Index (alphabetical)
4. Broadway, Pops and Latin “All I Ask of You” from Phantom (Lloyd-Webber) “America” from West Side Story (Bernstein) Ashokan Farewell from The Civil War (Ungar) “As Time Goes By” (Hupfeld) Bachianas Brazileiras No. 5 (Villa-Lobos) “Begin the Beguine” (Porter) Blue Tango (Anderson) BirthdayVariations (Variations on “Happy Birthday”) (Naughtin) “Chicago” (Fisher) “Come In from the Rain” (Manchester) Danzas Argentinas No. 2 (Ginastera) “Do It Again” (Gershwin) “El Choclo” Tango (Villoldo) “Embraceable You” (Gershwin) “Evergreen” (Streisand) “Feelings” (Albert) “Forgotten Dreams” (Anderson) “For Just a Moment” from St. Elmo’s Fire (Foster) Galway Rambler Medley (Eight Traditional Irish Dance Tunes) The Godfather Love Theme (Rota)
"Goodbye to Love" (Carpenter) “I Feel Pretty” from West Side Story (Bernstein) “I Got Rhythm” Variations (Gershwin/Naughtin) “I Love Paris” (Porter) “If You Could Read My Mind” (Lightfoot) “In the Mood” (Garland) “Jalousie” Tango (Gade) “La Bamba” (Traditional)
"Lamento Quichua" (Gianneo) “Laura” (Raksin) Loony Tunes Fugue (Naughtin) “Manha de Carnaval” from Black Orpheus (Bonfa) “Maria” from West Side Story (Bernstein) “Misty” (Garner) “Memory” from Cats (Lloyd-Webber) “The Music of the Night” from Phantom (Lloyd-Webber) “My Funny Valentine” (Rodgers) "My Heart Will Go On" from Titanic (Horner) “New York, New York” (Kander) “Noites Cariocas” (Bandolim) “One Hand, One Heart” from West Side Story (Bernstein) “The Orange Blossom Special” (Rouse) “Over the Rainbow” (Arlen) “Por Una Cabeza” Tango (from Scent of a Woman)(Gardel) "Purple Haze" (Hendrix) Romeo and Juliet Love Theme (Rota)
“Send in the Clowns” (Sondheim) Seven by the Beatles (Lennon/McCartney) includes: “Day Tripper” “A Hard Day’s Night” “Eleanor Rigby” “Yellow Submarine” “Yesterday” "When I'm Sixty-Four" “Back in the U.S.S.R.”
“Someone to Watch Over Me” (Gershwin) “Somewhere” from West Side Story (Bernstein) “Stormy Weather” (Arlen) “The Summer Knows” (Theme from The Summer of ‘42) (Legrand) Tango in D (Albeniz) Tanguedia III (Piazzolla) “Tico-Tico” (Abreu) “Tonight” from West Side Story (Bernstein) “What’s New?” (Haggart) “What Are You Doing the Rest of Your Life?” (Legrand)
Violin II
All I Ask of You by Andrew Lloyd Webber arranged by Matthew Naughtin
Andante (
q = 80 )
cantabile 5
9
espr., sotto voce 13
cresc.
17
20
24
poco rit.
a tempo
trem.
All I Ask of You - Violin 2 - P. 2
28
3
cresc.
32
cresc. 36
40
rit.
1.
a tempo
rit.
44
2.
48
molto sostenuto 51 >
>
>
>
>
>
>
>
>
stentando 54
rit.
Slowly
"America" from West Side Story Leonard Bernstein arranged by Matthew Naughtin
Allegro vivace (q. = 100 )
dim. molto
5
lightly
10
15
scherzando
20
24
29
America - Violin 2 - P. 1
34
39
˘
˘
˘
˘
leggiero e spiccato
44
Piu vivo ( 48
accel.
˘
˘
˘
q.= 108 )
˘
˘
˘
˘
˘
˘
˘
˘
˘
˘
con brio
54
˘
˘
˘
˘
˘
˘
˘ ^
cresc.
fl
59
˘
fl
64
˘
fl
˘
fl
fl
fl
fl
fl
˘
˘
fl
˘
˘
fl
cresc.
˘
˘
˘
L'istesso tempo (
q.= 108 ) >
Vla.
America - Violin 2 - P. 2 72
>
> fl >
78
> >
>
scherzando 83
> >
>
88
>
sub.
accel.
93
>
>
98
Piu vivace (
fl
q.= 116 )
˘
fl
104
115
˘
fl
>
fl
˘
˘
fl
110
fl
fl
˘
˘
piu
˘ ˘
˘
˘
˘
>
˘
>
America - Violin 2 - P. 3 120
>
125
> >
accel. 130
>
> >
> >
134
Ancora piu vivo (
q.= 120 )
˘
˘
˘
˘
con fuoco 140
˘
˘
>
˘
˘
˘
˘
˘
fl
fl
150
˘
˘
145
˘
>
piu
fl
fl
cresc. 155
fl
160
˘
fl
fl
˘
fl
fl
fl
fl
fl
fl
fl
sempre cresc. ˘
˘
˘
>
brilliante
fl
fl
fl
Ashokan Farewell By Jay Ungar Arranged By Matt Naughtin
Moderato (
= 100 )
(2)
(3)
8
(4)
(6)
(5)
14
(7)
(8)
20
(10)
(12)
28
(14)
34
41
48
56
(16)
Ashokan Farewell -
Violin 2 - P. 2
63
70
77
cresc.
84
91
cresc.
98
105
112
poco rit.
119
126
molto rit.
Adagio
A tempo
As Time Goes By By Herman Hupfeld Arranged by Matthew Naughtin
Moderato con expressione (
= 80 )
poco rit. >
>
6
A Tempo, Freely
poco rall. A tempo
ten.
colla voce
cresc.
15
A tempo
rall.
11
molto rit.
Grazioso (
= 92 )
>
soave 19
>
>
>
23
27
> >
cresc.
As Time Goes By - Violin 2 - P. 3
31
dolce
35
>
39
poco rit.
A tempo
43
appassionato
47
1.
ten.
2.
Violin II
Bachianas Brazileiras No. 5: Aria (Cantilena) Adagio ( q = 60 ) pizz.
by Heitor Villa-Lobos arranged by Matthew Naughtin
a tempo
rall.
3
6
10
dim.
poco allarg.
13
a tempo
16
allargando
19
22
allargando
a tempo
>
>
>
>
>
>
>
cresc. Copyright © 2002 by Matthew Naughtin Music engraving by Mariusz Flis:
[email protected]
>
>
>
>
Bachianas Brazileiras No. 5 - Violin 2 - p. 2
a tempo
25
28
32
allargando
35
38
Quasi recitative, piu mosso
arco
-
-
-
-
-
-
-
espr.
poco stringendo
42 -
-
-
-
-
-
-
-
-
-
-
-
-
> -
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Grandioso
rall.
46
-
>
cresc.
3
appassionato
lunga
49 >
-
-
-
-
-
-
-
-
-
-
-
-
-
> -
-
-
-
-
-
-
-
> -
-
-
-
-
-
-
-
-
-
3
3
3
liberamente
52
(con sord, ad lib.) >
>
>
-
-
-
Bachianas Brazileiras No. 5 - Violin 2 - p. 3
Tempo I 56
pizz. -
59
63
allargando
66
allargando 69
a tempo
arco
Begin the Beguine from Jubilee (1935) by Cole Porter arranged by Matthew Naughtin
Moderato (
= 72 ) 2x
3
5
9
13
3
3
3
3
3
3x
4x 3
3
3
3
3
3
3
3
3
3
3
3
5x
6x
7x 3
3
3
3
3
3
17 3
21
3
3
3
3
3
3
3
3
3
3
3
cantabile
27
3
3 3
3
3
3
3
3
3
3 3
Copyright © 2002 by Matthew Naughtin Music engraving by Mariusz Flis:
[email protected]
Begin the Beguine - Violin 2 - P. 1
Piu Mosso ( 32
3
3
h = 80 )
q=h
3
>
> 3
37
3
>
>
>
cantabile 41
3
47
3 3
51
55
60
3
3
3
3
3
3
3
3
65
3 3
3
3
3
Begin the Beguine - Violin 2 - P. 2
71
>
>
leggiero
75
3
79
3
3
3
espr.
84
3
3
3
3
3
3
3
>
dolce
88
3
3
>
dolce
3
3
3 3
3
96
3
3
3
dolce
3
3
101 3
3
3
3
>
3
92
3
3 3
3
3
appassionato
3
Begin the Beguine - Violin 2 - P. 3
105
3
3
3
110
3
>
3
3
3
espr.
115
3
3
3
> 3
120 3
>
124
3
3
>
128
3
3
>
5
131
>
>
>
¨ >
Blue Tango by Leroy Anderson arranged by Matthew Naughtin
Tango Tempo ( q = 120 )
cresc. poco a poco 6
>
>
fl
legato e espressivo 11
>
16
21
26
31
sul G
dolce 36
(solo)
>
>
>
cresc. poco a poco Copyright © 2002 by Matthew Naughtin Music engraving by Mariusz Flis:
[email protected]
Blue Tango - Violin 2 >
>
41
>
P. 2
>
>
>
>
46
> >
> >
>
51
>
>
56
>
>
>
>
>
>
>
> >
61
>
cresc.
>
>
>
66
71
>
>
>
>
>
>
(arco)
76
> >
>
>
cresc. 81
^
>
>
fl
>
>
Birthday Variations By Matthew Naughtin
Variation I Slowly ( q = 60 )
^
7
12
1.
18
23
2.
28
Copyright © 2007 by Matthew Naughtin
Gaily ( q.= 84 )
Birthday Variations- Violin 2 - P. 3
Variation III
77
Tempo di Minuet ( q = 88 )
Vla.
82
87
grazioso
92
Variation IV
96
Allegretto ( q = 90 ) >
>
>
100
>
103
˘ ˘ ˘
106 >
109
>
>
>
>
>
>
>
>
>
> > >
112
>
>
>
>
>
>
1. > >
>
>
>
2. >
> > >
^
> >
Birthday Variations- Violin 2 - P. 4
Variation V Tempo di Tango ( q = 120 )
115
^
>
fl
fl
119
>
fl
>
fl
123
>
fl
127
3
>
fl
131
3
>
>
(solo)
>
sul G
>
>
sonore
138 >
>
143
3
>
>
cresc.
3
Birthday Variations- Violin 2 - P. 5 Vivace ( 147
h.= 69 ) ˘
˘
>
˘
˘
>
>
˘
˘
>
˘
>
152
>
˘
˘
>
˘
>
>
>
157
˘
162
˘
167
˘
˘
>
>
˘
˘
˘
˘
>
>
>
˘
˘
>
>
>
˘
˘
>
>
>
>
˘
˘ >
172
>
>
>
>
>
>
>
^
^
Chicago Lively (
by Fred Fisher (1875 - 1942) arranged by Matthew Naughtin
= 88 )
fl
>
>
>
fl
>
fl
>
>
5 ˘
>
>
>
>
fl
>
>
>
>
>
fl
>
>
10 >
>
>
>
fl
>
>
> fl
>
>
fl
15
>
> >
>
>
20
>
25
>
fl
> >
>
>
>
>
>
>
>
30
>
>
>
>
>
35 >
>
>
>
>
cresc.
>
Copyright © 2002 by Matthew Naughtin Music engraving by Mariusz Flis:
[email protected]
>
>
>
Chicago - Violin 2 - P. 1
40
2.
1.
>
>
> fl
fl
44
>
>
>
>
˘
>
˘
>
>
>
>
>
49
>
>
>
>
54
60 >
>
˘
>
>
>
>
fl
cresc.
rall.
65
>
Pesante (
>
>
> >
>
fl
fl
> >
= 80 )
70
>
>
>
>
>
73 >
>
>
>
>
solo
>
> >
>
>
espr.
cresc.
77
>
>
>
>
>
>
>
>
>
fl
Come in from the Rain Moderato (
Melissa Manchester arranged by Matthew Naughtin
= 80 )
6
3
11
3
16
3
3
3
21
3
3
3
3 3
>
3
26
>
>
31
rit.
3
3
3 3
3
>
>
a tempo
con eleganza 36
40
rit.
>
>
Violin 2
Danzas Argentinas No. 2: Danza de la moza donosa Dolcemente espressivo (
q. = 56 ) (tempo rubato)
by Alberto Ginastera arranged by Matthew Naughtin
7
cresc.
espr.
14
dim.
21
soave
28
cresc.
cresc.
35 >
piu appassionato
>
>
intenso
42 >
>
Copyright © 1997 by Matthew Naughtin
Danzas Argentinas
48
>
>
>
>
>
>
>
- Violin 2 - Page 2
>
> >
>
>
dim.
A Tempo
rit.
54
dim. 62
molto espr.
rit.
69
76
Lento
Cello
lontano
Do It Again by George Gershwin arranged by Matthew Naughtin
Flowing ( q = 116 ) 3
5
3
3
3
3
3
9 >
>
>
>
3
rit.
13
17
a tempo
3
3
3
3
22
3
3
3
delicatiss.
26
3 >
>
3
3
1.
30
3
>
2.
rit.
>
3
El Choclo - Violin 2 - P. 3 63
lightly
67
(at the tip) 70
73
>
3
3
76
pizz.
sub. 79
83
87
arco
91
>
fl fl
fl
fl
Embraceable You by George Gershwin arranged by Matthew Naughtin
Moderato ( h = 60 )
poco rit.
5
9
a tempo
13
rall. e dim.
17
espr.
21
Grazioso ( h = 64 )
>
Embraceable You - Violin 2 - P. 1
26
>
30
>
a tempo
rit.
35
>
> >
40
>
>
>
49
a tempo
1.
>
53
molto rall.
rall.
45
2.
rit.
rit.
Evergreen (Love theme from A Star is Born) by Barbara Streisand arranged by Matthew Naughtin
Moderato ( h = 60 )
5
10
15
21
27
33
39 >
>
>
> >
espr.
44
Evergreen - Violin 2 - P. 1 49 >
>
>
rall.
54
>
>
>
>
>
> >
>
59
>
>
>
a tempo
64
poco rit.
69
74
a tempo
79
cresc.
83
dim e rall.
87
piu rall.
Feelings by Morris Albert arranged by Matthew Naughtin
Moderato ( q = 92 )
rall.
5
3
11
17
3
23
29
3
cresc.
35
3
3
3
Feelings - Violin 2 - P. 1
41 3
46
appass.
51
57
3
62
sost.
68 3
>
74
rall.
>
>
>
>
slowly
Forgotten Dreams Andante non troppo (
8
q = 84 )
Allegretto (
a tempo
rall.
14
by Leroy Anderson arranged by Matthew Naughtin
rall.
q = 104 )
Piu Animato ( q = 112 )
a tempo
warmly
20
Allegretto (q = 104 )
rall.
25
rall. 30
34
38
ten.
Andante non troppo (
q = 84 )
rall.
a tempo
rall.
For Just a Moment Love Theme from St.Elmo's Fire Moderato (
By David Foster arranged by Matthew Naughtin
q = 104 )
5
11
cresc.
1
16
21
3
2
>
26
>
>
> >
32
37
rit.
Violin II
Galway Rambler A Suite of Irish Dances arranged by Matthew Naughtin
1. The Gold Ring Jig Lively ( q.= 120 ) 4
Violin I
-
-
-
-
10
-
-
-
-
-
-
-
- -
-
-
- -
-
-
-
-
-
-
-
-
18
-
- -
-
-
- -
-
-
-
- -
-
- -
-
-
- -
24
-
-
-
-
-
-
1
30
-
-
-
-
-
-
-
2
-
-
-
- -
-
- -
-
36
41
-
-
46
2. Top of the Cork Road Jig 51
pizz.
Copyright © 2004 by Matthew Naughtin
1
2
-
Galway Rambler - Violin 2 - p. 3 60
arco
67
5
3. The Rights of Man Hornpipe Quick and emphatic ( q = 144 )
73
>
>
fl
fl
>
78 3
>
>
3
>
3
>
83
>
3
3
>
fl 89
˘
˘
93
3
3
>
3
> 3
>
fl
second time: 3
>
1
3
fl
>
2
fl
-
fl
fl
3
Cello
3
>
3
>
> ƒ
3
>
3
3
>
fl
> 3
>
fl
3
> 3
>
>
3
>
104
> 3
fl
100
fl
3
fl 97
fl
˘
3
3
fl
˘
>
3
>
3
3
fl
fl
Galway Rambler - Violin 2 - p. 4
4. Maggie in the Woods Polka Vigorous ( q = 108 ) 108
114
120
126
133
5. Ballydesmond Polka 140
Faster ( q = 120 ) 4
> > Viola
>
>
Galway Rambler - Violin 2 - p. 5
148
> >
>
>
sim...
154
>
161
>
1
>
2
>
>
> (2 bars)
Galway Rambler - Violin 2 - p. 6
6. The Chronos Reel With Energy ( h = 88 ) on the string 1 2
167
> 173
2
>
1
>
>
>
2
3
>
>
3
179
4
>
>
4
>
>
5
> 6
3
3
184
>
>
>
>
>
>
>
>
>
>
>
>
>
2
>
>
>
>
>
>
3
fl
fl
200
3
205
>
1
189
195
>
3
3
7. Saint Anne's Reel (solo)
210
>
Faster (h = 108 )
con brio
>
>
>
>
Galway Rambler - Violin 2 - p. 7
215
220
224
228
>
>
>
>
grazioso 1
232
2
236
>
>
>
>
8. The Galway Rambler Reel Con fuoco ( h = 120 )
^
>
> second time:
ƒ
>
>
>
>
& sempre accel.
240
>
>
>
>
>
>
>
>
>
>
245
fl 251
fl
fl
fl
fl
fl
1
fl 2
fl
fl
fl
fl
fl
fl
fl
>
fl
fl
fl
fl
Molto rit. >
> >
> > >
fl
Love Theme from "The Godfather" by Nino Rota arranged by Matthew Naughtin
Slowly ( q = 72 )
6
11
15
3
3
3
3
19
24
appass.
29
34
Slower
(solo)
rit.
Lento
molto espr.
3
3
A Tempo
rit.
3
3
3
3
3
3
3
3
Goodbye to Love By John Bettis & Richard Carpenter arraanged by Matthew Naughtin
Goodbye to Love By John Bettis & Richard Carpenter arraanged by Matthew Naughtin
Moderato ( q = 80 )
6
rit.
A Tempo
dolce
12
(solo)
17
(sul G)
cresc.
molto espr.
22 6
27
cresc.
32
5
Goodbye to Love - Violin 2 - P. 2
37 6
42
46
cresc.
6
50
>
6
>
>
>
6
55
>
>
>
>
>
> >
>
>
> >
>
>
>
>
sempre
rit.
61
>
> >
>
>
> >
>
>
>
>
>
>
I Feel Pretty from West Side Story by Leonard Bernstein arranged by Matthew Naughtin
Tempo di Minuetto (Moderato) ( q = 112 )
>
>
con delicatezza
6
11
16
22
dolce
29
36
grazioso
42
I Feel Pretty - Violin 2 - P. 1
48
cresc.
53
58
rall. e dim.
64
Tranquillo
70
Allegro alla Spagnola ( h. = 68 )
76
spiccato 82
>
>
giocoso 88
>
>
94
>
3
marcato
5
I Feel Pretty - Violin 2 - P. 2
103
dolce
109
>
¨
>
marcato 115
¨
¨
¨
¨
scherzando 121
cresc.
127
>
>
> >
133
>
>
>
>
140
cresc. 146
>
>
>
marcato
>
grazioso >
153
>
>
>
¨
Variations on I Got Rhythm by George Gershwin Matthew Naughtin
Energico e marcato ( h = 96 )
>
>
5
>
fl
fl
fl
fl
fl
fl
fl
fl
fl
fl
fl
>
fl
Theme 9
(solo) >
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
23
>
27
>
giocoso
14
19
>
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>
>
>
>
>
>
>
> >
>
>
I Got Rhythm Variations -Violin 2 - P. 2
32
>
>
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>
> >
37
>
41
>
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>
>
>
>
>
>
>
>
>
>
> 45
49
>
>
>
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>
>
dolce
rit.
53
58
Variation 1 Grazioso ( q.= 108 )
I Got Rhythm Variations -Violin 2 - P. 3 61
>
64
>
67
70
>
>
>
>
>
>
>
>
>
73
> >
> >
76
>
> > > > > > > >
> >
> >
>
>
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>
>
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>
>
79
>
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>
2 2
82
>
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>
2
>
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>
>
I Got Rhythm Variations -Violin 2 - P. 4 rit.
85
dim.
Variation 2 88
Vivo ( h = 92 ) >
>
>
>
>
>
>
leggiero
92
2
> >
>
97
>
>
>
>
>
>
>
>
>
>
101
>
109
>
>
>
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>
>
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>
>
rit. ten.
dim.
>
>
> >
113
>
>
>
>
>
105
>
>
I Got Rhythm Variations -Violin 2 - P. 5 Variation 3
Moderato ( e = 120 )
117
122
127
poco rit.
132
a tempo
137
141
e=q
146
L'istesso Tempo (
Variation 4 accel.
151
Ragtime ( >
>
>
q = 132 ) >
cresc. 155
> >
>
>
>
>
>
q = 120 )
>
I Got Rhythm Variations -Violin 2 - P. 6 159
>
>
163
>
>
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>
>
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>
>
>
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>
>
168
172
>
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>
>
> >
>
>
> >
>
>
>
>
>
>
>
marcato 177
>
>
>
>
>
>
>
>
182
>
Poco Sostenuto ( q = 118 )
>
poco allarg.
maestoso
Vivo (
rit. molto
187
h = 112 ) Vla.
>
> >
>
>
>
>
>
3
192
>
196
>
>
>
>
sul G >
>
>
>
>
>
>
>
>
>
>
>
>
^
> >
>
>
>
>
>
I Love Paris from Can-Can (1953) by Cole Porter arranged by Matthew Naughtin
Moderato (
= 69 )
Violin I
8
A tempo
rit.
14
trem.
19
25
solo
Fox Trot (
rit.
= 80 )
solo
espr. 30
36
>
42
>
I Love Paris - Violin II - P. 1
49
56
>
62
>
68
trem.
> >
>
>
cresc. 73
>
>
>
>
>
>
77
>
˘
˘
˘
>
>
83
>
>
>
>
>
>
cresc. sul G
88
>
fl
fl
(gliss.)
fl
giocoso 94 >
>
>
fl
fl
fl
If You Could Read My Mind by Gordon Lighfoot arranged by Matthew Naughtin
Moderato e grazioso ( h = 60 )
5
10
cresc.
15
20
cantando
25
29 >
>
>
33
>
cresc.
If You Could Read My Mind- Violin 2 - P. 1
37
>
cresc.
42
>
46
>
rit.
50
a tempo
55
dolce
61
66 >
70
>
74
dim.
In the Mood by Joe Garland arranged by.Matthew Naughtin
Bright Swing ( q = 144 ) >
>
>
>
>
>
> >
4
8
>
>
>
˚
>
>
>
> !
13
17
>
>
>
>
>
> >
>
!
21
> >
>
>
26
>
> >
> >
>
> >
> >
>
>
> >
>
3
> >
3
31
3
>
>
3
>
>
36
> >
>
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>
In the Mood
- Violin 2 - P. 1
42
>
>
>
> cresc.
47
>
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>
(2nd x) 52
>
>
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>
>
56
65
>
>
1.
>
60
>
>
2.
>
>
^
>
^
sim...
>
^
>
^
>
70
cresc.
74
> > > >
3
77
>
>
>
3
>
>
>
Violin 2
Jalousie By Jacob Gade Arranged by Matthew Naughtin
Tempo di Tango (
= 80 ) Tempo I
¨
10
7
>
Violin 1
16
˘
¨
3
3
3
23
˘
¨
3
3
fl
29
¨
3
3
3
3
35
3
3
41
>
>
cresc. 1.
47
^
2. ^
(solo)
(sul G)
amoroso
Copyright ® 2002 by Matthew Naughtin
J a l o u s i e - Violin 2 - P. 2
2 54
3
a tempo
poco rit.
62
sim...
3
68
cresc.
74
˘
3
81
3
3
Poco tranquillo
flautando
Freely
87
95
Tempo I 3
fl
3
fl
101
pizz.
dim.
Violin II
La Bamba (Son Jarocho)
Traditional Son from Veracruz arranged by Matthew Naughtin
Allegro ( q = 138 ) 4
˘
fl
Viola
9
>
>
>
>
>
cresc.
14
> >
>
>
19
24
3
3
> > > > >
fl
>
29
3
> >
3
˘
> > >
34
Copyright © 2002 by Matthew Naughtin Music engraving by Mariusz Flis:
[email protected]
3
La Bamba - Violin 2 - P. 2 39
^
3
3
pizz.
>
>
>
>
>
> >
44
>
3
3
49
3
3
> >
54
arco
> >
> >
59
64
^
> > >
3
>
>
>
>
piu
3
69
74
>
>
3
3
> > > >
>
3
>
>
>
>
>
>
>
79
>
> >
>
V. S. S.
La Bamba - Violin 2 - P. 3
(solo) 84
>
>
3
>
>
88
Viola
3
93 3
>
>
>
>
>
^
^
La Bamba did not jump out of Ritchie Valens’ head in the 1950 s — in fact, it probably dates back to the beginning of the 19th century. It was born in southern Veracruz, eastern Oaxaca, and northern Tabasco, and is, in fact, not a song but a son. Sones are a musical form that is found in seven areas of Mexico (with regional variation) including Jalisco where it is the root of Mariachi music. By definition, a Son must be in 6/4 time, have an unlimited number of verses (each one of which is a complete thought unto itself), and is played for dancing. However, the Son Jarocho (Jarocho designates someone or something from southern Veracruz) is the only form that has both 6/4 and 4/4 time, and La Bamba belongs to this genre. While La Bamba is the most famous of the Sones Jarochos, there are at least 100 others. As for the coplas (verses), La Bamba has hundreds — some say over a thousand — but it’s fruitless to count them because new ones are created almost every time it is performed. Part of the Son tradition is the creating of verses by cantadores (singers) which involves adlibbing on the spot. These talented wordsmiths will take a situation and sing messages, jokes, or insults to the dancers, observers, and other musicians. It can be great fun, butthis alsomusic dangerous someone decides to take offence. In the countryside where is stillifvital and undiluted, this type of play has led to many a fistfight and the occasional use of machetes. (from LA BAMBA EXPLAINED, Or The Music of Veracruz by Janice Carraher)
Violin 2
Lamento Quichua by Luis Gianneo arranged by Matthew Naughtin
Lento ( e = 104 )
7
13
cresc.
19
dim.
25
cresc.
30
Freely, quasi cadenza
Slowly
rit.
ad lib. >
Violin 1
Tempo I ( e = 96 ) 36
espr.
Copyright ¤ 2004 by Matthew Naughtin
Lamento Quichua - Violin 2 - P. 2 42
Tempo I ( e = 96 )
Violin 1
A tempo
pizz.
> >
48
cresc.
55
61
68
Viola
pizz. > >
Luis Gianneo (1897-1968) was born in Buenos Aires into a musical family of Italian immigran ts. He began his musical studies at an early age under the leading teachers of the time and formed a violin and piano duo with his brother Miguel, performing many of his own first chamber and piano compositions. In 1921 he married the pianist and singer Josefin a Ghidoni, and in 1923 moved with his family to the northern city of San Miguel de Tucumán, working as a teacher at the Tucumán Instituto Musical, of which he later became director. For twenty years he continued in Tucumán as a teacher, pianist and orchest ral conductor, active with his wife in stimulating local musical life. At the beginning of 1939, some months before the outbreak of war, Gianneo returned to Buenos Aires, where he continued teaching and composing until his death in 1968. Quichua Indians were the dominant people of the ancient Empire of Peru, and are still the largest homogeneous body of Indians in existence, constituting the bulk of the rural population of Peru and Ecuador. The name--written also Qquichua, Quechua, Kechua--most probably signifies those who "speak correctly." The foundations of Quichua history are hidden in mythic traditions, but the sequence of events may be traced with fair degree of probability back to about the year 1000. According to tradition their culture hero appeared first at Tiahuanuco (Lake Titicaca); he brought about order upon earth and apportioned its sovereignty among four rulers. Their great god was the Sun, from whom the Incas themselves claimed descent, although the white-skinned and bearded culture hero Vriacocha ("Sea Foam"), apparently a personification of the dawn, was regarded with almost equal veneration. The emperor was the great high priest of the nation. The ceremoni al forms were elaborate and magnificent and without the bloody rites so frequent in other native cultures. The great Temple of the Sun in Cuzco contained a massive golden imag e of the sun, and the walls and roof were covered with plates of solid gold, which the unfortunate Atahualja delivered in vain as a ransom to the treacherous conquistador Pizarro. It is in architecture and engineering that the Quichua have left their most enduring monument. Their temples, fortresses, canals, and stupendous mountain roads are still the wonder of every traveler; and the great imperial highway stretching along the Andes for a thousand miles from Cuzco to Quito was the equal of any of the famous Roman roads, and is still in good preservation.
arco
Laura from the movie Laura (1944) by David Raksin arranged by Matthew Naughtin
Moderato ( q = 112 )
5 3
10
15
espr. e grazioso
20
3
3
25
3
cresc.
30
3
Laura - Violin 2 - P. 1
35
39
3
43
47
3
51
3
3
espr.
3
55
59
63
1.
2.
rit.
Loony Tunes Fugue Allegro vivace (
q
>
arranged by Matthew Naughtin
= 144 ) >
>
>
7
>
>
> >
14
>
>
Allegro moderato ( q = 108 )
Vlc.
19
3 >
27
> >
>
sempre 32
36
>
>
cresc. 40
>
> >
>
>
Manhã de Carnaval ("Morning of the Carnival" from Black Orpheus)
Freely ( q = ca 80 )
rit.
ten.
3
by Luiz Bonfa arranged by Matthew Naughtin
3
3
Violin I
ten.
ten.
(colla voce)
Moderate Bossa Nova ( q = 108 ) 5 >
> >
>
>
>
>
11
>
>
>
>
>
>
17
>
>
>
>
22
>
28
3
3
34 3
>
>
Manhã de Carnaval - Violin 2 - P. 1 40
45
3
3
50
55
61
66
3
3 3
espr.
Freely 72
3
rall. 3
Lento
3
Tempo I (Bossa Nova)
Violin I
(colla voce)
rit. 78
Maria
by Leonard Bernstein arranged by Matthew Naughtin
from West Side Story
Slow ( q = 60 )
fl
fl
rall.
6
fl fl
> >
Allegro moderato ( q = 120 ) 3
3
3
>
> >
3
>
cresc.
warmly
11
3
>
3
>
>
17
>
> >
>
>
3
>
23
3
3
3
29
3
3
34
3
3
cresc. 3
39 ˚
˚
>
>
>
>
>
rall.
44
1.
a tempo 3
Vc. 3
49
2.
3
3
Slow ( q = 60 )
rit.
Vc. 3
3
sub.
3
>
3 3
Misty
by Erroll Garner arranged by Matthew Naughtin
Slowly, with expression ( q = 60 )
>
>
3
Vla.
(viola solo) 3
5
3
3
3
10
3
3
3
3
3
3
3
3
3
3
3
3
espr. 14
3
3
3
3
espr. 19
3
3
3
>
>
>
3
24
29
rit.
a tempo
1.
3
3
3
3 3
35
3
2.
3
> >
rit.
3 3
Vla.
39
rit.
3
a tempo
Memory by Andrew Lloyd Webber arranged by Matthew Naughtin
from Cats Allegretto ( q. = 60 ) 5
Vln. I
10 2
15
espr.
20
piu
25
espr.
29
33
sim...
Memory - Violin 2 - P. 1
37
>
cresc.
41
>
>
> >
>
>
>
>
>
46
> >
> >
>
>
>
>
>
49
rall.
53
> >
>
>
> >
>
cresc.
>
>
> >
Violin 2
The Music of the Night From " The Phantom of t he O pera"
Andante (
by Andrew Lloyd Webber Arranged by Matthew Naughtin
= 84 )
dim.
cresc.
cresc.
>
cresc.
>
dim.
cresc.
rit.
Slowly
cresc.
Tempo I
The Music of the Night -Violin 2 - P. 2
poco rit.
Sostenuto
cresc.
dolce e espr.
molto stentando >
a tempo
> >
> >
dim.
dim.
My Funny Valentine from Babes in Arms
By Richard Rodgers arranged by Matthew Naughtin
Freely, quasi recit.
3 3
cresc.
3
>
>
>
- -
cresc.
q
7
rit.
-
Moderato (
= 88 )
13
19
-
-
-
-
cresc. poco a poco
-
25
dolce 30
cresc. 35
cresc.
- -
40
-
-
-
-
-
-
-
My Funny Valentine - Violin 2 - P. 1 47
a tempo
poco rit.
52
espr.
--
57
3
-
63
-
--
(trem.)
69
Tempo I
75
-
>
>
-
-
Vlc.
cresc. 81
- -
87
-
-
-
-
-
-
-
rit.
(solo) 3
>
>
>
-
-
cresc. 94
-
>
-
-
-
>
My Heart Will Go On (Love Theme from "Titanic") Moderato (
q
by James Horner & Will Jennings arranged by Matthew Naughtin
= 96 )
espr.
6
12
18
3 3 3
23
28
1.
34
2.
3
40
rall.
46
Vlc.
New York, New York by J. Kander arranged by Matt Naughtin
Slow & Dramatic cadenza ad libitum
>
> > >
Violin solo
>
OPTIONAL START
^
3
Violin solo
>
6
>
>
>
>
3
Moderato (Soft-shoe) ( q = 112 ) 3
3
3
3
3
3
leggiero 10
3
3
3
3
3
>
> >
>
3
15
3
3
3
3
3
>
sub. 3 20
>
3 3
3
3
3
25
3
> > > 3
31
3
3
>
3
New York, New York - Violin 2 - Page 2 37
>
>
>
>
>
>
>
>
>
>
>
43 3
3
3
leggiero 49 3
3
3
3
>
54
3
>
3
3
3
3
>
>
>
59
3
3
3
3
3
3 3
3
sub. 3 64
>
3 3
70
> > >
> > > > > >
3
3
rit.
>
Slow Strut >
> > ten.
>
>
>
>
>
>
>
>
>
>
>
>
>>
>
>
3
81
3
>
> >
grazioso
3
3
3
75
87
>
3
3
>
3
3
3
>
>
>
3
>
>
>
>
Noites Cariocas
Violin 2
Bright Samba Tempo (
by Jacob do Bandolim Arranged by Matthew Naughtin
= 88 )
>
>
>
>
>
>
Violin 1
ben ritmico
7
>
>
>
>
>
> >
>
>
>
>
>
fl
14
>
>
>
>
20
>
˘
>
>
26
>
>
fl
>
>
>
>
>
>
>
>
> >
>
32 >
>
>
38
>
>
>
>
>
43
>
>
>
>
48
˘ >
>
fl
53
>
fl
58
>
>
> >
fl > >
>
>
>
>
> > > >
>
Copyright 1992 by Matthew Naughtin
>
>
>
>
Noites Cariocas - Violin 2 - P. 2 64
pizz.
arco
> >
76
>
>
3
>
>
>
70
>
>
>
>
3
3
3
> > > >
>
3
3
> > > >
>
>
fl
3
82
>
>
>
>
88
>
>
>
3
95
>
3
3
>
>
>
>
>
>
3
>
(solo)
>
>
>
>
giocoso e leggiero
101
> >
>
>
>
>
> >
107
>
>
cresc.
114
>
>
>
>
> >
>
120
> >
>
>
>
>
>
>
cresc.
126
>
>
>
rit.
^
>
>
Violin II
One Hand, One Heart from West Side Story Andante (
By Leonard Bernstein arranged by Matthew Naughtin
= 100 )
7
cresc.
14
(solo)
3
espr.
23
cresc.
30
dolce
poco rit.
37
cresc.
43
a tempo
espr.
One Hand, One Heart - Violin 2 - p. 2
51
cresc.
59
sostenuto
66
cresc.
74
Tranquillo
dim.
80
piu
Violin 2
The Orange Blossom Special by Ervin T. Rouse Arranged by Matthew Naughtin
Slow and heavy (
&c
b ww q ƒv
!
sempre poco a poco accellerando
= 88 )
ww
7
b ww ƒv
˙˙ b ˙˙ ˙˙ ˙˙ ƒv ƒv
" #
& œœ b ˙˙ œœ œœ b ˙˙ œœ œœ b œœ œœ œœ œœ œœ œœ b œœ œœ œœ œœ œœ œœ b œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ v v v v >> >> >> >> > > > +œo +œo . q +œo . +œo +œo +œo . +œo . +œo +œo +œo +œo +œo +œo +œo . & bpœj ‰ Œ Ó ŒF ‰ J Ó Œ ‰ J Ó Œ f Œ Œ Œ Œ ‰ +o +o +o +o +o +o o +œo . +œo & J Œ >œ b ˙ . >œ b J¨œ ‰ œ >˙ # œJwŒ# œ . œ Œ˙ œ Œw œ Œ œ Óœ œ # œ˙J # œ . F f F > +o +o o +o +o & œÓ œ # ˙Jœ # œ . Œœ # œœ # œ Œœ œœ œ n>œ . # œj >œ . œj >œ . # œj >œj ‰ œ # œ œ n œœ # œ œœ œ˙ . # œj ˙˙ # # # v > f vv Lively (
12
= 132 )
(L. H. Pizz.)
arco
20
#
#
(gliss.)
cresc.
26
#
#
"
arco
Copyright © 1997 by Matthew Naughtin
Orange Blossom Special--Violin 2--Page 2
.(œ‰J. ) œœj œœ œ . œœ . œ œ œœ ‰ œj œ œœ .. œ . œœ œœ œ ‰ J¨œœ œœ ¨œ . ¨œœ . ¨œ œ ¨œœ ‰ J¨œ œ ¨œœ .. ¨œ . œ¨œ œœ œ¨ ƒË Ë Ë Ë Ë Ë Ë Ë Ë Ë >œ œ œ œ œ œ ¨ # . ¨ ¨ ¨ ¨ ¨ ¨ # j j œ œ œ œ . œ . œ œ œ œ œ & # ‰ œœ œœ œ . n œœ . œ œ œœ ‰ œ œ œœ .. n œœ .. œœ œœ œ ‰ œ œ œ œ ‰ J œ . œ œ œ . Ë ËËË Ë Ë ËËË Ë J j ¨ . # . ¨ # œ œ œ œ œ œ # œ . & ‰ J œJ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ F j œœœ œ œ œ œ œ. œ œ . # # œ œ œ œ œ œ œ œ œ # œ œ œ œ œ & œ œ œ œ œ œ œ œ œ œ œ œ œ Jœ œ œ œ œ œ œ œ œ œ œ œ œ œ & ###
32
#
#
#
#
ben marcato
36
#
40
2. #
1. #
#
#
#
43
#
œ & # # # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ- ‰ # ‹ œœj ww ˙˙ Í> +œo +œo . +œo . +œo +œo +œo . # # # Œ ‰ & ˙˙ ˙˙ ww JÓ Œ ‰ P F
47
#
51
57
"
& ### ˙ . cresc.
#>œ ˙ .
#>œ œ¨J ‰ # œ >˙ ˙ f
˙
œœ # ‹ œœ œœ œœ +œo .
+œo > J Œ #œ F
accellerando
œ^J ‰ Œ Ó ƒ
"
Over the Rainbow Fantasia on "Somewhere Over the Rainbow" from The Wizard of Oz by Harold Arlen arranged by Matthew Naughtin
Moderato ( q = 80 )
Freely
dreamily
6
A tempo
rall.
trem.
rit.
13
A tempo
ten. ten.
19
3
25
poco affrettando
cresc.
A tempo
rit.
30
˚
3
3
dolce
36
3
3
3
˚
3
3
3
Over the Rainbow - Violin 2 - P. 2
in tempo
a piacere
Freely
41
solo
ten.
ten.
dolce e espr.
46
accel.
51
57
Agitato (
q = 104 )
>
>
>
>
>
>
>
>
>
>
63
>
2
>
>
>
>
>
>
>
>
>
Vc.
78
>
espr.
intensely
71
>
> >
rall.
Tranquillo ( q = 80 )
rit.
Por Una Cabeza - Violin 2
2
≥r ^ ≥j & b œœ ‰ . œ œJ ‰ œv ‰ ƒ & b œ œ b œ œ. œ. œ- œ- œ-
≥ Œ Ó œ. œ. œ- œ- œ- œ œ œ œ œ œ œ œ- n œ- œœ ‰ œ œv F œ œ œ œ œ œ œ œ- œ- œ- œ œ œ œ. œ. œ- œ- œ- œ œ œ œ œ œ ˙ œ œ - - œœ œ- n œ- n œ œ - D -& b ˙- # ˙- Œ Pœ- œ- œ- œ- œn œ œ œ- œ- b-œ œ- œ- œ- œ- œ œ œ- œ- œ- œ- œ- œ- œ œ œ- œ- œ- ˙ ˙ # ˙ n ˙ n ˙ b ˙ ˙ b ˙ b & ˙ # ww wUw œ œ œ # œ n œ " n # œ u E # n œ & n œ œ # œ œ œ Œ # œ œ œ n œ œ œ Œ œ n œ œ œ œ œ œ œ œ œ œ . œJ ˙ œ œ œ œ œ- Œ œ- œp π # - œ œ #œ œ œ œ j œœ & œ Œ œ œ . œ œ Œ œ œ #œ œ œ œ Œ #œ œ œ œ œ Œ œ œ ≥ œ^ œ≥^ n b œ # n œ œ œ œœ. œ b œ œ œ œ œ ˙ œ œ œ œ # ˙ n ˙ . œ œ œ ˙ œ œ œ ‰ & J f œ œ œ. J œ- R J ‰ J ‰ b ƒ F ≥ b œ≥ œ œ œ ˙ ˙ Œ œ œ ˙ œœœ ˙ œœœœ œ b b Œ & œœ œ œ œ œ >˙ > œ œ >˙ >˙ œœ œœ œœ œœ ˙˙ > >˙ >˙ œ œ œ œ >˙ >˙ œ œ œ œ >˙ >˙ b Œ Œ Œ œ œ œ œ ˙ œœœœ &b ƒ œ œœœ ˙ f n˙ . ) ( ≥ w & b b œ . n œj # œ œ- b ˙ ˙ n ˙ # ˙ npw nn O˙ .. ‰ . œr œvj ‰ Œ π ƒ
49
C
53
3
(melody in cello)
3
3
3
58
3
3
3
3
3
3
3
3
espr.
64
ra l l .
3
dolce
71
molto rit.
(Vlc.)
Tempo I
dolciss.
77
cresc. e incalzando
82
3
sempre cresc.
88
3
3
3
molto appassionato
3
95
3
3
sempre
102
ritard.
A Tempo
o
sempre dim.
Purple Haze By Jimi Hendrix arranged by Matthew Naughtin
Heavy Rock (Pesante) ( q = 100 ) ¨
¨
¨
¨
¨
¨
¨
^
¨
^
¨ ^
>
rough, at the frog
heavy, rough sound, wide vibrato (gliss.)
5
^
^
^
^
¨ ^
^ fl
>
11
>
>
>
>
>
>
>
>
>
>
>
>
16
>
21
>
>
>
>
>
>
>
>
>
>
>
>
¨
>
>
>
26
>
>
¨
>
>
>
>
>
>
>
>
>
31
>
>
>
>
>
>
>
Purple Haze - Violin 2 - P. 2
36
42
>
fl fl
>
fl fl
47
>
52
>
>
>
57
>
>
>
>
>
>
>
>
¨
>
>
>
63
>
>
>
>
>
>
> cresc.
> >
69
>
>
74
>
^
Romeo and Juliet:
Love Theme by Nino Rota arranged by Matthew Naughtin
Moderato ( q = 80 ) trem.
>
>
>
>
>
>
>
appassionato 6
ten.
>
>
12
cantabile 19 >
dolce 25
1.
32
2.
ten.
rit.
38
44
a tempo
Sostenuto >
>
>
>
>
>
>
>
>
rit.
Send in the Clowns from A Little Night Music Con Moto (
q. = 48 )
ten.
1.
6
2.
11
16
>
ten.
21
26
31
>
ten.
35
40
1.
by Stephen Sondheim arranged by Matthew Naughtin
2.
rit.
Seven by the Beatles Songs by John Lennon and Paul McCartney arranged by Matthew Naughtin
"Day Tripper" (1964)
Fast, with energy ( q = 132 ) 2
> >
>
>
>
>
Vla.
>
7
>
>
>
>
>
>
>
>
13
>
>
>
>
>
>
19
˘˘˘
> >
> > >
25
>
>
> >
>
1.
fl
2.
2
> >
4
>
> >
> >
35
> > > >
>
>
>
>
>
>
>
sempre
41
> >
>
>
>
>
>
>
>
> >
>
> >
Seven by the Beatles - Violin 2 - P. 3
"Eleanor Rigby" (1966) 87
Moderato (
q= 108 )
spiccato
dim.
94
1.
101
107
2.
>
> >
>
>
>
>
>
> >
113
>
>
>
>
> >
rit.
119
dim.
>
>
>
>
>
Seven by the Beatles - Violin 2 - P. 4
"Yellow Submarine" (1968)
March Tempo (
q = 120 )
125
133
> >
> >
> >
> >
> >
141
> >
> > > >
> >
149
>
>
> > > >
>
>
>
>
>
>
>
>
marcato
155
>
>
> > > >
162
>
>
>
>
>
>
>
>
3
3 3
3
3
3
> > > >
dim.
168
>
> > >
174
3 3
3
^
Seven by the Beatles - Violin 2 - P. 5
"Yesterday" (1965) 179
Slowly (
q = 88 )
Vla.
espr.
185
>
>>
192
espr.
cresc.
199
rit.
207
>
> > >
>
Seven by the Beatles - Violin 2 - P. 6
"When I'm Sixty-Four" (1967)
Easy Ragtime ( h = 72 ) 213
>
> >
>
>
Vla.
219
>
> >
fi (2nd X, to Coda)
226
>
>
cresc.
cresc.
233
>
cresc.
legato
242
fi Coda 250
^
> > > >
>
>
cresc.
>
>
>
> >
fl
fl
Seven by the Beatles - Violin 2 - P. 7
"Back in the U.S.S.R." (1968) 256
Bright Rock ( q = 144 )
with energy
Vla.
cresc.
262
at the frog
268
3
273
1.
2.
>
>>>>
> > >
>
>
285
>
fl
>
>
>>>>
>
> >
fl
>
>
>
>
>
>
fl
>
>
279
fl
>
>>
>
>
> flflflfl flflflfl
>
>
>
flflflflflflflfl
cresc.
292
> >
>
>
> >
297
> >
>
>
>
>
>
>
>
>
>
> >
>
>
>
3
>
302
>
>
Vln. 1
gliss.
> >
> >
>
> >
>
^
cresc.
>
Someone to Watch Over Me from Oh, Kay! (1926)
affretando
Freely
5
by George Gershwin arranged by Matthew Naughtin
rit.
Moderato ( q = 80 )
piu rit.
Incalzando ( q = 96 )
accel.
10 >
15 >
espr.
20
Tempo I (Moderato)
rall. >
poco rall.
24 >
29
Piu Mosso ( q = 104 )
parlando, a piacere 34
poco rall.
a tempo
Someone to Watch - Violin 2 - P. 2 40
cresc. 46 >
>
>
>
>
con calore
50
54
Tempo I (Moderato)
molto rall.
60
accel.
3
>
65
rit.
>
>
>
>
Incalzando ( q = 96 )
Sostenuto ( q = 72 )
rit.
70
>
>
75
>
79
> >
>
>
rit.
Somewhere from West Side Story Andante con moto (
>
>
by Leonard Bernstein arranged by Matthew Naughtin
q = 88 ) >
>
>
>
drammatico
5
4
>
>
3
Vln. I
12
cantabile
17
3
3
>
>
>
cresc.
21
>
>
>
>
3
3
26
3
3
3
30
3
3
3
3
3
3
3
3
3
3
3
3
Somewhere - Violin 2 - P. 3 33
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
>
36
>
>
3
3
3
>
3 >
40
>
(solo)
espr.
45
3
>
49
3
54
cresc.
3
57 >
>
>
>
>
>
Stormy Weather from Cotton Club Parade (1933) by Harold Arlen arranged by Matthew Naughtin
Slow Blues ( q. = 69 ) Vln. I
>
>
>
> >
>
>
>
4 >
>
>
>
>
7
10
>
>
>
>
>
>
>
13 >
16 >
> >
18
>
>
>
>
>
Stormy Weather - Violin 2 - P. 2 21 >
>
>
>
>
24 >
>
>
>
>
>
>
>
>
>
>
>
>
marcato
27
>
>
>
>
>
>
>
>
>
>
a tempo
rit.
30
>
> >
>
>
> >
>
>
>
>
>
33
> >
>
36
1.
39
>
42
rit.
rit.
2. >
>
>
>
>
>
>
>
Violin II
The Summer Knows (Theme from Summer of ’42) Michael Legrand arr.Matt Naughtin
Andante ( q = 88 )
poco rit.
7
>
cresc.
11
>
a tempo
cresc.
dolce
16
appassionato
22
> >
>
stentando
28
rit.
a tempo
rit.
cresc.
34
a tempo
rit.
a tempo
ten.
The Summer Knows - Violin 2 - P. 2
38
trem.
cresc.
43 >
>
dolce
47
cresc.
53
appassionato
58
64
>
rit.
rit.
a tempo
cresc.
a tempo
molto rit.
70
dim.
ten.
Tanguedia III by Astor Piazzolla arranged by Matt Naughtin
Tempo di Tango, moderato (
= 100 )
poco marcato, con melancolia
Violin I
gliss.
5
>
Piu mosso (
9
= 112 )
>
gliss.
accel.
>
>
>
Ancora piu mosso (
> 13
>
= 120 )
>
>
17
>
>
G.P.
19
(silence) >
>
Tempo I (
Violin I
= 100 )
Tanguedia III - Violin 2 - P. 2
22
accel.
26
>
Piu mosso (
29
>
= 112 )
>
accel.
˘
>
>
>
Ancora piu mosso (
33
>
>
>
>
= 120 )
> >
Tempo I (
G.P.
36
>
>
>
> >
>
>
>
= 100 )
(silence)
> fl
>
fl
Violin I
40
accel.
44
>
48
Piu mosso (
>
>
= 112 )
>
>
sul G
>
>
>
>
>
ben marcato (solo) 52
accel.
>
˘
>
>
>
>
>
>
>
˘
Tanguedia III - Violin 2 - P. 3
Ancora piu mosso (
= 120 )
56
>
>
>
>
>
>
>
>
ben marcato
accel.
60
>
>
>
>
> >
>
64
Sempre incalzando (
˘
>
˘
>
= 132 ) >
>
68
accel.
>
Agitato (
>
>
>
= 144 )
72
>
>
piu
76
Precipitando (
= 100 )
sempre
80
84
^
^
marcatissimo
^
^
^
^
^
^
Violin 2
TICO TICO ˚Original Title: "Tico Tico no Fub " ("Tico-tico Bird in the Cornmeal")
Drammatico (
= 100 ) ^
5
9
By Zequinha de Abreu (1880-1935) Arranged by Matt Naughtin
>
>
Cello
cello solo, quasi cadenza
5
Bright samba (
^
rit.
^
^
5
>
2
= 100 )
>
>
>
>
ben ritmico
16
>
>
>
>
>
>
>
>
>
21
> >
>
>
>
>
>
>
26
>
>
>
>
>
>
>
>
>
>
31 fl
36
fl
> fl
>
fl
41 fl
fl
fl
45
fl
>
>
49 >
>
>
>
>
dim. Copyright © 1992 by Matthew Naughtin
>
>
>
>
TICO TICO - Violin 2 - P. 2
54
>
60
>
>
>
>
>
>
>
>
>
>
>
>
>
cresc.
Molto Vivace (
65
= 72 )
> >
>
fl
fl
fl
>
>
^
70
fl
fl
fl
fl
fl
fl
75 >
>
>
>
82 >
>
>
>
>
>
88 >
>
> >
>
>
>
>
>
>
94
>
>
>
>
>
>
>
> >
100
>
>
>
>
>
>
>
>
>
>
106
>
>
112
>
>
>
>
>
>
>
>
>
>
cresc. >
> ^
brillante
Tonight from West Side Story by Leonard Bernstein arranged by Matthew Naughtin
Moderato ( h = 72 ) >
>
>
>
cresc.
trem.
6
>
>
13
19
>
cresc.
24
>
>
>
>
>
>
28
fl
fl
32
>
>
>
fl
>
>
cresc.
fl
poco accel.
36
>
>
>
>
>
>
Tonight - Violin 2 - P. 3 40
Con moto (Beguine tempo) ( h = 76 )
45
49
cresc.
54
>
sub.
58
appass.
>
>
rit.
62
a tempo
>
dolce, espr.
67
¨
>
cresc.
72
fl
cresc.
>
>>>
Whats New? by Bob Haggart arranged by Matthew Naughtin
Moderato ( q = 80 )
rit.
a tempo
3
!
cantabile
4
9
3
3
3
3
>
3
13
3
3
a tempo
poco rall.
18
>
>
3
22
3
3
3
3
3
What's New? - Violin 2 - P. 2
26
3
sub. sotto voce
30
3
33
1.
2.
rit. >
molto rall.
"What Are You Doing The Rest of Your Life?" Moderato ( q = 80 ) 2
by Michel Legrand arranged by Matthew Naughtin
rit.
Vlc.
5
a tempo
11
16
20 ˚
25
30
˚
˚
rit.
Tempo I
What Are You Doing? - Violin2 - P. 2
35
cresc.
40
45
rit.
Sostenuto
49
54
rit.
Tempo I
58
cresc.
63
68
molto rit.
>
