Gangs Of Wasseypur - Part 1 - Movie Script - Film Companion.pdf

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GOW PART 1 DUB SCRIPT

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FOR POST PRODUCTION PURPOSES ONLY

1 EXT/INT. PAAN SHOP-ROAD – NIGHT | 2004 On Screen we see opening credits of kyonki saas bhi kabhi Bahu thi….. Camera zooms out.. A paan shop… customers engrossed in watching the episode… The TV gets blown away by a bullet. People run around in chaos. Sultan and his men come out of a Maruti van with guns. They scare people by shooting in the air. The Paan shop shutters are pulled down. SULTAN (to a passerby) ए.. हट

Sultan points at some shop. SULTAN फॊद

JABBAR ऐए

They move on into a narrow lane. Sultan fires at a man and knocks him down. As they move towards Faizal’s house, some more men join them from the other side. KSKBT is heard in the background. They reach Faizal’s house and knock the gaurds down. JABBAR बैमा पैज़र खान

SULTAN किधय

JABBAR बैमा इधय

SULTAN अये फाहय ननिर.. ए पैज़र फाहय ननिर सारा

Sultan hurls a bomb at the house main door. SULTAN फाहय ननिर.. ए..

चर ये

Sultan kicks the main door. Its locked from inside.

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SULTAN अये फॊद िय ददमा.. रुि... रुि रुि

Sultan goes near and makes a vent into the broken door SULTAN फभ रा.. फभ दे फभ दे .. रुि रुि

Sultan throws a bomb inside the house. They all move away and duck. Debris SULTAN सॊबरिे.. ए.. ए

(Pointing at his men) हय छे दा भें गन डारो.. पैजर खान िा किरा हवाभहर फना दो आज

EXT. FAZIAL’S HOUSE- BACK SIDE – NIGHT Quasim and his men come from the back side to attack. They march ahead with guns. Quasim gestures his men to stop and then makes a phone call. CUT TO EXT. FAZIAL’S HOUSE – NIGHT Sultan and his men continue to shoot. SULTAN मे पैज़र.. पैज़र.. िहाॉ गमा ये .. .. मे हट बोसड़ी िे ..

SULTAN (On the phone) हाॉ फोर क़ाससभ

CUT TO EXT. FAZIAL’S HOUSE- BACK SIDE – NIGHT I/C With Quasim at the back side QUASIM ऩीछे िा यास्ता सभर गमा है . आदे श दें .

CUT TO EXT. FAZIAL’S HOUSE – NIGHT SULTAN ( on phone)

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अये िोई आदे श... एि.... जजन्दा िोई नह ॊ फचना चादहए वहाॉ ऩे...चर जा...सफिो भाय

EXT. FAZIAL’S HOUSE- BACK SIDE – NIGHT Quasim and his men shoot at the back door and enter the house QUASIM घस ु

INT. FAZIAL’S HOUSE – NIGHT QUASIM ए.. डार..डार फभ... उड़ा इसिी भाॉ िा बोसड़ा.. डार फभ... डार.. डार फभ .. फभ डार फभ डार.. बून डार. खखडिी भें घुस.. खखडिी भें घुस .. खखडिी भें घुस.. औयत फचा जो ददखा

सफिो भाय.. फदहनचोद.. भाय सफिो

They continue shooting. One of them climbs up the building and starts shooting.

CUT TO:

15 EXT. FAIZAL'S HOUSE–AT THE DOOR – NIGHT | 2004 All stop shooting.. Silence.. Sultan dials a number on his phone. ABBAR walks to the door.. Listens.. Silence..

15A: INT FAIZAL’S HOUSE – A SMALL ROOM- NIGHT The house members are hiding in a closed room and just then the phone rings. It plays out the tune nayak nahin..they all keep their mouth shut and let the phone ring.

15 EXT. FAIZAL'S HOUSE–AT THE DOOR – NIGHT | 2004 Sulant is listening the ringtone while Jabbar is listening with his ear close to the broken door. JABBAR बैमा पोन फज यहा है .. िोई नह ॊ उठा यहा . The phone stops ringing

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JABBAR िट गमा.. SULTAN चर.. गमा पैज़र खान सबत्राभऩुय.. चरो फे.. खरनामि खतभ..चर िर अखफाये भें ऩत्ता चरेगा िौन भया औय िौन फचा.

Sulatn and his men leave the place. On his way, Sultan calls Quasim. SULTAN ( on the phone) क़ाससभ, ननिर रे.. चर चर.. खतभ रड़ाई

CUT TO: CUT TO: 415A2: EXT. OLD BRIDGE. NIGHT | 2004 Sultan and his men drive back in their van. SULTAN िा हो बफनोद्वा िो िैसे भाये JABBAR _______ सारा साभने से आ गमा SULTAN जेऩीमा िो फता दे ते हैं.. िौन है इ सारा अॊग्रेज रोग JABBAR बैमा...डेपनेटवा गमा गाडी भें , दे खे ? SULTAN जाने दो सारा रास उठाएगा 413B: INT. SOME BIG HOTEL. NIGHT JP’s phone rings.. He is with Ramadhir in a dinner table meeting.. JP (on the phone) Hello I/C 415A2: EXT. OLD BRIDGE. NIGHT SULTAN ( TO JP ON THE PHONE) बैमा पैज़र खान खतभ... I/C 413B: INT. SOME BIG HOTEL. NIGHT

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A group of Politicians dining at an exquisite hotel. J.P.Singh is present with his father Ramadhir Singh. POLITICIAN 1 ववधामि जी से __ ससॊग ने ट वी ऩे ऩच ु ा.. याष्ट्र गान फताइए.. तो गाने रगे.. फॊदे भातयभ फॊदे भातयभ .. फताइए.. ऐसे हैं ववधामि RAMADHIR SINGH आऩिो आता है .. Meanwhile J P Singh gets a call and he steps outside. We stay on him. POLITICIAN 1 (O.S) साये जहाॉ से अच्छा.. 415A2: EXT. OLD BRIDGE. NIGHT I/C SULTAN (on the phone) हाॉ जी ऩी फाफु.. पैज़र खान खतभ.. हा हा.. अये भाय गोर िे धुआॊ धुआॊ िय ददए किरा फफााद हो गमा JABBAR बैमा बैमा.. आगे दे खखमे SULTAN (to driver) ए गाडी योि गाडी योि JABBAR योड ऩे तो नािा फॊद है SULTAN ( on the phone) ए जी ऩी.. महाॉ प्रशासन िा नािाफॊद िाहे रगा हुआ है ? हे ल्रो I/C JP Singh cuts his call without saying a word JABBAR िा िये चरें चुऩ चाऩ SULTAN सारा पोन िाट ददमा जी ऩी रुि.. रुि रुि अऩने सरए है फॊदोफस्त ऩसु रस िा

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फदहनचोद JABBAR बैमा A check point with lot of cops. One of the cops walks towards Sultan’s van with a gun pointed at them. SULTAN आ यहा है .. एि ससऩाह आ यहा है .. सारा एि ससऩाह आ यहा है .. Sultan takes his gun and shoots at the cop. Random cross fire from both sides ensues. The car glass shatters with gun shots. Freeze frame.

CREDITS NASIR VO 1: इॊसान जो हैं फस दो नसर िे होते है . एि होते हैं हयाभी औय दस ू ये चूनतमे औय मे साया खेर इन दोनों िा ह है . अफ िफ िोई हयाभी चनु तमाऩे ऩे उतय आता है औय िफ िोई चनु तमा हयाभजदगी िा ताराफ फन जाता है ऩता ह नह ॊ चरता. मह

वाससऩुय िी िहानी थोड़ी टे डी है . फाहय से दे खो तो चूनतमों िी

फस्ती है वाससऩुय औय अन्दय आओ तो साये एि से एि फढिय हयाभजादे हैं, सफिे सफ. अफ वो अॊत भें क्मा साबफत हुए वो अराग फात है , िभ से िभ जीते जी तो साये िे सये अऩने आऩ िो पन्ने खान ह सभझते थे. हभ भुसरभानों िी मह भहाबायत आज िी नह ॊ है , ज़भाने से चर आ यह है . औय वाससऩुय भें तो मह रड़ाई सशमा सन् ु नी िी बी नह ॊ थी, महाॉ

तो सबी सन् ु नी थे. मे रड़ाई थी िुये सशमों औय फाकि िे भस ु रभानों िी. औय

रड़ाई फादभे हुई ऩहरे एि तयफ़ा होती थी. िुयै शी जो है वो िसाई होते थे औय िसाइमों से सफिी पटती थी. वो दफाते थे, फाकि िे दफते थे.. अफ िुये जयमओॊ िा खुरे आभ याज था वाससऩुय भें . तफ जफ मे गाॉव होता था धनफाद िे फाहय औय तफ जफ धनफाद फॊगार िे दहस्से भें आता था, आज़ाद िे ऩहरे. आज़ाद िे फाद धनफाद फॊगार से बफहाय भें चरा गमा औय वासेऩुय बी ऩैह्रते हुए धनफाद िा एि दहस्सा हो गमा. अबी धनफाद झायखण्ड भें दहमा औय वासेऩुय, धनफाद िे फीचों फीच. फहयहार िहानी अबी बी चर यह है रेकिन शुरू तफ हुई थी. तफ जफ धनफाद िे आस-ऩास अॊग्रेजों ने साये धान िे खेतों ऩय िब्ज़ा ियिे िोमरा ननिारने िा िाभ शुरू किमा था, तफ जफ ये रगाडडमाॊ िोमरे ऩय चरती थी औय साय आधुननि पैजक्रमाॊ औय भशीनी सफ िोमरे ऩे चरती थी, तफ जफ महाॉ सुरताना डािू हुआ ियता था औय उनिी रे ने रुटता था.

MONTAGE: coal fields, old railways and sultana daku. 21A EXT GROUND- DAY | 1940 |

Sharif Qureshi talks to a young NASIR with a group of people. Ehsan Qureshi is sitting by Sharif’s side.

SHARIF QURESHI वो जो था अॊग्रेजों िी रे न ऩय धावा फोर िय उनिा खज़ाना रूट रेता था.

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एि ददन खजाने िे फजाए डडब्फे भें सैननि सवाय. अफ जैसे ह सुल्ताना ने धावा फोरा, अॊग्रेजों ने उसे धय दफोचा औय िारा ऩानी भें डार ददमा YOUNG NASIR अये भल् ु रा जी ने हभें फतामा था िी िरित्ता भें उनिो पाॉसी िी सज़ा दे द अॊग्रेजों ने. SHARIF QURESHI बग फे YOUNG NASIR हाॉ फतामे थे. SHARIF QURESHI अफे चुनतमा हैं तुम्हाये भौरवी साहफ. असर भें सुल्ताना जो था िुयै शी था औय इनतहास भें दस ू या आदभी जो िारा ऩानी से फच िय बागा था. YOUNG NASIR सल् ु ताना डािू? SHARIF QURESHI हाॉ YOUNG NASIR जजॊदा है ? SHARIF QURESHI हाॉ जजॊदा है .. मह ॊ है वाससऩुय भें . अॊग्रेज रोग आज बी उसे ढून्ढ यहे है औय वो आज बी उनिी िी रे ने रूटता है . Shahid Khan listens intently..

23 EXT. RAILWAY CROSSING – NIGHT | 1941 A small railway crossing with an old style wooden gate. A signal man is cooking his meal on an earthen pot. He hears a train approaching. He picks up a lantern and brandishes a green light at it. Just then a masked man atop a horse points his single barrel gun at the signal man. Signal man turns the green light into red. CUT TO:

24 I/E. DESERTED RAILWAY (TRACK 1 /CROSSING/TRAIN) – NIGHT | 1941

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From inside the train as the driver and his man put coal into the steam engine.. Driver looks out.. He can see the signal man.. Holding the red flag.. He applies brakes on the train.. The train stops and the man on the horse gallops towards the engine. He climbs on to the engine with his gun.. the driver looks at him.. And is about to start again. DRIVER अये फाऩये SHAHID KHAN ऩटया वटया सफ उखाड़ ददए हैं.. गाडी चराओगे तो बीतय चरे जाओगे ..सभझे? तो जफ ति वाऩस आिय नह ॊ िहते हैं जाने िो तफ ति महाॉ चुऩ चाऩ फैठे यदहमे... फैठ जाइए Shahid supervises.. SHAHID KHAN रेिे जाओ रेिे जाओ

CUT TO: CUT TO: 28 I/E. deserted RAILWAY TRACK 1 &TRAIN – NIGHT | 1941

A horse gallops upto the engine.. A different horse.. A different man (Sultana Daku) along with Ehsan.. SULTANA DAKU (To Ehsan) गाड़ी खड़ी िाहे है ? डब्फा खोसरए हभ दे खते है

SULTANA DAKU (To Driver) ए ड्राईवय साफ, गाडी िाहे योिे है ?

(O.S.) सयदाय गाड़ी तो ख़ार है

SULTANA DAKU (To Driver) सफ डब्फा खर िाहे है ?

DRIVER सुल्ताना डािू आमे थे. साया अनाज रुट िय रे गए.

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The man uncovers his face..His face resembles the sketch in the train. CUT TO: 30A: EXT. KASAI MUHALLAH- DAY | 1941 | SHARIF QURESHI िोई तो है जो हभये नाभ ऩे रे न रूट यहा है . िौन हो सिता है ? EHSAN QURESHI िौन? Sahid khan walks by with his horse. SHARIF QURESHI ई सदहद खान? ऩूया क़स्फा भें एि मे ह है जजसिे ऩास घोडा है SHAHID KHAN ( to Sharif) सराभ! SHARIF QURESHI ( to Shahid) सराभ! Shahid Khan moves on and they continue talking EHSAN QURESHI इसिा घोडा तो ताॊगा चराता है SHARIF QURESHI चराता था. अबी अनाज फेचता है . 30 EXT. WHOLESALE MARKET – DAY | 1941 Ehsan Qureshi comes into the market on cart. The market has all the buyers crowded around Shahid’s stall. Ehsan talks to one of the sellers in the market.. EHSAN QURESHI क्मा सभमाॊ.. िैसा चर यहा है धॊधा ऩानी... TRADER 2 ऩयू ा फाज़ाय बफगाड़ िे यख ददमा है .

सयिाय भार फोर िे दो आना सस्ता फेच यहा है ... उससे भक़ ु ाफरा ियने जामेंगे तो िॊगरा हो जामेंगे

Ehsan looks at SHAHID counting money and tucking it in his dhoti. A lot of sacks of grains laid on top of one another.. SHAHID khan sits behind them.. Some grains are being weighed.. His pregnant wife sits near him.. Cooking on a clay stove.. Shahid khan counts money .. SHAHID KHAN एि दो तीन चाय ऩाॊच

TRADER 1

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औय सादहद सभमाॉ... छोटे सभमाॉ िफ आ यहे हैं ? Shahid continues to count the money.. His wife pregnant wife is sitting there and cooking. SHAHID KHAN छे सात आठ नौ दस ग्मायह

SHAHID KHAN दो भह ने भें आ जाना चादहए...

फािी तो अराह िी भज़ी है

Ehsan inspects the grain sacks with precision. East India Company symbol is visible on the sacks

CUT TO:

31 EXT. KASAI MUHALLAH – DAY | 1941 Sharif Qureshi(Sultana Daku), Ehsan and few others sit around.. SHARIF (SULTANA DAKU) ये र िा ऩटय वससऩयु िे िुये ससमों िे भोहल्रे िे फीच भें से गज ु यता है .. ऩटय िे दोनों तयप ससपा िुयै सी यहते हैं. तो उधय से जाने वारा हय भार गाडी ऩय ऩहरा हि हभया है , िुये ससमों िा, नाकि किसी ऩठान िा He talks to an older man.. Mukhtar.. MUKHTAR दे खो शय फ़ हभ ससपा तुभसे इतना िहना चाहते है कि जो बी ियो, रेकिन खून खयाफा भत ियो.. शादहद बी तो इसी वससऩुय गाॉव िा है SHARIF QURESHI हाॉ रेकिन हभय बफयादय िा नह ॊ है ना.. CUT TO: 30C INT. SHAHID’S HOUSE- DAY | 1941 | NEW SHAHID KHAN अभाॊ माय ऩिडे गए तो ऩैय ऩिड़ रें गे भुख़्ताय साहफ िे .. जान से थोड़ी न भाय दें गे.. YOUNG NASIR अगय जान से भाय ददमा तो?

32 EXT. WASSEYPUR ROAD 5 – DAY| 1941 SHAHID walks down the street.. He sees something.. Stops..

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It's a hand painted poster.. “शादहद खान जज़ॊदा मा भुदाा.. इनाभ सौ रुऩैमा “ He spits on it.

NASIR VO 2: िुत्ता िबी जात नह ॊ फदरता, घोड़े िो सोंटे से नह ॊ भायो तो सारा बागता नह ॊ, शादहद्वा बी वैसा ह जजद्दी था. खतया सय ऩे था, ऩता सफिो चर चि ू ा था िी िौन ये र गाडी रूट यहा है . रेकिन हयाभी भन सारा भाने िैसे, हयाभजदगी तो हभये नस नस भें थी. तो हभ फावजूत िारे फादरों िे फीज फो यहे थे, फयसात तो सार आनी ह थी

33 EXT. SHAHID'S HOUSE – DAY| 1941 SHAHID with his men.. Sahid’s wife serves them tea in glasses.. SHAHID KHAN क्मा डय रग यहा है क्मा तुभ रोगों िो? SHAHID’S WIFE (JAMEELA) शय फ़ क़ुये शी िौन है जानते हैं ना आऩ... उसिा नाभ इस्तेभार ियते हैं आऩ... SHAHID KHAN सुल्ताना डािू िारा ऩानी भें भाय गमा है .. फािी सफ फिैती है . MAN2 ऊ िसाई है . SHAHID KHAN तो िा िय रें गे फे? ऐसे हज़ायों िसाई अऩने घय भें ऩारते हैं हभ ऩठान... जैसे इनिे फिये हैं वैसे अधभये क़ुये शी हैं सारे (silence) औय िर हभ गाड़ी िो गाडा िे डब्फे से ऩहरे ह ऩटय से उताय दें गे... CUT TO:

34 EXT. RAILWAY TRACK 1 – NIGHT | 1941 Man struggling to take off the railway tracks.. Shahid Khan is supervising. Shahid listens something and gestures everyone to keep quiet. Fait sound of horses can be heard. SHAHID KHAN श श श... अफे आ गए हयाभखोय

SHAHID fires from his single barrel, kills a kasai.. SHAHID tries to fill the gunpowder into the gun.. Seeing them getting close.. He drops the powder and attacks with the gun.. Hitting him.. Shahid runs away on his horse. EHSAN QURESHI

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भाय इसिे ...रगा इसिे...

SHARIF QURESHI साह द खान िा रास चादहए हभिो, एि बी नह ॊ फचना चादहए, ऩिड़ िे राओ सारे िो, साह द खान चादहए हभिो

35 I/E. SHAHID’S HUT – NIGHT | 1941 SHAHID comes on his horse all alone. He drinks some water from the pot and then enters the house. Jameela lying on the bed. SHAHID KHAN िैसी तफीमत है अबी?

JAMEELA अच्छी

SHAHID KHAN रेट जाओ

NASIR (O.S) सयदाय..सयदाय सयदाय CUT TO: SHAHID comes out of the house.. NASIR is hurt. SHAHID हाॉ... फािी सफ िहाॉ हैं?.. NASIR भैं अिेरा ह फचा हूॉ . फािी सफिो भाय ददमा है NASIR is crying as he speaks. SHAHID looks at him.. NASIR आऩने.. आऩने िहा था िी िुछ नह ॊ ियें गे.. Shahid hugs him to calm his sobbing CUT TO:

37 EXT. PANCHAYAT GROUND - DAY | 1941 SHAHID sits on the ground with Nasir.. Opposite to him are all the Qureshis.. They sit in front of Mukhtar.. Silence.. SHARIF QURESHI(SULTANA DAKU) इसिो फोसरए अऩना खानदान, अऩना आदभी रोग रेिय वससऩुय से ननिर जाए

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SHAHID KHAN चरे तो जामेंगे हभ... ऩय इससे ऩूनछए हभ उनिा ऩेट िैसे ऩारें गे.. औय वैसे बी इसिा िा बफगाड़े हैं हभ ? Sharif gets furious and takes his slipper to beat Shahid. SHARIF QURESHI(SULTANA DAKU) बोसड़ी िे हभये नाभ ऩे रे न रूटता है , ऊऩय से भादयचोद फिचोद सूझता है , भादयचोद ननिर जा महाॉ से बोसड़ी िे MUKHTAR अनाज िी एि फोय हय भार गाड़ी िे गुज़यने िे सप्ताह बय भें तुम्हाये घय ऩहुॉच जामेगी.. SHAHID KHAN thanks Mukhtar with a gesture and leaves. Sharif is furios. SHARIF QURESHI ई िा है ? ई िा है भुख़्ताय साफ? अये िोई अनाज िा फोय वोय नह ॊ दे ना है उसिो CUT TO:

38 EXT. SHAHID KHAN’S HOUSE - DAY | 1941 A very pregnant wife of SHAHID's climbs the horse.. As they leave.. NASIR with him.. NASIR VO 3: शादहद खान जान फचा िय बागा ज़रूय था रेकिन वो डयऩोि नह ॊ था. वो जानता था िी िुयै शी उसे छोड़ेंगे नह ॊ. हभ सफ धनफाद भें जा िय फस गए. शह द िी फीवी ने उसिे होने वारे फच्चे िी िसभ ददराई िी वो अफ रूटभाय औय चोय -चिाय छोड िय भज़दयू िये गा. We see Shahid to digging coal in a coal mine 40 INT. SHAHID KHAN’S HUT- DAY | 1941 SHAHID's wife in labour.. The midwife is Worried.. The child is not coming out.. MIDWIFE 1 फयदास िय .. फयदास िय .. फयदास िय The second midwife goes and asks Nasir to call for Shahid MIDWIFE 2 बैमा, फच्चा अटि गमा है . फुरा द जजए. 42 I/E. VILLAGE ROAD 1 – EVE | 1941 NASIR runs on the unpaved road. CUT TO:

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43 EXT. COAL MINE 1- NIGHT | 1941 Some bouncers are outside the coal mine. A labourer comes and complaints about the water logging. LABOURER 1 बईमा िाभ फॊद ियवा द जजए.. अन्दय ऩानी बय यहा है , जीते जी सफ... The big pehalwan hits the labourer. PAHALWAN िाभ िय चुऩ चाऩ.. फायह घॊटे िी ददहाड़ी भें अबी नौ घॊटे बी ऩूये नह ॊ हुए हैं LABOURER 1 सफ डूफ िे भय जाएॊगें बैमा

PAHALWAN किसी िो पयि नह ॊ ऩड़ यहा है कपय तेय गाॊड भें िाहे िो यहभानी िीड़ा िाट यहा है फे.. चर बाग, बाग इधय से.. िाभ ऩे जा.. (hits him) NASIR stops. NASIR बैमा.. बैमा जी PAHLWAN िा है फे? NASIR वो शादहद खान भज़दयू ... उसिी औयत िे फच्चा अटि गमा है .. PAHALWAN तो..? NASIR खफय ऩहुॊचा द जजए, ज़रूय िाभ है . PAHALWAN िोई ज़रूयत नह ॊ.. चर.. चर बाग महाॉ से

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One labourer is going down, hears him.. PAHALWAN hits him.. NASIR falls..

45 INT. COAL MINE 1 - NIGHT | 1941 Workers huddled together.. two workers are forcibly dragged to work.. PAHALWAN shouts.. PAHALWAN 2 फायह घॊटा से ऩहरे िोई िाभ फॊद नह ॊ िये गा.. अगय किसी ने फॊद किमा, औय चॉू किमा, तो खार उधेड़ िे िसाई फाज़ाय भें टॊ गवा दें गे SHAHID looks up.. continues to work.. LABOURER 2 शादहद बाई िुछ िरयए He continues to work.. The worker who heard NASIR comes to him.. LABOURER 2 आऩिी घयवार िा फच्चा अटि गमा है बाई, नाससय आमा था खफय ियने He looks PAHALWAN 2 hits him.. PAHALWAN 2 िा पुस पुसा यहा है फे? िाभ िय.. फात भत िय SHAHID stares at him. PAHALWAN 2 अये घयू ता िा है फे? SHAHID जाना है हभिो ... हभय भेहयारू िे फच्चा अटि गमा है . PAHALWAN 2 तम् ु हये तो नह ॊ अटिा है ना? िाभ िय चऩ ु चाऩ. SHAHID हाथ जोड़ते हैं बैमा जाने दो PAHALWAN 2 सभझ भें नह ॊ आ यहा है क्मा.. चर फे. चर फे.. (pushes him) SHAHID takes his hand and surges him into the wall..

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44 INT. SHAHID’S HUT - NIGHT | 1941 The wife screams.. MIDWIFE घफड़ा भत, घफड़ा भत, घफड़ा भत We hear the baby’s crying.

45 INT. COAL MINE 1 - NIGHT | 1941 (CONTD) Shahid leaves and reaches the grill where Nasir is waiting for him. The Pahalwan stops hm SHAHID जार खोरो.. PAHALWAN िाहे फे, तुभ िा िह ॊ िे गवनाय हो िा? SHAHID दे ख ऩहरवान हभ उन रोगों भें से नह ॊ हैं जो तेय रात बी सहें गे औय तेय गार बी, आज ति अऩना िाभ ऩूय इभानदाय से ियते आमे हैं, अगय आज हभें घय जाने भें दे य हो गमी ना तो भाॉ िसभ सफिे साभने चीय िे उसभे िोमरा बय दें गे.. खोरो इसे.. PAHALWAN stares at him.. A man (Supervisor RAMADHIR SINGH) next to him watches SHAHID staring at PAHALWAN. Ramadhir gestures at the Pahalwan to open the grill. SHAHID KHAN ( to Nasir) िैसी है वो YOUNG NASIR फहुत तिर प भें है .. SHAHID KHAN तू ऩहरें िाहे नह ॊ आमे YOUNG NASIR हभ आ तो यहे थे, मे अन्दय नह ॊ आने दे यहे थे Shahid and Nasir leave in heavy rain. SHAHID KHAN इससे ऩहरे नह ॊ आ सिता था तू? NASIR XXXX

47 INT. VILLAGE- SHAHID’S HUT - NIGHT | 1941 Rains continue.. SHAHID reaches home.. he stops.. the midwife stands outside holding the kid.. SHAHID takes the kid.. Emotional.. He walks in.. his wife lies there dead.. He stares. [PBS: Sajanwa bairi ho gaye humar] MIDWIFE 2

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जभीरा त भय गइनी .. जभीरा िे फड़ी खून गमर .. फड़ी सुन्दय रइिा बमर फा.. रे रा फच्चा, फड़ी सुन्दय रड़िा बमर फा

48 EXT. VILLAGE ROAD 2 – DAY| 1941 SHAHID is by his wife’s grave along with Young Nasir. They have just buried her. Baby ( Sardar Khan) is held by Nasir who hands over to Shahid.[PBS: First song continues here] 48A: INT. SHAHID HUT – NIGHT NASIR VO 4: जजॊदगी औय भौत िा इरजाभ हभ खुदा ऩे नह ॊ डार सिते. िबी चाहने से हभ जजॊदगी रेते हैं औय िबी बूर से. रेकिन भौत हभेशा हभाये खुद िी चूि से होती है . गरती उस ऩहरवान िी नह ॊ थी जजसने भुझे खदान भें घुसने नह ॊ ददमा था, गरती भेय थी िी भैं उस ऩहरवान से हाय गमा. औय भेय िभज़ोय िी सजा भुझे ह बुगतनी ऩड़ी.

Young Nasir is offering Namaaz and then flagellating himself

460 EXT. COAL MINE 1- NIGHT | 1941 | Shahid khan beats up the phelwan outside the coal mines

49 EXT. COAL MINE 1 – DAY | 1941 Heavy rains.. All miners watch as SHAHID beats the PAHALWAN.. Smashes him.. Then drags him to the corner..

49 (contd.) EXT. COAL MINE 1 – DAY | 1941 He turns back to look at the supervisor.. Supervisor (RAMADHIR SINGH) is a young Rajput who just stares at him..

50 EXT. VILLAGE – NIGHT | 1947 Nehru's speech on Radio... “tryst with destiny"

FADE IN: NASIR VO 5: आजाद िे फाद असर फन्दय फाॉट शुरू हुआ. अॊग्रेजों िे जाने िे फाद साय खदाने टाटा, बफयरा, थाऩय िो फाॉट दद गमीॊ रेकिन धॊदा सभझने वारे फहुत िभ थे. इस फन्दय फाॉट िा याभधीय िो फड़ा पामदा हुआ. वो फन गए फड़े आदभी औय उनिो सौंऩ दद गईं चाय ऩाॊच खदाने. रेकिन ऩहरवानों िे बफना खदाने ना तो अॊग्रज े चरा ऩाए थे ना टाटा बफयरा औय नह ॊ याभधीय िो चराने आमा

Fireworks in the sky.. As SHAHID watches it with young SARDAR.. six years old.

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Nehru's speech continues.. CUT TO:

51 EXT. COAL MINE 1 – DAY | 1947 SHAHID walks with his son to the coal mines. YOUNG SARDAR sits in a corner.. As SHAHID walks in..

53 I/E. COAL MINES 1 – CABIN - DAY | 1947 YOUNG SARDAR gets down from where he is sitting and walks to the window.. He peeps in.. To see the moustached young Rajput(RAMADHIR SINGH) supervisor. CUT TO:

54 INT. COAL MINES 1 – CABIN – DAY | 1947 Shahid Khan is sitting opposite Ramadhir. RAMADHIR SINGH हभाये सरए िाभ ियोगे? SHAHID KHAN िाभ तो आऩ ह िे सरए िय यहे हैं. RAMADHIR SINGH हभाये खास ऩहरवान फनोगे ..तुम्हे िबी किसी चीज़ िी िभी नह ॊ ऩड़ेगी SHAHID KHAN जी SHAHID looks and nods RAMADHIR SINGH इन खदानों िा ठे िा अफ हभें दे ददमा गमा है ... महाॉ से जो बी िोमरा ननिरेगा वो अफ हभाया होगा.. नफ़ा... नक् ु सान.. सफ हभाया अॊग्रेज़ों िे जाने िे फाद से भजदयू ों िो मे रगने रगा गमा है कि अफ िाभ िभ होगा औय तनख्वा ज्मादा सभरेगी... जफ कि ऐसा है नह ॊ. हभे प्रोडक्शन फढ़ाना है .. जजसिे सरए हभें औय िोमरा चादहए. हभें औय खोदना है . CUT TO:

54A EXT. COAL MINE 1 – DAY | 1947

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[I/C] Hutments of workers destroyed.. Huts are burnt and pulled apart. SHAHID supervising the destroying of huts.. CUT TO:

54 INT. COAL MINES 1-CABIN – DAY | 1947 RAMADHIR SINGH (V.O.) जहाॉ भज़दयू ों िे घय हैं, वहाॉ नई खदान खुदेगी... अॊग्रेज़ों िे ऩास ऩैसा था तो वो तनख्वा बी दे ते थे औय छत बी. हभाय उतनी औिात नह ॊ है . हभ तनख्वा दें गे जजससे वो जहाॉ चाहें अऩनी छत फना रें . CUT TO:

55 EXT. COAL MINE 1 – DAY | 1947 Heavy rains.. All mine workers huddle up together outside the mine.. RAMADHIR SINGH's car arrives.. SHAHID gets out.. All labourers get up.. RAMADHIR SINGH क्मा हुआ.. िाभ क्मों नह ॊ हो यहा है Few come forward.. LABOURER 4 हभाये साथ फहुत अन्माम हुआ है साहे फ... हभ रोगों िा घय उजाड ददमा गमा है (WORKERS JOIN IN CHORUS) RAMADHIR SINGH (folds his umbrella, looks at his watch) हभ अन्दय भत ू ने जा यहे हैं.. भत ू िे फाहय आए तो हभें महाॉ िोई ददखाई नह ॊ दे ना चादहए. (looks at SHAHID, he nods) Singh walks away. SHAHID KHAN चरो फे.. िाभ ऩे चरो सफ जन.. चरो सफ जन. िाभ ऩे चरो.. LABOURER 3 बाईजान आऩ तो हभाये साथी हैं. SHAHID slaps him.. He falls.. SHAHID pulls out his butcher knife. SHAHID KHAN चरो िाभ ऩे... चरो, िाभ ऩे चरो. They back out.. CUT TO:

56 I/E. COAL MINE 1 - DAY | 1947

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Singh watches from the window.. Constant rain continues. CUT TO:

57 EXT. SHAHID’S HUT - NIGHT | 1947 Car moves on the road.. It rains.. Car stops outside SHAHID's house.. RAMADHIR SINGH gets out.. Rain continues. CUT TO:

58 I/E. SHAHID's HUT - NIGHT | 1947 SHAHID and his son eat as NASIR serves roti to them.. Door is open. NASIR सयदाय... SHAHID KHAN ह्म्भभ.. NASIR आऩिो क्मा रगता है ? आऩ अऩने भजदयू साथथमों िे साथ सह िय यहे हैं? SHAHID KHAN महाॉ िोई किसी िा साथी नह ॊ है . सारे वो अॉगये ज़ योट छोड़ िे गए थे, महाॉ फन्दय फाॉट यहे हैं I/C

58A EXT. SHAHID'S HUT – NIGHT | 1947 Ramadhir enters the house.. Closes his umbrella and puts it down.. SHAHID KHAN (O.S.) तुभिो क्मा रगता है ? मे खदान याभाधीय ससॊह िे फाऩ छोड़ िे गए थे क्मा?... ऩहरे वो अॉगये ज़ फाहुफर थे. He stops.. Peeps into the corner. CUT TO:

58 INT. SHAHID'S HUT – NIGHT | 1947 SHAHID KHAN अफ मे याभाधीय ससॊह है ... औय िर याभाधीय ससॊह िी रास ऩय ऩैय यख िे सादहद खान फाहुफर फनेगा CUT TO:

58A EXT. SHAHID’S HUT - NIGHT

| 1947

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RAMADHIR SINGH hears that.. He leaves.. CUT TO:

58 INT. SHAHID’S HUT - NIGHT | 1947 SHAHID finishes eating.. gives the plate to NASIR. DRIVER शाह द खान! A knock at the door.. NASIR (looks) हभ दे खते हैं. जी?

RAMADHIR’S DRIVER 1 भासरि फुरा यहे थे बाईजान िो... गाडी भें फैठे हैं

NASIR बेजते है

NASIR ( to Shahid) याभाधीय ससॊह गाडी भें इन्तेज़ाय िय यहा है

SHAHID KHAN अफ ऊ महाॉ िाहे आमा है..

Shahid Khan leaves CUT TO:

63 INT. RAMADHIR’S CAR - NIGHT | 1947 RAMADHIR SINGH hands Khan a bag.. RAMADHIR SINGH फहुत खास साभान है मे.. यात ह यात फनायस ऩहुॊचना है .. SHAHID KHAN फनायस ? RAMADHIR SINGH फीस सभनट भें धनफाद स्टे शन से भेर ननिरेगी .. दटिट िटवा ददमा है तुम्हाया, चरो SHAHID KHAN सयदाय िो फोर िे नह ॊ आमे है .. इन्तेज़ाय िये गा ऊ हभया. RAMADHIR SINGH वो हभ िहरवा दें गे.

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CUT TO:

64 I/E. SHAHID’S HUT – NIGHT | 1947 Young Sardar notices an umbrella lying near the door. It’s Ramadhir’s. NASIR looks at the umbrella.. Looks at YOUNG SARDAR. NASIR चर सोजा... किसिा है मे?

YOUNG SARDAR महाॉ ऩड़ा था. NASIR महाॉ? YOUNG SARDAR हाॉ

NASIR ददखा

NASIR thinks for a while as though he realized something. He goes in and starts packing clothes. CUT TO:

65 I/E. SHAHID’S HUT - NIGHT | 1947 Ramadhir's car drives back in the rainy night.. Stops outside the house... Ehsan Qureshi gets out.. a butcher knife in hand.. One more man with him.. He enters the house.. It's empty.. He looks around.. No one.. EHSAN बाग गए सारे...

CUT TO: 468 INT. RAMADHIR’S HOUSE 1- DAY | 1947 Ehsan walks in.. EHSAN QURESHI हो गमा िाभ RAMADHIR SINGH फच्चा? EHSAN QURESHI भाय ददए उसिो RAMADHIR SINGH

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औय राश EHSAN QURESHI राश िा टुिड़ा टुिड़ा िय िे उसिो दफा ददए Ramadhir gestures him to leave.

66 I/E. VARANASI HOTEL 1 – NIGHT | 1947 SHAHID walks in the streets.. looking up.. He sees an address.. He enters.. It's a hotel.. CUT TO:

67 INT. VARANASI HOTEL 1 – CORRIDOR ROOM – NIGHT | 1947 One man (Yadav ji), young around twenty one.. Walks down the corridor.. Stops outside the room.. Knocks.. The door opens.. It's Shahid khan. SHAHID मादव जी? शाह द खान He shuts the door and sits on the chair unpacking his stuff SHAHID वो याभाधीय जी ने ऩैसे सबजवाए थे Yadav ji is fixing a gun. Shahid watches curiously. Takes out three four parts of a pistol.. Slowly lays them all down.. Puts it together.. Khan watches.. Mesmerized. Yadav ji steps away. SHAHID मे वऩस्तोर है ना, हभें ददखामेंगे.. Yadav shoots him.. Shahid khan falls back..

67A: EXT. ROAD – BUS – DAY | 1947 | NASIR and Young Sardar in a bus.. NASIR (VO) शादहद खान रौट िे नह ॊ आमा... हभिो ऩता था िबी नह ॊ आएगा NASIR looks at Young Sardar.. 67B INT. SCHOOL – DAY | 1947 | Sardar in school reads a poem on Ganga..

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SARDAR KHAN िर िर ियती, छर छर ियती चट्टानों से क्रीडा ियती िबी इधय भूड, िबी उधय भूड ... फॉद ू फॉद ू से फना है िौन? चाय धाभों से जुड़ा है िौन? Asgar watches him..raises his hand and shouts.. ASGAR गॊगा NASIR VO 7: उधय सयदाय हभाये बतीजे अज़गय िे साथ फड़ा हुआ.. एि ददन ऩच ु ा उसने शह द खान फाये भें ..

67B1 EXT. RIVER – DAY | 1952 Shot of young Asgar & Young Sardar in a boat along with Nasir NASIR VO (Contd) तो हभने उसे फतामा िी उसिे फाऩ िो याभधीय ससॊग रे गमा था औय उसे भाय ददमा. उसिे फाद से जैसे उसिा फचऩन हभेशा से खतभ हो गमा. वो ससपा औय ससपा याभाधीय िे फाये भें सोचने रगा. उसने अऩना सय भुॊडवा सरमा औय िसभ खाई िी जफ ति अऩने फाऩ िी भौत िा फदरा नह ॊ रे रेगा तफ ति वो अऩने फार नह ॊ फढ़ाएगा Young Sardar gets his head shaved. SUPER - 20 YEARS LATER

67B2: EXT- COAL MINING AREA- DAY 1974 A mature Nasir is watching over coal mines in a blast atop a mountain.

77A: EXT: RAILWAY STATION – DAY | 1974

Sardar in a jeep outside railway station.. Asgar and Sardar giving rides to people... ASGAR हाॉ बैमा.. थगयडी(5).. झरयमा (4).. धनफाद (3) हाॉ बैमा िहाॉ जाओगे.. हा

याॉची, वासेऩुय

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थगयडी (4).. झरयमा (5)... याॉची (2) धनफाद (3) वासेऩुय SARDAR KHAN थगयडी(4).. झरयमा.. धनफाद. वासेऩुय थगयडी(3).. याॉची.. धनफाद. वासेऩुय

77B INT. WEDDING HALL – NIGHT Sardar khan is getting married to Nagma khatun. Asgar and Nasir are both present. A maulwi is carrying out the vows MAULWI सयदाय खान, वल्द शह द खान. आऩिा ननिाह नगभा खातून, दख् ु तय इजम्तमाज़ अहभद िे साथ भै भेहय ऩाॊच सौ एि रूऩमा तम किमा गमा है . क्मा आऩिो मे ननिाह िफूर है ? SARDAR KHAN जी िफूर है MAULWI क्मा आऩिो मे ननिाह िफूर है ? SARDAR KHAN हाॉ िफूर है . In another room, Nagma is also taking her vows. MAULWI क्मा आऩिो मे ननिाह िफूर है ? आऩिो मे ननिाह िफूर है ? Nagma doesn’t respond.

286 INT. SARDAR’S HOUSE/ BEDROOM - NIGHT| 1960 | Nagma in bed. She looks at SARDAR Khan is drinking water from the surahi.. Nagma’s hair is ruffled... they have made intense love... SARDAR KHAN ऩानी वऩएगी? Nagma nods in a no... a knock at the door... SARDAR opens the door... its Nasir... He leaves... Nagma alone in bed... CUT TO:

287 INT. SARDAR’S HOUSE/ BEDROOM - DAY| 1960 | Nagma starts to clean the house... clearing stuff... she opens her trunk... inside which is nothing but an umbrella... she picks it up...

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SARDAR (O.S.) हभये अब्फू िो भाया था... CUT TO:

288 INT. SARDAR’S HOUSE/ BEDROOM - NIGHT| 1960 | SARDAR talks to Nagma... SARDAR holds the umbrella in his hand... SARDAR हभाये अब्फू उसिी गाड़ी भें फैठ िे उसिे साथ गमे थे, िबी रौटे ह नह ॊ... He is emotional... SARDAR (CONT’D) हभाय जजॊदगी िा एि ह भिसद है ... फदरा... याभाधीय ससॊह िो फड़प्ऩन िा सीढ़ चढ़ते दे खा नह ॊ जाता...उस हयाभी िो हभें सभटाना है .. गोर नह ॊ भायें गे सारे िो .. िह िे रें गे उसिी उसे उसिी औिात फताएॉगे ... धीये धीये उसिा सफ िुछ छीन रें गे, अऩने आऩ ह भय जामेगा भादयचोद... Nagma holds him closer...

470A. EXT. ELECTION AREA – DAY | 1960 | NEW Him giving speech next to C.S. CS introduces him and Ramamdhir touches his feet. C.S भाननीम याभाधीय ससॊघ जी. RAMADHIR SINGH भेये भजदयू बाइमों, इस भॊच ऩे खड़े होिे हभ वादा ियते हैं, िी ववऩऺ िो इस फाय भु से जवाफ नह ॊ दें गे हभ.

67C EXT. COAL MINES – DAY [MONTAGE] | 1954 | Coal workers marching.. Red flags “Jagjivan Ram Zindabad”.. march past

67D INT. UNION OFFICER’S CABIN – DAY

| 1960 |

Ramadhir taking money from a union officer NASIR (VO)

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उनीस सौ फावन भें जफ फाफु जगजीवन याभ श्रभ भॊत्री फनामे गए थे तो भजदयू ों िी हारत दे खते हुए उन्होंने िोर वेल्पाये असोससमेशन फनामा था. जजसिे तेहत

नेशनर रे ड मनू नमन फना था, जजसिे तेहत सऩ ु यवाईज़य

रोगों ने खदान भासरिों ऩे दफाव डारा औय इनभे याभधीय ससॊह अव्वर नेता थे. [MONTAGE: ARCHIVAL FOOTAGE OF JAGJIVAN RAM, WORKERS PROTESTING, RAMADHIR LEADING UNION OF WORKERS, TAKING MONEY FROM OFFICERS OF BIHAR COLLIERY UNION] 67F EXT. COAL MINES – DAY | 1962 | No money given..workers getting beaten up.. 67E INT. COAL MINES – DAY | 1962 | Labourer putting thumb forward, labourer signing thumb print to take salary (another office), Ramadhir’s driver is extorting money from the workers who are getting wages. A worker comes out and Ghanshyam snatches his money. WORKER हभाये फच्चे फीवी क्मा खाएॉगे ? GHANSHYAM अफे बग फे.. NASIR (VO) आगे मह रे ड मूननमन भाकपमा िा ऩेहरा रूऩ फना.मह मूननमन र डय ठे िेदाय ियने रगे औय दस ु ये भजदयू ों िो सदस्म फनाने िी चॊदेफाज़ी ियने रगे. खुद ह भहाजन फन िे सूत ऩे ऩैसे दे ते औय उनिा भर ू वेतन सत ू िे तौय ऩे यख रेत.े

470 REPEAT 67G EXT. STREETS- DAY [MONTAGE] | 1965 | Ramadhir in election Jeep.. JP SINGH Singh next to him. RAMADHIR SINGH in an election montage CUT TO

470B. EXT. STREETS – DAY | 1965 Him winning election CUT TO

470C. EXT. STREETS – DAY | 1965 | Him in a jeep garlanded NASIR (VO)

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नए नए ठे िेदाय आते यहे . औय याभधीय ससॊह ठे िेदाय तो थे ह , नेता बी फन गए औय चन ु ाव बी जीत गए. [MONTAGE: THE FLOODS THROUGH 1966-1972. NEWSPAPER CUT OUTS OF NATIONALIZATION OF COAL MINES AND THE FLOODS]

70 EXT. B.C.C.L. OFFICE – DAY | 1972 A small one floor building.. That has a board declaring B.C.C.L. office..Ramadhir’s son J.P. Singh has come to meet officer S.P. Sinha J. P SINGH (o.S.) हभये फाफूजी ने िई सारों ति िोमरा खदाने चराई यह , याभाधीय नाभ है उनिा CUT TO:

70A

INT. B.C.C.L OFFICE – DAY | 1972

A Young man sits across an official.. J. P SINGH एस.ऩी. ससन्हा साहफ, हभिो ऩता है कि सारे ठे िेदाय औय भजदयू रोग िैसे िोमरा चुया िय िाराफज़ाय ियते हैं.. हभ मह िाराफज़ाय नह ॊ होने दें गे... फस हभाया भुआवज़ा फदढ़मा हो S.P. Sinha looks on.. CUT TO:

71

INT. RAMADHIR SINGH'S HOUSE 1 – DAY | 1972

Inside the room.. 5-10 workers sitting.. Along with JP Singh.. An older RAMADHIR SINGH talks. He puts the coal on a weighing scale.. The coal shows certain weight. RAMADHIR SINGH क्मा है , मे जो िोमरा है ना, फहुत भजेदाय चीज़ है .. द खता ऩत्थय िी तयह है ऩय

ऩत्थय

जैसा गाढा नह ॊ है, हल्िा है . औय इसिो डारो ऩानी भें .... (puts it in a bucket of water) अफ मे सोखेगा ऩानी.. औय हो जामेगा, बाय . He holds it in water till the coal absorbs water. CUT TO:

71A EXT. DHARAM KANTA - DAY | 1972| [I/C] A truck of coal drenched with water through pipes..

CUT TO:

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INT. RAMADHIR SINGH’S HOUSE 1- DAY | 1972 |

Now the coal has settled at the bottom of the bucket.. Ramadhir takes it out and puts it on the weighing scale.. It has more than doubled in weight. CUT TO:

71B

EXT. DHARAM KANTA – DAY | 1972

A truck is weighed on the dharam kanta.. Ehsan Qureshi and two people stand next to an official who gives receipt. CHALLAN MAN(O.S.) सोरह टन है फाफु जी. EHSAN QURESHI (Looking at the receipt) सोरह है ? CHALLAN MAN(O.S) सोरह टन है EHSAN QURESHI (hollering at the driver) आजा बाई. Official writes the weight.. Gives the receipt to Ehsan Qureshi.. He leaves. CUT TO:

74

INT. RAMADHIR SINGH'S HOUSE 1 – DAY | 1971

In a big house all workers sit on the ground as the food is served to them on pattals. Hot Littis are being fished out of a kadhai with boiling ghee. RAMADHIR SINGH serves.. A very sickly, labourer who hides few littis in his pocket.. Stop on being caught. RAMADHIR SINGH ई सारा याष्ट्र मियण जफ से हुआ है , फहुत जुरभ हो यहा तुभ रोगों िे साथ. सारा हभया मूनीअन, हभ भजदयू ों िा मूनीअन हभें उधाय दे िय सूद िे नाभ ऩय हय भह ना हभाया वेतन खा यहा है .. (all look up at him) औय मे िैसे हो यहा है ? सफ चीफ़ साहफ कि दे ख ये ख भें हो यहा है . सारा एस.ऩी.ससन्हा जफ ति यहे गा तफ ति न तो हभाये घय भें चूल्हा जरेगा, ना छत बफछे गी. हभये घय भें खाने िो नह ॊ है महाॉ रोगों िे ऩास

औय ऊ अऩने घय िे फाहय

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गाडान-गाडान खेर यहा है . I/C

I/C 72 INT. B.C.C.L OFFICE -CORRIDOR – DAY | 1972 JP Singh walks in furious.. The peon tries to stop him, he is put against the wall. GUARD मे ठहयो िहाॉ जा यहे हो.. J.P. SINGH हट हट.

I/C 73

INT. B.C.C.L. OFFICE CABIN- DAY | 1972

S.P. SINHA looks up.. As JP Singh throws money on the table.. J. P SINGH हभने िहा था ना आऩसे िी हभाया दहस्सा बी फाकि िे ठे िेदायों िे फयाफय होना चादहए. अये जजतना डडभाॊड आता है महाॉ से, उतना जा यहा है महाॉ से.. S.P. SINHA जा यहा है जे.ऩी.ससॊह, रेकिन ऩहुॉच नह ॊ यहा है . तुभ रोगों िो िा रगता है कि एस.ऩी.ससन्हा साहफ ससपा ऩढ़े सरखे आदभी हैं, आकपस भें खार िरभ नघसते यहते हैं. चोय िैसे होती है क्मा ऩता उनिो. JP just stares. CUT TO:

75

I/E. S.P. SINHA’S RESIDENCE -GARDEN – DAY |1972

S.P. Sinha with his four year old in the garden A car.. RAMADHIR SINGH, JP Singh and two more people.. S.P. SINHA (To his son) अये पूर नह ॊ तोड़ते ना.. पूर से खार खेरो, सभझ गमा तू. He notices Ramadhir and J.P Singh approaching him with swords. He gets scared and runs inside the house. S.P. SINHA मे याभधीय!! J.P. SINHA आइमे घनशाभ चा आइमे S.P. SINHA looks at them and runs inside.. Leaving his child.. the men

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chase him inside.. We stay on the kid.. as he looks.. men carrying swords disappear inside the house.. they come out with a stained sword. Ramdhir swipes blood off the sword and puts a vermillion on the kid’s head.

RAMADHIR SINGH फेटा फहुत फड़े आदभी थे तुहाये वऩताजी.

NASIR (VO) याष्ट्र मियण भें सयिाय ने याभाधीय ससॊह िी खदाने उनसे वाऩस रेिय िोर इॊडडमा िे सऩ ु त ू ा िय द ॊ जो िी एस. ऩी. ससन्हा िे अधीन था औय याभधीय ससॊह वावऩस भासरि से ठे िेदाय हो गए थे. औय एस.ऩी. ससन्हा िी हत्मा ियने िे फाद जो बम ऩैहरा, याभधीय ससॊह िा, उसने उन्हें धनफाद िा ऩहरा फाहुफर फनामा.

291 EXT. RED LIGHT AREA - NIGHT|

Nagma walks down the street... a knife in hand... NAGMA हट!! सयदाय खान िहाॉ है ? सयदाय खान, आमा क्मा महाॉ टिरू? सयदाय खान! She walks down furious and pregnant... people react to her... she comes to a house and knocks at the door... she knocks furiously at the door...

SARDAR KHAN ए िौन है ?

NAGMA िौन है .. एईईई!

Nagma sees the other woman and gets furious. Sardar jumps on the bed and uses the pillow as a shield. Nagma starts slashing the knife at him.

SARDAR KHAN ए.. ऐ.. अये .. ई हयाभजाद फोरती है िी ए नगभा है .. ऐ . XXX NAGMA

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ऊ फोर वो नगभा है , तुभिो नगभा ददखाई दे ने रगी? चुनतमा सभझते हो हभिो? Sardar Khan jumps off the bed and takes the prostitute as a shield. SARDAR KHAN अये हभ सो यहे थे ऩता नह ॊ चरा, ऩता नह ॊ चरा हभिो.. अये NAGMA अॊदय घुसने से ऩहरे घय ददखा था िे नह ॊ िी नीॊद भें चर यहे थे SARDAR KHAN अये .. अये हभ नसे भें थे, ऩता नह ॊ चरा. ए हभाया पामदा उठाई है .. अये हभाया पामदा NAGMA एईईएएई! SARDAR KHAN अये पामदा.. अये िा िय यह है , भय जामेगी मह. NAGMA भयने दे !! हटो SARDAR KHAN अये भडाय हो जामेगा, तीन सौ दो रग जामेगा NAGMA हटो.. हटो नह ॊ सच भें भाय दें गे SARDAR KHAN बफना औराद िी भाॉ हो जामेगी.. अये ! हभ फता यहे हैं. NAGMA नह ॊ छोडेंगे तुभिो आज.

Sardar escapes from the back door. Nagma follows him.

SARDAR KHAN फता.. फता यहे हैं..

NAGMA

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औ..आ. तुभिो फादभे दे खेंगे. आ.. िहाॉ बाग यहा है डयऩोि अह्हॊ !! िबी ना िबी तो घय आमेगा त.ू .. हयाभखोय.. बड़वा सारा.. यॊ डीफाज़.. CUT TO:

293 EXT. SARDAR’S HOUSE - NIGHT| SARDAR now wearing clothes... carries a big fish... and sniffs... stops outside the house... a lot of crowd... SARDAR looks at Nasir... CUT TO:

294 INT. SARDAR’S HOUSE - NIGHT| Nagma in labour screaming... As SARDAR enters... she looks at him.. Picks up something and throws it at him... He ducks and hits his head on something... Nagma lying on the bed with the baby beside her. CUT TO:

295 INT. SARDAR’S HOUSE - NIGHT| 1963 | SARDAR holding the child... SARDAR KHAN हाम भेया फच्चा, हाम भेया याजा, हाशदे , हाशदे , हाशदे , हाशदे , हाशदे , हाशदे .. हाशदे , भेया याजा, .. हाशदे , भेया याजा भूउह्ह्ह! भूउह्ह्ह! भूउह्ह्ह!

Nagma comes to him with the a glass of milk. With a gesture she asks for the baby. Sardar gives the baby away to her. SARDAR KHAN रे रे.. रे NAGMA हाम भेया फच्चा, हाम भेया याजा. हाम भेया फच्चा Sardar hands the baby to her. She leaves with the baby without saying a word. SARDAR KHAN अये भाप िय दे .

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289 INT. SARDAR’S HOUSE/ BEDROOM - NIGHT| 1963 | A pregnant Nagma is folding her sarree. Sardar is holding the sarree from the other end. on the bed... SARDAR comes from behind and holds her... NAGMA िा है ... SARDAR (smiling) ऩता नह ॊ... Rubs himself against her... his smile is kind of sexual...

NAGMA ई िा है ?? SARDAR फस है ... NAGMA अबी िुछ नह ॊ हो सिता... SARDAR िाहे ? NAGMA हभये ऩेट भें िोई है ना... SARDAR तो उसिो फाहय थोड़ी ना ननिार यहे हैं... NAGMA शयभ नह ॊ आती, अऩने फचुआ िो गन्दा ियें गे

Nagma hits his crotch and Sardar sits down in pain. Nagma is laughing. CUT TO: 290 INT. SARDAR’S HOUSE/ BEDROOM - DAY| 1963 | A religious person sits Sardar, Nasir and Asgar in the courtyard... MAULVI

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फेटा सह नह ॊ है मे... जफ िोई ऩहरे से ह अॊदय भौजूद हो तो अऩने आऩ िो िाफू ियना सीखो... ASGAR नह ॊ नह ॊ सह िह यहे हो भौरवी साहफ Just then Nagma walks in NAGMA हभ तो िह िह िे थि गए.. आदभी तो ई गरती ऩैदा हो गमे हैं... घोडड़मों िा अस्तफर भें अिेरा घोड़ा होना चादहए था. CUT TO:

296 INT/EXT. SARDAR’S HOUSE - NIGHT| 1964 | Sardar and Nasir sit outside the house... SARDAR (TO NASIR) जफ दाननश ऩेट भें था तो नौ भह ने ऐसे ह गुजाय गए... उसिे होने िे फाद एि भह ना औय सुखा सुखा ह गमा... अफ दस ू या ऩेट भें है .. ASGAR चरो, खाना तैमाय है . SARDAR आते हैं. िा ियें , सारा जजमें कि नह ॊ जजमें... NASIR हभ बी तो जजमें हैं. SARDAR ऩता नह ॊ िैसे जजमें हैं.

Nagma serves food to all of them... Sardar , Asgar and Nasir sitting close to each other. NAGMA तुभिो ठयि सभटाना है , जहाॉ जाना है जाओ... फस घय भत रेिय आना नह ॊ तो मदहॊमे चीय दें गे.. औय जहाॉ जाओ, ननिरते वक्त नहा रेना... He looks at her..

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SARDAR अये िौन िहाॉ जा यहा है .. Nagma looks at him, then Nasir... SARDAR looks from Nasir back to her... Nasir continues eating... NAGMA खाना खाओ... ताित आएगा.. फाहय जािे फेईज्ज़ती भत िया दे ना.. SARDAR is angry.

76 EXT. DHANBAD ROAD 1 – DAY | 1974 Large crowd on the streets..J. P SINGH..on a jeep..his father next to him...both garlanded.. Its a campaign.. with the farmer's hull (plough) as a sign.. big microphone.. announcing.. Sardar, Asgar, Nasir and Nagma watch the rally. Announcement आगे बाई, जे.ऩी बाई, ऩीछे बाई, जे.ऩी बाई, दाएॉ बाई, जे.ऩी बाई, फाएॊ बाई, जे.ऩी बाई, best character, social worker

77B INT. OFFICE – NIGHT | 1974 |

JP Singh at a new petrol pump.. ASGAR फस गाडी भें तेर बयवा दें भासरि औय चाहें तो ऊऩय से भाससि तै िय रें JP SINGH तेर हभाये ऩम्ऩ ऩे बयवा सरमा ियना ASGAR अगय गाडी िी ज़रूयत न हो तो प्राइवेट भें चरा सिते हैं भासरि? JP nods.

CUT TO:

77C:

EXT. PETROL PUMP – DAY | 1974 |

Asgar filling out petrol in a canister

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NASIR VO: असगय ने सेठ फन िय जेवऩमा िे साथ गाडी चराने िा ठे िा सरमा. वो भफ् ु त िा ऩेरोर बयवा िय फहाय रि वारों िो फेचता था सस्ते दाभ ऩय. औय सयदाय उसिी सवारयओॊ िो राता रे जाता था ASGAR टॊ िी पुर िय दे .. औय इसभें बी बय दे ना.. CUT TO:

78

EXT. SARDAR’S HOUSE – DAY | 1974 |

A small nondescript mohalla.. A jeep comes to a halt.. SARDAR Khan & Asgar get out.. CUT TO:

79

INT. SARDAR'S HOUSE -

DAY | 1974 | DONE

SARDAR khan brings a newspaper.. He shows it to Nasir. Asgar is sitting. He reads it out.. .. JP Singh ke vidhayak bante hi paanch petrol pump khole, jhopdi bani singh mansion aur avaidh zameeno pe kabza.. Nagma ( Sardar’s wife) serves the food to him and NASIR. SARDAR is now 33 year old.. SARDAR puts the paper down.. SARDAR चचा? मह ऩढ़ा आऩने? NASIR (smiles) ऩढ़ा.. जो नह ॊ छऩा है वो बी ऩढ़ा है ... मे ऩाॉचों ऩेरोर ऩम्ऩ याभाधीय ससॊह िी भेहयारू, उसिी दो फेट औय दाभाद िे नाभ ऩे.. NAGMA ऩहरे खा र जजए ,कपय फैठि जभाइए... looks up.. SARDAR असगय, ASGAR हम्भ. SARDAR ऩेरोर बयवा िे आमा जाए िा ? (Nasir continues eating) Sardar, Nasir and Asgar leave.. While Nagma sits back wondering CUT TO:

38

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EXT/INT. PETROL PUMP 1 - DAY | 1974 | DONE

A newly painted petrol pump.. SARDAR KHAN’s jeep comes into the pump.. Sardar, Asgar and Nasir get off the jeep. Attendant comes forward with a pipe to fill petrol. ASGAR टॊ िी पुर िय दे .. (his face is covered with gamchha) They all cover themselves with their shawls. Sardar walks towards the office along with Nasir The attendant can’t find where to fill in the petrol.

ATTENDANT तेरवा िहाॉ बय सयिाय, टॊ िी त हइमे नाह ह, गाडी आऩिे घुभावे िे ऩड़ी Sardar talks to the accountant at the counter. SARDAR कितना रि आता होगा इधय?.. सौ.. दो सौ.. PUMP MAN सौ, दो सौ नह ॊ...ऩाॉच सौ.. SARDAR ऩाॉच सौ!! िसभ से? PUMP MAN हाॉ SARDAR KHAN (to his man, Asgar) हे ..योज ऩाॉच सौ रि िा टॊ िी पुर होता है इधय..अये फाऩ ये फाऩ... While he is saying that, Sardar takes a knife out. Asgar takes out a sword from his jeep and threatens the attendant. PETROL PUMP ATTENDANT ई िा ियत हउआ सयिाय? ASGAR बाग बोंसड़ी िे.. (hits him)

Nasir strangulates the clerk and asks for the key of the safe.

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NASIR चाबी िहाॉ है ? चाबी िहाॉ है ? CLERK (scared) ई याभाधीय ससॊह िा ऩम्ऩ है .. Sardar comes in, picks out the key from the clerks pocket, opens the safe. NASIR िाभ िये गा? CLERK िाभ ह तो ियता हूॉ CLERK (scared) ई याभाधीय ससॊह, ववधामि जी िा ऩेरोर ऩम्ऩ है ..

A truck comes in for petrol...sees ASGAR holding up a sword.. Driver looks at him.. ASGAR िा फेटा? किस्भत जफय है तम् ु हाय ..भप ु त भें फट यहा है ऩेरोर, रे रो...अये रे रो Truck moves on..ASGAR laughs. Sardar takes out all the money from the safe and wraps it in his cloth. Nasir hits the clerk with the telephone. SARDAR ऐ, भाय ददए क्मा तुभ? चर, चर, चर, चर They all head to the jeep. SARDAR ऐ गाड़ी स्टाटा िय! ियो स्टाटा .. NASIR चर SARDAR ऐ स्टाटा िय All three of them get into the jeep and escape. CUT TO: 80A EXT. COAL MINE - DAY PBS - Keh ke loonga starts. A coal mine with dynamites blowing up the mountains. Sardar driving some men. He gets them to a large machine. Ramadhir escorts the men out of the

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machine. Sardar looks at him from distance and Ramadhir notices him back. 83 I/E. JEEP - DAY Sardar is driving the officials out of the mine in his jeep. OFFICIAL 1 भारगाड़ी िा जो आखखय दो डडब्फा है , वो हभाये नाभ ऩे है . साया रोहा हभाये आदभी डरवा दें गे...महाॉ ऩहुॉचते ह हभ उताय रें गे. फाकि िा जो सरखा-ऩढ़त है आऩ दे ख र जजमेगा

Sardar listens to the conversation quietly. 84 I/E. RAILWAY PLATFORM - NIGHT Nasir and Asgar walk up to a man sitting on a bench on a railway platform. Asgar limps while Nasir consoles him. NASIR आयाभ से...अये दे खो दे खो..सॊबर िे..अये सॊबर िे बैमा...सॊबर िे, सॊबर िे...आओ महाॉ फैठ जा महाॉ फैठ जा They

sit next to the man on the bench. NASIR (CONT’D) प्रणाभ, प्रणाभ गाडा फाफू! TRAIN GUARD प्रणाभ! NASIR गाडा फाफू ह हैं ना आऩ, मे भारगाड़ी िे? (to Asgar)हाॉ, अये , सॊबर िे.. सॊबर िे CUT TO:

86. I/E. GOODS TRAIN - NIGHT A goods' train crosses a station. The same guard we saw earlier is now in the Guards cabin of the running goods' train. He hangs out of his cabin as if waiting for something. Another guard at the passing railway station waits with a wire ring in his hand, which he hands to the train guard as the train crosses him. The train guard comes back inside the bogey. As he reaches inside, Asgar puts a knife on his neck. ASGAR दहरना भत. िाट दें गे वयना (to Nasir) ए चचा, क्राजस्सॊग आ यह है , तुभ वहाॉ फत्ती जराओ हभ इसिी फत्ती ऑप ियते हैं. Nasir takes the lamp and brandishes it in order to be seen by Sardar who is waiting for them at an isolated location. After the identifying the train, Sardar hollers at his men. SARDAR KHAN

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चरो ये , अऩनी गाड़ी है ...ऩीछे वार दो फोगी हभाय है ...चर, चर, चर, चर....ऐ चरो जल्द जल्द ....ऐ आयाभ से, आयाभ से, आयाभ से, आयाभ से Sardar walks ahead as the men unload the scrap. Song continues.

I/E. PETROL PUMP 2 - DAY Nasir comes near the petrol pump office window. NASIR (to the clerk) अये , ऩानी चादहए था...हाॊ तो खोर दो. The clerk opens the door. Sardar,Asgar and Nasir get in. Asgar strangulates the clerk with a cloth. Sardar opens the safe and takes out all the money. Nasir goes and drinks water from the pot. SARDAR चरो. CUT TO: I/C

EXT. PLOT WITHOUT A WIRE - DAY Sardar drives JP and his men back. JP instructs his men in the car while Sardar listens. JP SINGH ऩता िय जभीन किसिा है . प्माय से सभझा उसिो....नह ॊ सभझे तो खाई भें डार दे ना. Song continues.

EXT. SARDAR'S HOUSE - DAY Sardar, Asgar and Nasir are making a plan. They're having fun. They drive into sunset. PBS - Keh ke loonga ends.

EXT. PLOT WITH A WIRE - DAY Ramadhir and JP are driven to a plot with barbed wire fence. Ghanshyam is driving the car. They stop. J.P SINGH ई िहाॉ रे िे आमें हैं घनयमाभ जी? GHANSHYAM

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मह ॊ ऩे साहफ..िोई आदभी अवैध िब्ज़ा िय यहा है जभीन ऩय. J.P SINGH िौन? Ghanshyam is silent J.P SINGH (CONT'D) अये िौन िब्ज़ा िय यहा है ? GHANSHYAM सयदाय खान J.P SINGH िौन सयदाय खान? GHANSHYAM वह जो अऩने असगय कि जीऩ चरता है धनफाद स्टे शन ऩय ना..अये अऩने रोगों िो सरमाता रे जाता है ओईजा से. J.P SINGH अये , सारा ऊ िफसे इतना फड़ा गुॊडा हो गमा? Ramadhir observes workers working on the barbed wire fence. RAMADHIR SINGH ऑकपस फुराओ उसिो. GHANSHYAM नह ॊ आएगा. J.P SINGH िाहें ? GHANSHYAM फोरे थे उसिो, तो िहने रगा कि सौदा ियना है तो उसिे ऩास आना ऩड़ेगा. J.P SINGH औय महाॉ हभ दस आदभी खड़ा िय दें गे तो क्मा िय रेगा सारा उ? हैं? िर ति हभाये सरए गाड़ी चराता था...आज सारा हभसे सौदा िये गा ऊ? RAMADHIR SINGH जे ऩी J.P SINGH अये फाऊजी हभ िह यहें हैं उसिी भैमा चोद दें गे, फीच भें ... Ramadhir cuts him abruptly RAMADHIR SINGH जे ऩी! जे ऩी! छोटा आदभी गुॊडई ियना चाहता है ियने दो. भजा रेना चाहता है भजा रेने दो. उसिे भुॊह रगोगे, अऩने फयाफय बफठाओगे, अच्छा रगेगा?

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J.P SINGH तो हभ िा ियें ? RAMADHIR SINGH वो अवैध तय िा अऩना यहा है , तुभ वैध तय िा अऩनाओ. धनफाद थाना तम् ु हये हाई िभाॊड भें आता है ना?

JP Singh nods. J.P SINGH हम्भ. RAMADHIR SINGH फुराओ एस ऩी िो खाने ऩे फर ु ाओ. उसिे भुॊह भें ताय डार िे गाॊड से ननिार िे इसी प्राट ऩे ऩतॊग ना उड़ाई तो हभया नाभ नह ॊ.

INT. SARDAR'S HOUSE - DAY Sardar is in the bathroom getting ready. Sardar comes out of the bath. Nagma is in the kitchen burning coal. Nagma directs some burning coal fumes around Nasir and Sardar as a way to ward off evil. NASIR हाॉ ठीि है , ठीि है , ठीि है , ठीि है Sardar carries Ramadhir's umbrella and leaves along with Nasir and Asgar. NASIR (CONT'D) (To nagma who is directing fumes at Asgar now) अच्छे से नज़य उताय रेना, कपय जाने िफ नज़य आमें. Sardar greets his neighbor before getting into the Jeep. SARDAR KHAN सराभ मादव जी

I/E. POLICE STATION - DAY Sardar, Asgar and Nasir arrive at the police station. Ramamdhir and JP having tea outside. Sardar takes out the umbrella and flaunts it. Ramadhir recognizes his umbrella. NASIR (V.O.) सयदाय िो याभधीय ससॊह नह ॊ ऩहचानता था, शामद भुझे बी नह ॊ. हाराॊकि उसने दे खा तो था भुझे शह द िे साथ. रेकिन अऩना छाता ज़रूय ऩहचानता था.

मह वो जभाना था जफ फड़े रोग अऩना नाभ बूर

जाते थे रेकिन अऩनी ज़भीन, अऩना साभान नह ॊ.

94 INT. POLICE STATION 1 – DAY | 1974 |

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SARDAR sits across from the SP.. with JP.. Silence. SARDAR अये िहाॉ सरखा है ज़भीन आऩिा है ? आऩिा है तो िागज़ ददखाइए. J. P SINGH ज़भीन हभये रोगों िा है .. डीर िय चुिे हैं हभ.. औय मे जो अवैध िब्जे िा जो तुभ चुनतमाऩा िय यहे हो ना, ठीि नह ॊ होगा तुम्हाये सरए... SARDAR सोच सभझ िे फोसरए ससॊह साहफ. वैध अवैध िा पयि हभें भत सभझाइए.... (he hands SARDAR a paper, SARDAR slams it in front of JP) मे यहा ज़भीन िा िागज, ऩूया दस रुऩमा भें खय दें है .. JP looks at it.. Laughs. J. P SINGH दस रुऩमे भें ? (looks at the SP) सारे तुभिो ऩता है कि हभये साभने औिात क्मा है तम् ु हाय बोंसड़ी िे..मह ॊ ऩे िाट दें गे साभने... SARDAR slaps him.. SARDAR ऐ जे ऩी... जे ऩी Everyone shocked. SARDAR ए.. एस.ऩी साहफ, अऩना िुसी ऩय फैठे यहें गे तो सफिे सरए अच्छा यहे गा (turns to JP)

SARDAR ववधामि साहफ, आॉड चाहे जजतना फड़ा हो जामे.. राॊड िे नीचे ह यहते हैं.. SP moves. J. P SINGH तुभिो ऩता नह ॊ है , िौन हैं हभ? सारे ववधामि ऩय हाथ उठाता है तुभ SARDAR आऩिो नह ॊ ऩता हभ िौन हैं... घय वाऩस जा िे जफ अऩने वऩताजी िा गाॊड खज ु ा यहे होंगे ना, हभ िौन हैं... Silent standoff.. SARDAR

ऩछ ू ना इनसे

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एस.ऩी साहफ (SP looks) ववधामि िो सये आभ थाने भें थप्ऩड़ भायने िे सरए कितना ददन जेर भें यहना ऩड़ता है ? SP keeps sitting, unable to say a word.. Asgar hits JP on the head.. Sardar looks ASGAR औय एस ऩी साहफ, हभहूॉ जाएॉगे अफ तो अॊदय...ल्मो JP SINGH तेय भैमा िी...तेय ... JP hits back. Ramamdhir leaves angrily. JP and Ghanshyam follow. JP complains. JP SINGH फाऊजी...अये आऩ वहाॉ ऩे िुछ, चऩ ु ... Ramadhir gestures him to shut up angrily and ushers Ghanshyam to start the car. RAMADHIR SINGH गाड़ी स्टाटा ियो.

CUT TO: 474. EXT. RAMADHIR’S HOUSE 2– DAY

| 1974 |

RAMADHIR SINGH beats JP SINGH in front of people RAMADHIR SINGH सभझेगा क्मा, सभझेगा वह ना जो मे है , ___

चुनतमा सारा हट बोसड़ी िे

RAMADHIR’S WIFE मे क्मा िय यहे हो? अये िाहे भाये जा यहे हो? RAMADHIR SINGH बफना जानिाय िे किसी िो बी नौिय ऩे यखेगा______________ JP SINGH अये हभिो नह ॊ ऩता था िुछ RAMADHIR SINGH दे खो.. सफ दे खो अऩने ववधामि िो वऩटते हुए.. साॊऩ िो ऩार यहा था. RAMADHIR’S WIFE अये मे िा िय यहे हो, रोगों िे साभने िाहे भाय यहे हो..

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RAMADHIR SINGH चुऩ.. तुभ फीच भें ना आओ, नह ॊ तुम्हय गदा न िाटें गे. तुभ ह जनी हो इस सारे िऩूत िे.. ववधामि फनेगे, चुनतमा सारा RAMADHIR’S WIFE जान दे ओ

95

INT. POLICE STATION 1 – DAY | 1974 | SARDAR Khan brought into the prison.. He walks on as people stare.. He finds SARDAR KHAN ववधामि जे.ऩी.ससॊह िो िूट ददए. एस.ऩीए आकपस भें . ASGAR वो बी उसिे फाऩ िे साभने SARDAR KHAN सयदाय खान नाभ है हभाया, फता द जमेगा सफिो. िा किमे? ASGAR िूट ददए! SARDAR KHAN िूट ददए. एस.ऩीए आकपस भें . ASGAR फाऩ िे साभने

475 INT. RAMADHIR SINGH’S HOUSE 2 – DAY | 1974 | Ghanshyam escorts Ehsan Qureshi into the house. EHSAN सराभ वारेिुभ! RAMADHIR SINGH आओ आओ. Ehsan sits down. Ramadhir asks him to sit on the couch, by his side. Ehsan is all excited to come to his house after a long time. RAMADHIR SINGH

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अये एहसान, महाॉ फैठो.. अये महाॉ फैठो बाई. आओ. माय िर यात िो फहुत बमानि सऩना दे खे हभ..शादहद खान माद है ना? वो जो हभाया ऩहरवान हुआ ियता था. Ehsan tries to recollect. EHSAN वो आमा था सऩने भें ?

RAMADHIR SNGH हाॉ?

EHSAN वोह आमा था सऩने भें आऩिे क्मा?

RAMADHIR SINGH उसिा रौंडा ... उसिे रौंडे िा बूत आमा था सऩने भें . जजसिो भाय िे गाडे थे तुभ. िहाॉ गाड़े थे? Ehsan is clueless and shocked. He doesn’t answer. RAMADHIR SINGH िहाॉ गाड़े थे? िहाॉ गाड़े थे? माद तो है तुभिो जहाॉ गाड़े थे. Speechless Ehsan. EHSAN वह ीँ गाड़े थे.

RAMADHIR SINGH तो अफ ऐसा ियो िी.. वहाॉ जाओ औय खोद िय िे उसिे शय य िा जो अवशेष फचा है उसे रे आओ. िा है कि ऩॊडडत जी िह यहे हैं कि... उसिो सय य अबी जजन्दा हैं. तबी बूत फन िे हभिो डया यहा है सारा.

EHSAN जी ठीि है ..

RAMADHIR SINGH

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हम्भ.. Ramadhir slaps him RAMADHIR SINGH बोसड़ी िे... अफ तो सच फोर दो बोसड़ी िे ..नह ॊ तो तुभ िो भाय िे गाडा दें गे वह ीँ ऩे हभ. EHSAN गरती हो गमी भासरि हभसे. गरती हो गमी हभसे.

RAMADHIR SINGH गरती हो गमी? तुम्हाय इस एि गरती से कितना तभाशा होगा, इसिा अॊदाजा नह ॊ है तुम्हे .

EHSAN stares . 97A INT- POLICE STATION- JAIL – DAY | 1974 | Sardar introduces Pappu to Asgar as the bomb maker. ASGAR बैमा मे ऩप्ऩू जी हैं... ऩॊजाफ से हैं.. फभ फनाने भें उस्ताद हैं. SARDAR KHAN फभ फनाएगा

PAPPU फनाऊॉगा

SARDAR KHAN क्मा क्मा रगेगा?

PAPPU ऩोटास रगेगा

SARDAR KHAN औय?

PAPPU सल्पय रगेगा

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SARDAR KHAN औय?

PAPPU िोमरे िा ऩावडय रगेगा

SARDAR KHAN फना रेगा?

PAPPU फना रॉ ग ू ा 300 INT. SARDAR’S HOUSE - DAY| 1974 | Nagma puts the masala (bomb ingredients) in the tiffin... She gives the tiffin to YOUNG DANISH... YOUNG DANISH takes the tiffin... walks to Nasir... NASIR िहाॉ? YOUNG DANISH खाना दे ने.. NASIR किसे? YOUNG DANISH अब्फू िो... NASIR खोरो... YOUNG DANISH opens the tiffin... Nagma hits him on his head... िा सभझाए थे तभ ु िो YOUNG DANISH भाय िाहे यह हो? NAGMA हाॉ तो ठीि से ियो. YOUNG DANISH looks at Nasir...

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NASIR िहाॉ... YOUNG DANISH खाना दे ने जा यहा हूॉ अब्फू िो. NAGMA (hits him) ऐसे सभसभमाओगे.. दभ है मा नह ॊ अॊदय. हभय औराद हो मा ढाई रुऩैमे वार यॊ डी िा जहाॉ तोये फाफज ू ी भॉह ु भायने जाते हैं... Young Faizal watches... [PBS: bhoons ke dher mein song begins] CUT TO: 301 INT. POLICE STATION 1/ PRISON – DAY | 1974 | Danish has come to deliver the tiffin to Sardar Khan. At the gate he is stopped by the cop. YOUNG DANISH सयदाय खान िे फेटे हैं हभ... खाना राए हैं POLICEMAN क्मा है ? ... YOUNG DANISH खाना है .... खोरो िा खोरें ? ऊॉगर दार िे छोंिा रगोगे िा Cop stares at him...

99 INT. POLICE STATION 1 - CELL – DAY | 1974 Sardar and Asgar are opening the tiffin box. They find nails in one of the boxes. ASGAR ऩोटास ऩोटास.. SARDAR ऩोटास.. मे िीरा.. मे क्मा है ? They look into the next box which has iron powder in it. ASGAR

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िाॊच औय िीरा SARDAR असर भार है , फॊद िय

EXT. DHANBAD JAIL - NIGHT Prison inmates are singing a song – Na Mili Hai Asgar joins them wearing a saree. He starts dancing with a midget. Meanwhile Sardar is making the bomb with Pappu in a different place in the jail. The song can be heard SARDAR KHAN कितना टाइभ रगेगा

PAPPU फभ फना यहा हूॉ, चाम थोड़ी, टाइभ तो रगेगा ना

SARDAR KHAN अगरा फिय द मह ॊ भनाना है Sardar goes and checks if all the cops are away. Song continues.

SARDAR KHAN जल्द जल्द फाॊधो ना

PAPPU फस फस

SARDAR KHAN फाॊधना ह है ना

PAPPU टाइट फाॊधना ऩड़ेगा ना रज ू फॊधेगा तो पूटे गा ना

SARDAR KHAN

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हाॉ दयोगा आएगा ना तो भुॊह ऩे पोड दे गा Sardar is impatient. He notices something.

SaRDAR KHAN आ यहा है Asgar comes out of the cell and strangulates a cop with his saree. Sardar and Pappu join him with the bombs. ASGAR ऩप्ऩू जी, ऩप्ऩू SARDAR चर चर चर ASGAR ऩप्ऩू आ जा They shoot at a cop pursuing them. They hurl a bomb at one of the walls. Nothing happens. They hurl another bomb. With the loud sound and shudder, the jailor wakes up. He runs outside. The jailor, cop and other policemen look through the broken down wall. They shoot but everyone has fled the place. The song continues. SARDAR भाय दे Shot of a newspaper of "21 prisoners flee dhanbad prison" PBS - Bhoos ke dher me Ends CUT TO: 120

EXT. QAMAR MAKHDOOMI’S HOUSE – DAY

Some faces.. Qamar, Sardar, Asgar sit together and eat.. Durga is serving.. As she serves.. SARDAR stares at her intensely, then he looks at her cleavage, that forms because of her bending down.. She (DURGA)starts to shiver.. Thus dropping the gravy.. QAMAR अये कपय सभगी आ गमी िा? शभशाद!

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An older woman comes and shoos her off... Older woman starts to serve... QAMAR आसनसोर से आई है ...मे फॊगार रोग अऩनी औयतों िो राज सरहाज बफल्िुर नह ॊ ससखाते.. एिदभ फेहमा िी तयह रड़खड़ा िे चरती है . किसी ददन िसाईओॊ ने दे ख सरमा तो, साया गोयत नोच खाएॉगे इसिा ASGAR रेकिन महाॉ क्मा िय यह है ? QAMAR सुल्तान उठा रामा था.. ऩेशा ियवाना चाहता था इससे.. बाग िे भजस्जद भें छुऩ गमी .. वहाॉ से महाॉ आ गमी. रेकिन खाना फदढमा फनाती है .. ASGAR मे फात तो है

SARDAR gets up SARDAR हाथ िहाॉ धोना है ?

117 EXT. QAMAR MAKHDOOMI’S HOUSE – DAY | 1974 | Sardar Khan wakes up. Asgar is still asleep. He looks down and finds a beautiful woman washing clothes by the well. [an old Hindi song plays in the background] He comes down and watches her while brushing his teeth with a twig. The woman, Durga, is shy and aware of Sardar watching her. They meet mid way. Sardar watches her from head to toe and then holds her hand. SARDAR KHAN िेिया िे घय िी हो? हभिो ऩहचानती हो? She doesnt say a thing. SARDAR KHAN गूॊगी हो? She nods in a no. SARDAR KHAN ब्माह हो गमा है ? इतना फड़ा हो गमी हो, अबी ति ब्माह नह ॊ हुआ?

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SARDAR KHAN एि फाय दे ख बी रो.

राओ तुम्हाया फोझ उठा रें .

Takes the bucket in her hands. She lets go.

He holds her cheeks. She starts shivering.

SARDAR KHAN िाॉऩ िाहे यह हो. िोई अबी ति छुआ नह ॊ िा? अये सुनो. She runs away.

CUT TO:

117A EXT. QAMAR MAKHDOOMI’S HOUSE – DAY | 1974 | Sardar is bathing near the well near the fields. Durga tip toes and watches him bathe. Another old song plays in the background. She comes close to take her bucket but gets scared with Sardar's gaze. SARDAR KHAN रे जाओ. एई.. एहे ऐहे .. She runs away without taking the bucket.

113

EXT. RAILWAY TRACKS 2 – DAY | 1974 Asgar and Sardar walking on the tracks.

SARDAR KHAN अये अल्रा सभमा ने फोरा है चाय ननिाह ियने िो..

ASGAR अच्छा

SARDAR KHAN तो उनिो िैसे भना िय दें . िोई ना िोई िायण तो होगा ना िी वो चाहते है िी हभ चाय फीवी यखें.

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अये चाय घय िा बरा होगा. हाॉ.

Asgar is silent and looking at Sardar.

SARDAR KHAN (CONT'D) तुभ रोगों िे साथ सभस्मा ह मह है .. िी फस अऩने ह फाये भें सोचते हो.. स्वाथी सफ िह ॊ िे.

ASGAR (sarcastically) हाॉ. स्वाथी तो हभ हैं. सह िह यहे हैं.

103

I/E. SARDAR'S HOUSE-

- NIGHT | 1974

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NAGMA Khatun sleeps with her children.. A loud knock on the door.. She gets up. NAGMA ए दाननश.. He sleeps, she kicks him. He wakes up, falls down and then gets up again YOUNG DANISH िा हुआ, िाहे भाय यह हो. NAGMA दे ख िौन किवाड़ ऩीट यहा है YOUNG DANISH चैन से सोने बी नह ॊ दे ते हैं. He gets up.. Walks to the door opens it.. YOUNG DANISH िौन है फे, इतनी यात िो नीॊद क्मों खयाफ िय यहा है ? It's the police. INSPECTOR सयदाय खान है अॊदय? YOUNG DANISH

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अब्फू जेर भें हैं. INSPECTOR चरो हटो यास्ते से YOUNG DANISH अये फोरा ना जेर भें हैं. Inspector puts him aside.. Comes in. NAGMA coming into the hall. NAGMA िौन है , िा है ? िा है बई? तम् ु हय अम्भा िा आॉगन नह ॊ है .. घय है हभया. INSPECTOR सयदाय खान िहाॉ है ? NAGMA िाहे ? इक्िीस भें ऊ बी थे िा? INSPECTOR भैंने ऩूछा अन्दय िौन-िौन है ? NAGMA हभया फच्चा ऩाटी है . सुफह आना, सभरवा दें गे. INSPECTOR यस्ते से हटो NAGMA ऐ!.. ऩीछे हटो.. फोरा ना, सुफह आना. िामदे से, सय पों िा फखत नह ॊ तो मदहॊमे िाट िे पेंि दें गे.चरो पुटो! Inspector retreats.

The door is slammed on them.

105

INT. SARDAR'S HOUSE - NIGHT |1974 |

NAGMA turns to Danish. NAGMA तभ ु रोग जाओ सो जाओ.. हभ दे खते हैं ई बाड़वा रोगों िो CUT TO:

108 (CONTD) EXT. QAMAR MAKHDOOMI’S TUBE WELL – DAY | 1974 |

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Durga is washing Sardar’s clothes. Sardar is sitting by her side and watching her. Asgar is sitting over by a corner.

122 EXT. QAMAR MAKHDOOMI’S HOUSE- ROOF – NIGHT | 1974 | SARDAR on the roof.. tossing and turning.. SARDAR KHAN (os) तेय सभयगी िा फदढ़मा इराज है हभाये ऩास.

He sees her approaching him where he is sleeping.... He pretends to close his eyes.. She comes slowly next to him and gets into his quilt.. He opens his eyes and turns to her staring at her.. .. Gets on top of her.. She stares at him.. He is shivering with excitement. DURGA अह्ह्न्न SARDAR KHAN श श श श श DURGA अह्ह्ह हन्न अह्ह्ह अह्ह्ह (in a shivering voice) Her hands disappear between the two and she knows exactly what to do.. He thrusts into her and she yells.. He puts his hand on her mouth. He picks a pillow.. puts it on her mouth and continues. 305 INT. SARDAR’S HOUSE - DAY| 1974 | A baby ( Young Perpendicular) is crying. Out in the courtyard, Asgar and Nasir sit.. head down.. Deathly silence.. NAGMA नाभ िा है ASGAR दग ु ाा Nagma is angry.. Something falls.. She looks.. Young Faizal is stealing money from the kitchen. He drops the can full of flour. Nagma comes into the kitchen with the sound. She starts beating him. NAGMA िा है , िा हुआ?

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Faizal picks up the money that fell in the flour. She notices him picking it. NAGMA िा है , िा है इ. हभिो िाहे नह ॊ फर ु ा सिते थे. हाथ खोर, हाथ खोर. हाथ खोर, तम् ु हाय अब्फू ददमे हैं आटा? हाथ खोर... YOUNG FAIZAL भाय िाहे यह हैं? NAGMA (CONTD) भायें नह ॊ तो िा ियें ! Faizal runs out. She sits there picking up the flour. 305A EXT. SARDAR’S HOUSE - DAY| 1974 Nasir comes and sees all this. He sits there. Nagma is crying. NAGMA KHATUN (CONT'D) आऩ िुछ फोरते िाहे नह ॊ.

NASIR फेटा हभ िा फोरें . हभ नौिय हैं. उनिे अब्फा िा नभि खाए हैं. सयदाय िो अऩने हाथ से खखरामे हैं. तुभ सह हो, वो भयद है . NAGMA KHATUN तो आऩ िाहे नह ॊ भह ू भायते Nagma leaves all angry. CUT TO: INT. DURGA'S HOUSE - NIGHT Sardar and Durga make love. Asgar sits in the outside room. He can hear lovemaking noises. He turns up the radio volume. CUT TO: 306 EXT. SARDAR’S HOUSE - ROAD 12 - DAY| 1974 | DONE YOUNG FAIZAL sits angry on the road side... he looks... an ice-cream wallah... selling ice cream from a wooden box... old style ice candies... A boy come sits next to him... he is YOUNG FAZLU... YOUNG FAZLU Ice cream खाएगा.. YOUNG FAIZAL looks at him...

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YOUNG FAZLU (CONT’D) एि भेये सरए बी उठा रेना YOUNG FAZLU goes.. Takes the ice cream wallah’s cycle.. and pushes it... it rolls and drops... ice cream wallah runs after YOUNG FAZLU... ICE CREAM WALLAH अये ऐ.. अये ऊ ससुया हभाय_________ रेिे बागत है . ऐ रुि रुि रुि रुि.. ऐ रुि रुि रुि रुि.. Fazlu goes to the wagon and runs away with it. The icecream vendor chases him. Fazlu suddenly drops the wagon. Icecreams fall out of it. Fazlu runs. The vendor goes behind him. Seeing the opportunity, Faisal goes to the wagon and picks up to icecream bars and runs in the opposite direction. CUT TO: 307 EXT. RAY TALKIES – DAY| 1974 | YOUNG FAIZAL stands outside Ray Talkies.. Licking his ice cream with YOUNG FAZLU.. Young Mohsina is watching. YOUNG FAZLU जफ ति भैं जजन्दा हू ना., आईस-क्रीभ िबी खय द िे नह ॊ खानी ऩड़ेगी अगर फाय रार वार खय दॊ ग ू ा YOUNG FAIZAL वो िौन है ? Young Mohsina is requesting the usher to let her in to the theatre. YOUNG MOHSINA अॊिर भुझे बी वऩक्चय ददखाए.. अॊिर भुझे बी वऩक्चय ददखाए.. अॊिर भझ ु े बी वऩक्चय ददखाए ना..

131A EXT. VILLAGE STREET – DAY | 1977 | A burqa clad woman gets abducted from the street. The same woman is discovered in the fields by a man from the village. NASIR KHAN (V.O.) सल् ु ताना डािू िे सभम से िुये सशओॊ िा दफदफा यहा था वासेऩयु भें . तफ सल् ु ताना हुआ ियता था अबी सल् ु तान था. औय सल् ु तान िे िसाई गॊड ु े खर ु ेआभ भन-भानी ियते थे, किसी बी औयत िो उठा रे जाते थे, िुछ बी ियते थे. फािी िे भुसरभानों िो उनिा हि ददराने िा फीड़ा िभय भखदभ ु ी ने उठामा रेकिन िसाइओॊ ने उनिा भाखौर फनामा [MONTAGE]

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131C EXT. VILLAGE STREET – EARLY MORNING | 1977 |

A man comes to poop by the side of the road. As he squats, he notices a dead body.

CUT TO

132 EXT. WASSEYPUR HOUSE 1 – DAY | 1977 | A lot of crowd outside a house.. A crowd of mourners.

133

EXT. WASSEYPUR HOUSE 1 – DAY | 1977 |

A dead body lies there.. Blood seeps on to the sheet covering him. Qamar Makhdoomi sits quietly as the woman cry. The women are seated on one side, near the corpse, while the men are on the other side. CUT TO:

134

I/E. KASAI MOHALLAH – DAY | 1977 |

Kasais busy with their work.. One of them looks at Qamar Makhdoomi walking towards them. BADOOR QURESHI सराभ सभमाॊ... क्मा फात है .. आजिर खुदै रेने आते हो, घय ऩे नह ॊ भॉगवाते.. बफदटमा जवान हो गमी िा? All laugh.. QAMAR सुल्तान से सभरना है . A piece of meat comes flying and goes above his head.. BADOOR QUERSHI (laughs) भुपतै है यख रो. Qamar looks in the direction of where it came from.. Ehsan is smiling and Sultan is smiling too as he slices through his meat.

147

INT. DURGA'S HOUSE – DAY | 1981 |

Qamar Makhdoomi sits with SARDAR. Asgar is also there. QAMAR MAKHDOOMI सुल्तान, सुल्ताना डािू िी फहन िा फेटा है जजसिो एहसान िुयै शी ने अऩने घय ऩे ऩारा है . फायह सार िी उभय भें ऩूया बैंसा अिेरे िाटता था…..औय आज बी ददन िा साठ

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बैंसा खुदै िाटता है . इसीसरए फाकि सफ डयते हैं उससे…..िा ियें इन िुये सशओॊ िा. सफ तयह से सभझामा. हाथ ऩैय जोड़ा. जो हो सिता था सफ किमा…..िौनो पयिे नह ॊ ऩड़ यहा उन ऩय. तुम्हाये नाभ िा वहाॉ फहुत जोय है .. तुम्हाये अब्फू िी रेजेंडय सफिो ऩता है …..अफ तुभ फस वाऩस आ जाओ. वहाॉ भुहल्रे भें नीचे वारा भिान खार ऩड़ा था. हभ सफ सभरिे खय दे हैं. अफ कपय सुल्तान उस ऩे िब्ज़ा िय सरए हैं. उसिे रौंडे यात ददन वहाॉ जुआ खेरते हैं, शयाफ ऩीते हैं. रौंडडमा उठा िे राते हैं यात िो. EXT. FAIZAL'S HOUSE (NASEERUDDIN'S HOUSE)- NIGHT | 1981 Evening.. A house.. Lower floor is lit from within.. CUT TO:

149

INT. FAIZAL'S HOUSE (NASEERUDDIN'S HOUSE)– NIGHT | 1981

Five men drinking.. Playing cards.. One roasts kebabs on a clay stove.. A small little thing rolls inside .. Goes under the table.. They stop playing.. One of them looks underneath .. Trying to figure out what it is.. CUT TO:

150

I/E. FAIZAL'S HOUSE (NASEERUDDIN'S HOUSE) – NIGHT | 1981

A loud sound flash of light and smoke.. One wounded man.. With having lost the palm of his hands waves out screaming. SARDAR khan emerges from the shadows with a sword, with one swipe kills him. आ.. आ भय गमा..आ. आ.. आ .. आ आ.

114 I/E. QAMAR MAKHDOOMI’S HOUSE – DAY | 1974 | Hot onion pakodas are getting fried SARDAR eats some pakodas with tea... Asgar sits too...as a girl sits across Qamar Makhdoomi.. GIRL अफ िॉरेज जाएॉ बी तो िैसे.

वो योज वह ीँ िोने भें खड़ा यहता हैं..हभ गर फदर िे

बी जाएॉ तो िह ॊ ना िह ॊ से आ जाता है . ऐसे दे खता है जैसे िबी किसी आदभी ने किसी औयत िो नह ॊ दे खा होगा. रगता है जैसे खा जामेगा. Qamar closes his eyes.. Sardar is ogling at Durga’s back, who is making pakods in the kitchen while listening to the girl. QAMAR धनफाद िे किसी मुवा नेता िा ऩहरवान है ..उसे अगय वासेऩयु िे अॊदय ह भाय दो तो िोई ददक्ित नह ॊ. ASGAR

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ववधामि जे. ऩी. ससॊह िे ऩहरवान होंगे. अबी हभ रोग िुछ किमे तो ऩुसरस धभि ऩड़ेगी वासेऩयु िे फाहय. Sardar is staring at Durga all through this conversation. Durga is cooking in the kitchen cooking with her back visible.

115 EXT. ROAD 4/MARKET PLACE – DAY | 1974 | A big man is shopping for his ration.. He walks out of the shop.. He walks down the road.. SARDAR joins him.. SARDAR िा ऩहरवान, िा हार चार है , LAXMAN चर फे बोसड़ी िे.. SARDAR takes out an ice pick from an ice slab.. he stabs him.. A jeep comes.. Asgar gets down.. laxman hits back at SARDAR.. SARDAR is light on his feet.. laxman drops his ration.. SARDAR stabs him again. बोसड़ी िे, बोसड़ी िे, बोसड़ी िे बोसड़ी िे, ऩिड़ ऩिड़ उसिो.. Laxman is hurt and he attacks Sardar. Sardar Stabs him repeatedly. Asgar blinds Laxman with a shawl. Laxman runs away. Sardar and Asgar follow him in a jeep. They knock him down. SARDAR भया? भया नह ॊ He is half dead. Sardar comes out of the jeep and stabs the icepick until he is dead. NASIR VO सयदाय जेर तोड़ने िे फाद एि सार जो वासेऩुय भें यहा वहाॊ उसने ऩहरवान िो भाया, जे.ऩी.ससॊह िा ऩहरवान, जजसिो आज ति किसी ने हाथ नह ॊ रगामा था. वासेऩुय िा इरािा भुसरभानों िा था औय वो ऩहरवान दहॊद ू था. उसिे शय य िा टुिड़ा टुिड़ा ियिे िसाई खाने िे िचये भें पेंिा... फावजद ू इसिे कि िसाई-खाने िा ठे िा िुये सशओॊ िा था औय िभय भखदभ ु ी िुये सशओॊ िे आॉख िे नासयू थे औय वो जो रड़िी थी वो बी िुये सशओॊ िी नह ॊ थी, उसिे फावजूद िुयै शी िुछ नह ॊ फोरे उस वक्त औय उनिा सयदाय सुल्तान, वो बी चुऩ यहा. CUT TO:

116

EXT. SARDAR KHAN’S GODOWN – DAY | 1974 |

SARDAR KHAN & Qamar Makhdoomi are standing. Asgar is chopping Laxman’s leg.

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EXT. KASAI MOHALLAH – DAY | 1974 |

A police officer at the meat shop.. looks Around... Few local men avoid... All in silence Officer looks around... Looking at the meat... He sits down...looks around NASIR VO एभयजेंसी खतभ हो चुिी थी, अस्सी िा दशि शुरू हो गमा था, धनफाद िो जजरा फने चाय सार हो गए थे औय वासेऩुय अफ धनफाद िा दहस्सा हो चुिा था, जहाॉ सयदाय दोहय जज़ॊदगी जी यहा था. एि घय वासेऩुय भें जहाॉ उसिे दयु भन िुयै शी थे, दस ू या घय धनफाद भें जहाॉ उसिा दयु भन याभधीय ससॊह था. वासेऩयु भें यहने िा पामदा फस मह था िी ऩसु रस िबी इस इरािे भें नह ॊ आती थी. CUT TO:

119 EXT. KASAI MOHALLAH – MEAT SHOP – DAY | 1974 | All the meat refuse is being checked.. And thrown.. Police officer bends down and picks a finger from the refuse behind him... Some reaction... He looks back... Its SULTAN walking towards him with a butcher knife. SULTAN picks the cop up, taking him by surprise.. And puts him against the wall with the knife on the cop's throat.. SULTAN नमा फहार है िा, हाॉ? इहाॉ िा ियने आमे हो? ई जगह िा नाभ वससऩुय है , सभझ गए? चरो POLICE OFFICER धनफाद भें ऩहरवान िो सयदाय खान छुया भाय दददहस ् भािेट भें . औय सुना है , मह ॊ उठा िे रामा है . SULTAN अये तो जफ सयदाय खान भािेट भें ननिरेगा तो उसे ऩिड़ रेना. ठीि है ना? इ वासेऩुय हैं. महाॉ िफूतय बी एि ऩॊख से उड़ता है औय दस ू ये से अऩना इज्जत फचाता है . सभझ गए? चरो! मे.. ____ वो मह ॊ छोड दो. POLICE OFFICER सफूत है ना. Police officer looks at SULTAN... SULTAN looks at him. Cop looks at it and throws it back with the refuse. CUT TO:

154 INT. SARDAR KHAN’S GODOWN – DAY | 1984 | Asgar and Sardar are getting guns made. The gun expert is making country

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guns. SARDAR KHAN ऐ गो िट्टा फनाना था. GUN EXPERT फन जामेगा SARDAR KHAN साइकिर िा भट रयअर रेिे आमे हैं. GUN EXPERT साइकिर िा ऩाइऩ िा नह ॊ फन ऩामेगा. साइकिर िा ऩाइऩ िभजोय होता है औय पट िे परावय हो जामेगा SARDAR KHAN पट िे परावय हो जामेगा? िा राएॊ? We see the details of gun making during this conversation. GUN EXPERT रि िे स्टे रयॊग िा ऩाइऩ Nasir, Asgar and other Sardar men steal steering wheels from trucks from a truck parking area. SARDAR KHAN कितना ऩाइऩ रेिे आना ऩड़ेगा.. यें ज क्मा होगा GUN EXPERT दो यें ज आएगा SARDAR KHAN कितना कितना GUN EXPERT एि ठो दे सी आएगा, एि ठो _____ आमेगा SARDAR KHAN कितना दयु से भयें गे तो आदभी िो भाय रगेगा GUN EXPERT फीस पूट SARDAR KHAN फीस पूट भें भाय िये गा

161

EXT. KASAI MOHALLAH – DAY | 1984 |

Sardar is following a Qureshi walking into a lane. He calls him and shoots at him. SARDAR ऐ िुये शी! फहनचोद... आ.. The gun backfires and hurts Sardar. Sardar runs after the Qureshi. Asgar comes from the other side and shoots at the Qureshi. SARDAR ए ऩीछे दे ख दे ख दे ख ...अये ऩिड़ ..._____से गोर चरता है सारा ASGAR

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अफे... बि् .. SARDAR तेय ...अफे बागो माय!

Asgar and Sardar chase the Qureshi but he escapes.

INT. GUN WORKSHOP - DAY Sardar and Asgar throw the gun at the gun expert. SARDAR ई िा फवासीय फना ददए हो? सारा हाथ झनझना जाता है ...भायते है िसाई भोहल्रा, जाता है िरित्ता.. ASGAR अ..चूनतमा सभझे हो िा?

EXT. QURESHI BUTCHER MARKET - DAY The market is bustling with activity. An old man is singing prayers. Kids playing while the market is busy with meat hanging everywhere. Asgar walks in and hurls something at Badoor who is chopping meat. It's bomb powder. The bombing attempt has failed. Badoor runs after him. Badoor, Ehsan and all the Qureshis run after him. Asgar manages to flee the place. BADOOR QURESHI इसिी भाॉ िा ...इसिी भाॉ...सारे...ए ऩिड़ सारे िो

EXT. QURESHI BUTCHER MARKET - DAY The town is abuzz with Moharram. Its that time of the year when Muslims punish themselves to as "the day of grief". All butchers are out to offer prayers. Sardar and his men come in to the market. They kill each and everyone around there. They bomb the whole market and leave it piling debris. Ehsan comes out and asks one of his men EHSAN QURESHI िौन था? िौन था फे? Sultan arrives at the place. Ehsan explains. EHSAN QURESHI (CONT'D)

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सफ रोग भातभ भें गए थे...हभ सो यहे थे ऊऩय....तबफमत ठीि नह ॊ हभाय िुछ...फाहय से ऐसी आवाज़ आई जैसे िुछ, फहुत जोय से िुछ धभािा हुआ...हभ उठ िे फहाय आमे तो...इनिी दि ू ान भें दे ख यहे हैं, महाॉ साभने दे ख यहे हैं, वहाॉ दे ख यहें हैं, वहाॉ....वहाॉ, ऩीछे उधय.....जान नह ॊ रेनी चादहए किसी िी...

EXT. STREETS - NIGHT Sardar is driving through a street busy with festivities. NASIR KHAN (V.O.)

EXT. STREETS - NIGHT Sardar is driving through a street busy with festivities. NASIR KHAN (V.O.) वासेऩयु भें वचास्व हो यहा था सयदाय िा...औय सयदाय वचास्व जभाने भें इतना भशगूर हो गमा था िी वो बूर चुिा था िी उसिी फीवी नगभा खातून औय उसिे रौंडे अबी जजॊदा हैं.

INTERVAL

EXT. SARDAR'S HOUSE - NIGHT Nasir is sleeping in the hall. Nagma comes. NAGMA KHATUN फत्ती फुझा दें ? NASIR यहने दो. हभ फुझा दें गे. A pregnant Nagma enters her bedroom. The two kids are sleeping. Sardar is sleeping on their side. She then lies down on bed.. He again puts his hand on her stomach.. SARDAR KHAN रनतमाता है ? NAGMA ह्म्म्भ. SARDAR अबी बी रनतमा यहा है ? NAGMA नह ॊ

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He then suggestively moves his hands towards her breasts.. She grabs it and puts it back on the stomach.. NAGMA जमप्रिाशवा औय ऊ िे फाऩ िापी ठन्डा ऩड़ गए हैं. SARDAR ठन्डा नह ॊ ऩड़े हैं.. भौिा दे ख यहे हैं. बसू भहाय सारे नेवरे होते हैं.. ताड़ िे वाय ियते हैं

His hands slide again.. She again grabs it and puts it back on her stomach.. SARDAR िा है ? NAGMA डॉक्टय भना किए हैं. SARDAR डॉक्टय िुछ नह ॊ जनता. तू ऩिड़ नम्फड़ी...उठा टॊ गड़ी NAGMA तभ ु तो फड़िा हिीभ हो ना SARDAR तो हभ िा ियें ? NAGMA जो ियते हो हभेसा. SARDAR हट तेय .. He gets up from bed.. Goes out.. She stays in bed.. Not bothered. Sardar gets angry and leaves the bedroom. He goes to the verandah, has a glass of water and looks pissed. He comes back to her. SARDAR अच्छा फहाना है , ऩेट िो गुब्फाया िी तयह पुरा रो औय हभिो दयू िय दो. Nasir listening to all this in the hall NAGMA हाॉ जैसे अऩने भन से हो जाता है .. अल्राह सभमाॉ आ िे छोड़ जाते हैं हभये ऩेट भें तुम्हय औराद. SARDAR हभय भाॉ िे तो चाय चाय ऩैदा नह ॊ हुए थे. NAGMA उसी िा फदरा रे यहे हो. Sardar looks at her.

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SARDAR फदरा नह ॊ रे यहे हैं.. तुभिो ह फड़ा भजा आता है फच्चा ऩैदा

ियने भें

NAGMA तुभ घय ऩे यहफे िहाॉ ियते हो..तुम्हे गुॊडई से पुयसत िहाॉ.. िभ से िभ इन िा गुॊडागदी से घय भें भन तो रगा यहता है .. SARDAR िर हभ दस ू य रे आए तो? NAGMA रे आए िा भतरफ? जैसे हभिो तो ऩता नह ॊ है उ फॊगारन िा फाये भें . He looks at her silent. NAGMA ऊिो बी ऩेट से िय ददए हो िा? He stares at her. NAGMA घूय िाहे यहे हो? He walks out angry.. She just breathes out.. Not bothered.. He walks out through Nasir's room. Nasir pretends to sleep. Sardar shakes him up and tells him. SARDAR ऐ चचा... जा यहे हैं हभ.. NASIR ऐ...अये .. He goes out, wakes up his henchmen sleeping on the cot outside and asks for the jeep keys. SARDAR KHAN (CONT'D) ए, चाबी दे ! जगा इसिो. Nasir comes out after Sardar, worried. NASIR अये ... भगय जा िहाॉ यहे हो..अये सयदाय...अये ...ए सयदाय! Sardar doesn't bother to respond. Nasir watches him leave with his two henchmen.

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EXT. DURGA'S HOUSE - NIGHT He stops outside a house.. Gets down.. Goes upto the door.. Knocks.. MALE VOICE िौन है ? SARDAR हभ हैं, सयदाय

Door opens.. It's ASGAR.. Sardar looks at him nods.. ASGAR अये िहाॉ यह यहे हो बैमा...फहुत तिर प भें है बौजी... िापी ददा उठा है उनिो. SARDAR KHAN दे खते हैं. He walks in.. He peeps into the room. SARDAR KHAN दग ु ाा...ए दग ु ाा..िा हुआ? फड़ा ददा हो यहा है ?

She is crying. She starts beating him DURGA छोड़ो...छोड़ो भझ ु .े .. छोड़ दो भझ ु .े SARDAR अये अये ....ए फाऩ ये फाऩ...फस..फस...जान भाये गी क्मा? क्मा हुआ? हॊ ? फताओ िा हुआ? हाॉ? िा हुआ? िा हुआ? DURGA ई िा िय ददमे हभिो.. सभगी ठीि ियने चरे थे... बैंस िी तयह फाॊध ददमे. SARDAR अये िाहे िोस यह हो हभिो?...अये DURGA भुझे आऩिे नगभा खातून िे जैसा, फच्चा जनने िा भशीन नह ॊ फनना है . SARDAR अये तो िौन फना यहा है ? DURGA तो ई िा है ? (a very pregnant stomach)

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SARDAR KHAN अये ..ई तो प्माय है .....प्माय है हभाया.

EXT. SARDAR'S HOUSE - DAY YOUNG DANISH & Faizal are sitting in front of the door.. Danish looks towards the gate.. YOUNG DANISH पैज़र Young Faizal looks.. Sardar drives to the house. He gets off the jeep and greets the neighbor like usual. SARDAR KHAN सराभ मादव जी He meets Danish and Faizal at the door. SARDAR क्मा ये ...किधय है तेय अम्भी? YOUNG DANISH फेहोश है .. SARDAR रड़िा हुआ.. िे रड़िी? YOUNG DANISH रड़िा SARADAR हाॉ तो हॉस ना.. रिवा भाय गमा है क्मा भुॊह िो? He pulls Faizal's cheeks. The kids start smiling. SARDAR KHAN (CONT'D) ऩैसे चादहए? They nod. Sardar gives them money. SARDAR KHAN (CONT'D) फाॉट रेना. He turns and goes back. Young FAIZAL अम्भी िो दे खेंगे नह ॊ ? SARDAR अफ फेहोस है तो िा पामदा.. फोर दे ना नमा िुताा ऩहन िे आए थे Sardar leaves. The kids just stand there.

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INT. SARDAR'S HOUSE - DAY Nagma and the Faizal have worn burqas. Nagma is making Danish wear a burqa. DANISH हभिो मे नह ॊ ऩहनना हैं अम्भी.. NAGMA KHATUN चुऩ िय. DANISH हभिो मे नह ॊ ऩहनना हैं.. Nagma slaps him. NAGMA KHATUN चऩ िय. वो नह ॊ ऩहना है ु क्मा? िा सयभ आ यह है तुभिो? EXT. MARKET AREA - DAY Durga and Sardar are buying utensils. They are having a good time, romancing slyly. Nagma and the kids watch them from a distance. Faizal cant watch this anymore and he runs away.

INT. SARDAR'S HOUSE - DAY Nagma is sitting in the backyard. Faizal is crying. NAGMA KHATUN िा िये गा स्िूर जा िे? तेये अब्फू तो ऩैसे बेजना फॊद िय

ददए हैं. जा...िाभ िय, दो ऩैसे िभा..हॉ.. Nagma continues with her work. Faizal looks sad.

EXT. SMALL LANE - DAY Faizal is angry and he has a huge rock in his hand. He is walking in to narrow lanes. Fazlu catches up with him. FAZLU पैज़र...पैज़र, फता तो सह , िहाॉ जा यहा है ? Faizal doesn't answer. Fazlu realizes. FAZLU (CONT'D)

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पैज़र...किसिो भायने जा यहा है ? Faizal is not answering. They both continue and reach Durga's house.

EXT. DURGA'S HOUSE - DAY Faizal hurls rocks at Durga's door. FAZLU किसिा घय है मे ? भैं बी भारूॊ? Fazlu joins Faizal at hurling rocks at the door. Durga opens the door. She keeps screaming at the kids in Bengali DURGA ए! िा है ? एखान दे िे ऩारा...ना तो ऩोदै य भोदे ऐखुनी ढूकिमे दे फो! ना तो ऩोदै य भोदे ढूकि दे फो ऐखुनी...हयाभी िोथाम...

INT. TRAIN COMPARTMENT - DAY Faizal and Danish are cleaning trains to earn some money.

EXT. TRAIN STATION - DAY Danish and Faizal are walking out of the station after work. FAIZAL KHAN कितना ऩैसा सभरा? DANISH फीस ठो. FAIZAL KHAN फस? DANISH हाॉ FAIZAL KHAN दस रूऩमा हभहू िो दोगे? DANISH

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ई िुर ऩैसा अम्भी िे ऩास जाएगा, सभझे?

Danish and Faizal are stopped by Ramadhir Singh. Ramadhir Singh is in a car, almost waiting for them. RAMADHIR SINGH फेटा दाननश.. Danish comes close to the car RAMADHIR SINGH (CONT'D) ऩहचाने हभें ? DANISH जी? RAMADHIR SINGH याभाधीय, ववधामि हैं. आओ तुम्हे घय छोड़ दें ? INT. RAMADHIR'S CAR - DAY Ramadhir and Danish are sitting at the back. Faizal is in the front. RAMADHIR SINGH तुम्हये अब्फू घय िफ से नह ॊ आए? (he is quiet) सार बय?.. ज्मादा?.. खद ु

राखों िभाता है , उस फॊगारन औय उसिे फेटों ऩे उड़ाता है . तुभ दोनों स्िूर जाने िे फजाए ये रगाड़ी िा ऩखाना साफ़ ियते हो.. गस् ु सा नह ॊ आता? हाॉ? Danish nods in a yes. Ramadhir counts some money and gives it Danish while Faizal is watching all this. RAMADHIR SINGH हज़ाय रुऩमा है , यखो...यखो, यखो. अऩनी अम्भी िो िहना, याभाधीय ससॊह उसिे साथ है .

INT. SARDAR'S HOUSE - DAY Nagma is doing the dishes in the backyard. Danish and Faizal come to her. Danish hands over the money to Nagma. YOUNG DANISH अम्भी...अम्भी NAGMA

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िौन ददमा ये ? YOUNG DANISH याभाधीय ससॊह जी ने ददमा है .....फोरा है िी जरुयत ऩड़े तो आ िे रे रेना NAGMA उसने ददमा... तू रे सरमा.. She slaps continuously.. NAGMA ( Contd) सबखाय िा फच्चा हो िा? फाऩू भय गए हैं तुम्हया? हुॉ? YOUNG DANISH (Crying) अब्फू हैं तो घय िाहे नह ॊ आते हैं, ऩैसा िाहे नह ॊ बेजते हैं? Nagma gets up and starts hitting him with a broom. NAGMA तुभिो तो हभ फताते हैं...अब्फू

िो, जाने रेगा िा? जान रेगा उनिी, फेवा िये गा अम्भी िो? अनाथ िये गा बाइ िो? ठहय ति ु ो फतातें हैं...िाहे , िाहे

सरमा ऩैसा? अब्फू घय नह ॊ

आते तो िा हुआ? यासन तो सभरता है ...उनिा इज्जत रे िे घूभते तुभ रोग .. हॉ.... Nasir comes in for rescue. NASIR KHAN अये िाहें भाय यह है ?. छोड़ो उसिो... NAGMA KHATUN मे ऩैसा रेिय आमा है ? याभाधीय से ऩैसा रे िय आम है ? NASIR KHAN भत भायो...अये भत भायो...भाय िहें यह हो? NAGMA KHATUN हदटमे...आऩ नह ॊ आमेंगे...हदटमे महाॉ से...हदटमे...हदटमे...हट जाओ महाॉ से... In rage, Nagma takes a bucket and throws it.

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INT. SARDAR'S HOUSE - DAY Nagma is putting medication on Danish's bruised back. Faizal comes in. DANISH भत रगा ना अम्भी, फस िय. नह ॊ रगी है चोट...अम्भी भत रगा ना. NAGMA KHATUN (weeping) चुऩ! Faizal comes and hugs his mother from the back.

INT. SARDAR'S HOUSE - NIGHT Nagma is sobbing and Nasir is trying to console her. NASIR फस फस फस.. Faizal wakes up from his sleep and goes toward the hall to have water. He goes to check her mother. From the ajar door he sees, Nagma and Nasir getting intimate. He bangs at the door and runs away. Nagma tries to stop him but he runs away. NAGMA KHATUN पैजर, पैजर...अये पैजर पैजर पैजर...पैजर, पैजर रुि जा फेटा! पैजर.

INT. SARDAR'S HOUSE - NIGHT Nasir flagellates himself in his room. NASIR KHAN (V.O.) पैज़र िईं यात ति घय नह ॊ आमा. वो फात इस िदय उसिे अॊदय घय िय गमी थी िी ऩता नह ॊ क्मूॉ उसिा िद िाठी सफ रुि गमा. उसिे फाद ना उसिा शय य फढ़ा ना पैरा.

उसिा यॊ ग जैसे अॊदय से सड़ िे िारा ऩड़ने रगा. वो दाननश से छोटा था रेकिन उससे फड़ा रगने रगा. हिीभ, डाक्टय, सफने जवाफ दे ददमा था. नशा बी ियने रगा. औय उस यात िे फाये भें उसने िबी िोई फात नह ॊ िी. ना उसने िुछ

िहा, ना नगभा ने, ना भैंने. ना उसने िबी भेय आॉख से आॉख सभराई, ना भैंने उसिी आॉख से आॉख सभराई. रेकिन मह फात उसे ऩता नह ॊ थी िी भेये औय नगभा िे फीच भें जो होते होते यह गमा था, वो िबी नह ॊ हुआ..

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MONTAGE: FAIZAL WANDERING HOPELESSLY. FAZAIL SMOKING UP WITH FAZLU. FAIZAL AND DANISH CLIMBING HILL, FAIZAL RETURNS HOME BY JUMPING IN TO THE HOUSE WHILE NAGMA AND NASIR LOOK AT HIM IN SILENCE.

EXT. WASSEYPUR ROAD 1 - NIGHT SUPER - 1985 A bunch of boys are singing out loud in a jeep. They are drinking too. Asgar watches them pass by. The boys see a girl walking on the road ALL BOYS ...भीया नाची थी, औय हभ नाचे बफन घुघ ॉ रू िे...िे ऩग

घुघ ॉ रू फाॉध भीया नाची थी....वो तीय बरा किस िाभ िा है जो तीय ननशाने से चूिे चुिे चुिे ये ... DRUNK BOY 1 ए फोतर छुऩा फोतर छुऩा... DRUNK BOY ए िहाॉ छुऩा फे िहाॉ छुऩा.. DRUNK BOY 1 जस्भता ऩादटर जा यह है फे, फोतर छुऩा ...

The drunk boy gets off the jeep and comes near her and teases her. DRUNK BOY 1 थगयडी, थगयडी, थगयडी, थगयडी, थगयडी

INT. QAMAR MAKHDOOMI'S HOUSE - DAY Asgar and Sardar are in the courtyard. The abducted girl's father is mourning. Qamar is sitting by his side. ASGAR चाय ऩाॉच ठो रौंडा रोग ऩीिे गाड़ी चरा यहा थािी... ह याऩुय िी गाड़ी थी...इनिी फेट िो उठा िे रे गए हैं Qamar looks at him... QAMAR याभाधीय ससॊह िे रौंडे होंगे... SARDAR KHAN कितना फज गमा है ?

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EXT. WASSEYPUR ROAD 1 - DAY Sardar and Asgar get on a cinema wagon. The wagon is used for film promotions. This time it is for the hindi film "Kasam Paida Karne Wale Ki". A song from the film is playing on the mike and one guy dressed like Mithun Chakravarty (hero of the film) dances on the song. Sardar gets on the mike. SARDAR KHAN फस फस फस फस....हज़यात, हज़यात, हज़यात! फड़े

ह

अफ़सोस िे साथ मे एरान किमा जाता है कि िर शाभ वससऩयु िी एि रड़िी िो अगवा किमा गमा है . जनाफ

अगय अगरे तीन घॊटे िे अॊदय रड़िी सह सराभत अऩने घय नह ॊ ऩहुॉची तो ऩूये इरािे भें इतना फभ भायें गे कि इरािा धुआॉ धुआॉ हो जाएगा.. औय दहमाॉ िे भॊत्री श्री याभाधीय ससॊह जी िे ऩयू े खानदान से यॊ डी िा नाच

नचाएॊगे.. हज़यात, हज़यात, हज़यात....सराभ वारेिुभ...फजा ये ...

Song and dance begins again.

I/E. RAMADHIR SINGH'S HOUSE 2 - DAY Ramadhir listens to the announcement while on the phone. RAMADHIR SINGH (On phone) अये भेरा तो रगफे िये गा बाई, जन्भाष्ट्टभी है , िोई भुहया भ थोड़ी ना है .... Shut the door. How much more do you want your father to be He goes out to look at Sardar Khan ridiculing him on the announcement. He comes back in with J.P RAMADHIR SINGH (to JP) फॊद ियो दयवाजा.औय कितना फेइज्जत ियोगे फाऩ िो फेटा? हैं? ऩता ियो जा िे िौन हयाभी है जजसिा जवानी इतना जोश भाय यहा है ? J.P SINGH जी वऩताजी. JP Singh walks out. Some people come and ask him for help. They touch his feet. Ghanshyam दजान ठो िाभ है ! J.P SINGH (CONT'D) हाॉ ठीि है ठीि है ठीि है ठीि है ...

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(to Ghanshyam) गाड़ी राओ... (to the people) अये बाग, बि...हट हट

EXT. WASSEYPUR ROAD 1 - DAY J.P Singh and his men go out to find out about the abducted girl. They stop a passerby. J.P SINGH आऩ इसी भोहल्रे िे यहने वारे हैं? STREET MAN हाॉ जी. J.P SINGH अच्छा महाॉ से...अ ...िोई रड़िी िो गामफ किमा है क्मा? STREET MAN हाॉ वो असरभ साहफ िी रड़िी थी. They drive around to find the boys who abducted the girl. They stop by at the petrol pump.

EXT. PETROL PUMP - DAY GHANSHYAM तीन चाय ठो रौंडा वासेऩुय से रड़िी उठा सरमा है ...महाॉ यात िो ऩम्ऩ ऩय ददखाई तो नह ॊ ददए? दारु वारू ऩीए हुए? PUMP ATTENDANT भोहससन तो नह ॊ था? Ghanshyam looks at J.P Seeking affirmation GHANSHYAM भोहससन?

INT. ABANDONED BUILDING - DAY J.P and his men come to an abandoned place. The abducted girl is about to hit the boys with a brick. She hides as she hears the sound of Jeep. J.P comes in and looks at the drunk boys. J.P SINGH उठा भादय चोद िो...उठा

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His men start beating them.

INT. RAMADHIR SINGH'S HOUSE 2 - NIGHT RAMADHIR SINGH (on the phone) ऩगरा गएॉ हैं िा सफ? रक्ष्भनवा िा िा हस्र हुआ था, सफ बूर गए िा? INT. ABANDONED BUILDING - NIGHT J.P comes back with a gun. DRUNK BOY 2 (O.S.) दारु फहुत ऩी र थी हभने. सड़ि ऩे जाती हुई ददखी तफ उठामे, आऩ फताईमे हभ क्मा ियते अफ? J.P shoots the boys. Two shots. We don't see whom he shoots. J.P SINGH इन दो राशों िो, औय रड़िी िो इज्जत िे साथ ऩहुॊचा द जजए GHANSHYAM ठीि है .

I/E. QAMAR MAKHDOOMI'S HOUSE - NIGHT Asgar and Sardar come to Qamar's house. The abducted girl's father is weeping. Lot of crowd has assembled around the place. Two of the drunk mens' dead bodies are laid out. SARDAR KHAN िा हुआ चचा? ASGAR रास दो िा ह बेजें हैं, रड़िी फोरती है चाय थे.

I/E. DRUNK BOY'S HOUSE - DAY Asgar and Sardar arrive at the drunk boy's place. Sardar is trying to kick the door open. It wont open. Asgar interrupts. SARDAR KHAN खुरेगा भादयचोद! ASGAR ए ए एि सभनट...____ SARDAR KHAN अच्छा.

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They enter the house. SARDAR KHAN िहाॉ हैं? अये दे खखमे इन्हें ...अये महाॉ तो सयाफ वयाफ चर यहा है बाई. िहाॉ िहाॉ खोज िे हभ रोग आ यहे हैं. आऩ भें से भुसरभान िौन है ? हैं? DRUNK MAN बाई One of them points at the other drunk man. Sardar shakes hands with the Muslim man. SARDAR KHAN (CONT'D) अये हभ बी भुसरभान हैं. सराभ वारेिुभ. Asgar holds the non-Muslim guy and takes him to the other boy. ASGAR चर फेटा. चर..अफे चर.... DRUNK MAN बाई..बाई..बाई..बाई..बाई...आआ... Asgar takes him to the other room. Asgar takes a knife and starts chopping the man. Sardar continues to talk to the other man. SARDAR KHAN क्मा बाई, हैं? इतना सफ दौड़ चर यहा है , ताजा रग यहे हो...चरो उठो, हो गमा. िाभ खतभ, चरो ...च...उठो उठो उठो, जल्द ...हो गमा, कितना वऩमोगे? सेहत खयाफ हो जामेगी...चरो चरो चरो चरो, इधय आओ, इधय आओ, इधय..... Sardar takes him in the other room and makes him see the massacre. SARDAR KHAN अये , अये , अबी से? दे ख, आयाभ से दे ख....आयाभ से दे ख, आयाभ से दे ख, आयाभ से दे ख....दे ख दे ख....ए िाट, इसिा औजाय िाटना, औजाय िाट, औजाय िाट...हाॉ हाॉ दे ख दे ख दे ख दे ख दे ख The drunk man is horrified but Sardar puts his hand on his mouth and makes him watch the whole thing.

INT. DRUNK BOY'S HOUSE - DAY Ramadhir and J.P have come to inspect the place. A police officer, Gopal Singh gets them to witness. Ramadhir and JP watching in horror. GOPAL SINGH सय फॉडी िाट िे फ़ेंि ददए हैं. डडसअवऩमय िय ददए हैं एिदभ से. ऊॉगर ति नह ॊ छोड़े हैं. सफुतवा िहाॉ से रामेंगे.

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Ramadhir and JP are speechless. They leave the place. JP tries to speak to him. J.P SINGH फाउजी... Ramadhir asks him to leave with a gesture.

INT. QAMAR MAKHDOOMI'S HOUSE - DAY Qamar Makhdoomi is getting the abducted girl married to the drunk man who abducted her. QAMAR MAKHDOOMI आऩिा ननिाह सफय ना खानुभ, दख् ु तय सोहे फ खान िे साथ भें भेहय एि राख िे तहत तम किमा गामा है . क्मा आऩिो मे ननिाह िफूर है ?

The drunk man is beaten up badly. He can barely speak. Asgar responds. ASGAR हाॊ िफूर है . QAMAR MAKHDOOMI इनिा फोरना जरूय है . Asgar beats the man. ASGAR फोर फे. QAMAR MAKHDOOMI क्मा आऩिो मे ननिाह

Asgar forces him to say it

िफूर है ? ASGAR फोर ननिाह िफूर है DRUNK BOY 1 िफूर है

I/E. A TEMPLE - DAY Ramadhir and C.S come to visit a temple. Ramadhir touches his feet when he arrives. CUT TO: INT. QAMAR MAKDOOMI'S HOUSE - DAY Sardar Khan calls Ramadhir. Qamar Makdoomi and Asgar watch. SARDAR KHAN

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स..सराभ भॊत्री जी. अये ऊ क़ाज़ी साहफ ने भेहय िा यिभ ए.. एि राख रूऩमा तम किमा है !अये िौन दे गा? CUT TO: INT. RAMADHIR SINGH'S OFFICE - DAY Ramadhir puts some money in a briefcase and gestures to JP Singh to deliver it. CUT TO: INT. RAMADHIR SINGH'S HOUSE 2 - DAY C.S guides Ramadhir. C.S. भुसरभानों से रड़ना है तो भस ु रभानों िो जोड़ रो साथ भें , उन भुसरभानों िो जजनसे फािी िे भुसरभान डयते हैं, िसाई ऩट्टी िे भल् ु रे CUT TO: INT. RAMADHIR SINGH'S OFFICE - DAY Ramadhir picks up the phone and dials it. RAMADHIR SINGH (on the phone) एहसान िुयै शी CUT TO:

183 EXT. RAMADHIR SINGH’S HOUSE 2– DAY | 1984 SULTAN enters the courtyard..Ehsan gestures him to come in.. SULTAN िहाॉ चचा.. िहाॉ EHSAN उधय.. चरो CUT TO:

184

EXT. RAMADHIR SINGH'S HOUSE 2– DAY | 1984

They walk in. Ehsan introduces Sultan to Ramadhir. EHSAN QURESHI (CONT'D) भासरि मे सल् ु तान है

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Sultan touches Ramdhir's feet and sits down. RAMADHIR SINGH अये . अये .. अये ऊऩय फैठो.. ऊऩय फैठो.. SULTAN न.. नह ॊ RAMADHIR SINGH अये कपय वह फात.. िैसे? फदढ़मा सफ SULTAN जी जी.

Sultan is quite pleased. He looks around the house. RAMADHIR SINGH हभने सन ु ा कि वासेऩयु भें क्मा हुआ.. Ramadhir's wife Suman walks in to the hall. SUMAN आऩ रोग खाना वाना नह ॊ खाएॊगे? RAMADHIR SINGH अये खाएॊगे, दे खो िौन आमा है .. सुल्तान Suman is unsure but nods. SUMAN अ.. अ.. हाॉ RAMADHIR SINGH ऩहचानी ना.. SUMAN हाॊ हाॊ फतामे यहे एि फाय.. Sultan touches her feet. SUMAN (CONT'D) अ..खुस यदहमे..अ तो रगा दें खाना? RAMADHIR SINGH हाॉ..बफल्िुर रगाओ. SUMAN चीनी सभट्टी वारे भें रगवा दे यहे हैं Ramadhir nods in a yes and continues talking to Sultan. SUMAN

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ठीि है . RAMADHIR SINGH कितने भये SULTAN फायह रोग भय चि े हैं भासरि… ऊ सारा सफ एटभ फभ भायता है .. चािू तरवाय से ु भुक़ाफरा थोड़ी होगा Suman is asking the house help to get the china-ware instead of the regular ones. SUMAN रे आओ.. जल्द रे आओ.. अये वो नह ॊ..भस ु रभान है .. रे जाओ उसे. RAMADHIR SINGH अये .. सयदाय िुछ नह ॊ है .. तभ ु उसिे फाऩ िो नह ॊ जानते.. हभाये सरए िाभ ियता था.. उसिो दे ख िे तो फड़े फड़ों िा खड़े खड़े भूत ननिर जाता था.. सारा सयदाय अऩने फाऩ िे झाॉट िे फयाफय नह ॊ है SUMAN चीनी सभट्टी राओ.. थगरास रे िे आओ RAMADHIR SINGH तुभ जजत्ता चाहो हथथमाय हभ तुम्हे दें गे..तुभ आदभी इक्िठा ियो उनिे ऩास फभ है , हभ तुम्हे वऩस्तौर दें गे. खतभ ियो सारों िो..चुन चुन िे गाॊड भें गोर भायो सफ िी.. ई ल्मौ SULTAN जी भासरि. RAMADHIR SINGH हो ऩामेगा? SULTAN हाॉ भासरि.....ऑटोभेदटि.. ऑटोभेदटि वारा हथथमाय भॊगवाइमेगा RAMADHIR SINGH सफ सभरेगा SUMAN थगरास रे िे आओ RAMADHIR SINGH सीखो इनसे िुछ... िुछ िाभ िे नह ॊ फस फैठे फैठे िुसी गयभ ियते हैं... जाओ अऩनी अम्भा िा हाथ फटाओ.. चरो.. CUT TO:

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EXT. COAL MINES 4 - DAY Some workers steal some coal and load it on their heads and go. SUPER - 1989 NASIR KHAN (V.O.) सभम अफ वो आ गमा था िी िोमरे िी चोय अफ छोटा िाभ हो गमा था जो िी िोमरा भजदयू अफ खद ु ह सेंध रगािय छोटे ऩैभाने ऩे शुरू िय ददए थे. INT. COAL MINE - DAY Some workers get inside a mine with torches on them. They get in further to show that some logs of wood are supporting the ceiling of the mine at one place. NASIR KHAN (V.O.) फड़ा धॊधा था ठे िेदाय

EXT. WOODCUTTING FACTORY Logs of wood is unloaded from a truck. It is then cut with automated axe - machine. NASIR KHAN (V.O.) चाहे वो खोखर खदानों भें रिड़ा रगाने िी ठे िेदाय हो मा फेिाय खदानों िो फारू से बयने िी ठे िेदाय हो.

EXT. COAL MINE AREA - DAY Nasir gets off a truck at a coal depot. He goes to the payment counter. A B.C.CL. officer is sits looking at the truck.. Nasir puts the invoice. Officer looks down at it.. It has 32 trucks written on it. B.C.C.L OFFICER इसभें फत्तीस रि ये ट सरखा हुआ है . NASIR खड़ा तो है , फत्तीस ठो रि B.C.C.L OFFICER (looks) िहाॉ है NASIR दे खो ना B.C.C.L OFFICER वो तो एि है .

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NASIR वह तो है , फत्तीसवाॉ. Officer looks at the SARDAR. B.C.C.L OFFICER हभिो साया खदान बयना है , नह ॊ तो ज़भीन धॊस जाएगी. NASIR धॊसने द जजए ना .. धॊसेगी तबी तो जा िे ओऩन िाजस्टॊ ग शुरू होगी ना?

NASIR KHAN (V.O.) (CONT'D) जजसिा वचास्व, उसिा ठे िा होता था...

EXT. RIVERBANK - DAY Some tractors loaded with sand leave a river bank. SUPER - 1990 NASIR KHAN (V.O.) हभ अफ िोमरा छोड़ िय नद किनाये ये त चयु ाने रग गए थे. EXT. COAL MINE - DAY Nasir drives a truck. NASIR KHAN (V.O.) ये त से खदान बयने िा ठे िा सयदाय ने भेये नाभ ऩे सरमा था. औय सयदाय खद ु वासेऩयु िा फेताज फादशाह हो चि ु ा था.

I/E. SOME HOUSE - DAY Sardar's men and him get into a house. We hear gunshots inside the house. They then come out. NASIR KHAN (V.O.) िुये सशओॊ िो भाय िय, उनिे घयों िो फभ से उड़ा िय, सयदाय ने उनिो वासेऩुय से धीये धीये बगा ददमा था औय खुद असगय िे साथ रोहा चोय िे धॊधे भें घुस गमा था.

EXT. WASSEYPUR. DAY A shot of Wasseypur city from a rooftop.

EXT. SCRAPYARD - DAY

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Some people loading scrap on to trucks. NASIR KHAN (V.O.) धनफाद भाकपमा िे सरए िोमरे िा चैप्टय अफ इनतहास हो गमा था...

EXT. WASSEYPUR STREET - DAY Sardar and Asgar are walking by. SARDAR KHAN वो हद्दी तरे वारे ताराफ िा टें डय ननिर यहा है ...सभझ यहे हो? ASGAR हैं...हाॉ ऩता चरा था हभिो. From across the street they see Nasir sitting with a grown up Danish. SARDAR KHAN असगय ASGAR हॊ ? SARDAR KHAN फड़ा हो गामा रौंडा....इधय आ... He gestures at Danish to come near. Danish and Nasir walk closer to them. DANISH सराभ अब्फू! SARDAR KHAN वारेिुभ! िाभ िये गा हभाये साथ? DANISH जी SARDAR KHAN क्मा चचा, रगा रे इसिो? NASIR KHAN रगाओ. किसऩे रगेगा? SARDAR KHAN िाभ ऩे मा धॊधे ऩे?

I/E. WASSEYPUR ROADS - DAY Danish is actively taking part in the iron scrap stealing business. He supervises an army of kids to get scrap off the trains, load them on themselves, ferry them into the workshop and get it processed.

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Badoor qureshi watches the kids carry stolen iron scrap in one of the lanes. DANISH यख िे कपय से आओ....आजा आजा आजा आजा.... चर चर चर चर चर....रे िे जा, रे िे जा...चर चर....

INT. SARDAR'S SCRAP FACTORY - DAY Sardar is sipping tea while Danish is handling the kids who are excited about their pay. DANISH ए चऩ च ऩ ...चरो राइन भें रगो, सफ िो ऩैसा सभरेगा...रगो..औय जो राइन भें नह ॊ है , ु ु ऩैसा भत द जजमेगा..

Asgar and Sardar come out. SARDAR KHAN ए दाननश, अम्भा िी तबफमत िैसी है ? DANISH ठीिे है . SARDAR KHAN पैजर औय फचुआ? उ िहाॉ हैं? DANISH अब्फू इि फात िहना चाहते हैं, िहें ? SARDAR KHAN िा है ? DANISH एि फाय घय आईमे ना. SARDAR KHAN अये आने िो तो हभ आ जाएॉ, रेकिन तेय अम्भी से डय रगता है ....याभाधीय ससॊह हभाया झाॉट बी नह ॊ उखाड़ ऩाए, रेकिन इसिी अम्भी चाहे ना, तो िढाई भें हभाया िरेजा डार िे उसिो तर दे ...सभझ गए ना? Sardar khan opens the gate as he says this. From across the road Sultan shoots at him. Danish pushes Sardar in order to save him. Sultan is on a motorbike with someone. They run off. DANISH अब्फू!! SARDAR KHAN रे िे आओ...िट्टा रे िे आओ... Asgar fires back at Sultan but the gun backfires.

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ASGAR उॊ ...तेय भाॉ िी! SARDAR KHAN िट्टा रे िे आओ! He sees Sultan fleeing. SARDAR KHAN (CONT'D) ए...िट्टा िाहें नह ॊ यखा है महाॉ ऩय...फॊदि ू िहाॉ है ? चूतीमा स.. He realizes Danish is hurt. SARDAR KHAN (CONT'D) दाननश? अये दा...ए गोर रग गमा है , गोर रग गमा है इसिो DANISH हभ ठीि हैं अब्फू SARDAR KHAN ए ए जीऩ रे िे आओ....अस्ऩतार रे चरो DANISH अये हभ ठीि हैं.. SARDAR KHAN ठीि िहाॉ है ...ठीि िहाॉ है , ठीि िहाॉ है ... Sardar keeps slapping Danish. ASGAR अये ठीि...अये ... SARDAR KHAN ठीि िहाॉ है सारा, ठीि िहाॉ है ? DANISH िुछ नह ॊ हुआ है ASGAR चर इसिो उठाओ...उठाओ ये , चर फेटा, चर..उठाओ... They all pick him up. DANISH अये असगय चचा, िुछ नह ॊ हुआ है ASGAR अये ठीि है फेटा.. DANISH अये िुछ नह ॊ हुआ है

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SARDAR KHAN चुऩ फैठ, बफठाओ, बफठाओ, बफठाओ, बफठाओ इसिो ASGAR उधय रे रो....दाननश फैठो...चर चर Danish is taken into the Jeep. Sardar cant find the keys. SARDAR KHAN चाबी...ए चाबी िहाॉ है ...चाबी िहाॉ है ...िहाॉ है _____चाफी सारा DANISH अये असगय चचा, हभ ठीि हैं SARDAR KHAN __________ए चाबी िहाॉ है ? ASGAR अये चाबी तो तुम्हाये ऩास भें थी ना! CUT TO:

INT. ISMAT NURSING HOME - DAY Sardar and his men get Danish to the hospital. Sardar is furious. SARDAR KHAN (to the Doctor) ए डॉक्टय, हभाये फेटे िो दो गोर रगी है ...इसिो दे खो. DOCTOR फेटा िहाॉ है ? SARDAR KHAN अये मे यहा.. Danish is standing over by him. DOCTOR मे तो खड़ा है SARDAR KHAN तेय भाॉ िा डॉक्टय भारूॊ, खड़ा हो, उठ...चू..रे िे आ...चर Sardar gets the doctor at gun point. DOCTOR इ िा है ? Sardar drags him in the operation room. Its a dark room. SARDAR KHAN अये , बफजर चराओ असगय

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Asgar switches on the light. SARDAR KHAN ए, सरटा इसिो, सरटा....ए अऩने आऩ नह ॊ रेटेगा, अऩने आऩ रेट यहा है ...भय जाएमा तो? DOCTOR क्मा है मे?

SARDAR KHAN सरटा...उधय ऩिड़...ए िभीज़ खोर, िभीज़ खोर, िभीज़ खोर इसिा, चर..हाॉ... Suddenly the light in the room goes off. SARDAR KHAN (CONT'D) िा हुआ? ASGAR अये रगता है बफजर गमी! SARDAR KHAN बफजर गमी? तो तो क्मा हुआ? ऑऩये सन िय.. DOCTOR अफ अॉधेये भें िुछ नह ॊ हो सिता है SARDAR KHAN अफे..अ..िुछ नह ॊ हो सि..गाण्ड िे अॊधे! बफजर चर गमी तो क्मा हुआ ऑऩये शन िय... DOCTOR सयदाय बाई, भेये वऩछवाड़े भें िोई ट्मुफराइट नह ॊ रगी है , अॉधेये भें िुछ नह ॊ होगा...सफ गरत हो जाएगा...

SARDAR KHAN गरत होगा तो गरा िाट दें गे भादयचोद...सभझ गए? ऑऩये शन िय.

INT. ISMAT NURSING HOME - DAY The hospital is lit up with candles. Nagma comes to see Danish NAGMA KHATUN दाननश िहाॉ है ? NASIR KHAN वहाॉ अॊदय ऑऩये शन थीएटय भें , ऩट्टी चर यहा है NAGMA KHATUN िैसा है ?

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NASIR KHAN आऩ जाओ, जा िे दे ख रो.. NAGMA KHATUN िहाॉ? NASIR KHAN वहाॉ सीधे Nagma walks inside. She sees Danish being bandaged by the doctor and surrounded by Sardar and other men holding up torches. Nagma and Sardar sit together outside the clinic waiting. They are both emotional. Sardar holds Nagma's hand. CUT TO:

EXT. WASSEYPUR BRIDGE - DAY Sardar and Asgar ambush Ramadhir's car in the middle of the bridge. Sardar comes to Ramadhir's car and speaks to his driver. SARDAR KHAN खखसकिमे. Sardar gets into the car and drives. CUT TO:

I/E. OLD GARRAGE - DAY Sardar gets Ramadhir to a garage. SARDAR KHAN उतारयमे भॊत्री जी, अफ िा इजन्बटे शन िाडा दे ना होगा उतयने िे सरए? Ramadhir comes out of the car. Sardar walks toward the garrage owner. SARDAR KHAN (CONT'D) ए ए... GARRAGE OWNER जी SARDAR KHAN (CONT'D) मे जो साभने गाड़ी खडी है .... GARRAGE OWNER जी SARDAR KHAN ...उसिा ऩुजाा ऩुजाा खोर दो

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GARRAGE OWNER ठीि है . (to his men) अर , जभीर, आइमे SARDAR KHAN (to Ramadhir) अबी तो गाड़ी िा फस ऩुजाा ऩुजाा िय यहें हैं.. अगय हभाये फेटे दाननश िो िुछ हो

जाता ना, तो इतना गोर भायते कि आऩिा ड्राईवय बी ख़ार खोखा फेच फेच िय यईस हो जाता...भजा आ यहा है ? भजा आ यहा है ? (to Asgar) असगय..... ASGAR हूॉ? SARDAR KHAN ...जया सॉघ ि े फताओ भॊत्रीजी नास्ता भें िा खाए हैं? ू Asgar pretends to put his hand at Ramadhir's ass and then smells his finger. ASGAR जोरू िा भाय. SARDAR KHAN एॊ? ASGAR हाॉ SARDAR KHAN अच्छा फात नह ॊ है मे! ASGAR अये सॉघ ू ! Sardar laughs. They all laugh. CUT TO:

INT. DURGA'S HOUSE - DAY Sardar is in the kitchen with Durga. She's chopping vegetables. DURGA फोरने रामि िुछ छोड़ा हैं, जो फोरें ? SARDAR इसभें भुजयिर िा है .. एि भॊजजर ऩे तुभ यह रेना, दस ू ये ऩे नगभा.. अच्छा चाहो तो यसोई बी अरग अरग फना रेना..

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Durga becomes furious. She leaves the kitchen and comes near her son Definite. Sardar keeps calling out to her. SARDAR KHAN (CONT'D) दग ु ाा, दग ु ाा, ए दग ु ाा...दग ु ाा? DURGA (to Definite) फाफा चादहए तभ ु िो? DEFINITE हम्भ She goes back to where Sardar is standing. DURGA एि िाभ ियते हैं, तुभिो बी फीच भें से िाट दे ते हैं.. एि टाॊग हभाये ऩास, एि टाॊग उसिे ऩास, एि ठो गाॊड हभिो दे ना, एि उसिो... औजाय बी फीच भें से िाट रेते हैं...भॊह ु से भत ू ना Sardar slaps her. Durga just leaves him and shuts the door. SARDAR KHAN ए ए...फॊ फॊगारन, खोरो ना... DURGA ननिर जाओ महाॉ से SARDAR KHAN तुभ नह ॊ आओगी? DURGA िबी नह ॊ. SARDAR KHAN ठीि है ...फाद भें आतें हैं.. Definite asks Durga DEFINITE भाॉ, फाफा िहाॉ गए हैं? DURGA जहन्नुभ भें .. तुम्हाया हि किसी औय िो दे ने CUT TO:

INT. RAY TALKIES - DAY A grown up Faizal Khan is watching a film. Faizal watching the film with Fazlu. Amitabh Bachhan's scene from Trishul plays on screen.. Amitabh blasting the mines with his beedi and walking. Followed by his dialogue "jis aadmi ne aapne maa ko roj teel teel marte dekha, usse maut se kya dar.." ['For someone who's seen his mother die on a daily basis, why would he ever fear death'.]

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[TRISHUL: FILM PLAYS ON SCREEN] Faizal looks at a girl in the front row who's hooting with excitement. She is Mohsina. MOHSINA ओ जीमो फच्चन...ऊ ऊ... She is whistling. The film is over and everyone come out. Mohsina goes to the usher along with her friends. MOHSINA (CONT'D) बैमा एि औय शो दे खने द जजए ना! हाॉ? दे खने द जजए ना बैमा....हम्भ? अये दे खने द जजए ना, योज तो दे खते हैं...जाएॉ क्मा बैमा? USHER दटिट MOHSINA नह ॊ है ना बैमा, दे खने द जजए ना! Faizal turns back to see her. He is reminded of his childhood. FAZLU ए पैजर, सरट्टी खामेगा? FAIZAL KHAN हाॉ CUT TO:

EXT. FAIZAL'S HOUSE - DAY Faizal and Fazlu are walking back home after watching the film. FAZLU हभये साथ चर, िहाॉ सॊजीव िुभाय िे घय जाएगा? [Reference to TRISHUL] FAIZAL KHAN जफ ति वह दा यहभान जजन्दा है ..सॊजीव िुभाय ह सफ िुछ है . [Reference to TRISHUL] CUT TO:

INT. FAIZAL'S HOUSE - DAY Sardar is having tea with Danish and the rest of the family. Nagma is cleaning with a vacuum cleaner. SARDAR KHAN असर वऩस्तौर िा भुिाफरा हभ मे िट्टा से नह ॊ िय सिते हैं. DANISH िा, िा, िा फोर यहें हैं? SARDAR KHAN

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(to Nagma) ए फॊद ियो ना. NAGMA KHATUN फहाय जाओ ना, हभिो िाभ ियने दो. SARDAR KHAN हभ बी तो िाभ िी फात ह िय यहे हैं ना. NAGMA KHATUN इतना फड़ा घय भें मह ॊ िाभ िा फात ियना है ? फाहय जा िे िाभ िा फात ियो ना. SARDAR KHAN ए फॊद ियो ना! NAGMA KHATUN फाहय जाओ ना! SARDAR KHAN फॊद िय दो! NAGMA KHATUN फाहय चरे जाओ! SARDAR KHAN फॊद ियो...िा िय यह हो? They move out of the hall. DANISH िा िह यहे थे अब्फू? SARDAR KHAN तुभिो अबी ज्मादा रोग ऩहचानते नह ॊ हैं. तुभिो हभ एि ऩता दें गे.. वहाॉ एि मादवजी िय िे हैं.. दो राख रुऩै भें छह फन्दि ू दे यहें हैं

.. असर रेकिन सेिॊड है ण्ड .. एि एि

फन्दि ू िा िीभत डेढ़ राख िे ऊऩय है DANISH द ू राख भें छै ठो, रेकिन इतना सस्ता िाहे दे यहें हैं? Faizal is watching all this and he interrupts. FAIZAL हभ जाएॉ? बाईजान िा तो अबी जखभ बी नह ॊ बया है .. हभिो बी तो नह ॊ न िोई जानता है .

I/E. TRAIN - DAY Faizal is on his way to Banaras, smoking up. CUT TO:

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I/E. BANARAS HOTEL - DAY Faizal gets out of Varanasi railway station. He asks for directions and walks through Benaras streets. He arrives at the same hotel where his grandfather had come years ago. He checks in. Mr. Yadav comes to see him. There is a knock at the door. FAIZAL KHAN खुरा है . Mr. Yadav comes in. Keeps his bag on the table. Shuts all the windows and opens the last window. He takes the guns out of the bag and lays them all out on the table. Faizal gives him the money. FAIZAL KHAN मे र जजए. Mr. Yadav takes it and leaves. FAIZAL KHAN अल्राहाकपज! Faizal looks at the gun and fancies them. He picks one up and makes a mark on it with his key "F.K" CUT TO:

INT. TRAIN COMPARTMENT - DAY Faizal is looking at this guy who looks like Amitabh Bachchan. The cops come for an inspection in to the train. COP चौआर स, ऩैतार स, नछअर स, सैतार स, उनचास, ऩचास....ए... FAIZAL KHAN िा है ? COP िहाॉ जा यहा है ? FAIZAL घय COP िहाॉ? FAIZAL फात िा है ? COP अफे, जवाफ दे ता है कि िरूॊ अन्दय, घय िहाॉ है ? FAIZAL

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धनफाद COP हाॉ...कितना साभान है ? FAIZAL एि. COP िहाॉ है ? FAIZAL नीचे COP (to constable) ए ऩाॊड,े जया सभान दे खो इनिा. COP िा है ई? हैं? िा है ई सफ? चर...रे न भें चरता है िी ऩूया साभान िा खदान रे िे चरता है ....ए..

The cops take away Faizal. The Amitabh Bachhan look-alike watches. CUT TO:

EXT. BANK - DAY Sardar is having tea with his men. He sees Fazlu and his men looting a bank. Sardar is surprised. CUT TO:

INT. FAIZAL'S HOUSE - DAY Nagma is taking care of a new refrigerator. Sardar comes in and sits down. SARDAR KHAN अये सारा वो पज़रू औय उसिे दोस्त रोगों िो दे खे हभ रट ू भाय ियते हुए .. िोई बी िट्टा रेिे घूभता है . वक्त फहुत फदर गमा है .. Nagma is engorssed with the fridge. Asgar and Nasir join her. NAGMA अये फॊदे नह ॊ होता है . Sardar continues with his talk. Danish comes and sits around him. SARDAR KHAN (CONT'D) सारा जजसिो दे खो वह फिैती िय यहा है ...ऩहरे जैसा नह ॊ है जहाॉ एि तयप याभाधीय ससॊह था तो एि तयप हभ थे. Asgar and Nasir are still engrossed with the refrigerator.

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NAGMA ई सफ िौन यखा है महाॉ? िटोय , चम्भच, थगरास... ASGAR ददभाग ठॊ डा ियता है ? NAGMA डार िे दे खखमे. NASIR KHAN ददभाग, ददभाग ठॊ डा नह ॊ ियता, जभ जाता है ...अगय हो तो, तुम्हाये ऩास ASGAR अये फाऩ ये ! Sardar continues to talk to Danish. SARDAR KHAN खून खयाफा फहुत हो गमा, िोई औय धॊधा ियते हैं DANISH जैसे िी? SARDAR KHAN यॊ गदाय .... Nasir joins Sardar and Danish. NASIR िा? िा? SARDAR KHAN अये यॊ गदाय ... रोग हभिो फहुत भानते हैं.. किसी िो प्माय से िहें गे, भन नह ॊ िये गा. ई फॊगार सफ फहुत आ गमा है , भछर खाने वारा.. छोटा भोटा भछर फेचने वारों िो फोरें गे, अये प्माय से, िी बाई िोई औय धॊधा खोजो ..हभ भछर फेचेंगे DANISH अगय ऐसा सोच यहें हैं तो, एि ठो तराफ है ना वससऩुय िे फाहय तोऩचाॊची भें , उ भॊददय वारों िा है . आऩिा एि ठो पोन जाएगा तो, वो सारा रोग ऐसे ह दे दे गा. SARDAR चऩ ु ... NASIR पोन िा ियें गे माय? SARDAR बफजनेस िा फात पोन ऩे ियते हैं? ऐ नगभा, अफ किज भें घुसी जाओ तुभ. दोनों िो फेच आमेंगे, तुभिो बी औय किज िो बी!

Nagma and Asgar are still engrossed in the fridge.

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NAGMA हो गमा! ASGAR हो गमा!

CUT TO:

EXT. TOPCHANCHI POND - DAY Danish is supervising the fishing business. DANISH ई ताराफ भें जो भछय भाया जा यहा है ना, ई सफ भछय अफ हभाया रोग िा है . मे ताराफ हभ रोगों ने खय द सरमा है . औय मे ताराफ िा एक्िो भछय चोय गमा ना, तो मेह ताराफ भें फुड़ा फुड़ा िे भाय दें गे. फूझ? े CUT TO:

INT. FISH MARKET - DAY Asgar extorts money from the fishermen in the market. ASGAR जल्द िरयमे…सराभ सभमाॊ!

CUT TO:

EXT. MARKET AREA - DAY Asgar collects "hafta" from some shopkeepers. SHOPKEEPER अये वारेिुभ सराभ असगय बाई! ASGAR िा फेटा? SHOPKEEPER रो.. CUT TO:

INT. JEWELER'S SHOP - DAY PBS - Oh womaniya begins

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Danish is at a Jewellery shop, collecting some payment from the owner. Shama Parveen and Mohsina have come to buy jewels. Danish is attracted to Shama. Looks exchange. He speaks to the jeweler. DANISH ऩूया है ना? JEWELER जी... SHAMA (O.S.) है ना भोहससना? MOHSINA (O.S.) शाद िे सरए... SHAMA (O.S.) मे ह चादहए.. JEWELER सुल्तान िी फहन है , सभा ऩयवीन. CUT TO:

I/E. MASJID - DAY Badoor Qureshi has just come out a prayer at the Mosque. SUPER - Badoor Qureshi Danish approaches him to talk. DANISH फदयू चा...ए फदयू चा, सुननए ना... BADOOR िा फात है फे नभाज़ ऩढ़ िे ननिरे हैं िाहे गार सन ु ना चाहते हो.. DANISH गरयमा िे खुस होंगे तो गरयमा र जजए....चचा मे जो झगड़ा चरा आ यहा है इसिो फॊद िरयमे ना BADOOR झगड़ा तुम्हये अब्फू ने शुरू किमा है DANISH चचा दे खखमे, वैसे तो हभये दादा िो आऩ िे दादा ने गाॉव से ननिारा था ना. अबी झगडा िा शुरुआत िहाॉ से

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हुआ ई सफ खोजते फैठेंगे तो िबी खत्भें नह ॊ होगा.. िबी ना िबी तो एि होना ना ऩड़ेगा? Badoor looks at him. BADOOR िहना िा चाहते हो? DANISH मह िी हभरोग िा धयभ एक्िे है .. हभरोग िभवा बी तो एक्िे ना ियते हैं सेभ टू सेभ.... प्माय भुहब्फत से सभझ रेते हैं.. ई खून खयाफा ियिे िा सभरेगा किसी िो फताईमे? BADOOR तम् ु हये अब्फू भानेंगे? CUT TO:

INT. SULTAN'S HOUSE. SHAMA'S ROOM - DAY Girls are singing and dancing - all dressed up. It appears to be an occasion. Mohsina is among them. CUT TO:

INT. SULTAN'S HOUSE. SULTAN'S ROOM - DAY Sultan is locked inside his room. He's trying to open it desperately. He knocks from inside and looks out through the window calling for help. SULTAN खोर...अर ...अर ...दयवाजा खोर. A woman passes in front of the locked room with a tray full of cold-drinks. She ignores Sultans pleas. SULTAN (CONT'D) सारे....ए...अच्छा नह ॊ होगा अफ...खोर दयवाजा.. Sultan is angry and keeps screaming from inside the locked room. CUT TO:

INT. SULTAN'S HOUSE. LIVING ROOM - DAY Danish's engagement in progress. Sweets are being served. Sardar, Danish, Qamar Makdoomi, Nasir, Asgar, Ehsan Qureshi etc are sitting there. SARDAR अच्छा फदहन हैं? रो...बईमा िो खखराओ, बईमा िो खखराओ.. बईमा िो खखराओ..हाॉ..

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CUT TO:

INT. SULTAN'S HOUSE. SHAMA'S ROOM - DAY Girls continue to dance and enjoy. Nagma conducts engagement ceremony for Shama by covering Shama's head with a red dupatta. CUT TO:

INT. SULTAN'S HOUSE. SULTAN'S ROOM - DAY Sultan screams. SULTAN चाचा गरत हो यहा है ई...भहॊ गा ऩड़ेगा सौदा तम् ु हाये सरए बी औय हभाये सरए.. He finds his gun but notices that there are no bullets in it. SULTAN (CONT'D) सारा, गोर गामफ िय ददमा है ...अच्छा नह ॊ हो यहा है चाचा...चाचा...ए.. CUT TO:

INT. SULTAN'S HOUSE. LIVING ROOM - DAY Everyone's busy celebrating. Sultan's voice can be heard softly from the other room over all the noise and music. Badoor stands in a corner watching all this and also listening to Sultan's threats. Sweets making rounds. Sardar offers them to someone. SARDAR KHAN आऩ नह ॊ रें गी? Nasir is also cautious of Sultan's screams from the other room. He looks at Qamar Makdoomi who also has ears for Sultan's threats. SULTAN (CONT'D) खोर दयवाजा...चाचा...ए..

CUT TO:

INT. BENARAS JAIL. MEETING AREA - DAY Danish has come to meet Faizal. They talk through the partition. Faizal has a beard. DANISH हभया ननिाह हो यहा है अगरा भह ना.. फस तम् ु हये छूटने िा इॊतज़ाय हो यहा है . आ जानते हो? आजिर ई सफ भाय िटाई िा िाभ फॊद िय ददमे हैं भछर फेचने िा नमा धॊधा सुरू

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किमे हैं. फहुत फदढमाॊ है . Faizal is looking elsewhere, as if not interested. DANISH (CONT'D) अये हुआॉ िा टुिुय टुिुय दे ख यहा है ये ? सुनो, ननिाह से ऩहरे हभ तम् ु हया िो रेने आएॊगे. फूझ? े

Faizal is still looking somewhere else. FAIZAL KHAN हभ आ जामेंगे ना CUT TO:

EXT. BENARAS JAIL. DAY Faizal walks out of the jail. He has a beard. CUT TO:

EXT. BENARAS STREETS - NIGHT Faizal walks through Benaras streets. He drinks lassi from a shop. He takes a ride on a cycle rickshaw. Smokes. Looks at shops, mannequins, etc. CUT TO:

EXT. BENARAS. GANGA GHAT - DAY Faizal gets a shave and checks out his reflection in a mirror. CUT TO:

I/E. BENARAS HOTEL - DAY An older Yadav Ji walks through the corridors of the same hotel we've seen before. He gets in to a room. Faizal is inside. FAIZAL KHAN सराभ मादव जी.. आइमे. Yadav Ji has come in with a bag. He takes out guns from the bags and spreads them out on a table, as before. Faizal picks up one of the guns and notices his initials (F.K.) still scratched on it. He realises it the same gun that he bought earlier and were taken from him by the cops. FAIZAL KHAN (CONT'D) दाना राए हैं? Yadav Ji puts a box of bullets in front of him. Faizal takes a bullet and loads the gun.

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FAIZAL KHAN (CONT'D) जेर भें आऩिा ऩुयाना साथी रोग सभरा हभिो. वऩछर फाय जफ अब्फू हभिो ऩैसा दे िे बेजे थे तो हभय सभझ भें नह ॊ आमा था, कि डेढ़ राख िा फॊदि े ा... ू िोई इतना सस्ते भें िाहे फेचग ई तो औय भहॉगा होना चादहए िाहे िी मे तो.....ऩैसा वहाॉ यखा है ढाई राख है ऩूया, फैग भें ....अफ हभिा ऩता चरा....कि मे तो आऩिे अब्फा िा पैक्र है फॊदि ू िा.

Yadav Ji looks at him with fear. Faizal points in the other direction. Yadav Ji checks the money and puts it in his bag all the while looking at Faizal. FAIZAL KHAN (CONT'D) मादव जी...दढचक्मौं... Yadav looks at him. Faizal pretends to shoot Yadav Ji, mockingly and laughs. Yadav Ji steps out of the room. Faizal cocks the gun and calls out to him again. FAIZAL KHAN (CONT'D) मादव जी... Yadav Ji looks back, knowing that he's going to be shot. Faizal shoots him for real this time. He drags Yadav Ji's body inside the room, packs up the guns and money.

INT. TRAIN TOILET - DAY Faizal hides the bag with guns and money in the train toilet, in the false ceiling above, next to the water tank. There's a knock on the toilet door. FAIZAL KHAN चैन से हगने नह ॊ दोगे क्मा? VOICE FROM OUTSIDE अये भेये िो बी हगना है , जल्द आ! Faizal is busy tightening screws of the false ceiling. FAIZAL KHAN दस ू ये उस भें हग जा. KNOCKING CONTINUES. FAIZAL KHAN अफे दस ू ये उस भें हग रे ना VOICE FROM OUTSIDE चर चर रे न रुिवाता हूॉ तेये हगने िे सरए... चर, खोर! Faizal is now done. He throws the screw driver through the toilet hole and opens the door. It’s a cop outside, the same cop who had

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arrested Faizal earlier. The cop checks the toilet and then follows Faizal in the compartment.

VOICE FROM OUTSIDE आजा! FAIZAL KHAN जा

INT. TRAIN COMPARTMENT DAY Faizal is arranging another bag on his seat. The cop approaches him. COP िा फात है ? फड़ी जल्द भें बागे... िहाॉ जा यहे हो? FAIZAL KHAN घय COP घय तो सफ जा यहे हैं... तभ ु िहाॉ जा यहे हो? FAIZAL KHAN धनफाद COP अच्छा... नाभ िा है ? FAIZAL KHAN पैजर खान COP पैजर खान... तुम्हया सभान है ? (Faizal nods) खोरो. Faizal hands him the bag. Cop checks it from inside thoroughly. He takes out all the clothes. COP (CONT'D) िा ई सफ... नमा िऩड़ा? FAIZAL KHAN वो वऩछरा फैग जेर वारों ने नह ॊ रौटामा COP अच्छा... औय वो किसिा सभान है ? SOMEONE भेया है .. COP

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यखो FAIZAL KHAN ऩूया प्रेस खयाफ हो गमी COP चरािी!... चरो! (to Faizal) ऐ... आमेंगे कपय हभ. Faizal smiles. PBS - I am a hunter begins There's a group of young college boys (hippie style) singing a song. Faizal listens to the song and enjoys. He also notices that there's a man by the door of the train bogey who's keeping a watch at him. Faizal walks up to the other door of the train, leans out and writes something on the train wall outside. Faizal watches the boys sing and enjoy. CUT TO:

EXT. DHANBAD RAILWAY STATION - DAY Faizal comes out of the station. Fazlu is waiting for him. They meet and leave. The other man from the train follows them. CUT TO:

EXT. DHANBAD STREETS. DAY Faizal and Fazlu are on a cycle rickshaw. The other man from the train is following them on another cycle rickshaw. Fazlu keeps a watch on the other man. CUT TO:

EXT. RAMADHIR SINGH'S HOUSE 2 A caravan of many Ambassador cars pass through Dhanbad streets. The car with the red light on top of it enters Ramadhir's bungalow compound. Lots of people are waiting for a meeting with the minister. Sultan is waiting there with Jabbar and Ali inside the bungalow premises. Ramadhir gets out of the car. Sultan touches Ramadhir's feet. Ramadhir ignores him and walks inside. Ehsan Qureshi also gets out of the car. He also ignores Sultan and walks ahead. Sultan feels dejected. SULTAN दे खे नह ॊ िा... ALI चयभा रगा, शामद...

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INT. RAMADHIR SINGH'S HOUSE 2. LIVING ROOM - DAY Ramadhir is reading from a wedding card invitation. Ehsan Qureshi ushers Sultan inside the room. Sultan stares at him but he looks down. RAMADHIR SINGH ना िोई किसी िा यिीफ होता है , ना िोई किसी िा हफीफ होता है , खुदा िी यहभत से फन जाते हैं रययते जहाॉ जजसिा नसीफ होता है . Sultan touches Ramadhir's feet and waits for his response. SULTAN हभसे िुछ गरती हो गमा क्मा भासरि? Ramadhir throws the wedding card on the table. RAMADHIR SINGH मे दयु भन िे महाॉ रययता जोड़ िे हभसे ऩोर ट क्स फनतमा यहे हो तुभ? सयदाय खान िे महाॉ ब्माह हो यहा है ना? औय इससरए जजन्दा बी है वो... अफ तो सेहया बी फॊधेगा, बफरयमानी बी फनेगी, क़ुफर ू है , क़ुफर ू है ... ई हभिा क़ुफर ू नै (नह ॊ) ना...

EXT. RAMADHIR SINGH'S HOUSE 2- DAY Sultan walks out with Ehsaan, Ali and Jabbar. They're all and serious. Suddenly Sultan takes out his slipper, picks Ehsaan notices this and starts running. Sultan chases him slipper in hand, catches up to him and starts hitting him slipper. The other two control him. JABBAR सुर... सुरतान... अफे रुि... ऐ सुल्तान, ऐ, ऐ... EHSAAN QURESHI ऐ क्मा िय यहा है फे... अफे... अफे रगता है फे... ALI अये क्मा हुआ? EHSAAN QURESHI अफे रग यहा है ... JABBAR अये छोड़ मे... EHSAAN QURESHI अये क्मा फोरते उनिो... ALI अये चाचा... चाचा... EHSAAN QURESHI

quiet it up. with his with the

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अये न्मौता दे ख िे फौया गए वो...

INT. SULTAN'S HOUSE - DAY Shama is sitting all ready for the wedding. Mohsina and Nagma sit next to him among other ladies. They are putting the "sehra" on Shama's head. Other ladies are singing. NAGMA आह... फताइए... ठीि से फाॉधो बई... Sultan enters the house with Ali and Jabbar. People are arranging furniture and decorations in the house. Badoor is supervising it.

SULTAN िहाॉ है फुड्ढा सारा फेइज्जत ियाता है ... BADOOR QURESHI ऐ बाईसाफ... ई िा िय यहे हैं... अये झारय ऐसे रगाइएगा... दे खखमे उधय गुच्छा खुर गमा... SULTAN सजा यहे हैं... िाहे सपेद ऩदहने हैं भातभ िा िऩड़ा, हह? रहॉगा नह ॊ ऩदहने हैं... अये रहॉगा, रहॉगा राओ... सारा ई औयतन िे साथ रहॉगा ऩदहनेंगे... BADOOR QURESHI सल् तान, सल् ु ु तान! ऐ चऩ ु ... सल् ु तान... SULTAN रौंडा नह ॊ नाचेगा, आऩ रोग नाथचमेगा आज... ऐ फौ... रहॉगा राओ! फहुत___ BADOOR QURESHI अये सुल्तान, सुल्तान! हभय आऩसी यॊ जजश िा पामदा ऊ याभाधीय ससॊह उठा यहा है ... अये ऊिा िा वास्ता है वसईऩुय से... SULTAN अये ये ये ... शयभ नह ॊ आता है आऩिो... शय प िुये शी िी औराद हैं... सल् ु ताना डािू िे... अॊग्रेजों िा गाॊड पटता था उनसे... औय आऩ हैं कि खार शिर ऩामा है दे खो इनिो... दे खो! BADOOR QURESHI सल् ु तान... SULTAN जजगया नह ॊ है इनिे ऩास! BADOOR QURESHI

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सुल्तान हभ तुम्हाया गुस्सा सभझते हैं... ऩय महाॉ ऩे रड़ाई ियने िा िोई भतरफ नह ॊ है .. SULTAN छोडड़मे... छोड़ो! BADOOR QURESHI अये हभिो सयहद भें यहना चादहए... SULTAN हभ भत फोसरए... अऩने साथ भत जोडीमे हभिो! अरग हैं! हभिो आता है नभि अदा ियना... आऩिी तयह नह ॊ हैं हभ... अये जा िे िोठा खोर दो सयदाय िे दयफाय भें , जाओ! BADOOR QURESHI सुल्तान, तभीज से फात ियो सुल्तान, मे... SULTAN ऐ! तभीज भत ससखाइए हभिो... तभीज ससखा यहे हैं... िहाॉ है ये ... िहाॉ है शभा... BADOOR QURESHI सल् ु तान, सल् ु तान महाॉ से... SULTAN हट! िहाॉ है बोसड़ी िे... BADOOR QURESHI सुल्तान... ननिाह चर यहा है ... SULTAN योिना मे... Badoor goes after him. Sultan goes towards Shama's room. Badoor stops at the living room where the wedding ceremony of Danish is going on. The priest is conducting the vows. Sardar, Asgar and other men watch. MAULVI दाननश खान. वल्द सयदाय खान. आऩिा ननिाह शभा ऩयवीन, दख् ु तय जाफ़य िुये शी िे साथ भैं इक्मावन हज़ाय रुवऩमा दे न भेहय िे तम किमा गमा है ... क्मा आऩिो मे ननिाह क़ुफूर है ? DANISH क़ुफर ू है . Sardar and other people congratulate each other. SARDAR KHAN भाशाअल्राह! भाशाअल्राह! भफ ु ायि हो! भुफायि हो! Faizal is also present there, but lost. CUT TO:

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Sultan enters the women's room where Shama and other women are waiting for the ceremony. The women stop singing as Sultan enters the room. Sultan goes up to Shama and whispers in her ear. SULTAN शभा! तुभ हभाय फहन हो इससरए िह यहे हैं, ननिाह क़ुफूर भत ियना नह ॊ तो भाॉ िसभ गोर भाय दें गे. Nagma who's sitting next to her, has heard all this. Sultan leaves. CUT TO:

INT. SULTAN'S HOUSE - NIGHT Wedding is through. Reception party is on. A singer performs on stage. He's a man but sings both in male and female voices. Guests enjoy the song. Sardar, Nasir, Asgar, Nagma, Danish, Shama, all enjoy and dance. Money being thrown. Sultan watches all this angrily from his roon on the first floor. Ehsaan gestures to him to saty in control and not do anything. Faizal walks to the other tent where food is being served. He notices Mohsina there, serving food. He starts dreaming a romance, but soon comes back to reality. There's a spark between the two. CUT TO:

EXT. DHABA - NIGHT Sultan is getting drunk at a dhaba with his friends. He is not happy. CUT TO:

INT. SARDAR'S HOUSE. DANISH'S BEDROOM - NIGHT Its Danish and Shama's wedding night. Shama is sitting with her head down, shy. Danish is smiling at her. DANISH जया हभय तयप दे खो. दे खो न िैसे खस ु ी िे भाये पूर गए हैं. अये ... िा हुआ? SHAMA PARVEEN हभसे ननिाह ियिे तुभने फहुत रोगों िी जान फचामी है . हभाये अम्भी अब्फू आऩिो फहुत दआ ु एॉ दे यहे होंगे. DANISH वो दआ दे यहे हैं तो तभ ु ु यो िाहे यह हो? SHAMA PARVEEN हभ खुस हैं ना. DANISH

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खुस हो? सच भें ... SHAMA PARVEEN हभभभभ... DANISH जानती हो, ई सफ हभने न ससफ़ा तुभिो ऩाने िे सरए न किमा... जफ ऩहर फाय तभ ु िा सुनया िी दि ू ान भें दे खे थे, तबी पैसरा िय सरए थे, चाहे िुछ बी हो जाए सभा ऩयवीन हभय होगी SHAMA PARVEEN एि फात तो फताओ... हभिो हभेसा इतना ह प्माय ियोगे ? DANISH हाॉ SHAMA PARVEEN ववद्मा िसभ DANISH (laughs) ववद्मा िसभ CUT TO:

EXT. POND - DAY Faisal and Mohsina walk next to a pond. They're on a date. Its a quiet romantic place. Mohsina sits on a bench and asks Faizal to sit too. MOHSINA फैठ जाइमे. He sits next to her. MohSINA (CONT'D) सफ कितना हया है ना... Faizal is looking at Mohsina. FAIZAL KHAN हम्भ, िापी हया बया है ... ताराफ. MOHSINA हभें हया फहुत ऩसॊद है . नमा सट ू ऩहने हैं आज हभ. FAIZAL KHAN नेर ऩासरस बी अच्छी है , रार. MOHSINA हभें रार बी ऩसॊद है .

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FAIZAL KHAN अबी तो हया फोरा था. MOHSINA दोनों ऩसॊद हैं. They're both quiet. Its an awkward moment. Faizal puts his hand on hers. She notices this. MOHSINA (CONT'D) िा है ? ई िा है ? भुस्िुया िाहे यहे हैं, ई िा है ? ऐसे अच्छा थोड़ी रगता है आऩिो ऩयभीसन रेनी चादहए ना! FAIZAL KHAN नह ॊ हभिो रगा कि... MOHSINA िा रगा? आऩिो रगा कि जो भज़ी ियें गे भतरफ हाथ रगा रें गे ऐसे हभिो? FAIZAL KHAN नह ॊ हभ सोचे कि वो... MOHSINA िा सोचे? जो सोचें गे वह ियें गे? ऩूछना चादहए आऩिो... ऩयभीसन रेनी चादहए... किसी िे घय जाते हैं तो ऩहरे ऩूछते हैं कि अॊदय आमें कि न आमें ना... Faisal is upset. He get up from there. Mohsina stops him. Changes her tone. MOHSINA (CONT'D) ऐ... िहाॉ जा यहे हैं? FAIZAL KHAN िुछ नह ॊ वो ऐसे ह फस... थोड़ा सा... MOHSINA अच्छा फैदठमे. FAIZAL KHAN Sorry, गरती हो गमी. MOHSINA Sorry िा फात नह ॊ है , हभ गस् सा नह ॊ हो यहे हैं. आऩिो ऩछ ु ू ना चादहए ना. FAIZAL KHAN Sorry MOHSINA हाॉ आऩ ऩूछ िे यखखमे हाथ, िोई भना थोड़ी है , ऩयभीसन रेनी चादहए. FAIZAL KHAN

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ऩयभीसन रें गे अबी जफ हाथ यखेंगे तो... MOHSINA Promise? CUT TO:

EXT. TOPCHANCHI POND - DAY Fisherman are busy at work. Asgar, Sardar and Danish are there. Danish walks up to Sardar. DANISH अब्फू... ऩनछभ िी तयप जो जार डारे थे वो भछर ऩिड़ र है . औय भायना है िा? SARDAR KHAN िाहे ? DANISH अब्फू... एि ठो जरूय िाभ था... SARDAR KHAN सभा िे ऩास?... जाओ. उसिे चक्िय भें फिय भत फन जाना. Danish smiles. Fazlu and Sultan are watching Sardar from a distance. They are sitting in a jeep on the other side of the pond. Fazlu's fills in Sultan with information on Sardar. FAZLU तोऩचाॉची औय आस ऩास िे सबी ताराफ ऩय िब्ज़ा िय सरए हैं मे रोग. Sardar kisses off Danish. SARDAR KHAN जा. FAZLU योज़ सुफह इधय आता है औय शाभ िो रौटता है . Fazlu and Sultan drive away. They pass Sardar's Ambassador car. CUT TO:

EXT. DHANBAD RAILWAY STATION - DAY Faizal goes back to the railway station. There's a train on the platform. He looks for a certain bogey. He then notices, "F K" scratched on a bogey and gets in it. He withdraws his bag with guns and money from the train toilet. The trains starts to move. He gets out of the slow moving train. CUT TO:

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EXT. FAZLU'S TERRACE - NIGHT Fazlu and Faizal are chatting with the other man from the train who was chasing Faizal earlier. They're smoking up. FAZLU िै सार हो गमा नौिय िो? MAN ऩाॉच सार FAZLU ऩर स ज्वाइन ियने िा िोई िायण? ु Man laughs. FAZLU ज़ॊजीय भें असभताब फच्चन ऩुर स ज्वाइन किमे िाहे कि उनिो फदरा रेना था. फाद भें उनिो अिर आ गमी. द वाय वऩक्चय भें फदरा रेने िे सरए गुॊडा हो गए! MAN हम्भ... FAIZAL KHAN भैं पेंिे हुए ऩैसे आज बी नह ॊ रेता FAZLU हम्भ क्मा? िुछ सभझ भें आमा? Superintendent साहे फ, हैं? MAN अये आऩ तो भजाि ियते हैं? Fazlu and man laugh. FAZLU ऐ िहाॉ जा यहा है फे? FAIZAL KHAN अये ... अब्फू ननिरने वारे है तोऩचाॉची... बईमा घुस गए िभये भें ननिाह िे फाद तो हभें ह जाना ऩड़ेगा. FAZLU अफे, अफे, फैठो फे... हैं? FAIZAL KHAN अये जाने दे ... FAZLU अये फैठो! ज्मादा रटिथगय भत ियो अऩने फाऩ िी. अॊडुआ फन िे भत घूभा ियो. अये उनिे आरा अफ्सय हैं ना उनिे साथ.

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FAIZAL KHAN अफे िर िोई नह ॊ है . FAZLU अफे फैठो. हभ छोड़ दें गे... खीॊचो, खीॊचो. CUT TO: Later, they're all sleeping on the terrace. Fazlu gets up and quietly goes downstairs to the phone. He speaks on phone to someone. FAZLU (CONT'D) हाॉ, हे ल्रो... िर डॉक्टय बफना आरा िे तोऩचाॉची ननिर यहा है ... हम्भ... CUT TO:

INT. SARDAR'S HOUSE - DAY Its early morning. Sardar walks down from his room and calls out for Danish. SARDAR KHAN दाननश. ओए दाननश. Nagma is working in the kitchen. She answers. NAGMA KHATUN दे य से सोमा है . SARDAR KHAN अच्छा.... पैज़र! NAGMA KHATUN पजरू िा पोन आमा था, पैज़रवा वह ीँ सो गमा था. SARDAR KHAN अच्छा... नाससय! NAGMA KHATUN सो यहे हैं ऊ बी. SARDAR KHAN असगय! NAGMA KHATUN फाहय गए हैं. SARDAR KHAN तुभिो फड़ा ऩता है सफिा. NAGMA KHATUN

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तुभ बोये उठ गए हो, सफिो थचल्रा-थचल्रा िे तॊग िय यहे हो. SARDAR KHAN हभाया नाभ िा है ? NAGMA KHATUN सयदाय खान. SARDAR KHAN चरो, माद तो है ! तुभ प्माज िाटो! साभ ति आमेंगे! NAGMA KHATUN ठीि है . CUT TO:

EXT. STREETS - DAY Sardar drives through streets. CUT TO:

I/E. DURGA'S HOUSE - DAY Sardar parks his car outside Durga's house. He walks up to the door and knocks it. SARDAR KHAN अये हभ हैं. Durga's son (Definite) comes out. Durga stands behind the curtain and looks from there. DEFINITE अब्फू सराभ. SARDAR KHAN सराभ. खश यह. ऐ स न ... अऩनी अम्भा िो िह दे ना हभ आमे थे. दस हजाय रुवऩमा है . ु ु िभ ऩड़े तो फता दे ना. सबजवा दें गे... अफ जाएॉ? He hands over a bundle of money to Definite, kisses him and leaves. SARDAR KHAN (CONT'D) खश ु यह... खद ु ा हाकफ़ज़. DEFINITE खद ु ा हाकफ़ज़ Durga calls Definite in when Sardar is gone. DURGA

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ऐ डेपीननट... इधय आ... चरो, अॊदय... She takes the money from him and goes and picks up the phone receiver which was on hold. DURGA (CONT'D) (on phoneवो ननिर गए हैं. CUT TO:

EXT. STREETS - DAY Sardar drives. CUT TO:

EXT. PETROL PUMP - DAY He stops his car at a petrol pump. He gestures to the pump attendant to fill his car's tank. He sits waiting. Suddenly he notices four men including Sultan, driving on two motor bikes towards his car. They take out guns and take a shot at him. Sardar ducks to protect himself. Many shots are fired at the car. Some people at the nearby tea stall hide and watch. SULTAN ऐ... चर, चर! चर बाग! चर बाग चर! The attackers start to leave on their motorbikes. One of the attackers is caught by a man and pulled back from the bike. This attacker is beaten and captured. The others escape. ATTACKER ओए हट! Sardar comes out of his car. He's hit on the forehead. He drops himself on a cart that's passing through. Cart moves away from the camera. The gun falls down from Sardar's hand, indicating he dies on it. All in slow Motion. SARDAR KHAN (V.O.) हभाय जजॊदगी िा एि ह भिसद है ...फदरा ...याभाधीय ससॊह िो फड़प्ऩन िा सीढ चढ़ते हुए दे खा नह ॊ जाता...उस हयाभी िो हभें सभटाना है ..गोर नह ॊ भायें गे सारे िो ..िह िे रें गे उसिी.

Gangs Of Wasseypur - Part 1 - Movie Script - Film Companion.pdf

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