1. Sarba
2.
Orch..Paraschiv Oprea
3. Joe Orch,
7. Hora
-G
2:37
Or
si Ho
Toni
ZiU.3
~i
Iordache-tambal
5.
i8 :21
Hora
m , a n a =Marcel Budala-acordeon
9..Sarba
da -M
B,ucur'c!jti-
co
2:02 2:32
D'OBROGEA
.C
-O Oprea
2:14
la
:44
coasa Grig ra
Di ic -v oa
2:47
CD4BANAT
3:22 Efta Botoca-vioar
3:09 2,:16
3:03
vara,
3 : ",.J
Doina
DtaBotoc
-vioa
3::13
2:42 ~E
2:46
.D 2,:40
CD'.5 TRANSIL"ANIA
:56 2.:45
-A -A 5. Joe
-Alex.Titrus-vioara
10., Hategana
1:36
1:41
a B
Historv of'RomanianFolklore ....
Fo mu c re a o n , c ha ra c e r z e source religious and lay.
Romanianmusical
by perennially
by great performers. East
neighboring vi
Turkishinfluences. group (tarafJ
he dd tscripcdi, the dulcimer .m (JambaIJ, (cobza) Mo En e d upon in this a nd , music. G e inspired by it when he wrot is two Rhapsodies, true masterpieces m p whole m o Two their m a melodies mu me "Hora "Sarba ui Pompieru" Do
instrumental the associated with tarafs include brau, geampara, sarbaand themusic.with
by
accompanying
me fIauta
id lers
in villages or at th peripher
of
beauty of Roma ian folklore, larger orch stra were form co nl caned "ensembles ofmany instrumentalists with advanced musical direction
genre.
is adapte of Romania,
television and radio. In addition, music, instrumental
instrumentation, hut presentl Accordionists include Budala,
clarinet and accordions are
"Cdlusui"
Central European influences.
several Oas,
many folk songs from T r included folk
vani earl
20th century.In their
days,
Alexandru Titrus, collection Many fOT
safe-keepingc
are culled
research an.d documentation of
country' folklore an wide audiencesalike
ofspecialized