last Solo play "D" once as written then go on
49
B¨ F7 B¨ F
53
E
57
Break: 2 bars
F
B¨7
61
C7
F F7 B¨ B¨‹ F
Fine
1
BASS CLEF
Singin' The Blues Con Conrod 1920
q = 120
Ab
A Fm7
5
Ebmaj7
Eb
Eb
G7
Bb7
Bb7
Eb
Eb
13
Fm
Bb7
9
Gm
C7
B
2 - Bar Break
F7 Bb7 Ebdim
17
21
F7
C
Fm7
Cm7
Bb7 Eb
C7
Fm7 Cdim Gbdim Eb
27
Fm
3
3
F7 Bb7 Eb
32
C7
3
BASS CLEF q =
1 1
Sensation
180
1917
Bb
Gm Cm F7 Bb G7 A
1.
7
C7
2.
F7
Eb
B
11
Cm
F7
Bb
C7
F7
Bb
Bb7
Eb B7 Fm7 Bb7 Eb
16
C7
F7
Bb7 Eb Eb7
21
27
C
Ab
Db
33
Bb7
38
Ab
Ab Db
Bb7
Eb7 Ab Ab Db
Eb7 Ab Db Fdim
Eb
Ab
Db
Ab Db
Eb7 1.
Ab
Bb7
2.
Eb7
Ab Eb7 Back to B
1
BASS CLEF q =
The Sheik of Araby C7 F7 Bbm
180
Bbm
Gb7
O
-
Bbm 5
the
des - ert
wild and
C7
F7
Gb7
Rides
9
ver
the bold
Ebm
His
Sheik of
ar - ab
F
Bbm
13
Bbm 17
21
Un
-
der
At
his
F7
the
shad - ow
of
He
sings to
Ebm
com - mand
F
car - a - van.
Bbm
call her
to
his
Cm7
Bbm
the
C7
by
band
C7
F
-
Cm7
Bbm
Gb7
Cm7
Fol - low his love's
Ebm
F
Cm7
free
Bbm
Ar - a
Bbm
Ebm
Cm7
Cm7
palms,
F7
F7
arms.
I'm the
1
The Sheik of Araby
A
25
Bb
Bb
Sheik
of
Ar
F7 love
be - longs
to
Dm
Dbdim
to
33
your
tent
I'll
Cm
37
night
F7
stars
F7
45
light
49
G
rule
F7
Sheik
that
shine
a
our
way
to
F7
G
this
land
of
-
F7
a
Gm
C7
F7
Cm
F7
D&
C7
-
D7
D&
D7
by
C7
will
you'll
me
Bb
The
Cm bove
At
sleep
love
-
Cm
with
Ar
-
In -
F7
creep
Bdim
me
a
Bb
Bb
F7 Your
Bb
Bb
when you're
Bb
41
Cm
by
-
F&
F7
a
-
Cm
F7
29
53
Bdim
BASS CLEF
the
Bb
F7
1
Skeleton Jangle BASS CLEF
q =
Bass
182
Nick LaRocca - 1918
Ab
Eb7 Eb7 Eb7
Eb7 Ab Eb7
5
A
Ab
9
F7
14
Eb7
Bbm
Bb7 Eb7 Ab
17
Bb7
21
B C7
Ab7
Db F7 Bbm
Eb Bb7 Eb
26
Eb7
30
C7
F7
Bb7
Aº Eb7 C7 Ab
33
Eb7
F7
BReak
Ab Eb7 Ab
Skeleton Jangle
1
BASS CLEF
2
C7
F7
3 7
Bb7
41
Eb7
Ab
Unison for 2 bars
C7
45
F7
Bb7
49
Eb7
Ab
Unison 2 Bars
F7
53
C7
D
Eb7 Ab Aº Eb7/Bb
57
Bb7
F7
61
C7
Eb7 Ab Eb7 Ab Eb7 Ab
65
Bb7
1
BASS CLEF
Sobbin' Blues Kassel and Berton - 1922
q = 164
F
C+ F C+ F C+ F C+
5
mf
pp
mf
F
A
F7
mf
9
3
Bb
Bbm
F
Bb7
F
13
F
F Cm6 D7
17
pp
G7
C7
Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars
B
F
21
26
31
Bb
F
C7
Swing
C7
G7 Bb7 A7 Ab7
F
C7
F7
Sobbin' Blues
1
BASS CLEF
2
Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars
F
37
42
C
F
C+
C7
F
Bb7 A7 Ab7 G7
53
F Swing
Bb
47
C7
F
C7
C+
F7
F
Repeat only for Solos
F
C+
F
C+
mf
pp
mf
F
57
DF
Bb7
67
70
Bb7
F
C7
C7
F
F Bb7
62
Bb7
F
pp
F
Bb7
F
F
C7
F
Solos on "B" & "C" Section: After last solo play to bottom.
1
ome of These Days BASS CLEF q =
G7
180
G7
G7
G7
your gon - na miss me hon - ey.
Some of these days
Someof these days
5
Cm
Cm
Cm
Fm
C7
F7
you'll feel
11
so lone - ly,
F7
you'll miss my
F7
hon - ey
when you're a - way.
Eb7
just for me
23
Ab
Fm
cuz you know hon - ey
Ab
And when you
C7
on - ly,
leave
me
C7
Adim
You'll be so lone - ly
C7
Fm
you al- ways got your way,
I
know you'll
Eb
grieve
me
F7 Bb7
27
you know
kiss - in'
Bb7 Bb7 Eb7
Ab
17
you'll miss my
F7
you'll miss me
hug - gin'
you'll
miss your ba - by
Eb
oh some of these days.
BASS CLEF
ome weet Day
1 Tony Jackson - Ed Rose - Abe Olman - 1917
q =
146
C/E
A
Ebº
Al - though it's
C
5
spring
Cm
not the
9
G7/D
first
C/E
time
Ebº
13
G/D
G
E7
my poor
heart
you
D7 long
for
C
B
25
cold
G7
me
C
friends
33
G7
dis - ap -
ev - en
pear,
some - day,
But
D7
Don't
D7 I'll
be
far
wind does
with its
melt
C7 way,
I'll have
mine
ice
G7
a -
way.
C7/Bb
D7/A time will prove
Some Sweet Day.
I have
side,
But when
You're goin'to
C7
snow,
Then your
heart
G7
felt.
And when your
say.
Cº G7
'Cause when the
D7 what I
C
In
D7 and its
row
G
Ebº G7/D C for each sor -
G&
say good- bye.
D7/A C7/Bb
blow
my
It's
C
C7
turn a -
G7 G&
Am
soon will
29
way.
E7
to - day.
has been in pain this
by
Cº G7
G7
For - ev - er
G7
21
kind,
C
D7 Dm
Cm Eb G/D
sum- mer's near
me
Am
C#º
you're good and
G7 G&
You're leav- ing
17
birds don't sing
G7/D
time
Dm
the
win - ter
C#º
Now's your
time,
C
(Yes, Some Sweet
Day.)
Someday Sweetheart BASS CLEF Spike Brothers & Carter - 1919
AF D¨7 F You told me that you loved me true,
5
G‹
broke your vow
D7
and
and now some-how-
be- lieved
in you.
G‹7 G‹ itseems I'm al-ways blue.
9
C7
I
When you'refar
F6
F
a- way.
You
Butthere'llcome a day
You'll sit
a- lone
E7 A‹ G7 C7
13
A‹
and cry
for me you'll sigh
andthedays thathave gone by.
Some-day Sweet-
Someday Sweetheart
1
BASS CLEF
2
B
17
F
C7
F
heart,
21
you
G7
C7
done
F
25
C&7
E7
things you
did
now,
G9
blues
sow
45
G7
reap will make you
F©º
my
poor
heart.
us
drift
and
can't
see
so
C7
C7/G
bro-
what you've
You
may
C7
part,
You're hap-
how,
the
C7
shall
you
reap,
py
wear-
y
you.
re-
The
A‹
B¨6
ken,
a-
for
A‹
vows you've
made
F
ry
F
will ev- er come to
C&7
sor-
F
be
that
C
F9
41
to
the
37
gret
33
F
29
may
E7 E¨7 D7
E7 E¨7 D7
dear,
B¨7
weep some - day, sweet - heart.
But
as
and
what
you
you
C7 Some - day Sweet -
Somebody Stole My Gal BASS CLEF
Leo Wood - 1918
A E¨
5
Some-
9
C7
13
F7
E¨
B
21
B¨7
Some-
bod-
y
stole
bod-
y
stole
my
gal.
B¨&7
E¨
my
F7
Some-
bod-
y
came
and
took
her
a-
She
did-
n't
ev-
en,
The
kis-
ses
I
He's
get-
tin'
now
me,
E¨
Aº
bro-
Some
bod-
y
she
was
leav-
in'.
so,
B¨7
know.
But
E¨7
that
A¨‹
if
she
could
see,
would
F7
gal!
come
to
her
lone-
E¨
she,
ed,
my
I
B¨7
G7
know
stole
say
Iove
I
B¨7
heart-
C‹/G
way.
B¨7/F
G¨º
A¨7
ken
2 bar break
B¨7
A¨º
pal.
E¨7 D7 D¨7
B¨7
Gee!
B¨7/F
F‹7
G¨º
A¨
29
37
E¨
25
33
Bass Pickups
B¨7
17
A¨7
E¨
some
pal.
BASS CLEF
St. James Infirmary Dmi
A
Bb7
A7
Dmi
ev - er stop
Gmi
5
D7
My
ba - by went and
Dmi
9
Bb7
moan - in'?
My
17
B
Dmi
21
Dmi
A7
smile?
She'll be gone a long long
while.
me,
Dmi
A7
Dmi
Bb7
A7
Dmi
What am
I
liv - ing
for?
Gmi Dmi
Bb7
left me
Ne - ver to come back no
I went
A7
-
Dmi
more.
A7
down to the Saint James In - firm -'ry ba go
ev - er
Dmi
"What is my go, let her
A7
When will I
feel so blue and heart - bro - ken
ba - by went and
Dmi
A7
A7
A7
Bb7
left
Gmi
13
Bb7
Gmi
I
Dmi
When will I
A7
-
My
Bb7
ba - by there she lay,
by's chan - ces" - I asked old Doc - torSharp, God bless her - Wher ev - er she may be.
Dmi
F7
Bb7
A7
Dmi
La - id She can
out on a cold mar - ble ta - ble - Well, I looked and I turned "Boy, by six o' clock this eve' - nin, - She'll be play - in' her gol hunt this - wide - world o - ver
But she'll ne - ver find
a - way. den harp. Let her
a man like me.
BASS CLEF
Stock Yard Strut
q =
195
A
Ab
6
Eb7
Ab
Ab7
Bb7 Bb7 Eb7 G7
Ab
Eb7
Ab7 Bb7 Bb7 Eb7 Eb7 Ab Ab Ab Ab Ab Ab Ab B Ab Eb7 Eb7 Eb7 Eb7 Eb7 Eb7 Eb7 Eb7 Ab Ab Ab Ab Ab
11
Ab
15
19
24
Break
29
3
34
39
Ab7
Ab7
Db
Db
Ddim
Stock Yard Strut BASS CLEF
2
Ab F7 Bb7 Eb7
44
Ddim
3
49
Ab
Ab Ab Ab Fm Ab
55
Ab
Ab Adim Eb7
Eb7
Eb7 Eb7
Eb7 Eb7 Eb7 Ab
61
Eb7
3
66
71
Ab7
Ab
Ab7
Ab Ab Ab Db
Db
Ddim
76
Ddim
Ab
Eb7 Ab Eb7
79
Bb7
F7
Stock Yard Strut BASS CLEF
83
Ab
C
89
94
Ab
Fm
Ab
Ab
Ab Adim
Eb7
Eb7
Eb7
Eb7
Eb7
Eb7
Eb7
Eb7
Ab
Ab
Ab
Ab Ab Ab D
99
103
Ab7
Ab7 Db Db Ddim
108
Ddim
Ab
F7
Bb7
Eb7
Ab7 Abdim Dbm7 Ab Ab7 Abdim Dbm7 Ab
113
3
BASS CLEF
St. Louis Blues
q =
100
Gm D7
Cm
St. Lou- is Wo - man
Gm
11
D7
F
Eb
hair.
I hate to see, to mor - row 22
the eve - nin' sun go like I feel to
C
26
the eve - nin' sun like I feel
Eb7
2 9
he done make my
D7
left get
Am
rock
D7
-
G
C7
cast
in
G CG C G
so
far
from
me.
my ba - by I'll pack my trunk
C G7
Am C7
else 2.
Feel Got the
D7 Or
- 'cause
That man got aheart like a
C G7
G
be.
the sea, 1.
can
O - h,
D7
this town. a - way.
I
Be
D7
I hate to see feel to - mor - row,
Db7
go down. to - day.
A7
C
down. - day.
38
G7
G
St. Lou - is Blues, j ust as blue as 34
G
GCG C G
B
G
and for storebought
would not have gone no - where, no - where.
Gm
Gm
C
A
Cm
Ex -cept for pow - der
You know the man I love,
G7
17
Pulls that man a - round,
Gm D7
strings.
Eb7
D7
Cm
There with her dia - mond rings,
D7
by her a -pron
A7 A7b5 D7
6
D7
W.C. Handy 1914
G
Got the
me.
he wouldn't have gone
Strut Miss Lizzie BASS CLEF
Turner Layton & Henry Creamer - 1921
A
5
Bb
Gm D7
Cm
C7
Gm
F7
Gm
D7 Bb
Eb7
Gm
F+
Bb
Bb7
Won't you
B
Eb
9
Ebm
strut Miss Liz - zie
C7
13
17
Eb
Cm
meet
C7
walk,
Bb
Bbº
Bb
forthe
Bb7
Is the whole town talk.
When you
Ebm Bb D7 Gm D7
Gm
26
I want to see you
the way you syn - co - pate
move so pret - ty, 22
G7
Get bu - sy
F7
folks all state
Bb
like
F7
the
It'sa pi- ty,
Gm
D7
way
Bb
Strut Miss Liz- zie
Theoth- er girl - ies
you shake your
Bb7
Gm
F7
feet,
Eb Ebm
Brown.( I'll bet you've got the cut - est
frown.
But the men
you
Bb
Oh, you knock 'em
Bb
diz - zy,
Vocal to "C"
lit - tle strut in town!) Go
Strut Miss Lizzie BASS CLEF
2
Bb Bbº Bb Bb C7 F7
29
Bbº
C
down the 33
street,
Bbº
By the
school,
Bb
Bbº
Bb
37
Bbº
stuff,
use your
"Kerch",
Bb
Bbº
Bb
step- pin' fool.
G7
Strut your
Pat your feet you
Trot your toot - sies
Bb
Bb
C7 F7
Bb
by the
church.
C7
F7
Thru the
41
Bb
al - ley,
Bb7/Ab
Dodge the cans,
Eb/G
Gb7
Cool your dogs we're com- in'
thru,
Get
Shake Miss Sal- ly's
pots and
Bb
C7
set for len - ox
Av- en - ue.
F7
pans.
Bb Bb7
Won't you Back to "B: for Solos
BASS CLEF
1
The Storyville Blues q = 132
Ab
Eb7
Trad.
Ab Ab7 Db Dbm Ab
Ab7 Db Ab Eb7 Ab
5
A Ab
Eb7 Ab Ab7 Db
11
Bb7
Ab
16
Db F7
Bb7
Eb7
Ab7 Db Dbm Ab Eb7 Ab
21
Ab
B
Eb7 Ab Ab7 Db Dbm Ab Eb7 Ab Eb7 Ab Ab7 Db Dbm Ab Eb7
27
Bb7
33
Time
Db Ab Ab F7 Bb7 Eb7 D¨m
37
C Ab
Ab7
Drum Roll - Piano Roll - Sustained Bass
45
Ab
51
Ab7
AbAb7DbDbm Ab
Db Dbm
Ab Eb7 Ab Eb7
Ab Db AbAb7 Db Dbm Ab
Back to "B" for Solos
Tag
rit.
11
Stumbling BASS CLEF
Zez Confrey - 1922
G
G
G7
E7
Stum- bling all a- round, Stum- bling all a- round, Stum- bling all a- round
5
so
A7
fun-
Stumb- ling here and there, Stum- bling ev- 'ry- where, And I must de- clare:
9
D7 on her
13
toes,
E‹ And when she
A7
17
bumped my
rose,
I
felt
a-
shamed.
And
G
la- test step, That's the la- test step,
21
A7 No- tice all the pep, No- tice
25 C‹6
29
all the pep, No- tice all the
G
bling,
tho'
you are
stum-
pep.
bling,
A7
D7 G just a
lit- tle bit, just a
lit- tle bit, quite a
I
lit- tle
fell
and
A G
That's the la- test step, That's the
nose,
D7
when I
I stepped right
E¨º
ny,
bit.
G7
told
E7
My
her:
hon-
ey,
She said: Stop mum-
I
like
it
Suez
1
BASS CLEF
Ferdie Grofe/Peter DeRose - 1922
E¨ Rhythm Vamp 4 bars
5
G‹
9
A G‹
E¨
G‹
G‹
G‹
13
G‹
17
G‹
D7
D7
D7
G‹
B G‹
D7
25
29
G‹
33
G‹
G‹
D7
Rhythm Vamp
G‹
D7
C‹
C‹
D7
G‹
D7
G‹
21
G‹ D7 D7
D7
C‹
Vamp: Rhythm
G‹
G‹
G
Suez 1
BASS CLEF
2
G
37
41
D7
B¨7
C‹ C7
D B¨7
D7
C‹
G7
61
B¨
49
57
A&
53
C7
G7
E¨
G7
G7
F7
F7
E¨
B¨
A&
Cº
C7
67
F7
Solos Here
C
B¨
45
G
F7
B¨
C7
A&
B¨
Swanee
BASS CLEF
F
F&
Swan
ee
-
How I love you How I love you
Swan - ee.
C©7
I'd give the world
F
folks
in
D - i - x - i
19
F& B¨
26
C©7
see me no
C7
more,
Swan -ee,
C7
Swan - ee, 45
I
Swan - ee.
The folks up north
love
F
G7
C7
the
old
folks
F
to
Swan - ee.
F
shore.
F
- my's
I am com ing back
Mam
C7
40
When I get to that Swan - ee
F
Swan -ee,
F
B B7 C7
will
Trio:
a mong the -
F
the
old
be
B¨
33
- e -ven know my
by
dear
C7
Wait- in' for me Pray - in' for me Down
My
C7
G‹7 C7
C7
to
G‹7
C9
13
Gorge Gershwin - 1919
B¨
F
7
1
Swan - ee,
at
F
home.
D¨7 C7
F
1
Taint Nothin Else But Jazz BASS CLEF
E¨
A
A¨7
Maceo Pinkard - 1921
E¨ A¨7
A¨7 C7 F7 B¨&7
E¨
I'm blue,
Thru and thru,
'Cause they're gon-
na take jazz a- way.
A¨ E¨ E¨‹ B¨ F7 B¨
5
G7
On my knees,
I'm ask-ing you please,
Just to pay at- ten-tion to me while I
B¨
B¨7 D¨7
9
Can't you see
it's wrong
to con-demn
17
B¨7
21
25
F7
B
High-brow mu-sic real-ly
In
E¨/B¨
is a treat,
so- ci- e- ty of style and grace,
B¨&7
lit- tle bit of wob- blin',
E¨
an
E¨
B7/F© F‹7
'Tain't noth- in'else but jazz,
E¨7
B¨&7
Lit- tle bit of tod- dlin'.
E¨
E¨
jazz,
C7
Babe!
B¨&7
Babe!
Ev-'ry lit-tle move-ment
Gli-din' sure-ly is de-vine. Still what makes you shiv-er
Now!
A¨
has
an- y time?
Aº
just a
F©º
Waltz-in'- round ismight-y
E¨/G
32
stay,
op-'ra house it can't be beat.
F©º E¨/G E¨ C‹7
28
B¨&7
In
But whatmakesyou wan-na shake yo' feet?
E¨
B¨7
a song. Jazz has sim-ply got to
E¨
13
say:
F7
fine,
B¨7
'Tain't noth- in'else but
F7
B¨7
E¨
'Tain't
noth- in' else
but
jazz.
1
ain't Nobody's Biz-ness If I Do
BASS CLEF
Porter Grainger & Everett Robbins - 1922
B¨
D7 A
5
ain't
noth-
in'
I
can
do,
nor
noth-
Aft-
er
all,
the
way
to
do
is
do
G7
in'
I
can
say,
just
as
you
please,
C‹
G7
folks
don't
crit-
i
cize
me
Re-
gard-
less
of
their
talk-
in'.
G7
G7
C‹
C
But
I'm
gon-
na'
do
just
as
I
want
to
an-
y-
way,
Of-
ten
times
the
ones
that
talk
will
get
down
on
their
knees,
C7
G¨7
F7
don't
care
if
they
all
de-
spise
me.
And
beg
your
par-
don
for
their
squawk-
in'.
B B¨º B¨
If
I
If
I
D7 should take dis-
B¨
like
B¨º
No-
bod-
a
no- tion
y's
G‹
B¨7
Eº
my lov -er
F7
'Tain't
And
21
G7
That
9
17
D‹7
D7
There
13
G‹
Biz- ness
F&7
If
To
jump
And
leave him
D7
I
E¨
Do.
in
G7
to
the o- cean,
for an -oth-
C
er,
F&7
ain't Nobody's Biz-ness If I Do
1
BASS CLEF
2 25
B¨º
B¨
D7
Rath- er If
2 9
I go
than
per-
to
church
B¨
Bº
33
no
B¨º
If
I
If
my friend
should get the ain't
got
B¨º
No-
I
choose
Then
cab-
if
I
no
feel- in'
a-
bod -y's
And
F&7
If
me,
Mon- day,
C©º
B¨/D
I
E¨
Eº
up-
on
say
"Take
I
on
C‹7
D7 G7
Biz- ness
ret
shoot
do.
To dance
mon- ey
that you would
F&7
F7
'Tain't
Sun -day,
biz - ness
E¨º
D7 G‹ B¨7
B¨
E¨
B¨
bod - y's
B¨
3 7
-
on
B¨7
me,
F7
Tain't
se- cute
G‹
the all
ceil-
in',
mine, Hon
-ey",
C7
F&7
Do.
If If
1
B¨º
D7
I
let
my
best
I
give
him
my
B¨
B¨º
5
B¨
'Tain't
No-
bod -y's
G‹
E¨ Eº
com- pan- ion last
Drive me
nick- el
F7
Biz- ness
B¨7
And
F&7
If
I
right
in- to
it leaves
me in
B¨
Do.
B¨º
C‹7
the can -yon, a
pick
F&7
-le,
1
T ake Me To the Land of Jazz BASS CLEF Bert Kalmer, Edgar Leslie, Pete Wendling - 1919
C7 F7 B¨ There's mu- sic
5
C7
G¨7
C7
moan-
in'
in'
C7
ev-'ry
and
F7
groan-
B¨
and
tune- ful
C7
G¨7
C7
B¨‹
to hear it,
I
must be near it,
You hear
F7
on- ly
long
B¨
G¨7(b5)
it's the
13
ca- bar-et,
F7
and trom-bones grow on trees.
9
in the breeze,
C7
har- mo- nies.
F7
B¨
thing they play!
G¨7(b5) F7 andthat's why
I say:
In
Well, I
Take Me To the Land of Jazz BASS CLEF
2
1
C horus: 1
B¨
C7
Take me to the
land of jazz,
Play the kind-a' blues like Mem- phis has,
Take me to the
land of Jazz,
Let me hear the music New
F7
1
C7
I
wan' na step,
to
I
like it
and you know that'swhat that
hot,
B¨
5
Pickin''em
up and
layin''em down,
Come and take the
lat- est dare,
9
G7
tune that's full
of
G‹
C7
gen -u- ine pep! ci-
D7
Teach them how all Learn to
F7 ty's got!
o- ver town,
do the "Griz-zly- Bear".
I
C7 F7
I'll give you fair warn- in',
I won't be home-
love that syn- co- pa- tion,
33
a
Or- leans has,
B¨
At my des-
Bº
F7
'til morntin-
a-
sun comes up,
In the lov - in'land of jazz.
run - nin' wild and
livin' it
In the lov - in'land of jazz.
I'll be
tion!
B¨
dan - cin' 'til the
up,
in'.
Just
That Dixie Jazz
BASS CLEF
James P. Maguire & Warren DeWitt - 1919 A E¨
B7
Have you heard the la-teststrain?
7 B¨ E¨
It will lin-ger
E¨
in your brain.
For it's a
E¨ C7 F7 B¨7
5
B¨7
rag-gy new mel-
9
o- dy,
So full of har- mo-ny, You'll want to hear
B7 E¨
It's
a brand new South-ern drag,
B¨7
B¨&
13
Oh,
babe,
E¨
C7
What do you say?
E¨
It's a
dan- dy
it a-
E¨
Dix- ie
Come let us hear
gain.
B¨7
F7
theband
rag.
B¨7
play.
That Dixie Jazz BASS CLEF
2
B E¨
17
21
F7
That
C7
Dix- ie
1
jazz!
That
B¨7
Dix- ie
My how I love to hear that Dix-ie jazz!
25
From left to
F7
right,
Hold
to me
tight.
B want to do the shuf-fleand the tick-le toe.
33
G7
Oh, just see'em sway-ing when they're play-
F7
29
jazz!
E¨
C7
B¨º
Oh, Hon-ey! Come,
ing.
It makes me
B¨7
let's
go!
C
E¨7 A¨ Lis-
37
F7
ten can'tyou hearthatman just
E¨
45
F7
moan
B¨7
Lis-
41
coax a
ten to that syn- co- pa-tion
That
Dix- ie
It's the
That
B¨7
My how I love tohear that dear old Dix-
ie
I've ev- er known.
E¨
from his trom- bone.
best
C7
jazz!
Dix- ie
jazz!
B¨7
E¨
jazz.
That Dix-ie Jazz!
That's A 'Plenty Lew Pollack / Ray Gilbert 1914 Dmi
BASS CLEF
A7
5
9
Dmi
17
Dmi
A7
A7
13
Dmi
A C7
F F#º
F 2 bar break C7
21
C7
26
C7
F
F7
F
G7
30
D7
C7 F
Bb
Bº
A7
That's A 'Plenty BASS CLEF
2
Dmi A7
33
B
A7
38
bass
Bass
D‹
43
Dmi
A7
Bass
A7
Dmi
A7 Ab7 G7
49
Bass
A7
46
Dmi
C Bb
F7
C7 F7
Bb
Bbº Cmi7 F7 Bb A7 Ab7 G7
55
G7
60
65
D
70
D F
C7
Trombone, Bass, etc
F7
F7
Bb
Cornet, Clarinet, etc.
F
Segue to Solos:
That's A 'Plenty BASS CLEF
B
G7
77
A7 Ab7
Solos - ad lib:
C7
F7
1
6
A7 Ab7 G7
92
Bb F7
3
Bb
Bbº Cmi F7 Bb
C7 F7 Bb Eb7
D
Continue after last solo
F
FINE
F
98
105
G Bb
F7
mp
G7
Soft "Shuffle Chorus"
109
C7
F7
Bb
Cmi7
F7
After "shuffle chorus" Play "E" (16 bars) Once as out chorus:
BASS CLEF q =
That Da Da Strain Smith and Medina - 1922
152
A Gm D7
5
D7
9
Gm
C7 F7
13
F
Bb
17
21
B
D7
G7
C7
F7
25
29
Bb
C7
Bb
Cm7 F7
D7
G7 F
Bb
Eb7
Bb
Solos on "B"
Tiger Rag
BASS CLEF A
B¨
The Original Dixieland Jazz Band - 1917
F7
B¨
B¨ F7 1. 2.
5
10
B
C7
14
C7
Cues are Trombone/Tuba
F C7 F F
C7
18
B¨
F
F7
B¨
B¨ F7 B¨7 C E¨ Solo Break E¨ B¨ 7 Solo Break E¨ B¨7 B¨ E¨ Solo Break
22
26
30
33
37
Tiger Rag BASS CLEF
2
42
D B¨
46
A¨
C7
F‹
F©
B¨7 E¨
A¨
E
54
A¨
E¨7
62
E¨7
66
E¨7
E¨7
A¨
E¨7
58
E¨
50
E¨
Solo Break
F A¨
A¨ A¨7 D¨
73
D¨
77
F7
B¨7
D E¨7
A¨
Solos at "E" A¨
There'll Be Some Changes Made
BASS CLEF A
Forthere's a 5
C7
in
in
the weath-erthere's a
so
on there'll be
from now
walk
will
C7
13
change
D7
9
G7
be
dif- 'rent,
my
17
a- bout
B G7
change my
21
C7
way
of
Then I'll change the
2 5
2 9
D7
no- bod-
C7
33
C7
y
There'll Be
There'll Be
me
is
change
in
be
the
in',
if
that
way that
I
e-
stuff,
'cause
old
and
Some
Chan-
ges
Made
to-
day,
F7
Made.
E¨7
gray,
B¨
ges
nough,
B¨
Chan-
F7
Some
G7
you when you're
I'm goin' to
strut my
wants
My
same,
ain't
name,
liv-
and my
F7
sea,
me,
talk
goin' to
the
G7
change
a
Noth- in'
Higgins/Overstreet 1921
B¨
G7
B¨7
A7
A¨7
'Til we Meet Again BASS CLEF
1918
Ab
Eb7
A
Smile
Ab
7
11
the
while
Ab7
you.
Then
the
skies
will
blue,
down
in
lov
will
be
a mem - o - ry.
F7
Bb7
me,
'Til
-
ers
land
my
Ev
Db
- 'ry
So
wait
and
pray
each
we
meet
dear
Dbm
Eb7
Eb+7
Eb7
so mer - ri - ly,
ring
Ab
Eb7
Eb7
Ab7
28
Dbm
bells
roll
Wed - ding
the clouds
B
When
Bb7
more
Db
F7
Ab
Ab
23
me sad a - dieu
I'll come
seem
to
kiss
by
17
you
Eb7
tear
a -
gain.
will
Ab
night
Ab
- ie
for
BASS CLEF
Tishomingo Blues
q = 132
Spencer Williams - 1917
Ab
Eb7
5
Eb7
Eb7
Ab7
Oh Mis - si - sip - pi, To night I'm Pray - in'
Ab
Ab
A
Bb7
Oh Mis - si - sip pi, To night I'm say in'
My heart cries out for Oh Lord please bless the
Db Dbm Ab
A
8
you in sad ness train that takes me,
Eb7
13
I want to be where, To Tish - o min - go
the win - try winds don't blow. way down old Dix - ie way,
Bb7
Eb7
moon swings low, That'swhere I want to al - ways gay, That's why you hear me
go. say,
I'm I'm
Down where the South - ern Where South- ern folks are
Db Ab Ab Ab7
17
B
goin'to Tish- o min - go
22
E7
way down old Dix - ie
Ab7
Db7
be cause I'm sad to - day.
Ab
way.
I wish to lin - ger,
A
Eb7
Oh my wea- ry heart cries
1
Tishomingo Blues BASS CLEF
2
Ab
2
out in pain,
Oh
how I wish that I
A Eb7
was back a -
gain,
with a race,
Opt. Break on Solos
Bb7
30
in
a
place,
C
down in Mis - si - sip - pi,
37
Eb7
Db
Ab
A mong the cy press
Db
C7
They get you dip- py,
C7
ta -
4
tion,
Fm
E7
I
just can't re
lin - ger,
-
Way
Ab7
Ab
with their stange mel - o - dies.
Eb7
I wish to
trees.
42
where they make you wel come all the time.
Ab Ab7
33
Bb7
Eb7
To re- sist
temp
Ab
fuse
Bb7
In Tish - o - min - go
Eb7
Ab
Where they play the wea - ry
blues.
BASS CLEF
Toot, Toot, Tootsie Gus Kahn, Ted Fiorito - 1922
A E¨
6
B¨7
Toot, Toot,
F‹7
takes
18
B E¨
26
Toot- sie,
Watch
30
for
the
34
C E¨
38
words can tell how
get
a
Do it
er
fail,
know
I'm
then
you
Tut,
Tut,
Toot-
sie
don't
B¨7
Toot,
toot,
Toot
-
sie,
Good
-
in
gain.
B¨7
jail,
cry.
it makes me
If
F7 E¨
that
nev-
ter
sad
a-
o- ver
I'll
let-
E¨9
and then,
Eº
G¨º F‹7 B¨&7
B¨7
mail,
don't
you
no
E¨
you
E¨
a- way from
E¨
F‹7 B¨&7
me,
A¨7
Good - Bye!
The choo choo train
F7
E¨
cry,
Toot - sie
Kiss me,
don't
B¨7
B¨7
Toot- sie,
E¨
F7
T oot, Toot,
12
bye.
B¨7
T uck Me To Sleep In My Old 'Tucky Home BASS CLEF
George W. Meyer - 1921
F A
T uck
5
F7
me
sleep
to
cov- er
F
me
9
Just
with
Dix- ie
F7
let
sun
the
skies
C
kiss
in'
I've been miss-
ain't had
a
F
Tuck
2 9
F/C
F
ev- 'ry dawn,
like the
C7
in'
from my mam- my since I'm gone.
B¨
bit of rest,
2 5
lone.
G7
since
G7
I
leave me there a-
cheeks
F7
21
home,
C7
B
I
'Tuck- y
Bº
F
G7
B¨
my
F/C
old
and
17
my
D‹
kiss-
in
Bº
F
C7
13
B¨
can
rest the best
F7
me
sleep
to
C7
lay there stay there
in
my
left my
in
B¨
old
her
lov-
Bº
'Tuck- y
F nev- er no more
mam- my's nest.
C7
al- ways
I
to roam.
in' arms.
F/C
F
home,
let me
G‹7
C7
Under The Bamboo Tree
BASS CLEF
Bob Cole - 1902
q =
Eb7 Bbm 164
A
Ab
Down in the jun gles gles lived lived a
Ab
maid,
of roy roy - al blood thoughdusk - y shade.
Fm
5
C7
Bb7
Eb7
a marke marked d im - pres pres sion once she made ,
Bbm Eb7
9
Ab
And ev- ry morn morn- ing ing
he would would be
up - on a Zu - lu
Bbm Eb7 Db down down un - der der neath a
C7
a wai wait- ing ing ther here his his
17
B Ab
you like - a me
21
Eb7
I like - a say,
25
lliike
Ab
I love - a you and
29
Eb7
One live
as two,
two live
I like - a chn chnage age your your
you true and
as one,
we like - a both th the
a love
un - der the the bam bam - boo
same,
Ab
Eb7
name. ame.
if you
If
and and then then to her her he'd he'd sing sing::
I like - a you an a nd
love - a
Eb7
this ve - ry day,
bam- boo tree,
Bb7
love to see.
from from Ma Ma - ta boo boo - loo loo
Ab
Fm
13
Bbm Eb7 Eb7 Db
'Cause
a
me,
Ab
tree.
BASS CLEF
Walkin' the Dog
q = 164
Bb
Bbº
Shelton Brooks - 1917
F7
Bb
Now lis - ten hon - ey 'bout a new dance You all were craz - y 'bout the "Bunn - ny
F7
4
F#º C7
days, bug!"
Bb
craze, Hug",
Been 'rig - i - na - ted for a Most ev - 'ry bod - y was a
F F#º C7 F7
bout ten "Tan - go
It's these, It's a bear!, But now, and some- how,
And it's a new step The fun - ny Dog walk
F7
9
Bbº
Bbº
In ev - 'ry cab - a - ret and danc - ing In ev - 'ry pri- vate home this dance is
Bb
a fun - ny two step. is all the town talk.
Bbº
hall, known.
You see them do - ing it, yes, I called a friend of mine up
F7
F7 D7 G7 C7 F7
12
one and on the
17
A
all, phone,
If you'll just give me a chance, Hear - ing on his Gram - o phone:
Bb
Eb
Bb Bbº F7
Get 'way
21
back,
and and snap snap your your fin fin- gers gers,,
Bb
Bb
Bb
slow,
Do that
slow
drag 'round the the
hall hall..
F7 Bb
step step,,
Bb7
and and don't don't you lin lin - ger ger
Eb
29
one and and all, all,
C7 F7
Grab your your gal, gal,
Do that that
Get Get o- ver Sal - ly,
Eb
25
I'll in - tro - duce this dance: This "Dog - gone" rag - gy tone:
the the "Tex "Tex - as Tom - my ",
Eb
that will will
show show,,
Eº
the
Bb
Drop!
Like Like you' you're re sit sit ting ting on a log, log, Rise Rise
F7 Bb
dance called called "Walk "Walk - in' the the
Dog" Dog"..
Wabash Blues
BASS CLEF
q =
120
Bb Gm
Bb
A
Near - ly 3
C7 Wa
-
bro - kke e n heart - ed since the
F7
Bb
bash
home,
place that's that'shar hard d to beat beat but but then then I longed longed
to
10
Bb7
Bb
Now ev
- 'ry
Solos
B
Bb
roam,
My old home home- stea stead d
F#7
I had a girl was
G
day I'm so lone - so some it's
mis
Bb7
Eb Bb7
Oh,
23
a
as
C
-
sweet as could be,
F7
Bb
er
-
y.
at B
Bb7
17
once start - ed from my
In - di - an - na's sweet and it it's
F7
Bb7
I
Bb D7
Eb
I now now can can see, see, 13
day that
Gm Bb C7
6
Eb
dues.
those those Wa bash bash
Eb
Eb Gm Ab A
Blues
I
A
F#dimEb7 Ab
lone
Bb7
Bb7
know
I
Ab
Eb
Eb
some soul am
I,
-
Bb7
got my
I
Wabash Blues
2
B7
B7
Bb7
Bb7
29
that
37
light ight that hat
dle
Bb7
Bb7
Bb7 Eb
Eb
To
Bb
Db7
51
F#dim Eb7 Ab
those those Wa bash bash
syc - a - more the can - dle see the moon- shine on the
Mem - 'ry brings the scent of new mown Seems that such a pic - ture's bound to
I am start - ing Ma - king up my
I'll But
for that spot no mind to see that
Bb7
55
Bb
F
A
my wal walkk - in' in'
Eb
D
F#
Thru the 'Xpect to
Bb7
lose
C7
Ab
I'll pack
53
Eb Gm
Bb7
shoes
C
Eb
me in my dreams,
Eb
gleams.
Eb
die.
Bb7
Bb7
could
-
Haunts
49
I
Can
43
Bb7
feel
33
BASS CLEF
be leav - ing hoof prints t'ward the un - til that hap - pens here's the
Eb
Blue Blues. s.
Gm
Bb
light is shin - ing bright, Wa - bash an - y night,
F#
Db7
hay turn
C7
to me
me to
each night, the right,
need home
to so
ask far
Eb
F
me when, a - way,
Bb
old home road a - gain. best that I can say:
Back to B
Waitin' For The Robert E Lee BASS CLEF
Lewis F. Muir & L. Wolfe Gilbert - 1912 A
Way
C
down on whis- tles
The
the levare blow-
5
F Dad- dy ropes they
9
in',
E7
F
moon place
light where
night all
While they Even
are waitthe preach-
17 B
C
21
F While they you
25
ev-
in' er,
the He
G&
What's that they're sayHave you been down
in the
old Ala- bamsmoke-stacks are show-
Eph- riam cuse me,
you is
can har-
find mo-
G7
keep
play-
in',
er
go
there
hum- min' you'll
al-
good
ship
Rob-
ert
dog-
gone,
Here
comes
car-
ry
the
good
old
G7
cot-
ton
a-
way.
Rob-
ert
E.
Lee.
ways
my
C
There's The
a the
arc the
them ni-
all, ous,
syndance-
copatin'. ing teach- er.
C7
and
sway-
be
found
in'? there?
If
F
E7
D7
What's that they're sayWere you a- round
C&
On to
in'
C
29
my,
C
in',
Samgo-
ban- jos is
y,
C
in'? there?
and I'm
C7
F
and ex-
C
C&
my,
D7
13
C
ee in',
and Mamare throw-
G&
in',
U's
the
there, Why,
Lee
that's
come
to
ba-
by
on
the
C
G7/D
C7 C7/E
Waitin' For The Robert E Lee BASS CLEF
2
33 C
F
Watch them
37
shuf-
C7
See
41
them
a-
long.
flin'
a-
long.
Go
take
your
best
gal
real
pal,
Go
F
C&
down
to
the
49 D
F join
that
that
great,
I
said
to
the
lev-
ee,
flin'
C7
And
throng.
ic
and
song.
It's
sim-
mate,
Wait-
in'
on
the
lev-
ee,
for
F
C7
Wait - in'
mus-
C7
ee,
shuf-
C7
Hear
lev-
61
flin'
45
57
C7
53
shuf-
the
Rob - ert
E.
Lee.
F©7
G7
For Repeat:
ply
Way Down Yonder in New Orleans
BASS CLEF
Henry Creamer & J. Turner Layton - 1922
F F©º
C7
F
A
5
3
Gucss!
Where do you think I'm go
Guess!
What do you think I'm think in' when you think I'm think in' wrong?
D‹
in' when the winds start blow in' strong?
A7
3
Guess!
Where do you think I'm go
Guess!
What do you think I'm think in' when I'm
D‹
in' when the nights start grow in' think
in'
long?
I
all night long?
I
F F G7(b5) C7 B¨
9
ain't go
in' East,
ain't think in' this,
F
13
I ain't go
in' West, I ain't go in' o ver the cuck oo's nest.
I ain't think in' that,
I
can not be think in' a - bout your hat.
B¨ D7 D7(b5)
bound for the town
that
heart does not start
to
I Iove best, pit a
pat
G7
Where life un
less
C7
is
one sweet song;
I
hear this
song;
I'm My
1
Way Down Yonder in New Orleans BASS CLEF
2
C7
17
B
Way down you 21
der in
G‹7
C7
New Or
F
there'sa gar den of
in the land
E -
that'swhat I
F7(“4)
33
la - dy
37
you bet your life you'll lin - ger
F
There
is
They've got
F
41
way down
B¨ a
C7(“4)
a
D¨7
hea
ven right here on earth,
with those beau
an -
gels right here on earth,
wear - ing
yon -
der
in
G‹7
New
lit - tle while.
F
F©º7
lit tle smile.
C7
there,
D‹
F&7
fair,
G7
Stop!
mean.
soft ly whis - per with ten der sighs,
B¨6 Oh won't you give your
F©º7
F7
Stop!
F
F&7
Cre- ole ba - bies with flash- ing eyes, 29
of dream - y scenes,
C&7
den,
C7
G‹7
G‹7 C7
25
leans,
C7
F&7
C7
-
leans.
queens,
lit - tle blue jeans,
F6
Or
ti - ful
A7 A¨7
BASS CLEF
Washington and Lee Swing T. Allen and M. Sheafe - 1910
Bb q = 240
Bb
6
A
Dº
F7
F
F
10
14
Bb
18
22
B
Bb
26
Eb
30
C7
Bb7
F7
Eb
Bb
G7
Eº
F7
Bb
Bb
When The Saints BASS CLEF
F
F7
I am just Well I pray Want to join
G7
7
a wea - ry each day to the heav'nly
C7
sin; win, band, 12
A
C7
When the When the When the
saints saints saints
come come come
march march march
go march- ing
in
C7
in
Bb num - ber
Bbm7
When
7
y in the
-
Gm7
10
read be hear
-
Bb
for that trum -
ing ing ing
in. in. in.
that pro pets
Oh when the
#dim
ci - ty, cess - ion, blow - ing,
-
Plod- ding thru this land of For thestrength to help me Want to play in the ang - el
Bdim
Bdim
pil - grim heav - en, band,
Gett - ing I want to Want to
saints
6
Bb
Oh when the saints
go
7
march - ing
Oh
lord
I
want
to
be
in
that
the saints
Dm7 go
Gm7 C7
march - ing
in.
When Ragtime Rosie Ragged The Rosary BASS CLEF
Lewis Muir & Edgar Leslie - 1911
F7
A7
C‹
A¨7
F7
A¨7
C‹
A¨7
F7
F7
Verse: 5
B¨
A
Par- son
9
Lee
in
Ten- nes- see
E¨
"Folks I'm
aw- ful
in
sor- ry
but our
B¨7
ac- cents loud and clear,
or- gan man ain't
B¨
13
F7
like some- one
17
to stand
B¨
B
gal named Rag- time
21
E¨
par- son seemed de-
B¨
here.
Now I'd
to help us
out".
When a
B¨7 Ro- sie stood up
light- ed
and
he
and said that she could play,
said "Just step this
F7
con- gre- ga- tion all
said
B¨
up and vol- un- teer
B¨
25
sat down to pray,
B¨
The
way",
F7
B¨
Then
came a shout!
And the
F& When
When Ragtime Rosie Ragged The Rosary BASS CLEF
2
29
C
Break for Spoken Vocal F7 B¨
Rag- time Ro- sie ragged the Ros- a- ry,
Deacon Alexander
Started
F7 Break for Spoken Vocal
in
to
reprimand
her
B¨
33
Then he turned a- round on- ly
B¨
37
41
C7
49
It was such
B¨
to
that
want you folks
Rag- time
Ro-
sie
o- dy.
that this ain't
F7
ragged the
ros-
to the
F&
F7
he
said
Eº
E¨
C7
pran- cin'
Why, he forgot the sermon and began to speak in German
Then
low- down mel-
to know
B¨
a treat,
and
B¨
B¨7 E¨
B¨7
danc- in'
Rag-time two-step 'til that Par-son Lee,
F7
F7 Break for Spoken Vocal
List- nin'
57
53
E¨
so sweet,
That instead of prayin' Rosie got the folks to swayin''
It charmed their feet and set'em
D B¨
to see:
B¨7
To that tune
45
no
B¨
a- ry.
min- strel
E¨7
show"
"I
When
B¨
When The Midnight Choo-Choo Leaves For Alabam' BASS CLEF Irving Berlin - 1912
E¨ B¨& E¨ B¨& E¨ A
I've hada might-y bu-sy-
day,
The minute that I reach the place,
I've had to pack my things a-
way.
I'm goin' to ov- er- feed my
face, 'Cause I
5
E¨ A¨ A¨‹ E¨ give the land- lord back his
have n't had
9
E¨ up
a
B¨&
E¨
flat,
Pa and
17
of
the folks down
o-
ver
Al-
B¨7
a-
why you'll hear
me
glad
to
e- nough
Where
Ma,
The ver- y
day
key,
home who think of ba- ma's new mown
F7
I'm
E¨
ma- ny wear- y nights I
sing- ing
mer- ri-
throw my- self a-
B¨
ev- 'ry
B¨º
That opened
I went a- way.
a doz- en times for
Now I'H
B¨&
F7
13
key,
good meal since the
my drear-y-
kiss my
rust- y
goin' to
Eº
sat,
Think- ing
star,
Shin- ing
B¨
me.
That is
hay.
I'll be
B¨7
ly; way.
B¨º
B¨7
When that
When The Midnight Choo-Choo Leaves For Alabam' BASS CLEF
2
21
25
E¨
B
E¨
there,
33
see
37
C E¨7
stop this train,
41
C7
I'll re-
main,
49
B¨7
board!
E¨ man,
will be right there with bells,
All a- board!
I
grab him
home a- gain.
Back home where
F‹
B7
my hon-
ey-
lamb
am.
C‹
When that old con- duc-tor yells,
When
That'swhere you
G7
I'll
"Al- a- bam! Al- a-bam!"-
A¨
Where
I
B¨7
That's takin' me
be right
fare.
E¨
45
haired con- duc- tor-
And I'll hol - ler,
I'll
E¨
by the col-lar
bam',
y
F7
Al- a-
got my
B¨7
I've
that dust-
E¨
mid- night choo- choo leaves for
B¨7
29
B¨7
All a- board for Al- a-
E¨
"All a-
B¨7
bam'. When that
When You Wore A Tulip
BASS CLEF
Percy Wenrich & Jack Mahoney - 1914
B¨
A
When you wore
5
a
tul- ip,
a
I
wore
a
big
red
C7
E¨‹
ca - ressed me,
bless - ing
no
one
21
You made
E¨
down where
G7
sweet- er
29
sweet yel-
B¨
you called
the
blue
grass
grows,
F7
I
wore
a
big
G7
en blessed me, what
a
B¨7
me
dear- ie,
'twas
7
jul- ep,
rose,
than
and
B¨7
knows.
when
tul- ip,
low
F7
life cheer- y,
B¨7
'twas then Heav -
B B¨
B¨
25
17
When you
13
E¨
E¨
9
when
red
C7
you wore
B¨ rose.
Your lips were
that
tul-
ip
and
When You're A Millioin Miles From Nowhere BASS CLEF Walter Donaldson - 1919
A G‹7 You're a
5
C7/G
one
9
lion
miles
from
no-
song
tle
mile
FŒ„Š7
from
C7
A‹/C
ring-
ing
in
your
ears.
C7
leave
25
D7
C7
the
gates
Moth- er's
mil-
F/A
one
arms
lion
miles
A¨º
lit-
tle
C7/G
E‹7 to
from
mile
from
It's
the
That keeps
F
A¨º
heav-
A7
B‹7Cº A7/C©
You're
G©º
no- where,
home.
When you
G7
F
just
A¨º
en,
G‹
You
roam.
C7
tears,
FŒ„Š7
of
B¨/F
when you're
C7
er's
where,
G‹7
moth-
A¨º
home.
of
B
F
leave
29
G‹7
21
lit-
17
C7
C7
G‹7
13
mil-
a
When you're
B¨7
F
BASS CLEF
Where Did Robinson Crusoe Go? Verse
F
Thous ands of
Fº
a - go
or
may - be
Fº
land
on
a
south - ern
years
5
out
9
on
an
D7
Rob - in - son
13
is
-
Cru
-
to
pay
and
His good man
no
Fri
-
wife
more,
shore,
on fine
day was his
to
day,
o -
Fº
bey,
C7
on - ly
F7
friend,
B¨
they didn - 't
G
They built a
bor - row
-
lend,
tle hut,
livedthere'til
G7
G
lit
or
D7
29
A F
25
soe land - ed
C7
C7
no rent
21
C7
G7
G7
17
Young/Lewis/ Meyer - 1916
D7
Fri -
day, but
C7
Sat - ru - day
night
it
was
shut.
And
Where Did Robinson Creusoe Go? BASS CLEF
2
33
F
here did
Rob
-
D7
in - son
1
Cru - soe
go
With
G7
37
Fri - day
on
Sat
C7
41
ur
-
G7
45
they
day
Sat - ru - day night
C D7
to
G7
53
wherethere are
men
in
men
Where
61
G7
did
Rob
Fri - day on
Sat
-
in - son
C7
-
ur - day
trim
-
min'
and
C7
wom -
Cru - soe
men,
With Solos at "B"
so
go
F night?
On this
D7
home.
there must be wild
F
57
C7
can - ni - bal
roam,
G‹7
wild
G‹7
Ev - 'ry
would start in
is - land lived wild
night?
Then on Sun - day morn- ing they'dcome stag - ger - ing
49
The Whiffenpoof Song BASS CLEF
Tod B. Galloway - 1909
Eº
B¨7
We're poor
lit-tle lambs
who have lost
our
F‹7
B7
A
5
9
13
Baa!
E¨
E¨
B C‹
Eº
Doomed
We're B¨7
Lord
B¨&7
from here
E‹
Baa!
stray,
to
e-
have
mer-
cy
on
Baa!
E¨
Baa!
Off
29
B¨7
a-
Baa.
E¨
25
C7
B¨7
who have gone
Baa!
way.
Gen - tle-men song - sters
B¨7
B¨7
E¨
Baa!
F‹7
lit- tle black sheep
Baa!
21
Baa!
17
on a spree,
E¨
ter-
ni-
ty.
F‹7 such A¨‹6
as
we,
E¨
E¨7
D7
D¨7
B¨7
BASS CLEF
Whispering
E¨
A
Whis-
5
per- ing
E¨
while you
Each
I
17
B
21
lit-
tle
whis- per seems to
true, there'sno
per- ing
per- ing
25
29
per
and
say that you
A¨‹
Whis- per- ing that
I
love
cheer
me, B¨&7
one
dear, but
you,
B¨7
me,
why you'll nev-
why you'll nev- er
F‹7
B¨7
whis-
Whis-
hear
can
F7
C7
one
Whis-
C&7
no
E¨
so
know it's
E¨
me,
- per- ing
near
cud- dle
E¨
13
9
F7
D7
Whis
Schonberger - Coburn - V. Rose - 1920
D7
leave
me,
C&7
C7
me,
B¨7
be- lieve E¨
you.
You're
er grieve
me,
Wild Cherries Rag
BASS CLEF
Ted Snyder - 1909
D‹ C E7 A‹ E‹ F A7 A
5
G7
9
13
C
G7
B
C
Cº
C
D‹ E7 A‹ E‹ F A7
C
A7 D‹ A7 D‹
17
21
G7
C G7 C
D‹ A7 D‹
25 A7
29
F
C
G7
C
Wild Cherries Rag BASS CLEF
2
@ 33
F
D¨7 C
D‹
C/E
C7
3
F
F C7 C7
37
C/E
F
D‹
C7
D¨7
41
F
F
3
ø C7
45
49
D‹
D
A7
D‹
A7
D‹
C7
F
C7
F
A7
A7
53
F
C
D¨7(b5)
C D¨7 C D¨7
57
Bass Solo - Stop Time 61
C7
C7
F
F G7
G7
65
Coda
C
G7 C7
D.S Back to "C" al Coda
BASS CLEF
The World Is Waiting For the Sunrise Eugene Lockhart & Ernest Seity - 1919
F&
Dear
5
B¨
wait-
ing
for
the
C7
y
sun-
rise,
F‹
G7
is
F&
F7
dew.
The
F&
thrush
on
high,
B¨
sleep
-
y
mate
is
E¨
And
F7
-
-
ing
His
D7
B¨
call-
ing,
F‹
G7
my
29
call
rose
with
B B¨
E¨‹6
is
D7
B¨
'ry
heav-
25
world
E¨
21
the
Ev
17
13
one,
9
F&
A B¨
heart
is
B¨
you.
The Yama Yama Man BASS CLEF
Collin Davis & Karl Hoschna - 1908
A¨/C
B¨‹ B¨‹/D¨ F7 F7 B¨‹
B¨‹
v
'ry
lit tle tot at night is a fraid of the dark, you know.
Great
big
sca ry eyes you see so you cov er up
A¨/C
B¨‹
5
B¨‹/D¨
Some
big
Ya rna man they see,
when
But
that
Ya ma man is there,stand ing right be side your bed!
off to bed they go.
B¨
9
F7 F7 B¨ B¨7
Ya- ma, Ya- ma,the
Ya- ma man,
E¨‹ B¨
13
up your head,
F‹ C7 F7
E¨
If
you don't
Ter- ri-ble eyes
G‹7
C7
a doubt, If
he
watch out he'll get you with-out-
and a long bo-ney hand.
F7 can!
F7 B¨ B¨7 F7
17
B¨
May-be- he's hid-
in' be- hind the chair,
Read-y- to spring
B¨ G‹7 C7
21
E¨
Run to your Ma-
ma cuz' herecomes the Ya-
ma
Ya-
out at you un- a- ware!
F7
B¨
ma
man!
F7
BASS CLEF
Yellow Dog Blues A
W.C Handy 1914
C
E'er since Miss Su - san John son lost her Jock- ey Lee, There has beenmuch ex - cite ment, Yel - low Dog Dis trict like a book, In - deed I know the route that
C7
F
4
Won - der where Way down where
13
B
my the
Ea - sy Ri South- ern cross
C
Ca - ble grams come of Mon - ey don't 'xact - ly
C
F7
sym - pa - thy grow on trees, On
der's the
and and
morn. bog.
C
G7
gone? Dog.
C7 Te - le grams go of in qui - ry cot ton stalks it growns with ease,
No
F7 C
17
F
F7
You can hear her moan - ing night Ev - 'ry cross tie ba - you, burg
G7
9
F
more to be; Ri - der took.
F7
F
Let - ters come from down in "Bam" racce horse, race track no grand stand
21
G7
Has Down
e - ven a where the
And Is
ev - 'ry where that Un - cle like Old Back an' Buck- shot
C
ru - ral de - lie - ver South ern cross the
-
y. Dog.
Sam land.
G7
All day the Ev - e - ry
Yellow Dog Blues
BASS CLEF
2 25
C C
But it's not for me, is a cab a - ret,
F
D7
from the
37
glee, play.
Bb
Bdim
Ea -
sy
Ri - der
G
47
F
struck this burg
hog.
to - day,
had to vamp
57
it
C7
Dear
Sue
your
On a
south bound'ratt - ler
Seen him here,
and he was on the
F
Ab7 Bb
Bdim
Ea -
sy
F
F7
Ri - der's
53
Bb7
C7
C7
Blues
F7 Bb7
man car.
C7
G7
F
B¨7
side door Pull
C
see. day.
F
42
This mes - sage comes, This Yel - low Dog
Ten - nes live - long
F7
D7
F
D
Fill our hearts with While the far - mers
At last good ti - dings, Down where the boll wev'l works
F
34
F
C
phone rings kit chen there 30
C7
F
but the hike
ain't
gone where the South- ern
crossthe Yel- low
got a stay
F
a - way,
far.
F
Dog.
so he
He's
Solos at "D"
C7
F
C7
You've Got TO See Your Mama Everynight Billy Rose & Con Conrad - 1923
Bbdim Bb Bbdim Bb A
Bb
Dadd - y
list - en here
dear
your mam - ma's feel - in' blue.
F7
5
Bbdim
Bb
I don'tsee much of
you,
and that will ne - ver
do.
Bb
Bbdim Bb Bbdim Bb
9
Once a
week
C7
Ma -ma's cheek
F
I'm not show - in'
Bb
B
17
see
Mam-ma
Bb
kiss
25
Mam-ma,
you the door
but I must lay down the law.
You've got to
Or you can't see Mam- ma at all.
ev-'ry- night,
You've got to
C F7 Treather right,
Or she won't be home when you call.
E¨7
Eº
If you want my
com- pan- y,
Bb
F7 Bb
see
F7 Bb
B¨7
Bb
29
B7
Needs a kiss or two.
C7 F
13
21
Mam-rna
ev-'ry night,
You can't fif- ty
fif- ty
Or you can't see Mam-ma at all.
me.You've
got to
